#had to move the variables

[infamous-if]

✭INFAMOUS UPDATE IS HERE ✭

238K -> 457K WORDS

Please read this post before playing! It's finally here! After five months of writing and rewriting and salvaging and crying and sweating and bleeding I finally finished sort of kind of! Firstly, I want to thank you for your patience and understanding over this duration of this rewrite. It was stressful at times but I'm happy with the end result and I hope everyone else will be too :)

This will be the last chapter I release without beta testers/other sets of eyes so expect errors. I can playtest until my fingers turn blue but I'm just one person </3 I'm bound to have missed stuff.

Please let me know of errors! I tested it a few times with no problems but we know how it goes lol

IN THIS CHAPTER THREE UPDATE:

drama

mayhem

chaos

some betrayal

some surprises

just...read it lmao

PROLOGUE - CHAPTER 2 CHANGES:

**chapter two was too large of a file to upload on dd so I had to split it last minute and I uhhhh dont know how that translates in the demo but it should work lol please let me know if its wonky!**

fixed up grammatical errors and typos

expanded some scenes and added some more choices

you can now choose that your mc has "changed" in some way (drinking, no longer drinking, partier, no longer a partier, negative, positive, attached, detached, or a general default. I was asked to add an MC who "gets around" or hookups a lot but I'm still debating on whether I'll add that since there's already quite a bit lolol)

you can choose to have changed your band's genre before/after seven

TECHNICAL CHANGES:

you will be able to explicitly state your sexuality in the beginning. this was a big ask and I apologize for not doing it earlier! I wasn't good at coding when I started and I knew I always wanted to make the genders separate from MC's sexuality but I didn't know how to do that at the start :) So you can still choose the genders of the ROs for story purposes and variety. IF YOU DO NOT SEE ROMANCE OPTIONS THAT IS NOT A BUG. You simply chose a RO gender that doesn't correlate with the sexuality you chose for your MC. Having said that, if you do see a romance option available and it's not supposed to be there please let me know! That means I may have missed it coding-wise.

the stats have been all fixed! I've added all the necessary variables and such. The stat portion of the game has been updated with the appropriate pages but they're not finished. Still, the stats should be fine.

You will now have confessionals in the stat page! The feature still isn't a thing yet because I haven't come up with the confessionals lolol but you can click on it to see what it's about. Essentially, as you progress through the story you will be able to see confessionals from the cast of Infamous throughout. They disappear and appear periodically so if you miss it, THAT'S IT! You won't get a chance to see them again until MC watches an episode where it's relevant.

There is now a: Discography page, Infamous wiki, botb cast and staff page, and other characters page for organization. Those are not finished but they're there!

I changed a few stat names but their functions remain the same.

You will be able to choose how you would like to be described (masculine, feminine, neither, both).

O is officially gender-selectable.

You can set the genders of the ROs at the start or wait till you meet them.

PLAY HERE

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[bedlamsbard]

Now I'm just mad and that makes me sad. :/ I really do try incredibly hard not to hate things in this fandom, which doesn't always work out because, you know, feelings, and I don't want to think about hating things! I want to think about things I like!

[moderatetoaboveaverage]

"Boil water to turn fan" as if multistage steam turbine generators are not one of the sexiest kinds of machines every made

nuclear power is impressive until you get up to why. "we use the most precisely engineered machinery ever created to split atoms to release energy" oh yeah how come? "boil water to turn a fan" get the fuck out

[giddydelphiresearcher]

What the fuck

WAIT I figured it out!

So I wasn't entirely honest with that screenshot, because I cut off a very important detail:

I used the result of a function call as a parameter. Inside the inject function is another function call,

And then one more function inside that,

But we're getting pretty far off-track, as all of this is just for handling the syringe's durability. Nothing that interacts with cur_target at all. So off I went, thinking that the queue_free function somehow managed to delete it between the if statement and the tool_hit call. Or idk, maybe I managed to release the mouse at that exact moment, which is also a think that sets cur_target to null.

And then OH WAIT

Inside that durability_changed function is this little signal:

That's for when the syringe runs out of durability, causing it to be automatically unequipped. And when it's unequipped, it gets released. And when it's released, it sets its cur_target to null.

All of that manages to happen in between the if statement and the tool_hit call.

In conclusion, I have constructed a web of nightmares with my pitiful self at the center. Fixing it was pretty simple tho, I just made it so that the durability gets updated later, instead of in the middle of all the stuff happening.

[two-calicos-in-a-trenchcoat]

The horrors* are endless

[literaryvein-reblogs]

Writing Notes: Stages of Decomposition

The decomposition process occurs in several stages following death:

Pallor mortis

Algor mortis

Rigor mortis

Cadaveric spasm

Lividity

Putrefaction

Decomposition

Skeletonization

PALLOR MORTIS

The first stage of death.

Occurs once blood stops circulating in the body.

The cessation of an oxygenated blood flow to the capillaries beneath the skin causes the deceased to pale in appearance.

In non-Caucasians, the pallor may appear to develop an unusual hue; the skin will lose any natural lustre and appears more waxen.

Occurs quite quickly, within about 10 minutes after death.

ALGOR MORTIS

The cooling of the body after death.

The cooling process will be influenced by many factors, including the deceased’s clothing, or whether they are covered with bed linen such as blankets or duvets.

The body will typically cool to the ambient room temperature, but this alters if there is heating in the room or if there is a constant draught cooling the body.

RIGOR MORTIS

Can occur between 2 and 6 hours after death.

Factors including temperature can greatly affect this.

Caused by the muscles partially contracting, and the lack of aerobic respiration means that the muscles cannot relax from the contraction, leaving them tense, subsequently resulting in the stiffening we associate with rigor mortis.

This stage typically begins in the head, starting with the eyes, mouth, jaw and neck, and progresses right through the body.

The process is concluded approximately 12 hours after death (although, again, certain variables may occur) and lasts between 24 and 72 hours depending on circumstances.

Contrary to popular belief, rigor mortis is not a permanent state and is in fact reversed, with the muscles relaxing in the same order in which they initially stiffened.

The reversing process also takes approximately 12 hours, when the body returns to its un-contracted state.

It is possible to ‘break’ rigor mortis by manipulating and flexing the limbs. This is usually done by undertakers, pathologists or crime scene investigators who are attempting to examine or move a body – or by a murderer trying to hide their victim in the closet or the boot of a car.

CADAVERIC SPASM

A phenomenon that can be misinterpreted as rigor mortis.

The instantaneous stiffening of the body (most commonly the hands) following a traumatic death.

Unlike rigor mortis, the stiffening of the affected limb is permanent and is not reversed, causing the deceased to maintain the rigidity until such time as putrefaction causes breakdown of the particular muscle group.

Examples:

The deceased following an air crash were later discovered still clutching their seatbelts or arm rests in a final, desperate act of survival.

In a drowning case, the victim was discovered with grass from the riverbank still grasped in their hand.

Perhaps the most famous case of cadaveric spasm involves the rock band Nirvana’s lead singer, Kurt Cobain. Cobain reportedly committed suicide in April 1994. His body was discovered a few days after his death with a shotgun wound to the head, and tests revealed he had large traces of heroin in his system. He was reportedly discovered still clutching the gun in his left hand, due to cadaveric spasm. However, a great deal of controversy surrounds the veracity of this latter assumption, and indeed the cause of his death, with many people insisting and attempting to prove that he died as the result of foul play rather than suicide.

LIVIDITY

Also known as livor mortis, hypostasis, or suggillation.

Once blood can no longer circulate, it will gravitate towards the lowest point of the body.

Example: A supine body will display pinkish/purple patches of discoloration where the blood has settled in the back and along the thighs.

Occurs about 30 minutes after death, but will not necessarily be noticeable until at least 2 hours afterwards as the pooling process intensifies and becomes visible, finally peaking up to between 8 and 12 hours later.

Once it is complete, the lividity process cannot be reversed.

Therefore a body discovered lying on its side, but with staining evident in the back and shoulders, must have been moved at some point from what would have been a supine position at the time of death.

It is worth noting that if the body has had contact with the floor, a wall or other solid surface, lividity would not occur at the points of contact as the pressure would not allow the blood to seep through the capillaries and pool. The specific area of pressure will be the same colour as the rest of the body and a pattern of contact may well be evident.

PUTREFACTION

Derives from the Latin putrefacere, meaning ‘to make rotten’.

The body becomes rotten through the process known as autolysis, which is the liquefaction of bodily tissue and organs and the breakdown of proteins within the body due to the increased presence of bacteria.

The first visible sign is the discoloration of the skin in the area of the abdomen.

Bacteria released from the intestine cause the body to become bloated with a mixture of gases; over time these will leak out, and the smell will intensify to unbearable proportions.

Typically, this will attract flies that will lay eggs, which develop into maggots.

Bloating is most evident in the stomach area, genitals and face, which can become unrecognizable as the tongue and eyes are forced to protrude due to the pressure of the build-up of gases in the body.

At this stage, the body will also begin to lose hair.

The organs typically decompose in a particular order: starting with the stomach, followed by the intestines, heart, liver, brain, lungs, kidney, bladder and uterus/prostate.

Once all the gases have escaped the skin begins to turn black: this stage is called ‘black putrefaction’.

As with all the other stages of death so far, the rate of putrefaction depends on temperature and location. A body exposed to the air above ground will decompose more quickly than a body left in water or buried below ground.

During putrefaction, blistering of the skin and fermentation can also occur:

Fermentation - a type of mould that will grow on the surface of the body. This mould appears white, and is slimy or furry in texture. It also releases a very strong, unpleasant, cheesy smell.

As the putrefaction process comes to an end, fly and maggot activity will become less, which leads to the next stage.

DECOMPOSITION

The body is an organic substance comprising organisms that can be broken down by chemical decomposition.

If the body is outside, any remains that have not been scavenged or consumed by maggots will liquefy and seep into the surrounding soil.

Thus when the body decomposes it is effectively recycled and returned to nature.

SKELETONIZATION

The final stage of death is known as ‘dry decay’, when the cadaver has all but dried out: the soft tissue has all gone and only the skeleton remains.

If the cadaver is outside, not only is it exposed to the elements but it also becomes food for scavengers such as rats, crows or foxes.

As the remains are scavenged, the body parts become dispersed so it is not unusual to find skeletal remains some distance from where the body lay at the point of death.

The way in which skeletal remains are scattered in such cases is of interest to archaeologists, and is referred to as taphonomy.

Where a body has lain undiscovered at home for a period of time it has also been known for family pets, typically dogs, to feed on the body. The natural instinct of a pet is to attempt to arouse the deceased by licking them, but once it gets hungry, its survival instinct will take over and it will consider the body as little more than carrion: it will act with the same natural instinct as a scavenger in the wild, which will feed on any corpse, be it animal or human, if it is starving.

Obviously the number of pets, the body mass of the deceased and the time lapse before the body is discovered will influence to what extent it has been devoured.

For further research on the stages of decomposition and the factors that affect it, look up body farms. These are medical facilities where bodies are donated for research purposes so scientists can specifically observe the decomposition process. However, be aware that some of the images are quite graphic.

Source ⚜ More: References ⚜ Autopsy ⚜ Pain & Violence ⚜ Injuries Bereavement ⚜ Death & Sacrifice ⚜ Cheating Death ⚜ Death Conceptions

Writing Resources PDFs

[heavenbarnes]

the obedience that came with your older bf!simon hadn’t started out as inherently kinky. it actually stemmed from a rather vulnerable admission, one that happened to come about as you were riding him.

“i need to follow orders”

it’d caught you off guard, but you’d been quick and accepting with it as your pressed your palms against his broad chest. you’d nodded, panting slightly as you tried your best.

“i want you to hold me down and really fuck me, si”

and that was it, he was gripping tight on your hips and jackhammering his own up into you until your head was tipping back and a fucking squeal was being torn out of you.

the rest was history.

simon explained it as he’d built a career off of following orders, he’d kept himself alive by doing what he was told- being in the right place at the right time.

if you wanted to see him at his best you had to tell him exactly what you wanted him to do.

after a particularly soft evening on the couch, one that would never leave the four walls of your home, where simon was cuddled into your front with your arms wrapped around him- he told you he felt safest when he had explicit instructions.

part of it was just easier that way, like when he didn’t really get the hype about sexting but you told him what you wanted and then you’d both be happy.

the other part of it was that security, he had someone who loved him enough to put him in the right place at the right time and eliminate as many variables as possible.

that didn’t mean spontaneity was out of the question, he could surprise you and you could do the same to him- but once you really got into things, he wanted you to tell him in graphic detail what you wanted him to do.

“just like that, don’t move your hand at all”

“cum inside me, please”

“bend me over, want you to use me”

“look me in the eyes, want to see you when you cum for me”

“lick my cunt, simon”

there was also something in there for him about you, sweet little you, looking this big man right in the eye and ordering him around.

made him weak in the fucking knees.

[fxrheisenn]

Andrus Laansalu talked about making Disco Elysium at EKA (Estonian Academy of Arts)

"Initially, the church wasn't a focal point. There were certain characters that needed to visit this location, and I asked, "Seriously, what do we have in our church?" The others replied, "Nothing at all. Our church is completely bare—just a wheel, really. It's quite basic."

That's when I decided to unleash my creativity in the design. For example, they chose to install a glass structure at the top of the church to create a reflective surface. It was like placing an optical clock up there. Therefore, one of the most crucial aspects of designing the church was ensuring the lighting was just right to create the desired atmosphere."

"Let me show you an example of Baroque architecture, which is rich in detail. We're also designing the interior of the church based on large cathedrals. However, the foundation you use might not yield the expected results, because the church itself doesn't require such intricate details. Sometimes, it's about simplifying the design."

"I used Articy for the initial scriptwriting of Disco Elysium. The image only represents a tiny fraction of the text and choice variables involved. This system was also the reason I eventually abandoned the project after a year of outlining the script and shifted my focus to becoming a sound designer. My mind struggled to keep up with the dynamic graphic rules, but fortunately, a more talented writer took over afterward."

"In terms of sound design, it's essential to develop different layers to bring out the charm of the church as a cohesive space. Although this represents only a small portion of the overall design, each layer actually requires a significant amount of time to compose the whole....... Whenever there's a shift or a change due to the dialogue itself, you need to adjust the background sounds. Each time you modify the details in the dialogue, I have to refine the background audio, ensuring that these elements build upon each other like an intricate layer of work."

"It's funny how many scenes involve characters getting smacked in the face. My job was to recreate those, so I locked myself in the bathroom with a recorder and hit my forehead until it turned red.

As a sound designer, I really dig those unsettling, drill-like sounds. So, I mixed in creepy lectures, metal scraping, moans, and cries of pain—because I just love that stuff! (laughs)

Players will be moving through all kinds of areas, so it's super important to make the sound transitions feel natural, trying to create a more immersive vibe in certain spaces.

With all the scenes featuring big cranes, you can hear them from far away, and I wanted to capture that eerie ringing in your ears. That's going to be a thing throughout most of the game. I've found ways to really mess with players while they're playing!"

"I've come across a lot of old objects (like phones and radios) that I needed to perfectly replicate the sounds. I started to become a bit of a hoarder, buying up different models of old phones whenever I found one to add to my collection. The sound effects I can simulate from them are really impressive."

"Some of the devices don't actually exist in real life—just a mix of architecture and tech. When I need to create sound effects, I first look for something similar that exists in our world, then I try to simulate what the sound and appearance of that thing might have been like a century ago.

Towards the end of the game, there's a character carrying a fuel canister. We needed the sound of the canister, so we dug one up from our garage—it had been sitting there since it was five! I realized this would make the sound perfect. So, it had been there for 50 years, and after 40 years, it finally found its purpose.

In some places, I needed unique sound waves, and recreating them was a real headache until one day I happened to walk by a swimming pool and stumbled upon an old wartime torpedo. You can rotate the torpedo's probe, and it slowly rises up, like a proud zombie head. The sounds it made were exactly what I needed!"

🙋How did you manage to get funding?

"Well, since we're in Estonia, you just need to know a wealthy person. You don't need five people—just two who can network, hang out together, and convince them to keep investing! (laughs) Back then, we constantly ran out of money and would tell them, 'Oops, looks like we spent it all! Can you invest a bit more?' That's how we made it through!"

🙋How did you all come together to make the game?

"Luck. It usually doesn't happen this way, and that's the key difference. It has to be. If not, you couldn't create a game of this scale - well, I mean in terms of budget. But creatively, Estonia definitely has writers and artists who can pull it off. With such a small population, there are a lot of quirky folks who are good friends. We were really lucky, though - lots of fortunate circumstances came together. It brought the right people together, allowing those talented fools to collaborate with us. They had experience but hadn't tackled projects of this magnitude before. So yeah, luck is pretty important!"

Lecture experience shared by 白兔YIYANG SUN on 小红书, reposted & translated by me with her permission.

[smallfisheyes]

it's silly, you know, but you have to try it. may the grapes work.

nanami kento can’t find you when the clock strikes midnight.

there was a ruckus, the release of fireworks outside (who permitted fireworks on school premises?), and cheers of happy new year. itadori toots one of those awful noisemakers. tuna mayos and hugs are exchanged. as planned, nanami maintains a wide berth from gojo, recalling his attempts at a sloppy kiss the previous year. it is a new year; the year of the snake.

but you are nowhere in sight.

why does nanami's belly feel like it's sinking? he smiles, but there is an ache in the centre of his chest. his eyes flick left and right, the festivities unfolding before his eyes. the school had been decorated by the students with the funding of gojo's shiny black card, reds and golds streaming along the walls. stuffed snakes (inumaki's idea) were thrown haphazardly onto the ground. the remnants of the party games from earlier scatter the table-clothed tables.

in your stead, shoko meets nanami's eyes. he nods, giving her a brief hug, sure to grip her just below the shoulder and just above the waist.

"happy new year," he mumbles. shoko smiles. it is politeness exchanged with a colleague and friend, but this is not how he pictured his first interaction of the year (and with whom it was shared).

kento had planned it down to the tee: your favourite wine, no more than two whiskeys, arriving just after you to seemingly rescue you from forcing yourself to yap about things you did not care about (work) with a person you could not care less about (gojo). kento was meticulous, more meticulous than he was at that awful firm he worked at in his early twenties. he had to be. the moment must be perfect. you deserved a wonderful evening. yet, there was a variable he forgot to consider: he couldn't find you.

"ah, nanamin," shoko hums. kento steps back, offering his full attention. there's that awful look on that face of hers, one that dates back more than ten years. the teasing one that reminds kento he is nothing but a lost junior; a silly, unkowing little boy with punk bangs. one that is about to be berated by the scary bobbed girl with a cigarette habit.

a force seizes his lungs, halting their movement. may the berating begin.

"are you looking for someone?" shoko teases. that tone. how grating.

"what gave it away?" no frustration laces kento's voice, only soft desperation.

shoko stacks her hands together and brings them to the side of her face. she tilts her head, her voice sing-song-y. "nothing, just that look of yearning."

kento huffs in frustration. his fists curl in impatience. "where is she, shoko?"

shoko steps to the side, an evil scientist revealing her latest experiment.

when kento sees what is behind her, the world tilts just right.

there you are, under the table, crouched and feral. kento draws back at the sight of you: a monkey, primitive and on the hunt for food. in quick succession, large and luscious green grapes were thrown into your mouth. you were a chipmunk. you stuffed your face full of grapes before you even finished chewing. 

you were always a wonder.

shoko's voice is soft, her note of contentment complimenting kento's sudden leisure at the sight of you. "happy new year, nanamin." she pads away.

kento makes a note to gift shoko a red envelope the following day.

there you are; his little star. kento moves, crouches, and parts the red tablecloth.

"you never told me you liked grapes."

your grape-a-thon veers to a halt. absolute horror stills your chewing. you have at least five grapes in your mouth. 

kento smiles wide. a rush of warmth washes over him. he could squish you.

this too much attention from a too handsome man. you turn your head away to fend off the rush of blood to your face.

"they're soh exsensiv hare," kento makes out between your voice and the grapes. you chew rigorously, averting your eyes. you hold a hand in between your wobbly mouth and kento’s eyes, falsely creating a front to maintain your dignity. "tha’s why you don seh meh eaving them. gofo saeh he woulv give them tah me."

kento bristles. he would get grapes for you anyday. command or none.

"may i join you?"

you chew a little more in thought, grimacing as you swallow. kento tries hard not to watch your throat, but he can’t resist. 

“of course.” you’re sincere. you’ve gone shy. his heart aches. he wants to make you get bashful like this every day.

you scooch over to make room for large and long nanami kento to sit beside you under the table. he’s still wearing those winged shoes you love, but opted for a white knitted sweater that makes you wonder how soft it is. you almost reach for kento’s arm, but you draw back. you’re under the table eating grapes for a reason. you deflate. five more grapes to go.

“you don’t need to be under here with me,” you reassure kento. kento looks like a stuffy that got pounded into a too small toy chest. his neck cranes and his bottom is awkwardly sat in a cross cross. you smile. you want this to last forever. 

“i can’t let you be here alone. it’s new years.”

you wring your hands together. you need to eat four more grapes. “thanks, kento.”

you eat your grapes now, but slower. this wasn’t how it was supposed to go. weren’t you supposed to eat all twelve grapes before midnight was over? you glance over at the clock. it’s already too late. 

you open your palms: four beautiful green grapes, grown and harvested in japan. when you arrived here, you hadn’t realized fruit was a luxury. fruit is difficult to grow. the majority of land is ill-suited for fruit. 

four wasted beautiful grapes.

“that’s enough grapes for tonight.” kento gently takes your hand and rests them on his own. he cups yours, creating a shield. his hands are warm. they’re so much bigger than yours. “you never needed them.”

“yes i did,” you insisted. 

kento shakes his head. “no. you don’t need any of that nonsense.”

your frown is deep. your eyes are in a different place. kento cups your hands more firmly now. “you never needed the grapes, darling.”

it’s instinct, the little “no” that forms on the tip of your tongue. it takes a second, another, to realize the precious thing kento had called you.

darling. YOU. darling?!

suddenly, you’re the one gripping kento’s hands. “what did you say?!”

kento shakes his head, patting your hand. “you make this difficult.” 

“you! you called me–” you guffaw like a fish when kento nods a tired affirmative, like it was obvious all along. “please don’t lie.”

kento’s eyes turn icy. “i would never lie to you.”

your lips wobble pathetically. you hate this man. he makes you silly and makes your heart beat too fast. he makes you want to turn away and stare all the same because he is too handsome. too kind. so him. and you had always wanted him. but the yearning? you never expected it to be returned.

“nanami kento, were you always on tiktok?”

kento throws back his head and laughs. you stare for too long. you’re allowed to now. “i have three wonderful students.”

the year of the snake will be a wonderful one.

you leave the remaining grapes for gojo. he needed them more than you.

i can't stare at this anymore please take it as it is. happy year of the snake everyone :) hissss

[izeas-null]

for absolutely no fucking reason

my monitor today randomly decided to absolutely reject input

i tried multiple cords

multiple devices

multiple ports

only one decided to work at all BUT EVERY FUCKING 10 MINUTES IT WOULD CHANGE

I HAVE BEEN TRYING TO FUCKING FIX THIS THING FOR ALMOST 2 HOURS NOW NOTHING EVER WORKS UNLESS IT JUST DECIDES HOW IS IT THIS BROKEN

ive just now got it to read all 3 ports and all 4 devices but i still had to repeatedly jam everything in and out and im scared to even stand up lest it piss itself all over my desk again because literally me standing up is a fucking factor in this shit show

fuck you acer

[unboundprompts]

advice for a character who grips control like a lifeline. who wants to be in charge of every little thing because whenever they're not in control of something something bad could happen. has happened. they can't let a single variable be wild or in someone else's hands

How to Write a Controlling Character

Backstory Rooted in Trauma or Guilt

This character likely has a history that has ingrained the belief that they must be in control or face devastating consequences. Perhaps they once trusted someone else with something crucial—a promise, a responsibility, or a life-altering choice—and that trust was broken in a way that had lasting repercussions. For example, maybe they lost someone because they weren’t “careful enough,” or they experienced a betrayal when they trusted another person’s plan.

They might frequently flash back to this moment, possibly catching themselves thinking, If only I’d been the one in control, this wouldn’t have happened. This memory fuels their need to keep a tight grip on everything, especially if they’re in high-stakes situations.

Rigid Daily Routines and Habits

This character’s day is probably packed with small rituals and routines that give them a sense of security. From double-checking door locks to setting multiple alarms, they rely on routines to give themselves a sense of order. In fact, they might be nearly ritualistic about small actions—checking emails three times before sending, never leaving a task halfway finished, or meticulously arranging their workspace.

Even something as simple as making coffee can become a precise process. If someone moves one of their tools or a file from their desk, they may feel a spike of frustration or even anxiety, seeing it as a disruption to their personal “system.” They could feel that control in their daily life is the only thing keeping chaos at bay.

Intensely Observant of Details and Mistakes

They are hyperaware of mistakes or inefficiencies in others, mentally cataloging things like a coworker’s slight lateness or a friend’s disorganization. They may feel a sense of superiority (or frustration) over people who don’t “have it together” and take it upon themselves to organize or “fix” things for others.

In conversation, they might cut people off or “correct” them even over small points, often justifying this to themselves as necessary. For instance, if someone shares a plan that seems half-formed, this character could immediately dive in, pointing out potential problems or filling in details.

Controlling Relationships and Social Situations

This character struggles in relationships where they aren’t the dominant or organizing force. They might instinctively take over when making plans with friends, micromanaging even casual hangouts to make sure everything goes “right.” For example, they might pick the restaurant, plan the travel route, and check weather forecasts—assuming that if they don’t, no one else will think of these things.

When someone resists their attempts at control, they can respond defensively, often turning cold or resentful, unable to understand why anyone wouldn’t want them to manage the situation. Statements like, “Fine, but don’t blame me if this doesn’t go well,” are frequent in their interactions.

Extreme Anxiety or Panic When Control Is Taken Away

When things go beyond their reach, this character might experience panic, as if they’re suddenly powerless. For instance, if an unexpected roadblock prevents them from handling a task (like a canceled flight they needed to board, or a plan that falls apart), they might spend hours trying to regain control, calling every contact or frantically exploring alternatives.

Their reaction may feel extreme to others. Even minor setbacks—such as a colleague taking initiative on a project or a friend planning something without consulting them—can trigger a disproportionate response, like clenching their fists, pacing, or silently stewing as they feel the situation “slipping.”

Inability to Accept Help or Collaboration

Their controlling nature makes it hard for them to collaborate, as they believe their methods are the only ones that work. For them, accepting help feels like an admission of weakness or failure, so they rarely delegate or ask for assistance. If they do reluctantly accept help, they are constantly supervising or “suggesting” things, making it feel more like they’re still in charge.

In a team setting, they might take on all the major tasks, either out of distrust in others’ abilities or a feeling that no one will match their standards. Their motto could be something like, “If you want something done right, do it yourself,” even if that means working late or burning out.

Reluctance to Show Vulnerability or Need

Since vulnerability and control rarely coexist for them, they avoid showing weakness at all costs, preferring to mask stress or struggles as “just part of the job.” If they do become overwhelmed, they’re more likely to shut people out, saying, “I’ve got it handled,” even if it’s far from true.

When people push them to let go or share the load, they might lash out, accusing others of “just not understanding.” They often see their intense responsibility as a form of sacrifice, justifying their behavior with, “If I don’t handle this, who will?”

[wendichester]

Can I request cute Dean fluff of him realising he’s in love with you when you take care or save Sam from something bc we all know that man would know he’s found the one when she cares just as much for Sam as he does

˚ ༘ ೀ⋆ 🩹｡˚ aftercare,

summary. taking care of sam is also taking care of dean ‹𝟹

pairing. dean winchester x reader

wordcount. 782

notes. the softest boy sigh

You’re kneeling next to Sam, your hands moving quickly as you press a clean rag against the gash on his arm. The hunt had gone sideways—too many moving parts, too many variables—but you’d managed to keep it from going completely off the rails. Now, the three of you are holed up in a shabby motel room, the faint smell of antiseptic mixing with the metallic tang of blood.

Dean stands a few feet away, his hands gripping the back of a chair, watching as you work. He should be helping, should be doing something, but all he can do is stare. There’s a look of determination on your face, tempered by the kind of gentle care that makes his chest ache.

“Hold still, Sam,” you murmur, your voice soft but firm. “I know it hurts, but this needs to be cleaned.”

Sam winces but doesn’t argue. “I’m fine. It’s not that bad.”

You glance up at him, arching an eyebrow. “Oh, really? Because you’re bleeding all over my jeans.”

Sam chuckles weakly, the sound turning into a hiss of pain as you dab at the wound. “Okay, maybe it’s a little bad.”

Dean’s lips twitch at the corners, but he doesn’t say anything. He’s too busy trying to process the strange, overwhelming warmth blooming in his chest. It’s not like he hasn’t seen you take care of someone before—you’ve patched him up more times than he can count—but this feels different. Watching you with Sam, seeing the way you’re willing to get your hands dirty to keep his brother safe... it does something to him.

“You’re gonna need stitches,” you say, your tone matter-of-fact as you reach for the first aid kit. “Dean, can you grab me the thread and needle?”

He snaps out of his daze, nodding quickly. “Yeah, yeah. Got it.” He rummages through the kit, pulling out the supplies and handing them to you. His fingers brush yours, and for a second, he forgets how to breathe.

You don’t notice—or maybe you do, but you don’t say anything. Instead, you focus on threading the needle, your hands steady despite the tension in the room. “This is gonna sting,” you warn Sam, your voice gentle.

“Just do it,” Sam mutters, bracing himself.

Dean watches as you work, your movements precise but careful. You talk to Sam the whole time, distracting him with small jokes and reassurances, and Dean can see the way his brother relaxes under your touch. It’s like you’ve got this magic about you, this ability to make even the worst situations feel manageable.

When you finally finish, tying off the last stitch, you sit back on your heels and let out a sigh. “There. You’re all patched up. Try not to rip it open again, okay?”

Sam gives you a small smile. “Thanks. You didn’t have to do all that.”

You roll your eyes. “Of course I did. What kind of person would I be if I let you bleed out in a crappy motel room?”

Dean’s heart stumbles in his chest. He can’t remember the last time someone cared about Sam like that—someone who wasn’t him. And it’s not just the act of taking care of him; it’s the way you do it like it’s the most natural thing in the world. Like Sam’s life is just as important to you as it is to him.

You stand up, brushing off your hands, and glance at Dean. “He’ll be fine, but he needs rest. And food. I’m guessing you haven’t eaten since this morning?”

Dean blinks, caught off guard. “Uh... no. Not really.”

You sigh, shaking your head. “Alright, I’ll order something. You two sit tight.”

As you step into the adjoining room to make the call, Dean looks over at Sam. His brother’s eyes are already closing, exhaustion pulling him under, but there’s a faint smile on his face.

When you come back, carrying your phone and rattling off a list of takeout options, Dean feels it hit him like a freight train. This is it. This is love. It’s not just about how he feels when you’re around—it’s about how you make everything better. How you make him better. How you’d do anything for Sam, the way he would.

You catch him staring and raise an eyebrow. “What?”

Dean shakes his head, a slow, disbelieving smile spreading across his face. “Nothing,” he says, his voice warm. “Just... thanks. For everything.”

Your expression softens, and you give him a small smile in return. “Always.”

Dean watches you for a moment longer, the realization settling deep in his bones. He’s in love with you. And if he’s honest, he doesn’t think he ever stood a chance.

want be part of the taglist.ᐣ ⋆.˚ ★— @iloveeveryoneyoureamazing ⋆ @deans-daydream ⋆ @ariasong11 ⋆ @ambiguous-avery ⋆ @krabog ⋆ @itsdearapril ⋆ @nymphet-quenn ⋆ @bluemerakis ⋆ @titsout4jackles ⋆ @lyarr24 ⋆ @hauntedrose555 ⋆ @chevroletdean ⋆ @dulcescorderitas

[pathologicalreid]

diphenhydramine | s.r.

in which reader has a hard time getting to sleep at night, leading to Spencer's step by step instruction of which hormones help you fall asleep

margotober masterlist

who? spencer reid x fem!reader category: smut (18+ mdni) content warnings: unprotected p in v sex, fingering, spencer infodumps while fingering you, restlessness, ambien, sex as a sleep aid, effective but not recommended, physiology, female masturbation, insecurity, reader doesn't pee after sex which you really should do, no clean up, but fanfiction isn't real. softdom!spencer. not thoroughly proofread. word count: 1.99k a/n: i thought i had this scheduled so imagine my surprise when i went to check tumblr and it wasn't posted. ANYWAYS. this one goes out to all the girlies with chronic sleep issues (me) and the person who requested this. don't like, don't read.

Your pillow was warm. Surely that was what was hindering your ability to sleep. Lifting your head, you flip your pillow over, resting your head on the cool side and turning to your other side.

Facing Spencer, you pull your arm out from under the covers, wondering if you should only change one variable at a time to see what actually helps you get to sleep. Huffing, you shut your eyes again, the usually muted traffic outside of your apartment seeming extraneously loud for this time of night.

You couldn’t put a name to it, but there was something keeping you up at night. You’d always had sleep issues, but your restlessness from the last several weeks was unprecedented.

“Angel,” your boyfriend says from next to you, reaching his hand out and placing it on your waist, trying to drag you across the sheets and into his arms.

Willingly, you move to his side of the bed, leaving space between the two of you to keep your body cool—maybe you were just too warm to sleep. “Did I wake you?” You ask, peering up at him through your eyelashes. He looks so ethereal in the diffused moonlight that seeps in through the closed curtains, the cool light falling over the harsh edges of his face.

He hums in response, opening his eyes and casually slipping a hand under your sleep shirt, resting his palm on your bare waist, “No,” he murmurs, even though you know he’s lying through his teeth. “What’s wrong?”

“Can’t sleep,” you tell him miserably, sticking out your lower lip even though he likely can’t see your face—his eyes would need to adjust to the darkness.

He shifts under the covers, gently skimming the pad of his thumb over your ribcage, “Have you tried Ambien?”

Your primary care physician prescribed sleeping pills for you, but you didn’t have any interest in taking them. “So I can end up at the Lincoln Memorial with my underwear on my head? No, thanks.”

“I would be very impressed if you managed to sleepwalk all the way to the National Mall,” he muttered, his voice clearing as he became more alert.

You sigh in exhaustion, “I’m multifaceted.”

Spencer kisses your forehead, “Go to sleep, multifaceted.”

“I can’t,” you complain, watching him through your eyelashes, “I’m open to suggestions.”

Your boyfriend groans at your impertinence, “You could try taking the pills that your doctor prescribed to you.”

Rolling your eyes in the dark, you tuck some stray hairs behind your ear, “Nope. Any other ideas in that big brain of yours?”

“Has anyone ever told you that you get kind of snippy when you get tired?” Spencer asks rhetorically.

Frowning in defeat, you consider going out to the living room to watch something on the TV. At least that way you would be able to let Spencer get some sleep. “Are you telling me that there’s nothing you’ve read recently that has any kind of information on remedies for restlessness?”

Next to you, Spencer stiffens, and you wonder if he’s cold. You turned on the ceiling fan in an attempt to cool down, “There are always new articles on sleep remedies, but none you’d be interested in.”

Your eyes flicker to the alarm clock on his bedside table, just past three in the morning, “I’m open to anything.”

“Orgasms produce some of the same hormones that are conducive to falling asleep,” he whispers, his ministrations on your waist coming to a halt.

Sighing, you flop onto your back, “I already tried that.”

He’s silent for a moment, “Were you touching yourself while I was in bed next to you?” There was a new lilt in his voice, some sort of shift as the type of frustration he was feeling changed.

Considering your options, you cross your arms in front of your stomach, staring up at the spinning blades of the ceiling fan, “Yeah, but I didn’t— I couldn’t—”

“You couldn’t make yourself come?” He finishes for you, the words that you couldn’t get out slipping easily past his lips.

It shouldn’t embarrass you, but you find your face warming under the cover of night anyways. “No,” your answer comes out as barely more than an exhale, “I couldn’t quite get there.”

With his hand now resting on your abdomen, your attention laser focusing on the way his pinky finger skimmed the elastic band of your panties, “Do you want me to try?”

Honestly, it wouldn’t be much of an attempt, like every other aspect of his life, pleasing you is something Spencer excels at. “I want you to go to sleep. I’m sorry for waking you,” you decline his offer.

He doesn’t move his hand, “Are you sure? I’m offering, if you’re accepting.”

“I-“ you falter, “I guess it doesn’t hurt to try, but only if you want to.” You were perfectly fine with going to the couch and wasting the night away in front of the TV screen. You’ve clocked a lot of time with the early morning newscast recently.

Spencer twists his wrist in response, looking at you in the cool light of the room, “I’m always interested in pleasing you.” He speaks to you quietly, retaining the reverent tones of the morning while slipping his hand deeper into your underwear. His index finger slipping easily through your folds, “Oh, you got close,” he whispers.

There’s no resistance as his finger breaches your entrance, already deeper than your fingers had gotten. Your mouth falls open, a small, choked gasp escaping your throat as your hand instinctively grabs at Spencer’s wrist, “Yeah.”

His motions are slow and precise, making sure you can feel every slight movement as he withdraws his finger before sliding it back into your pussy. Adding a second finger before his other hand pulls down at your underwear, haphazardly leaving them around your thighs before finding a rhythm. The peace of the night pauses only for the crude sounds from you, muffled by the blanket strewn over your bodies.

Gently, Spencer presses the pad of his thumb to your clit, maintaining the thrusts of his hand as he slowly encircles the sensitive nub, “Spence.” Your voice is a breathy laugh in recognition of just how quickly he can get you there.

There was something about having someone else touch you. When you do it yourself, you can hold yourself back or overthink it, but with Spencer’s hands on you—or in you, rather—there was nothing to hold back. “Sex can help you sleep for the simple reason that it’s physical activity, but it’s when you cum that your body releases hormones that can actually help you sleep,” his ministrations don’t suffer as a result of his physiology lesson. If anything, it all becomes more intense.

A sharp, high-pitched noise comes out of your mouth, the all too familiar knot in your lower belly coiling. And coiling. And coiling. “So, you can—” your voice cuts out as you gasp, “You can literally fuck me to sleep?”

Spencer hums a confirmation, “Sex reduces cortisol levels, and your body’s going to release oxytocin and prolactin,” he assures you, “and those will induce pleasant and relaxing feelings. All of which means I get to fuck you to sleep tonight.”

“’m close,” you breathe, closing your eyes as the pressure in your core nears unbearable levels. “Oh, Spence,” you say, your grip tightening on his wrist as his hands don’t let up on you.

His unoccupied hand reaches up to your face, gently sweeping hair off of your forehead in a way that makes you dizzy, his head falling to your shoulder before he kisses the worn fabric of your t-shirt, “You can cum, baby. It’s okay.”

He doesn’t want you to hold it in, so you don’t. Your head tips back into the pillows as the coil in your belly snaps, going off like a slingshot—sharp and quick.

Spencer’s fingers keep working you through your orgasm, slowing at the same pace that your orgasm does, the sheets sticking to your back as you slowly unarch, coming back to the surface as the pleasure of your orgasm drifts away almost as quickly as it came.

Every part of your body trembles as you fall away from your high, hooded eyelids staring over at your boyfriend as you catch your breath. Timidly, you reach down and push your underwear down your legs, kicking them off into the abyss of sheets to be discovered at a later date as you turn on your side.

“You’re so pretty,” he whispers, shifting under the covers as he pulls his cock out of his boxer briefs.

You hum, scooting yourself closer to him on the mattress, heat emanating from his body in a way that you now find welcoming, “You can’t even see me.”

Grabbing your thigh, Spencer slings your leg over his waist, opening your body to him, “Not right now,” he admits, “But I know you. I know the way you look right now, while I’m slipping myself into you.” His voice is low, but your attentions are focused on the feeling of his tip at your pussy, slowly pushing into you. He lets your body adjust, this isn’t an angle he usually takes you at, but you can feel every single ridge as he moves.

“I know the glossy look your eyes have right now,” he mutters, pushing your lower back closer to him, leaving his cock impossibly deep in you. “A combination of the orgasm that you just had and the sensations you’re feeling right now.”

You shudder at his words, tentatively rolling your hips against him, silently signaling to him that you’re ready for him to move. A soft cry escapes your lips as he withdraws his hips, pushing himself back into you while your cunt throbs around his length, “Spence.”

He grunts in response, finding a steady, gentle rhythm as your mind goes blank. You find yourself searching for that high again, “You feel so good, angel. So, so good.” His voice is low as he pulls your body closer to him still, “Fuck.”

“Spence,” your voice cracks at stimulation, overwhelming you as he breathes into the crook of your neck. You dig your nails into his back, trying to keep yourself from screaming as his hand slips between your conjoined bodies, swiping softly at your clit.

Spencer keeps moving, fucking into you as his movements grow messier and messier with each passing thrust. “You’re so pretty,” he repeats, seeing your features in the soft moonlight as your mouth gapes and your second orgasm quickly approaches.

Whimpering, you bite down on your lower lip, your leg that’s slung over him shaking uncontrollably as you chase your orgasm, “Oh my god,” you gasp helplessly.

“So good for me. Let it go, I’m close too,” he says, continuing his motions even as your pussy clenches around his length, the waves of your orgasm pulsating around him, sending him hurtling toward his own.

Stars dance in front of your eyes, and you let them fall shut. His movements come to a stop and you loose a sigh of relief at the realization that you’re exhausted. “Don’t go,” you mumble.

Spencer presses a soft kiss to your lips, holding you close to him with one arm while readjusting his underwear with the other. “I won’t,” he whispers, “You need to call your doctor about wanting new sleeping pills.”

You grunt in response, too close to sleep to form a coherent response.

“I’m not opposed to a more natural remedy, but I’m not always around at night, and I need to know you’re sleeping at night,” he tells you, his voice growing softer as sleep threatens to take him.

Humming, you nuzzle closer to him, letting your body melt into the mattress as you finally fall asleep. Staying cold was no longer a concern, staying close to Spencer was.

[k9wa]

⟁ SENSITIVE ft. BOOTHILL.

⠀ — “you get all excited for me to fix you up and call you a good boy.”

⠀ OR

⠀ — a sensitive spot during a repair leaves him melting into your callused little hands.

⚠︎ mechanic!reader, so much flirting im kind of sick, he whimpers i have an agenda, this is like 90% dialogue sorry, he wants u sooo bad. wc 1k, from this req.

“y’know darlin,” boothill managed to breathe out through a taut jaw and clenched teeth. “you bein’ this close ain’t exactly helpin’ me focus none.”

your fingers were slow, careful, precise as they pushed a few tiny wires apart, giving view deeper inside the little panel on boothill’s throat.

the position you two stood in was one all too familiar, boothill perched on your workbench with you between his thighs— the only new variables being your face way closer than he’s used to and your fingers proding around in his surprisingly sensitive wires.

it was an…odd sensation, to say the least. a small unpleasant stinging that simultaneously stimulated a rather pleasant shiver up his back with every small poke.

“time and place, cowboy.”

you responded quietly, tone a little flat with your tease from concentration.

“can’t help lettin’ my mind— wander, can i now?” his breath hitched a bit as you nicked a particularly touchy wire.

“if you let me finish this,” you lifted your head enough to meet his eyes, free hand gently smoothing out the crease in his brow. “i’ll let you show me just how wild your imagination can get.”

boothill bit back a scruff chuckle at that. 

“that enough incentive for you to sit still?”

“well, i reckon that’s plent— mmgh!”

a pair of mechanical hands tightly grab onto your hips as his shoulders tense, a knee-jerk result of your tweezers finding the out of place wire you’d been looking around for.

your hands paused, opting to ignore the way he audibly whimpered for raising your gaze a second time to check on him.

“you hangin’ in there?”

boothill’s fingers flexed as they held onto you, relaxing from squeezing your pants to a more gentle cradle of your hips.

“you know,” he swallowed thickly— as if his throat could even dry out, likely just a natural reflex— “you got a way of makin’ fixin’ me up feel real special.”

the slight waver to his voice isn’t lost on your ears— it was quite loud in them, actually.

“i’m hangin’ in fine, don’t worry your pretty head none.”

carefully retracting your tweezers, you stood up straight enough to lightly push his hat up, giving view to his face and cupping your hand over a blue-hued cheek.

“wanna take a break?” 

he nearly had to clutch his chest with the gentle concern that laced your tone.

boothill knew he was flushed, was purposefully avoiding looking you in the eye because a few pokes to some sensitive spots had him sliding his hands to your waist like a lifeline— not that what he could distantly feel of your skin against the synthesised nerves of his palms weren’t doing much to cool him off anyway. but he did…relax, somewhat. 

he always enjoyed when you’d touch his face, getting to feel all the unique little details of you; the gentle drum of your pulse and the little calluses from your tools. it somehow always manages to make the tension in his body ebb away, draining with an exhale that lightly fans against your wrist.

he shook his head with a quiet clear of his throat— another unnecessary function that served more as a tick than anything.

“nah, nah i’m alright.” he assured. it didn’t make him any less embarrassed to be having such a reaction. 

big bad criminal until you get a little too fudgin’ touchy, apparently.

“let’s just get this finished up, yeah? maybe we can move onto somethin’ more pleasant.”

your thumb gave two gentle taps to his cheekbone before it pulled away, reaching for your tweezers for the nth time.

“that’s my boy.”

oh how boothill’s chest bloomed at the simple praise, the endearing ‘my’ that slipped in with it licking up his ribs and curling to rest along where a drumming heart should have been.

“jus’ be gentle with me, will ya sugar plum?”

“you know i've always got ya.”

each plug or untangle of a little yellow or red cable had his systems humming, fingers occasionally curling into your hips every time a little surge left him biting his cheek a little harder.

“we’re almost done,” your voice is icing on an already cavity-inducing cake, though he’ll gladly take a toothache if it’s for you. “just a little longer.”

boothill was going fist to fist and losing with the urge to completely melt under your deft fingers.

“…keep talkin’ to me,” he requested with a murmurmurmur, cautious not to move too much. “helps me stay on t—” he had to bite back another whimper, cheek going between his teeth and eyes going to the ceiling. “—task.”

boothill didn’t miss the little tug of your lips.

“you know, you do this thing when you get shy.” you mused quietly, breath meeting the shell of his ear. “you bite your cheek ‘n look away. it’s cute.”

boothill couldn’t help but let out a breathy chuckle at your deduction. he tried to regain some of his composure, though the colour in his cheeks continued to betray him.

“i don’t know ‘bout shy,” he rumbled, keeping his voice steady as he could. “but i’ll take cute if it means i get to hear you keep sweet talkin’ me. keep this up and i might start enjoyin’ these repairs a lil too much.”

his voice was a little strained, though still held his usual humour.

“like you don’t love em already.” you teased back, gently closing the panel on his neck as it re-sealed with a small hiss. “you get all excited for me to fix you up, call you a good boy and send you on your merry way.”

“i’m still waitin’ on that last bit, y’know?”

you shook your head, popping his hat off his head and placing it on your own.

“good boy,” you pinched his cheek endearingly. “you’re all done. do you want a lolipop too?”

“think i deserve somethin’ a lil sweeter than a lolipop, don’t you sugar?” boothill’s face unknowingly deepens at the sight of you in his hat, brave words betrayed by a nervous tap in his finger and more blue to the apples of his cheeks.

“we’ll save it for when you’ve got a real booboo,” you took his hat off, using the brim to lightly tilt his chin up and give him a tender kiss on the cheek. for such a heavy hunk of metal, he nearly began to float.

“but there’s something to hold your sweet tooth for now.”

…

“boothill?”

“y..yeah, sweet pea?”

“you’re overheating.”

⠀ MASTERLIST / GOT A REQUEST ?

[daemonhxckergrrl]

keyboard-based workflows are like game controllers: when properly used, they're highly effective ! and comfy :3 but watch out !! sometimes a mouse is the answer