#i think maybe it is real

[wen-kexing-apologist]

Eighth Sense Ep 2 Rewatch

Ok, listen. Am I watching this show and playing video games at the same time? Yes. Does that mean I am missing a lot? Yes.

But! The facial blurs when it comes to JaeWon seem very intentional and is especially evident when they are in the water:

Now, okay, there is 200% room for argument here that all the blurriness is because the cameraman is most likely filming in the water with a go-pro and has little to no control over the video quality. And that is totally something that can be true. And that is also totally something that would disguise any intentional, purposeful point of the blurriness in this moment.

And there is something else I noticed, the colors in this scene. Thanks, as always to @respectthepetty for turning me into a color monster.

The way the light refracts off of JiHyun's wetsuit makes the colors seem distorted.

Camera issue? Sure! But could it be another indication of JaeWon's altered mental status? Why the fuck not! I mean, we don't know how his brother died yet. Personally, my theory is that he drowned. Because so much of this show is water centric, because of the fish tank and the fact that our title card for Episode 2 is literally JaeWon surrounded by a fish tank as if he is under water.

I think it would be extra super spicy sad if it was when JaeWon was teaching his brother to surf. Just for the ~trauma~, and cause if that is true, then the blurriness and the distorted colors here once again is intentional, and is brilliantly capable of being written off by the audience as just difficult filming conditions.

So again, if that is the case, the blurriness is the altered mental status. And we can take that however we want, medically induced alteration, cognitive dissonance, anxiety, dissociation, all of them.

If the water killed JaeWon's brother, then being in the water would make him feel close to his brother and also be a great punishment for JaeWon. If his brother died learning to surf, then to teach a person the same age as his brother would have been would remind him of all that he had lost but give him that moment of soft remembrance to the person he loved most in the world.

And GOD we see this blurriness, much less obviously, but very rapidly cutting back and forth in the shower scene in Episode 3.

Out of focus

In focus.

Back and forth and back and forth every couple seconds like the camera isn't quite able to stick on his face. JaeWon wants to be present in this moment, JaeWon is fighting to remain in his body, tied to his emotions, tied to this person, so he is slipping in and out of focus because he's trying to fight the numbness and the brain fog.

And again, you cannot tell me this man is not dissociating. I'm sorry but those are some dead fucking eyes. This man is shut down, this man is not present in this conversation with his ex. Why would he be? Why would he try to be? He has no reason to fight the numbness he feels.

And we're back on the color train for JaeWon with JiHyun, with this soft pink light around his head when he joins JiHyun on the beach for their late night kiss conversation about fear.

Methinks JaeWon fears feeling anything, hence the hint towards drug dependence in Episode 6. I think it is so much easier for him to just be numb to the world so he doesn't have to feel the pain of the loss he suffered.

Anyway, the more I watch this show through the lens of mental illness, the more the camerawork is standing out to me with how and when they blur faces, and how it really only is JaeWon whose face is blurred when he's supposed to be in frame. Obviously there are instances where character's faces are going to be blurred because they are in the foreground or background, or they are not the focal point of the conversation. But JaeWon goes blurry far more often than anyone else does.

[chloesimaginationthings]

Can’t spell “Five nights at Freddy’s” without GAY

(Based off @/flashcs5 post)

[bacchuschucklefuck]

no more fan-ta-sizing about it! everything's already changed~

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[crystalliumdaisy]

a real winner?

[noodles-and-tea]

i had an idea but idk its a little out there. dipper is smart, but i was like him once and i think he’d get burnt out fast. mabel has been shown to be smarter than she lets on, as well as curious and interested in the strange and unusual.

relativity falls where mabel fell into the portal and dipper had to clean up and run the shack. mabel would adventure around space & time, surprisingly making lots of friends. theres a little short comic about how mabel went to the mabel dimension and allied with them to defeat evil mabel, so i think she’d be really good at making allies wherever she goes. also i’d really like to see mabel jumping over some frog dude as she runs from the time police.

dipper would be stuck at home, trying so hard to bring her back, while running the mystery shack, trying to balance all of these things and it overwhelms him to the point where he becomes a shut in, and nearly like a cryptid or urban legend he’d read about.

also your art is so gorgeous and cozy!!! i love it so much :D

IM SORRY I DIDNT DRAW MABEL JUMOUNG OVER A FROG DUDE

[dieinct]

i was just talking about this after being wrecked by the discovery that the little elf-goblin fellows my parents/family used to tell me warnings and stories about as a little kid are regionally specific, and that you can trace people's geographic origins by what word they use for "little spirit-fellows who live in your house". no matter what you call them (domovoi, kobolde, brownies, so on); for purposes of this post henceforth "little guys"

i think one of the things that i find frustrating about like, idk, modern animist revivalist movements is that very few of them ime spend a lot of time romanticising and spiritualizing human habitation. obviously, we as a culture need to think more about protecting and defending nature/the earth/so on, but like.

if you don't have room in your heart for making up a little guy who lives in the water heater, or who squats under your stove and makes it run 15 degrees off the programmed temperature, and thinking of him with the same kind of respect/affection as you do for the spirits (or whatever) of the wildlife you interact with like.

genuinely: what are you even doing. you are removing a source of richness and fun and whimsy from your life! like, pip @creekfiend made up the concept of "little guys who live in an airport (and are the reason it's so shitty to be in an airport)" and i already like airports like 30% more just knowing it's the little airport inconvenience guys doing that.

more importantly, like. genuinely: interrogate what parts of the world seem ~rich with spiritual meaning~ to you. what parts of the world are "wild"? what does that make the rest of the world - a chore? a burden? who has to carry that burden?

we're never going to like, "return to nature", because that's nothing and the concept of untouched nature is also nothing; we're always going to have some sort of human habitation and interaction and cultivation with nature. if you can't extend grace and whimsy and genuine and sincere meaning to human habitation, including its inconveniences and annoyances, you are making your own lived experience duller!

notably, most of these kinds of little-guy-spirits historically exist in the parts of human habitation that are partially abandoned, partially removed: haylofts, inside the walls, under the house, in the bathhouse, behind the furnace... i've been thinking a lot about urban wildlife lately, and the animals who make space for themselves in and around human habitation. the "natural" and the "wild" persist inside and around the edges of the "tame" and always, always have. if you have a crawlspace, there's a little spirit who lives there and he's the reason the dryer always eats your socks.

LIVE WHIMSICALLY.

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[beybuniki]

AU where Deku stays quirkless and he enrolls in UA's support department, he and bakugo befriend each other because they take the same train to school & Deku approaches him because they're both batfam fans :) they bond over common interest which also inspires them to work togetherrrrrr

[tawnysoup]

A new critter!!! I have finally figured out what the Bonster looks like.

They're some kind of frog creature with horns and tusks... or is it fluff?! Hard to tell. Their hat is really a big tail they can cook things in and also WHAP against the ground when they're mad!!!

They're slightly smaller than the other critters. Here's a Fritter for scale:

[reichurine]

bodyswap au but a bit of a sad take oops, pt3

pt2 here

[chloesimaginationthings]

Michael Afton draws FNAF tape girl for Vanessa,,

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[cozylittleartblog]

50+ deaths at 5 am got me yelling absolute nonsense to the bosses kicking my whole entire ass

[noodles-and-tea]

If you don't mind me asking, how long have you been drawing? Btw love your work

It’d probably be around 10/15 years now, though, realistically I’ve been drawing for all 22 years of my life, but I guess I started taking it like more “seriously” when I was like 8ish and really into pokemon. Fun fact: gravity falls was what got me really interested in animation! Here’s a redraw of an old thing I drew too :)