#i think part of my problem is that these shows are marketed to adults but specifically like. babybrained adults.

[doecrossing]

why are so many online indie animated tv shows seemingly designed to appeal to deeply annoying people specifically

[come-see-our-show]

I saw an early screening of the Mean Girls movie last night, so here is a summary of my thoughts, comparing the movie musical to the Broadway musical, which I was lucky enough to see live in 2018!

Changed that I liked:

The usage of social media in the Broadway show made it very clear that it was written by adults who didn’t know much about Gen-Z. It was probably one of the worst parts of the show in my opinion. But Tina Fey must have done her research since 2018, because the way the movie uses TikTok, memes, vlogging, and FaceTime to push the story forward worked VERY well. I think there were some influencer cameos, but it didn’t feel they were included to show how “young and hip” they were, It actually added authenticity.

The diversity within the cast and changing last names to reflect the characters’ backgrounds (Karen Smith ➡️ Karen Shetty, Janis Sarkisian ➡️ Janis 'Imi'ike)

Cutting down “Meet the Plastics.” It’s a very exposition-heavy song and doesn’t need to be super long, even though the full version is quite catchy and fun.

All of the new jokes landed so well, probably because Tina Fey’s writing style is better suited for the screen as opposed to the stage.

This is more of a comparison of the musical vs. the original film, but a big change was The Plastics’ weaponized wokeness (which I talk about here).

The production design for most of the songs was very different. The stage musical has a lot of rock songs, which were changed to a pop sound for the movie. I personally prefer rock musicals, but it was a good way to give the movie a separate identity from its predecessor so it doesn’t risk becoming a carbon copy. It worked on some songs (“Someone Gets Hurt” and “World Burn”) but not on others (“A Cautionary Tale” and “Revenge Party”).

Cutting the joke about Regina’s ass being big. It was a very low-brow joke, which I’m not a fan of, and was just really immature. Thank God that was changed to her falling, which still shows her being embarrassed without her body being the joke.

Explicitly making Janis a lesbian! (It’s only implied in the stage show with “It’s not even true… I only have one butt”) And she goes to prom with a girl while Damien dances with a boy! ALSO THERE’S REJANIS LORE AND IT’S SO HEARTBREAKING I LOVE IT

megan thee stallion just… being there

Miss Norbury and Principal Duvall being a couple and owning a dog together!!!

As a low mezzo, I appreciated whoever decided to lower the key for “I’d Rather Be Me.” I felt very represented 🩷

Having Cady be raised in a single-parent household so it focuses in more on her relationship with her mom. Jenna Fischer was so motherly and sincere and brought a warmth to the movie. Their scene together near the end made me emotional (you’re never too old to ask your parent to stay with you until you fall asleep) (also this is my request to make jenna fischer my mom)

Changes that I didn’t like:

Cutting BOTH of Damian’s solos??? (SHE’S LEAVING!!!!!!!! JUST LIKE MY DAD!!!!!!!!!!!!!!!)

Cutting “More Is Better.” It wasn’t necessarily a memorable song, but it did give both Cady and Aaron more depth, both as separate characters and within their relationship.

While cutting some of the songs helped with pacing, cutting HALF of the score made me forget that it was a musical sometimes, which sucks because I really like musicals!!!

Other stuff:

The movie was marketed horribly. One of my friends didn’t even know it was gonna be a musical because there were no songs in the trailers 💀 (Also, this isn’t just a Mean Girls problem. The Color Purple also didn’t have any songs in the trailer. I didn’t even know Wonka was a musical until I saw it in theaters, so that was a bit of a shock.) If you’re producing a musical movie, maybe your focus groups should be musical fans, because that’s still a HUGE market.

Auliʻi Cravalho’s voice is STUNNING! She and Jaquel Spivey had great chemistry and their friendship felt so genuine!

The opening and ending transitions from the garage were everything to me

The EDITING

Angourie Rice is a great actor and fit Cady perfectly… except for her singing. Out of the entire cast she was easily the weakest in terms of vocals and it was pretty disappointing since she’s the LEAD. I could barely hear her in the new song “What Ifs” because of how quiet and breathy she was. I think it’s a better written song compared to “Roar” though.

Jon Hamm cameo!

Ashley Park cameo!

I cannot stress enough how funny this movie was. I was probably laughing louder than everyone else in the theatre.

I lost my shit during “Meet the Plastics” when Regina unzipped her jacket and Cady was staring at her boobs. She’s just like me fr 🏳️‍🌈

I know that Regina is a horrible person but I couldn’t find it in me to dislike her in the slightest. She just served too much cunt 😩

Christopher Briney is a good actor, but I don't think he was the right choice for Aaron Samuels. I would hate to ridicule anyone for their looks, but it still plays an important part in casting. Aaron is supposed to be a somewhat naive, wholesome, hot jock (and Regina has high standards, so he better be a fucking model). Briney is definitely a cutie, but gives off “smoldering badboy with a secret sensitive side” energy, which isn’t what Aaron should be.

The fantasy sequences (Stupid With Love, Revenge Party, October 3rd). I LOVE when movie musicals USE the medium to tell stories in a way that they can’t on a stage!!!

THE CHOREO!!! Everyone freezing then shaking in “Someone Get Hurt” AHHHH that entire number was HYPNOTIZING!!!!!!!!!!! My friend told me the choreographer’s name is Kyle Hanagami, so shout out to him. (also reneé rapp was so fucking hot while singing that oh my lord)

I will be calling my pimples “face breasts” from now on (avantika ilysm)

DAMIAN’S FRENCH COVER OF THE ICARLY THEME SONG 🙏🙏🙏🙏🙏

why was there a 0.5 camera shot of cady during revenge party 💀

“I’d Rather Be Me” was so much fun and I felt so fucking empowered. And the transition from the song to the bus was just *chef’s kiss*

“donut worry i am still your freend” 🥺

Lindsay Lohan cameo!!!!!!!!!

NOT ENOUGH RENEÉ RAPP 😭😭

Overall, the movie was not perfect, but the Broadway show already had plenty of flaws, so it’s understandably how that would affect the adaptation. I still a LOT of fun and would definitely see it again. Go stream Snow Angel by Reneé Rapp. i love women 🥰🥰🥰

[morganski-19]

Chills Right to the Marrow Part 26

ao3 link| part 1 . . . part 23, part 24, part 25

Wayne walks into the hospital, the information that he’s been given still running a marathon he can’t finish. Too caught up stumbling in all the unbelievable hurdles. Struggling to keep his footing on ground he thought was solid. But it’s cracking underneath his feet.

All these kids, all this time, went through that. Something that the authorities should have dealt with, but left up to children and regular civilians. Causing people to die and get hurt. Be left with trauma the regular public will never understand, and might not even believe.

Wayne doesn’t even know if he believes it. Even though he knows it’s true. It’s just his brain trying to find the fault in the truth to market it as a lie. So he can be mad a something a little more real. More feasible.

“Hey, Wayne,” Dustin calls out to him, causing him to stop in his tracks. “Did Steve talk to you, he said he needed to. I don’t know what about though.”

“Nothing you don’t already know,” he says simply. Each work breaking a small line in his heart.

Dustin rolls his eyes. “So you won’t tell me either, great.”

“Woah, I was tellin’ you the truth. No need to give me that tone.” Wayne might be slightly out of practice, but that parent voice came back real fast.

“Sorry,” Dustin mutters under his breath, crossing his arms. “I’m just sick of people hiding things from me. I’m not a kid anymore.”

But he is.

“But you are.”

He groans. “Sure fine, I’m still technically a kid. But I’m older now, I understand things more. That has to count for something.”

“Sure it does. Doesn’t mean you’re going to part of every conversation though. There are some things that you don’t need to be a part of. Things you don’t need to worry about.”

“People always say that, but I don’t believe them. First they say it’s nothing to worry about, and they they’re almost dying. I’m tired of that.”

And there lies the real reason for this frustration. The need to be involved so he knows exactly what the problem is. So he can try to get ahead of it. Stop it before it becomes catastrophic.

This kid has already had some much of his life change before his eyes. Without question, straying from the established plan. There’s no planning for life, but especially not the way Dustin’s had to live it. The way any of these kids had to live it. Or the adults.

Wayne sees the pain that imbedded itself into all of their beings. The way their eyes dart around, trying to see the unseen. And their bodies to predict the unpredictable. Pulled taught with string, ready for the next fight. For the next big thing.

If he could give anything to help them get one moment’s peace, he would give it. No one deserves to live like this.

“Look,” Wayne places a hand on Dustin’s shoulder. “I don’t have all the answers for you, and I’m not sure what specifically you’re talking about. But I do know that these people care about you, and know that you care about them. There are always going to be things left unsaid, and things kept from you. And you’re not going to get anything if you come from a place of anger instead of compassion. Explain why you want to know, then maybe they’ll tell you.”

Dustin nods, taking a moment to think. Wayne watches as he processes where to go next. Sees the fragility that lies beneath his frustration.

“Do you think they would really tell me?” he finally asks, so unsure of it all.

“They might. And if they don’t, they might give you a better answer than telling you it’s none of your business. That means they listened to you.”

It’s what everyone wants at the end of the day. To be heard.

“That’s at least something, isn’t it?” Wayne finishes, looking Dustin in the eyes. Showing him that he listened. That Dustin was heard.

Dustin nods. Still not looking completely satisfied, but better. “I guess so.”

Wayne gives Dustin’s shoulder a clap before letting go. “You off to see Eddie?”

“No,” he shakes his head. “I just came from there, my mom wants me home for dinner.”

“You have a ride?”

Dustin nods his head.

“Alright. Tell your mom thanks for me, for the dinner. It was very nice of her.”

“I won’t tell her that bit. Unless you want an entire casserole on your doorstep tomorrow.”

Wayne chuckles on his way to Eddie’s room. A real laugh. It’s starting to feel less foreign now.

Eddie’s playing with a stress ball when Wayne enters. Or less so playing and more like squeezing. Mumbling something under his breath before letting go.

“Hey Wayne,” he says. Concentration still on the ball.

“What do you got there?”

Eddie groans, head dramatically hitting the pillow. “Some stupid exercise the new nurse gave me to do. Something about starting to get back ‘motor functions.’ I’m supposed to count how long I can squeeze it.”

“What’s your record?”

“Ten seconds. Trying to get it to fifteen.”

He squeezes the stress ball again, fine for the first few seconds, but starting to shake around the halfway mark. Fingers twitching as they start to release the grip. Eddie’s face scrunching, trying to get them to stay just a bit longer.

“Ha, eleven.” He releases his fist, the momentum of the ball causing it to roll out of his hand. “Take that.”

The ball rolls off the bed toward Wayne’s direction. He picks it up, taking a second to give it back to Eddie. Wondering if it’s right to bring up that he knows.

“You just missed the guys, by the way,” Eddie starts before Wayne gets the chance to. “Finally got off their asses to come see me.”

“They came by a few times while you were in the coma.”

Eddie rolls his eyes, like that doesn’t matter. But really Wayne knows he’s just annoyed. These kids were his friends before spring break. He thought they were going to be after too.

“Yeah, but not while I was awake. It’s one thing to come and see me when I’m asleep, it’s a different thing to come and see me when I’m awake.”

“That’s true. Did you ask them why it took them so long? Maybe they had a good reason”

Eddie groans. “You can’t go a few weeks without trying to give me a life lesson, can you.”

Wayne laughs again. Sits with how the air sits in his lungs so light. Makes his whole body so much lighter.

He doesn’t need to talk about what happened with Eddie right now. Not yet. Not when Eddie’s trying to figure out how to live again. Not while he’s still trying to get them a place to call home.

Everything will come out when it’s time. He knows that. Right now, they can forget for a while and just be.

next part

tag list (capping at 100, only 5 spots left): @the-they-who-nerded, @insteviewetrust, @croatoan-like-its-hot, @jettestar,

@tinyplanet95, @steddie-as-they-go, @slv-333, @littlecelestialmoth, @thatonebadideapanda,

@fandomsanddeath, @marismorar, @wonderland-girl143-blog, @glass-bottle03, @gutterflower77,

@here4thetrama, @goodolefashionedloverboi, @jaytriesstuff, @cryptid-system, @manda-panda-monium,

@resident-gay-bitch, @anaibis, @xxsutherlandxx, @forevermineliv, @mugloversonly,

@gregre369, @n0-1-important, @different-tale-student, @spectrum-spectre, @tartarusknight,

@devondespresso, @swimmingbirdrunningrock, @cheertain, @anti-ozzie, @autumncrocusandladybug,

@greeniebean911, @cr0w-culture, @stillfullofshit, @connected-dots, @daisynotquake,

@morgannotlefay, @a-little-unsteddie, @dolphincliffs, @maskofmirrors, @me-and-my-sloth,

@papergrenade, @waelkyring, @sweetheartprincess28, @katouasobj, @astercomoasflores

[eldest-of-katts]

okay because people have shown up in my dms talking smack I'm going to make one blanket statement on the 1000 year loli chilchuck thing.

yes, there has been a problem with young girls being put in suggestive positions in anime with the "uhmmm she's actually a bajillion years old" excuse. yes, other characters don't treat chilchuck like an adult. yes, he is short with big eyes.

However, chilchuck consistently acts like a grown man. he- in both the manga and the anime- straight up just is an adult. He looks like an adult when he is any other race during the swaps in the manga. When the other characters get turned into half-foots they look similar to chilchuck. He is explicitly stated to have more dungeon and general life experience than laios, and he acts like it.

The 1000 year loli trope explicitly functions as an excuse to prey on people who are inexperienced and unable to advocate for themselves. Chilchuck is a parent, is a union organizer, has explicit boundaries that he enforces rigidly, and he is treated as an adult man by everyone who doesn't have a fantasy racism-focused character arc/issue.

I can see how if you haven't read the manga and seen that he has an established life that he later reveals (and haven't paid attention to him in the anime lol) you could get a mistaken impression about him. Marcielle does too in the source material! It's part of her character at the start of her arc that she has issues with longevity!

The thing that irks me a little about this interpretation is that it leans into the child-coded discourse that was prominent a while ago (she's short!!!!! but has boob???? ILLEGAL!!1!) and it does a disservice to the themes of infantilization as a policy maneuver hurting the working class.

I saw chilchuck and his labor advocacy for half-foots both as a metaphor for racism (obvious take ik) and for ageism.

The working gen z as a cohort are being infantilized and pushed out of job markets due to infantilization, similar to half-foots in the show. gen z is being maliciously portrayed as too young to vote, enter office, know themselves, know their rights, and take advantage of their resources. Simultaneously, child labor protections and protections against workplace abuse are being rolled back in the US. In Japan, young people are being worked to the bone for nothing and are becoming disenfranchised as a generation while simultaneously expected to be the labor faction that supports the postwar generations in their old age.

Chilchuck's being treated poorly I saw as a clever commentary on the ways infantilization allows for protections to be stripped away under the guise that "oh it's just a job for teenagers- they don't need more than minimum wage" or "let the kids rescue the economy! they're always complaining about that job market!" while simultaneously stripping away rights under the guise of protection- "We can't have that on the internet! think of the children!" "to protect these young people we must raise the age of medical consent for hormones/reproductive health decisions!"

Kui's work with this series spoke to me on many levels, and specifically, the infantilization issue touched me in a way that few other pieces of media have. The struggle to be taken seriously in a stem field as someone young, as someone female, and as someone who had a high-pitched voice to the point I did years of voice training to be taken seriously, chilchuck's character resonated. I (kinda) understand your instinct to think "SHORT! CHILD! RALLY THE MASSES AND KILL THE PEDOS!!1!" but in this case, it's misdirected- mostly because the author was trying to use this misdirection to prove something to you, the reader.

Kui consistently makes cutting commentary on modern issues, the show's take on food neutrality as its headliner, but also the author's takes on cultural issues and the environment (with a focus on our place in the food web as animals). I feel that reducing chilchuck's very conscious position as a tradesman and an activist discounted due to his apparent age down to "1000 year loli ewwww let's send this random tumblr user suicide bait" just displays a lack of critical analysis of the show and a level of disrespect towards Kui and the work as a whole.

TL:DR- stop sending me kys messages I'm fucking that old man

[emojellyace08]

Found you're writing really good 😈😈 and now you're my next target 😂😂 How do you think gun would react finding someone 100x times beautiful from crystal with great body anddddddd 👀👀👀 is strong like ui daniel but is not quite rich and lives a normal life working at a part time cafe ??? 😮😮😮 lordddd 🤌🤌 the reaction would be priceless, please do it 🥲

Gun Park (Park Jonggun x Female Reader!) short story

A/N: Hello fellow human! Sorry if I ever replied back REALLY LATE. I'll still make Lookism x reader content, but I'm really busy rn so sorry if this felt rushed (and I have a periodical exams to take in Wedensday oof). Genre: fluff? Warnings: mild cursing and mentions of mafia activities (unedited)

Gun isn't exactly the type to easily fall in love, even impressing him alone without trying hard is challenging by itself as many successors, enemies, and other people tried to show their all to the Shiro Oni. But every blood, sweat, and tears were wasted just trying to lay a finger by the unstoppable man, if they would even call him one.

And it is also just a normal day for everyone, people in the city are either spending their money off by their personal plans or continue on with their daily lives. Other women were having their shopping galore either with their friends or alone with quite noticeable make-up plastered on their face yet making their face sparkle up with the cosmetics. Ulzzangs posting their new selfies getting tons, if not millions of likes and social media users having a debate who's prettier or more attractive. Students were stressing out with their school activities or gossip drama with the adults wanting to slack off and get a chug of beer after a long day of their shifts or just take a long nap like a lazy cat with their eyebags being dark and hollow like a panda.

And to most people, you're just an ordinary woman living her life in the crowded city of Seoul. You wouldn't exactly call it the best life ever, but you were somehow thankful to make it this far after long days of shifts and even sometimes working on Holidays even if you want to have a sip of your own coffee at your own place. You're already a functional and working adult yet you sometimes miss your home despite you and your family having your own personal problems. Yet you continue to strive not only for them but mostly for yourself. If it weren't for some men forcing you to have a chat with you by offering their numbers quite rudely, you might even have better days without them putting you into situations you don't even want to experience just because you were considered beautiful.

It was already five in the afternoon, yet you're still there at the cafe doing your duties as a barista and a waitress. The place will be quite silent, almost weird with the sound of silence if it weren't for the chatty customers with some chilling with their drink and pastries of choice. College students doing their research in groups, office-workers updating their marketing plans, and angsty teenagers listening to their melancholic music with their Airpods on. With the stress that you are feeling right now, you felt the need to listen to your own playlist while you watched the sun sank in the sky with a splash of pink, yellow, and blue creating a splash of colors that felt nostalgic yet different at the same time.

Hours passed with people coming in and out, the sky already turning night time with white stars sparkling at night. The yellow lights of the place illuminating at the dark to not only make the place more atmospheric, but to also make the customers feel comfortable with the chill yet warm vibe.

"Miss Y/N, are you already getting the order done for customer five?" your manager with a dark perfect bun for her hairstyle with pale foundation, reddish blush and lip tint, and sunken eye bags (reminding you of a porcelain doll) asked with a raised eyebrows and strict tone as you responded with a hum for agreement while you're mixing and preparing the drink condiments. "Yes Sajangnim (boss) I'm already done with the coffee macchiato and I already have the egg sandwich." you replied while hurrying to prepare the Americano. "Good, more tickets are coming you better hurry up." she replied while she scolds your co-worker that you are deeply annoyed at when she's slumping on the side clicking on her phone instead of helping you out. "She's probably texting someone to date huh?" a voice on your side whispered while you yelped in surprise. "Fucking, geez stop spawning randomly on the side like that." you hissed as he chuckles silently trying to minimize his voice while you also tried not to laugh hysterically. "Okay fine. You're working too much. I'll do the coffee latte and get the mango graham and the croissant." he suggested while your eyes widened in confusion and a bit of surprise. "You sure Jace?" you asked the young man with big ears as he raises a thumbs up "It's fine Eonni (older sister ; metaphorically). Now you go." "You just want your fees to go higher." you teased as he manners to go shooing you away. "I need it since I got to repair Vasco's phone." "Whatever, just do the job right and smooth." you smiled while he finger guns with a tongue-click sound.

You took the orders in your hand and approached the table before you quickly noticed the two familiar guys. You sighed before going closer to the very annoying customers just then the blonde with dark shades greeted you with a dramatic enthusiasm.

"Yo Y/N! It's nice to see you where have you been?!" Goo stood up while waving his hand making the other customers look in confusion. You not wanting to create a scene, you placed the tray in the table and planned to go away. But a hand held your own in a soft but not rather affectionate touch before you swat it away.

"What the hell are you doing in here?" you asked while you felt your blood boiling in frustration. "But we're here to-" "Shut the fuck up Walmart Ken." you scolded Goo while he created a insulting gasp while the ebony-haired man smirked in amusement. "We're here for Charles orders. We're going to take you back in the place where you truly belong for unfinished business." he commented in a calm yet teasing manner making you even more agitated. "This is my business, Gun." If it weren't for the other customers if they ever got frightened and with your manager firing you, you might created a miserable scene that you don't want to happen in the first place. But these people haunts down your biggest fears like a black hole swallowing your entire existence.

"And how did you even find me here? And don't you see the no smoking sign?" you rolled your eyes making Goo and Gun grin more while Gun huffs his smoke, "We have our own ways." "And c'mon Y/N, we know you miss doing tough missions with us!" Goo again interfered while you stood their in cold feet not knowing what to do with this situation. "And besides Charles is offering you a billion won with making the four major crews stronger for him to pay you, even make it thrice the price if you did the job well." Gun offered while taking a sip of his coffee and the other man looking at the menu sheet to order more of the sweets. "Well don't you contact me when either the Workers tried to interfere or your goons stabbing all of your backs." you replied with a sass while Gun just replies. "If that ever happens, I'm not going to hesitate to beat their-" "Yo Y/N, can I get a latte with a chocolate doughnut?" the childish guy ordered interrupting Gun's long speech. Though his eye accessory hides his orbs, you can imagine (almost see) Goo flickering his eyelashes like a puppy begging to play with it's owner. "Whatever, I'm leaving." you rolled your eyes in frustration before going to the employee room and aggressively slamming the door. "Wait what? Y/N We still have lots to talk about and my order-" Goo was about to chase you before Gun kicked him in the legs under the table, successfully earning a hiss of pain from the other guy. "Let her be, she'll change her mind." Gun interrupted while Goo raised his eyebrows. "Hah?! For fuck's sake we're just going to let her run away? Again? You'll be in fault if Charles scolded our scrawny asses again." Goo ranted as the people in the cafe started to weirdly glare at them for being to noisy. "I know where she's going, besides she would get scolded, even probably fired since she left during her shift. So just stay calm." Gun replied while stealing the sweet and umami food that Goo just offered that's been sitting for a minute now. "Hey! that's my sandwich!" "Just buy another one you got twenty thousand won on your wallet." Gun replied while he wipes off the extra mayo on his mouth with a tissue. "Says the one who's chomping off my toast right now, idiot." "Stop making Gordon Ramsey references or I'll kill you."

"Y/N where the hell have you been! Don't you see that there's lots of tickets flooding in here?! Oi you brat answer me!" your manager who's been flickering your guts scolded you while your co-worker from earlier smirks at your downfall, you not only fixing your bag in your locker but also trying to make yourself composed as you don't want to lash out your anger to the people who have done nothing wrong to you (they do, a lot but you just don't complain about it). "If you won't answer my question-" "Shut up." you murmured interrupting her speech in a lifeless manner. "I'll leave. You can fire my ass." "Hey Y/N what is going on in here?" Jace asked before you again slammed the exit door, leaving the poor guy confused and lots of responsibility in his hands...

You ran, as fast as you could. You kept running and running. You ran past the tall buildings filled with city lights creating a beautiful atmosphere, yet the familiar feeling of sorrow began to linger on your mind and heart reminding you of the memories of the past that you tried to bury deep down to start a completely fresh start of the first chapter of your life. But it looks like even books can have it's pages ripped and burned.

After a long mile, you stopped your movement as you breathe deeply trying to catch air like you're being suffocated by your feeling of dread. You didn't want to go in this place, but it is the only place that you called home.

This is the place where you met them, where you grew up, and where you were turned into a monster.

It is an old and abandoned park, the fake wood texture of the metal benches started to rust with the colorful paint with vulgar words and drawings adding to the stain. Trash were everywhere, even a scary place like this looks like it's been a hang out for runaway teenagers or addicts. The trees and plants look completely dry and lifeless since it's not been watered and just not being cared of, making the crunchy leaves fall down into the ground. Newspaper with the dirty and used ashtrays and used beverage bottles were also scattered in the area. It is a complete mess like what you are right now, but the smell of toxins and beer makes your mind hazy and in peace as you try to think of the good memories that you have in here (if you ever had one).

You thought that you can finally have your moment of peace and solitude. But it looks like you have to deal with these fuckers you kept whistling and cooing at your existence. Looks like they're drunk men who's been wasting their life, completely indulged in alcohol and other things that are addicting even though they mostly look formal, decent, and clean. The police were doing a bad job for shooing away people who don't have a home but doesn't arrest people like this. People who were supposed to act normal and responsible now that they have everything, not chugging on alcohol.

"Who is this chick over here?" a skinny man with a white polo asked as his friend's arms snaked into your shoulder, making you uncomfortable. "What are you doing here alone? Is your boyfriend supposed to take-" "Shut the fuck up and leave me alone retards." you swatted his hand away and getting distance from them, but this doesn't alarm the men keeping their annoying behavior in touch. They started making laughs and mocking faces making your blood boil. "Feisty huh? Don't worry, We will take care of yo-"

Everything went fast as you slammed him into the ground. His friends were caught off guard but the other goon decided to take you down. "You bitch!-"

It looks like a bad idea huh? Since you were so fast, you managed to capture and block his punch. You put pressure on his hand as you then twisted it making it dislocate and elbowing him on his armpit impacting pain on his shoulder and upper limb. He is now crying on the ground, coughing and crying like a little toddler who scratched his elbow as the other men decided to attack you besides the leader of the group who cowers in fear. Kicks, punches, and attacks are made by you causing them to get knocked out by your bare strength. You clicked your tongue in dismay when a familiar figure approached the scene. "I knew that you would be here." he muttered while you huffed in pure disgust as Gun smirked at the damage you have inflicted. "If you asked again for me to be a slave of your shitty management I'm not going with you." cutting him off with a unsatisfied tone, you started walking away from the place but then he tapped your shoulder. But you're not in the mood to interact with anybody. You didn't even thought twice that you punched him in the face yet he didn't even budged. A flow of blood starting to drool down on his chin. The masochistic Shiro Oni starting to get excited about your sudden aggression as he let himself get hit in the first place. "Will you stop following me around like a dog?! GET LOST YOU MOTHERFUCKER!"

"Punching me on the face would not end great for you, but this is why I like you Y/N. Now show me what you got can you?~" his demonic grin appearing on his scarred face.

[biscuitrule]

Sadly part of me feels like Lockwood and Co would have been a more popular book series and by extension a more popular show if the books were from Lockwood’s perspective instead of Lucy’s.

It’s unfortunate but girls are much more willing to read a book with a male protagonist than boys are to read about a female protagonist. And in the case of a series like Lockwood and Co it’s not marketed specifically towards boys or girls so it has nothing to do with boys seeing it as “girly” or whatever. And it’s not that they start it and then dislike it because they can’t relate to Lucy, in my experience working with kids and recommending this series to them, once they start it they love it, but the boys are usually skeptical to even pick it up and try it out once they find out the main character is a girl named Lucy.

They end up loving it of course, but there isn’t that same hesitation when recommending something like Percy Jackson or Artemis Fowl. And I think that’s really sad because Lockwood and Co is a series about friendship that everyone can relate to, but society’s inherent need to classify things as “for boys” or “for girls”really hinders the reach of this series.

And to be clear I’m not saying they should have been from Lockwood’s perspective I think this was a story that deserved to and needed to be told from Lucy’s pov. It’s a problem with society, not the books and this is just a trend I’ve noticed.

I truly believe this series has some of the best themes for a wide age range of kids and young adults. It’s one of those rare stories where the themes are deep but still accessible to kids, and I just wish more people knew about it and that it got the recognition it deserved.

[coldresolve]

Hi, I'm Elias, I'm a 26yo trans guy from Denmark. I write shit, I draw shit, and I get into unneccesarily tedious arguments with anons about torture apologia in fiction. I think that sums up my vibe

I've made a few posts about this already, but tl;dr: the Danish NHS has been refusing to treat me for gender dysphoria for the better part of a year now because they've deemed me "unstable." Unstable how, you ask?

I have depression.

No, that is quite literally it. Full context under the readmore.

Fighting to be heard and having the door repeatedly slammed in your face sucks peak ass, and I'm done now. The NHS is so lackluster when it comes to trans people, all of a sudden, it makes perfect sense to me why 31% of transgender Danes get HRT outside of the NHS.

And I'd rather not have to turn to the black market, so rn I'm hoping to get a prescription with GenderGP. The issue is, I'm poor as fuck and can't afford the start-up fees for the forseeable future - unless I do something like this. I hate asking others for money, and I hate it even more if I'm not in a place where I can give anything in return. But I also recognize I'm in over my head with this, so. If you've got a cent or two to spare, I'd be grateful as hell.

I've mathed it out, and my best estimate is that I need around 3500,- DKK / $500 USD. Again, this is just to cover the initial subscription as well as mandatory consultations/blood tests. I should be able to cover the prescriptions on my own, as well as further tests/consultations down the line, so I'm hoping this is a one-and-done sort of thing.

paypal: elimunpau@gmail.com

Also, important note. We're in a global cost of living/housing crisis and this isn't a strict life-or-death situation. If you're in a tough spot right now, don't send me anything, that'd just make me feel worse about asking. I appreciate the thought but you gotta take care of your own needs first. Peace and take care ✌️

So I've been dealing with major depressive disorder since I was 11. It runs in my family, and as you might imagine, after 15 years of living with this thing, I've learned how to manage it pretty well by now. I know what it's like to genuinely be unstable - and if I were in a place like that, no problem, I'd be open about that. I wouldn't be making decisions like this. I know myself. You kind of have to when you're dealing with a chronic mental illness.

Here's where I am right now: I've got no suicidal ideation, been clean from self harm for four years, no psychosis, no inpatient admissions for the last five years. I live on my own, take my meds, and I'm keeping my life in order. Depressed, yes, but about as stable as someone with my history can get, and ask anyone who knows me, me wanting to get on HRT isn't some spur of the moment decision. I've done a fucking decade of soul searching, and a few years ago, I finally (duh) reached the conclusion that living as a woman isn't something I can even fake being content with - believe me, I've tried. I'm well aware of the scope of medical transition, but I'm settled in who I am. And I just want to live like me now. That's the only thing I want.

If it counts for anything, my partner and family have supported me through this, which has been priceless obviously, but it also goes to show that me saying "I'm capable of making medical decisions" isn't purely a personal assessment. I'm pretty sure they'd speak up if they thought I was being unstable about it or whatever

But the CPH clinic for sexology, who have consistently refused to listen to me telling them all this, have somehow magically aquired divine knowledge on my capacity to make adult decisions about my own body, and on the basis that I have MDD, they're refusing to even set me up for a preliminary interview - one that would preceed a 6 month full-team psych evaluation before the prospect of HRT would even come up. They said in their latest refusal that they wont accept another referral from me until a year after my last in-clinic conversation with them, which happened on October 24th, 2023 - meaning that with the NHS, if they accepted my referral come October (which I don't have much faith they will), the earliest I could possibly get on HRT is April 2025. Arguing for my own sanity would've sucked enough as is, but it's made harder by the fact that they won't even talk to me. You're a trans guy who would like healthcare, but you have a mental illness? Good luck, you're on your own. Long live the Danish bureaucracy.

Dysphoria makes me fucking miserable. I'd rather not have to write a sob story here, and tumblr is like 80% trans people so I guess a good portion of you can imagine why waiting another year for the possibility of maybe-perhaps-if-all-goes-well getting on HRT would not actually make me less miserable about it.

So. I'm sitting down next week along with my mom to file a formal complaint with the patient's rights committee. I don't know what to call this other than some form of discrimination on the basis of mental illness, because nothing in my current situation would prohibit me from making medical decisions for myself. And I honestly don't think that a complaint is going to do much, but I intend to make it obnoxiously long, because by law, a specialized doctor and an attorney have to read through the whole thing. If you can't beat 'em, make 'em read 50 pages of you going into detail about why you think they suck, right

And yeah, like I said, in the meantime, I'm trying to go via GenderGP. It'd be nice if my poor ass could get HRT via the NHS instead of having to pay out of pocket, but apparently the bar for entry requires that you 1) have gender dysphoria to the point where it impedes normal function and 2) somehow aren't mentally ill. Who wrote these rules? Some 60yo cis guy in a suit in Christiansborg, I imagine.

Feel free ask about anything relating to this whole situation, I'll be as open as I can about it, cause I understand that if you're going to give money to someone, you want to know what it's going to. Though I hope you understand I'm not going to doxx myself more than I already have now, or give you my entire medical history - only what's relevant to my current situation.

I know Denmark is a welfare state and on a global scale we're doing alright, but I hope you don't mind if I say this: This shouldn't be happening as often as it does. Fuck the Danish NHS.

[doublel27]

Alright, @paperstorm and @liminalmemories21 , based on this post, and your very sweet anon who asked what Carlos thought about TK getting snuggly with his dad:

Carlos is a man who wouldn’t imagine an adult relationship with his father with that much physical contact or intimacy and seeing this very attractive man who has an amazing relationship with his father probably was really, really appealing to Carlos.

We know, now, after four seasons, that Carlos desperately wanted a better relationship with his father than the one he had. When Carlos meets the Strands in 1.01, he finds a father and son team who work together who came down from New York, together, to join the 126. And the idea for Carlos that you could have an active working relationship with your father where the two of you were on the same team and there was as much respect as TK clearly had for his father when Carlos deeply believes his father never wanted him to be in law enforcement because he’s too soft. Carlos Reyes cannot imagine a world in which he is allowed to work with his father and be so unabashedly proud of him.

And then, LATER, at the bar, when Carlos is looking at this man who is actually too attractive to be real, he watches as TK snuggles in and leans on his father, and I agree with @paperstorm that part of this is about touch and that TK is snuggly and this is a good sign. BUT ALSO, that a grown man would cuddle his father in public and his father would ALLOW it. WILD. INCONCEIVABLE. And so very attractive to a man who I think WANTS that.

Which leads me to the part of my essay in which we get to how this leads to 2.04. It’s no secret, I adore 2.04. The lead up from 2.02 when TK is like “you spend so much time around my crazy family, when do I get to meet yours” and Carlos being like “refill?” and then the issue got forced at the farmers market. In the fight that ensues after the farmer’s market, the thing that Carlos says when he explodes is about how not everybody grows up with parents that threw the closet door off the hinges. Because Carlos is deeply envious of TK whose parents didn’t go silent when he came out and then pretended it didn’t happen. He’s envious of a TK who if he had tried to marry a woman a year later would have been like “Ummm….what the actual fuck, TK?” and made him sit and talk about it. (Do I still hate this storyline, yes? But it fits the narrative in this way) and like…not only did you, TK, come out and be accepted and encouraged, but it didn’t put a chasm between you and your parents of what they thought a man should be and what you were.

Like Owen Strand accepts and encourages the man that TK is. He accepts that TK is a gay man who is incredibly physically affectionate with anyone he loves and that’s okay. They still have a physical relationship and it’s not a problem and it’s actually something that is encouraged, meanwhile Carlos hasn’t said an honest thing to his father about who he really is and what he wants outside of showing his father he’s a good cop and a good man. And like, they’re not-not physically affectionate, Gabriel is a hugger, but the hug in 2.08 where Carlos is clearly craving more because his father whispers in his ear about the right kind of instincts still hurts every time, and the way he’s so pleasantly surprised with the hug from his dad in 4.08 after he asks Gabriel to be his best man and they hug for even a little longer and it’s just so happy that it’s relieved almost and that required a lot of work on Carlos and Gabriel’s parts to get there.

And so yeah, I think if we think about who Carlos says he was, and who we knew him to be in season 1, this man who was very clearly locked up in his own sense of who he should be versus who he is at his core, and what he craves. The narrative throughout season 4, that Carlos brings up, is that TK was the key that unlocked a lot of the parts of himself he didn’t accept and wanted to fix. And I think he saw this grown man who is gay and his age having the kind of relationship he wanted with his father and that man’s father not only accepted it but openly encouraged it and wasn’t embarrassed…I think it meant the world to Carlos.

I think he saw TK and not only wanted him but wanted to believe that the life TK had was possible for himself, and he wanted to get there. And damn it he did.

Which I think made it even harder for Carlos, in seasons 1 and 2, who was working to get rid of the idea that the queer parts of him and the parts of him that didn’t live up to the machismo of his community were broken and in need of fixing, to introduce this very unabashedly unashamed person to his parents. In 2.04, Carlos talks a lot about not wanting to shove his gayness in his parents’ faces, because in some ways the concept that being gay is something in him that needed fixing comes from his family and their lack of conversations in the years before TK.

To introduce TK to his family is the chance to have them confirm that they do feel that way, to reject Carlos and TK, to a man who strives for perfection and doing the right thing…terrifying. Not only for Carlos, but for someone to come and wound TK like that. So he avoided it, until he ran right into it…and then was mad because TK gets from Gwyn and Owen something Carlos wants desperately, and TK has always had it. And then to think of Carlos afraid of his parent’s reaction to TK when Gwyn and Owen just like love Carlos unconditionally…yeah…yeah, I think he was into it and envious from the start.

Which makes me want to go rewatch scenes between Carlos and Gabriel for their physicality for more research. Damn it, haven’t wanted to do that in awhile. Also, if the show would kindly retcon the murder of Gabriel Reyes and I can have a redo of the finale with Gabriel as Carlos’s best man (even though I hate that trope and want Carlos to have friends) as the start of season 5 I may start to forgive them.

(Please go watch With, Love to be filled with joy and rage about what we could have had as Benito is at his other gay son’s wedding…)

[jesncin]

Hello. I really appreciate your intelligent analysis on Batman Caped Crusader. Given that you’ve mentioned it a few times before, what are your thoughts on how this show lives up to the “BTAS with no restrictions” hype it had online before its release.

Thank you for reading my intelligent thoughts :3c

I have,,,mixed thoughts on the whole "BTAS with no restrictions" and "it's gonna be dark and edgy, Bruce Timm isn't holding back this time!" marketing energy of Caped Crusader. Like on one hand I see where it's coming from, characters are generally more violent (Oswalda's whole deal, Harvey and Firebug's demise, Bats shoving his car on a group of men, etc.) and I can tell there's a lot they wouldn't have gotten away with from censorship restrictions before (the blade about to slice Miss Yvonne Francis).

On the other hand,,,,it really wasn't that dark lol. All that stuff I listed before are just shock value moments and for the most part wasn't that bad after the initial shock. Fionna and Cake felt more gory than CC. My critique for "CC being dark and edgy" is that it simply doesn't own its tone. Batman Unburied, The Battison, and even Telltale Batman weren't trying to prove "ooh look what I can get away with that this kids show can't!" they were busy telling a compelling mature story. CC's mature moments feel tacked on, instead of being baked into the dough in this metaphorical bread we're making.

I think it's a common misconception even among creators that kids media vs adult media are separated by "what you can get away with". Like adult media is where you can have sex, blood, gore, violence, swearing, etc. When no, you can have adult media that has none of those things. Creating media for a specific target audience is about appealing to that age demographic's experiences. Kids media can handle tons of dark topics! It's how that darkness is framed that makes a difference. CC's like a kids show trying to get away with swearing. Not as horrendously as the Killing Joke adaptation, but has similar problems.

[firstkanaphans]

SMASH or PASS: GMMTV 2024, Part 2

Ossan’s Love: Based on the trailer we were given, PASS. However, I will watch this one regardless because it’s EarthMix and I have hope that the actual show will be a bit less cringe because P’Au is directing it and we know from MSP that he can do romantic comedy well. Unfortunately, I have not seen the original and this particular trailer made me never want to.

Leap Day: PASS. Not even an autistic-coded Gun Attaphan could save this one for me. But good for Pond! This is a huge role for him.

The Heart Killers: Obviously, SMASH. I know people are saying this feels like SandRay 2.0, but I’m getting more YokGaipa vibes and I am living for it. You can read my full review here, but I just want to go on record once again and say how grateful I am that FK got an adult show with an adult plot and a queer director.

Friendshit Forever: SMASH. It’s giving me Cruel Intention vibes and if they let Mook and Pat make out at least once, I’ll send them a fruit basket.

Perfect10 Liners: PASS. If I never hear the words “Engineer Cute Boy page” again, it will be too soon. 

Us: SMASH. Both Bonnie AND Emi make my brain go brrr, so I can’t promise I’ll be able to produce any coherent content about it, but I will be eagerly watching.

Hide & Sis: SMASH. This looks amazing and I loved P.S. I Hate You, so I’m expecting great things. Plus, Lookjun and Pepper finally get to work together! I’m so happy for them.

Thame-Po: SMASH. I know nothing about LYKN, but I enjoyed the trailer and I think it’s a great way for GMMTV to market their musical artists. Don’t think it’s going to help with people IRL shipping Est and William, though.

Break-up Service: lol, PASS.

Revamp the Undead Story: I will watch it because it is Boun’s baby and I love him, but in general, vampire shows only interest me if they’re slutty and I’m not sure GMMTV is going to allow that. So…PASS?

Sweet Tooth, Good Dentist: Genuinely, I didn’t think there was anything that could make Mark Pakin unattractive to me, but they somehow managed it. That trailer was just weird. Ohm TPK is way too green to be leading a BL and I didn’t sense any chemistry between him and Mark. I hope the show's good for Mark’s sake, but my expectations are not high. PASS.

The Dark Dice: I think I might have to wait until the actual trailer for this one, but tentatively SMASH. The problem is that I’m not a huge fan of Prom or Prim, so I would be watching exclusively for Gemini.

The Ex-Morning: Y’all, I’m still drooling over Singto in that fucking trailer. I’m sorry, but he looks hot as fuck. I’d SMASH for him alone. This was by far my favorite plot of the night. I love me a good rom-com and since this one’s being written by P’Aof (and none of the characters are blind), I trust him.

Overall, I thought this was a much better line-up than Part 1 and I'm excited for what's coming!

EDIT: I forgot Scarlet Heart Thailand, which I guess makes my opinion obvious. It's a PASS. If I was a woman surrounded by that many men, I would run. That's a horror movie, not a love story. And even without knowing anything, I guarantee she's going to end up with Win. Because someone at GMMTV thinks he's hot or whatever.

[superb-fruit-pigeon]

Ok I have more Nimona thoughts. NIMONA MOVIE AND COMIC SPOILERS BELOW!!!

I don’t think it should have been for kids. I think they should have marketed it more towards teens and young adults. Nimona is a story about queer wrath. About anger and bitterness and finding the love and hope and community in and despite that. All three main characters are morally grey. They have killed. They have made mistakes. Their relationships are complicated.

I just feel like… I as a queer adult want more queer stories that arent happy. That have that anger against the system without the perfect happy ending. Nimona felt cathartic because of that. As a trans person, i really loved how Nimona hid aspects of herself to make her look more palatable and weak. I feel that as someone who constantly has to downplay my transness for my own safety. Seeing her struggle and snap and get ANGRY at the institution that wants to weaponize her just meant a lot to the story. Its messy its raw! Its not perfect.

Nimona is a story of betrayal and trauma and getting the courage to fight back. The ending where nimona parts ways with ballister shows that sometimes relationships that mean a lot still have to end. That the power of friendship doesn’t fix all your problems, and that doesn’t mean you should stop loving. That doesn’t make those relationships meaningless. Its really hard to get a clear moral message from nimona because its so complex emotionally. And I just feel like you need the on screen murders and the blood and the betrayal and the bar scene in all its broken ribs, shattered glass, and bloody-nosed glory.

That darkness and complexity makes the story unique and interesting and the movie just felt so sanitized by comparison. Nimona is innocent in this adaptation. She talks a big game but she hasn’t killed a soul. ambrosius cut ballister’s arm because he was trained to, not out of anger and jealousy. Ballister is doe eyed and hopeful, not a jaded and complex person with years of loneliness and villainy under his belt. It just changes the dynamics so much that it feels so… empty. Not nearly as punk or raw or scary or sad or complicated.

I just want the wrath and the anger and the bitterness. I want the messy. I want to see them overcome that. And sometimes fall to it. I want to see how painfully human this story is. How nimona is both the scared little girl and the terrifying dragon.

P.S: the movie is still good and worth the watch please watch it and support this really cool queer media! The animation is awesome and its very sweet and emotional. And if you disagree with my crazy rant thats totally ok I know a lot of people really really love this adaptation and that is valid.

[heyclickadee]

My take (that no one asked for) on every single Star Wars show and non-saga movie:

The Clone Wars (movie): It’s…okay it’s rough. This wasn’t supposed to be a movie at all, putting three episodes of the show together and releasing it theatrically was part of the distribution deal with Cartoon Network, as far as I know, and it does show. It’s grown on me, though.

Clone Wars (The Tartakovsky Series): I think I’m probably in the minority here, but I actually don’t love this one. It’s fun, slick, and stylish, like everything Tartakovsky does is, and I don’t dislike it, but it just doesn’t do much for me. It’s cool. Maybe it’s a little too cool. Great art style, though.

The Clone Wars: Very high highs, very low lows. Though to be honest, I actually love a lot of the goofier episodes. They’re fun. It doesn’t have to be all drama all the time. Sometimes you can let Jar Jar be an agent of chaos. Sometimes you can have an episode about interest rates. I don’t have the nostalgia factor going with TCW the way a lot of people do—I didn’t watch it until I was in my twenties—so I do have to admit that it is tied with one other show as my least favorite of the animated shows, but that’s not a bad thing. I still love it.

Ewoks: I’ve only seen about six episodes. It’s veeerry 80’s. I think eight year old me would have gone insane for this show had I seen it. Adult me actually has a bit of a soft spot for it. I’ll watch the rest of it eventually. (Aaaand now I have the theme song stuck in my head. It’s. It’s definitely a theme song.)

Droids: I…haven’t seen it.

Resistance: I finally had a chance to get all the way through this show (I was eyeballs deep in “okay fine we’ll try this college thing AGAIN” when it was airing and just didn’t have time to check it out) and you know what? It’s actually pretty good. It’s definitely skewed even a little younger than Star Wars typically is, but it does what it does really well. Sort of feel like this one is slept on.

The Mandalorian: It’s a fantastic adventure of the week show. I actually don’t dislike the “plot” episodes, but mostly I’m just here to watch what shenanigans Din and his small green force son get into. Season three is weaker than the first two, but I don’t even really think that season is bad. There was some great stuff in it—just uneven and mixed in with some not so great stuff. Overall, good popcorn viewing, as far as I’m concerned.

Andor: Okay, yeah, Andor is fantastic. I do think some of its popularity is that it’s one of two (maybe three) Star Wars shows made for adults more than anyone else, so some people don’t quite have the same “why isn’t this making me feel like Star Wars did when I was a kid?” dissonance watching it, but it is also genuinely amazing. Probably the best thing Star Wars has ever done even if it’s not technically my favorite.

The Book of Boba Fett: Is it a mess? Yes. Do I still enjoy it? Yeah. My main problem with BoBF is that it’s got some serious structural issues. Even besides Din coming in and taking over two whole episodes, I think that the telling the story via flashbacks was a mistake, and that we should have followed Boba through the childhood bits and slowly caught up to him in the present. Maybe revealed it was all a flashback while he was in the bacta tank from there. And I…don’t love Robert Rodriguez’s directorial style all that much, never really have. That said, I do hope we eventually get more of this, though if we do I think it will be folded into something else. Still don’t love the live action pike design. (I actually have a conspiracy theory that BoBF was originally just a few episodes or even a season of The Mandalorian, and that it was made its own thing for marketing purposes.) I want more Boba, more Fennec, and more Sand People, if nothing else.

Solo: One, killing off Val Beckett was a huge mistake. It’s not story breaking or anything like that, but doing so when she’s one of very few black women in Star Wars and half of one of, like, two interracial couples in the entire franchise means that it hits in a way it wouldn’t if she was someone else. So, yeah, don’t like that. Two, the rest of this movie is a blast and audiences just hate fun. I don’t care that no one asked for this movie, it’s fun and campy and there’s a heist and I like it. Three, Enfys Nest has the sickest armor design in the whole franchise and I need more of her.

Kenobi: So…maybe unpopular opinion here, but…I really like Kenobi. Kenobi’s a delight. It’s not perfect, it’s got some problems, but I like that it’s about a guy who’s that depressed and alone slowly regaining his sense of hope, I like that we had something focus on Leia for a while (because Anakin and Padme had two kids and Leia always gets left second string), I like that you’ve got grifters like Haja and former imperials doing what little bits they can to help even though they can’t fight the whole empire. And I know that thoughts are mixed on this, but I actually thought it made a couple bits of A New Hope make more sense where Leia is concerned; kid me could never figure out how she knew who Ben Kenobi was when that was the name he only went by in exile on Tattooine (“Ben Kenobi? Where is he!?”), and it kind of made the switch from the very formal request for aid on behalf of her father to the more personal, “Help me, Obi Wan Kenobi,” a little more poignant, for me, anyway. Reva is an amazing character, she’s a perfect parallel and eventually perfect foil for Anakin, she’s a mess and a he’s in pain and I just. I love her. I have mixed feelings on the live action Grand Inquisitor’s performance (and mixed feelings on the makeup—on the one hand it could be better and on the other hand the other main live action pau’an we’ve got—the actor’s head was just shaped like that). Nevertheless, this show for me was mostly about the big emotional beats, and it hit all of those really well.

The Bad Batch: This is a magnificent show and I adore it apart from That One Thing and the fact that everything was left completely open, even going into the epilogue, apart from Omega’s coming of age and the Hunter’s and Omega’s relationship’s arc. That was resolved very well. I am mildly insane about this show. I love it. Also, it vexes me. Tied with two other shows as my favorite Star Wars show in spite of all that. Amazing soundtrack. Sidebar: If it turns out I’m right and That One Thing is an extended fake out and we’re not quite done with these characters, I’m sorry, but I’m going to be the most insufferable person alive.

The Acolyte: Everyone is very pretty and just a little stupid. Mae is very fun. The good scenes are very, very good. The writing is pretty uneven; judging from interviews I have a completely different view of writing than Leslye Headland and had a hard time picking up why a lot of the characters did anything, but when it hit, it hit. It’s…very CW drama, which isn’t a bad thing—just not always my thing. That said, Sol is a fascinating concept for a character and Lee Jung-jae did an incredible job with what he was given. Same with Qimir and Manny Jacinto. It’s honestly not my favorite Star Wars show, but I’m still disappointed that it looks like it’s not moving forward. The leftover story might end up being folded into the high republic book series, but I still hope we get some kind of on-screen continuation. I think the public needs more of Darth Babe the Jacked.

Rogue One: It’s great. Yes, the entire main cast dies, but the central message was still about hope. Vader gets to pun. I remain somewhat dismayed that the only thing a portion of the audience took away from it was that the Vader hallway scene was cool. He’s a horror movie monster there. Still a great movie. (Also, Saw, why do you have that??)

Young Jedi Adventures: This skews very young; most Star Wars is for kids in the first place apart from Andor, the Acolyte, and mmaaaaaybe the Tales of anthology (the other live action shows are, in my opinion, solidly whole family), but this really is made for very young children. That said, I have watched it, and it’s a very well done show for very young kids. Also I would die and kill for Nubs.

The “Tales Of” anthology series: Yes, I am counting this as one, because even though there’s a shift in focus from the Jedi to the empire between seasons, it all follows the exact same format and structure. I’d argue this series is the one that’s primarily for the adults who either grew up watching Star Wars animation or got into it as adults. It’s good, lots of atmosphere, the episodes do range in quality but I generally like them, and it’s nice they get to play around with different techniques, like making miniatures and incorporating them into the animation. The Dooku and Barriss episodes are probably my favorites.

Ahsoka: I know the fandom is divided on this, like they are on most things, but I love this one, okay? It’s not perfect, but I have a good time watching it. It just happens to be this perfect blend of campy, fun, dramatic, and mystical that really feels like Star Wars for me. I like it when Star Wars gets weird, has silly little guys, and doesn’t take itself too seriously. Lucky for me that this series has extragalactic travel via whale, Ahsoka being dragged to Force Therapy by Anakin, and Ezra hanging out with the space fraggles. That, and I love some of the concepts. I like the idea that force sensitivity isn’t the be all end all, that connecting to the force is something you can learn with practice even if you weren’t blessed with the genetic lottery. Peridea and the space it occupies in folklore is neat. And the music is wonderful. It is a little uneven, it’s not Andor or anything quite that amazing, but I’m eager for more.

Visions: This anthology is fantastic and you’re missing out if you haven’t seen it. I don’t love every entry, but even the weaker ones are worth seeing once, and the stronger ones are worth seeing a whole lot more than that. It’s a great blend of styles and takes from people normally not involved in creating Star Wars. This is in a three way tie for my favorite Star Wars show.

Rebels: Again, it’s not perfect, because no show is, but I also think it’s the strongest standalone show Star Wars has besides Andor. Yes, there are weaker episodes, but on the whole it’s remarkably consistent, and the second half of season four might be some of my favorite Star Wars outside of parts of the original trilogy. Also, it has some stunning backgrounds, and while the art style doesn’t always work for every character, the character animation ends up really hitting its stride towards the end of the second season, and just gets better from there. And, as always, the music is fantastic. Rebels rounds out that three way tie for my favorite Star Wars show along with TBB and Visions.

[irkendogma]

i know they're pretty lacking in tak aside from some ship segments, but do you have any favorite issues of the invader zim comics? call me basic but i adore the zimvoid arc especially

man i feel bad about like every anon i've gotten recently because i'm certain i keep coming off as an absolute hater (which may not even be inaccurate but i DO have love in my heart as well) but i honestly don't like the comics that much. i feel like both my grievances and my favorite issues/moments can be summed up by things from a conversation i had a little while back

like, obviously this is not exclusive to the comics - the show itself very much leans on the nonsense comedy angle because it is, in fact, a comedy aired on nickelodeon aimed at children. i'm not about to complain that a 2001 kids cartoon doesn't take itself seriously because i would be insane to expect it to. the problem is, when the comics were released, florpus hadn't even come out yet - the primary audience for them was no longer the "kids" element of the original demographic but the "watched in 2001" element

these comics EXIST to be fanservice - what fuckin 8-year-old is going to a comic shop or browsing online to buy the marketed revival of a show they don't recognize? - but they're written more like meaningless, substanceless comedy than even the original show ever was. there was a fucking wealth of material the original show never got to touch on prior to cancellation, and barely any of it is ever adapted, to say nothing of the entire original cast besides zim and dib playing bit parts to unrelated nonsensical comics characters IF they even appear at all - the fact that many fan favorites, my own included, receive a cameo at the end of a single special issue and nothing else across the comics' like fucking 50-issue run continues to bother me

and rest assured, the comics themselves are at least a little cognizant of this, because they will take every fucking opportunity they have to lampoon and create strawmen out of fans asking for more or even just...making fan content in general. remember mopiness of doom? chammy wamboo is here to make sure you feel stupid about interpreting anything that happened in that script as zim and dib having any form of fondness for each other, and she's going to spend an entire fucking issue doing it (with a very halfhearted attempt by the narrative to go "maybe she has a point about friendship?" that ends up undermined by other instances of the comic doing the exact same thing as this issue). think that the comics themselves aren't as good as the original show? virooz is a fat, sweaty, conventionally ugly manchild of a stereotypical strawman here to puppet around zim's body in dramatic poses that never fail to be drawn as stupid and unfitting in his belief that zim "fell off" from his earlier days. sure, occasionally there are grains of truth or genuinely funny things from them, but overall the whole thing feels incredibly meanspirited and more interested in bashing fans for being invested than rewarding that investment of time, energy, and sentiment into the material

even zimvoid...i WANT to like zimvoid. conceptually, i really like zimvoid. but the comics are deathly fucking allergic to allowing any stakes or sincerity to persist across the plot and it makes a lot of fascinating elements with a painfully compelling antagonist hit like a wet piece of tissue paper slapping on a brick wall, any impact stuff like zib's confession that he lied and winning over zim ultimately didn't earn him anything is soundly undermined by the fact that zim fixes the problem instantaneously with a spontaneous time travel loophole that even the story itself repeatedly lampshades makes no fucking sense whatsoever

maybe i'm just not the target audience for the comics, honestly, but in a fanbase that for nearly 20 years has consisted mainly of adults suspending their disbelief to more seriously adapt the story and melodramatic teenagers doing the same with less self-awareness, i don't know who is the target audience

[pippin-katz]

Post Red, White, & Royal Blue Viewing Thoughts

Okay, I have now watched this film from start to finish four times since it dropped, and I think I'm ready to share my thoughts. This is a lot of thoughts, so if you click "keep reading", be prepared to read.

Total Word Count: 6,579

Part One: First Impressions

After the first watch, I didn't really know how to feel. I finished it not feeling very satisfied.

After the second watch, it clicked.

I adore it. It is a beautiful movie full of hope and love and it is definitely one of my favorite movies now.

I realized that I had watched it wrong. I was enjoying myself watching the film, but my mind was far too focused on thinking about what would and wouldn't be in the movie to truly watch it for the movie it is. This movie is not the book. It's not trying to be. It is a separate entity with its own unique take on the story. It is an adaptation, not a recitation, as Matthew Lopez put it.

If you watch it focusing on the book and wanting it to be a perfect copy, you will be disappointed. However, that's part of the point. It is not trying to recite the book.

Part Two: Film VS Book Format

In order for a perfect, 100% accurate recitation of the book to film to even be possible, a series would have to be made. Red, White, & Royal Blue is not a very long book, but it is truly stuffed to the brim with content. Casey did not have to worry about a budget or time constraints when they wrote it. That meant they could write lots of scenes with the side characters, and whole side plots without a problem.

That is simply not possible to do in a single movie. That is not what the format of a film is made for.

That's why sequels and series exists. That's why the television format exists. Multiple plot lines can be explored at once and you have more time in total, however the trade off is the audience dynamic changes and the risk that brings.

A series needs to have a strong concept in order to for it to successfully hold its audience and keep it watching through to the conclusion of the plots. It's bit different now due to streaming, but with series, if your audience does not remain interested and active, you may not get to even finish telling your story. All that time spent on the side plots and great scenes is wasted because you never even got to follow through with the main plot, let alone those.

A movie is made and then it's done. They can't unmake it. That story is always going to be told from start to finish in that movie, however it tells it.

With the way the industry works nowadays, getting anything more unique than the expected blockbuster movies to be made is difficult. The corporate side of the film industry has practically made it impossible to make anything that doesn't already belong to a franchise. I have not seen a trailer for a romance centered film in what feels like years.

This is a romcom, which have already been struggling, but also a QUEER romcom. It's incredible that the movie was made at all when you think about Hollywood and its absurd views.

We've already seen that Red, White, & Royal Blue got an R rating in the US despite not really showing anything actually explicit. Matthew Lopez even voiced that he believes if it had been a straight couple, it would've been PG-13. I believe it 100% would've been PG-13 if it was a straight couple.

To anyone who might be wondering why the rating matters, the maturity rating of a movie can heavily impact its audience and marketing. Obviously, an R rating steers away any preteens and parents with kids, but it also puts a preconceived notion of the movie's contents into the heads of anyone who sees the trailer.

When you see that R, you expect either heavily graphic sexual content, extreme violence, or vulgar language, sometimes all three depending on the movie. There are lots of adults who are fine with the idea of a bit of sexual content in their media, like a scene that implies it but cuts away or shows the bare minimum of the actions for the viewer to get the idea. But I think a lot people draw the line at something graphic enough to get an R rating, like Fifty Shades of Grey for example. They're going to the theater to watch a romance film, not a pornography film.

Red, White, & Royal Blue already has to fight for its audience by being a queer romance, and getting an R rating adds an extra hurdle that impacts what kind of audience will even consider their movie.

All that being said, it would've been unbelievably difficult for Matthew and the rest of the production team to secure a series rather than a movie.

Part Three: Adapting Your Point of View

In the case of this adaptation, it is not meant to be the book. After I realized this, rewatching the movie as the movie fixed my reaction.

It recontextualized the movie for me. I stopped sitting there like, "oh he didn't say this line" or "damn they cut that scene" for the entire thing. I approached it as a separate entity, so they didn't "change" the story, so to speak; I completely pushed the book aside and focused on the movie.

Lots of things are different in the movie world, but instead of focusing on them being different from the book, approaching it is as the standard of the movie allowed me to appreciate it. Some examples:

So Henry's last name is different; not to them! To them that's always been his name!

So June got removed; not to them! To them Alex was always an only child!

So Luna got removed; not to them! They don't know who that is because he never existed in their world!

The book still exists the way it has always existed. It is not changing, and not going anywhere. It's world will always be there within those pages. The movie exists someplace else, in its own world. What makes it an adaptation rather than an original story is the common denominator of the main characters and their relationship. Everything else is secondary.

Part Four: Cuts

To expand on that last statement, everything other than Alex and Henry's relationship is secondary. Their story, their scenes, their dynamic comes first before anything else. They are more important than June, than Nora, than Pez, than Luna, than anyone else. Their dynamic is more important than the campaign, the divorce, than the sexuality crisis, than Nora, Pez, and June's polycule, than the Powder Princess, than anything else.

Alex and Henry's relationship is the most important thing.

It's not a story focused on Alex learning his bisexual identity. That's a side plot.

It's not a story focused on Nora and Pez (and June in the book) hooking up. That's a side plot.

It's not a story focused on Beatrice's past with cocaine. That's a side plot.

It's not a story focused on Luna's role in exposing Richards. That's a side plot.

People need to understand what a side plot's role in a story is. It pulls away from the main story to discuss something different, but relevant. They're good for development, filler, or connecting dots between major events, but without them, the primary plot should be able to stand alone.

Red, White, & Royal Blue's plot stands alone. The plot of the first son of the president of the United States falling in love with a prince from Britain is an independent storyline.

With Alex and Henry, they're rivals-to-friends-to-lovers, so there is so much to say and show with so little time. It's not like two best friends realizing they're in love; their bond has been on screen the entire time already, it just changes into something more. It's not like a meet-cute where they go on one date and fall madly in love in minutes. Alex and Henry have to dislike each other, then build an understanding that they can like each other, then further that understanding into loving each other.

That takes time! Think about how many pages of emails are in the book! Those are there to show the reader the progress being made between them, and there's a lot of them, probably canonically more than the ones we get to read. A movie can't spend half its runtime narrating emails, it does not have time for that.

Believe me, someone adapting a piece of media that they love, as much as Matthew has said he loves the book, does not take pleasure in removing things. You find interviews he has done where he's talked about it, and admitted to having to be very ruthless when it came to cutting things. We know that the original cut was three hours long! He did not set out to hurt your feelings by removing and changing things.

Part Five: Miguel & The Waterloo Letters

Aside from the obvious removals, I think the biggest change in the movie is presence of Miguel. I've seen a lot of people already unsure or hateful of his character, though he did not bother me that much because I see what he's there for.

Miguel is a combination of Liam's character and Luna's/Richards' plot line.

Liam is obviously in the book as part of Alex's realization that he's not straight. He's the "I've played around with the idea" character. They have that phone call about their past "relationship" and he's done. Other than that, he's a cameo role that shows up like two times.

Miguel flirts with Alex and he gets a bit embarrassed/flustered because we learn that they had a make-out session while naked in a hot tub. Alex does not flirt back with Miguel; if anything, he ignores the insinuations that he's clearly making. He actively refuses to acknowledge their hook up when talking to him. He's not looking for a relationship with him, despite being aware that Miguel definitely wants to hook up with him. This is a symptom and storytelling method of giving off the impression that he's not really sure about his sexuality. He's not in complete denial, but clearly not super confident in himself to even acknowledge Miguel's attempts at flirting with him. It can be swept under the rug or brushed off. He only acknowledges Miguel's attempts to hook up again after he's slept with Henry, after he's become more comfortable and confident in his bisexuality.

Miguel is also a substitute for the Richards plot line, specifically the exposing Alex part. He's not the same as Luna by any means, but he was someone Alex was friendly with that turned around and stabbed him in the back, which is what he believes Luna to have done for most of the book. Miguel is clearly the one who got ahold of the emails and leaked them, filling in for the role Richards' campaign has. He's the one who has his team stalk Alex to expose him. Again, Miguel is not Richards by any means. He does not actively stalk Alex, but he fills in the role of the person behind the leak for nefarious reasons. Richards wants to expose him to win the election. Miguel wants to expose him for his journalism and because he feels personally slighted by him. It's not the same, but it works. They're both self-serving reasons for why the emails got leaked.

Part Six: Keeping It Light

I've definitely seen some people upset that the leak wasn't played as big of a deal as it was in the book. I think this change is tied to the role of Miguel filling in for Richards, and I believe it's intentionally not as intense as the book.

They have made it clear that the movie's goal is lift people's spirits, to give them hope and courage for the future, to make them feel seen, and bring joy.

The side plot of Ellen's competitor legitimately stalking her son and setting him up is fucking horrible to say in the least. That part of the book is the heaviest of the despair and public humiliation that hits them.

While it's important to the plot that the emails get leaked, I think Matthew made a point of skipping around it a little because it would've brought the entire tone of the movie down to a truly depressing state. It's heartbreaking to read, and probably would've been absolutely devastating to watch, and while there's angst, Alex and Henry's story is meant to be a happy one, an inspiring one. They would not have had the time to properly engage with that level of angst and then get out of it without the viewer getting whiplash.

I think that's probably also why the conversation with the king was far shorter than the conversation with the queen in the book. With the goal being to make people happy, spending too long on the seriously negative parts of the narrative would have been problematic and counterproductive. Like I said in part two of this essay, Casey had all the time in the world to set that up and drop that bomb on the reader, and then all the time in the world to get Alex and Henry to climb out of the hole they'd fallen into.

The movie doesn't remove all the angst and heartbreak, but it does its best not to pull the viewer out of the fantasy. When something on screen hits too close to reality, when it's not supposed to, it can ruin the movie experience.

I just watched Indiana Jones: The Last Crusade the other day, and legitimately had myself yanked painfully back into reality with the Nazi scenes, specifically the book burning one. That movie takes place in the past, the idea being that things aren't like that anymore, but with the way things have been going in America, and specifically in the state of Florida, where I live, it was too much. It used to be ridiculous to watch historical fiction where Nazi's hung swastikas everywhere and burned books, but now I see pictures of modern day swastikas being worn and flown and it crushed me. I couldn't enjoy the rest of the movie, despite it obviously being a piece of action/historical fiction about the Holy Grail, not actually about WWII.

I think it's also why they removed the Luna and Richards plotline, because an older Republican politician using their position to take advantage of young girls and boys is very, very dark. It's too close to what we hear coming out of the news every day.

I can also see this being the reason they decided to keep Ellen and Oscar together in this version. The book has the time to go into how their divorce both negatively and positively effected their family dynamic.

I saw someone complaining that Oscar talking about his and Ellen's relationship being a risk didn't work because they were still together, and the conversation in the book is to make Alex realize that it's worth it even if it doesn't work.

Yes, that's the point in the book. That is not the goal in the movie.

Again, they wanted this to be a fantasy romance that uplifted everyone. Approaching that decision with the more pessimistic idea that they probably wouldn't work paints a different mood than the hope his parents being together gives Alex for him and Henry. These are two entirely different approaches! It's intentional!

If Red, White, & Royal Blue had done more with those parts of the book, it very likely would have pulled the viewer out of the immersion and remind them of the depressing realities of real life, which is not the goal.

Part Seven: Intimacy

I was absolutely blown away by the intimate scenes in this movie. I'm demisexual, on the the ace-spectrum, and I am not personally a fan of sexual content in film. This is mostly because it's usually poorly executed, unnecessary, or over-the-top. It pops up in places it doesn't need to be, and makes me roll my eyes or get pissed off.

Part of this frustration undoubtedly comes from my bias as part of the queer community, and I'm willing to admit that. I've developed a slight bitterness towards most portrayals of straight couples in media from it being shoved down my throat my entire life.

It was new for me to see intimate scenes with a queer couple, or rather a gay couple specifically. I have encountered lesbian sex scenes, like in Wynonna Earp. However, I had never seen two men together. I think the reason for this difference is fairly obvious, as it's been widely known for some time that lesbians are very often fetishized by straight men, who are unfortunately the majority of higherups in Hollywood. It is far more likely to have a straight executive sign off on a lesbian sex scene than a gay one, because to them, women together is "fun", while men together is considered "uncomfortable".

This is not to say that gay men aren't fetishized, because they unfortunately are too, but only to point out the disproportionate amount of lesbian intimacy vs gay intimacy in film.

The point being that I had never seen two men be intimate with each other on screen. I was nervous going in because of my issues with most sex scenes, but there was something magical about how they handled them in this movie.

Like I said, I hate when sex scenes are tossed in for no reason, but in the case of Alex and Henry, it is a core part of their relationship and its development. It was the first time I watched a sex scene start without going "here we go with the sex" with a sigh. Their sexual dynamic is part of their dynamic as a whole, that is a key element in becoming closer and understanding each other more.

The thing is, I say all that knowing that there is still a lot of "gays being horny" moments in the book, some of which making it into the movie. What was wonderfully done about that though was that the fast and aggressive encounters were limited. They didn't show any further than making out and the motion of taking off pants. All of those horny moments were handled perfectly to provide the right amount of comedy and yes, sexiness, without shoving it down our throat (pun not intended).

I personally don't need to see a guy giving another guy a blowjob in a romantic comedy film! Ace-spectrum or not, if I wanted to see that, I'd go to a porn website like everyone else. Romance and pornography are not the same thing! Having them go far enough for the viewer to know what they were doing without showing it was perfect.

That brings me to the sex scene. Yes, the work of art that is their first time in Paris.

I said before that a lot of sex scenes make me annoyed or roll my eyes, because most of them are just thrown in for the sake of playing to their audience. In this case, this scene was not for the audience.

I've seen several people say this, and I have to agree, that watching that scene feels like you're intruding on something very personal and it is the truest example of intimacy I've ever seen. It's the most graphic scene in the film, yet it does not show the graphic parts, if that makes sense. Yes, they're naked, and you know what they're doing, but they don't film them in a way that made me uncomfortable, aside from feeling a bit bashful because, I mean, have you watched the scene?

There's no showing of their genitals or private areas at all. It's almost entirely focused on their faces, and the few cuts to their bodies only include Henry's hand on Alex's back and shoulder, in his hair, and the two of them holding hands. This is because they're not just "having sex", but as Henry put it "making love". Yes, that's a bit of an old fashioned way to put it, but it makes far more sense than simply saying it's a sex scene.

It's not just "two characters have sex whoo!". They're not crazily fucking like porn stars. They're clearly going slow and cherishing each other. It's almost impossible to put into words how intimate the scene feels and how not like a sex scene it feels despite being one. There's only some soft instrumental as the background as well, not some pornographic moaning and whatnot that you might find in other movies or shows.

This is all coming from a demisexual who has no interest in sex and gets genuinely annoyed with how often it comes up in film. That is how different this scene was. Their intimacy coordinator, Robbie Taylor Hunt, deserves a huge bonus.

Part Eight: Taylor & Nicholas

I mentioned this in a post before the movie came out, but I'll gladly say it again now that I've seen it. I've never seen a couple on film convince me so entirely that they were two real people in love, and not just fictional characters. It's astonishing to me, and I cannot put the feeling into words. I've seen couples in real life that look less in love than they do.

Both of them deserve awards for their performances in this film. Their chemistry on screen together is indescribable. They are amazing in every way. Both of them nailed their characterizations and nailed their dynamic together.

I had never seen either of them before this, and I can say that I desperately hope they are given the opportunity to be in another project together after this. I've been reading the interviews that were conducted prior to the strike and my respect for the two of them is immeasurable. They are both incredible actors and they did not take the responsibility of the representation lightly, and you can tell. You can tell through how electrifying the two of them are in every scene they share and in their individual moments of standing up for themselves.

Alex's speech about the queer community was beautifully written, but Taylor's execution is what drove it home. The energy he put into Alex on a whole truly brought him to life. Nicholas is one of the most expressive actors I've ever seen. His facial expressions spoke so much with no words in the way Henry has to because he's not allowed to share his thoughts.

I have so much respect and admiration for them, and I hope that even though they can't say much at the moment, they can at least see the impact they've had after just the first day of it being available.

Part Nine: Queer Identity

"The conformity of the closet cannot be answered with the forced conformity in coming out of it." - Alex Claremont-Diaz

I have never heard such a beautiful sentence regarding coming out. It could not be more perfect, especially considering how people immediately started assuming that Taylor and Nicholas are straight men playing queer roles.

As far as I know of, neither of them have publicly discussed their identities, and they do not have to. That does not give anyone the right to assume they're straight. If they are, I see that only as another testament of their skill and talent as actors. If they aren't, then they aren't and maybe they used their own personal experiences as part of their performances. Either way, they don't have to tell us. They have a right not to.

Nicholas obviously did a fucking phenomenal job with Henry and was amazing in portraying how that lifestyle can effect someone like him. He was truly heartbreaking to watch in his sad scenes.

The multiple lines where Alex discusses being bisexual are fantastic. The B is not silent! Having his bisexuality continuously reenforced to the audience was a great call, and they did it without being obvious about it. It's not like he's saying it every five minutes, but he doesn't just say "I like both" and never mention it again. He specifically uses the label bisexual when speaking to Henry and telling his mom. It's important for people to hear that word and be unable to ignore it.

Even though Alex had less of a crisis about being bisexual than in the book, there was still an arc to his confidence in his label. You can feel the uncertainty early on through Taylor's performance. Alex pretends to be suave and confident, but as soon as he goes to tell Henry his label, it takes him a second to say it. Then in Paris before their first time, he admits he's never had sex with another man before, and is clearly nervous. Taylor nailed those moments where Alex's confidence cracks. And you can see Alex become more comfortable with the label as the movie continues. When his mother asks, he's laughing and simply says "I'm bi" without any preamble, unlike when he needed a minute to breathe before saying it to Henry.

Speaking of his mother, although they didn't have the time to do the PowerPoint presentation, they still made sure to have Ellen not just be accepting, but supportive too. She doesn't just say "okay, that's cool", but takes it seriously as a part of her son's life. As embarrassing as it is to have your mom talk sex with you, it shows how she was immediately prepared to help him feel safe and healthy while being in a relationship with a man. She did not tiptoe around it or shy away from it. That is not just acceptance, that is support. That is important.

This movie is important in so many ways. It is honestly still hard to believe it exists.

Part Ten: Pacing

The film moves fast, but this is because the book also moves fast, but the film has way less time to get the same point across. I may be in the minority, but after I disconnected the book from the movie, I didn't feel like it was rushed.

Here's the thing, a lot of movies have a nasty habit of being stuffed with filler. There's so much unnecessary stuff that's put into films to pad the runtime, make it longer. Most people don't really think about it, but it's actually super common, and annoying for those who notice.

Red, White, & Royal Blue does not move too fast. It simply does not waste time.

The minimum runtime to be considered a feature length film in the US is 60+ minutes, but a lot of movies nowadays try to get closer to 120+ minutes, which is a big difference. Consider the original Avengers film, 143 minutes, which is a lot, and then we got Avengers: Endgame which was 183 minutes.

For some perspective, The Lord of the Rings: The Two Towers released to theaters with a 179 minute-long runtime, but the extended edition runtime is 235 minutes. The Lord of the Rings films are notorious for their extended versions and the fact that they are extraordinarily long. Almost everyone who watches the extended edition trilogy spreads it out over several days, if not a week because it is too much to watch in one sitting unless you have the entire day free.

These massive numbers come from the fact that they have a lot to show, most of which is vital to the plot. Too many movies now add unnecessary content to make their runtime longer.

There is not a single scene in Red, White, & Royal Blue is meaningless. Even the fun montage scenes like those at the lake house are there to communicate the development of their relationship, and how far they've come.

While we can see their love showing up early on, obviously they lead with friends-with-benefits relationship that makes for most of their physically shared time being sex centered. The lake house shows them genuinely enjoying being around each other outside of that context, like reading together on a hammock or Henry doing drunk karaoke. Their small conversations are picked carefully to showcase their banter, then their growing connection.

The story is about them, and therefore, there's no point in taking a winding sidetrack to go into the details of Alex's college classes or the campaign progress. That's all great for the book, but in the movie, they don't need to do that, and the decision not to was the right one. It only would've taken the focus off of them.

They have a lot to do with just them. There's no reason to drag their feet around, so they don't! There's no point in spending fifteen-twenty minutes to show something they can accomplish in five. There's no point in dragging out the passage of time.

The fast pace only doesn't work if their progression as a couple isn't believable, and we've already established that their progress as a couple is perfectly balanced.

That's my take on the pacing, that it's not rushed. I prefer them just going, not wasting any time. That's the other part that makes the cuts not bother me.

As much as I love so many scenes that didn't make it, they didn't need to be there for the story to progress as it needed to. Trying to cram more in would've only made it hard to keep up with. That would've made it rushed. The way it is is fine.

Part Eleven: Texts VS Emails

I saw some complaints that they didn't continue the way they did the text messages with the way they did the emails, and I have to say, I disagree that they should've.

The texts are conversational and work really well to have pop up graphics and edits, but those emails are letters. They are a lot more serious, and using purely voiceover is far less distracting. You can focus purely on what they're saying and the inflection of their voices. It also gave them a chance to show the progress of time through Alex's campaign work.

Most of their emails are exchanged over a period of time where nothing particularly interesting is happening. They are the interesting thing. Alex is busy with college and Henry's just doing his royal duties. That doesn't make for the most entertaining action on screen.

Alex's devotion to Texas in the book is his binder. It works really well in the book because we can hear Alex's thoughts, considering there's not much actually said about the binder. He has that confrontation with that guy in the White House, but the binder is his private, secret project. Hearing his thoughts and feelings directly works better than how it would've played out if they did the same thing in the movie. It would've been some shots of him with it, foreshadowing and hinting at it, but its true importance would've been lost on those who haven't read the book.

Instead, they were direct about it. He tries to get his strategy implemented from the beginning, while in the book, it's a secret plan that he doesn't intend to share yet. Instead of the argument with that coworker, he has the argument with his mother, which hits the beats of his desires for Texas. He wants to go out there and make them feel heard and reach out to the younger population, and that's exactly what he tells his mother in that argument.

Having him working on the campaign during that stretch of time between Paris and the lake house accomplished what all those thoughts and emails and Luna's role did in establishing what politics means to Alex, what Texas means to Alex.

Being able to watch him working while hearing him and Henry write to each other through the emails was a perfect blending of two parts of the book.

And again, their phrasing in the emails is very different from the texts. The pop-ups would've felt a bit odd. In the texts where they do that, they're bantering back and forth, sending the articles, and sharing interests, but in those emails, Alex is talking about the pressure he's under to succeed and Henry is talking about how inspiring he is. It's better to keep the audience focused in on them rather than the fun graphics and whatnot.

Part Twelve: Alex's Speech

I've been seeing some people upset about the changes to Alex's speech, and I have to say that I feel like they're overreacting. What he said in the movie was so, so important, and for the people who are freaking out like "he wouldn't confirm their relationship without talking to Henry first", do you not realize that people can have an unspoken understanding?

We don't get the same conversations, but Henry is obviously scared about going public, but he never gives off the impression that he doesn't want to, or that he wants to lie about it. There's also the undeniable fact that they had conversations we did not get to see, book based or not.

You think they didn't say anything else to each other the rest of the night after the V&A visit? You think we got all the emails they shared over the year they were seeing each other?

This is one of those moments where I'm like, "get over yourself" to those people. Who do you think knows Henry better? You, or the actual character he's in a relationship with?

Part Thirteen: Important Messages

Another thing I've been seeing driving me up the wall is people complaining about some of the messages from the book not being in the movie, and again, I have to say, do you not understand what an adaptation is?

The message of this movie is the primary message of the book. That love should not have to be justified to others.

That's essentially what Henry says to the king near the end. He directly questions him about maintaining a traditional royal image, and puts the king in the position of having to admit his discriminatory views. The king had been skirting around it, saying things like "your love is genuine" and whatnot, but still forcing them to lie and hide, which Henry puts his foot down to. He doesn't let him get away with dancing around it.

Henry's line of being who he is and not who they want him to be is powerful and potent. He refuses to keep justifying who he is. Philip refers to their love as a mad infatuation, and Henry shuts him down. He and Alex are in love with each other, and he is not going to pretend otherwise even though he's scared.

That is the core message, that love is love, and love wins.

The other messages are still in the book. They haven't gone anywhere. They simply did not fit into the movie format, but that does not mean they're not going to be heard. The opening credits tells you right off the bat that this is based on a novel, and those who enjoy the movie are likely to go read it afterwards if they hadn't previously.

Trying to cram too many themes and messages into one movie can destroy the impact of all of them. Sometimes it's better to focus on nailing one major theme and making sure that it hits powerfully than bouncing all over the place in an attempt say as much as possible. Messages that are alluded to or mentioned, but never followed through on harm the movie more than their inclusion helps it. It makes them feel hollow, like they're just there to be like "see? we're talking about this important stuff, give us credit".

I feel like people deep down know that, that if they had tried to fit everything they would've disliked it for a whole different reason, but they're still so determined to be cynical and negative that they can't acknowledge what the film did say.

Part Fourteen: Final Thoughts & Cake

Congratulations if you've read this far! I did not expect this essay to be as long as it was, but everything I wanted to say needed more explanation, which led to more branch offs, and that's why I ended up sectioning it.

I can safely say that I absolutely adore this movie. I am going to be watching it on loop for the next couple days since I have the house to myself for the weekend.

This movie is definitely its own entity. It is unique from the book, and should not be judged by how "accurate" it is. It's a different telling of the story, and a fantastic one. It deserves to be appreciated, and gushed about.

If anyone tries to bring you down with their negativity towards this film, ignore them. I don't mean people who are politely providing valid criticism. I mean those people who have been basing their opinions entirely on how the movie compares to the book, and deciding that any changes made automatically makes it inferior. The people who are ignoring all of the fantastic aspects of the movie because they're so wrapped up in their own head.

I'm finishing this off with that reminder, that the movie is not trying to be the book. Please keep that in your mind when you watch it. For those who may have felt a similar feeling of unsatisfaction after watching it for the first time, rewatching with this as your focus may allow you to find what you were missing from the experience before.

To put it into a simple metaphor, Red, White, & Royal Blue is a cake. Yes, I'm aware of the irony, but it works very well here.

Let's say that the base story of Red, White, & Royal Blue is a chocolate cake.

The book can be a chocolate cake, with buttercream between the layers, pink icing, and sprinkles. The movie can be a chocolate cake with chocolate mousse between the layers, blue icing, and flowers.

They are both chocolate cakes. They are the same and different at the same time. Most people are going to have a preference, but that does not mean you can't enjoy both.

You have two chocolate cakes! It's a win-win!

And to the people who are simply trashing this movie, I'd like to stop and ask you something. How is it that the original author, and creator of these characters and story, approves and loves this adaptation, but you can't?

I'm an author myself, and I'm fiercely protective over my characters and ideas, and immediately get my claws out when someone suggests a major change I disagree with or a false interpretation of it.

Casey themselves has said basically the same thing I did at the start of this when I explained that the movie exists separately to the book, and they love it. If the original creator loves it, sorry, but I really don't give a damn what you have to say about its "accuracy".

To everyone else, remember to try and not let people's negativity influence you too much. If you love the movie, you don't need to justify it. You're allowed to.

Thank you for reading this. Seriously, fucking congrats if you made it this far. I'm expecting this to get like no notes and still spent an entire day writing this lmfao

Update: If you enjoyed this essay & would like to support me, you can give me a tip on my Ko-Fi! ☺️

[thebroccolination]

Is it bad to ship couples irl?! As I reallly ship boun and prem even though they’re most likely not together but the things they do for each other is perfect!!

Hi, Anon! You're gonna get a long answer to this, because I think the subject of shipping real people is one that deserves more nuance than just "it's bad" or "it's fine"! This is something I've wanted to write about for a long time, so I apologize for using your ask as a jumping-off point!

So, okay, I think there are two main conversations to have: 1) whether shipping real people itself is moral, and 2) how one should publicly conduct oneself when engaging in shipping culture in Thai fandom.

Is It Moral?

I think the most important thing to consider when shipping real people is what those people themselves feel about it. If they've expressed or showed discomfort with being shipped, then at that point, I'd scale back completely. Part of the fun of shipping for most people is the "oooh" mystery factor, and if someone straight-up goes, "Knowing that people are envisioning me engaging romantically with another person makes my skin crawl," then I simply wouldn't enjoy it anymore. Shipping people who don't want to be shipped just isn't my thing.

Now, if they seem cool with it, then the five main things I'd consider are: how old they are, how experienced they are in their industry, whether their place of work (agency/studio/etc.) has a history of exploiting its artists, whether one person looks less comfortable than the other, and whether or not they seem to fully understand and consent to the implications of shipping culture.

For BounPrem specifically, they're both in their mid-late twenties. They've been in the industry for over five years at this point, so they're adults who are well-versed in the industry and know full well what shipping culture is and its implications. They're also both regularly and demonstrably comfortable with fans shipping them. (For example: Prem in this entire video, Boun asking fans to write BounPrem fic for Valentine's Day, taking part in the joke about people "asking for" Prem, etc.)

On the structural side of things, Prem left his agency last autumn (on amicable terms) and has been independent since, so he's very much operating on his own terms right now. Boun is under Wabi Sabi, which is a small agency whose CEO, New Siwaj, is openly queer and fiercely protective of his artists' boundaries and reputations. New has gone on record multiple times saying he doesn't require or prod anyone working for him to do fanservice if they don't want to. New has also hired legal representation to combat the consistent homophobic hate speech against his artists (including Boun, who is far and away their artist with the largest following). New and his company have repeatedly proved they prioritize and respect their artists.

However! BounPrem do have boundaries, and they've been clear about them. When asked if they're dating, their most common answer is that if they do date, they'll neither confirm nor deny. ("We won't make it public, but we won't hide it either.") They're not the only ones to say this, and I think it's the smart route to take as far as marketing and protecting their privacy if they ever do date.

Certain interviewers seem to have crossed BounPrem's boundaries in the past, and fans have teased Boun for being possessive or jealous because he won't let anyone touch Prem. However, and this is purely speculation on my part, Boun recently commented that Prem hasn't always spoken up when he encounters problems, so he's been taken advantage of, so I think Boun has often taken it upon himself to stand up for Prem. Especially if he senses that someone is using Prem's quiet nature to their benefit and touching him in a way he knows Prem wouldn't consent to.

Essentially, Prem might not say something, but Boun absolutely will. He has a sharp tongue when he needs to use it, and he's not shy about reasserting boundaries where he himself or Prem is involved.

All that aside, we're human, and humans are curious. People like love, and they like people they care about to find love. So, y'know, shipping culture, when done respectfully, can be fun and doesn't have to be invasive.

Okay, So How to Not Be Invasive About It?

I'm not actually very useful here because I prefer to employ generous use of the fourth wall. It's just more fun for me to enjoy shipping among friends, so I don't really engage publicly.

However! For conduct in Thai BL fandom, I'd defer to the advice of Southeast Asian fans. It's their fandom, and shipping is part of their fandom culture. From what I've seen and heard, shipping is meant to be lighthearted fun, and using the worst examples of stalking and poor behavior isn't especially cool of anyone. Basically, Western fans swinging in on an Indiana Jones rope to lecture Asian fans for engaging in shipping culture are disrespecting a fandom in which they're guests and detracting from the overall experience for others.

Now, of course, if one's brand of shipping involves digging into the artists' personal lives, stalking their families or loved ones, feeling entitled in any way to literally anything other than what they're freely offering up, making the pair such a part of your personality that finding out one of them is dating someone else or just flat-out uninterested in their partner will ruin your mental health, then that's a hard no. In those cases, I'd sincerely examine what Missing Aspect of one's life shipping has become a toxic substitute for. There's absolutely no shame in self-reflection, mitigating the harm that can be mitigated, and moving forward with more respect.

So, like:

• "o no, @.bb0un hasn't seen @.prem_space in two hours, someone better send him photos to remind him what prem looks like" O

(Obvious teasing tones are common both among fans and the artists themselves. BounPrem are famous for being ridiculous, so it fits the mood they themselves have established.)

• "Giant*, do you miss your parents? #bb0un #prem_space #bounprem" O *Boun's dog

(Again, BounPrem themselves have played into the co-parenting-our-pets thing, so playing along is fine.)

• "@.bb0un @.prem_space are you gay" X

(Asking anyone their sexuality is not okay, not even when they're famous. It's none of your business, full stop. Don't. Do not. Stop. Desist.)

• "i spotted bounprem together outside work in their private time and took this very creepy video of them from underneath a parked car using a telescope lens that i bought specifically for my recreational stalking hobby dm me for higher resolution videos!" X

(I feel like I could have made this a little heavier-handed for fun but you get the gist.)

In conclusion, it's my firm belief that if shipping hurts any real people, not just the pair at the center, then it's an immediate cease and desist for me. But if it's mutual and respectful fun in which everyone knows it's nothing more than a wink-wink game to spice up promotional activities, go (reasonably) wild (within reason)!

Whether BounPrem are actually dating is their business, but they've regularly and enthusiastically embraced shipping culture done on their own terms, so as long as people keep it light and fun and respect their privacy and the privacy of their loved ones, I think you're good!

Have (respectful) fun!

(I just like this photo of them. They got matching Pride nails last year! They're Very Good and regularly politically active in protecting and promoting the rights of queer people. Deep respect. <3)

[waybeforeyourtime]

i agree with much of what u said that people need to have boundaries etc but comparing a legitimate stalker who is a very extreme case that required police involvement to fans saying that a celebrity gives them a reason to stay alive is honestly pretty messed up. I get ur point that it may be a lot of pressure to SOME celebrities But other celebrities have shared that it makes everything they do worth it to know that it gives someone hope and something to look forward to in a really dark world. Especially for queer youth many of which really struggle with their mental health the portrayal in young royals and also omar and edvin being vocal in their support really does mean a lot to them as it does to many of us who are not even teens anymore. So your judgement and telling people to seek mental help is honestly quite insensitive. I do agree with you about people harassing celebrities and not respecting celebrities but you also made a lot of assumptions and a lot of judgements toward people who are really struggling linking them to someone committing multiple crimes that is a bit unfair. I wasnt going to say anything but it has really been bothering me as someone who works with queer youth.

I didn't compare what happened to Bradley. I used that as a jumping-off point to explain why you shouldn't judge anyone for stepping away from socmed.

Read it again.

And you contradicted yourself. You say these fans who have unhealthy parasocial relationships with these actors have mental health issues and then say I'm insensitive for saying they need to seek mental health help.

"I wasnt going to say anything but it has really been bothering me as someone who works with queer youth."

Listen, credentials on the internet mean zero. You could be lying. So.... and I was a queer youth. I also worked with queer youths. And, imo, they need to start hearing these things from adults. They're isolating themselves in echo chambers of online fandom culture, and they are being raised to believe they can dump all of their problems on another unwilling person.

They can 100% love their fav, bestie, mother, father, or whatever they want to call people. But they have to learn to understand that the relationship is one-sided. That their fav owes them nothing. That their fav exists as a human being outside of being their fav.

"I get ur point that it may be a lot of pressure to SOME celebrities But other celebrities have shared that it makes everything they do worth it to know that it gives someone hope and something to look forward to in a really dark world."

Yes I'm sure being asked 'what size is your penis' really gives someone hope in a dark world. Or being harrassed to come out publically. Or having your bf receive threats online. Or having fans invade a restaurant that you're at with friends. Or having a fan from another country happen to just show up at your local market.

That's just some of what has happened in YR. If a fan isn't part of harassing people online or making them feel uncomfortable*, then my post wasn't about them. And, if they are, then I stand by my statement that they need to look at their behaviors online.

* Edvin asked people not to comment about his physical appearance, and it never stopped. If you think the people talking about that toxic behavior are the problem, then you are part of the problem.

Also, those SOME celebrities who say they really enjoy socmed will usually always add something like, "the majority of fans are cool BUT..." And I could give you several examples of those who have said that and then eventually went off socmed, driven off by fans.