#i think it went ok? who the fuck knows at this point

[corseque]

I honestly just wanted one single plot step that I could not predict given the 10 year wait. More behind the cut, I talk about Emet too, and I'm comparing his writing favorably to Solas' writing and why it worked better for me personally, but I am just talking about the writing skill that went into the games and not the dudes themselves, I love them both dearly of course. idk this is a mess and I am not going to edit it for clarity

For me, the game was a series of me saying

"ok I knew that. cool."

"oh yeah, I knew that. I guess it's good that the larger fandom knows about that now."

"nice, but yeah I already knew that too"

"that was something we've been talking about a lot for years"

"this thing they are acting like is a huge enormous reveal that the characters could not possibly have deduced through simply thinking about it in depth over the 10 years... the fans easily figured out by thinking about it in depth 10 years ago. So you would think his girlfriend would be able to figure it out more easily than we did. Like, why couldn't the game have been like 'oh lavellan already figured that out a while ago' it would have cost them nothing"

"this is something I've been thinking about for years, and now that it's being revealed, the companions' reactions to it are very irritating and jarring and unnecessary and I really dislike the experience I'm having right now, in this, the hour of my greatest triumph"

"this thing that is happening on my screen right now is something that I wrote an essay about 2 years ago describing how it would be a letdown if it happened without the correct setup"

"this way that they're characterizing Solas makes him less likable and less interesting than I have been finding him for all these years, and I have had people tell me 'no, he's simpler than you think' for years but I guess I was wrong, he really is simpler than I thought, so that fucking sucks. I wish I could take that information out of my brain."

"this thing is a retcon of information I have been thinking about for 10 years, and so I don't know how to follow along with this new direction, and I'm not sure if I even want to because it's not particularly interesting anyway"

"aw that was sweet"

"why is it like, so very impossible to have an honest back-and-forth with my favorite character about the dilemma that was most interesting to me about the previous game"

and then, as soon as, like, the other fans had caught up to the Solas lore that was really obvious from the other games, the game was.... over without anything surprising happening, or introducing a new element or plot point or perspective, or a real true twist (or two, or three) for those of us who have thought about it too hard for too long. It was very simple and easy, much, much, much, much easier than I was imagining. It all felt sort of like that Nicholson quote:

The thing was, the whole story was so interesting to think about because in 10 years, I couldn't figure out a good solution to it!!!!! It's why I was never able to write post-game fanfic about it. So I was stoked to find out some reveal we never knew about, some new information, in maybe a SERIES of steps of new information, that made the situation more complicated but also something that could be navigated by everyone involved. I know it was asking for a lot, but they had TEN YEARS, and they seemingly had set up the things they did in DAI on purpose, so surely they had some idea of a complex and satisfying narrative that would reconcile everyone.

The reason why I was expecting this is because FFXIV did a very similar story arc, which was started AND concluded WITHIN those 10 years (so it took the FFXIV team far less time to deliver as well). And the conclusion to the story in FFXIV did what I was expecting Dragon Age to do. So I thought, "holy shit, if this is the FFXIV version of this plot, how much more complicated is DA4 going to be!?!?" The DA devs also PLAYED FFXIV so they were completely aware, several years ago, of a satisfying story ending that was pretty darn similar.

People are probably going to think "oh, well Chelsea was disappointed because she spent too much time building it up in her head" but that's exactly it - I actually speculated and thought about FFXIV's story IN DEPTH NONSTOP for a year+ before its ending came out, and the ending absolutely blew me away. FFXIV Endwalker managed to introduce information and new story elements that I was not able to figure out in the YEAR I spent speculating on the ending of FFXIV's story. It took a complicated situation and revealed several several more facets to it that I was not able to predict, but were very interesting and thematically compelling, and took us all to surprising and climactic places that we could not have predicted.

Endwalker ("end" is in the title on purpose) too, was written to be THE ULTIMATE SATISFYING ENDING for a very long-running story in the exactly way that Veilguard SHOULD HAVE for Dragon Age, so while this complexity is being explored, FFXIV also gave catharsis to many different plot threads that have been built up through the previous expansions, until finally it ends with a bang. The story is desperately good to me, I loved it, it gave me closure for Dragon Age long before Veilguard was even revealed, and going back and looking at its story has made this whole thing far less painful for me.

So, I actually did not have a picture in my mind for how things SHOULD go. I just had the thought "I hope it's complicated and there are points of view or facts that we haven't before been exposed to, and the situation is resolved respectfully for Solas, not making him look like a fucking idiot (lol, the only thing I asked for). I don't even care what happens to Solas and Lavellan, I just need the story to be complicated and interesting to think about. Please, god, don't let it be "solas is wrong and he just needs to be convinced" because that's like the simplest story you could tell with this setup"

(btw they managed to tell Emet-Selch's story without making him seem like he's being an idiot on purpose or can never get anything right, and in fact the more the story goes on, the more you think of him as smart and capable and cool, so it is possible to write.... I wasn't asking for the entire moon)

And I played it and... yeah. Most of the story beats were more simple than I wanted them to be, a lot of them didn't make sense in my heart given the writing from Inquisition. (This is another essay, but if Solas' thematic story arc was always about him needing to let go of regrets, why was his personal quest the way it was? After that quest, doesn't he end up regretting not doing more....? Why did he never really talk about regret during Inquisition? If he was so trapped by regret, why was he able to do so many actions? It doesn't mesh well to me. The whole regret thing was very quarter-baked to me, I don't even like thinking about it.) His story never seemed like one that was as simple as being about one man's regrets, but then, I guess, it was always just about one man's regrets.

Emet-Selch's personal storyline (and the way it interacts with and affects the larger story) is very similar but much more cohesive and satisfying to me. It would be difficult to explain why without the aforementioned 5-hour essay. Emet-Selch's story IS about grief and anguish on a world-shaping scale in a similar way that Solas' was apparently always about letting go of regret, but Emet's story was also very pointedly and beautifully about that one theme for the entirety of his story from every tiny detail, from beginning to end - meanwhile, it seemed to me that they tried to introduce 'regret' as the main thrust of Solas' story only in the short story with the Regret demon onward.

From Inquisition just by itself, the closest I personally could get to a story theme for Solas was his inability to trust others hurting him and the world, but his trusting others in DA4 wasn't really addressed to my satisfaction. He is never required to trust anyone before the ending, he never opens up or makes himself vulnerable at all. People find out information about him, he never really dynamically opens himself. So the personal story I thought he had was never addressed at all, while a new one about regret was introduced that never made a ton of sense to me. And I don't think this is just because of my expectations - my reaction to FFXIV proves that I am able to meet good writing where it goes in surprising directions, as long as it's interesting and thoughtful and clear.

And I think this might be part of what people felt was off about the ending - Solas is sort of uninvolved in the revelations that are about him, and doesn't do much to be part of his own ending. Part of what I loved about Solas in Inquisition is that he is not controlled by you in any way, and so he feels like his own person with a very strong sense of character.

Anyway, Emet-Selch, in a very comparable and arguably more extreme plot position, is very involved in the revelations about himself, he always feels like a very strong character who cannot be affected by the player, and the whole situation is handled with deft emotion and care and delicacy. The story is comparatively very uninterested in litigating Emet-Selch or putting him on trial - the story allows you to simply feel the way that you feel in an organic way, and Emet's story spends that energy instead actually exploring his thematic material about grief and legacy, and the larger story theme of existentialism instead, in a way that is very refreshing and interesting. I've seen a lot of western stories tie themselves in knots over "redemption" and frankly it's almost never been interesting at all. Who cares about any of that. lol

(Now, I guess this is a matter of preference, because some people really like being able to shape a character's story, but idk I rewatched the ending of FFXIV and even though there wasn't a choice with Emet, because it isn't a branching story, his story felt more satisfying to me, maybe because there isn't a patronizing choice to be made for him. He is who he is, and he fulfills a very beautiful narrative role and purpose that no other character could in the story.)

I don't know how this could have been improved to me and still allowed players to choose Solas' ending for him, but I can actually think of a few different methods, none of which involve Rook condescendingly and patronizingly lecturing Solas as if Solas had never thought about a single aspect of this horrible situation he's in before that very moment that Rook lectures him lmfao.

All this to say... idk I'm writing this and I am not going back to edit it so it's stream-of-consciousness. But yeah

I just wanted the story to be complicated on a few more levels than I could have predicted. I genuinely don't care what happened, but I thought of a few twists like the Veil coming down and yeah, I was expecting A Single Twist or reveal to happen. In a Dragon Age game.

I wanted Solas to seem cool and capable and noble and smart, and actually feel like he was as old and experienced as he is.

I wanted a clear theme I could sink my teeth into

Like notice I didn't even say anything about Solavellan. Like I never in 100 years thought they were getting a happy ending where they were both alive in bodies, and I like that we got that, but I would honestly trade it for a more complicated story. To me, if a story is sad you can always write fanfic, but if a story isn't COMPLICATED, that's a much more urgent issue.

These 3 things DA4 didn't give me in a way that satisfied me but FFXIV did. anyway idk the way my hyperfixations work, I completely switch to a new subject so talking about Dragon Age is actually hard for me right now.

[utopiastri]

Put That Guy in a SituationTM - look something about Landoscar in a 20/32 type situation has me hooked….trying to not let others on to their predicament, maybe it’s a bit embarrassing how it happened 🤔

hi anon!!! thank you for the prompt! i went a smidge away from my usual cutesy fluff for this one - your suggestion of embarrassment really sparked something in my brain, even if i took it in a slightly different direction. i hope you enjoy!!!

(prompt list here)

“Look, we just gotta act natural,” Lando says.

Or, well, Lando-as-Oscar says, because it sounds like Oscar’s voice and it’s Oscar’s mouth that’s moving, but it’s Lando that’s actually saying the words and–

Lando-in-Oscar’s-body huffs. “You’re having a crisis again aren’t you?”

“You know it’s weirder of you to be 100% ok with this.”

“It’s a body swap curse, mate, it’s not rocket science.”

Oscar runs a hand through his hair and cringes at the uncanny feeling of there being someone else’s hair on top of his head. “I understand the concept, Lando, what I’m struggling with is everything else related to it like, I don't know, how the fuck this happened."

“I don’t know. Do you reckon we need to have sex to break the curse?”

“What?” Oscar squawks, “Why would we need to have sex to break the curse?”

Lando flushes. “I dunno. Just felt like the right solution.”

“Based on what?”

Lando mumbles something about seeing it online once and Oscar chooses to ask no more follow-up questions lest Lando tells him he learnt about it from some random porn he watched once. He heaves a sigh.

“Listen, like you said, we should just act normal. This whole thing is,” Oscar pauses to search for the right word, “Strange. And I’d really rather not bring anyone else into it to begin with.”

“Agreed,” Lando says before adding, “Hey, if we’re still like this for the race tomorrow and I win but in your body, does that mean you get the points?” Oscar glares at him and Lando pouts. “It’s a genuine question!” he whines.

Oscar’s about to point out they have bigger things to focus on than the effects of this on a race when Jon sticks his head into the room.

“Debrief in five, guys.”

“Sounds good, mate,” Lando says, in an accent no human being has ever used before.

Jon blinks at him. He turns to look at Oscar. Or, rather, he turns to look at Oscar who he thinks is Lando. Oscar smiles weakly.

“He’s, uh, trying to do an impression of me doing an Australian impression," Oscar lies, hoping it sounds vaguely believable.

“Oi!” Lando says, “My Australian accent’s mint.”

“Yes, Oscar,” Oscar says pointedly, “Your Australian accent would be mint because you are from Australia.”

Lando's eyes light up in realisation and he starts nodding furiously. “Right, yep, what he said, exactly.”

Jon blinks at both of them this time. He sighs.

“If you two are doing roleplay, I don’t want to hear about it.” Lando and Oscar both start spluttering, but Jon keeps on talking over both of them. “Just be on time for debrief.”

With Jon gone, Oscar breathes a sigh of relief. Or he starts to, until Lando pipes up.

“I still reckon us having sex will fix it.”

Oscar reminds himself that if he kills Lando right now, he’s possibly going to do irreparable damage to his own body.

The thought’s still tempting.

“Is there a particular reason you’re so desperate to have sex with yourself?” he asks, eyebrow raised.

Lando clearly wasn't expecting that question because he freezes. Oscar’s always hated how easily he flushes but right now, watching it brutally incriminate Lando, he can’t help but be grateful for it.

“I’m not fucking desperate to have sex with myself.” He doesn't sound like he's lying, but the blush on his face suggests he's not telling the whole truth.

Maybe…

His eyebrows raise. “So you’re only desperate to have sex with me then?”

Lando looks up at Oscar, eyes wide. He swallows.

Got you, Oscar thinks to himself.

[bentnotbroken1fanfiction]

Ok, i feel like after this ep, that, we really get to see who Style is.

We know he's very flirty and outgoing and that once he's put his mind to something, he's going to get from Point A to Point B no matter what stands in between him. We also know he's very loyal. And also that he's a bit of a goofball.

But in today's episode, we saw that he can be serious (and we have seen it before, just not to this extent). He talks to Fadel after the reveal and comforts him and solidifies, with Fadel, that he's not leaving him. And I feel that that is who Style is as a whole.

And that brings me to my other point. Imagine the fics coming out from this ep. Like I feel we as fandom are sleeping on this absolutely loyal to no ends, Style. Style is willing to do anything for Fadel.

Yes! So, I know I mentioned somewhere that last episode felt like they were walking back Style's characterization a bit but this episode cemented it back in place for me. He is LOYAL, ok? And he LOVES with his whole ASS. lmao like his Dad said, he talks a big game but when he loves, he goes all out, and he proves that over and over again. Especially in this episode.

Now they did some dumb shit this episode that was obviously supposed to be comedic or whatever, but the fact that Style went to Keen's room knowing that Keen knew him and shot at him was ballsy, and it was HIS idea. He wanted to get back at Keen for Fadel, but also for himself. He didn't have to do that. He did it because he thought it was the fastest way to get information. (was it dumb? Yes. But he tried lol)

And the way he just kneeled there and bided his time???? Like I know we all pick on him for his ADHD having antics, but he really did a good job this episode in being more serious and waiting until the perfect moment to strike and get the gun away from Keen. I was proud of him!!! Guys, I was so proud! Like I also make fun of him for his ridiculousness, but I am so happy that he proved to be somewhat competent in that moment. Because I so believe that he has the capacity to be serious and help when needed. He isn't just a pretty face and the comedic relief. He has another side of him, ok?? lol And I loved that he kicked Keen in the chest, because, yeah! Fuck you, KEEN!!!

As for the final scene with him and Fadel. God. I have so many feelings. Because you know that at least a part of Style was sad for himself too. Like he is obviously hurting for Fadel because he is DEVESTATED by the revelation that his ex was murderered because of him, but I think Style would also feel a little bit of a sting, because he is upset over his ex. He's only human. BUT the loyal part WON OUT. He marched out there and comforted his man and made sure he knew that Style isn't going anywhere. That he knew who and what he was weeks/months ago and still loves him anyways. He is in it for the long haul. And he won't be frightened away by Fadel or Fadel's past. Because he LOVES WHO FADEL IS. Point blank period. And no amount of Fadel trying to push him away to save him is going to change.

Style doesn't WANT TO BE SAVED. At least, not from Fadel.

And Fadel needs someone like Style, because he needs someone to tell him that he is loved unconditionally. Because yeah, his ex was killed, but he may have also been afraid before he died, if Fadel told him the truth. To me it seems that Fadel DID tell him and that's why he didn't go after him or question him being ghosted.

[joelmillerisapunk]

MILLLLAAAAAA I have not known peace since reading this

First of all, the tension. The history. The forbidden desire just simmering under the surface, waiting to explode. Every single moment had me gripping my phone like it owed me money.

The fact that they had all this unresolved emotion and then bam—thrown into the most intimate scene imaginable??

This was SO intense, so raw, so emotional—and the way it all came back to them in the end??? Like, she wrote the script for him. She was always going to find her way back to him.

I am never recovering from this. EVER I am crying in the club, hiding in the bathroom, sobbing into my pillow. okay favorite parts timeeeee - and this is my live reaction so excuse every emotional rollercoaster I hit here....

-> WAHHHHHH FJSDKJSDKLJF already killing me goddamnit He closed it and took a moment before rereading the first page, with the name left blank. It could only be you. That was the only explanation for getting a script without the name of the author on it. And there was no way the scene he had just read, so familiar, so intimate, could be coincidental. Or could be written by anyone else. He grabbed his phone and sent a message to his agent, unable to contain his annoyance.that’s fucked up, Will*Will calling* -> OKAYY I SEE HOW IT IS YOU WANT ME TO CRY ALREADY HUH? “It’s… damn, Will, it’s our story, ok? Or a part of it, I don't know. Anyway I can’t play this. Can’t play me.”

-> WHAAAA I CANT DO THIS I CANT BUT I WILL IM SCREAMING CRYING THROWING UP He didn’t know how Joel used to hold you firmly against the mattress, hands on your hips, lapping at your cunt to make you come again. Because he always wanted more, always wanted to give you more. He didn’t know that pushing his cock in you was the sweetest, most intense sensation he’d ever felt. Even now, years later, he never felt something like that again. Will didn't know any of that, had no idea how intense it had been. Because the only thing Joel told him was “you don’t bring her up. Ever.” -> she is so relatable omfg I would be doing the same You knew what he looked like, you watched all his movies. In need of his voice, his smile, his gestures, his laugh. In need of him. But seeing him for real- not through a screen but in the same room, not some character but Joel, the man you loved more than anyone else, the man you would still call “the love of your life” in your thoughts -, was breathtaking, almost surreal.  -> SOBBING EXCUSE ME SIR? WTF YOU DOING SHAKING HER OFF LIKE THAT NO SIR NO SIR So you approached him, without overthinking it, but as soon as he saw you he gave you a subtle but firm shake of his head. The message was crystal clear - he didn’t want to talk to you, didn’t even want you around. It stopped your hesitant steps in their tracks, and the shy smile you had the courage to build instantly disappeared, and your gaze fell to the floor. Trying to control your breathing, to fight back the tears you felt welling up.

-> my good goddddd im dying over here i am not okay sos help me He shook his head to think about something else and to resist the urge to take the script out of the drawer. Instead, he took a sleeping pill and went to bed.

->idk Milla, i think you write the most beautiful things and you really wanna make my heart fall out of my ribcage. The writing was pure and vivid and as he was reading your point of view he felt like his ribcage was suddenly too small to contain his heartbeats.

-> ooooof THIS IS BUILDING UP OMG OMG OMG SMDFKSDA “Who do you have in mind for the female lead?” he asked finally. “Well… me,” you answered, without lowering your gaze that time.

-> stab me it might hurt less than this In tears in your car, your boxes in the back, eyes fixed on the rearview mirror where Joel’s silhouette was getting smaller and smaller. Until you could no longer discern his clenched fists, his stone face. Until he was only a small dot, until he wasn't in your life anymore.

THE ENTIRE INTIMATE SCENE HOLY SMOKES IM DIZZYYYY

-> I have no thoughts just thots my brain empty but this is delicious “I can feel you clench on my fingers, you’re gonna be a good girl and come again for me?” he asked, before swirling his tongue over your clit again. “Thought about it so often,”

AND THE END AHHH IM SOBBING

Close-up

8k7 | Joel Miller x fem reader | ao3 | masterlist Summary: Joel receives a script that takes him back to the memories of your love story. He realizes that out of protective instinct after the break up, he has not been honest neither with his own feelings nor with you Warnings: 18+ mdni. ex lovers reunited, angst, mostly Joel pov, Joel can act cold out of defence mechanism, he has trouble accepting his own feelings, pining, slow burn, pet names (sweetheart, baby), semi public sex, just the tip, soft!joel, oral (f), piv, creampie. Pic for mood only, reader has no specific physical descriptions. 

a/n:  this is written for @jolapeno 's dear-uary challenge (prompt here) thank you for this challenge Jo, and it was such a cool prompt 😍😍😍 Thank you @aurorawritestoescape for beta-ing and for reading this one soooo many times 🥹😘💕 @/saradika-graphics for the dividers 🙏

I sent you a script, tell me what you think tell me more just read it, trust me

The informal messages between Joel and his agent, Will, were usual. They had known each other for a long time, they were friends, and Will had always found him perfect roles. 

So as always, Joel trusted him- even though the first page of the script, delivered to him by a courier, was not completely filled, making him wonder why. 

In the evening he put his cup on the coffee table, and lay down on the sofa, a soft light lamp behind his head. With his back leaning against the cushions, shirt, jeans, bare feet. Always the same ritual, always the same setup, when he was about to read a new script.

He started reading it, taking a sip of coffee from time to time, until his heart leapt in his chest as he got to a particular scene. 

He closed it and took a moment before rereading the first page, with the name left blank. 

It could only be you. 

That was the only explanation for getting a script without the name of the author on it. And there was no way the scene he had just read, so familiar, so intimate, could be coincidental. Or could be written by anyone else. He grabbed his phone and sent a message to his agent, unable to contain his annoyance.

that’s fucked up, Will

*Will calling*

“Yeah,” he grumbled as he picked up, without even trying to hide his feelings, then he got up to pace the room.

“Look, I know what you’re thinking, Joel. But she’s a great writer and actress, you know it. We’ve been looking for a good drama movie for a long time. This one’s perfect.”

“It’s… damn, Will, it’s our story, ok? Or a part of it, I don't know. Anyway I can’t play this. Can’t play me.”

“Joel, listen to me and think about it. No one would know. And it can be therapeutic.”

“Thera… jesus, you gotta be fucking kidding me.”

Joel sighed as he hung up and threw his phone on the couch. 

Why the fuck would Will do something so stupid and inconsiderate, giving him a script from you? 

At the beginning of his career, his agent sent him one project for a movie in which you were expected to play too. Joel confessed that you two had been together, and added “you don’t bring her up. Ever,” to end the conversation. So Will never did. 

Until today.

He sat back down on the sofa, resting his forehead on his fist, resisting the urge to throw the cup of coffee across the room. He was surprised by his own reaction, his nervousness. His anger. Barely able to control his emotions, he felt so weak, like his heart was about to tear in two again, swallowing him whole. He was affected, years later, as if it happened yesterday.

So, sure, a long time ago he asked Will not to talk about you anymore. But they might have been  friends, his agent might have known about you, but he didn’t know the details. Didn’t know how profoundly the break up had hurt Joel, how much you had gotten under his skin, back then.

And in Will's defense, it wasn't like you never saw each other again, at parties or ceremonies, under Will’s gaze who thought that it wasn't that bad, after all. It was years after your separation, now having the job that both of you dreamed about, talked about, sweaty young adults in a messy bed where he had just made you come.

Will wasn't aware that it was actually that bad. 

Because he didn’t know the way Joel looked at you, when you were together. He didn't know how sweet and caring Joel was with you. He didn’t know how much he loved wrapping his arms around you, and having you curl up against him. 

He didn’t know how Joel used to hold you firmly against the mattress, hands on your hips, lapping at your cunt to make you come again. Because he always wanted more, always wanted to give you more.

He didn’t know that pushing his cock in you was the sweetest, most intense sensation he’d ever felt. Even now, years later, he never felt something like that again.

Will didn't know any of that, had no idea how intense it had been. Because the only thing Joel told him was “you don’t bring her up. Ever.”

The first time you saw each other again, was in a place full of actors, agents, writers and directors.

You couldn't believe he was here, a few steps away from you. Of course, you knew you'd cross paths one day, but suddenly he was closer to you than he had been in years and you felt your heart racing. He was even more handsome than he was back then, if it was even possible. You knew what he looked like, you watched all his movies. In need of his voice, his smile, his gestures, his laugh. In need of him. 

But seeing him for real- not through a screen but in the same room, not some character but Joel, the man you loved more than anyone else, the man you would still call “the love of your life” in your thoughts -, was breathtaking, almost surreal. 

So you approached him, without overthinking it, but as soon as he saw you he gave you a subtle but firm shake of his head. The message was crystal clear - he didn’t want to talk to you, didn’t even want you around. 

It stopped your hesitant steps in their tracks, and the shy smile you had the courage to build instantly disappeared, and your gaze fell to the floor. Trying to control your breathing, to fight back the tears you felt welling up. 

If you had looked up right away, you would have seen guilt sweep through his eyes. But when you finally raised your head, seconds later, he was on the other side of the room. The only thing you could see was his back, which he undoubtedly presented to you deliberately, as if his glare hadn’t been enough to make a point.

All evening, you struggled to keep conversations going, to concentrate, to think of anything other than his dark stare, furrowed brows, and the way he shook his head at you without any hesitation. For years, you had been wondering what he had thought of you, after those years. You just got the most brutal answer to that question. 

The second time, a journalist had done some research and discovered that you attended the same university, graduated the same year. He took the opportunity to bring the subject as Joel was walking by. He probably hadn't seen you amongst all those people, because you were sure he would have gone the other way, otherwise. You didn’t have much choice than to kiss, feigning a friendly closeness that had never existed between you. You had been lovers, then strangers. No in-between. 

His scent, so familiar, invaded your nostrils. He always wore the same perfume, the one you had given him for a birthday. It surprised you but you didn't have much time to think about it, as he ended the hug quickly.

Joel's eyes were shifty when you looked at him, a fake smile plastered on his lips. Which could probably seem real for people who didn't know him, but not for you. Not even years later. You answered the journalist's questions as best as you could, until Joel leaned towards to give you a hug that was as neutral as his eyes on you, cutting off the questions. Then he walked away, leaving you facing the journalist who was delighted with the exclusive material and oblivious to the unspoken scene that had happened in front of him.

Joel thought back to those two evenings, after he’d hung up on Will and before he’d put the script away in a drawer. He needed to regain control of his emotions, and to do that he couldn't continue reading your words, at least for now.

He went to the kitchen for a fresh cup of coffee, and despite him trying, his mind wandered to lazy mornings where he would get up to make two coffees and then come back to the bedroom. He’d put them on the nightstand, before cuddling up to your warm body under the sheets, hearing you moan gently. Sometimes you would fall asleep in one of his shirts, and he loved smelling his scent on you, as if you were marked by him, somehow. It always made him feral, possessive. He didn’t know he had that side in him, until you.

You'd always grab his hand to kiss the tip of his fingers, before sliding them along your folds, feeling his cock harden against your ass and your pussy starting to drool. He would make you come with his digits, his lips against your ear, caged in his arms, then he'd slide his cock between your thighs and your soaked folds, just in time for your last spasms to squeeze his tip. Sometimes he would keep fucking you like that, lying behind you, and sometimes he would roll you on your back, taking his place between your thighs. Until he’d come, grunting, growling, his hair disheveled, and you often fall back asleep, his cock softening inside you, the cups of coffee cold on the nightstand.

He shook his head to think about something else and to resist the urge to take the script out of the drawer. Instead, he took a sleeping pill and went to bed.

The next morning he woke up groggy. He put on a t-shirt and sweatpants, poured himself a cup of coffee, and put aside his good resolutions. He didn’t need the script to think about you, anyway. Time never healed his wounds, he never forgot you or the pain he had felt when you’d left. His thoughts were always hurtful, possessive and raw.

Even years after the break up he couldn’t help but think about you when his wrist fucked his shaft. Even sometimes when he was in a relationship. He hated himself for that but couldn’t help it. He missed your cunt, your hands, everything. But he couldn’t accept the idea that he was simply missing you. 

He always thought that your bodies were made for each other, and you always breathed the same words. He knew you meant it, his cock buried in you, his eyes fixed on yours rolling to the back of your head and his ears filled with your moans, barely able to tell his name.  

Until it was over. 

He knew it could happen, you always told him that you'd have to leave for California one day in hope to live your dream, that you couldn’t do it in Texas. But he brushed it off, not wanting to believe it, not wanting to think about it. He hid it in a corner of his mind, until he had no other choice but to face reality. Until it hit him. That day, he realized that he wouldn’t get to wrap his arms around you for the rest of his life.

He lay down on the couch and started to read. And the more he read the script, the more he realized that you wrote only the moments that had really happened. 

The story, background, was slightly different, probably so that no one could ever make a connection to the two of you. But the moments were real, and it made him dizzy.

You wrote that dance in your small apartment, first for the both of you, that you rented after graduation. You worked as a waitress and Joel was a barista, and you two went to as many castings in Austin as you could, dreaming every day about being actors.

That night you put on some music and danced. He kissed your hand and looked at you. He felt warm. He loved you so much that his heart was aching. He made you spin and you laughed, and it was like a spring breeze in the apartment, filling his lungs with fresh air. When you stopped twirling you brushed his hair and then kissed him. 

The writing was pure and vivid and as he was reading your point of view he felt like his ribcage was suddenly too small to contain his heartbeats.

Over the next two days, he took the script out of the drawer regularly. Slowly touching the paper that already bore the marks of repeated handling, him  lying on his couch, taking his time before opening it. 

He read it all, and the sweetness, the sensitivity with which you described your moments moved him profoundly. The person he had loved, cherished, cradled in his arms, wrote that. 

All the intimacy, the love and care you both felt for each other were there. For several years he made everything to forget the good moments, to focus only on the ending to feed his bitterness, but the fact was that there had been so many beautiful moments. And he could read them, feel them again. Couldn’t deny them anymore.

Your words were so familiar, so true to your love story, that his anger slowly gave some place to something else: nostalgia. Finally allowing himself to miss you and what you two had. He was still wondering why you had written the script and sent it to him, but now he was ready to learn the answer. And he wanted to look you in the eye when he’d ask you this question. But he wasn't sure how he’d behave, when you met. Didn't know if bitterness or nostalgia would fill his heart.

So after two days of silence, Joel picked up his phone and sent Will a message.

Ok, set up a meeting

Because of your busy schedules you could meet only in two weeks. The delay was driving him crazy. 

He made a copy of the script, his copy, which he filled with annotations, dates. Underlining moments or words erased from his mind, out of grief, anger or self-protection.

He got hard several times, while reading some scenes. And sometimes anger would come back to creep into his thoughts, whispering to him that you never should have sent it to him, when your separation had been so painful for him. 

And Will was not the only one Joel said “you don’t…. ever.”

To you, it’d been “If you leave… you don't call me. Ever.”

That morning, as he got used to doing several times a day, he grabbed his copy of the script. He had handled it so much that the sheets were already damaged, some pages peppered with annotations. 

As he was reading, he remembered how you had loved to run your fingers over his jeans when you were watching a movie on your little couch. Playing with him, your hand going higher and higher, just to hear his breathing slow down, just to hear him murmur a needy and low “sweetheart, what are you doing?”, making you smile widely. Knowing that he would manhandle you two seconds later to be under him, pulling your panties to the side and pushing his thick length into you. He remembered the feeling of your breasts against his chest, how you whimpered in his neck while he was fucking you hard and deep. 

He was nervous the morning of the meeting. He took a shower, hoping to get rid of the fatigue and headache from the lack of sleep the night before. He put on a shirt and jeans and grabbed his car keys, put on some music when he started to drive, trying to change his mind, but it didn’t work, he was still anxious. He parked near the building. Once inside he found the meeting room and knocked on the door. He heard you say “come in” and took a deep breath before twisting the handle.

You were alone, sitting in a chair, and he quickly pushed aside the thought of how pretty you were. Joel immediately noticed your hands, pressed together nervously, before you stood up to greet him. He stopped when you walked towards him and your smile faded like that time.

“Wait,” he said, his hand raised in front of him, as he was trying to control his emotions. “I just… Why did you send it to me?” he added without any preamble, his tone harsher than he intended. 

“Oh… ok. Straight to the point, huh?” you said, sitting back down, and removing an imaginary crease on your sleeve, eyes lowered to the desk.

“I never…” you started to say, before stopping and taking a breath. “I think I needed to write our story down.” 

Joel’s sigh stopped you. You tried to keep a low and calm tone, not to show your anxiety. You knew that facing him wouldn't be easy. He had given you a glimpse of his coldness after the situation with that journalist.

“Joel, please, listen to me.” 

You looked at him, and yet you had no idea how his name, escaping your lips, tore his heart apart. He never thought he’d hear it again, and the familiar intonation made him shiver.

“I honestly think it would make a great movie,” you said. “And you must think so too, since you’re here.”

“I don’t know why I’m here, honestly. Except that I want to know why.”

“Would you have preferred to discover it once the movie was out, your role played by someone else?”

His gaze on you, dark and possessive, made you freeze.

“No, I really wouldn’t have appreciated our story, my life, played by someone else, Jesus,” he growled.

He put his hands on his hips, a stance you’d seen him do dozens of times before, searching for words, and then he sat in a chair, pinching the place just above his nose with two fingers. Trying to stop the headache that was threatening to come again. It had started off badly, and he knew it was his fault. He was too stubborn, too cold.

“Who do you have in mind for the female lead?” he asked finally.

“Well… me,” you answered, without lowering your gaze that time.

“You?” 

A part of him, that he thought was gone the day you had left, woke up with a groan. He couldn't imagine the movie being made, you playing... well, you, and him being played by another man. It was unthinkable and made his jealousy and possessiveness stir painfully in his chest.

Unlike you, he hadn't watched your movies. He tried though, when he saw your face on a movie poster for the first time. He went to the cinema, but he walked out of the theater the moment that actor leaned toward you to kiss you. He couldn't stand to see someone kiss you, when he couldn't do it anymore.

“I’m the best person to play this character, aren’t I?” you said softly, interrupting his thoughts. “Just like you’re the best one to play the male lead. Look, I know you’ve been rumored for a role like this for years. I know you’re not opposed to it. So why not?”

“Because it’s not about playing a role here,” he sighed. “It’s playing in front of a camera, things we said, did, years ago. Intimate things that belong to us.”

“I changed some things, no one has to know it’s autobiographical,” you started to say, before he quickly cut you off. 

“I know it is. And so do you.” He walked over to the window to stare at the buildings in front of him. “When you leave someone, you don’t do that. It’s unhealthy,” he said, almost softly. Resigned. He turned to you before adding, “Why stir up something that died years ago?”

He didn't expect to face the sadness that clouded your face, and once again guilt seized him. You were sad, upset, and despite the bitterness he’d been feeling for years, he didn’t want to hurt you.

“Joel… I didn’t leave because I didn’t love you anymore,” you answered, standing up and walking towards him. You stopped a few steps away to respect his boundaries, before you'd see his body stiff. “I left because I had to follow my dream, and it wasn’t working in Texas. And you wanted to stay in Austin, to take care of Tommy. We ended it because a long-distance relationship would have been too painful, because I didn’t want us to be unhappy, barely seeing each other, not being able to feel each other often enough. So I left. And I told you all that. You knew it, you knew why.”

You took a breath, after formulating what was oppressing your heart, waiting for him to answer.

“Playing with feelings is dangerous,” he said in a low voice.

“This isn’t a game, Joel. I'm not playing. I’m sure it would make a great movie. And maybe we need to express all that, even years later.”

“Do you remember what I told you that day? The last day?”

“Of course, I do. You told me not to call you. You told me that if we had to meet again… then it would happen. Well, it's happening, Joel.”

He looked at you, confused, and headed towards the door, brushing past you lightly as he passed. 

Just before leaving, without looking at you, he said in a low voice, “my agent will give you my answer in a few days.” 

Once the door closed behind Joel, you remembered the day you left. 

In tears in your car, your boxes in the back, eyes fixed on the rearview mirror where Joel’s silhouette was getting smaller and smaller. Until you could no longer discern his clenched fists, his stone face. Until he was only a small dot, until he wasn't in your life anymore.

At that moment you were wondering if you had made a mistake. You kept wondering for years. To be honest, you still weren’t sure you made the right choice that day. You followed your dream and succeeded, but it cost you the love of your life.

You didn't know what to think about the meeting. It could have been worse, he could have left after two minutes of being there, you knew it. You could have said more, too, but you didn't want Joel to withdraw more into himself. And for sure, you couldn't have told him that you always thought of him when you were in someone’s else’s arms. That you tried not to let jealousy invade you when you thought of his personal life, knowing that you had no right to be. You gave up on that when you had left.

You knew what he thought, how he reacted. Now he needed time to process everything, and you just had to wait for his agent to contact you. You couldn't do more.

Joel got to his car in a blur. He realized where he was only sitting behind the wheel, too many emotions swirling in his head. Years without seeing you and it had gone by at the speed of light. He blamed himself for being cold, blamed himself for not being cold enough, and he was even more lost than before he saw you. He started to drive, the feeling of having mishandled things weighing more and more on his shoulders.

He took another shower when he got home, as if it could wash off his remorse and regrets, the words exchanged playing over and over in his mind.

“Joel… I didn’t leave because I didn’t love you anymore.”

“I had to follow my dream. You wanted to stay in Austin. To take care of Tommy.”

“You knew it, you knew why.”

Did he really start to believe that the events had happened differently, after you left? Had he really done it, to the point of omitting certain things, because he needed someone to blame, to keep moving forward? 

Had he really been that guy? Blaming you when there was no one to blame, just life and the choices that go with it, that we all have to do?

Had he really denied for years that you had left with a broken heart, too? That he had told you to never call him, after those wonderful years together? He felt like he was waking up with a monstrous hangover, and guilt gripped him. Truth is he let you down, and reality was hitting him hard.

Because you were right, you didn’t leave just like that. He didn’t want to acknowledge it for years, kept sweeping it under the rug, but deep down he didn’t forget it. 

And you were right, he hadn’t been able to prioritize your relationship. Couldn’t prioritize himself either. He had always been protective of his brother, but it reached another level when he came back to Texas after being dismissed. Tommy wasn't the same, and Joel knew that he would have constantly wondered if his brother was okay if he had left for California with you. Worried that he could be in jail after a fight, with no one to bail him out. Or that he could be drunk in an alley, alone, spending the night there. Or worse.

“I can’t leave Tommy here alone, with all his drinking and partying,” he told you, expression determined.

“But you need to think about your future, our future too, Joel,” you replied desperately.

Joel had probably hoped that you wouldn’t have left, that you’d have chosen him, until the end. And you probably hoped the same thing, too. 

Right person, wrong time. Fucking sad, but so banal.

So to forget that he was as responsible for the breakup as much as you were, he let his pain turn into anger, and he never let nostalgia set in, or his feelings show up. 

And everything blew up when you sent him that script and he started reading it. It was impossible to continue to deny the obvious, to keep thinking that his feelings were stronger than yours and that’s why you had left. It was impossible to forget that he had told you, “If you leave… you don't call me. Ever.” That he was the one who had cut everything off, once and for all. To protect himself, of course. But still.

So once you were gone, he did what he had to do, he took care of Tommy. Except that he started going to bars with him, at night. Drinking less than him, but still way too much. He took sleeping pills when he was obsessed with your absence, tired of squeezing your pillow way too tight in his fist, his jaw clenched with anger. He moved to a new neighborhood because he couldn't stand living in that apartment anymore where everything reminded him of you. 

When they were children and then teenagers, Joel and Tommy’s father taught them to work with their hands, and it helped them to find jobs on construction sites. And that he finally pulled himself together and helped Tommy the way he had to. It took him months, but he did it, and his parents would be proud of him, of them, if they saw their sons.

He worked hard, kept doing castings when his work allowed it, and eventually it paid off, even if it took time.

He thought about it all, and realized he needed to see you again before deciding on the movie. Needed to behave normally, to let go of his mask. So he asked his agent your number, then texted you:

it’s Joel. Are you still in LA?  I have some questions about the script can we meet again?  I am. When do you wanna meet? tomorrow night, my place? I’ll cook Sure!

He took a deep breath as he sent you his address. He let his emotions take over on purpose, to dispel the bitter taste in his mouth since you saw each other. Now he had to trust them.

The next day he started to cook during the afternoon, the dish that he hoped was still one of your favorite. He knowingly chose to invite you over to his place, to keep his mind occupied at least while he was busy in the kitchen. 

Once the dish was in the oven, he did a running session on his treadmill and showered. 

Anything to keep his mind busy.

You arrived right on time, a bottle of wine in hand.

“You still like the white?” you asked.

He did. Some things never changed.

As you approached the kitchen it smelled so good that you stopped there.

“Still one of your favorite meals?” he asked.

It was. 

You tried not to show that you were moved. Acts of service had always been his way of showing that he cared, and you weren’t expecting that when you showed up.

You sat down on a high stool in the kitchen and he opened the bottle of wine. You had a few sips, silently. Neither of you really knew what to say, at first. Then everything set into place, naturally, instinctively. A little shyly at first, bringing up things from your respective pasts, or present. You asked him how Tommy was doing, and he told you he was fine, that he was engaged to a woman named Maria and that they were going to be parents soon. You were happy for Tommy, sincerely. You had always liked him.

Joel was trying to act normally, to not pay too much attention to the ease with which you were chatting. How easily he opened up to you, telling you about his years in Austin, then his first ones in LA. His first roles, his doubts.

He was glancing at your hands when you weren’t looking at him. At your hair. 

He loved to see your eyes shine when you were talking about something that was important to you.

But above all, he loved to see them sparkle the first time he made you smile, that evening. It hit him, how much he missed it. Making you smile. 

His emotions were so familiar that his heart was beating a little too fast, like a horse freed from its reins.

And suddenly he wondered how he had been able to spend so many years without you by his side, when you had always been his sunshine, liberating his grumpy, reserved nature. 

A part of his brain told him that he was smiling a little too much, but he felt more alive during those moments with you than he hadn’t been in so long. 

Whether in a relationship or not.

And then he felt the atmosphere change, felt that you got nervous, an impression confirmed when you began to scratch your thumb. A habit that dated back years ago, and he'd always take you in his arms, kiss your thumb and tell you that he was there and that everything would be okay. Today, for the first time he couldn’t do all that.

“Are you ok?” he nevertheless allowed himself to ask.

“Yeah, it’s just… listen, I know you wanted to ask me about the script, but ehm... there’s something you need to know.” You took a deep breath before adding “there won’t be any movie if you don’t want to do it. If you’re not comfortable with it. I’m not saying this to put pressure on you, it's just… I just want you to know that your choice is completely free. I don’t want you to feel like you have to do it, for whatever bad reason.”

“I appreciate that you’re telling me this, thank you,” he said, in a tone you couldn’t quite define, half defeated, half tender. “Listen, I wanted to apologize.”

“For what, Joel?” you asked questioningly.

“Yesterday. I didn’t really know how to handle all of it. Honestly, I’ve been overwhelmed by a lot of emotions since I read the script. Including anger.” He didn't expect to tell you that, but the need was too much to bear. He needed to make things right.

“I know. I expected it to be complicated, after our two previous meetings,” you said, without animosity or bitterness. Just being factual.

He raised his eyebrows, as if to apologize, before continuing. “I wanted to apologize for that too. My attitude.”

“That’s your way of handling things, it always has been, I should have known. But I appreciate it too, thanks Joel.”

He nodded, then added “do you think we’ll be able to do it?”

“To do what?”

“Work together. To be coworkers on a movie?”

He saw your eyebrows furrow slightly, as you took the time to think before answering.

“Well… the evening’s going pretty well, right? You haven't shook your head at me yet, to show me the door.”

“Ouch!” he replied exaggeratedly.

“Too soon?” you asked, lips curled into a smile.

“A little,” he laughed.

He enjoyed it, that little moment. You’d had so many of them before. 

“Aren’t you afraid of what might happen?” he wanted to ask. 

“Aren’t you afraid of reliving things, that I’ll fall madly in love with you again and that the scenes we’ll shoot, my acting, will just express the reality of my feelings?” 

But he couldn’t ask you that.

He wanted to ask you if you had sent him the script because you still had feelings for him, but he couldn’t say that either.

“It’ll be a low budget movie. I mean, if we do it,” you said. There’ll be some outdoor scenes but not that many. Not many other actors either. It won’t be a long shoot.”

He nodded and said, “can I give you my answer in a couple of days?”

“Of course,” you smiled. “Thanks for the meal, it was delicious,” you said as you stood up. “You can text me if you have any questions.”

He thanked you and you complimented him on his house as you put your coat back on. His taste hadn’t changed. The rooms were simply decorated. As you walked toward the front door you glanced inside one of the rooms, and saw a table with a wooden sculpture on it.

“Oh my god, Joel? You still do the carving?”

“Oh… well… yeah. I never stopped.”

“Can I?” you asked.

“Sure,” he opened the door and you slipped through the gap, brushing past him lightly as you passed and you had goosebumps at the familiar scent. Still the perfume you had gifted him once. Reassuring. After all these years, instantly, it was there. Enveloping you. 

You approached the table and leaned over a piece he was working on, admiring the figurine that was being carved. A rodeo cowboy on a bucking horse.

“Wow, Joel… you were already very good at this back then, but now it’s incredible. The level of detail is mind-blowing.”

You looked at the shelves, covered with other sculptures. You approached them: bears, deer, wolves, rabbits.

“This is really amazing, you’re so talented. And… Do you still play guitar?”

“Sure,” he answered, nodding at a guitar case. “I usually play in the dining room. My guitars are over there. This one needed a little TLC. I just got it back. It’s… well it’s the one you gave me.”

You looked at him, unable to hide the surprise on your face.

“You kept it?” you asked, trying to hold back your emotions.

“ ‘ course I did.”

You nodded, your throat tight.

“I should go, it’s getting late,” you said. “Tell me about the movie, ok?” You looked at him hesitantly, but when he leaned towards you and wrapped his arms around your torso, your eyes closed at the feeling, so familiar, before you pulled away, told him good night and left.

Driving your car, you replayed the images of the evening in your mind. Of course, you had felt his gaze on you several times during the evening. And sometimes you could see Joel again. Your Joel.

Did he think about you as much as you thought about him? Did he suspect that you had sent him this script in the hope of getting back in touch with him? Did he know how much you missed him, all those years?

You had wondered so many times if he had been thinking about you. You thought about the hug, as comforting as before. You missed him so much.

Two days later, he texted you

“I’m in”

He kept looking at his phone after sending the message. The read indicator appeared quickly, then the writing bubble.

“Great, I'm so glad! I’m sure it’s gonna be amazing!!”

He hoped it would be. Hoped it wasn’t a mistake. 

He had to leave LA for several weeks for a shooting, and the organization of the film was put in place.

You sent each other a few messages in the next few days. Then the messages became more and more regular, while remaining purely friendly.

Several months later, the day before the shooting started, he knocked on your trailer to say hello.

You had rehearsed some scenes with the crew, and everything was ready.

The less emotional scenes were shot in the first few days. He didn’t ask for it, but he was glad. Every night he came back to his trailer, played the guitar, and thought about you. 

Seeing you every day was a very strange thing that he had trouble to define. He was happy to see you every day, to see the person you had become. And sad that you were no longer his. Filming these moments with you was like constantly reopening a wound that had never really healed.

That night, he took out the script, and reread the scene planned the next day.

EXT. THEIR APARTMENT -- EVENING He parks downstairs at their apartment, it’s dark. He knows she’s back from a week at her parents’. He’s eager to get home and see her again, he’s missed her. He quickly climbs the outside stairs and unlocks the door. INT. THEIR APARTMENT -- EVENING He puts his keys on the hall cabinet, takes off his jacket and hangs it on the coat rack. We follow him as he walks in the apartment, until he sees her in the doorway of the dining room. He smiles, we see love in their eyes as look at other. HER Hey baby He goes to her, they kiss, he takes her in his arms. She closes her eyes. HIM I missed you, baby. He brushes her cheek with his thumb. HER I missed you too. She takes his hand and leads him to their bedroom.

He stopped reading there, before the next scene, that was the most intimate, the one that made him anxious just to think about.

“I missed you, baby,” he said the line. He brushed your cheek with his thumb, like he had done so many times before. His eyes were fixed in yours. He wondered if he was imagining what he was reading in them.

“I missed you too.”

You took his hand and you headed out of the frame.

“Cut, it was perfect, guys! Go get ready for the next scene.”

He picked up his water bottle and took a sip. He felt dizzy.

You were both wearing underwear and bathrobes. Waiting to shoot the scene.

“Ok guys, you’re ready? Great, let’s go.”

The scene was a close-up of both of your faces during a sex scene, at night. You lay down on the bed first, after taking off your robe. He took off his too and lay down between your thighs.

“Is this ok?” he asked.

“Yeah, it’s ok,” you smiled.

“Action!”

You started to kiss, tongues quickly brushing against each other. His hands cupped your cheeks as he rolled his hips towards you slowly, careful that your crotches wouldn’t touch. 

It was overwhelming to feel you against him, your breasts against his chest, with only your bra between the two of you. It was a whirling moment, to kiss you in such an intimate scene, playing something that you had lived for real before. He groaned and slid his hand to the back of your neck to hold you as close as possible against him.

He felt you shift slightly, turning your hips to face his. He wanted to ask you what you were doing but he couldn’t. He was half hard from the moment he laid against you but now his cock was hard as steel. You pushed your pelvis forward and the tip of his cock nestled at your entrance, pointing against his boxers.

He could feel your wet panties through the fabrics.

“Don’t stop, baby,” you recited your line, and he growled.

He couldn’t believe you would act like that while shooting a scene, couldn't believe you were using him.

He pulled away to look at you and you murmured an unscripted “please.” Eyebrows furrowed, he nodded slightly. His fat head found its way, and his tip pushed your panties in.

It was hot, filthy, forbidden. So unprofessional, but he couldn’t stop. He recognized your moans, and the small team around you probably thought it was perfectly faked, when it was music in his ears. The music he thought he would never hear again. 

Your hands tightened on his biceps as you came. So quickly. He felt your walls squeezing his tip and he almost forgot to move, forgot the script, forgot you were shooting a scene. He pulled out, afraid he would come too, and faked his orgasm, neck tense and veins bulging, your hands caressing his hair at the back of his neck.

You said the next line “I love you, baby. I missed you so much.”

“I love you too,” was his.

“Cut!! That was amazing, great job!!”

There was a pounding on your trailer door as you got out of the shower. You quickly threw on a bathrobe and went to open it.

“What the fuck were you thinking?” he growled.

“Keep your voice low Joel, damn… Come in.”

You closed the door behind him, searching for the right words, pressing your hands together. 

“I, huh…” you stammered.

“No! No, talk to me. Tell me. You can’t… you can’t do that and stay silent.”

“I’m sorry.”

“You’re sorry?” he chuckled.

“Having you so close to me, against me… I couldn’t help myself. I’m sorry. It was overwhelming.”

“Everyone could have seen, what were you thinking?”

“I wasn’t thinking, that’s the point, Joel! And they didn’t see, anyway.”

“Jesus christ you can't do that. You can’t just use me like that.”

“I know, Joel. I know, I’m sorry. It’s just…”

“What?”

You sighed, and that time he didn't try to rush you. You felt him soften, giving you time to find your words.

“I miss you, Joel.”

“No, don't…  Please, don’t say that.”

“I missed you the second I left and it never stopped.”

Hearing the tone of your voice and reading your eyes, this time he had no doubt that you really meant it. And he felt all the tensions in his body relax, as if he were freed from everything that had been oppressing him for years. You approached him slowly, eyes raised to his, and you slid your hand into his, and his large palm gently closed over it. You caressed his cheek with the other, and for a moment he shut his eyes, pressing his face against your hand.

“I miss you,” you said again and he rested his forehead against yours. He gently rubbed his nose against yours, before kissing your lips softly. He heard your breathing hitch for a moment, then you moaned slightly as you pulled away, just to look at him, Joel, not the actor, for the first time in years. He pulled you closer to him and brushed his tongue over your lips, as if asking for permission to push inside. Greedily, you slid yours to his, licking his tongue and lips, until he crashed his mouth against yours. His hands rested on your waist while yours moved up his back, pressing your bodies together. You whined when you felt his hard cock pressed to you.

You pulled away from him again, just to look at his face, and he wanted to pinch himself, just to be sure you were not some dream that would leave him disillusioned and alone when he woke up.

You took his hand and led him to your room.

“Undress me,” you said.

He pulled on the knot of your bathrobe slowly, making the two sides of the garment part, revealing the curve of your breasts that he caressed with his fingertips.

Your chest rose quickly as your eyes were plunged into each other, until he lowered them to your pussy. His heart was beating so fast that for a moment he was afraid it would explode.

He raised his gaze to yours, silently asking if you were okay.

“Yes,” you said. As if you knew he would want to hear it, that a nod wouldn't be enough.

He slipped his hands under the fabric of the robe and slid it down your shoulders. It fell to the floor, leaving you naked. So vulnerable, and yet you were the strongest woman he ever knew, following your dream by leaving for a city where you didn't know anyone. And made your dream come true.

But now you were here, in front of him. So pretty, so sure of yourself, of your desires.

“You’re so beautiful,” he said in a low voice.

He pulled you back, guiding you with his hands on your hips as he kissed you, until the back of your knees touched the bed.

“Lie down, sweetheart,” he said. The nickname was so familiar in his mouth, so normal. You did as he asked, moving back until your head rested on the pillow as he watched you, still standing at the end of the bed. Then he took off his t-shirt, unbuttoned his jeans and got rid of them and his boxers.

“Are you ok?” he asked.

“Yes,” you replied. “Haven't felt better in a long time, actually.”

“Me too,” he added, laying on the bed, his hand caressing your inner thighs that he kissed, then he spread them with his hands.

He ran his thumb over your folds, covering it in your wetness until he reached your clit and gently rolled it under his finger. You moaned, spreading your thighs wider. 

He leaned down, his shoulders taking possession of the space between your thighs, the scent of your arousal filling his nostrils. He licked a long stripe from your drooling hole to your clit, then placed his hands on the inside of your thighs, pressing your knees against the sheets, and you willingly let him do it, your hands sliding into his hair. He pushed his tongue into your cunt, growling against your folds. He never thought he would taste you again and an overwhelming feeling was running through his whole body. You were leaking into his mouth, down his throat and he pressed you against him, greedy for what you were giving him as your hips rolled towards him. His nose brushed perfectly against your clit, like it always did before. You clung to his hair as your moans were getting louder and louder.

"I'm so close, Joel," you murmured, hands lost in his curls. "Please, baby, please." 

“Take what you need, use me, sweetheart.”

“Oh my god, Joel… I’m gonna… I’m coming, fuck!”

He didn't let go of you, leaving his tongue buried in your pussy and his nose against your clit, gripping  your waist with his hands, as if they were in their natural place, your flesh welcoming them.

“Joel…” you whimpered.

“Another one, please, baby. Let me give you another one, ok?”

“I’m not sure if I can… I don’t know if I can,” you panted.

“Lemme try, ok?”

“Ok,” you whispered.

His tongue left your pussy, licking your puffy folds before teasing your swollen clit. His middle finger slid along your folds before he pushed it in you gently, immediately adding a second digit. His fingers pumped into you, making your wetness flow down to the sheets. He kept you pressed against the mattress, as he had done so many times, drunk on your taste and smell. His cock ached but he resisted the urge to grind himself against the bed, afraid of not being able to hold back and come on them.

“I can feel you clench on my fingers, you’re gonna be a good girl and come again for me?” he asked, before swirling his tongue over your clit again. “Thought about it so often,” he added, still pumping your drooling cunt with his thick fingers, then licking and sucking your clit.

“Yes, fuck yes,” you whined, just before you came on his diggits, clit pulsing against his tongue.

He crawled over to you, wiping his mouth with the back of his hand, and smashed his lips against yours, your wimpers now disappearing between them.

“I wanna suck your cock, Joel,” you breathed against his lips, but he shook his head. 

“Sweetheart… I'd love it too but I’m gonna come the second you’ll take me in your mouth,” he said. “And I really need to feel you around my cock. All the way this time, not just the tip. You’re ok with that, baby?”

“Of course, need to feel you too.”

“Damn you’re so pretty,” he said, and kissed you.

He grabbed his cock in his hand, the tip leaking, swollen and red, and nestled it at your entrance, pausing there for a moment before thrusting in. 

“Oh fuck…” you whined, making him stop.

“No, no no, don’t stop, I’m ok. Need all of you, please,” you whimpered.

Like years ago, he would give you everything you needed from him. So he didn't stop until he bottomed out. 

“Shit,” he groaned, feeling his balls tightening, ready to explode. He was struggling so hard not to come, but his breath was hitching with every thrust since he felt your pussy around him. 

You kissed, hips rolling towards each other softly and slowly. He loved to feel you around him again, and again he thought that your bodies were made for each other. He was sure of it more than ever. He slid his arms under your shoulders and you licked his neck, right at his pulsating point, then kissed the thin and delicate skin crossed by its veins.

“I won’t last, baby, I’m sorry…” he panted.

You wrapped your legs around his waist, taking him deeper.

“It doesn’t matter, fill me, Joel, please, just like before,” you begged, making him grawl, and he placed his thumb against your clit. It was enough to give you soon another climax and you pulsed around his shaft, digging your fingers into his skin as you came once again. He thrusted in a few times before burying himself, balls deep in your cunt, and shot his cum into your core, filling it to the last drop, his forehead against yours.

“Fuck, sweetheart….”

“I know,” you breathed. “Just like before.” 

For a few minutes both of you were panting loudly, waiting to catch your breath.

Then you caressed his cheek and he kissed you until he pulled away and lay down facing you.

“Come here, baby,” he said, welcoming you against his chest. He wrapped his arms around you, the way he always liked it so much. You stayed like that for a few minutes without talking. He just wanted to feel you against him, to hear you breathe slowly, to feel your skin against his. 

“I should have left with you,” he said suddenly.

You straightened up to look at him then said softly, “hey, no, don’t… Don’t hurt yourself by thinking that. You did what you had to do, and so did I. And we met again, like you said back then,” you added, and kissed him, then curled up in his arms again.

“We did,” he agreed, brushing your hair delicately. “So, that script?” he asked. “Was it to… like… get me back?”

“Of course it was,” you smiled against his torso, and he kissed the top of your head. 

“I’m happy you sent it to me, sweetheart.”

Thank you for reading 🙏

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[dreadnotau]

Happy three years everybody! As always, there’s a lot to say on the occasion, so pop in at the end of the post for the tl;dr if you don’t have time for my detailed diatribes, haha

Boy, time flies, huh? Feels like the second anniversary was just yesterday, but maybe that’s just the several long hiatuses getting to me. I’ve been scarce on uploading anything anywhere for a while now, even though I promised I’d actually pick up the slack this time around. What gives? Well…

For one, college hell, and for two, a lot of unfounded anxiety about putting my art out there. Allow me some theatrics for a moment and I’ll actually get back to the comic at hand… I’ve never had an exceptionally supportive environment for making art. It wasn’t suppressive, not in the slightest, but it also wasn’t… encouraging. It was always treated as a hobby or a distraction rather than something I was allowed to be fully proud of, especially because a lot of my art focused on more cartoon-y and fantasy ideas, rather than still life studies and painting (which people generally outside of the art sphere tend to value more, arbitrarily). Couple that with a childhood full of being bullied over minute shit you hadn’t even considered could be an issue before, and you get a teenager hellbent on never sharing his interests or ideas with anyone, mostly due to the fear of rejection.

I’ve grown, thankfully, but that paranoia and fear doesn’t go away overnight. As I’m sure you all know, Meowchela was the one who originally encouraged me to post this comic, and the only reason she succeeded was because she was the first person in a long time who listened and engaged with my interests and my art in a meaningful way. It’s kind of obvious her friendship had a profound impact on me, and I’d cite her as one of the reasons I was even hopeful enough to apply to an art college in the first place! This comic, and that bond with another person, proved that maybe these things I’m so passionate about weren’t duds, and weren’t something I had to keep to myself.

So, fast forward a few years. About three years, in fact.

During one of my classes, right before this hellish two weeks of exams started, one of the class assistants talked me into showing my comic pages to one of my professors. He’s generally a pretty open guy when it comes to new mediums, but I’m always… apprehensive about showing my less “traditional art”-y things to professors, but, he ended up being genuinely proud of it. Specifically, I showed him pages 85-87 (because they’re my favourites) and, he didn’t read the text, just the visuals were enough for him to say “good job, keep it up” (which is HIGH praise from that guy). When I mentioned I’ve been meaning to simplify the visuals because I didn’t have time to work on the comic very often because of college and classes, he dismissed it on principle. I was honestly caught off guard. Heavily paraphrasing, he suggested that worsening the visuals for an arbitrary deadline was counterproductive to making something that’s Good™.

That’s kinda stuck with me. For a good few years now I was more focused on optimisation rather than visual improvement for the comic, and though it HAS contributed to better visuals in some ways (cutting corners sometimes makes for a less pointy and jagged end result), it’s kind of weird I’m treating an art project that way, isn’t it? I set a lot of… arbitrary deadlines and standards for myself, in the form of expectations and what I “should” or “shouldn’t” be doing at certain stages in my life. I’ve thought of Dread Not as a passion project second and a stepping stone first, if I’m being honest. As if it was too… fandom-y and derivative to be treated with more gravity than that, like it’s an immature project because I was still a child when I came up with it. As if it was something I’m making to Build Up to Something Else, something Bigger and Cooler and More Important, and… the more I think about the future of Dread Not, and even my future career options, the more I realised that’s, ironically, a really immature way to think about it.

If there’s one thing going to this art college has taught me, is that there’s no “right” way to make art, and there’s no “right” way to success as an artist. There’s no clear-cut paths, just more commonly treaded roads, but even those are heavily overgrown. Why should I try to box myself into thinking I have to make things from complete scratch to be taken seriously? What’s so bad about Dread Not as a story and as a comic that’s caused me to vaguely keep it under wraps when conversing with people in my day-to-day life? Why wouldn’t I put all these skills I’ve acquired to improve and expand this project that’s Right There, WAITING for me to finally get off my ass and get pages out there again?

I wish I could say I’ve used all this time away in a particularly clever way, but I really haven’t - at least, it feels like I haven’t. My art has undoubtedly improved over time (though admittedly the art for this post was Very rushed, fuckin exams), and while I’ve been working on projects in the background, chipping away at them in a VERY disorganised way, I haven’t been posting that progress anywhere, and I haven’t made any good progress on my biggest project, Dread Not, because of the other ones. And, honestly? Admitting that kinda stings. This comic means a lot to me, and I wish I actually gave it the time and attention it deserves instead of letting it sit out hiatus after hiatus because I keep failing at structuring my time.

So, my new plan is a little more abstract: find a way to work Dread Not into my school schedule, and slowly build a habit of working on it more often. No clue how long that’ll take, but I think it’ll be worth it to consider it as an option, and hopefully finally end these long, drawn out hiatuses with short bursts of uploads in-between. HOPEFULLY. Building habits was never my strong suit, so please bear with me while I figure this out in what will probably be the most hectic upload schedule in this comics history, which is: no schedule at all.

From now on (until the end of Act 1), I’ll upload pages when they’re ready, and depending on how the weeks go and how complex the page is, they could be weeks or days apart from one another. Hell, some might even take a month to finish if school stuff gets REALLY hectic (god knows Hellish Exam Week number 1 and number 2 won’t be giving me much time to work on the comic), but I’m determined to do this. I want to be able to put my all into this project again!!

(And hopefully finish Act 1 by the end of this semester…)

TL;DR: College is giving me life lessons I didn’t expect, and because of them I’ve decided to give myself a non-existent upload schedule for Dread Not: Pages will be posted when they’re ready, and the spacing between pages could wildly vary depending on circumstances and the actual complexity of the page itself.

As always, thank you for being here, thank you for reading, and thank you for being patient!

If all goes well, there will be new content very, very soon.

[oceanwithouthermoon]

i think its weird that i have to make this disclaimer but the internet is crazy so wtvr,, anyway,,

if i say i dont like something, that doesnt mean "that thing is bad and nobody should post it.."

i swear literally every time i even mention that i dislike something, people will go "wow does that mean u fucking hate me cuz i post that thing? ur a fucking stupid bitch and all ur opinions r wrong" LIKE ?? er.. no. just because i say i dont like certain characterizations of certain characters (the saiki k fandom is CRAZY about this cuz i can state an opinion on literally any character and a group of people will still go 'well only we're allowed to post our opinions about them because we're always right!1!1!'), or certain ship tropes (mentioned my hatred of toxic yaoi maybe once or twice on here months ago and people STILL get mad at me as if i said toxic yaoi lovers r evil or something), or certain ships, or WHATEVER, does not mean that i HATE the people who are posting them or that i think they shouldnt post them at all, NO, im just posting about my personal tastes on my personal blog and it would be extremely weird and hypocritical if i decided that i was the ONLY person that was allowed to do that,,

i think the only reason people assume that is because there are a lot of other people on here who ARE like that, and a lot of people toe the line between posting that they dont like something and posting that they think everyone who likes that thing is stupid, annoying, and wrong,, so i guess all i can say is, sorry for whatever made you make these assumptions but they arent true about me so plz leave me alone ʘ‿ʘ ur doing the same thing to me that ur accusing me of but i didnt do it in the first place so ur just actively being a dick for no reason

[plushie-lovey]

Finally figured out how to block people from a sideblog on mobile. Now I can ensure anyone I don't want reblogging my posts from plushie-lovey won't be able to

[gutsfics]

FINALLY I DRAW SOMETHING!!!!!!!

some Joseph, both young (around 1980 i'd say, when he was traveling w Stan a few years before the portal incident) and old (~2017, now an art teacher at Westchester High). i like to think the first one is a picture Stan took of him while they were traveling and the second one is his staff photo at WH. the more things change the more they stay the same. i might give em backgrounds and foregrounds to look like that

he's had that jacket since the 70s. real leather will last you.

no glasses alts + the first sketch below

[bibleofficial]

where is my fat husband

[mars-ipan]

every now and again i wonder why izuru assigned me hajime kin so damn hard it came true like how did this motherfucker know everything like that. and then i remember the section of my pinned post asking that people please not use the word "talent" if they want to compliment me bc i have a rough history with the idea of inherent talent. and how that is a genuine fact about me and something that has deeply influenced who i am as a person. and that that has been in my pinned post for longer than i've been a danganronpa fan. and i understand

[look-at-the-stars-tonight]

i still can't get over my roommate implying i was autistic and my friend pulling out her phone to show me the "i'm like if a beautiful woman was an autistic little boy" meme that she'd been saving for the occasion someone acknowledged it

[autism-disco]

magical john drag king is exactly what alan moore meant about the ideaspace this absolutely existed in our collective consciousness as a human species

[slightlytoastedbagel]

Which fucking part of the fandom are you in if you think Ena is just hated for being an "Instagram Girlie"

[sluttyten]

crying laughing about the drama in my life right now😂😂

[itsalwaysdark]

im back

[chisungie]

.