#i think there's some commentary or irony in there

[msdk-00]

when did people decide femcel was lana del rey daddy issues ddlg anaposting aesthetic and not just a gender swapped incel aesthetic. where are the crusty haven't showered ina week 3/10 women posting on misandrist forums. i ask because i see the tag on here and get confused but then again maybe the deep recesses of radfem tumblr have the same radicalizijg effect that 4chan does on men so at heart it's the same

[delphi-shield]

OLD FOLKS HOME ↪ age gap hcs

the people you love & the shit they do that reminds you of the dreaded Gap (tm). characters included: leon kennedy, chris redfield, jill valentine, claire redfield, rebecca chambers no warnings to speak of. remember kids, if you're gonna date people in their 30s and 40s, you're gonna have different cultural contexts and, most likely, different senses of humor.

Leon is eight levels of irony deep. He started doing Old Guy Shit just to mess with you, and now it's all come full circle. 

It turns out he actually likes watching the weather channel. He’s monitoring storms that are miles and miles away from you, pointing out the feeder bands like it’s some kind of sporting event. 

He's genuinely invested in Ice Road Truckers. He asks you to TiVo it for him when he's gone. You do not have TiVo. In fact, you're pretty sure no one still has TiVo. 

Or you were, until Leon once again committed to the bit and got TiVo.

Really, genuinely annoying about old movies, actors, and directors.

”What do you mean you don’t know who Robert Redford is? The Candidate? Butch Cassidy and the Sundance Kid? C’mon. He was even in an episode of The Twilight Zone. You’ll know him when you see him.”

At least you get movie dates out of it.

Movie dates that he will pepper with trivia about the film, by the way. You don't need the commentary track. He is the commentary.

I'm so, so sorry about this. 🤪 is his favorite emoji. I know. I'm sorry.

Chris cannot fucking hear. To be honest, I think most of them have some degree of hearing loss - but Chris in particular seems to have very subjective hearing loss.

Yes, you were just having a full-fledged conversation. No, he didn’t hear you ask him to take out the trash. He didn’t forget, he just didn’t hear you. Sorry, you were standing on his right - come on, you know that’s his bad side.

Explains basic technology to you because he’s not sure if you know what it is. Then, in the same breath, crams in so many military acronyms he may as well be reciting the alphabet. Does not explain the acronyms.

Like, yeah, Chris. I know what a landline is. Dial-up internet, too. Now, what the fuck is an ORE?

Have you ever gotten ‘ok’ in response to a nude? You’re about to. Completely demoralizing, by the way.

He didn't know you wanted him to compose a poem dedicated to your beauty, okay? He tries to get better, but winds up sending shit like 'wow 👍'

Does the dad thing where he insists he's not interested in watching what's on TV and then stands with his hands on his hips in the middle of the living room, enthralled by the show.

Jill does not understand your music. She will not make an attempt to understand your music. If you see her tapping her foot to the beat, no you do not. She is not interested in expanding her musical horizons.

She only bought you tickets to that concert because she knew you would love it. She only went with you because you’re cute when you’re so into this stuff. She only bought that t-shirt because it would be a good souvenir, and eventually, a good grease rag.

Generalized distrust of social media. Do not show her a tiktok. She will ignore the video and lecture you about data safety. Jill, please. Just watch the fucking cat video.

And then she turns around and opts in to literally everything on the McDonald's app.

If there’s a rewards program, she’s in. Already sold. Didn’t even read the fine print. All that shit she was telling you about how you need to be more careful is right out the window for some free fries.

Anything for the thrill of a good deal. If she had more time on her hands, she would be couponing.

Buys in bulk. No, it doesn't matter if the two of you could not physically eat that much rice. It's cheaper to buy it like this. It's fine. It's good for you.

Gotta stock up on non-perishables, too. You gotta be prepared in case something happens. "Better to have it and not need it than to need it and not have it."

Claire cannot stop shopping from QVC. She's in the kitchen with David. It Takes Two with Mary and Sandra? Wrong. It actually takes three. Mary, Sandra, and Claire.

Infomercials have got her by the throat. You have so many gadgets and gizmos around your home that are just collecting dust.

Gets wine drunk and goes online shopping. Legitimately does not remember what she’s bought.

Absolutely will not let you open the packages. (“Some of this stuff could be for you, you know.” “Claire, last time it was a 10,000 count package of googly eyes.” “And I used all 10,000. You still haven’t found them all.”)

Uses every piece of technology until it’s about to fall apart. Absolutely not interested in having the latest and greatest. She’s one of those people who insists that as long as her phone can make calls and send texts, she doesn’t need a new one.

Speaking of texts. Somehow, she got it into her head that a read receipt is equivalent to a reply. She doesn't get what the problem is. You know she saw your text. Why does she have to reply?

Genuinely doesn't mean anything malicious by it - but also, if you did that to her, you would never hear the end of it.

Rebecca legitimately has facebook humor. They all have some degree of facebook humor, but she's got it the worst. 

Will blow up your notifications tagging you in shit that is just straight up not funny. I’m talking full on tagging you with “😂😂😂”

Unironically sent you a minion meme once.

It's not that she's disconnected. She teaches undergrads. She knows what’s in, even if it’s only from the periphery. It’s just that she doesn’t care. She has no interest in keeping up with trends just for the sake of it. She’s so used to being the youngest person in the room and having to keep up expectations that she just absolutely does not care anymore. She's glad she's not one of the kids anymore.

If it made her laugh it made her laugh, her enjoyment isn’t shackled by feelings of shame!!

If you have a group chat on any platform with your friends please invite her. She's just happy to be included. She'll make a discord if she has to, and she'll brag about it to her students.

Yeah, she says pupper and doggo. She does. Look at her.

[scarletkaoru]

This is an awesome meta both of wot and its politics in general, and also of egwene and that scene

I love the realism of characters PTSD and the fact that they often react to it by making bad decisions. Trauma doesn’t necessarily make you smarter. Just more desperate. And the series portrays that beautifully. I think people are used to the idea that a well written female character is also going to be ‘good’, not just in the sense of having character depth but also being morally upstanding. The women in wheel of time that we spend most of the narrative with are politicians, women in power and often in situations where they feel threatened. Plenty of the side character women arent manipulative because they dont need to be. (Ie: barmaids) , and its really interesting to see how characters like Egwene get more manipulative as the series goes on. Like thats not bad writing its a really interesting worldbuilding quirk

Saw a post (not on tumblr) from a reader 4 books into WoT who was frustrated by their impression that every woman in the series was manipulative in some way, and that they found the bits where men talk about women & vice versa were offputting.

I didn’t spend too much time on the latter, aside from mentioning that any given character’s expressed opinion about gender tends to be undercut/complicated by the actual events of the narrative in the same scene, or directly after.

But the observation about gendered manipulation made me think about power in WoT, on the principle that anything about gender dynamics in WoT is subtextually about power dynamics. Manipulation is just exercise of power, and everyone does it.

In WoT both top dog and underdog are manipulative, just in different ways and with different levels of effectiveness, and this is expressed through structural privileges as well as individual personalities & context.

Characters with less structural power- often but not always male, non-channelers, lower class, weak channellers among stronger ones, or channelers in channeler-phobic areas- tend to manipulate via guile; characters with more structural power- often but not always women, channelers, higher class, strong channellers among weaker ones, or channelers in channeler-friendly areas- manipulate via implied or overt threat.

In book 3, traumatized Egwene gets scolded for using an overt threat (blowing up the ground in front of him with channeling) on a Whitecloak just outside of Tar Valon, when she was structurally in a position of power and should have have just ignored him/used the implicit threat of being near home territory. The Whitecloak was bluffing (using guile to manipulate) and she fell for it because it triggered her PTSD.

She was tricked into giving up her high ground tactically, and Verin is furious because she also undermined every Aes Sedai strategically by using the One Power as a weapon on someone who thinks she is full Aes Sedai. Egwene threatened the structural power of Tar Valon by making it look like the Oaths don’t work, which is exactly what the average Whitecloak believes.

We understand that a) Egwene didn’t actually plan to hurt him so she is within the letter but not the spirit of the law- guile again, she thinks she was working from a position of weakness & was trying to bluff the Whitecloak- and b) on a purely emotional level Egwene was correct to believe she was threatened because she is obviously extremely traumatized by her Seanchan enslavement- she expresses that she will not be captured again when she attacks the ground in front of the Whitecloak.

Verin, the Whitecloak, and Egwene are all exerting power to manage the situation- being manipulative, being agents- according to their privilege, personality, and general context. There’s so much interest and nuance lost when you boil it all down to one single lens such as gender.

[mjbarrosart]

My Dragon Prince Boards season 6, episode 602

Before we start, a little words...

Working in The Dragon Prince is for sure one of the biggest privileges of my career as a storyboard artist. I got into the show as a junior board artist during season 4 and was able to stay until the end of season 7.

The quality of the show, the characters the fans, are things that I truly enjoyed and keep close to my heart.

Have been years since my work in Drago Prince - we were boarding season 6 in the Summer of 2022- and to be honest feels like a lifetime ago, haha, my skills and art have change so much during the years, but every time a new season premieres, going back to my old boards and write this little commentary has become such a fun thing to do.

Season 6 is so far one of my favorites. This season was in such a sweet spot for us, with seasons 4 and 5 already done we were feeling really comfortable on the style of the show, and we were able to work without the huge pressure that later we had for season 7 (closing a huge story like this saga is a monumental challenge and that put a lot over our shoulders for sure!) So I have fond memories of my sequences on season 6, having a lot of fun while working on them.

During all my time in the show, I was part of the 2nd unit on boards. The show had 3 units, each unit was in charge of 3 episodes. If you check the credits its pretty easy to figure out which unit is which. I had the huge privilege to work with experienced artists like Jae Harm and Lori Allen, who also worked in seasons 1 to 3! My unit director for this season was Mike Jones, hands down one of the best storyboards artist I ever meet.

As the 2nd unit, we were in charge of episodes, 602, 605 and 608.

So lets start with Episode 2 of season 6!!

A little irony about this season is that while in season 5 I was working SO MUCH with Janai and Amaya, in this season we only had sunfire elf plot in this episode, so is my only time on the season working with my favorite ladies. Knowing that, I tried really hard to nail all my parts!

My first sequences is when Janai scolds the remaining sunfire generals. This episode deals with the consequences of the season 5 finale of the sunfire elf plot. Janai is sitting on her throne betrayed by one of her generals and her brother, feeling doubts about herself, but also about is she can trust others.

I think was pretty cool to being able to explore a more emotional side of Janai. I wanted to make this sequences to feel imbalanced and aggressive. Janai is dealing with a lot of emotions that are hard to process.

I read some complaints that Janai in this sequence is not being better than a Karim (yes I read your comments!) and I agree, but I think that that is a good thing. The idea of this sequence, was to show Janai taking things wrong, acting her feelings in a way they are hurting people around her. I don't think Janai is being a good queen here, and I thing that is good, because is good for characters to have flaws to overcome.

Sadly, part of this anger is not only directed to her subordinates, but also to Amaya, but she is a mature person, who doesn't take it personally and keep herself calms in order to be able to support her partner.

My next sequence is when Janai burns the sunseed tree.

This sequence continues working around the idea of Janai's rage and frustration. The sunseed is not there anymore, and she struggles to imagine a future, she is defeated, scared and angry.

The next shot is a fun one. On my first pitch of this sequence, I had her image reflecting in the crown turning into Karim, as a symbol of that both are the same, or that right now she is not being better than him, she is being haunted by him. But that idea was scrapped during revisions. I was happy when I saw the final episode this weekend and I notice that they put him on the crown. I think works really well as a symbol of her struggle and pain.

The Janai's fall keeps goin, the rage overcomes her and starts to burn the sunseed tree, the same place where last season she was talking about hope and future, now being destroyed in frustration, a rage that quickly turns into sadness and despair.

But Janai is a lucky one, she is not alone and has love ones who are there for her, to help her to navigate this hard times. Amaya and Green arrive just in time to stop her. I wanted to make the action of Amaya removing her from the fire messy, they lose balance and end sitting in the floor, it is a desperate move, but a necessary one. Amaya is there holding her, and that mark the beginning of Janai's change of mind.

Next sequence is this cute one when Amaya tells Janai the story about the "king with the thousand eyes". It is a simple one, but i like what Amaya is doing her. She is not telling Janai what to do or what to think, but given her context and tools to work her own thoughts. She needs space and Amaya is giving her something to think about.

As a funny detail, this sequence had a lot of Amaya talking, and that means tons of ASL, and, let me tell you, animating ASL is super hard, ergo expensive. The team had ASL interpreters acting the lines, and used that as a reference. What makes it hard is the fact that they need to be ultra precise with the hand movements, you don't what your ALS to be sloppy, and that takes time, so I got a note from the director to reduce the amount of ALS on screen, and we tried to be creative with the shots, haha.

Next sequence is when finally Janai is able to come to her senses and decides to do the right thing (be the right kind of leader to her people)

I really like this sequence, is soft and tender and emotional, and you can see the growth of Janai. I based a lot of their touches and love gestures on my own relationship with my wife, I always wanted to make this two feel real.

The last shot of this sequences is pretty deliberated. While is true, there is not sunseed anymore, they don't need that, because they are the new sunseed, they, their love, them as a symbol of the union between elves and humans, they are the future, there is hope.

My last sequence of the episode, is the short "let's get married" sequence by the end. A short sweet one, and I think the only time i boarded a kiss between them!!

In my original boards there was a close up to the kiss, but they removed it :( ... but I can show you anyway, haha

Well, that was my work on episode 2 of season 6.

Thanks for reading this long post, I'll write about my work on episode 5 soon!

[legoliomanikas]

Brief Thoughts About Aventurine, Religion, and Colonialism

This isn't a comprehensive summary, just things I started thinking about. It's kinda funny how things just completely fly past you when you don't think about them regularly, cuz I'm a very not-religious person so it took reading someone offhandedly refer to aspects of Aventurine's backstory as his "religious beliefs" for me to realize how important those actually are.

(2.1 Story Spoilers + reading the Sigonia relic set description will help for some context)

Despite his employment in the IPC calling for Aventurine to help amass capital in the name of Qlipoth the Preservation, we don't really hear him talk about Qlipoth often and his backstory basically omits mention of his relationship to THEM; the focus is entirely about his relationship with Gaiathra Triclops and HER blessing of luck.

The present Aventurine has changed a lot from his young self due to the influence of the IPC, in direct ways such as his newfound wealth and ruthless business practices, and in indirect manners such as how the IPCs involvement in the inter-tribal relationships of Sigonia resulted in higher tensions between the Avgins, Katicans, and other tribes.

However, his belief in Gaiathra Triclops has remained intact into his adulthood. It has soured as he begun to view HER blessing of good luck to be more akin to a curse, but it feels like a very deliberate writing decision to have him still hold onto the belief system of the Avgin. It would have been reasonable if he had later turned to the protection of Qlipoth, as joining the IPC had resulted in the wealth and status he has now, but he doesn't really do this.

Even if the colonialism took much away from him, he still wishes to retain his culture. (The value he places in the items his parents left for him and sister: the charm, the necklace, and the shirt, is further testament to this, as examples outside of his religious beliefs.)

Prayer is also something that we rarely see depicted often in Star Rail, which makes the segments of Aventurine praying with his younger self and sister stand out a lot more. The only character I can recall off the top of my head with an extended prayer sequence is Sunday at the end of 2.0, which is also notable.

One thing that I was wishing the Penacony plot would at least lampshade is the irony of sending Aventurine, a slave working for the IPC, to retake a planet that had led a slave rebellion to escape the IPC's control. While I'm now uncertain if they will address that directly, I do wonder that as we learn more about Sunday, if his relationship with Xipe the Harmony will end up being used as a way to foil him to Aventurine and/or serve as indirect commentary on the situation between the IPC and Penacony. (This is pure speculation)

But yea anyways, it's pretty interesting seeing mihoyo try to incorporate other aspects of racism and colonialism that extend beyond displays of outright hatred, such as how Aventurine's retainment of his culture's religious practices is depicted in a positive light. (Another thing that stuck out to me is how they depicted the fetishization of racial traits negatively, with the way some characters remark on his eyes, how the Avgin's untrustworthy reputation partially lies within their physical attractiveness, and how his relationship with his own appearance has changed as a result, as this is something I rarely see fictionalized but I won't elaborate on this here bc its off-topic.)

Obviously, mihoyo doesn't have the best track record when writing minorities and there's still a fucktonnnnn to be criticized about their decisions in Aventurine's lore as well (the most egregious of which being deriving the name for his planet from an actual slur), but it does seem like they are at least trying to add more depth to their depictions.

[thewertsearch]

Mega-Giga Ask Comp: Part 3

@manorinthewoods asked: I'll be honest, I wrote the Locked Tomb ask having not read the Locked Tomb series. I literally only know the starting and ending strokes of the first book. That being said, I do like the half-soul-Sollux idea, and it works pretty well with the Locked Tomb's general theme of Lyctorhood, and how knotted the whole situation with Alecto, Gideon, and Harrow ends up being. (What is even going on with Nona) ~LOSS (4/13/24) @manorinthewoods asked: You know, if you hadn't already read Gideon the Ninth, I'd have recommended it as a good second liveblog. It really does fit your preferred sort of mystery. From all the clues presented, you could probably hit very close to the ultimate solution to the Lyctoral puzzle - as close as anybody could be expected to get. ~LOSS (25/4/24) @manorinthewoods asked: The Locked Tomb's prose is pretty good. On occasion, it happens to chime with a sound of 'Homestuck', but I only recall that twice so far in my reading. I like the skelebook. ~LOSS (27/4/24)

Once again, I'm glad my hidden agenda - convincing this blog's entire readership to check out The Locked Tomb - is bearing fruit.

I agree! TLT does occasionally give Homestuck vibes, presumably because its author is a fan. For the most part, though, its prose style is all its own.

Anonymous asked: Reference to American culture: the sphere of Jade's home dropping and the timer that preceded it are references to the Times Square Ball, an annual event held every New Year's Eve. A giant ball descends down a pole at 11:59 PM and reaches the bottom at 12:00 AM, January 1. I believe that you can figure out why the reference was included in the first place. Anonymous asked: btw the gamzee page was released on new years. ‘the miracle of a new beginning’ is the new year and the lab dropping is supposed to be a reference to the ball dropping in times square

Some America Lore here that I wasn't aware of.

I was wondering exactly what Gamzee meant by 'a new beginning'. Maybe Alternia practices the tradition as well.

@omnilew asked: the way you speculate and go indepth into sburbs features and how it affects the kids, made a silly headcanon that your kidsona is reading the comic while playing out their session though this is mainly because "Eventually, we were bound to cross a couple of wires that should never have been allowed to touch" kinda references chargerkind

I like it! Maybe my 'sonas have access to a more in-depth version of Rose's walkthrough, and are adding their own commentary in quiet moments during their own adventures.

@manorinthewoods asked: Your excitement over the resurrection of Dream Jade gave me a form of suspenseful mirth. Seeing how happy you were at her resurrection, while also knowing exactly what came of it, is perhaps textbook dramatic irony. If only you'd read a panel further… ~LOSS (26/4/24)

She looked so happy to be back, too! That certainly didn't last long.

She was prototyped with a smiling corpse, though. Maybe that was just her 'default' expression, and it vanished as soon as her actual feelings asserted themselves.

@thetinygladiator asked: 'I hadn’t really thought about Sally’s ectobiological parent - but now that I am, I think the funniest possible option is that it’s her landlady.' okay but i just gotta say… this immediately makes me think about how that relates to the house-building aspect. Like, with the giant tower, are they gonna charge the Imps for rent? That might work, honestly. Where do imps even live? Bet they don't have good AC or Wi-Fi, lemme tell ya.

300 GRIST/DAY NO CRUXTRUDER NO ALCHEMY NO PETS

@manorinthewoods submitted: How many computers would you have on your person if you were playing Sburb? Jade recommends at least 5. I say I'd have a laptop, phone, a spare of both of those, and computer gloves if I need to compute really fast. Also spare gloves. Speaking of the phone - is it possible for people to put phones in their pockets? Given Karkat (and a minor gag in Act 6), we can assume that it's difficult or uncommon to carry items without using the Sylladex - or maybe it's just tied to your dexterity, and you have to hold things gingerly to avoid captchaloguing them when you pick them up. On the other hand, there's no issues with accidentally storing something you've unstored and are using - so how does the Sylladex actually work? Do people just instinctively store their items once they're done using them? Is it difficult to avoid storing something you aren't using anymore? Can you stuff phones in pockets? If not, then why develop a PDA in the first place? Given the Sylladex, it should be much more commercially viable to make a tablet. ~LOSS (24/4/24)

Since Karkat can physically pick up a book, you can probably pocket your gear - although maybe there's a difference between holding an object and trying to add it to a physical 'inventory'. Either way, the issue is easily circumvented by employing wearable tech, like the kids do.

As depicted in my alchemy binge, my primary computing device would be the Pocket Holodex, which can remote into any computer in my sylladex.

In addition, my Modular Ring shirt is also a computer, which can presumably be augmented by adding extra mod1ules over time. I'd probably also captchalogue every computer in my apartment, of which I currently have six.

I'd be exploring the Medium with a minimum of seven computers, plus one pseudo-computer, plus a phone. Jade would certainly approve.

@iris-in-the-dark-world asked: the tension in act 5 act 2 is perfect, i love it. maybe even moreso on rereads, the foreshadowing and generally ominous vibes always get to me @heliotropopause asked: You're getting to the part where the comic really starts hitting its stride. This'll be fun.

The ever-present countdown certainly adds a degree of urgency to the situation.

I'm really liking the pacing of this current act, as things slowly progress towards some critical point - one which, for now, is still shrouded in mystery.

Anonymous asked: Forwarding another ask for the person with no account ~DJ: Eridan's deal seems to be based on Wizardry Herbert - a proto-Homestuck work by Hussie. A parody of Harry Potter dealing with whether magic is real. [] But Methods of Rationality began in February 2010, so "Harry Potter but obsessed with science" might have also been an intentional reference to that.-RM @heliotropopause asked: Eridan Ampora and the Methods of Rationality sure is an idea for a fanfic. He'd be so bad at it.

Eridan would be an extremely funny choice for a ratfic protagonist. He'd be so smarmy about it - and thus, a perfect addition to their ranks.

What would the definitive Homestuck ratfic be called, do you think? I think Tool-Assisted Speedrun would be a decent choice.

@killedthekat asked: An interesting thing about doomed timelines is how they serve to prevent stable loop metagaming. As a basic example, in a typical stable time loop scenario, if you observe yourself unharmed in the future, you can throw yourself into high danger high reward situations and know that probability will twist itself into whatever improbable knot it needs to do to keep you safe. But in homestuck if you lean too hard on predestination you just get shunted into a doomed timeline for your trouble.

It's true. Timehopping just isn't fun in Homestuck, as you're constantly walking a tightrope, desperately trying to stay in the one timeline that might not get you killed.

It's a good way to prevent time-travelers from becoming overpowered - something which is probably necessary for a comic which makes such heavy use of the concept.

Anonymous asked: Now that you're updating while HS^2 is, I've realised that while I'm barely keeping up with ^2, I just yelled "Oh! Upd8!" out loud when I checked your blog, so to me? You're the real continuation of Homestuck

What an honor!

For veterans of the comic, this blog is more Homestuck: Revisited than Homestuck 2. As a woman who would much rather watch video essays about old Simpsons episodes than new seasons of the show, I completely understand why some would prefer the latter.

@manorinthewoods asked: I've since finished Worm. I think Sophia's by far the best Vriska candidate. Lisa, Amy, and Colin are less so, I think. ~LOSS (21/4/24)

Oh, nice, you got all the way through it! Worm is an absolute behemoth, and I know a lot of people who started it, and gave up halfway through.

Sophia is likely the closest match to Vriska in personality. I agree with an earlier comment, though, that the most Vriska-like character in terms of audience reaction is probably Amy.

Anonymous asked: Cannot believe someone would propose a Homestuck/Locked Tomb scenario and leave Gamzee as part of a spare pairing, when the Homestuck fic The Serendipity Gospels, written by the author of The Locked Tomb, stars Gamzee and Terezi in the proto-necromancer/cavalier dynamic. Absolutely appropriate to have Gamzee as Ninth though, since his facepaint is the direct ancestor to Harrow's. Gamzee and Terezi is such a funny pairing to go with. I'm certainly looking forward to checking out The Serendipity Gospels when I'm done with the comic - both to compare it to Homestuck and to the Locked Tomb.

As am I. Apparently it was left unfinished - but considering how long this liveblog is taking, maybe Taz will have updated by the time I'm done!

Wishful thinking, of course, but I live in hope.

@bladekindeyewear submitted:

(I started Dragon's Dogma 2 a couple weeks ago and did my best to a Gideon Nav pawn (NPC ally), facepaint and two-hander and all, and the "Jaunty Straightforward" voice selection has been EXTREMELY distracting / game-improving because her voice and attitude chatting beside my player all the time sound almost straight out of the audiobook.)

Damn, you really captured her essence. Pawn is a very fitting title for her, too :(

@manorinthewoods asked: On the topic of blood color names - Blue through Purple were renamed in Hiveswap. Originally, Vriska was Cerulean, Equius was Blue, and Gamzee was Indigo - which I like more than their modern incarnations. I think 'bronze' might also be a Hiveswap thing, although I won't dispute it, and rust might have been renamed to burgundy? Maybe burgundy is a synonym. Idk. ~LOSS (4/13/24)

I think I prefer the likes of olive, indigo and bronze over more generic terms like green, blue and brown, which would quickly lead to confusion.

Vriska's blood, for example, is also a shade of blue, so it would be a little strange if blue blood was an official term, but it didn't apply to her.

@mxamericanblue asked:hi i have been absolutely BINGING your live blog rn and i gotta just get this out this is so so cool watching you react has been giving me so much joy, i don't have a computer so i can't really experience homestuck again casually when i want to but watching you read it and react and THEORIZE??? omg your theories have been so fuckin killer it's given me a new appreciation for Hussie as a story teller and how spectacular this comic truly was thank you for this, i've been having a grand ol' time, and it's all cuz of u

Thank you! I feel like I've been theorizing a lot less since I came back from my hiatus, mostly because the comic hasn't introduced many big mysteries recently - aside, of course, from Aradia's unexplained explosion.

(Pre-posting update: Since first drafting this ask, my statement above is no longer true, as Gamzee has been revealed as Homestuck's most important character. What the actual fuck.)

@lilietsblog asked: re fifth house aradia: she's an archeolodist :)

Oh, shit, you're right.

Maybe she'd be in more danger from the Lyctor than I thought.

@ben-guy asked: Vriska's ascension to god-tier is, in my personal opinion, one of the most visually striking scenes in all of Homestuck. Also, one of the panels you didn't include (which is understandable w/ Homestuck lol. Sacrifices for the sake of brevity) specifically the one where she has him write "[…] plenty of time for that l8r" above her head… Think about the position she would have had to move him to to write that.

…jesus, Vriska. You can't just do that!

@martinkhall asked: "What is treasure but a fortune, waiting to be found?" Or stolen if you're the THIEF of Light.

Son of a bitch. That's why she's a pirate, isn't it?

Because a Thief of Light is someone who steals fortunes!

@manorinthewoods asked: Eidolons. A species purpose-built to play Sburb, while breaking every mechanic you can solely with biology. Eidolons don't sleep, and live in a hive mind. Their psychologies are very poor at recognising distinct things, with Eidolons seeing the world more in terms of a blur of colors and shapes. They thus have a very difficult time understanding Classes and Aspects, never mind that their mythology never involved deities, and they never invented chess, or games of any sort… ~LOSS (15/4/24)

The idea of a species engineered from the ground up to be Players does raise the interesting question of whether there was a first species to play Sburb.

Of course, with all the time-loops we've been working with, there might not have been a first species - unless Sburb was 'created' in some sort of metatemporal space, 'before' any loops were put in place.

@manorinthewoods submitted: You are very good at analysing Vriska's psyche. Vriska's character was executed very well, I think, and I would hate her with a burning passion platonically but to a high degree if I knew her in real life. She's just… really horrible. She's a horrible person. And half her shtick is that she keeps evading consequences in spite of that. All of her mental torture of Tavros, for instance, ends in her becoming the most powerful player in the session. What sort of justice is that, Terezi? ~LOSS (15/4/24)

She hasn't entirely evaded consequences, but it's undeniable that none of the consequences she's experienced have actually stopped her from doing the things she does.

She's lost an arm, an eye, she's been beaten up, she's bled to death, and literally none of it has caused her to let up on Tavros, even a little. Letting up on Tavros, to her, would be worse than any physical harm, because it would be an attack on her worldview.

@sanctferum asked: "Has anything come of this since, actually? I haven’t heard anything about this new comic – although I do scroll in the opposite direction any time I see a reference to Homestuck, so I guess it makes sense that I wouldn’t." - The general feel I've gotten from the community has been largely positive re: the new Homestuck 2 updates, which have indeed been happening. It's being updated once per month for now, so a lot slower going than non-hiatused OG Homestuck. But I'm enjoying it so far!

Once a month seems more sustainable than Hussie's original barely-believable pace for the comic. With Hussie no longer at the helm, expecting daily panels seems like a pretty big ask - most people don't have the time, money or energy do what Hussie did.

Anonymous asked: I don't know if you read UTDR fanfiction, but this Tavros and Vriska situation reminds me a little bit of Flowey Is Not A Good Life Coach. she's trying to push him to his limits and torture him into being someone who will kill, and he just won't. say, what's your read on comparing Flowey : Vriska?

Flowey does what he does because he's lost his emotions, but Vriska does what she does because she's consumed by her emotions.

If anything, Flowey has more in common with Aradia. They're both time-travelers whose ability to feel is somewhat compromised.

Anonymous asked: WHATTTTTT HOW LONG HAVE YOU BEEN BACK???????? I THOUGHT YOU WERE STILL ON A LONG ASS HIATUS BUT I JUST JOW DISCOVERED TUMBLR ISNT GIVING ME POST NOTIFICATIONS FOR YOU ANYMORE EVEN THOUGH I HAVE IT TURNED ON FOR YOU AND IT WORKS FOR OTHER BLOGS???? WHAT THE HELL. IM GOING INSANE.

This has happened before - but before, I was also removed from Tumblr's search function, which doesn't seem to be the case this time.

Is anyone else having issues with Wertsearch post notifications?

@elkian asked: So has anyone mentioned the godhood joke yet? (The God Tiers costumes have hoods. God Hoods. Badum-tish)

LOL, I did miss that.

Anonymous asked: Fun Homestuck fact! After writing Karkat, someone brought up that the writer of the 'Programming For [Expletive]s' book sounded a lot like Karkat. Andrew responded by telling them to imagine that it was actually written in all caps, basically canonizing that the 'Programming For [Expletive]s' book was written by Karkat. At least, I think that's how that went? ~LOSS (28/2/23)

And it could be any Karkat, too. Maybe one of the Karkats from a doomed timeline actually learned to code from Sollux, and became a famous ~ATH developer.

@morganwick asked: So with conversation 8=8 apparently taking place in the immediate aftermath of Rose destroying her gate (even technically during Descend), and Rose's attitude towards Kanaya in the part of it that we see, does that change how much you think her attitude in their previous conversations reflects her genuine mental state?

Oh yeah, no, I’m pretty sure she was genuinely in a bad mood here. Not really so much because of Kanaya, and I think the anger directed at Kanaya specifically was inauthentic, but the bad mood itself was real. She'd recently been injected with several months of traumatic memories, after all.

@manorinthewoods asked: That panel, of John in Vriska's 'fabulous outfit', is actually pretty neat, because you can see from the proportions how young John really is. He's small, not even fully a teenager yet, and he's been thrown into this chaotic world of humans and trolls, quadrants, violence and danger. Everyone in the game must be scared, in some degree, but none of them ever show it. It makes you wonder just how strong Skaia's children really are. ~LOSS (29/4/23)

Seriously. In what universe are 13-year-olds the people most qualified to make universes? Sburb has some very funny ideas about the optimal way it should be played.

I suppose this is something that had to be true, though, for Homestuck to be the coming-of-age story that Hussie wanted it to be.

Anonymous asked: My interpretation has always been that "the Blind Prophets" are actually just Terezi herself, in a time loop-y/predestined way. She's blind, her class is Seer, AKA prophet, and those are her numerals. Also, on an unrelated note, but to weigh in on your last ask, according to Latin conventions, the plural of lusus is lusus. Does Homestuck follow those conventions? Well…

Or, since there are two Seers in Homestuck, maybe they’re Terezi and Rose. She’s a Light Player, so a blinding would be suitably ironic.

Anonymous asked: re: captchalogue codes and the states of objects: it takes a relatively small change in the physical arrangement of atoms and whatnot to turn a ghost dad poster into, say, a little monsters poster, but the two have a relatively large difference between their conceptual nature. on the other hand, it would take a relatively large rearrangement of atoms to make the slime pogo ride be anything other than a slime pogo ride. perhaps this makes the former change state more easily than the latter? alternatively, maybe the captcha system just knows that all it would really take to make the slime pogo ride stop being covered in oil is soap and water and it's happy to do that on its own, but paper is harder to clean so it wants you to jump through more hoops for that one new question: if john had used his posters for alchemy before he was able to see their defacement, would the resultant objects also be beclowned? evidence seems to suggest that players with unawakened dream selves Will draw on their walls in their sleep and not see it until Ready, so there not being mechanisms in place to deal with that seems less likely than the alternative to me, but especially considering people who aren't them Can see the drawings, how??? would that even??? work??? what would've happened if john had done alchemy with the arms cake. i think it would be funny to see that

I think he’d still get the clown posters.

The kids keep accidentally making magic items, so It's clearly possible for someone to alchemize an object with properties they didn't foresee. Therefore, I think John would make what appears, to him, to be a normal poster - but Rose would still see it as it truly is.

Anonymous asked: any thoughts on what the horrorterrors are? beyond their (admittedly vague) intentions?

I think they’re a sign of the wider cosmology beyond Sburb - and, more specifically, a sign that there is a wider cosmology beyond Sburb.

I don't know if we'll necessarily get more expansion on them than we've already had, because their whole shtick is that they're unknowable. Needless to say, I'd love to be proven wrong.

[shewhotellsstories]

People say Eloise is a self centered white feminist who enjoys the privileges that come with being a Bridgerton and although that's true, she is also a sheltered teenage girl who needs to learn about the world.

Her feelings of marriage are valid and while she needs to learn that desiring motherhood and marriage doesn't make a woman lesser, it's part of growing up and learning true feminism. She's a baby feminist but viewers don't want her to grow. How many teenage girls in today's day and age are all-knowing about feminism theory? Her friendship with Theo taught her about the working class and that connection to the outside world could have been a great learning experience for Eloise. Yes she has the privilege of being a Bridgerton but that safety net is exactly why she should be allowed to advocate for things the way she wanted Whistledown to(not a critique of the character but rather the writing and the fandom)

Penelope did some selfish things as Whistledown, abusing her power (cause it wasn't just about being gossip girl for the bag) and rather than acknowledge that we're expected to sweep it under the rug. I LOVE flawed characters because the writing acknowledges their wrong doings and yet certain characters get away with murder.

Eg s1 Blair was awful to Serena and while she had her reasons for doing so, revenge and her own self worth and abandonment issues, the show acknowledged this and we wanted good things for Blair. Serena slept with her best friend's boyfriend and covered up a mans overdose but we still root for her because she is a good person and is trying to grow.

If Penelope doesn't acknowledge her wrongdoings how can she grow as a character.

"Okay publishing a burn book is wrong but I love writing and I'm good at it, maybe I should become Jane Austin or something."

(throwing in how Edwina was raked over the coals for being angry with Kate and while the half sister comment was uncalled for, she wasnt given the same grace Penelope has been given)

I'm sorry for how long and all over the place this is.

No, I get it. The issue is that some characters are given grace while others are crucified. Some characters have their circumstances considered when examining their behavior while others don't. I hate it that some characters get novellas dedicated to defending their bad behavior while others should've just known better.

And that's totally the way I see Eloise Bridgerton. She's a baby feminist! She is in her just watched Ironed Jawed Angels and has maybe read a few zines era of feminism. When I was 17, I remember saying in class that I didn't think it was possible to be a SAHM and be happy and now my opinions have radically shifted because I'm not a kid anymore. Now, if you'd ask me I'd say it's a vulnerable position to be in economically because your security is tied up in your marriage working out and or your husband never dying, but it's your choice ultimately. What a difference a fully developed brain and college professors who require you to read bell hooks and Audre Lorde can make.

But seriously, the sad irony of Eloise being raked over the coals for "doing nothing" is that she was trying to become more informed and it blew up in her face. Spending time with Theo and other members of the working class was really good for her. Sadly, Penelope should've known better than most that she was genuinely trying to expand her worldview, but Eloise is the only person getting the bad friend allegations.

And yeah, as much as I love Kate and Anthony, people were way too hard on Edwina in season two. No one wanted to hurt her, but who in her position would toss confetti?

Plus, I'm really glad someone else is seeing the endless Gossip Girl comparisons that can be made here!

P.S. If you're interested one of my favorite Kanthony fics ends in Anthony and Kate encouraging Eloise to become a fiction/social commentary writer.

[raven-at-the-writing-desk]

book 7 part 4 thoughts!!

***THIS POST CONTAINS MASSIVE SPOILERS FOR BOOK 7, PART 4 OF THE MAIN STORY!!***

Usually I would put this in bullet points, but I have so many thoughts that I have to format it as paragraphs. (If you’d like to watch a rough part-by-part summarized translation, please check out this archived stream!)

Please note: this is NOT meant to be a summary or a translation; these are only my initial thoughts on the events that unfold. There may be details overlooked or misunderstood in this post, so PLEASE do not use this as a translation.

LILIA'S SO DIFFERENT 🤡 His voice is deeper, and he speaks more gruffly. He definitely comes off as more combative and having disdain for humans. HE'S POPPING OFF ABOUT HOW BAD SILVER/SEBEK/GRIM ARE AT MAGIC??? Damn, what happened in the following years to make him change????

The contrast between current Lilia telling Silver "there's nothing left for me to teach you" and past Lilia being like, "there's nothing for me to teach you, are you trying to make fun of me?"

The human faction they're fighting at the moment are the Silver Owls!! There are also people who dress in iron (a metal which harms fae in irl mythology), I'm not sure if they are synonymous with the Silver Owls or not.

IHBFIOASBFIAADSI LORD, THE FAE SOLDIERS ARE ALL MIDDLE SCHOOL NEKO GIRLS HISSING AT US

AYO, SEBEK GRANDPA REVEAL????? ??? ? ? ????? BAL/BAAL/BAUL REAL, I CAN SEE WHERE SEBEK GETS HIS LOOKS AND HIS PERSONALITY FROM

Silver's asking to team up with Lilia and his group (Lilia was about to just leave them there because he's concerned with the Silver Owls setting up camp at the base of the mountain)? Bruh, book 1 we're calming down an angry classmate and book 7 is like, HEY KIDS LET'S TAKE A FIELD TRIP INTO AN ACTIVE WAR ZONE.

Silver's hoping to shock him awake via a fight, here comes a Sebek and Silver tag team battle!! RIP Lilia beats them up a little :v (Sebek. Don't fanboy over his strength, WE ARE FIGHTING FOR OUR LIVES HERE)

Oop, they disorient him with light and Lilia's mask off!! It's treated like a big reveal????? Sorry, but how does Yuu not notice this is Lilia automatically 😅

Lilia voice) you are not my son (and here you can hear Silver's heart breaking/j)

Oh boy, we get to be prisoners of war/j

NOT LILIA ASKING SILVER AND SEBEK HOW THEY KNOW HOW TO FIGHT SO WELL WHEN IT WAS LILIA WHO TRAINED THEM TO BEGIN WITH

"Fae don't go back on their word" AH SO THEY LIKE TO KEEP PROMISES EH

"May the night bless you" seems to be some kind of salute for nocturnal fae?

LOL Lilia's against being called a father OTL THE IRONY HERE IS SO STRONG

Not Sebek's grandpa telling them off for not showing Lilia respect and saying how great he is... Fanboy genes run in the family/j

DOES YUU STILL THINK THIS IS A PERIOD DRAMA OR SOMETHING

BAAL IS CALLING SEBEK A HUMAN KEK

BAL/BAAL/BAUL REAL DROPS THE CROC MASK???? ?? ?? ?? ? He's got SCALES instead of facial hair???? ???? ? ? Oh man, he reminds me so much of Seteth FE3H OTL The scales are a signature trait of the Zigvolt line! Sebek says his mom has the same scales.

NO NOT SEBEK HAVING TO CONFESS THAT HIS DAD BEING HUMAN, IS THIS THE START OF HIS CHARACTER ARC

LILIA TOLD BAAL TO BABYSIT US...

AW Sebek's so excited about seeing his grandpa in his prime... I'm happy seeing Sebek happy OTL

Lilia's dreaming about the past... I wonder if it's because he was thinking about his life and what he has achieved before leaving his loved ones with his legacy...

Lilia first got the invite to NRC 500 years ago??? So NRC has been around much longer than we expected.

Ahhhh, crap 🤡 The return of book 6 limited battles but now with a battle map. There is a new mechanic where HP carries over from each battle; if a card's HP gets knocked to 0, you cannot use them. (5 cards be restored at random if you get to a heart space on the battle map.)

SEBEK'S ACTING AS OUR OLD FAE SPEECH TRANSLATOR (He's throwing his own angry commentary in, which is hilarious)

The humans arrived on a boat ~100 years ago. Now they have a settlement in the east and are mining around Briar Valley + taking the fae's natural resources. (I think this is why Mystium, that shape-shifting magic green ore that Lilia's weapon is made of, is no longer as plentiful; it was likely mined into obscurity.)

Magical creatures are now coming down from the mountain and causing trouble in Briar villages; the fairies cannot handle all of this. Damn, this is just the plot to the first Shrek movie 😂 They're invading Shrek's swamp--

Oh, interesting! So there are different kinds of fae language (depending on the type of fae they are; think of the diurnal fae from Fairy Gala speaking in bell tinkles), but they infuse their voices with magic so they can understand one another. In modern Briar Valley, there is a common tongue. Omg, Sebek speaks it with his mom and grandma! BILINGUAL KING, HE'S SO PROUD OF HIMSELF... Silver tried to learn from Lilia, but he struggled with it; Sebek's dad had the same issue so the problem must be that human ears cannot pick up on the same range of sounds as fae ears can. This is true of real life as well; different creatures have different auditory thresholds and auditory detection ranges.

Bruh, not Lilia sending out literal children to fight for him on the battlefield...

Eh, new character named??? Some human soldiers are talking about Henrich?? Henrik??? Henric??? He's a commander of the Silver Owls who is conceited and dumps his work onto his subordinates. Errrr he apparently also has a little sister named Leia? Lea??? Leah???? Who is rumored to be in a relationship with someone called the Dawn Knight.

More interesting lore????? Kind of???? Some pixies (small fae) come and warn Lilia about something up ahead, then heal them too. This is notable since in Fairy Gala: What If, we learn that diurnal fae (which I believe pixies are) and nocturnal fae (which Lilia and Sebek appear to be) do not like each other. It seems they got along well enough in the past to confront a common enemy?

They reach a Silver Owl camp!! ... Aaand Lilia tells his soldiers to boot them out so they can take over the camp. I mean, it IS technically the fae's land to begin with, so. Uhhhh, yeah I think I'm with Lilia on this one 💦

I don't think iron affects fae negatively in Twisted Wonderland?? Lilia and co. are having no trouble fighting them even when the humans are clad in iron armor.

HMMMM they've named dropped a formidable person on the human side called the Dawn Knight (Lilia mentions them once, then the human soldiers do). The Dawn Knight is the captain of the Silver Owls and even Lilia considers them a strong opponent. Methinks they'll become a key player later...

OH NOOOO 😭 Sebek’s like, “let’s change this fate!!” but since it’s just a dream, reality won’t be altered at all… Then Sebek suggests just. Staying in the dream???? Which makes darkness spawn… The light from Silver’s ring thing (the trinket he got from Lilia as a sign that he is now a full fledged adult) protects them???

Silver fears the dream will tempt him to stay too 😭 He asks Yuu to snap him “awake” if it ever comes to that… Silver, sweet boy… OTL

NOT SILVER AND SEBEK JUMPING IN TO STOP LILIA FROM COOKING FOR THEM (Come to think of it, how have Lilia's soldiers survive this far with him cooking for them???? ?? ??? ?? ?? )

LILIA THINKING THEY'RE GOING TO POISON THEM, THAT'S SO JAMIL ENERGY

Omg... They're acknowledging their Master Chef training (this is the only time they've referenced events in the main story, if I recall correctly)... Silver even prepares a risotto for them all~ (His own favorite food is mushroom risotto, so I like to think of it as he's sharing a piece of himself with the fae.)

asldiuhaodasidba Lilia complaining about the tiny portions in fine dining...

SEBEK PREPARING A ROAST CHICKEN FOR THEM, they're going all out for this one meal??? ? ? ??? ? ?? Poor Sebek though 😭Baal refuses to eat anything Sebek made, he'd rather starve or eat rations than a human's cooking...

AW BAAL BOUGHT SEBEK BOOKS????? And encouraged his love for reading... 😭

Grim taking Baal's portion of food... (Of course... Did we really have any doubts about that?) Sebek really did get his attitude from Baal... Now Baal's going, "Gimme my food back!" after Grim started digging into it... And then Baal has three entire helpings of risotto... THEY HAVE THE SAME INTIMIDATING-YET-ALSO-PATHETIC VIBES

AYO SILHOUETTE FOR MALLEUS'S MOM????? Her name is (Princess) Mallenoa, the only daughter of Maleficia (Malleus's grandma). She lives at a separate palace and commands the military. Lilia also describes her as being extremely powerful, fickle, stubborn, selfish, and easy to anger. He's just tossing out allllllll the adjectives ahdbayodqdq

Ah, so it sounds like humans greatly outnumber the fae??? So they're at a disadvantage. Normally a royal would handle diplomatic stuff like this but for some reason Lilia is being sent? They're traveling on foot to deliver a message to the human encampment to the east; the last messenger (that travelled there via magic?) did not return. Ominous...

Fae nobility are repulsed by the smell of iron? I'm confused, are fae in TWST impacted by iron or not????

Aww, Silver... He's asking his dad to come to school not to learn, but to make special memories there 🥺 Back to "our Night Raven College"...

NOOO NOW THEY'RE FLASHING THROUGH ALL THE DORMS... while Silver and Sebek monologue about how everyone at NRC is very different, but despite how weird they all are, there is a lot that can be learned from their differences. Silver's spreading what he learned from his dad... and the fact that even Sebek pitched in... 😭

Lilia voice) let's make these high school students our pack mules and unpaid chefs and if they fuck up we leave them for dead in these woods where there are monsters lurking about

Man, he's so ruthless????? Lilia will use anyone he can to succeed in his mission... But then the next second he lays into his princess with a smile www

Lilia knew the princess since they were kids ~300 years ago, which puts the current conflict at ~400 years ago from modern day (since present Lilia is ~700 years old).

asdjbasbldbasdi Gotta love the lowkey jabs at classic fairy tales... Lilia says that human princesses may need protecting but not theirs???? (Yet Mallenoa still stays in her castle all day like she's waiting for a prince.)

THE PRINCESS HAS AN EGG... MALLEUS????? IS THAT YOU???? ???? ????? ? ?? ? ? (LOL at Sebek calling it Tamago-sama asghdyqovywqdwp9qbpacpasb) JAHAJAAH BAAL SUS OF THEM BEING INTERESTED IN THE EGG????

Oooh, so dragon eggs only hatch after receiving enough love and magic from the parents??? (Otherwise the egg will not mature and hatch.) The "power of love" is real, you guys 🥺

ANOTHER new character name drop?????? Levan/Revan??? It's a fae that went missing (probably the messenger from earlier??) I-Is that. Is that Malleus's dad???????? (Lilia says that both the princess and Levan/Revan have been pushing their tasks onto him; he has known them both for a long ass time.)

Baal voice) I still don't trust you

Fandom, back at Baal: Sorry (grand)daddy. Sorry. (Grand)daddy? Sorry. (Grand)daddy? Sorry.

Malleus is 178 years old in current day even though his egg existed 400 years ago, so it seems there was a few hundred years of delay before he actually hatched (normally the egg would hatch in 2-3 years). That means Lilia was ~522 when Malleus hatched and ~683 when he found Silver as a newborn (Malleus was ~161). Silver and Sebek think it’s weird that the timeline does not add up; it means Malleus was dormant for quite a while?? Or is the dream world wonky to accommodate for a “happy ending”? Or maybe the history they know is not correct (since earlier in book 7 Lilia mentions how true history can be distorted over time.)

Very sus, apparently there is not a lot known about Briar Valley's history??? Lilia never talked about the past around Silver, and Baal did the same with Sebek. None of the books Sebek read really goes into that history either. In current day, the palace where Malleus's mom resided isn't even there anymore, it's just land. It suddenly became a mystery...

MAN, I've been wondering this whole time why Lilia's happy ending is wartime but maybe. This is the period where Malleus's parents both died???? Maybe his happy ending is saving them??? Instead of them dying and him having to live with the guilt of not being there to protect his friends and his future prince's parents???? (I previously thought it was during war that Malleus hatched and/or Lilia found Silver, but I guess the timeline doesn't make sense there.)

According to Silver, they cannot stray too far from dreamers or else the darkness will return and try to drag them into a deeper sleep.

asdhbasdobasdbas Sebek is SUPER hype to see baby Tamago-sama Malleus...

Sebek points out that Silver is not nodding off (good catch, I actually did not notice this because I was too busy screaming about the lore); sooo when Silver is dream walking, he's consistently alert. It looks like Silver's narcolepsy is an important detail??? (Lilia took him to lots of doctors that didn't know how to help him, Silver does whatever he can to sleep well and to have a sleep schedule.)

OH MY GOD, I DIDN'T REALIZE THAT YUU AND GRIM STILL DIDN'T KNOW LILIA IS SILVER'S DAD. They thought it was a friendly nickname this entire time??? Kind of late to get to that, but alright 😅 We have acquired the Forbidden Knowledge... (SEBEK'S MOM IS WAY OLDER THAN HIS DAD BUT LOOKS WAY YOUNGER?? I mean, I kind of expected that but to have it confirmed just hits different.)

One of the soldiers tells the kids to stfu so they can sleep and so Sebek yells at everyone to stop disturbing them (you know, in his LOUD AS HECK voice).

Water in the Briar Country is cold because it is located up north (it snows a lot!). The lake water usually comes from melted snow. Checks out, I guess?

They're packing up to leave the camp... Reminds me of Mulan!

[Insert boring trek to the Silver Owls' base. Interesting tidbit: some soldiers we run into comment that Silver resembles the Dawn Knight/they didn't know the Dawn Knight had a lover?????? So... that's obviously gotta be an ancestor of Silver's, right??? Also??? The Dawn Knight apparently never removes their helmet, even around subordinates... VERY SUS, SIR

NAYUUURx NOT SeBEK CAViNG TO THE DATKNESS 😭 I feel like??? This is a really big character development moment for him?? He’s always been pretty blindly loyal to Malleus and hateful of humans, but this marks the first time he willingly does something against Malleus’s will and he calls Yuu and Grim by name… Sebek, sweetie… 😭 (Side note: Silver’s been so strong-willed through all of this, but I’m glad that TWST showed he isn’t perfect and infallible; he, too, was tempted to stay in the dream when Sebek started to consider it too.)

bchsheoxndle Something else I enjoy is Baul being so… tsun?? He complains about the kids but keeps an eye out for them anyway (and Sebek in particular)… The paternal vibes are too immaculate to completely squash 😎]

They made it!! Finally!!

UHHHHH THEY'RE FIGHTING A BIG MACHINE AND. LILIA INSTINCTIVELY BLOCKS SILVER?? (He’ll be fine, he’s in his prime 😌)

Oop, Heinrich and the Dawn Knight were supposed to be in the eastern base but they aren't??? Oh no, it looks like. It was a diversion?????? While Lilia and co. are busy at the base, Heinrich launched an attack on the palace where Malleus's mom is???????

AND OF CORUSE THAT'S WHERE WE CUT OFF?????????? BRUH.

OKAY, so this entire update was focused just on Lilia's dream. We have no clue what's happening in Idia's dream or the real world with Ortho??? Which I'm totally fine with; I feel like we learned SO much about Briar Valley's history and important figures in it. That's a very fair trade-off. I loved getting to learn about the conflict between humans and fae, fae culture, and about how Briar Valley (or Country) works. I'm surprised that the characters themselves know so little about the history, but that just makes me worried that that's because it's a dark part of history that was purposefully censored from the textbooks...

There were a lot of new characters introduced in this part, most of them just mentioned by name or silhouette. It really feels like we walked right into the most dire part of a history textbook... So much tragedy has been set up, so many key players put into place... But being that this is Lilia's promised happy ending, surely he must reverse fate and save the day in the end????? Right? Right??? ?????? ?? ??? ? ? ? ? ? ?????? I have my eyes glued to the Draconia family lore and history, I'm READY to absorb it!

Something else I found really fascinating was learning more about Sebek this update! He still has a very arrogant attitude about him (that much hasn't changed), but I loved seeing how he acts different around his grandfather and how excited he gets over little things like seeing Malleus's egg. I think this part also marks the start to his character arc; he is constantly put down time and time again by his grandpa, someone whom he really loves. Sebek is used to his grandpa accepting him for who he is, but now his grandpa is shouting hateful rhetoric and discriminating against him for being half human. It's the same ugly behavior that Sebek slings to other people, but now the shoe's on the other foot and HE'S the victim in these situations. It must no doubt be extremely uncomfortable for Sebek, but it's also forcing him into a situation where he has to look at his own bigotry head-on, and it gives him a chance to reevaluate himself. It's similar to how Vil had to challenge Epel's outdated gender views even when Epel kicked up a fuss every time Vil did. asdhbsaisdbabdil I'm just really invested in Sebek's character arc!!

I think there's a high probability we'll see all of the silhouetted figures in full in a future update, it's clear that we'll eventually be rushing back to check on Malleus's mom at some point. I'm super interested in seeing how Malleus's parents, the Dawn Knight, Lilia, Baal, and Henrik tie together. (And, of course, we NEED to check in with the Shrouds as well.)

I have heard people say that Henrik may be a reference to King Henry from the live action Maleficent? Then that means that the Dawn Knight may be TWST's equivalent to Stefan/Stephan (Aurora's dad) and Henrik/Henric's little sister is Leah/Leia (Aurora's mom)??? Then I've heard other theories that since Malleus's dad vanished, we have no corpse to confirm he is for real dead and maybe he's actually Crowley who went off to buy some milk and never came back???? (Because “Levan” sounds like “raven” and you know who else is a black bird? CROWLEY. Is he. Is he really going to be the Ultimate Absentee Dad by pulling off his mask in front of Malleus and go, “Luke, I am your father” at him????) And then there's those of us who are drooling over new character designs and screaming about how hot Sebek's grandpappy is. Point is, there are so many wild parallels, theories, ideas, and thirst posts flying around right now. I love how this wild update reinvigorated the whole fandom into a new period of theory crafting and other creative works. asdhabsdasdbasdi Every new book 7 update gets more and more hype... I just hope we get part 5 in July!!! Super intrigued by the history of the Briar Valley~

[gamora-borealis]

I saw someone talking about why people didn't get™ dystopia daily on my dash again but I lost it on accident so anyways. my contribution to that discussion is. dan is the master of irony (go back and watch his dinof videos on irony they are very ahead of their time I think) but unfortunately his delivery seemed a bit too sincere at times so the purpose was missed by some (although. that's kind of the point!!! like. he's just playing a burnt out youtuber... or is he???)

also I don't think breaking a variety talk show into pieces like that helped him at all I think it would have been better as straight up long-form content to get the full vibe. plus like, a lot of commentary youtube, which this felt adjacent to, IS long-form. But he was editing while on tour and also before BIG/WIQYT he mostly just made short videos. without the full structure being apparent it's like why is he alternating between things is he just looking for some kind of set upload structure??? and the answer is yes (because structure is good for a chaotic mess like him) but it's also supposed to all flow together to justify the structure, and I definitely was confused by that at first when I jumped into dd in the middle of it being uploaded.

I feel like his best dd vids were the monologues where he just yapped about something dramatically because that's always been his strong suit. and honestly, I've always loved his silly sketch comedy and dd only had bits and pieces of it at the beginning or end. I think it would have been even better if he leaned into more like a mockumentary with more "behind the scenes" interactions with him as the host.

[lucky-clover-gazette]

prince's gambit highlights & annotations

chapter 14

indented text is from the book. some quotes have commentary, some do not. some comments are serious, and some are definitely not. most of them will only make sense to people who have read the series. and, like, there are spoilers. so please read the books first if you're interested!

also: part of the reason i'm doing such a close reading is to study cs pacat's style, especially in terms of how she does romance and erotica. there are "craft notes" that might seem weird, like i'm being redundant or restating something rather than analyzing, but those are more things that i want to remember/take away from the writing!

i'm going to tag these longer posts with "sam reads capri" in case anyone wants to read them all at once.

this is a google doc i wrote with overall content warnings for the captive prince series. it's not perfect, but i do think it's important to include.

No Laurent. All signs of recent occupancy had been a handspan away from his own body, suggesting a night spent in close but not transgressive proximity: some kind of self-preservation had apparently prevented Damen from rolling inward during the night; from throwing his arm over Laurent’s torso and drawing them together to make the small tent seem larger than it was. As a result, Damen was in possession of all his limbs, and even had his clothing restored to him. Thank you, Laurent.

The embroidery came later, in the retelling, as the story was told again and again by the men, taking on its own character as it passed over camp. The Prince had ridden out, with only one soldier. Deep in the mountains, he had chased down the rats responsible for these killings. Had ripped them out of their hiding holes and fought them, thirty to one, at least. Had brought them back thrashed, lashed and subdued. That was their Prince for you, a twisty, vicious fiend who you should never, ever cross, unless you wanted your gullet handed to you on a platter. Why, he once rode a horse to death just to beat Torveld of Patras to the mark.

like how this ironic misunderstanding of the events is similar to how damen viewed laurent in book 1 and some of book 2. except now he gets the irony

He looked at Laurent’s tent of silks, the pennants unfurled in the breeze, their starbursts undulating. The distant voices of the men swelled briefly, then dropped away. It would not be like this. It would be a systematic campaign moving southwards towards Ios, building on the support he had from the kyroi factions. He would not be stealing out of camp at night to spin mad plans, to dress in unfamiliar clothes and forge alliances with rogue clans, or to fight alongside pony-riding warriors, capturing bandits improbably in the mountains. It would not be like this again.

:(

‘Keep the prisoners alive, keep the women on side, keep my men from the women,’ said Laurent, as though reciting from a checklist. ‘Come over here and talk geography.’ He came as he was bid, and took a seat opposite Laurent, across the map.

they’re so cute i can’t stand them. “come over here and talk geography” SHUT UP

Laurent did not tend to show any of the usual outward signs of fatigue. The control that he asserted and maintained over the troop was an extension of the control with which he ruled himself. A few tells existed. The words, perhaps.

“the words, perhaps” is such a funny line here. because like yeah no shit, but also how is damen supposed to know when laurent’s words actually reflect his true feelings?

Instinctively, Damen brought his hand up to squeeze Laurent’s shoulder gently—and then stopped. Laurent went very still, as Damen became aware of what he had just done, and that his grip was still on Laurent’s shoulder. He felt the locked muscles like hard wood beneath his hand. ‘Stiff?’ said Damen, casually. ‘A little,’ said Laurent, after a moment in which Damen’s heart knocked twice against the inside of his chest.

one thing i really appreciate about capri is the way that laurent is written, as a character with trauma/baggage who experiences intimacy in a way you wouldn’t expect from the love interest in a romance novel. he doesn’t make anything easy, for himself or for damen. his physical and mental reactions to things are very telling and consistent, and i appreciate pacat’s commitment to honoring that aspect of the character. that way it’s so much more rewarding when we finally see laurent let go of control and experience love that doesn’t hurt him.

i won’t do an official count for “laurent intimacy issues,” since it’s not nearly as clear-cut as “laurent leans,” but if there’s something that strikes this chord with me, i do want to make note of it. just… stuff that i personally appreciate, especially from a love interest in a romance novel, whose whole narrative job—one would expect—is to love the protagonist and have hot sex. but sensitive and traumatized people deserve love and intimacy, too, at their own pace and on their own terms. and laurent has a lot more going on than what damen perceives, or what the romance genre dictates. it’s nice to point out little moments where his issues affect his physical and emotional reactions, because it’s nice to know that those moments 1) exist and 2) don’t make him any less of a romantic lead.

He applied a gentle pressure with his thumbs. He said, ‘You brought me ice, last night.’ ‘This,’ said Laurent, ‘is a little more—’ It was a word of sharp points: ‘—intimate,’ he said, ‘than ice.’ ‘Too intimate?’ Damen said. Slowly, he was kneading Laurent’s shoulders. He did not usually think of himself as someone with suicidal impulses. Laurent did not relax at all, just stood unmoving. And then, at the apsis of his thumbs, a muscle shifted beneath pressure, unlocking a sequence all the way down Laurent’s back. Laurent said, unwillingly, ‘I . . . There.’ ‘Here?’ ‘Yes.’

a lot going on here! made even more complicated by damen’s pov!

damen takes physical intimacy much less seriously than laurent. prior to book 1, he has always enjoyed willing and enthusiastic partners (some of whom were conditioned into that enthusiasm, but we’ll deal with that later), and to him, sex is not a means of abuse or power. prior to book 1, intimacy was never used to disempower damen. laurent, obviously, is very different. pretty much all he knows of intimacy is abuse and disempowerment.

so, being aware of laurent’s trauma and also being fairly perceptive of the signs pointing towards it, i can see here that laurent is fighting a massive battle with himself. because, like, he does want this. but he doesn’t want to want this, because this is something he doesn’t have control over. the fact that he doesn’t throw damen off, and even explicitly asks him to massage a certain spot, is a demonstration of vulnerability that damen doesn't really understand.

which isn't bad or wrong of him, at all! if he did understand more about laurent’s trauma and responses, he’d almost certainly be less confident with initiating intimacy, which is something laurent needs from a partner. it's a lot harder when they're both completely terrified (which damen is, in a different way, but lesser so.) damen is afraid that laurent will bite his head off because he’s a bitch, not because he’s traumatized. and i think that’s a good place for them to be, at this stage of their relationship.

also, the “suicidal impulses” quip is great.

He felt Laurent subtly give himself up to his hands; yet as with a man closing his eyes on the edge of a cliff, it was an act of continuous tension, not surrender.

yeah

‘Like this?’ ‘Yes.’

“he likes that. do it harder.”

Laurent’s head had dropped forward a little. Damen had no idea what he was doing. He was distantly aware that he had had his hands on Laurent’s body once before, and couldn’t believe it, because it felt so impossible now; yet that moment felt connected to this one, even if only in contrast, his current caution against the unguarded way he had let his hands slide down over Laurent’s wet skin.

damen, meanwhile, has recently developed his own intimacy issues/trauma in book 1. these two are a mess

‘Is it so hard to relax?’ said Damen, quietly.

YEAH. IT IS.

‘You only have to walk outside to see what you’ve accomplished. Those men are yours.’ He didn’t pay attention to the signs, the slight stiffening. ‘Whatever happens tomorrow, you’ve done more than anyone could—’ ‘That’s enough,’ said Laurent, pushing himself away unexpectedly.

damen he’s not stressed bc of the war stuff, he’s stressed bc another human being is showing him physical affection and he actually wants it to be happening

When Laurent turned to face him, his eyes were dark. His lips were parted uncertainly. He had lifted his hand to his own shoulder, as though chasing a ghost touch there. He did not look exactly relaxed, but the movement did look a little easier. As if realising that, Laurent said, almost awkwardly, ‘Thank you.’ And then, in wry acknowledgement: ‘Getting tied up leaves an impression. I didn’t realise being captured was so uncomfortable.’

ohhhhh my god. oh my god. so fucking real, every line is so fucking real. the relief of no longer being touched, being back in control. the fuckin, phantom touch on the shoulder—an assessment of the massage, yes, but also… whose ghost is it? damen isn’t asking that question, but i am, and it’s sad. and then the awkward thanks, and the immediate snarky comment to follow up. it’s just so real.

‘I promise I’ll never tie you to the back of a horse,’ said Laurent. There was a pause in which Laurent’s mordant gaze was on him. ‘That’s right, I’m still captured,’ said Damen.

says the protagonist of the “captive prince” series

‘Your eyes say, “For now,”’ Laurent said. ‘Your eyes have always said, “For now.”’

ohhh this line is juicy. because like, yeah, there’s the melancholy yearning context of the last 10 or so chapters, but before? when they were enemies, when laurent was actively hurting and trying to disempower damen? even then, he never showed laurent submission. and laurent clearly noticed. they make me so crazyyyy

‘If you were a pet, I would have gifted you enough by now to buy out your contract, many times over.’

this is more a flaw in my understanding of the pet system, but is he saying that he’s done damen enough favors that if the favors were monetary he could afford to pay off his contract? that’s my best understanding of the line at this point.

‘I’d still be here,’ said Damen, ‘with you. I told you that I would see this border dispute through to its finish. Do you think I’d go back on my word?’ ‘No,’ said Laurent, almost as if he was realising it for the first time.

they drive me insane. the whole “suffering alone” theme—laurent is realizing that he hasn’t been suffering alone, lately, because damen is intentionally staying by his side. laurent may be great at strategic thinking, but he is so used to being manipulated and abused that he doesn’t even consider that someone could be genuinely devoted to him, as a person.

But I know you don’t like it. I remember how much it maddened you in the palace, to be bound and powerless. I felt yesterday how badly you wanted to hit someone.

another interesting re-contextualization of book 1! although it’s not quite an apology, bc i’m sure laurent was aware of the maddening and was probably like “good. this guy killed my brother”

Damen found he’d moved without realising it, his fingers lifting to touch the bruised edge of Laurent’s jaw. He said, ‘The man who did this to you.’ The words just came out. The warmth of skin under his fingers in that moment took all his attention, before he became aware that Laurent had jerked back and was staring at him, blue eyes huge with pupil. Damen was suddenly aware of how out of control he was—he felt—and called violently on his faculties to try to put a stop to—this. ‘I’m sorry. I . . . know better than that.’

“i know better than that” is an INSANE thing for him to say here, by the way. they’re both so compelled by each other and afraid of each other. the amount of work pacat has put into their arc/characterization so far means that scenes like these can have something going on between every single line. honestly i think there’s more going on here off the page, than there is on it

‘No. Wait. I . . . wait.’ Damen stopped, and turned. Laurent’s gaze was edged with indecipherable emotion, and his jaw was set at a new angle. The silence stretched out for such a long time that the words, when they came, were a shock. ‘What Govart said about my brother and I . . . it wasn’t true.’ ‘I never thought it was,’ said Damen, uneasily. ‘I mean that whatever . . . whatever taint exists in my family, Auguste was free of it.’ ‘Taint?’

fascinated by the possible reasons for laurent to say this, in this moment. he uses it on the page to then say that damen is a good and honorable person like auguste, so that’s the easy answer. but if he was just experiencing some ptsd flashbacks, i wonder if this is also something of a grounding statement for himself. because we know who he’s referring to, when he’s talking about bad people on his family tree. it’s almost like he’s trying to figure out how to frame this situation, more for himself than damen—laurent feels protected and cared for in this moment, and the last time he allowed himself to feel that way after auguste’s death, his uncle had taken advantage. so of course he’s picturing his uncle. but this statement, a reminder to himself that damen is more like auguste than the regent, and auguste would have never done anything with laurent in the way the regent had… augh. laurent your brain.

‘I wanted to tell you that, because you,’ said Laurent, as though he was forcing the words out, ‘You remind me of him. He was the best man I have ever known. You deserve to know that, as you deserve at least a fair . . . In Arles, I treated you with malice and cruelty. I will not insult you by attempting to atone for deeds with words, but I would not treat you that way again. I was angry. Angry, that isn’t the word.’ It was bitten off; a jagged silence followed.

this is a laurent apology! no “sorry” necessary. and he’s the closest to telling damen the truth as he’s ever been, but still he stops himself. i wonder if it’s partially out of shame, for how he treated damen. a refusal to make an excuse, because he understands the cruelty of his actions regardless. and of course he has cognitive dissonance to maintain and tactical reasons for keeping the lie going. but still, this is honest.

Then, with a return to his more usual tone, ‘And you don’t need to take watch,’ said Laurent. ‘You sleep prudently.’

of course he can’t just say, like, “sleep well” or “good night.” prudently means carefully, or in good judgment… so like, he’d wake up if something dangerous happened? laurent trusts that? i can’t tell if the statement is an observation or a command. it’s either, “[i want you to] sleep mindfully” or “you sleep mindfully [so you don’t need to stay awake on watch].” hmmm

Damen searched his face, but found nothing in it that he could read, which, he supposed, as he lifted his hands to the laces of his own jacket, was typical.

buddy there is so much subtext going on here it’s okay just get some rest

[calicohyde]

This is a bit of a weird question, but you're the only one I know about who regularly posts about pirates of any kind (admittedly on your other blog) so I figured I'd ask you: what's some stuff you'd want to see more of in pirate fiction? I'm fucking around with a pirate AU for one of my projects and that made me curious - @transman-badass

TL;DR bullet point lists, bolding for emphasis

Necessities:

even if not going for historical accuracy, make sure character designs accurately represent the setting

queer pirates, in particular trans/GNC pirates

POC (Pirates of Color), in particular Black and Indigenous pirates

pirates with body types befitting their lifestyle

religious diversity

Why did you pick pirates if you're not...

commentating on capitalism, colonialism, class, and "crime"

incorporating pirate legends/superstitions in some way

see above points about diversity

Things I personally want to see:

revisit points on diversity again

antivillains

dramatic irony

song and dance

vulgarity

narrative questions built to have no answers

a wider variety of genres; instead of sticking to action/adventure, fantasy, and romance, try a slasher, slice of life, or heist (etc)

More detail on these points + unintentionally effusive praise for Pirates of The Caribbean and Black Sails under the cut.

This is a bit of a (perhaps?) unexpected answer, but my favorite pirate media (that I remember rip) is actually the original PotC trilogy!

While I love the explicit queer representation in Black Sails and OFMD, as well as the political thriller aspect and social realism + commentary of Black Sails, and I'd obviously love to see more of that, they lack some things the first three PotC movies have that I just really fucking love. I don't think any of them are exclusive to pirates necessarily, but I do think a lot of them are particularly well suited to them, and in some ways when they're not incorporated I personally feel like something is missing.

The og PotC trilogy does have its own political aspect and commentary, it's just a bit less confrontational than BS. I wouldn't say it's so subtle as to be a subplot though, it's still a - if not Thee - primary driving factor to the overall narrative and its plot. In my opinion, no pirate media is complete without some aspect of anticapitalist/anticolonialist/antiassimilationist sentiment at its foundation, even if the pirates are not necessarily heroic or righteous - or are downright wicked (derogatory) - in any other way. Pirates make for the perfect antiheroes, antivillains, and villain protagonists, and the latter two are far less explored than the former. And truly what is the point of having a character cast of primarily career thieves if not to say some type of something about the constructs of money and crime?

Another thing is the incorporation of traditional pirate legends/superstitions! I certainly will not be able to find it at will, but there is a post on this site that I wholeheartedly agree with about how cool it is that PotC has a different set of accepted realities depending on who's territory the story is in - i.e. pirate legends are true when the characters are where there be pirates, but aren't on colonial land. There are also pockets of extra depth to the story and characters that only really occur to you if you look at the work through the eyes of someone who exists within the pirates' world, such as Elizabeth's Kiss of Death At Sea.

It also of course ties in perfectly with the allegory; the further colonialism/capitalism spreads -> the smaller pirate habitat shrinks -> the less magic there is/the more reality is confined to only what Is and can no longer extend to what Could Be, shown most directly by the beached Kraken and Jack's response of "The world's still the same [size], there's just less in it." Which in that particular context also reinforces the above highlighted built-in moral ambiguity/acknowledgement of the beauty and necessity of things that may harm you (or pose a challenge to your conquering power), in that only the movie before the Kraken was a direct threat to Jack, and in fact literally killed him, but he still recognizes its extermination as both an indication of worse to come and as a tragedy in its own right. Also shown really well in how an "incorrect" pirate-drawn map can get you places that, when using an "accurate" colonial-standard map, don't exist. And how Beckett can't get Jack's magic compass to work for him even though he knows what it's supposed to do, only a pirate (or pirate-to-be like Norrington) can use it. The Power of Belief in this way is and always will be my number one homie. I got slightly off topic and just started talking about PotC. Anyway.

The dual accepted realities allow for really great dramatic irony as well. Gods and monsters and cursed treasure and impossibly fast and unsinkable ships and the undead are all real, and the audience knows all that based merely on the setup, but to the characters it's a shocking twist. Black Sails has some dramatic irony that I really love as well. The audience knows that Black Sails is a Treasure Island prequel, and they know the culmination of the featured historical events, but the characters don't. I eat that shit up and it's fucking delicious every time. And I also love that good good opposite of dramatic irony in these too, where the audience will never know something the characters do. BS does it through a well crafted metafiction narrative and unreliable narrators. "A story is true, a story is untrue," and this story acknowledges itself as a story - one told by conquerers, liars, visionaries, and warrior poets. We will never know what "really" happened, and we're not meant to.

Anyway even if pirate legends aren't real or *shrug emoji* in-universe, I again think pirate media is incomplete if a few aren't textually present in some other way.

Back to representation stuff. As I said, while Black Sails and OFMD have it pretty good, there should be way more queer pirates, and in particular trans/gender-nonconforming pirates. I'd specifically like to see a portrayal of Mary/Mark Read as being trans/fluid/whatever, rather than "disguised" or "mistaken" as a man (if the piece features historical figures). Equally so, there needs to be way more racial diversity in pirate media, in particular Black and Indigenous pirates. Probably most of the famous Captains you could name off the top of your head were white Englishmen, but there's a lot of evidence that a high percentage of pirates were not. So tbh I think this is less of a "feels" incomplete thing and more of an IS incomplete thing.

Likewise, there should be more body diversity and religious diversity. These things are obviously inaccurate and a Choice to exclude anywhere, but again imo an extra level of dumbassery to exclude from a pirate thing. Model/movie star body types should be rare; we need to be looking at athletes and laborers when designing Golden Age sailors. We need to be taking into account the available medicine of the time period and the lasting consequences thereof, as well as more of the (known) cultural ideas about body differences, neurological differences, sickness, and death. And as for religion, there seems to be vast swathes of people who think once upon a time everyone was either a Christian (be that Good or Bad) or a Savage (whether Noble/Mystic or not). And that is SO deeply fucking annoying - to say it in the blandest, most diplomatic way possible lol.

Even if you're not going to go in for much historical accuracy, you're doing a fantastical/romanticized/comedic/etc version, or you're making a whole secondary world from scratch, you really should be figuring out what would be accurate to the conditions you create. If your piece takes place on a frigate sailing the open ocean in the tropics for long periods of time while the nearest land is being colonized by monarchic northerners in an approximation of the 17th century, the characters should reflect that just as much as the setting and plot.

Now for some things I wouldn't necessarily be disappointed about being absent, but that I would just be kinda jazzed to see. First: song, dance, storytelling, riddles, foul language, and bawdy jokes. This kind of goes hand in hand with the legends and all, but is an extra layer that isn't put on enough! PotC and OFMD have some song, and BS as already mentioned is pretty heavy on storytelling both diegetically and as a main theme. I just want more.

Second, I'd love to see a wider variety of genres. We're spoiled for pirate action/adventure, fantasy, romance/erotica, and coming of age. I want to see some scifi that isn't just pirates In Space (not that I have anything against pirates In Space or think it's not scifi Enough, but we're not starving for it). Pirate slasher. Pirate slice of life. Pirate whodunit. Pirate time travel. Pirate psychological thriller. Pirate disaster/post-apocalypse. Pirate slipstream/surrealism. Pirate heist!! Pirate procedural? somehow?? You get it.

I think I've talked enough now wkgoiuwksk.

[thenationaltreasuregazette]

What do you think of “violence” as a lens for examining the movie? I see someone mentioned it in the notes of a recent post contrasting Ben and Ian’s approaches to getting fingerprints, and I remember observing to one of my friends that it struck me as an action movie where the heroes are being shot *at* but never shoot anyone, they outwit, hide, and flee. Even at the end, under Trinity Church when they outnumber Ian’s team, the heroes don’t attempt to rush the surviving henchman and get his gun, their response is still to *outwit* Ian again.

Hey @kaiyves-backup,

Great question!

I believe the commentary in question is by @tentacledwizard.

Parallel Action

I adore the heist sequence so much. It's conveying a lot of information about both teams visually while ratcheting up the tension the whole time. This technique of cutting back and forth between two sequences of related activities is called 'parallel action', and it is used to fantastic effect in this part of the movie.

I mean, pretty much every part of National Treasure is one of my favorite parts of National Treasure, but the heist sequence just sings, and this crosscutting is a big reason why.

Good vs Evil

The trope of the heroes winning through wits instead of violence is a longstanding one. You could probably trace it back to The Odyssey if you were so inclined? It plays on some base cultural assumptions we have about good = clever, intelligent, peaceful while bad = violent, brutish, dumb. Obviously the particulars of those associations change over time, but broadly they stand.

And National Treasure is very clear about situating each side with the "good vs evil" narrative. While Ben is prepping UV light powder, Ian and co are amassing grenades and blocks of C4.

Ian's crew tases a guard to gain fingerprint access, while Ben artfully steals Abigail's fingerprints with no harm done other than some awkward flirting and potentially weird implication for their relationship later but that's not what we're dealing with atm.

The film takes every opportunity to show us the difference between these two approaches, and I think there are a few reasons why, both in general and to serve this story in particular.

First of all, both teams are doing a "bad" thing. They are both trying to steal something that we, the American public consciousness, hold sacred. To differentiate them and make sure we know who is doing it for the right reasons and for the wrong reasons, the film gives them two very different approaches. It's clear at every step who to root for.

The parallel action is also creating dramatic irony. We know that Ian is coming, and that he's heavily armed, but Ben doesn't until it's nearly too late. That creates some delicious tension, because the editing keeps reminding us what Ben and Riley don't know: this sequence is actually a race not just against the clock, but against armed mercenaries Yikes!

It also sets up Ian as a formidable antagonist. He's just as capable as Ben, but much more dangerous. He's able to match Ben and Riley's heist literally beat for beat on screen, while causing much more harm to people and property. This underscores that he will not hesitate to harm Ben, the Declaration, or anyone else who crosses his path on the treasure hunt (as an unfortunate Dr. Chase is about to learn).

Clever Heroes

One thing I want to focus on especially is the way this movie actually subverts this trope a teeny bit. Usually, the trope is that the good guys are just as capable of violence as the bad guys, but choose not to use it. They elect to outwit because it's more 'gentlemanly.' Off the top of my head I'm thinking of:

The Princess Bride. Both sides feature skilled fighters and Wesley and Inigo can and have killed a man like slicing butter, but they elect to use their wits and civility whenever possible. By contrast, Prince Humperdink and the Six-Fingered Man will use any violent means necessary to get what they want.

White Collar. Slightly random, I know, but I'm watching this right now, and the show makes it clear from the outset that Neal Caffrey is an expert marksman and highly competent with guns but he chooses not to use them because he's a classier (and therefore more likable) kind of criminal.

James Bond?? Honestly I haven't see one of these in a while but I feel like 007 isn't just mowing people down all the time. He's playing them. Outsmarting them. Only getting his hands dirty when he has to. Because he's, again, smarter/suaver/more 'civilized' and likable than his antagonistic counterparts.

The key here is that these guys all have the same violence as their opponents as an option in their toolbelts and make a moral choice not to use it.

Ben doesn't have that option.

Weak heroes

He could not, on his best day, go toe-to-toe with Ian or any one of the henchmen, let alone a group of them together. His only choice is to outwit them.

Throughout the course of the movie Ben throws one (1) punch and it hurts enough that he has to stop and shake his hand out.

And he only gets that punch off in the first place because Powell isn't expecting it.

He's a researcher. Yes he's fit enough to run around and scuba dive but if he had any kind of hand to hand combat training it would have been ~20 years ago when he was in the ROTC program.

This puts him in a sub-category/related trope: the scrawny nerd who outwits the much more physically powerful enemy. Think Mulan using the weights to help her climb the pole or a pre-serum Steve Rogers pulling the pin out of the flag poll.

And Ben is the most athletic of the bunch by far. Abigail seems like a person who takes good care of herself, but probably in a lowfat-yogurt-and-pilates way not in a can-fuck-you-up-with-martial-arts kind of way. And Riley? ...Riley does not strike me as someone who is especially strong or fit. Screen time, junk food, late nights online. Patrick is in his 60s and eats pizza alone on Friday/Saturday nights.

So while they maybe could have overpowered Ian all together, it would be a big risk, and probably none of their first instincts. Team Treasure is entirely composed of neurodivergent nerds--one imagines they all learned pretty early in their childhoods that they couldn't overpower their bullies, but they could outsmart them.

And so when their lives are on the line, they turn to the self-preservation strategy that's gotten them this far: their wits.

Conclusion

Wow, I did not expect this answer to get so deep!

This turned into an interesting look at both the creative choices in the movie and the characters.

Thanks so much for your question! Feel free to send another any time.

[the-far-bright-center]

In discussions of TCW-Anakin vs. film-Anakin, I understand why some people see them as being incompatible or entirely different portrayals. But whatever problems I personally have with TCW are more to do with certain OOC dialogue lines that I don't agree with, or the overly-contrived situations that TCW tends to force him into just so an episode or scene can function as a 'meta-commentary' on his character or storyline. Believe me, I have issues with specific aspects of TCW's writing for Anakin, but the fact he's more outwardly 'suave' or 'dashing' than some people expected is not one of them. If anything, I see the 'Skyguy' persona as perfectly in keeping with Anakin as portrayed at the beginning of RotS, and I would argue that a great deal of the TCW characterisation is pulled directly from those Battle of Coruscant scenes. TCW Anakin is also heavily inspired by Jake Lloyd's Little Ani in TPM, which, lest anyone forget, counts as FILM-Anakin. Seriously, do people not recall how much swagger and self-confidence little Ani has at the beginning of TPM? (🎵Do you see him hitting on the queen, though he’s just nine and she’s fourteen.’ 🎶 😅) He's a hotshot little ace podracing pilot and he knows it! And in AotC, the only reasons Anakin comes across as more 'awkward' at the beginning is that he's nervous about seeing Padme again after so long. Once he knows for sure she reciprocates his feelings at the battle of Geonosis, the suave, confident Anakin is back! And thus by the time of the Clone Wars, it makes sense that after being a general in the war in charge of many men, he'd have to have a certain level of outward charisma no matter how much inner doubt or turmoil he might be feeling. So, in my opinion, the actual baseline 'persona' for both versions of the character isn't as different as some seem to think. I'm tired of the idea that film-Anakin ISN’T supposed to be seen as ‘cool’ in-universe, just as much as I’m tired of the idea that TCW-Anakin ISN’T supposed to be viewed as a figure of pathos by the audience, either.

Imo, they’re both takes on the same character coming from different angles, set at different stages in his life, and portrayed through different mediums — an animated series heavy on self-aware, darkly ironic humour in a more contemporary style intended to entertain and increase enjoyment of the Prequels-era and its characters. vs. a more serious Greek tragedy with Shakespearean overtones made with old-Hollywood-style sensibilities as part of a mythic six-film saga.

While there are plenty of things that TCW gets wrong about Anakin (see my 'TCW discourse' tag for more on that), dismissing him because he is ‘too macho’ seems to miss the mark a bit. Just because TCW Ani doesn’t shed literal tears on-screen doesn’t mean he’s not emotional or emotionally vulnerable. As far as I remember, there's even a scene where Obi-Wan and Anakin discuss the fact that Anakin has trouble keeping his emotions hidden, especially when it comes to his feelings for his loved ones, which is the opposite of the stereotypical stoic, self-reliant 'macho' ideal. And the amount of times we're constantly bashed over the head with dramatic irony about his fate as Vader in that series surely drives home the point that his trajectory is a decidedly tragic one. (The way he cries out in agony in the Mortis arc, 'I will do such terrible things!' gets to me, every time.) Despite his powers and prowess, TCW Anakin is even shown as being physically vulnerable at times, as well — see the Jedi Crash storyline which he spends mostly knocked-out unconscious, the nod to his mechanical arm as a liability in the Zillo Beast and Citadel arcs, and the scene of him futilely struggling like a wild beast before being captured with ropes in the Zyggerian arc, or the fact he gets captured and tortured by Dooku in 'Shadow Warrior'. I see endless jokes about TCW Ani getting electrocuted every other episode, but then fandom uses this to fuel the dismissive view of him as just some dumb himbo instead of understanding that this, too, is supposed to add to the character's pathos.

Likewise, fandom claims that Prequels-Anakin is 'uncool' and 'cries all the time', which is simply not true. As noted above, film-Anakin banters, jokes, laughs, makes daring jumps out of speeders, does bold piloting moves, is in fact an imposing duellist, and so on. Sure, his character is not supposed to be seen as aspirational (obviously!) and the most memorable and dramatic moments of the latter two Prequels films feature him in the midst of extremely intense emotions. But the oft-repeated view of him as 'uncool' completely ignores the fact that by the time that RotS starts, film-Anakin is supposed to be a well-known and widely-admired charismatic general, aka the Hero With No Fear, who is viewed as almost singlehandedly saving the Republic. The audience may be privy to Anakin's inner struggles with his fear of loss, but in-story he is supposed to be seen as THE golden boy of the Jedi Order and the Republic. The RotS novelization frequently mentions that Anakin has 'dash', 'boldness', and a 'presence' 'like the Holo-Net hero that he is'. It literally says he's the best at what he does and he KNOWS it. He's not just supposed to be an awkward idiot in the way some people seem to perceive him solely based on certain scenes in AotC. Rather, he's supposed to be shown as falling from a 'great height'. By the time of RotS, film Anakin has just as much swagger and self-confidence in his role as General Skywalker as he does in TCW. Just because that side of him is not the main focus of the film doesn't mean it's not supposed to be there.

[rapha-reads]

IWTV rewatch

(book to show, show to book, the meta continues)

Season 1 episode 3 [Is My Very Nature That Of The Devil]

- Louis: *tries to read*

Lestat: *bla bla bla*

Louis: "if you don't shut up and leave me with my books I'm going to start a social commentary and ethics conversation"

Lestat: "... Never mind. Let's go hunt."

Louis in that white suit is daaamn fine.

Oooh, so the conversation about only eating the "evil" ones starts there. Louis munching on that cat kills me every time.

- Oh, hello Antoinette. Love that we go from 19th century violinist Antoine to 20th century music hall singer Antoinette. Very nice change.

[Louis] "'This ain't your kind of music.'

[Lestat] 'You can pretend you're a vegetarian. I can pretend the fool.'" - part of me thinks that Louis meant by that "this is Black music, a Black folk band, and you're still a white boy, even vampire that you are".

Lestat schooling everyone about music, sassing everyone and playing the piano divinily, absolutely delicious. And then Louis' absolutely fond little smile, even when he's arguing with Lestat, he just loves him so.

- Ah! [Daniel] "Yeah, you know, I gotta say, it's not so much the minute details, Louis, rather the total rewrite that's giving me pause here." - that's the part. That's the crux of it. That's the character development of Louis who's done rejecting the depth of his feelings for Lestat and the role he's played in his own tragedy, regardless of Lestat's abuse, and ready to accept it and talk about it.

Love Louis' face relistening to his 1973's words versus 2022. The face of a man going "ah shit, I really was messed up back then".

- [Daniel] "'Fuck the 'Wolverine Blues'. Ken Burns can choke on the footnotes. It's the abused-abuser psychological relationship I'm talking about.'

[Louis] 'I do not consider myself abused.'

[Daniel] 'I mean, usually when you're a little too close to it, the abused still loves the abuser, but you flipped it completely on its head.'

[Louis] 'I'm not a victim.'

[Daniel] '50 years later, you talk like he was your soulmate, like you were locked in some fucked up gothic romance. Why?'"

First: Daniel's a petty bitch and he's getting to the bottom of this business whether Louis works with him or not. And Louis is equally petty and bitchy, answering Daniel by reading part of his own memoir and mocking him.

Secondly: well, yeah, it is a gothic romance, that's the genre. But it is a Contemporary Gothic romance. Contemporary Gothic expands on Classic Gothic. I wrote an essay about Contemporary Gothic using the movie Only Lovers Left Alive last year, I need to translate it from Spanish to English so I can share it. But I feel like I could reuse part of this essay to talk about IWTV book (inscribed in Classic Gothic) versus IWTV show (tending towards Contemporary Gothic). One more essay idea to develop later. Let's table this.

Thirdly: my little Loustat shipper heart is very happy.

And fourth: hey, Danny boy. Remember that conversation in a dozen of sessions because that will come in handy to explain a looooooot of things... Devil's Minion fans gleefully cackling in the background. And Armand isn't even in this scene. Talk about irony. And foreshadowing.

[Louis] "'This is the odyssey of recollection.' The tapes are an admitted performance. This is the premise of our interview. Half a century later, allow me my odyssey. [Daniel throws the tapes in the trash] Now who's performing?"

Louis being heartfelt but still hiding beneath his veneer - you know when he starts to be honest, or as genuine as he can at this point, when he starts to drop the accent. I swear I'm going to stop raving about Jacob's voice work at some point, but it's such an important part of the character, of who Louis is and how the audience can understand Louis, that it deserves an entire essay of its own.

And then Louis sasses Daniel and sets the tapes on fire, because that's not a performance at all, that. Pot meet kettle.

- [Louis] "Rigged to burn, Daniel" - foreshadowing...

- [Louis] "I barely had the energy to hold a book. My libido was not what it'd been. I understood the indulgence. I let it happen." - why are you such a liar, Louis. Stop fucking lying, Louis.

On a serious note, Louis' eating disorder emerging from his identity crisis, the clash of his religious upbringing with his new reality colliding with his lifelong depression... Who made that guy so relatable. But notice how there's a slight part of Louis' new diet here that's in direct reaction to Lestat's refusal to hear him and talk to him. They each punish each other for their perceived failings by acting in the way that'll hurt the other the most, even if that way hurts them too. Louis by letting himself starve and losing his energy when that's all Lestat wants him to do, Lestat by having several affairs and flaunting them, even when he explicitly says "I do everything for Louis". By the way, that little throwaway line? Lestat being genuine and fully honest about his feelings and motivations but playing it as a joke. If Louis had been hearing he'd have caught it and maaaybe we could have avoided some of the drama. Maybe.

- Oh, the whole Antoinette seduction scene is fascinating. Notice how Lestat barely looks at her? He only has eyes for Louis. And Louis cannot stand his gaze, he has to retreat. Says he understands, but then leaves in a huff. Disasters.

[Louis] "'So you didn't kill her.'

[Lestat] 'No. She has talents.'

[Louis] 'Aren't I enough?'" - excuse me while I go scream.

[Lestat] "We're communicating so much better now." - baby, no. That ain't communication. You two are still talking two different languages.

[Lestat] "Of course. Of course. Of course. As long as you come home to me." - that's way too many "of course", 'Stat. Maybe add a couple dozen more to reeeeally make your point that you're not bothered AT ALL by the idea of Louis seeing other people. Hypocrite...

- Welcome to WW1. Business, racism, capitalism, and the fantastic Miss Bricks. Can't wait for Tom Anderson to get eaten, that guy rubs me off the wrong way. Gotta love that Louis' standing up for himself. Aaaaand hello Jonah. Oop, Lestat's already staring and going insane with jealousy. Meanwhile Louis doesn't even remember he's got nieces. Looots of little crucial hits in this scene, between the poker game, WW1 come a-knocking, Loustat's fuckery and Louis' getting further and further away from his human family.

- [Jonah] "'Ain't aged a day since I seen you last.'

[Louis] 'That's the moonlight lyin' is all.'" - hi, Nicholas Sparks called, he says that line belongs in The Notebook and he's claiming copyright for it.

[Jonah] "'And most of why I signed up is I kept hearing something about something they call 'European sensibilities'. They care less what you look like or who you're lookin' at.'

[Louis] 'Yeah, I got someone.'

[Jonah] 'I figured as much. No ring on your finger?'

[Louis] 'Not a woman.'

[Jonah] 'Well, what's he like?'

[Louis] 'He's... a lot. It's not perfect. But we kind of have this agreement.'"

Yeah, believe me, racism and homophobia are very alive in Europe too. Though... The roaring twenties are right around the corner and that's a decade I would have loved to experience in Paris.

Hey, look! Louis has come around about his sexuality, is that the first time he comes out willingly and peacefully? Yey, progress. Also I love that he has explicit permission from Lestat to have his own affairs, but he feels uncomfortable about at it at first. But still goes for it 'cause you know. Gotta show Lestat he ain't bothered. Should have fed first tho, stupid. Also, Lestat overhearing Louis calling him "a lot" and "not perfect" > direct parallel to Claudia hearing Louis calling her a "burden" to Armand in s2. Louis is so good at being casually cruel to and about those he loves.

[Louis] "'Good fit, this uniform.'

[Jonah] 'Well, it's the moonlight.'" - sorry, Nicholas Sparks on line 3 again, he said that moonlight line is actually too sappy for even The Notebook. Said we can keep it, he doesn't want to pay our dentist note.

- Daniel Hart's music is fantastic.

- Ah, Lestat's jealousy crisis. Aw, the domesticity. Ooh, wait, love how the memory changes. You can see Louis struggling to remember which memory is accurate.

- Arf, Louis being rejected from his own family house and then breaking down the door. Mamaw du Lac, Mother of the Decade, everyone. Poor baby. The curse of the vampire. Downward spiral getting worse. And then coming home and seeing Lestat entertain the regiment? And then the news about the Azalea. Nervous breakdown about to happen. Oh, Lestat flexing his powers. Love that. Notice the blood trail coming from his ear? It appears again when he saves Louis during the trial. He's not without his limits. Regarding his powers or his feelings.

[Lestat] "I heard your hearts dancing" - so first of all, awards for Sam, when? Secondly, brb, need to sob a little. And third, Nicholas Sparks on the line again, wants to know if the writer of these lines is available to come work with him.

[Lestat] "'This is not a life!'

[Louis] 'That's' cause you took my life! I got nothing! I lost everything! I lost my brother. I lost my family. 'Bout to lose the last fucking thing I care about.'" - where are the awards for Jacob and Sam for heaven's saaaaaaaake. Also, love how the music briefly stops between 'everything' and 'brother'.

- [Louis] "When your mother sees the Devil in your eyes, it's a hard assessment to abandon. Am I from the Devil? Is my very nature that of the Devil? I had hedged against the question, but now it completely overwhelmed me." - Lestat and Armand had that conversation a century earlier...

[Daniel] "Take a Black man in America, make him a vampire, fuck with that vampire, and see what comes of it." - thanks for the social commentary, Danny, don't even need to do it myself. Now eat those assholes, Lou.

- [Louis] "You said I'm arrogant? Maybe I am arrogant! [...] I'm a vampire." - okay, can I soliloque about Louis please? Have I said he's my favourite of the entire books lately? As someone who has been called pretentious more than once just because I know my own value and refuse to play stupid, that part, yeah, that part gets to me. Louis finally knows who he is and refuses to pretend he's less just to please others. And as a lesson that I've finally embraced this year especially too, I like that. I like that a lot.

Oops. Louis just started a civil war in New Orleans. Fun. Like Lestat says, it's not on Louis tho. He merely "provided them the excuse".

[Louis] "And that's why you and me ain't never gon' work. That's why you're always gonna be alone." - oooh man, that was harsh. And only half deserved. And cruel in that typical Louis way. Also, wrong. But you're gonna have to wait another century for that. Oof, Lestat's face as Louis leaves, the crumbling, the desperation oozing out of his entire soul, heart and mind...

- "I ran from the Quarter that night, ran to where the violence spread most wild. I stumbled through the streets like an irrational child who had tested his strength on the small bird and now asked 'can I make it whole again?' - Can I help you? Please let me help you. - Their faces ran past me like snow in a terrible wind, unaware that it was I who had brought this retribution. It was I who should pay for this sin. And then... [Help me!] one of those inconceivable moments where who you were before and who you would be forever after is marked in time. [Help!] A rooming house, now a fire trap. I could not save the Azalea. I could not save Storyville. I could not save the aunt on the wrong side of the wall, but I could save her. My light. My Claudia. My redemption."

... Brb, need to scream in a pillow. Oooof. What a tirade. Louis, Saint Louis, Saint Louis, bearing the weight of the cross on his shoulders... Selflessness being selfishness, trying to help to try to alleviate his own pain and guilt. Doing good things out of a need to feel useful or at peace with your own conscience is not a bad thing, you're still helping whatever your motives, but when it starts making you unable to see the people you're trying to help as people, and starts making you see them as tools to relieve your tortured soul and conscience, are your good actions still good? Or the pavement on the road to a very dark place? Guess we'll let Claudia tell us her opinion.

episode 1 | episode 2 | episode 3 | episode 4 | episode 5 | episode 6 | episode 7

[neolynne]

Pit Babe episode 2 rewatch/live commentary (part 1)

Still no pic...bad tumblr, bad 🥺

Get off of my screen with your smug face and beautiful hair !!!

Get him random reporter !

100 millions, you know, just some pocket money😑

Thank you Way (i guess) for confirming that the mafia is lurking somewhere in the back ground

"gnah gnah gnah he's your Daddy" well guess what Way, he's also yours............f*ck off (i have nothing intelligent to add)

Oh but i'm pretty sure he has a very clear idea off something else being penetrated...now am i talking about Way or Tony ? (both)

How old was Kenta when he became Tony guard dog ? Was it before or after Pete left ?

Kenta and more specificly his face broke me during this scene. The disbelief on his face after the fist slap, you just know that he never ever thought that Tony would use physical violence with Babe, THE golden child.

I aslo think that this exact moment made Kenta very aware of the fact he would/could never escape Tony's violence.

Everyone need an Alan in their life, especially Babe...and Jeff....and Charlie...basiclly anyone adopted by Tony

The tragic irony of Babe saying that he will not let Tony control him to Way literally mindcontrolling him 20 second later

(Side note n°? : this is when i trully perceived Way for what he is.....guess i have to thank Lhong for teaching me about VERY BAD friend)

Babe is pissed !

At this point why even wear that tank top hmm?

Back hug!!! Charlie = physical affection

JEFF!!! with his pink milkshake.....i love him so much

Kenta look so relaxed in this scene and almost proud of his work....can someone (Pete) hire him as an actual assistant/secretary, pretty please,

Now, what the reason behind Tony choosing Kim, what makes him so interresting ? (except the fact that he is really pretty?!) And i'm pretty sure Benz is not 1.80m

Okay, now let's talk about Babe house. More specifically how open it is. And how it's "perfect" for Babe, someone who spend his formative years somewhere more akin to a prison than a house. Who probably lived his fist few year of freedom in small (and more likely shitty) appartement, before having the money to by this specific house.

And i wonder if the holes in the walls were there before he brought it or if he destroyed those walls himself, so that nothing could stand between him and the front door?

As for the car in the living room, coupled with the entire collection of mini cars on display, it almost look like a little boys dream house (plus the Game Console and toys)

And the fact that Babe put himself right in front of the front door while waiting for Charlie to come back😭(not thinking about child!Babe waiting by the door in Tony's mansion for his father to come back....)

What salary are you talking about Babe ?

It's been less than a week and Charlie already caught on Babe's bullsh*t

Aww they're playing together

Is Pooh the best actor in the series? No. But one thing that he does extremelly well is using his eyes to convey a lot of his feeling (and his thoughts).

The way he keep cradling the back of Babe's head during their conversation.

At first i had a hard time figuring what Babe was feeling during this scene, but my guess -> annoyance ->a spark of fear after being overpowered mixed with arousal -> Charlie catching up on that "are you sure that you want me to let you go"-> Babe realising that he doen'st want Charlie to let him go -> giving in with "that* look on his face

oh look, screenshot are back !!!!

i never noticed the f*cking stikers on the microwave 😂

(never mind, no more screenshot 😭 why tumblr!!!!)

More NorthSonicDean doing mecanic stuff, with Way supervising and giving instruction (oh my, i'm being nice toward him)🔥🔥🔥

Once again, Sonic wear red and North Blue

Hiii Dean, you're still very cute 🥰

If anyone wonder, i got my idea for the WinnerDean "rivals on social media" AU from the comment about the Red racing team (let's be honest it's Winner) leaving bad comments under the X-hunter post

ooooouuuuuhhhh, i wonder who that boy is ????

to anyone who was doubting Jeff because he's wearing the red bag, i kindly ask you to watch Sonic outfit reeeaally closely

Dean being next to the car to teleporting in front of the blue pillar to being next to the car again ! (all the while looking really tiny)

North and Sonic being on each side of Alan like two little devil on his shoulders

Yeah okay, Way is making a good point

And that it for part 1 (which is already way to long and will be even longer once i will be able to add the sceenshot and gif)

I'm horribly late ? yes, but i will try to catch up, because even if life is shit right now, doing this makes me really happy. Also i currently working on the prompt fic 😝

And if anyone wants to add something about one of my theorie/though, fell free to do so by comment and tags or by sending an "ask" 🤗

[quirkwizard]

Assuming that Mustard didn’t get caught how do you think he and his Quirk might have evolved? Like what do you think he would be like as a character if he stuck around more? Maybe he could have some form of telekinesis over his gas so he can either avoid his allies or hit his enemies with dense clusters while letting him function without his mask.

While I do have some ideas for how "Sleep Gas" could change, even I'm willing to admit they aren't that varied or noteworthy. So while I can still try to writing about that if you want, I'm focusing more on the story since that is way more interesting to talk about.

The issue with Mustard as a character is that there isn't a lot to springboard off of. I've already talked about the issues with using his powers. However, I just don't think there's an interesting hook with him from what we've seen. Like, what story would you tell with him? What commentary would you make about the world, like the other League members? I suppose you could go the route of how the world can't handle "bad" Quirks and the feelings that come from that. However, that's rather redundant since that's the case with the whole League. Now, if I were rewriting things from the ground up, I think I'd have him take on the role of the Stain fanboy. Look, I like that as Spinner's gimmick, but it doesn't really end up going anywhere or relating as much to his story, especially in the final arc. A lot of it is either focused on the comradery with the League or the mutant plotline. With this, it gives Mustard something and allows Spinner's plotline some more focus before the final arc, focusing more on "kid in way over his head in with a bad crowd" with Mustard.

With the traits given, you could focus on his apparent vendetta against the Hero Course kids and how they have it easy. You could extrapolate this into being a failed hero student because of his Quirk, someone who can't see himself as a success unless they are a hero because of how much heroes dominate the world, or someone who himself is inferior to more powerful classmates. Because of this, he acts out and becomes a villain, admonishing any and all heroes and talking about how he's. Kind of like those people who make it by doing something only to then act like it's all a sham. This could then evolve into him having some interesting interactions later on with the MLA, considering how they view the usage of Quirks and could be used as a counterpoint to their plans, as people freely using their Quirks could be dangerous in his case. And during the final battle, he could go up against Ojiro, Sato, and Sero, thinking about how much he had to evolve as opposed to the "spoiled heroes". The irony being they've had to train more than anyone else because of how weak their powers are.