#i think it went ok? who the fuck knows at this point

[wildmelon]

things that are bothering me the most:

antaam stuff makes no sense, full stop. it's also explained poorly/insufficiently.

most of what we see of rivain is completely uninhabited. i also don't care about more warden shit there, i was looking forward to more lore on rivaini people and culture, especially the seers obviously, we've been dying to know more about them for three games.

every elf we've met is ok with the huge revelations that their gods aren't what they seemed and this process happened offscreen. i would think there would be many different reactions to the spread of info about the evanuris, and i would think it would be extremely important to make it clear that info had spread pre-game.

the venatori are the same nonsensical vague useless boring cult with the most nothing goals. as incredibly lame as they are, it's even stretching my suspension of disbelief that they'd serve elven gods for vague promises of 'power' given tevinter's extreme history with the elves. i would think this would come up at least one single time.

the past two points are part of an overarching issue. the contentious and complex political landscape of thedas that makes the setting interesting feels flat. i'm supposed to believe NO ONE in super-elf-racist tevinter would blame the elves for their gods terrorizing thedas? even inquisition acknowledged this, w solas/inky showing concern that revealing the orb was elven would lead to elf racism.

i'm supposed to believe NO elves who've been oppressed by humans for centuries would think 'fuck them' and join up? what happened to the elves who joined solas at the end of trespasser when they heard he was trying to bring back their empire? at least inquisition had wacky cults for every side.

walking down the street in minrathous as an elf or qunari with no difference is simply absurd, i would literally rather never visit tevinter if they were going to implement it so toothlessly. where is the immediate opinion hit for being a mage/elf the inky takes in orlais???

yes the tone is off and a little shallow. yes the companions communicate too healthily for my tastes. yes i was dreading 'evanuris are behind everything' lore reveals and that's what we got. but i honestly think i could overlook those things if the above problems were solved and it felt like the same immersive, problematic thedas.

i'm so completely infuriated by the worldstate choices i'm going to make a separate post about it. but yeah i was concerned but made no noise, i was willing to wait it out and see how the three choices played out in game. and it's absolutely ridiculous that so far two out of fucking three have basically no impact, and the last one idgaf about unless inky romanced solas. i'm so so so so mad and disappointed about this, especially after staying open-minded when it was initially revealed.

everyone loves companion quests, so i don't know why the game feels like it needs to sell you on their significance. why did we get two different scenes of varric spelling it out to rook: do the companion side quests, or else they won't be able to focus! it's such a weird and superfluous tie-in. i don't get why they went so out of their way to clarify this when it didn't need to be clarified, companion side quests are expected in rpgs and their relevance to the plot is very easily accepted/overlooked.

[arsonistbunny]

Ok so first of all - this is crazy that it was about 50/50 all the time. Sadly it shows how much Security Breach fucked up (I have watched the interview with Dawko - it's still sad that they don't do something to fix it (the story) up still). Like, I'm not gonna make a pool about it but there are probably as many people who think Vanessa has a twin when to me it's just when Glitchtrap takes control?

Now, what do I think about it? To me, he's not William.

From the beginning (Help Wanted), it's been intentionally unclear: is he William? It's a trickster, a malware for sure. But then somehow it seems that a lot of people missed that his keysmash talking is actually copying the tape girl's voice (thanks to an-archaic-archivist for showing me this video???). Which is the first hint that he is the mimic. But then from Dawko's interview, Scott speaks as if Glitchtrap & The Mimic are two different characters - which I really don't like the idea of because they have the exact same motives and capacities. Putting two different villains one after the other with the exact same characterization is.....not a good horse to bet on? It's confusing and unnecessary. (DISCLAIMER. When I talk FNAF, unless specified I'm only talking from a game point of view I am never talking about the books and I will not.)

But anyways!!! Here's my theory from when I tried to crack Glitchtrap!! :)

If you know me, you know I love Princess Quest Glitchtrap. It is a very particular form to give to a character that is a malware mimicking, isn't it? The Princess Quest games all depict floating rabbit heads as enemies, and in the end, you meet an amalgamation of them, with one head that is more aware and in control—Glitchtrap.

And, you know, to find answers you're just gonna go looking at the stuff you've already seen, already know, that might be similar in one way or another. I don't remember what exactly made me think about the Funtime Animatronics but that's where I went. The question of why Circus Baby is also Elizabeth but the others aren't.

When you get under the desk on Night 3, you hear Circus Baby talking and not Elizabeth. You can notice they're not always speaking as one. Circus Baby telling you how Elizabeth died: "I would always count the children– I’m not sure why. I was always acutely aware of how many there were in the room with me. [...] A little girl, standing by herself. I was no longer... myself, and I stopped singing. My stomach opened, and there was ice cream. I couldn’t move—at least, not until she stepped closer. There was screaming for a moment, but only for a moment. Then other children rushed in again, but they couldn’t hear her over the sounds of their own excitement. I still hear her sometimes. Why did that happen?"

Elizabeth as Baby in Pizza Sim: "You played right into our hands, did you really think that this job just fell out of the sky for you? No. This was a gift, for us. You gathered them all together in one place, just like he asked you to. All of those little souls, in one place, just for us, a gift. Now we can do what we were created to do, and be complete! I will make you proud daddy! Watch, listen, and be full."

But Funtime Freddy and the others don't do that. You know, it almost feels like... they're alive. Well that was the point, wasn't it? They're alive but stuck under their coding. Just like when Baby could not disobey the rule of counting the children. From Pizza Simulator we find out what exactly the SCOOPER is and with that, that the Funtimes were all brought to life with remnant, some sort of amalgamation of children's souls, to snap more children's souls.

In Circus Baby's case, 1. she was brought to life by remnant and with this many souls it seems that they all lose their consciousness to one the robot's coding, adopting the robot's coding as their personality. But then 2. when, she killed Elizabeth, this one went to haunt the robot creating a """two people one body kind of situation""", they're both aware as Circus Baby and Elizabeth.

And yeah, this makes me think a lot of Glitchtrap in that case. Because Glitchtrap might be just that. Remnant. An amalgamation of souls. But this one didn't get a robot to 'get their personality' so to speak. So they're dormant. Until they get awakened by being accidentally put into a VR game. They don't know who they are, or what they are. Their whole world is literally just FNAF games at this point. So they get to choose. They don't have a sense of right and wrong. They're choosing the most powerful figure in there: William. They mimic him. They don't realize what is wrong, they're proudly guiding the player on their own level (Pizza Party) to show them their crimes (William's crimes that they reclaimed as part of the mimicking).

They're in a game. When you die, you restart the level. Until Jeremy. They realize the beta testers can actually 'log out' and they have a way bigger world. So they want out. But those beta players get away and never come back (because he's dead). So they gotta step up the tricking game. So they mimic a voice.

And then it works! So they pretend to be Vanessa. They get to be Vanny. They order Vanessa around. And it fails! They get trapped and need to attract someone from the outside - they mimic Gregory. The plan almost succeeds. They mimic Roxy.

When I posted this piece, I saw some people with DID thought this was about DID, and I was not thinking of it, I was thinking of my theory - and I did say (afterwards or before can't find the post) that I'm honored my art gets interpreted in some ways I didn't think of it before. It's actually very nice but most importantly good for you. You deserve to feel linked to characters you like.

Anyways..Scott hit me up I have ideas I can share if you ever feel like you're stuck.

im curious, actually

(rb for a better reach pls)

[dreadnotau]

Happy three years everybody! As always, there’s a lot to say on the occasion, so pop in at the end of the post for the tl;dr if you don’t have time for my detailed diatribes, haha

Boy, time flies, huh? Feels like the second anniversary was just yesterday, but maybe that’s just the several long hiatuses getting to me. I’ve been scarce on uploading anything anywhere for a while now, even though I promised I’d actually pick up the slack this time around. What gives? Well…

For one, college hell, and for two, a lot of unfounded anxiety about putting my art out there. Allow me some theatrics for a moment and I’ll actually get back to the comic at hand… I’ve never had an exceptionally supportive environment for making art. It wasn’t suppressive, not in the slightest, but it also wasn’t… encouraging. It was always treated as a hobby or a distraction rather than something I was allowed to be fully proud of, especially because a lot of my art focused on more cartoon-y and fantasy ideas, rather than still life studies and painting (which people generally outside of the art sphere tend to value more, arbitrarily). Couple that with a childhood full of being bullied over minute shit you hadn’t even considered could be an issue before, and you get a teenager hellbent on never sharing his interests or ideas with anyone, mostly due to the fear of rejection.

I’ve grown, thankfully, but that paranoia and fear doesn’t go away overnight. As I’m sure you all know, Meowchela was the one who originally encouraged me to post this comic, and the only reason she succeeded was because she was the first person in a long time who listened and engaged with my interests and my art in a meaningful way. It’s kind of obvious her friendship had a profound impact on me, and I’d cite her as one of the reasons I was even hopeful enough to apply to an art college in the first place! This comic, and that bond with another person, proved that maybe these things I’m so passionate about weren’t duds, and weren’t something I had to keep to myself.

So, fast forward a few years. About three years, in fact.

During one of my classes, right before this hellish two weeks of exams started, one of the class assistants talked me into showing my comic pages to one of my professors. He’s generally a pretty open guy when it comes to new mediums, but I’m always… apprehensive about showing my less “traditional art”-y things to professors, but, he ended up being genuinely proud of it. Specifically, I showed him pages 85-87 (because they’re my favourites) and, he didn’t read the text, just the visuals were enough for him to say “good job, keep it up” (which is HIGH praise from that guy). When I mentioned I’ve been meaning to simplify the visuals because I didn’t have time to work on the comic very often because of college and classes, he dismissed it on principle. I was honestly caught off guard. Heavily paraphrasing, he suggested that worsening the visuals for an arbitrary deadline was counterproductive to making something that’s Good™.

That’s kinda stuck with me. For a good few years now I was more focused on optimisation rather than visual improvement for the comic, and though it HAS contributed to better visuals in some ways (cutting corners sometimes makes for a less pointy and jagged end result), it’s kind of weird I’m treating an art project that way, isn’t it? I set a lot of… arbitrary deadlines and standards for myself, in the form of expectations and what I “should” or “shouldn’t” be doing at certain stages in my life. I’ve thought of Dread Not as a passion project second and a stepping stone first, if I’m being honest. As if it was too… fandom-y and derivative to be treated with more gravity than that, like it’s an immature project because I was still a child when I came up with it. As if it was something I’m making to Build Up to Something Else, something Bigger and Cooler and More Important, and… the more I think about the future of Dread Not, and even my future career options, the more I realised that’s, ironically, a really immature way to think about it.

If there’s one thing going to this art college has taught me, is that there’s no “right” way to make art, and there’s no “right” way to success as an artist. There’s no clear-cut paths, just more commonly treaded roads, but even those are heavily overgrown. Why should I try to box myself into thinking I have to make things from complete scratch to be taken seriously? What’s so bad about Dread Not as a story and as a comic that’s caused me to vaguely keep it under wraps when conversing with people in my day-to-day life? Why wouldn’t I put all these skills I’ve acquired to improve and expand this project that’s Right There, WAITING for me to finally get off my ass and get pages out there again?

I wish I could say I’ve used all this time away in a particularly clever way, but I really haven’t - at least, it feels like I haven’t. My art has undoubtedly improved over time (though admittedly the art for this post was Very rushed, fuckin exams), and while I’ve been working on projects in the background, chipping away at them in a VERY disorganised way, I haven’t been posting that progress anywhere, and I haven’t made any good progress on my biggest project, Dread Not, because of the other ones. And, honestly? Admitting that kinda stings. This comic means a lot to me, and I wish I actually gave it the time and attention it deserves instead of letting it sit out hiatus after hiatus because I keep failing at structuring my time.

So, my new plan is a little more abstract: find a way to work Dread Not into my school schedule, and slowly build a habit of working on it more often. No clue how long that’ll take, but I think it’ll be worth it to consider it as an option, and hopefully finally end these long, drawn out hiatuses with short bursts of uploads in-between. HOPEFULLY. Building habits was never my strong suit, so please bear with me while I figure this out in what will probably be the most hectic upload schedule in this comics history, which is: no schedule at all.

From now on (until the end of Act 1), I’ll upload pages when they’re ready, and depending on how the weeks go and how complex the page is, they could be weeks or days apart from one another. Hell, some might even take a month to finish if school stuff gets REALLY hectic (god knows Hellish Exam Week number 1 and number 2 won’t be giving me much time to work on the comic), but I’m determined to do this. I want to be able to put my all into this project again!!

(And hopefully finish Act 1 by the end of this semester…)

TL;DR: College is giving me life lessons I didn’t expect, and because of them I’ve decided to give myself a non-existent upload schedule for Dread Not: Pages will be posted when they’re ready, and the spacing between pages could wildly vary depending on circumstances and the actual complexity of the page itself.

As always, thank you for being here, thank you for reading, and thank you for being patient!

If all goes well, there will be new content very, very soon.

[oceanwithouthermoon]

i think its weird that i have to make this disclaimer but the internet is crazy so wtvr,, anyway,,

if i say i dont like something, that doesnt mean "that thing is bad and nobody should post it.."

i swear literally every time i even mention that i dislike something, people will go "wow does that mean u fucking hate me cuz i post that thing? ur a fucking stupid bitch and all ur opinions r wrong" LIKE ?? er.. no. just because i say i dont like certain characterizations of certain characters (the saiki k fandom is CRAZY about this cuz i can state an opinion on literally any character and a group of people will still go 'well only we're allowed to post our opinions about them because we're always right!1!1!'), or certain ship tropes (mentioned my hatred of toxic yaoi maybe once or twice on here months ago and people STILL get mad at me as if i said toxic yaoi lovers r evil or something), or certain ships, or WHATEVER, does not mean that i HATE the people who are posting them or that i think they shouldnt post them at all, NO, im just posting about my personal tastes on my personal blog and it would be extremely weird and hypocritical if i decided that i was the ONLY person that was allowed to do that,,

i think the only reason people assume that is because there are a lot of other people on here who ARE like that, and a lot of people toe the line between posting that they dont like something and posting that they think everyone who likes that thing is stupid, annoying, and wrong,, so i guess all i can say is, sorry for whatever made you make these assumptions but they arent true about me so plz leave me alone ʘ‿ʘ ur doing the same thing to me that ur accusing me of but i didnt do it in the first place so ur just actively being a dick for no reason

[gutsfics]

FINALLY I DRAW SOMETHING!!!!!!!

some Joseph, both young (around 1980 i'd say, when he was traveling w Stan a few years before the portal incident) and old (~2017, now an art teacher at Westchester High). i like to think the first one is a picture Stan took of him while they were traveling and the second one is his staff photo at WH. the more things change the more they stay the same. i might give em backgrounds and foregrounds to look like that

he's had that jacket since the 70s. real leather will last you.

no glasses alts + the first sketch below

[magentagalaxies]

vent incoming:

got my grades back for my courses last semester and most of it was to be expected, mostly A's, maybe an A-, etc. but i honestly can't get over the fact that my independent study (the buddy cole documentary) was for some reason given a B. like sure getting a B isn't bad per se, I usually get at least one B every semester and i honestly don't really care about what my exact gpa is as long as i can graduate, but come on. this school put me through months of psychological torment over this project and didn't even have the nerve to give me a B+??? i'm still coping with the self-doubt they forced on me and this bullshit is not helping!!

[minglana]

so what if i killed myself.

[mars-ipan]

every now and again i wonder why izuru assigned me hajime kin so damn hard it came true like how did this motherfucker know everything like that. and then i remember the section of my pinned post asking that people please not use the word "talent" if they want to compliment me bc i have a rough history with the idea of inherent talent. and how that is a genuine fact about me and something that has deeply influenced who i am as a person. and that that has been in my pinned post for longer than i've been a danganronpa fan. and i understand

[look-at-the-stars-tonight]

i still can't get over my roommate implying i was autistic and my friend pulling out her phone to show me the "i'm like if a beautiful woman was an autistic little boy" meme that she'd been saving for the occasion someone acknowledged it

[autism-disco]

magical john drag king is exactly what alan moore meant about the ideaspace this absolutely existed in our collective consciousness as a human species

[slightlytoastedbagel]

Which fucking part of the fandom are you in if you think Ena is just hated for being an "Instagram Girlie"

[sluttyten]

crying laughing about the drama in my life right now😂😂

[notasapleasure]

op kindly only screenshotted the tags where it looks like I'm saying because the castles were not designed and built by the welsh (a reasonable interpretation of what the original post said) I don't think the welsh should get a say, even though I go on to mention that I don't think any money from them *should* be going to the parasites in westminster! But hey it's much easier, as I was inferring about nationalist takes like this on tumblr, to make me a colonialist boogie man.

In any case, the deeper thing bugging me that I didn't have the confidence to articulate (*signs tumblr death sentence in triplicate* haha silly me instead thinking it was fair to point out that op made it seem like these buildings, icons of welsh repression, were rather built by the welsh for the welsh) was that I don't know what money you think is going to the crown from this! The famously cash-loaded heritage industry, ah yes, they will surely solve all our financial problems if only we didn't have to send their vast profits to the stinking pigs in crowns...

They are doing their best to keep the buildings up. Guess what? English Heritage also manages stuff owned by the crown. Guess what? In England their public services are also fucked by nearly fifteen fucking years of tory austerity. It's not because of the castles. I'm delighted that visitor numbers are going up for Cadw and I have been to many of the sites they manage and frankly they do a better job than many of the sites in Scotland and England I've been to. I simply do not know where the idea comes from that they're rolling in profits that are being sent abroad to the crown?? If the crown owns these properties still I just rather think your petition should be aiming to bleed the fucking royals dry and make then pay for their upkeep!

Also I still think claiming the Welsh built the castles is absurd. You don't have to have built them to justify them being in Cadw's hands. That is the heart of what annoys me here I think: not the nationalist sentiment but the unnecessary distortion so many nationalist arguments indulge in, which undermines their arguments rather than supporting them, from my perspective (having already said in tags elsewhere that I am agnostic on devolution: it is a decision for the welsh to make not me. If you want my answer about a border poll in NI where I live then you'll have to prove you can be serious about things like pensions and health care provision before we talk about the effects of a snap poll and which way I would vote depending on the wording and the offers made).

MUCH more interesting and alarming from my pov is the money you're paying to the crown for the use of the seabed under your wind farms. If Chuckie boy believes so strongly in green energy why doesn't he do all he can to support the green sector in Wales and waive costs, or even maybe give Wales its own seabed back?

I am absolutely disgusted to learn that crown owns our castles and the profits are sent to Westminster. Wales is struggling, our economy is struggling, our people are struggling, our health services are struggling, and that money could go to the betterment of our lives - instead it goes to England.

despite the fact we maintain the castles and land, we don't own them. they are in OUR country. ownership should belong to us, the people who built them. we maintain them. we work in them. theyre ours and we should be able to use the profits generated by them to help welsh people, not allow the money be funnelled into the monarchy.

the fact the crown owns so much of wales is such an outdated and medieval concept and has no place in modern society.

petition here:

please sign. I am disgusted.

[hirokiyuu]

the venn diagram of iconoclasts fans and twst fans is two distinct circles but that will not stop me

[ji-lixie]

ive never hated a doctor quicker than i have now.

[skywalkerslvt]

Rough Ride (so rough)

❥Pairing: RE2!Leon x AFAB!Reader

❥Summary: What happens when you have to sit on Leon's lap for a very long and bumpy car ride? Leon's pants get soaked 😍

❥CW: 18+, smut, sub!leon, dry humping, cumming in pants, overstimulation, crying kink, semi-public sex, sorta non-con at first? but both parties are consenting, 1.6k words

❥a/n: can you guys tell how much I like dry humping from the amount of times it shows up in all my fics? anyways RE2 Leon is so subby i need to make him cry so I wrote this. Also my requests are open if any of u leon sluts wanna request something 👀 Hope you guys enjoy! <3

Leon Kennedy was utterly fucked. Both literally and figuratively. He was approximately one hour into the grand camping trip that your shared group of friends had planned, and it was already off to a bumpy start.

It started with the excessive amount of luggage you and Claire had decided to pack. The trunk was bursting at the seams, and the backseat was already crammed with more than it could reasonably hold, leaving the driver seat, the passenger seat, and a single seat in the back free for its intended use.

With Chris driving and Claire staking her claim on the passenger seat, that left you and Leon with the single seat to share.

And when you whispered a seductive “I guess we’ll have to make do,” with a mischievous glint in your eye, Leon knew he was done for.

Before he could respond, he was shoved into the car, barely even registering that you were manoeuvring yourself into his lap, carefully trying to find a comfortable position.

At first, Leon was awkward. It wasn’t every day that the girl he had a massive crush on was situated on his lap, and especially not for a 2 hour long drive like this one. But as you leaned against him and whispered a soft “Relax,” he eventually settled in, wrapping his arms around your waist and propping his chin on your shoulder.

The first hour was fine, enjoyable even. Leon had managed to stave off a massive boner, and everyone had been happy despite the luggage situation. But issues started to arise as Chris turned the car onto a bumpy gravel path in the woods.

“We’re gonna be on this trail for about an hour and then we'll be at our camping spot. It might get a bit bumpy,” Chris muttered quietly, not wanting to wake up his sister who had dozed off against the window.

As the car drove deeper into the forest, the road became more uneven, causing you to bounce slightly in Leon’s lap. His cock started to twitch, the boner he managed to avoid coming to as all his attention was focused on that single point where your ass was softly bouncing on his cock.

Leon was flushed head to toe, his teeth worrying his lower lip as the rate of his breathing increased. His cock was now fully hard and leaking pre-cum in his boxers, and by some miracle, you hadn't noticed. Needing to feel more friction, he pushed his hips up slightly, softly grinding his hard dick against your ass, playing it off as shifting to a more comfortable position. He felt like such a pervert, getting off against your ass while you were completely oblivious, but the weight of you on top of him felt too good to stop.

He had managed not to make a sound, harshly biting down against his surely bruised lip any time he felt like moaning, but when Chris hit a particularly hard bump, causing you to bounce harshly back into his cock, he let out a barely audible whimper, right against your neck.

Leon stiffened, panicking as he was sure he got caught. You were going to realize what he had been doing, and you'd think he was a disgusting pervert, never wanting to see him again.

But as you turned your head slightly, concern etched on your features, and asked him if he was okay, Leon went lax with relief. You didn’t know.

“Y-yeah- Sorry I was just startled by the bump,” he stammered out.

You smiled softly, seemingly unaware of the turmoil raging inside him. “It's okay. These roads are pretty rough. Just hold onto me if you need to, okay?”

Leon swallowed hard, nodding. “Sure, thanks.” You leaned in and pressed a chaste kiss to his cheek, then turned back around and shifted your hips, moving in a more comfortable position. Leon’s hold around your waist tightened and his dick twitched at the feeling of you moving against him.

The car continued to jostle along the uneven path, each bump sending another wave of sensation through Leon’s body. He tried to focus on anything else–the trees whipping past outside, the sound of Chris humming along to the radio, the soft snores of Claire asleep in the front–but his mind kept coming back to the warmth and pressure of you against his twitching cock.

Desperate to maintain some semblance of control, Leon shifted slightly, trying to find a position that would ease his arousal. It was useless. Every movement, every slight adjustment only heightened the friction, the pressing of your body against him his own personal torture.

Minutes felt like hours as the car bumped along the trail, each jolt a reminder of the situation Leon found himself in. To make matters worse, you began shifting, unknowingly pushing your ass against his cock continuously, and Leon couldn't help himself. He just had to cum, so he began grinding against you again, timing his thrusts with your shifting.

He closed his eyes as his thrusts got sloppier, the building heat in his gut reaching its peak. He knew he couldn't hold out for much longer, and he was careless with his sounds, his heavy breathing against your neck becoming louder and louder.

Leon's body tensed, and with a muffled groan, he came, his cock twitching as he spilled into his pants. Relief washed over him, but it was short-lived as the car continued to jostle along the path, your ass still bouncing in his lap, overstimulating his already sensitive cock.

His breathing grew ragged, and tears began to well up in his eyes. He couldn't take it anymore, the friction becoming unbearable, and he bit his lip hard, trying to stifle his whimpers.

Despite the overstimulation, the continued friction of your ass bouncing against him caused his cock to twitch and harden once more, much to his confusion and frustration. The sensations were too much to handle; his body was a mess of sensitivity and arousal, and he couldn't stop the tears that began to spill down his cheeks.

Leon's mind was a haze of pleasure and pain, the overstimulation blending into a desperate need for more. His hips involuntarily thrust upward, seeking more friction, even though it was torturous. Each bounce of your ass pushed him closer to the edge again, and he couldn't understand how he could be this turned on despite having just cum.

Minutes felt like hours, and Leon's body was on the brink of collapse. The continued friction, combined with his heightened sensitivity, pushed him to the edge once more. He tried to stay silent, but soft whimpers escaped his lips, tears streaming down his face as he clung to you, desperate and needy.

Just when he thought he couldn't take it anymore, you turned your head slightly, a smirk playing on your lips.

The realization hit him like a freight train—you knew. You had known all along. Your smirk widened as you watched him, your eyes dark with arousal.

You leaned in, your breath hot against his ear as you whispered, "You've been such a good boy, Leon."

Leon's breath hitched, his body trembling as your words sent a jolt of pleasure straight to his cock. He was overwhelmed, his senses on overdrive as you licked the tears from his face, your tongue tracing a path along his cheek.

Without warning, you began grinding against him, your hips moving in slow, deliberate circles. The friction was maddening, sending shockwaves of pleasure through his overstimulated cock. Leon's hands tightened around your waist, his nails digging into your skin as he fought to hold on.

"You like this, don't you?" you murmured, your voice dripping with teasing amusement. "Getting hard again so soon after cumming. Such a needy boy."

Leon could only nod, his voice failing him as you continued to grind against him, each movement sending him spiraling further into a state of desperate arousal. He was completely at your mercy, and he loved every second of it.

Your pace quickened, and Leon's breath came in short, ragged gasps. Each grind of your hips sent jolts of pleasure through his overstimulated body, and he clung to you as if you were his lifeline. His tears mingled with sweat, his entire world narrowing down to the intoxicating friction and your teasing whispers in his ear.

With a final, deliberate roll of your hips, you sent him over the edge again. Leon's body convulsed, his cries muffled against your shoulder as he came for the second time, his cock throbbing and spilling more cum into his already-soaked pants. His tears of overstimulation turned to tears of overwhelming pleasure, his entire being consumed by the raw, intense sensations. You held him tightly, a satisfied smirk on your lips as you licked away his tears, savoring the sweet taste of his submission.

As the last waves of his orgasm subsided, you continued to move gently, coaxing every last bit of pleasure from his exhausted body.

Leaning in close, you kissed him tenderly, a silent promise of many more games to come. In that moment, Leon knew he was utterly and completely yours, and he wouldn't have it any other way.

When they finally pulled up to the cabin, Chris hadn't even fully parked before Leon threw you off his lap and bolted for the door. His face was a deep shade of crimson, and he mumbled a halfhearted excuse about needing to use the washroom, doing his best to conceal the completely soaked front of his pants. As he disappeared inside, you couldn't help but laugh softly, the image of his flustered expression etched in your mind. You exchanged a knowing glance with Claire, who raised an eyebrow in silent question. Smiling innocently, you shrugged, already anticipating the next opportunity to tease Leon further.