#i think this is my favourite part so far

[fairyofshampgyu]

he’s literally so beautiful and handsome

[bacchuschucklefuck]

you get riz gukgak so well 👍👍

thank u!! he really kinda is all of my favourite character things rolled into one package (negotiation of principles/investigator-truth seeker-negotiator with reality and the narrative/obnoxious character whose narrative reward for participating in the story is getting to be even more authentically obnoxious/deeply and hauntingly aroace

[aspoonofsugar]

you wrote such a beautiful rwby analysis but unfortunately I think you put more thought into the plot than the entire writers room

Hi!

Thank you, I am happy you found my analysis beautiful!

That said, I am sorry, but I disagree with your statement. It is fine if you dislike the series and even if you criticize it, but as for me, I think the writing is rather strong.

Here are some thoughts, which aren't really directed at you, but rather are born by me seeing a tendency going around where it is somehow "cool" to outloud state RWBY is badly written. I even saw people like... "apologizing" because they enjoy the series. Newsflash...RWBY is good.

RWBY is a series with a writing that goes from decent to very good depending on the moment. I would give it from 7 to 8.5 or even 9 in some scenes. More importantly, it is a story the writers are clearly enjoying writing, as for now. This is why I like watching it. It is genuine, upfront in what it wants to say and it takes risks. Ironically, a series with limited resources shows much more freedom in execution than many other stories, which are economically backed up.

I would also add people keep talking about good writing, but never really elaborate on it... And like, trust me, I do think there is good writing and bad writing. The problem is that people just take examples of "well written series" and decide a series written differently must be bad. This isn't really the case.

First of all, let's focus only on a specific type of story, which is the kind most modern movies, books and series are. This type of story is built on 3 (4) factors:

Plot

Characters

Themes

(Worldbuilding)

I would say the first 3 are more important usually, but there are some stories where the worldbuilding is so strong it becomes its own selling point.

Now, a good story is usually strong in all these departments. The perfect story is top notch in all 3 (4). That is because a good plot usually lets you develop the characters better, which in turns helps exploring the theme.

However, here comes the amazing truth... even the most incredible stories. Even the masterpieces loved by everybody... even them... end up choosing only 1 or 2 of these aspects and sacrifice a little bit of the 3rd (and 4th) one.

Naoki Urasawa's Monster? Its focus is themes. He chooses to go all out on this department, which is why the story is so powerful and resonates so much with people. Still, to do so, he chooses to sacrifice some parts of the plot to the point... some mysteries are not really solved. Some people may be annoyed by it, but I would not call it a flaw. It is a choice. Leaving some things open enriches the themes.

Death Note? If the story has to choose between characters, themes and plot, it goes for plot. This is why despite having so many well liked characters, it is difficult to think of outstanding character arcs in it. The same goes for the themes, which are only touched superficially. This is why btw Death Note is not a fave of mine, really.

Now obviously, many examples can be done and we could discuss forever on some because there is always always always a subjective component. What I am trying to say is... there are different ways to write a story. Not all people would like the same. Luckily, we have tons of stories.

Back to RWBY. I would say RWBY shines when it comes to themes. Characters and plot are good and interesting, but what keeps the story together, despite it playing so much with genre is that it has a very strong thematic core. You can't invent it or fake it btw. See, Death Note's author tries to do it in later works (Platinum End cough cough), but fails. At the same time, there is another department RWBY is top notch and that is symbolism. RWBY has a very rich symbolic system. Again... surely there are coincidences, but like this is a little bit too much...imho.

Now, does it mean, the writers came up with all the patterns I and others find? Probably not, but here is the thing... writing has an unconscious component. If you go earnestly at it, you are bound to unconsciously create patterns. A good writer is able to recognize them (either consciously or unconciously) and to capitalize on them. So far, I think CRWBY has capitalized on the patterns they created. I also think it is clear they are very good at researching and at playing with different sources by going deep into them. Again, you can't come up with the Ever After if you have not read and even studied Alice in Wonderland. It is just impossible. You would end up with a shallow and uninteresting copy cat. The Ever After isn't that because it is used to explore themes, characters and lore in an interesting way. Hence... ladies and gentlemen... it is a fruit of... good writing.

But really, since people are not commenting on it... I would like to point out that in 5 episodes of less than 20 minutes, they have managed to introduce a whole world, with its own lore, set of characters and main story (Alyx's) and to tie it to the protagonists' predicament in a way that hits really hard thematically and psychologically... To do that you need exceptionally thight writing... it is not that simple to do...

Anyway, have a nice day anon and consider watching something else. Thanks God the world is full of stories!

[olliepurples]

mdarc chapter 4 spoilers (tw negative)

i'm a couple of doors into the mystery labyrinth, and it's getting a little annoying having shinigami and yuma go "but how could this have happened? who could have done this?" when i literally knew it was yakou as soon as the game told me that the poison had a delay. this is so silly like "how could anyone have got past this, they would have died in thirty minutes!" ok! narrow your suspect pool to people who die in the next thirty minutes then! damn!!!

[discjude]

it is literally 4 in the morning and I can't fully articulate this but like. I spent a whole lot of time trying to work out who the "third" in Rise + Fall is (given the 'two works well, three complicates things' rule in Fall) mostly because its the sort of thing that works really well for parallels (example: my insane Hook theory). Obviously there has to be a Third for the Prequels twins (since Soman wouldn't've made it that big of a deal if there wasn't), just as there is a third for the TSY and TCY twins: Tedros is the Third in TSY, and the Complicator Of Things himself - Aric - is the Third in TCY, but there's a lot more candidates for Prequels: you could make cases for Hook, the Pirate Captain, Pan, and Vulcan, from my memory. But none of them really stay around long enough for them to be the third, so I was struggling to pick one out that worked well.

Based on how the Rule Of Three is described, the Third has to be someone that gets in the way of two others, who are going to be the twins, and needs to do a significant amount of Complication. Aric is literally the blueprint for this (potentially also Evelyn, but also not Evelyn, for Reasons). So anyway looking back on it the Third in Rise and Fall is SO OBVIOUSLY the Storian itself and im mad I didn't clock this earlier

It's present through both prequels, where most of the other candidates aren't. It DEFINITELY gets in the way and DEFINITELY does some significant Complication, looking at the end of Fall. If I were to reach slightly, the first image we see in Rise and Fall is of the Storian physically between the brothers, mirroring how it ends up coming between them emotionally, and I like to think that's intentional (Book 2's cover does this as well).

More importantly, there's another part to the Rule Of Three pattern with the sets of twins that isn't explicitly stated, but is consistent between all three: the Third always replaces one twin to form the Two with the other. in TSY, this happens with Tedros and Agatha (predominantly). In TCY, this happens with Aric and Japeth - this is why Evelyn can't be the TCY third in my opinion, since she doesn't replace either twin, and breaks this pattern. in Rise and Fall, this happens with the Storian and Rafal. There isn't really a pattern to whether the Good/Evil twin gets replaced, unless you want to go into some very very very bit leaps ive thought about regarding the whole "was Rhian II evil or good before becoming Rafal, and does that also affect Japeth doing the same thing" thingy but I could not fully explain that stuff ever. There is probably so much more nuance I could add to this if only I reread TSY but that will happen Some Other Time

[iced-souls]

D09 day Part 6!!!!!!

I wonder what wonders await on the bingo card this time..

[this is the last sketch so far that I finished.. meaning its probably gonna be a little longer the usual timing hehe—]

Part 1 | Part 2 | Part 3 | Part 4 | Part 5

[transbutchblues]

I’m not gonna lie, The Wisdom Saga is one of my least favourite EPIC sagas, there were multiple choices that I really didn’t like. however ! Little Wolf is insanely cool and I love the characterization of Antinous so far. and Love in Paradise was better than I expected

[fitzrove]

[shaking and biting] but what does it MEAN. what does it SAY what is the THEME

[weregonnabecoolbeans]

Update on how reading Thrawn: Alliances is going

I am s t r u g g l i n g to finish it..im barely past halfway

[intpstyle]

Doodles for/while listening to Hozier's "Unreal Unearth".

God, I love this album

[sysig]

New toys ✨ (Patreon)

[askthekirbysquad]

When I think about it, the Wii Kirby games have a trend of giving you a little hub world of sorts to hang out in.

And they were absolutely fuckin' right to do so.

[bmpmp3]

speaking of genbu's "serious" sounding tone in his voicebank, i think that might be why he was such a dead ringer for teto pre-synthv-bank-release with just a couple little gender parameter tweaks. wait do my followers know this. sorry i know most of my vocal synthesizer talk is genuinely gibberish to my beloved and loyal long time followers but do you guys know this. for a few years, people had discovered that since utau teto and genbu have this similar strong enunciation and dark sounding tone plus teto can have a bit of a tomboyish edge to her voice anyway -> if u mess with some parameters and phonemes he'll sound close enough to her, so it became a bit of running gag in the community, along with just being a genuine and novel use case for his voicebank. actually recently i found out about someone who made a couple of synthv scripts to set genbus voice to his falsetto pitch and set the tension to drop during each syllable automatically to make him sound like the utau sora amaha. genbu's purpose is to impersonate other vocal synthesizers

[5hrignold]

rewatching under the oak and i know it’s bigger than all the other trees and the entire model is different but the idea that bugbo can just Know if something was put down deliberately rather than being there naturally apart of the globe is so cool to me and im adding it to my mental list of things i think bugbo can do

[horsegirlhob]

The great thing about this Dimension 20 season is that, as someone who does not watch drag race but who has a lot of friends who do, I can now finally provide opinions on at least some of the people they talk about. 

[unusualshrimp]

hey sorry i can't come to work today im thinking about the various implications of zombie horror and the way it affects people