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hopeshoodie · 3 years

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Ok so in light of the Independent article (see my tag #fusebox layoffs for more info), I’ve been trying to piece together the sequence of events that lead to FB Going to Shit™.

All of the below is based on articles, tweets from the staff, and dates from screenshots. Especially with the Matchmaker stuff, I’m using the dates I personally accessed the stories- that might not be accurate to when they were actually released to an international audience, just when my phone updated the app. In hindsight, I’m not a great person to do this because I have a shit memory and don’t keep receipts, so if you have any corrections PLEASE lmk either in the dms or replies.

In sum, the timeline appears to be:

1. Key players left Fusebox in early 2020.

The one that people are probably most familiar with is David Gallopim, one of the artists who helped define the S2’s distinct style, leaving sometime before March 2020. He seemed to indicate that there was conflict over the new art style of S3, and released assets he’d designed of Harry in his own style (notably way prettier than Harry looks in-game).

But probably more important to the direction of the company, Michael Othen, one of the co-founders and former CEO, left in July of 2020 (I had thought it was earlier in the year but according to LinkedIn it was July). It’s much more unclear why he left, but it’s notable because he was a huge force in making the game inclusive of LGBTQ characters.

So all in all, not a great sign when employees who had a huge hand in creating the content and direction of a game that defined its success jump ship. Especially after the game was seemingly hitting its stride, with the host of Love Island (the TV show) doing a sponsored Let’s Play of S3 and projects in the works like Boat Party and CMM.

2. It seems like Fusebox‘s CEO/executives hired new management, either in 2020 or early 2021. Employees complain that the executives don’t understand what it takes to make a game and are pulling the studio in the wrong direction. It’s unclear if the newly hired execs had experience.

Wil Stephens, the CEO/founder, has been with FB since its inception but also appears to have only founded game distribution ventures and not worked in any development or employment capacity. If that’s the case, maybe the complaints about lack of experience/knowledge about the mechanics of making games work are about him. If not, then some of the newly hired execs would likely be to blame.

Paul Virapen, COO, was brought on in November of 2020. He’s worked with Disney’s gaming division, Big Pixel studios, Wooga. The quality of that experience is dubious since he headed up the ‘let’s make apps for Apple watches, it’ll be the next big thing’ department… Lol. Notably also, all of his roles had been in the executive/managerial realm, not the development teams, so the complains might have been about him. THIS IS SPECULATION, but I’m willing to bet that Virapen was a if not THE driving force in switching Fusebox’s focus entirely to matchmaker. All the studios he’s worked with have primarily produced and promoted Match 3 games, and he has a background working with big studios that produce games for large international audiences, not small studios making narrative games for limited audiences.

A new Manager of Finances, Ruth Erskine, was brought on in December of 2020

Rob Goddard, a new producer, was brought in January of 2021

Several key operations positions were filled by existing employees being promoted to management- 2 as far as I can tell. But as a whole it seems like December 2020 was a huge shift in leadership for the upper management while a lot of the other teams expanded but kept their old players as well.

3. At some point in late 2020- mid 2021, the executive team made the decision to switch LITG’s focus from a narrative pass-based game to a Match 3 incorporating romance narrative cut scenes. In early 2021, Fusebox teased more content to come while releasing S3 (seemingly referring to Matchmaker and not S4). In the interim between S3 endings and Boat Party’s release they put out an interview confirming the new game will be Match 3 but did seem to indicate that the plan at that time was for Matchmaker to be a side project with a different development team and not replace the main game. Notably, the LITG writers and artists were reassured that their roles will continue to exist (according to the independent article) as they’re working on S4.

3. In September of 2020, Matchmaker became briefly available in the US. That’s when I first downloaded it, at least. It would be added/removed from the google play store multiple times before having a unilateral release in July of 2021.

Throughout 2020, Matchmaker is available to Asian audiences solely with LITG S1 getting rolled out in incremental updates.

Eventually, Beanie Quinn is released (March 2021)

LA Noir is released (May 2021)

Seduction Games is released (late May or June 2021- I got the update and played it June 3rd, but hadn’t opened the app for a month or so. It might have come out before then, which is unfortunate for this timeline since it’s so inextricably linked to the open letter and layoff dates)

LITG S2 is released (only like 20 levels of it) the same month- June 19th for me. Notably, all of these stories are only released to an international audience, with the UK and USA still not having access to the app.

4. At the same time, Fusebox’s internal affairs are pretty quiet from 2020-2021, at least on social media.

S3 comes out in 2020, Boat Party comes out later in the year and finishes in 2021. Post S3 in October of 2021, a survey goes out gauging player interest in new art styles and representation, which was pretty in keeping with past actions and seemed promising for S4.

Boat Party features a promising cross promotion implementing irl brands into the game. It’s unclear if enough money was made from this on FB or the sponsor’s end to make that strategy viable, but that might’ve impacted management’s outlook for the profitability of LITG.

Fusebox teases more content for the summer on Instagram, and then follows up and confirms it’ll be a proper season.

5. More key players leave in early 2021

Ed Sibley is still listed as Narrative Direction on LinkedIn, but he’s not credited as a writer on Season 4 (he was on 3,2,and 1) and started work with NetSpeak games in May of 2021, so we can assume he left around then or at least transitioned away from Fusebox then.

Fred Francis, another writer who had been on the team since S1, turns in his resignation ‘weeks’ before the layoffs were announced in late June. So we can assume he made his exit sometime early June or late May.

6. Prior to the release of Seduction games in May/June, staff expressed concern about the biphobia in Seduction Games. No sources have given a specific time when this took place. They were reassured that the problem would be corrected prior to release, but then the story was released as is to an international audience in June. The article released by the Independent is unclear- there might have been discussion prior to the open letter where staff expressed concerns and then were reassured before the game going live. OR the open letter might have been the first expression of concern by the staff. I tend to think the former, and the open letter was a response to Matchmaker going live with Seduction Games anyways, but I have no proof for that. On May 24th, 31 employees sent an open letter of concern regarding the problematic content in Matchmaker. This letter isn’t public, so we don’t know the scope of the employees' concerns or who the employees were.

7. To resolve the situation, a meeting between the staff and at least the COO (likely more than just him though) was held sometime after May 24th. Allegedly, Virapen was disrespectful to the employees who had questions, refused to answer, and ended the meeting early before any resolution was had by closing his laptop and leaving the room. At least 4 HR complaints were made in the wake of that meeting, we do not know the nature of those complaints.

8. Some time mid-July (maybe July 26th? A writer tweeted about their job ending soon on that date), employees were made aware that the LITG app would move into ‘sunset mode’. It’s unclear what was communicated, but it seems as though S4 will be heavily delayed or cancelled altogether and no future seasons would be made. Writers begin to post about looking for work on Twitter

9. June 30th- The majority of Fusebox writing staff announce on twitter they’re out of work. In addition to the entire writing staff, unity engineers and producers are also let go.

10. July 5th - Fusebox executives respond to an article by MCVUK with a statement asserting they were “consulting with [their] employees on a proposed change to its business model” that would focus on producing Matchmaker content. They also expounded that the move was to secure “cash injections and and continued support from respected investors across the media and gaming industry”

11. July 6th- Fusebox announces that S4 will be delayed from the summer release date and that there is no fixed release date.

12. August 2nd- three jobs are posted to Fusebox’s careers page on their website, one being Head of Narrative Content. In the job listing, it specifies that they’ll be maintaining existing properties as well as new ones, and that because of the co-development model (re:fusebox outsourcing Matchmaker to another studio) the new Narrative Lead must collaborate with external content creators.

Hopefully posting this timeline gives players a better understanding of how radically Fusebox has changed in the course of 2021 (and how royally they screwed over the people who made LITG what it is). Again, please let me know if you have receipts showing dates are different or things to add.

#fusebox layoffs #fusebox games

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shining-red-diamond · 4 years

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Bells in the Distance (Part 1)

Words: 2.9k

Pairing: Onew x Winnie (OC) (feat. Amber Liu, Monsta X’s Joohoney, and ROMEO’s Minsung)

Raiting: PG

Genre: Fluff, angst

Warnings: intense in some scenes, some peril

Summary: Since being home from the military, Lee Jinki is over the moon to be home with his wife Winnie and son Owen. They grew closer together, but Jinki can’t help but feel as if he failed as a husband and father by being away from his little family for so long and not connecting with his son as he would wish. On Christmas Eve, he’ll take a journey to a place he knew only in legends and maybe learn something from St. Nicholas. Inspired by the film The Polar Express.

Tags: @ezralia-writes @queen-of-himbos @romeorussia @barnesbabee @daybreakx @fairyofdusk Let me know if you want to be tagged.

December 24, 2020

“But I heard him exclaim, ere he drove out of sight— ‘Happy Christmas to all, and to all a good night,’” Winnie finished the story.

“Read it again, Mommy,” the four-year-old boy begged.

“But if I read it again, Santa might not come,” his mother warned in a gentle voice. “All of those cookies we made for him will go to waste, and you decorated them so beautifully.”

“Even the ones with lots of icing?”

“Those are his favorites.”

“Okay, Mommy,” the boy sighed.

Winnie chuckled. “Sweet dreams, baby.”

Jinki watched as the light in his son’s room was switched off, and his wife’s footsteps were heard trudging down the hallway towards his and her bedroom.

Earlier that evening, Jinki and Winnie had gotten into an argument. Ever since he had returned from military service back in July, he felt he had missed out on much of his son’s life. He wasn’t feeling as connected with him as he used to be. Winnie argued that Owen always wanted to be with his dad, and now that he’s home all Owen wants to do is spend time playing with him. The ordeal led them in a heated argument, which led to each of them saying hurtful words to each other. Jinki hated himself for it, so he decided to sleep on the couch in the living room for the night in order for the two of them to cool off until morning. Seeing Winnie cry killed Jinki inside. She was four and a half years younger than him, but he always wanted to be gentle with her feelings, especially now that she was pregnant with number two. He wanted to run up there, snuggle her, and rub and kiss her swollen belly; but the last thing he wanted to do was make his beloved wife upset.

After a glass of water, Jinki tiptoed upstairs to check on his little boy. Peaking into his bedroom, the child was fast asleep while snuggling his fox plushie. The only light in his room was his galaxy projector giving a green light show. Once he shut the door as quietly as possible, his foot carried him towards his and Winnie’s room; but something told him not to go in. Was it guilt? A sixth sense? Was something going to happen? He wasn’t sure, but he listened to his gut and returned to his self-made couch bed.

Jinki then turned off the kitchen light after refilling his cup and headed back to the couch. Gently, he set his drink on the cork coaster and rested his head on his pillow. However, he still had to get up in the morning to set out Owen’s gifts from “Santa,” so he set an alarm for 7:45AM before lying down again.

Silence and darkness engulfed the house, the ticking of the grandfather clock near the TV, its hands reading 10:20, was the only noise that broke the dreary silence. Moonlight shone through the windows as snow fell, the Lee’s Christmas tree illuminated by the silver glow. As Jinki closed his eyes, the ticking seemed to grow louder and louder as he drifted. It was only after a few seconds, the ticking stopped at the sound of sleigh bells in the distance, and it was silent again.

When he opened his eyes again, Jinki looked at the clock.

11:55.

How did the time fly so fast? Jinki wondered. He figured it was only because he was going in and out of sleep.

A ripple in his water cup caught his attention. Then, the family pictures began to rattle, and the Christmas tree began to dance a little. Jinki could feel his whole house begin to shake nearly violently. Earthquake, he thought. As he was about to jump out of bed to get his wife and child to safety an old train whistle blew loudly. Through the living room windows, pale-yellow light illuminated the living room, and Jinki could hear a train chugging by. What was going on?

In a haste, Jinki grabbed his military coat from the coat closet, ripping the garment in the pocket as it got caught on the door handle. He slipped on his black boots and dashed outside into the cold night air. In front of him was an old, black locomotive stopped in front of his home. It wasn’t a subway train that he was used to seeing, but a steam powered train that he had only seen at museums and read about in school. Stretched across two cars, gold lettering read “POLAR EXPRESS.”

Just as he moved to check it out, a man’s voice called out, “All aboard! All aboard!”

Jinki turned around to see the owner of that voice standing by an entrance on one of the train cars. As he marched through snow closer, he noticed the man carried an electric lantern, wore a dark blue suit with a hat that said “CONDUCTOR” on gold lettering, square-framed glasses, and a dark brown mustache sat perched on his top lip.

“Well, you comin’?” the man, now identified as the conductor, spoke after a few seconds of silence.

“Where?” Jinki shrugged.

“Why to the North Pole, of course!” The conductor near-shouted as if he should have known ahead of time. He then motioned to the train. “This is the Polar Express.”

“The North Pole?”

The conductor made a “tsk” sound, and gave a curt nod. “I see. Hold this, please.”

He handed Jinki the lantern to hold before pulling out a clipboard from inside the car. He turned it around and asked, “Is this you?”

It was a profile of Jinki with all of his statuses including marital, parental, and career.

“Yeah,” he confirmed.

“Well,” the conductor looked at the profile, “it says here that you’ve had doubts this year, are lacking a sort of confidence, and even got into an argument with your wife this evening. Sounds to me like this is your crucial year. If I were you, I would think about climbing on board.”

Jinki couldn’t believe what he was hearing. A train shows up in his neighborhood, no one else seems to notice nor care about the ruckus noise of the whistle, and now he’s told the train is going to the legendary North Pole. It existed, of course, but the aspect of Santa’s North Pole was just a legend. That’s what he knew. It was too much to wrap his head around, so he shook his head and backed away.

“Suit yourself,” the conductor shrugged as he took the lantern back. Once he stepped onto the car, he waved his source of light, and the train whistled in response. The train lurched forward and began to chug away. Jinki’s mind began to race as he thought about why the train showed up in the first place. It must have been a sign for something, and he had that gut feeling earlier telling him to wait down in the living room. This train had to arrive for whatever reason, so with a change of mind, Jinki jumped on before the locomotive could pick up speed.

Looking out into his neighborhood, he passed his house, and he silently promised to return in a while.

Jinki didn’t notice the conductor standing behind him until he cleared his throat. He turned around and saw the conductor holding the compartment door open for him. When he entered, the interior of the car was stunning. Beautiful red moquette covered the seats, the floor carpet was a dark green with a holly print on it, a light colored wood framed the entire compartment, and large windows were wiped crystal clear with the exception of ice leaving their thumbprints on the outside.

There were already a few passengers inside. Most of them were people who didn’t know, but there were a few idols he recognized or was familiar with: Yoohyeon from DREAMCATCHER, Moonbin from ASTRO, San from ATEEZ, Red Velvet’s Yeri, and even Yanan of PENTAGON. They were all joking around or speaking with the other passengers, but he wasn’t sure why they were on the train in the first place.

Jinki just took the first seat he saw. The seat was comfy, at least.

“Onew?” a woman’s voice sounded from his left.

Turning his head, he found his former labelmate Amber sitting across the aisle from him. Her hair was still in its iconic short cut but dyed a velvet red, and she was dressed in a sweater and comfortable, heather grey pants. Her tattoo sleeve peaked from beneath the long sleeves every now and then.

“What are you doing here?” he asked, sitting up a bit straighter.

“I should be asking you the same thing.”

“Did the train just show up at your house?”

“Yep. As it did everyone else here.”

“Do you know what kind of train this is?” another voice chimed in. Joohoney of Monsta X was sitting in front of him.

“A magic train?” Amber replied sarcastically.

“I know it’s a magic train. Actually, it’s a Baldwin 2-8-4 S3-class steam locomotive, but in 1931 at Baldwin Locomotive Works.”

Someone’s been doing a lot of Googling, Jinki thought.

He leaned in towards Amber and asked her, “Are we really going to the North Pole?”

Amber nodded. “I didn’t believe it either, but trust me, the conductor has been telling the truth.”

“Tickets, please!” the conductor announced.

Everyone scrambled back to their seats as he began to check for tickets. Jinki was the first person he came to and asked for his ticket, but he shook his head. He wasn’t informed of any tickets beforehand.

“Try your pocket,” instructed the conductor.

Jinki checked his right pocket, but it was empty with the tear from earlier. It was about two fingers wide, and he would have to fix it soon.

“Try your other pocket.”

When he inspected it, the feeling of something paperlike caught him by surprise. Pulling it out, he was holding a shining, golden ticket that had a picture of the train on the front. The ticket was about the size of a football, and the gold reflected the light at every angle. Jinki had never seen anything like it.

Still stunned, he handed it to the conductor, who snatched it up with a thank you. Using a hole punch, he began making holes in the ticket at such a rapid pace Jinki thought it was automatic at one point.

The conductor gave him back the ticket before thanking him and moving on to the next passenger. Jinki’s ticket had the letters “H” and “R” punched into it. What kind of train was this?

“That guy sure likes to show off with his ticket punch,” Joohoney scoffed as he held up his ticket. “Look what that wise guy punched in my ticket. ‘L’ ‘E.’ What the heck does that mean?”

The conductor made an announcement over a PA system, stating the train would be making another stop at an address.

“We’re heading for the other side of the tracks,” Joohoney whispered to someone.

Jinki rolled down his window to see what was happening. The train had stopped at a beautiful white house that was two stories high. It was decorated for the holidays with a wreath hanging on the door and multicolored lights wrapped around two columns. A small snowman in a purple bonnet seemed to greet the train, and the front porch was covered in snow. Through a large window on the first floor, Jinki could make out a Christmas tree that was illuminated by white lights.

The conductor stepped off the train to greet a tall, young man standing outside and dressed in warm pajamas and a black robe and slippers.

“It’s just another pickup,” Joohoney said before turning to Jinki. “That’s weird. I thought you were supposed to be the last one.”

Jinki was paying attention to the scene outside. The conductor gave him the same speech to the young man about where the train was going and all, but just like Jinki, the young man got cold feet and backed away.

“Suit yourself,” said the conductor. He hopped back onto a car and waved his lantern. The train whistled and began to chug, the center of gravity forcing the passengers back a little.

As the locomotive passed the man, Jinki seemed to recognize who he was as they got closer. He had jet black hair, idol-like features, and was about five feet and eleven inches tall. His dark eyes looked up at Jinki, and the older man gave a small wave.

Minsung, it clicked in his mind. Minsung of ROMEO. Minho had appeared in one of their music videos a few years back, so that’s where he remembered him from. He looked the same, but a tad bit older.

To Jinki’s surprise, the young man began to run after the train. However, despite Minsung’s long legs he was lagging to catch up to the train. The snow was making it difficult for him, and it didn’t help that the train was beginning to pick up speed.

“We have to stop the train,” Jinki concluded as he pulled himself back into the compartment.

“I don’t know how to stop a train,” Amber panicked.

“Pull the emergency break!” Joohoney pointed to a red, stirrup shaped object hanging in a cylindrical cavity in the wall.

Without a second thought, JInki rushed over and ranked on it with both hands. Almost immediately, the train halted to stop, but the force pushed the passengers over. Jinki, Amber, and Joohoney all were thrown to the floor, the wind being knocked out of the older man for a few seconds.

Once he caught his breath, he stood up again. Minsung’s head appeared on the other side of the car door’s round window. He looked in at everyone else, but turned the other way to enter the caboose. Jinki concluded he was just shy. Jinki was about to go invite him to the other car when another door slammed open.

“WHO IN THE BLAZES APPLIED THAT EMERGENCY BREAK?!?!” the conductor screamed.

“He did,” Joohoney tattled as he pointed to Jinki.

“You.” -The conductor furiously marched towards him- “In case you didn’t know, that cord if for emergency purposes only!” -he moved over to the open window to signal to the driver of the train- “And in case you weren’t aware, tonight is Christmas Eve. And in case you hadn’t noticed, this train is on a very tight schedule.”

The train whistled as the conductor got close to Jinki’s face.

“Now, Mr. Lee,” he lowered his voice. “Christmas might not be important to some people, but it is very important to the rest of us!”

Jinki tried to explain, but Amber stepped to defend him. “He was just trying to stop the train so that guy could get on!” she raised her voice.

The conductor looked out to where she was pointing and saw Minsung taking a seat in the caboose. “I see. Mr. Lee, is that what happened?”

Jinki nodded quickly.

Smacking his lips, the conductor calmed down, and told them, “Let me remind you, we are on a very tight schedule” -he checked his golden pocket watch and nearly had a heart attack- “And I’ve never been late before! And I am certainly not going to be late tonight.” He then rushed to the front door of the car and instructed everyone to return to their seats.

The Polar Express began to move again. Picking up the microphone for the PA system, the conductor announced, “Your attention, please. Are there any Polar Express passengers in need of refreshment?”

Everyone who was a passenger shot their hands in the air. The conductor slid the door open, and about eight waiters dressed in black vests and pants with white clothes wrapped around their midsections came tap dancing into the car. Music started to play as every other seat was turned towards the ones behind them, creating a sort of booth with at least three or four passengers sitting together. As the waiters and conductor sang about hot chocolate, the white clothes were tossed into each booth and made a sort of floating table. A few chefs entered on a trolley cart and began to toss out cups and saucers to each waiters’ tray. Jinki was surprised none of the dishes shattered upon impact despite being made of porcelain.

Some more chefs entered with a giant, bronze pot that was steaming with some boiling substance in it. A lever was pulled, and shots of the burning brown liquid landed in each cup. The beverage was then passed to each passenger, and as soon as Jinki tasted his, he couldn’t believe how delectable it was. He wished his son was there to try it as well, but he hoped to try to find something similar to make for him.

As soon as everyone was finished with their first round, they were giving a second cup as the waiters gave a gymnastic type performance. Then, once everything was picked up, the waiters jumped onto the tables, pulled the clothes as they back flipped back into the aisle, and then tap danced back out of the car as the seats were turned back into their original positions.

#kdiarynet #kwritersworldnet #kpopscape #kconnect #kpopficsnetwork #starryktown #kdiner #shinee #shinee onew #shinee fluff #shinee angst #shinee x oc #onew #onew fluff #onew angst

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lightsandlostbells · 4 years

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wtFOCK season 3, episode 1 reaction

So! It’s a million years too late, but I decided to talk about wtFOCK season 3.

I had fairly positive feelings about S1 of wtFOCK. It was the scrappy underdog of the Skam remakes, in a way, and what it lacked in polish, it made up for authenticity. I was very willing to overlook its flaws because of what I perceived as genuine attempts to connect with teenagers. I was really, really holding out hope that future seasons would improve on its flaws. And ... well. (Disclaimer: I still haven’t seen S2. Sorry! I just failed to keep up with all the remakes and S2 is my least fave so I didn’t feel that motivated to make it a priority, even though I did like Zoë a lot in S1.)

Heads up - I didn’t care for this season. A lot of people did, and I would never, ever want to ruin someone’s enjoyment of something, even if I personally didn’t like it. So please take this as a warning that I have a lot of negative things to say, and don’t read if it’s going to harsh your buzz for a pairing or a story that you deeply love. However, I didn’t want to just be grumpy and angry the whole time, so I tried to think of constructive ways to fix certain problems I had with this season. No guarantees that they’re satisfying solutions, but it was an interesting exercise.

Also, I didn’t watch this in real time, and I paid barely any attention to fandom reactions and/or drama, so it’s very possible that I am missing context, or that pacing issues didn’t register with me quite as strongly, etc. If one of the actors ate a live dolphin on Instagram, and then got into a fight with fans on Twitter about their right to eat live dolphins, and now fandom has canceled the problematic dolphin-eating actor, I legit do not know, do not come at me if I’m like “This actor is doing a good job” with “Wow, didn’t know you stanned dolphin-eaters??? YIKES.” Honestly, for the purposes of just grading this season on a storytelling level, I would prefer not to know anything about the cast or crew unless it directly has an impact on the show itself.

Clip 1 - House party

OK, I did like this flashy intro shot, immersing us in the Wild ‘n’ Crazy Teen Party of Wild ‘n’ Crazy Youths.

Amber rejecting every dude in site … When Will Gay Vilde Rise. (I know there have been some f/f storylines in the remakes, but if there’s one involving an actual Vilde, please let me know.)

Luca saying “We’re not walking around in a high school drama” - you can hear the rimshot.

I do like the transition from the party up to the bathroom, that’s a cool shot. wtFOCK’s directing so far is more ambitious than it was in S1.

Robbe is clearly a mess and they acknowledge his problems at home right off the bat.

We go back downstairs. wtFOCK’s version of Magnus knocks his drink on Amber and she gets pissed. She gives him the finger and he falls in love. Still a better love story than S3 Daphne/Basile.

It’s a small point, but I don’t get why we didn’t get this moment before jumping up to the bathroom with Robbe and the others? It would be a far smoother transition, just on a practical level and also in the sense of fully immersing us in Robbe’s POV after a quick update with the other characters.

Belgian Magnus joins the guys in the bathtub and announces he’s in love. They roast him when they find out it’s Amber and start talking about hot chicks. Moyo starts grilling Robbe about his type of girl, in a crass, sexual way.

This is honestly not a bad start to Robbe’s story at all. Robbe is clearly more reluctant to get into his interest in girls than Isak was - Isak was more fuckboyish from the start, Robbe seems like he’s about to start squirming and doesn’t really give an answer to Moyo’s questioning. Which is fine! I think it’s fine to start off the POV character at different stages of performing heterosexuality, as long as it’s taken into account in the writing of the character’s whole arc. The fact that the boy talk is so crude and sexual just ramps up Robbe’s alienation.

I swear, I will never understand how the girls in this scene just go into the bathroom and pee in front of strange boys … like maybe I am just a ~prude but that seems like a recipe for disaster and I would not trust those little fuckers to not be secretly recording me on the toilet.

Her peeing is kind of a power move, like marking her territory.

Also L M A O at Robbe starting to flirt with the girl while she is pissing … like now this comes off as a kink thing. OK, Robbe. Jokes aside, this gets across the same meaning as the scene with Isak: he starts to flirt with her because he was encouraged by the other guys.

Uh, flush the toilet, lady. And use some TP.

Now this version of Emma seriously radiates some Natalie Portman in The Professional vibes.

She orders him to stand up and then starts kissing him. I get way less of a vibe of Robbe’s mad game with women (like how Isak negged Emma into kissing him) and more like this girl is the love interest out of an indie romcom, all mysterious and spunky. She kisses him like once after taking his jay and then leaves. The boys all crack up. Moyo tells Robbe it’s his responsibility to get the weed back which lmao, no it’s not, all you assholes were there and could have intervened.

This scene is perfectly fine and even effective! Not entirely the same vibes as OG, but it still has a purpose and some obvious cause-and-effect, and there are some nice stylistic choices.

Clip 2 - Party pt. 2

Robbe is now making out with mystery girl. We already have a divergence in characterization from OG. Isak was being performative about making out with Emma and shut it down once the guys left. Robbe is making out with this girl because he wants to be straight, I guess? If it’s not to appeal to his friends, it’s likely that this is for himself. Again, I have no real problem with this change if it’s incorporated into Robbe’s overall arc and characterization. My thing is, if you’re writing this scene, do you realize the differences in characterization? Or do you think this is interchangeable from what happened with Isak? The latter is where you run into problems, because then the writing shows lack of nuance. I bring this up here because, well, you can guess how I feel about later events.

Luca seems rather aggro about the mystery woman, which I assume is because she still has the hots for Robbe?

It makes me laugh that we got this first-person POV as Robbe leaves through the garage, because of the “Smack My Bitch Up” song being played in the last clip (the song had an infamous music video, banned from MTV in the ‘90s, that was from a first-person POV). But again, WTFock is trying harder with the cinematography and direction, good for them.

Robbe ditches the cops by jumping on the bike with Belgian Emma. OK, I get it, Belgian Emma is too cool for school.

I have kinda mixed feelings on that, actually. I mean, I’ll be honest - I don’t see why any Emma has to be made into someone more palatable. Definitely don’t demonize her or present her in a misogynistic way! She deserves sympathy and dignity as much as any character on a Skam. But … it’s fine if she and the Isak aren’t like, amazingly compatible except for his sexuality. The Even character is supposed to be the one who really shakes up the Isak’s world! The Isak is supposed to be lost and confused and drifting and then Even comes in and is someone he can really open up to. Not just because he’s another guy who’s into guys, but because Even’s personality meshes with Isak’s so easily while still challenging him and introducing him to new things. In a way, it does kinda diminish the effect of the Even if the Isak meets ANOTHER mysterious stranger who’s an awesome person. Or at the very least, it lessens the feeling of the Isak’s detachment from everything.

And again, this could work if the writing realizes it. You can totally craft a subtly different arc from the pieces of Isak’s season. It’s just that (speaking from the future) I do not feel this is what happened.

Clip 3 - Tagging time

I don’t think it’s necessary to break up all the parts of a longer scene/set piece into a bunch of different clips. If you start a scene at 16:00, it’s OK to have the clip take place over several hours. You don’t need to chop it up unless there’s a reason why this pacing might benefit the story. Honestly, if you’re watching in real time, I think this method is often less effective at building tension/emotion/etc. But wtFOCK is not the first remake to try this tactic.

... this part where Robbe and Noor put on masks sure hits differently in 2020.

Belgian Emma’s name is Noor and she takes him to a warehouse, or something? It’s very secret and Cool Kid. And IDK, it’s fun, but again… I think making the Emma that much of a fun mysterious cool exciting person is very much diminishing the effect of Robbe’s isolation. We had a good start with establishing that alienation while he was in the tub, but now his reactions to her rad hipness feel way too sincere and act against the major character conflict of his season. He seems nervous to go with her, but not because he’s with a girl, just because it’s a risky scenario.

Noor hands Robbe a spray paint can and leads him to tag a wall. There’s a guy taking pictures. So I’m assuming one of the guys in masks is the Even? The POV seems to shift to the photo guy briefly, like we’re seeing Robbe through his eyes. And even though I’m not a fan of POV breakage, I do think this is a cool way to introduce the Even without really introducing him, you know? If that’s him. (EDIT from the future: Ummm, so that wasn’t Sander, right? I’m rewatching and it doesn’t look like him. Soooo that part has even less relevance than I originally thought. Got it.) (EDIT from the future beyond the future: @hellswolfie tells me that this actually was Sander, so I am just bad at recognizing people, lol.)

Robbe and Noor take off their masks briefly to kiss. Uhhhh, did the scene really just … cut off there? Because L M A O what a weird choice. We don’t get to see what Robbe creates on the wall, which could be a great way to establish his character, AND we end with him on a smiley, contented note which does not boost his POV at all. It legit just makes him seem like a guy who’s into this girl, and sorry, even if that’s his public persona at this point in time … that’s not what we, the audience should be getting at all.

Clip 4 - Boy squad morning after

Robbe skateboards to meet up with the guy squad. Again, the directing is far better IMO than in S1.

Robbe got the weed back so that conflict is over, I guess.

He gets a call from his mom and stops laughing with the guys and gets serious. He walks away to take the call. Then he starts to open up to Jens about his mom freaking out, and then Moyo spots some girls so they all ditch Robbe to go chase girls, and WOW, Jens, please turn in your Jonas card.

Don’t love that we didn’t hear his mom on the phone. There’s no reason not to let us hear what she’s saying since it would be in Robbe’s POV AND as it turns out, they just tell us about the situation with his mom right off the bat, anyway, so it’s not like there’s much point in hiding it.

This was effective in a sense to establish how girl-crazy his friends are, as well as setting up Robbe’s isolation, which I was worried wouldn’t come across as strongly after meeting Noor. But I think they could have NOT mingled in his mom issues to make this part more effective. Like if the goal was to show more of Robbe being alienated because he’s gay, then that’s not entirely successful, because there are non-gay reasons why Robbe wouldn’t join his pals on the girl chase. I mean, even a horny hetero Robbe might not want to chase girls with his bros because talking to his mom is a downer, so it’s not necessarily because of his sexuality. Plus he just found a girl he liked in Noor, so apparently, he’s not on the prowl. What this part IS communicating that the Belgian guy squad doesn’t have much interest in their friend’s family struggles, which ... ehhhh, maybe not great in the grand scheme of the storyline? These guys can be flawed, for sure, but we do need them to care about Robbe’s well-being. And Robbe tried to open up here, so the flaw is not in him, it’s in his friends. I’m going to let it slide because Jens was offering to help Robbe in the first clip, so it’s not like he’s been a totally insensitive friend this whole time.

Clip 5 - Phone call from Robbe’s dad

Noor jumps on Robbe and they make out. She shows him the garage and they talk about the tagging world or w/e. Again, not sure why they are portraying Noor as like … a legit love interest. I don’t get much of a sense of discomfort from Robbe. Isak was just not into Emma and was uncomfortable when his bathroom flirting came back to haunt him. And I don’t think it’s TERRIBLE not to follow that route, but you can’t just make this huge change if you don’t account for it in future episodes and Robbe’s overall arc. (EDIT from the future: Which I don’t think they do, otherwise I wouldn’t care.) Every scene should count in furthering Robbe’s character, especially this early in the season where we’re just getting to know his particular struggles. If Robbe is trying to convince himself to like girls, then I want to see definite vulnerability in how that’s portrayed.

I blame the directing/writing more than the acting for the lack of discomfort, since I sensed Robbe’s lack of comfort just fine in the bathtub scene.

Makeouts get interrupted when Robbe’s dad calls. Again, not sure why we aren’t hearing both sides of the conversation? Because we’re in Robbe’s POV. Why wouldn’t we hear them? This seems like they just want to create some suspense or mystery over the situation with his parents. But it’s perfectly possible to do so while still letting us in on the phone calls. In fact, it’s arguably more intriguing to let us listen to some phone calls where we get some vague details but nowhere close to the whole story. It’s not like Robbe’s dad is going to explain the whole situation to his son in an exposition dump. We can get some crumbs to tease us, while still keeping us in Robbe’s POV and not feeling like the show is cutting corners.

Robbe gets mad at his dad and tells Noor he needs to be alone. Closeup on Noor as Robbe walks away. OK … why? Why on her and not Robbe when it’s his POV? Why the focus on Noor’s feelings when we really need to be establishing our protagonist’s mindset in the beginning of this season? I’m not saying her feelings don’t matter, I’m saying that well, this isn’t her story. It would be better to see Robbe’s pained reaction as he leaves.

Clip 6 - Robbe’s dad drama

Jens comes running up while Robbe is being sad. Robbe says that it may be necessary for him to stay with Jens because Robbe’s mom has been committed to a mental health institution and Robbe doesn’t want to stay with his dad. Ah, so I guess we’re hearing that right away. Which honestly makes not hearing his phone calls to his parents even funnier - like you lock us out of his POV arguably for the suspense, but then you end the suspense anyway by just telling us what happened a scene or two later? All right. I guess there’s suspense in that we don’t know exactly what’s up with the mom, mental health-wise, or the root of Robbe’s problems with his dad.

It occurs to me that maybe they just didn’t want to hire people to voice Robbe’s parents? Or put in the time to film both sides of the conversation? I have a hard time believing either of those because it’s so lazy, but.

I mean, just turn the phone conversations into text conversations if you’re not going to let us listen to Robbe’s parents on the other end.

They go and play football without really resolving the situation. Sad music plays while Robbe joins in. Also, someone was calling Robbe, and I assume it was his dad, but it’s not shown.

These clips are VERY short and choppy so far. You could easily combine the last two, so Robbe is with Jens instead of Noor when he gets the other phone call from his dad, leading into this conversation.

We know immediately about Robbe’s mom’s situation instead of it being a mystery, like with Isak. Which, again, isn’t inherently wrong, but then I want them to DO SOMETHING with it.

Clip 7 - Jens and Jana

Oh hey, Jana got her braces off! IDK if that happened last season or this one, but it was something I liked, seeing a teenage girl with braces on a teen drama. That rarely happens unless it’s a joke or a plot point.

OK, they really need to film Robbe’s phone so I can actually see who’s calling…

Jens tells Jana about Robbe’s parental situation. I’ll note that first she asks if something’s up with Noor, so news of the Robbe/Noor relationship must have traveled really fast since they’ve only just gotten together. Like Robbe and Noor are clearly dating, going off Jana’s comment, and not just hooking up. Then Belgian Magnus wants to know about hooking up with Amber. Meanwhile Robbe is having a conversation off screen with his dad? Guess it wasn’t important!

And that’s the problem, obviously. It’s his POV season, anything you decide to show SHOULD be important to his storyline.

Also … it’s fine that we’re focusing on Robbe’s shit home life since that’s relevant to his story, but almost nothing in these clips has set up Robbe’s attraction to men, and only slightly his lack of interest in girls, which was negated by him seeming very interested in a girl afterwards. And knowing how long this season takes to get going with the Even character, it’s a pretty glaring omission.

So we don’t see Robbe’s phone call with his dad, but he gets snappy about it when Jens asks. One of the boys (I can’t tell who) says that Robbe’s on his period. Gonna be real, I don’t care for this squad so far.

What was the point of this clip? We already know Robbe is having problems with his dad, which is the most relevant part to the plot here. We shouldn’t be wandering from Robbe’s POV so much, but even taking that into account … we already know Belgian Magnus likes Amber, so that’s not necessary to establish. And we didn’t need to see Jens tell Jana something we already know. I assume he tells her so Zoë can find out and offer a room, but there’s no reason to see Jens tell Jana this, so. Filler clip.

Clip 8 - Zoë and Robbe at the lockers

Yeah, Zoë offers Robbe a place to stay here, but again, we didn’t need to see the news travel down the Jens-Jana pipeline. It could have been condensed more efficiently.

Robbe doesn’t want to because he says his dad wouldn’t approve. Zoë says she hopes things get better with his mom and Robbe at first snaps and tells her to leave it, then says thanks. This is an actual good interaction, writing-wise, kudos.

I liked Zoë a lot in S1 and I like her here again. I really should watch her season despite my Noorhelm allergy. The scene of them kinda smiling at each other across the hallways reminds me that this is probably the strongest relationship in the whole season, tbh.

Why was this clip so short? So many of these clips could have been combined into one. I mean, Zoë could have said, “I heard from Jana who heard from Jens...” without us needing the previous clip. Although, did Robbe really want anyone else to know about his home life? Lol @ Jens just blabbing Robbe’s private business.

So I guess they didn’t set up the Eskild situation in S2 that would lead to Eskild offering Robbe a place to stay?

Clip 9 - Robbe gets roommates

Robbe is in Zoë’s room. He sees her “everyone you know is fighting a battle” quote next to the mirror, which is a detail I actually quite like in context with the rest of this storyline and Even’s condition. It’s a good Skam thesis overall.

I guess Zoë met with Robbe’s dad. Zoë calls him a tough cookie. Robbe doesn’t want to speak to him. They bond a little over their parental problems. Again, a nice detail.

Belgian Eskild appears and teases Robbe a little before announcing that Robbe’s dad has agreed to let him stay in the flat. Yay!

Oh, so Senne is staying there, too? At least they didn’t do a pointless Noorhelm breakup in this version.

Milan (the Eskild) tries to go in for a hug and Robbe isn’t cool with it, so at least that’s something with Robbe’s issues with men. (I think? The thing is, Robbe also does not really know Milan, so it’s not as weird that he’s not ready to be affectionate with a near-stranger.) (EDIT from the future: Keeping the S2 almost-kiss that’s referenced in the next clip in mind, I can rationalize this moment as a continuation of that awkwardness from Robbe’s POV.)

They chat with Lisa (Linn) who wants to direct Robbe on what he is and isn’t allowed to touch in her room, heh. Milan and Zoë have cute interaction, and Robbe looks happy. I do like the flatmate vibe so far, they seem fun.

Clip 10 - Robbe and Milan

Senne and Zoë get cute. I haven’t seen S2 so I can’t give my opinion on their version of Noorhelm, but I did think a few things about them were less creepy in wtFOCK’s S1 than in OG. Milan talks about how they’re a Disneylike couple and Robbe laughs.

Then Robbe apologizes for something that evidently happened in S2, where Milan tried to kiss Robbe at a party? Again, I didn’t see the scene. Milan says he’d never try to do that. He offers Robbe a hug, which he accepts - tbh I don’t know if Robbe SHOULD accept based on where he is in his character arc, maybe he should have more skittishness? But it’s a nice character moment, at least. They really have to make up for lost time with the Robbe-Milan relationship, so I can get that they need to establish some closeness fast.

Not being in the wtFOCK fandom, I kinda wonder if there was backlash to that scene from before and this is damage control, LMAO.

I feel like you could’ve tweaked this to be more representative of Robbe’s issues, like have him stress here that he’s not gay, because it’s a sweet scene but again, I don’t feel like this episode built up Robbe’s internal dilemma very well. You could make this not just about smoothing over whatever bump there was in this relationship, but also about setting up some internal tension with Robbe’s sexuality issues. Multi-tasking - it’s great!

EDIT from the future: OK, I tracked down the S2 scene, and yeah, while it illustrates some of Robbe’s internalized homophobia, I really think you needed to carry this through to this clip. Because that was a very public situation, and they made a point of emphasizing onlookers’ reactions. I feel like you need to show that Robbe’s internalized homophobia isn’t just about external reactions, but internal struggles, because ... so far, that’s what it is? Like what is he doing with Noor otherwise?

Clip 11 - Housewarming party

Party is underway. Yasmina is there and is friendly with Robbe. It sounds like they’re working on a school project together. Aaron (Magnus) and Moyo are talking about hot chicks again.

Noor arrives and the boys tease Robbe about how far he’s gone, Robbe looks pretty chill and happy until Moyo says Robbe’s getting laid tonight and you can see the nerves and reluctance take over. Okay! A character detail that actually works for his arc! Yes!

Partying, makeouts with Noor … sorry but they are wasting a lot of time with this relationship. ROBBE ISN’T INTO HER. Here’s the thing: I don’t want to demonize any of Evak’s female “love interests,” right? It’s pointless anyway because Evak is the endgame pairing, Sonja and Emma aren’t “threats” in the end, but also because they’re not bad people just for wanting to date these two guys who happens to want each other instead. And I think you can do interesting things with Sonja and Emma as characters. I’ve read Sonja fanfic that’s really good!

But when it comes down to it … this is not the story of Robbe/Noor, and there’s a point where it feels like there’s too much development for something that is really intended to be a speed bump in Robbe’s journey.

I guess it’s a pet peeve of mine when gay stories devote a ton of time to het relationships, to the point where it begins to overshadow the main gay relationship. Love, Victor did this to an absolutely ridiculous degree. (I actually made notes for Love, Victor reactions, but hesitated to post them because 60% consisted of me typing I DON’T CARE ABOUT THESE STRAIGHT ROMANCES.) And I GET it, this is an experience many gay kids go through in their coming out journey, but also, less charitably… you don’t need het romance to dominate everything. You don’t need to make this about how a gay person being gay hurts a straight person. I genuinely appreciate that once Isak kisses Even, it’s fucking over with him and Emma, that plot thread is done.

Anyway, Noor tells Robbe he’s so fucking hot and Robbe looks more uncomfortable, moreso when she wants to see his room and he goes off like he’s headed to Mordor.

Aaron checking out Amber … okay, again with all the het. I don’t care!!! This is not important right now!!

Noor pushes Robbe onto the bed, ugh please don’t have them Go There.

She takes off her top and Robbe touches her boob like he’s sticking his hand into a porta-potty. We see his discomfort so at least this part is effective and relevant to Robbe’s arc. Noor is taking off her bra when the boys come into the room, wanting the weed. Okay, you dumb fucks, you’re teasing your bro about getting laid and yet you think it’s cool to enter his room when he’s with a girl? I mean, that’s a lucky break for Robbe, but his friends are extra stupid.

The mood is killed, Robbe goes hunting for weed. Episode ends.

HOW I WOULD REWRITE THIS EPISODE:

Lmao, some of my changes sounded a lot like “be like OG Skam S3.” Because Skam S3 was well-written and made sense. But I tried to think of edits that worked with what wtFOCK was presenting, not just repeating OG.

(I’m also repeating a few things in this section that I said above, btw)

While this episode doesn’t make me angry or anything, it’s got a serious problem with dithering. The first clip is a solid start to the season, but afterwards, so many of these clips feel like filler. There’s a lack of substance to them. It was hard to write about them because they ended up feeling like two minutes of nothing.

Did we need to see repetitive mentions of Robbe’s troubled relationship with his dad? No, it’s an important plot detail but we could have established that more concisely in fewer clips. Did we need to see the process of how Robbe comes to stay with Zoë, Senne, and Milan? No, not really. Or at least not dragged out over at least three clips.

I don’t feel like I’m in Robbe’s head to the extent that I should be so far. Some of this is because the show just flat-out locks us out of his POV, like not showing the phone call in the Jens-Jana clip. But a lot of it is also because of the narrative dawdling. There’s just not as much to analyze unless I bring in Skam season 3 and project what we know about Isak onto Robbe. And that’s not a good way to adapt a story.

The framing of Robbe/Noor needs to change. Combine the bathroom intro with the aborted sex scene - the boys are sitting in the tub, teasing Robbe about getting laid, so he makes out with Noor and they go into a bedroom where he’s clearly not into this, and then Moyo and Aaron come in asking for weed because Robbe still actually has the weed from the bathtub at this point. Or do what Skam France did (can’t believe I’m referring to Skam France) and have the arrival of the cops interrupt the makeout/sex session and Robbe takes his cue to exit.

But frankly, it’s not great to have Robbe acting or looking too cozy with Noor, like this is a legitimate romantic arc except when it gets to the sex. The point is that this isn’t a romance. Even if you want to show some cuddly, non-sexual scenes with Noor, you have to show more of Robbe’s reluctance and fear throughout.

Show Robbe’s fucking phone conversations with his parents!!!! Good Lord. He’s not ordering a pizza. These are important aspects of his story. Capitalize on that family tension, show us what a bad place Robbe is in at the start of this season.

Now, about the lack of Even in this episode. Not introducing Even is a bold move, but not necessarily a smart one. Even’s introduction in Skam is not just the intro of “the love interest” - he’s the catalyst for almost everything in Isak’s story. Consider that in episode 1, Isak is seen mostly unhappy and bored - he’s distraught after kissing Emma, he’s checked out of his friends’ lunchtime girl talk, he zones out staring at his teacher’s boobs, he doesn’t want to be at kosegruppa. Isak is actually very passive and just going through the motions, doing what people tell him to do. But once Isak meets Even at kosegruppa - well, that’s when Isak wakes up. In the next few clips, we see Isak taking action. And sure, they’re small actions, searching for Even online, watching the Even video over and over, asking Vilde if there will be more kosegruppa meetings. But we can see that Isak now cares about something, he’s paying attention. Of course, Robbe’s story doesn’t have to follow the same arc. However, it does the season a huge benefit to get him intrigued by something at this point, so we the audience are not just sleepwalking along with him for a few episodes.

There’s also just the simple fact that we have only 10 episodes to establish a love story and make us care about the Even character, and it’s a very risky move to waste too much time. If you are really killing it with the rest of Robbe’s arc, this could still work, but ... well, that’s not what’s happening here.

If they didn’t want to full on introduce the Even directly, one thing they could do is subtly and indirectly find ways to include him in the narrative and create some mystery. Let’s say Robbe sees the Even’s artwork somewhere and is like whoa, that’s cool, and we can tell that it resonates with him. Or he admires Even’s graffiti, or it makes him laugh, whatever. Basically Robbe has some kind of emotional reaction to a thing the Even has created or done, which helps to set up that relationship even before we officially meet the Even.

If we want to add a little more, perhaps Robbe sees a mysterious dude in a mask tagging a wall, but they get interrupted by the cops or something and have some kind of brief but intriguing interaction with each other, and Robbe’s like, who was that guy in the mask? Or Noor takes Robbe to the tagging place, the police/security bust them, Robbe and Noor get separated, and Robbe gets helped out by the Even so he can escape. So it’s an important moment, lots of adrenaline, we can frame it like there’s a sudden ~charge~ between them (ooOOOooo the Even helped Robbe stand up and their hands touched like this was a fanfic, etc.), but he doesn’t learn Even’s name, maybe he doesn’t even see his face because Even has a mask on, so Robbe spends part of the next few episodes trying to figure out who that guy is, casually asking Noor if she knows a guy like that, keeping his eyes open. Maybe we have some fakeouts where Robbe thinks he sees the Even again but it’s just a false alarm. He’s on edge, eager to know more about that mystery guy, and so are we. Bam, we have “awakened” Robbe from his deep sleep.

If you’ve seen Netflix’s The Get Down, there’s even a scene like this where Jaden Smith’s character gets caught tagging by the cops, he runs and flees with another young dude, and they have a moment where they recognize each other as graffiti artists they admire. While watching that scene for the first time, without any context or spoilers, without even knowing if there would be LGBT content in that show, I immediately thought, “This guy is his love interest.” Not even because it was overtly romantic. Because the way it was written and shot told us that this meeting was important. Because they had an instant connection. Something similar could have worked for Robbe and his Even. But in any case: it would have been best to establish something between those characters, even if it wasn’t an “official” introduction.

Stop focusing on Aaron/Amber when it’s not in Robbe’s POV. Reverse the scene at the beginning with Aaron videotaping and Amber getting spilled on. She gets pissed, he falls in love, and then we follow him upstairs and we meet the boy squad. That is a very obvious, very clean transition that doesn’t interrupt Robbe’s POV as it technically hasn’t started yet. So IDK why they didn’t do that, lmao.

Some changes with the Milan relationship:

Tweak the apology scene to be more representative of Robbe’s issues. Have Robbe apologize while still stressing that he’s not gay. Have Milan be chill and not question that statement, but maybe Robbe is so defensive that it comes across as unconvincing.

Then have Milan be the one instead of the boys to interrupt the Noor almost-sex scene. Milan wanders in acting drunk, haha Milan, he’s wacky. Robbe doesn’t realize it (though the viewers do if they’re paying attention) but Milan is only pretending and is “subtly” rescuing Robbe because he realizes, based on the earlier scene, that Robbe might be struggling with his sexuality and he wants to give him an escape option. (Although I still think it’s best to combine the not-sex scene into the opening clip, but this could work, too.)

Basic questions we need to be asking, clip to clip: what is the conflict? Where is Robbe’s head right now? Why is this scene necessary? How did this scene come to be - what’s the cause and effect here? How does it advance Robbe’s story? Is it redundant? How do we tell this story in a narratively economical manner?

#wtfock reactions

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sanoiro · 5 years

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Lucifer 5x07 - Our Mojo - Spoilers & Speculation

Warning! There is always the possibility that certain scenes might have been mixed up under their non-respective episodes.

Written By: Julia Fontana

Directed By: Nathan Hope

Julia Fontana has written/co-written the episodes:

2x10 - Quid Pro Ho

2x15 - Deceptive Little Parasite

3x08 - Chloe Does Lucifer

3x16 - Infernal Guinea Pig

5x07 - Our Mojo

Cast: Tom Ellis as Lucifer, Lauren German as Chloe, DB Woodside as Amenadiel, Lesley-Ann Brandt as Maze, Kevin Alejandro as Dan, Scarlett Estevez as Trixie, Rachael Harris as Linda Martin and Aimee Garcia as Ella.

Season 5 Recurring Characters: None Officially Announced Guest Cast:

Giovanni Bejarano...Mario Canales

Nancy De Mayo...Nina

Glenn Fernandez...Danilo

David Figlioli...Les Klumpsky

Cara Koh...Madison Evans

Behind The Scenes

youtube

As we get close to the Midseason Finale S&S do remember the past seasons Midseason and Season Finales. There were never standalone. You see there is always a pattern to be followed and this will happen with 5x07 and 5x08. The two episodes 5x07 and 5x08 act both as a Finale but also as a medium to the story to move forward and for P2 to bring elements from P1.

Going back we should remember how the following episodes intertwined thus a recap is needed.

1x12 - #TeamLucifer & 1x13 - Take Me Back to Hell were based on three elements. One Lucifer’s vulnerability, Malcolm and the Pentecostal Coin. A bargain was made there which moved us to S2 and the introduction of Mum.

2x11 - Stewardess Interruptus, 2x12- Love Handles and 2x13 - A Good Day to Die built up to the point of where the supernatural aspects of Lucifer’s mythos are explored with Chloe being revealed to be a Miracle while Dr Carlisle acted as a serial killer poisoning his victims and Chloe. What we also tend to forget here is that early in S2 Uriel’s threat was almost materialized as Chloe would have died if Lucifer had not gone to Hell and thus broke the balance of time and effect Dr Carlisle had started. It is also why in that season we had to focus on Mum and the blade.

2x17 - Sympathy for the Goddess and 2x18 The Good, the Bad and the Crispy used the blade and Mum was set as yet another problem while Lucifer regained his wings. Again we needed two to three episodes if you add 2x16 - God Johnson into this, to build up the story.

In S3 3x09 - Sinnerman and 3x10 - The Sin Bin led to the Mid Season finale which foretold Marcus way of dying by a blade which Lucifer had struck. The end of S3 actually started from 3x19 and was led to the very end but again episodes 3x23 - Quintessential Deckerstar and 3x24 - A Devil of my Word delivered the conclusion of S3 and led to the issues of S4.

Now S4 actually help us structure S5. There were Kinley and the vial, in 4x04 - All About Eve we get Eve and the conclusion happens between the episodes 4x09 - Save Lucifer and 4x10 - Who’s Da New King of Hell. Also, certain episodes were connected like 4x06 - Orgy Pants To Work and 4x07 - Devil Is As Devil Does where Julian becomes the connection between the story as it involves

With all the above in mind, we see what the writers like to use but also how they pace their seasons and what is included.

In S5 up to 5x10 you will see this as far as I understand.

First 5x01 will set in motion an issue that needs to be resolved so Lucifer ascends but a new factor is introduced and that way the episode will end with a question of how things will move from there while the promise of Lucifer staying on Earth will not be that clear.

In 5x02 we get the realization that something is amiss and that action needs to be taken but that connects us to 5x03 so 5x02 and 5x03 connect through the lingering issue from 5x01, Lucifer’s desire to stay on earth or perhaps the insistence of others to keep him away from Hell. Hell you see is like a drug and it acts slowly so at some point we will get a cold turkey Lucifer in 5x02 with 5x03 acting as his re-introduction to society and his old life.

Amidst all that we get the consequence of Lucifer’s actions probably from 5x01 which I suspect will affect Dan and a more permanent solution will be sought which leads us to 5x04. 5x04 offers us a lot of answers but also questions and that is why it is tied so well with 5x05. Lucifer is not the same nothing is but a solution has been found as maintenance does not fix a hole in a sinking ship.

Along with all the above, we also have Deckerstar and revelations which are bound to be set in these episodes and which will lead to the rocky episode of 5x06. Fear not though as 5x06 opens the door to the last two episodes of P1. In these two episodes actions will be made that will turn the tables first to how our characters act but also what they expect from the future. It is also where we will understand why in 5x04 the title was “It never ends well for the Chicken”.

Divine solutions do not come without collateral and thus a sacrifice will be made yet to what extent and what that will mean for our leads it remains to be seen as we only have scattered pieces which hint that Chloe will take the blow but not in the conventional sense the fandom loves to lament over. Chloe dying is overplayed and in my opinion to fan fiction like to be put forward in the mid-season finale. No here we are talking about more revelations on Lucifer’s past but also Chloe’s which may date back to the Pre-Fall era.

So let’s try to go through 5x07 episode first as we connect it lightly to 5x08.

First of all, we know that we have a Serial Killer played by David Figlioli* in these two episodes so I would expect to see a plot similar to Dr Carlisle’s. That means that in one of the two episodes either the effect of the character will set in motion an unavoidable plot that will affect all the leads pr that past actions are bound to fade the immediate future.

*If you do not want to know who that is please do not look him up and think twice before spoiling that element to people who do not like spoilers or like the procedural subplot of the series. I do not add his bts here for that reason.

Now our Serial Killer has been described as “Nerdy and Creepy” which fits the description from the locations they were used.

At this point please remember that we usually LOVE to speculate only on Lucifer and Chloe but in reality their story is supported and the plot moves forward through the events on every single character’s life. So certain points might be considered from all angles meaning from every character’s point of view on 5x07 and 5x08. That is practically impossible as we have no idea what has happened to most of them during S5P1, we can only guess so let’s see.

Dan - We expect him to have a health issue that ties him to Lucifer for the most part of the season. As we have said Dan’s arc is very similar to Charlotte’s and also after 5x08 the bracelet disappears but that’s for the S&S of 5x08. So notice that Kevin Alejandro did not appear in the bts of 5x07 and 5x08 while the actor had some other engagement during the shooting of 5x07 and he directed 5x08. Of course, bts are not reliable on how much screen time a character has but is nonetheless suspicious.

Amenadiel - It seems that Amenadiel according to his garments has decided run LUX early in S5 but in some bts there were some hints of boxing yet I cannot tie them to an episode so I’m just mentioning that here. We also know from the photos at Linda’s fridge is you look closely that he has a calm domestic life but here is the twist we do not know if he is romantically involved with Linda or if in S5 the usual working pair Maze and Amenadiel move from where they left things in S1-S2. Whatever happens, what we know is that Amenadiel is deeply involved in this seasons plot so keep an eye on him.

Maze - You have seen her in different clothes and it does not seem like she has left her demonic character attitudes and choice of wardrobe behind in S5. On the contrary, her relationship with humans like Ella and Linda seem to now be better and I do not think she will be bitter towards Lucifer although who knows, as he left her when he went back to Hell. In short, she seems to be coping well but there are a lot of fights which I’m not sure whether she acts out in S5 towards Lucifer and Amenadiel or tries to fend off whatever attacks them. Do not go to oh the demons have ascended scenario just yet…

Linda - Linda seems to be in a very good place we know she has her son, Charlie is growing and all the baby proof wrapper is still on so you never know when wings or powers might come forward in her life. We do know that she continues to have a close relationship with Chloe and Maze and also an amicable one with Amenadiel. Finally, we know that she resumes her sessions with Lucifer.

Charlie - Charlie is a bit of an enigma and he may be one of the contributing factors of these two episodes. For all, we know the kid finally gets some powers and do expect him to surprise you.

Ella - You just don’t know with this character as all of Aimee’s bts are vague at best yet I do not believe she has found out yet about Lucifer but P2 might be her time to do so. She does not seem to occupy much of S5’s plot but I would keep an eye on her on the second part of the season and especially on 5x10.

Trixie - Trixie’s role is doubtful to be elevated to something more in this part but she has some great moments with Lucifer. At the moment I cannot really speculate about her as whatever happens in the stages rarely gets out so we have very few appearances of Scarlet at the lot…

Lucifer - Lucifer seems to be getting a bit different, you see a different side of him one that the perhaps wanted to forget as his past comes knocking throughout the season. His evolution through the series is interesting but the supernatural elements worrisome. Again the fact alone he is willing to help Dan says a lot.

Chloe - As you saw I was very brief with Lucifer as I wanted to focus a bit more on Chloe. Aside from her relationship to Lucifer in S5 we get to see that every person has two sides even if for some they were unaware it existed. That’s not a good and bad side kind scenario but I’m talking more about Chloe being more than a miracle. Before you speculate and ask I would just say that her being a Miracle is not where S5 will step on so look for clues while you watch because all lead to 5x08. I may be right I may be wrong but I’ll spend some more time explaining this in the S&S of 5x08.

So let’s start with 5x07’s case. It’s the easy way to figure out what is going on or at least put in order the scenes. Here we have two plots and we do not know if the Serial Killer’s victim/s is the case of the week. We do know that the Serial Killer, for the most part, was in the lot so I do not think he was on location much. The reason for this is because we have two locations at the backlot where 5x07 was mainly shot.

The first one is a flower shop which if I can guess is connected to the Serial Killer perhaps. He might be this kind of peaceful guys who run a flower shop and who you would never suspect on killing people in their free time. It adds up a bit but I cannot be sure.

The second one is a house that was used as a crime scene location. In the heart of the WB lot they setup a house that exhibited a lot of wealth and eclectic taste. It’s only normal as this case is also connected to an opera?** performer or at least someone who is seen to be performing at the Los Angeles Theater a wonderful old Cinema and grand landmark in DTLA.

**We cannot know for sure of the genre he performs but the taste of his house shows he is into classical pieces so...

(See the BTS video there I always include bts that I have not posted before and are all Lucifer related)

^The police car and the coronary’s car outside the lot house location.

First, we need to remember that during a quick ext the cast and crew had to do from the Stages there was also an actress that played a human body. She wore a lot of grey and blue makeup and we can assume she was part of this story. I cannot tell if in 5x07 a body of that kind will make it to our screens but a cemetery will.

The cemetery most probably is though related to the season’s supernatural plot. They filmed at the Rosedale cemetery with several stunts and from the videos you can see that Lesley Ann had a lot of action scenes in this episode. At the same time, DB had twitted to have a lot of scenes with her in that episode. According to what DB revealed the two characters are working together. I would predict that this has to do with whatever Amenadiel is searching for since 5x05.

^In general D.B. has been thrilled with the final season and that pleases me a lot!

The Rosedale cemetery has several wonderful tombs and crypts which some of them could be used to a similar theme that was used early in the season. Confusing I know but let’s say that in P1 it seems like they are trying to find something, an object perhaps and I wouldn't be surprised if it was either hidden in a cemetery or simply that the object that they are looking for is connected to the serial killer somehow… I mean remember Azrael’s blade… I doubt they will use the same scenario but the divine influence on mortals never ends well.

Now the second location which I mentioned before is the Los Angeles Theater. I do not know if Ellis and German were also in the cemetery but they will be at the Theater along with the opera? singer. There is also some stunts involved so I would keep an eye on someone escaping or at least putting a fight. For all we know this case might also be a bit similar to 3x17 one with Axara.

^The stand-ins taking notes for the scene

^We expect some to happen to that grand staircase oh and there were again a lot of stunts there so :D

As you can tell the majority of 5x07 as an episode eludes us and there are bts we cannot really explain but we can only speculate about.

For example why Lucifer wears a budge and has a gun? Why now? Is he threatened or Chloe has decided that enough is enough. Perhaps even in order to not endanger her Lucifer might have taken her badge and gun. The possibilities are so many yet a definite answer cannot be given. If we take into account that the title is Our Mojo it can be a million different things. Like the opera? singer has the same captivating effect as Lucifer’s mojo for some reason but not a divine gift. It might have to do something with Charlie or it can be taken completely out of context. All we know is that Lucifer has to be armed so I would speculate this.

I admit I was not the one to notice that but my dear Amy was :P I just did the visuals a bit clearer.

Let’s assume that Lucifer’s connection to Dan is weakened him and it goes both ways hence why we do not see Dan as much in 5x07 and a permanent solution becomes more urgent. His strength, mojo and overall his capacity to protect himself. Or perhaps he has to pose as Dan but that wouldn’t explain the protection of authority and a gun full of bullets. So we know things are dangerous when Chloe? caves in and hands Lucifer a gun to protect himself or if Lucifer has decided that in order to keep himself safe he has to play with human toys.

What we also cannot totally explain is the green screen *around* the penthouse. After discussing this with some friends we have agreed that it should be a large scale event or something. We do not know when or if Lucifer and Chloe get intimate, if that’s why that green screen is there or if there is a divine consequence that has to be shown through VFX. All we know is that there is something big coming. The last time they had used such a big screen well it was smaller actually was for the Fall nightmare scene of 3x15.

Additional Info

The stunts were rehearsing a fight at the stages but that’s normal for when they have to perform on location.

Something seems to happen at the precinct and mainly in episode 5x08. Something like a fight

^Naughty Woman? Perhaps I’m wrong...

The director posted this as a lucifer bts but here is the thing little Charlie as far as the babies used go cannot operate that but with CGI everything is possible. Also, the babies used were shooting for a different show at that time.

#lucifer spoilers #lucifer speculation #lucifer 5x07 #Lucifer 5x07 - Our Mojo #Sanoiro S&S

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inevitably-johnlocked · 5 years

Note

Hi, do you know of any fics about Sherlock confessing his love to John before getting on the plane to his suicide mission?

Hi Lovely!

Ahhhhhh I don’t know any for sure with him confessing BEFORE the mission… I do know of one for AFTER:

Shallow Grave by SilentAuror (E, 31,672 w., 1 Ch. || Romance, Angst, HLV Fix It, Infidelity, Pining Sherlock, First Person POV Sherlock) – Starts as Sherlock’s plane is taking off at the end of His Last Vow. When he finds out that Moriarty is alive and that he’s being recalled from his mission, Sherlock decides that he should have told John how he felt before he left. So he walks off the plane and kisses him.

But the closest I may have are the fix its for HLV. I thought I made a list of just HLV fics but it actually was a S3 / TAB / S4 [FIX IT] Fics list, so I’m going to give you all of my HLV fics then :P

HIS LAST VOW (Fix-It, Canon and Post) FICS

See also: S3 / TAB / S4 [FIX IT] Fics (March 2019)

Human Error by YakuzaDog (G, 571 w., 1 Ch. || HLV Missing Scene, Angst) – Sherlock goes on a brief shopping trip.

Clarity by socomessnow (thoughtfulwishing) (NR, 1,283 w., 1 Ch. || Post-HLV, POV Sherlock, Pining Sherlock, Tarmac Scene, Stream of Consciousness, URT, First Person Present Tense, Implied/Referenced Drug Use) - During-and-post-HLV piece tracking Sherlock’s thought process from his phone call with Mycroft to his return to the airfield. Part 1 of Rifts

Love and Bombs by Spark_Writer (T, 1,696 w., 1 Ch. || Angst, POV Sherlock, Post-HLV, Pining Sherlock) – Love and bombs aren’t all that different, John. In the end, they’re almost indistinguishable. Part 3 of Human Error

Lost and Found by jaradel (G, 1,750 w., 1 Ch. || Post-HLV, John Whump, Est. Rel., Hurt/Comfort) – He’s honestly not sure what’s worse, right now - being where he is, the beaten kidnap victim, or being where Sherlock is, trying to rescue him before it’s too late. Unwillingly his mind offers up the image of Sherlock in a video message, tied to a chair, bruised and bloodied. John squeezes his eyes shut to hold back tears. No, he decides. That would be so much worse.

Quite Contrary by Hollyesque (T, 1,805 w., 1 Ch. || HLV Fic, Sherlock Whump / After Mary Shot Sherlock, Hallucinations / Flashbacks / PTSD, Hospitalization, Hurt/Comfort, Lestrade POV, ) – A short one-shot, alternate scene to Greg’s hospital visit in HLV. Instead of Sherlock disappearing, Greg is faced with an unexpected reaction to a hospitalized Sherlock and winds up figuring out something that he really would have rather not known.

BBCSH ‘Poor Mary’ by tigersilver (M, 1,839 w., 1 Ch. || HLV Fic, Canon Compliant, Sherlock Whump / Mary Shot Sherlock, Angst, Hurt/Comfort, Pining Sherlock, Hospitalization, Missing Scene, Sherlock POV) – As the tin says above, this is a missing scene, set directly after Sherlock awakens in hospital after having been shot by his best mate’s wife. Minor angst, some pining, nothing nasty; please don’t be alarmed unduly.

Loving John Watson by Spark_Writer (T, 2,036 w., 1 Ch. || Canon Compliant, Angst, Falling in Love, Second Person POV, Pining Sherlock) – You discover early on that you want him. Maybe even the very day you meet. (Follows Sherlock’s thought process as he falls in love with John, from ASiP to HLV.)

Crisis Averted by Spartangal22 (T, 2,188 w., 1 Ch. || HLV Fic, Missing Scene After Confronting Mary, Canon Compliant, Sherlock Whump / Mary Shot Sherlock, Family / Friendship, Hospitalization, Sherlock POV, Holmes Brothers) – Lying in the hospital, Sherlock receives some surprising visitors, and manages to deal with two problems he’s been having lately. A missing scene from HLV about a formal introduction that was never made and a visit that was never shown.

Journal of Truths by Goddess_of_the_Night (T, 2,317 w., 1 Ch. || Post-HLV / TAB, Pining, Idiots in Love, Love Confessions, Love Letters, Declarations of Love) – When John escorts Sherlock back to Baker Street from the tarmac, he discovers a journal that Sherlock has kept secret…that he has kept secrets in.

It’s a Dummy by Johnnlocked (Krullenbol2602) (T, 2,574 w., 1 Ch. || HLV-Remix, Major Character Injury, H/C, Love Confessions, Mary is Not Nice, 3G Moment) – What if Mary had taken the shot?

Green Carnation by glenien (T, 2,616 w., 1 Ch.|| Sherlock’s Mind Palace, Meta-Fic, Angst and Fluff, Communication, Post-TAB) – John takes Sherlock home. Part 1 of It’s No Longer Eighteen Ninety-Five

Pillow Talk by 221b_hound (E, 2,925 w., 1 Ch. || Post-HLV, Est. Rel., Preening Sherlock, Limpet Sherlock, Frottage, Hand Jobs, Sex on Furniture, Scent Kink, Masturbation, Fluff, Soft Sherlock) – John gets home late from work and Sherlock is nowhere to be seen. John walks through the flat, distracted by memories of all the excellent sex they’ve been having, and finally finds Sherlock asleep in the upstairs room - apparently having fallen asleep mid-wank while inhaling the scent of John’s pillow. Well, you should always finish what you start, John thinks… Part 3 of Lock and Key

BBCSH ‘Lament’ by tigersilver (T, 2,951 w., 1 Ch. || Implied Infidelity, Angst, Post-HLV, Canon Divergence) – When Sherlock is alone in the flat he still speaks to John Watson.

In the Bleak Midwinter (A Canticle for Advent) by CaitlinFairchild (M, 3,476 w., 1 Ch. || Angst, Injury, Missing Scenes, HLV Timeline) – In the autumn of 2014, Mary Watson shot Sherlock Holmes. This is what happened after.

No Light, No Light (in your bright blue eyes) by orphan_account (G, 5,915 w., 1 Ch. || Angst, Pining, Songfic, Mutual Unrequited Love, Unresolved Tension, UST/URT) – Relates to both Sherlock’s and John’s feelings for each other and highlights select moments of hurt and inner turmoil starting from right before the fall all the way to HLV.

Recovery by thesignsofserbia (T, 5,948 w., 1 Ch. || HLV-Fix It / Rewrite, Villain Mary, Pining Sherlock, Major Character Injury, Scars, Self-Hatred, POV Sherlock, Doctor John, Friends to Lovers) – Set after the confrontation with Mary, and Sherlock’s cardiac arrest, John stays at 221B to aid Sherlock’s recovery, forcing them to confront wounds both old and new as they try to heal their damaged relationship.

Play for Me by nothingislittle (E, 6,105 w., 1 Ch. || Ambiguous Ending, Scars, PWP, Masturbation / Hand Jobs, Angst, Pining Sherlock, Sherlock’s Violin) – John had shown up at Baker Street only one day prior, an army duffle slung over his shoulder, the expression on his face like a cracked and ruptured fault line. Sherlock stood aside, holding open the door, and let John ascend the stairs in silence, asking nothing of Mary, asking nothing at all.

The Engine by stitchy (T, 8,294 w., 1 Ch. || First Kiss, Post-HLV, ASiP Do-Over, Sci-Fi, Time Travel) – Shortly after the events of His Last Vow, Sherlock has an opportunity to revisit the night of A Study in Pink and get some perspective on the destiny of he and John’s relationship.

Inked in Memory by 221b_hound (E, 9,716 w., 2 Ch. || Post-HLV, Tattoos, First Kiss / Time, Anal, Cuddling, Scars, Captain John, Kissing, Switchlock) – John has been back at Baker Street for a year, following the debacle that ended in Mary’s death. Things are good. Back almost to what they used to be. Sherlock might wish they were something else, now, but he only has himself to blame, he thinks. It’s too late, now, for the things he first denied before he’d ruined any chances he might have had. Sherlock also thinks that people who get tattoos are idiots. But perhaps he’s about to learn a thing or two, not least of which might be it’s not as late as he thinks it is. Part 1 of Lock and Key

Someone I Love by hudders-and-hiddles (M, 10,002 w., 2 Ch. || Canon Compliant, HLV-Filler Fic, Pre-Slash, Jealous John, PIning Sherlock, Angst & Fluff, UST/URT, Dog Tags) – John gets married and Sherlock finds comfort in wearing John’s identity tags around his wrist.

The Meaning of Sacrifice by arts_and_letters (T, 14,101 w., 6/?Ch. || WiP || Angst, Reunion, Hurt/Comfort, Mental / Emotional Turmoil, Pining Sherlock) – Sherlock has risked life and limb to protect John Watson, sacrificing his freedom and safety to fulfill his last vow. When Sherlock comes back bruised and battered from his second exile, will John’s love be enough to help Sherlock heal? And will John ever know the truth behind Sherlock’s enigmatic farewell?

Barricade by stitchy (M, 14,127 w., 1 Ch. || HLV Fix It, Friends to Lovers, Angst, Happy Ending, UST, Mary’s Not Nice, First Time, Pining Sherlock, Time Skip Filler, Drunkenness) – Sherlock has been struggling to keep his feelings at bay for everyone’s sake. Part 1 of Barricade

Second Chance by SilentAuror (E, 15,816 w., 1 Ch. || Post-HLV, Post-Divorce, Friends to Lovers, UST, Romance) – Now that John’s divorce has gone through and the dust is settling, Sherlock thinks that he would very much like to see if there is any possibility of moving their friendship in another direction. The only thing is, he has no idea how to go about doing that…

Best of Three by SilentAuror (E, 17,473 w., 1 Ch. || POV John, 3G Moment, Porn with Feels, Post HLV, Rimming, Denial, Anal) – “You want to have sex with me,” Sherlock announces one evening about a year after John’s divorce. John’s vigorous denial sparks a three-day wager wherein Sherlock is determined to prove his point, and John is determined to hold onto his heterosexuality. Set well after HLV. (Canon-compliant). PORN. With feels.

Love Is by SilentAuror (E, 21,508 w., 1 Ch. || Angst, UST / URT, Post HLV, Romance) – At Mrs Hudson’s urging, Sherlock finally decides to tell John how he feels about him. Part 1 of Love Is

Vena Cava by SilentAuror (E, 27,452 w., 1 Ch. || HLV Fix-It, Romance, H/C, Angst, Infidelity) – Sherlock has been shot in the chest; John has been shot in the heart. Though everything is broken, they do their best to heal the wounds that Mary left on them both.

To be Loved by You by TwisterMelody (M, 28,775 w., 1 Ch. || S3 Fix It Fic / Post HLV, Angst, H/C, Friends to Lovers, Infidelity, Character Death, Background Mystrade, Pining, First Time, Romance) – Too many times they had confessed themselves in the darkness, leaving it there, never to speak of it again. But this is different. This love deserves the light of day.

A Study In Auto-Signatures, Sniper Dolphins, and Sex Holidays by cwb (E, 32,689 w., 8 Ch. || Case Fic, Post S3, Evil Mary, Dev. Rel., Beach Holidays, Confused Sherlock, Friends to Lovers, Honeymoon, Epistolary, Bottomlock, First Kiss / Time, Fluff, Secret Agents, BAMF!John) – John and Mary go on their sex holiday, and Sherlock is grumpy and pining about it. Part 1 of HOT DOLPHIN SEX

Pater Noster by SilentAuror (E, 34,256 w., 2 Ch. || Case Fic, HLV/S3 Fix It Fic, Family Trauma, Sherlock POV, Villain Mary) – During the autumn that John is staying at Baker Street again after Sherlock was shot, he ruminates over the similarity between Sherlock’s shot and the one that killed his father when he was fifteen. Cold case meets series 3 fix-it. Part I takes place entirely within His Last Vow, Part II takes place starting at the end of HLV and continues after.

The Yellow Poppies by SilentAuror (E, 34,952 w., 1 Ch. || H/C, Nightmares, HLV Fix-It, PTSD, Trauma, POV Sherlock, Doctor John) – Sherlock is threatened and assaulted in the hospital immediately after having been shot in the heart, first by Mary, then by Magnussen. As he recovers at Baker Street with John and plans the attack on Appledore with Mycroft, he fights to work through the trauma caused by these two visits. Set during His Last Vow.

The Unfinished Letters by SilentAuror (E, 37,391 w., 1 Ch. || Post S3 / S3 / HLV Fix it, Angst with Happy Ending, Romance, Infidelity, Depression, Case Fic, POV Third Person Sherlock, Love Confessions, Pining Sherlock, Letters) – A fire at Baker Street leads John to read something he was never intended to see: a notebook of half-written, unfinished letters Sherlock wrote during his time away…

Act IV by SilentAuror (E, 39,707 w., 1 Ch. || First Person POV Sherlock, HLV Fix-It, Infidelity, Angst, Drama) – After Sherlock is shot, John moves back into Baker Street. They spend the autumn together as John tries to make sense of his life and make some important decisions about both Mary and Sherlock. Canon-compliant, excerpts from His Last Vow.

Not Broken, Just Bent by Schmiezi (E, 87,585 w., 43 Ch. || Pining, Love Confessions, Torture, Hurt/Comfort, Heavy Angst, Villain!Mary, Suicidal Ideations, Main Character Death, Sherlock POV, Eventual Happy Ending) – “For a second, I allow myself to remember teaching John how to waltz. There is a special room in my mind palace for it. A big one, with a proper parquet dance floor. For a second, I go there. I remember holding him, closer than the World Dance Council asks for, excusing it with the fact that we are training for a wedding, not for a competition. For a second, I feel his hand on mine again, smell his sweat, hear the song we used. For a second, I allow myself to love him deeply. For a second, only a second, that love reflects on my face.” Fix-it for S3, starting at the end of TSoT. Evil Mary.

Sentenced by SarahKnight (T, 44,777 w., 30 Ch. || Dev. Rel., Alternate S4 Canon, Drama, Angst, Pining, Feelings are Hard) – Virtual series 4 opener. Sherlock’s in prison being targeted by a murderer, John’s married to a pregnant assassin and Moriarty’s back.

Bedroom Tales by Junejuly15 (M, 49,950 w., 22 Ch. || Friends to Lovers, Through the Years, H/C, Military Kink, First Kiss / Time, Romance, Insecure Sherlock, Voyeurism, Post-TRF, Ficlets, Fluff and Angst, Fix-It Fics) – Bedroom Tales is a collection of John and Sherlock ficlets. They are set at various stages of their relationship and are in no particular order. Some are fluffy, some sexy, some angsty, there is hurt and comfort, romance and love. What unites them is that they all play in a bedroom, but not necessarily the one in 221B.

The Moonlight and the Frost by CaitlinFairchild (E, 77,289 w., 10 Ch. || Case Fic, Post-HLV, Self Harm, Virgin Sherlock, First Time, Oral/Anal/Rimming, Romance, Angst, Mary is Not Nice) – John has to somehow rebuild his life in the wake of Mary’s betrayal and Sherlock’s deceptions.

The Burning Heart by May_Shepard (M, 119,150 w., 21 Ch. || Canon Divergence, Post-TRF, John’s Sexuality, S3 Rewrite, Pining, Angst with a Happy Ending, POV John Watson, John’s Gay) – When Sherlock dies, John Watson feels like his life is over too. He’s completely shut down, until Mark Morstan, a new nurse at John’s medical clinic, catches his attention, and helps him uncover the long buried truth of his attraction to men. Although he’s certain he’ll never get over Sherlock, John plans to move on, and build a new life with Mark, unaware that Sherlock is not quite as dead as he appears, and that Mark is hiding secrets of his own.

The Adventure of the Silver Scars by tangledblue (NR [M], 142,458 w., 41 Ch. || S3 Fix-It, Post-HLV/ Post-TAB / Canon Compliant, Case Fic, No Baby, Angst, Humour, UST, Slow Burn, Angry John, Reconciliation, Not Nice Mary / Leaving Mary, Dependent Sherlock, Pining Sherlock, Caretaker John, Fist Fights, It’s An Experiment, Virgin Sherlock, Dancing, Drugging, John Whump, Pet Names, Sherlock’s Mind Palace, Scars) – It’s been thirteen months since Mary shot Sherlock and John finds he’s still pissed off about it. Sherlock had thought everything was settled: John and Mary, domestic bliss. But when John turns up at Baker Street with suitcases, the world’s only consulting detective might not be prepared for the consequences. A new case. Some old scores to settle. Certain danger. Concertos, waltzes, and whisky.

#steph replies #johnlock fic recs #my fic recs #hlv fics #e-rated fics #s3 fix it fics #gypsy-witch-fangirl #fic rec wednesday

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actuallylorelaigilmore · 6 years

Note

I feel bad for not caring about Avery and Schneider on the show. I mean what do they even have in common besides being rich and hating it. Maybe it’s because they don’t show them as a couple or even her as a character much. Idk, they are just so boring to me. She does seem nice and she’s beautiful and I love that they are married in real life but as a couple on the show? I just can’t see it

Okay, this is totally you asking for an essay on Schneider and Avery, right? Whoops you’re getting one anyway because I have so many feelings about them and so many opinions I haven’t had much reason to dig into yet.

The genius of Schneider and Avery is that the actors playing them, real-life marrieds Todd & India, have the MOST ridiculous chemistry.

The problem with Schneider and Avery is…the exact same thing.

The Backstory

I knew long before S3 came out that Schneider was getting a love interest this season, and that she was going to be played by Todd’s wife, who I wasn’t familiar with at all besides his Instagram photos. I’m not even sure I knew she was an actress until they announced her guest starring role. Because they announced it early, I had a lot of time to build up anxiety over it.

I’m as deep into this fandom as I am because I ship Schneider with Penelope. I love the show exactly as it is, and if they never become canon I won’t love it any less, but that doesn’t change the fact that: 1) I watched the show; 2) I started shipping them; 3) I decided to write my first fic for a sitcom because of them; 4) through fic I made friends and developed headcanons and made more friends and managed to keep writing through some really rough life events; and 5) then from filming announcements and through the fandom, I found out Avery was coming and that the show was going to be including the weird Pen/Schneider sibling vibe in S3.

So before S3 premiered I was really, genuinely scared I might not enjoy S3 as much as I adored S2. What if I hated it? What if I hated Schneider’s new girlfriend??? I wanted to like her so much because I knew the actress was Todd’s wife, but I had no idea if I COULD because I had no idea how they were going to include her or who she would be. And I’ve never hated Penelope’s love interests just because I like her with Schneider, but I had also met several of those by the end of S2. Schneider getting a girlfriend was new.

1. Todd and India have more than their fair share of chemistry. Who do I speak to about that?

Then, in 3x03, we meet Schneider’s new love interest–and I was basically Schneider (as I often am). From the glasses that don’t succeed at all in dulling how gorgeous she is to her nerdy interests and apparent mild social anxiety (when she asked ”are you making fun of me?” so sincerely, my heart just went…oh. oh okay.) I thought she was adorable and funny and even more than that, I’m SO weak for devoted men, I can’t even tell you.

Well, I don’t have to tell you. If you’ve read anything I’ve ever written about Penelope and Schneider, you know. I love men who love women so much they would do anything for them, especially when they’re quietly selfless about it but so in love that it just radiates out of them.

That’s how Schneider has always acted with Penelope, a little bit, even when he wasn’t trying. That’s why I fell for the ship.

But that’s also how TODD acts, opposite India–to a ridiculous degree, in a way that isn’t acting at all. You can feel it hitting you through the television, how lucky he feels just to be with her, just to be NEAR her. It’s so sweet, I die. Schneider/Avery isn’t even my OTP and I’m gonna make them a gifset at some point, just because I cannot handle the fact that Todd looks at his wife that way, every time he focuses on her.

So because this is clearly going to be long, to sum up point 1: Todd Grinnell, who plays Schneider, and his offscreen wife India de Beaufort, who plays Avery? Absolutely fantastic couple. I’m totally rooting for them, these strangers I don’t actually know. Just because watching them act together is a beautiful thing.

Also because India is a sweet human who told me on Twitter that the little nose rub between them after they reunite in 3x13 was improvised by them, not scripted. And you better believe I could not love that more if I tried. THEY ARE CUTE. Conclusion one.

2: Schneider and Avery have too little screen time to make sense as a couple.

ODAAT as a show is so strong because it holds the Alvarez/Riera family at its core and builds everything around them. You’re supposed to fall in love with them first, and grow to love the supporting characters around them, as you slowly learn more about them.

Now, in some cases, it’s not a slow process. It didn’t take me long to love Carmen or Schneider–it only took me one scene to love Syd. But the show’s purpose isn’t those characters, at least not at first. It’s Penelope’s family. And the rewarding thing about ODAAT is that the definition of ‘family’ grows and envelopes more of the characters, as time goes on.

Because Schneider was still a (fabulous, lovable) supporting character before S3, he was on the outside a bit, along with Dr. B. I think you can look at the show like a set of circles, with Penelope and Lydia and Elena and Alex in the center circle, then with Schneider & Dr. B. and Syd one ring just outside of that, revolving around them. The support group, most of Penelope’s love interests, and Elena and Alex’s friends are a ring outside of that.

S3 widened the inner circle and pulled Schneider in. It was the first season to actually dig into his backstory, the family he comes from, his sobriety. And while it was amazing, it was still just a start. It was the beginning of showing him as a full family member. It put him in the center circle, and that meant giving him more focused scenes, more story.

But the show is still also about the whole family, and S3 has the same amount of episodes as the first two did. The show included more Schneider, but still only fit in so much. And one consequence of that is that his relationship with Avery exists almost entirely offscreen. They told us more about it than they showed, and let Todd and India’s chemistry fill in the gaps, the unanswered questions.

3. What we actually saw onscreen when it comes to Schneider and Avery.

A meet-cute, which was pretty well-done. We learn she’s a geek along with him, that they’re compatible in at least that one way. We learn they like each other pretty instantly, which isn’t always believable, but the show’s got to move at a fast pace and I respect that. We learn he likes her enough to argue with Nikki, and she likes him enough to do the same. She’s no pushover, and she inspires him to be stronger. A good start.

Schneider spends some time with Penelope in the next episode and Avery doesn’t come up at all. When we see her again, Schneider’s about to have his first real date with her, as far as I can tell, on Valentine’s Day. (No pressure or anything.) It’s clear that Penelope and Avery have met by now, though we don’t know when or how. By the end of the episode we know that Schneider and Avery spent most of their first date lying to each other.

The big reveal, that they have even more in common than they thought, was super predictable to me but still funny, and my only problem with it is that once they land that plot twist, it becomes Avery’s entire personality. She’s no longer the quirky kindergarten teacher who gets along with Schneider the hobbyist because she loves to write poems and appreciates his niche interests.

Now, she’s his rich girlfriend. They get along because when he needs to fix his expensive hot tub, she can suggest they just pay someone to do it. The next time we see her, Avery’s entire existence is a few lines that show how well she gets along with his father because HAHAHA money. And then? We don’t see her at all until her surprise return in the finale.

5. What we didn’t see onscreen between Schneider and Avery.

Offscreen, as far as I can tell, they had other dates, they seem like they were serious enough to probably have had sex, she clearly was invited to some dinners etc with the family (though we don’t know if she went), before he started drinking again and they broke up and then she avoided him completely until Lydia convinced her to give him another chance.

We know Schneider completely blames himself for their breakup, but we have literally no idea what happened to send her running scared. Did he start drinking in secret and she caught him? Did he start drinking around her openly because he thought her reaction would be different from his family’s? Did she leave him because of the drinking or because of some specific thing that happened while Schneider was drunk or for some other reason entirely???

Based on their conversation in the finale, something happened, whatever it was. And Avery definitely knew he needed to be sober, otherwise why else would she be scared to try again?

Therefore the single biggest conundrum that S3 left me with, especially the more I rewatched, was this:

Avery knew Schneider well enough to know he wasn’t supposed to be drinking, or enough to tell there was a problem when his drinking came to her attention. SOMETHING happened that was bad enough for them to break up, and for her to ghost him after.

Avery also knew that Schneider’s family of choice was Penelope and her mom and her kids. She’d met them often enough to be able to talk to them politely, to know where they live.

Why didn’t she say ANYTHING to ANYONE in that apartment as soon as things with Schneider imploded????

How is it that she could be aware enough of Schneider’s life to know his family/best friends, aware enough to be worried about his sobriety, and worried enough to decide they had no future, but not tell his family what was going on when she was clearly aware of it long before they were??

Even if she was unhappy and uncomfortable and didn’t want to get into relationship details with Penelope, she could have just mentioned the drinking part and cut off all further communication! She could have left a note at their door!! She works at Elena and Alex’s school teaching the little kids, presumably she might sometimes run into them on school grounds…and she never said anything.

It drives me crazy because maybe there’s a reasonable explanation for that, for all of it, but I would have no idea what it is, because all of that happened offscreen and wasn’t explored.

6. Why it matters.

With the family at the show’s core, and Schneider only recently included in that center, Avery falls in the outer ring. But because S3 tried to give Schneider more without giving the rest of the family less, there just wasn’t room to flesh out Avery enough.

If you compare her to Max in S2, we saw him interact with the whole family on multiple occasions. Because of that, we got to know him as more than just ‘Penelope’s casual sex buddy who she was friends with years ago.’ He and Pen weren’t my OTP either, but I genuinely liked them together because we understood why they worked. We saw them survive conflicts, face problems, have real conversations.

With Avery, we saw her and Schneider meet and then we saw them present fake bios to each other before the truth came out, and then we saw her be the perfect rich-son girlfriend before disappearing. Their conflicts were left to our imagination. Their deeper moments were left to our imagination. When they get back together, we see Avery after she’s already decided to try again, and Schneider apologizing for whatever exactly happened that we may never know.

As viewers, we can interpret that as generously as we want, but it still leaves us with a relationship that we’re told matters…because we’re told it does. Though I love Schneider and I hate seeing him in pain, ‘he’s sad without her’ is not a detailed case for why he belongs with Avery. And ‘because Lydia vouched for him’ is absolutely not a good enough explanation for why Avery belongs with him.

Even looking at it as though what we learned about her in the beginning holds true, we’re left to assume that Avery loves him enough to support him through his recovery and rebuild trust, because…they’re both pretty nerds with similar feelings about their family money? And he loves her so much he was in hell without her…because to him she’s a ‘perfect angel woman’ (which is so painfully idealistic of him, it makes sense for him but is also begging for him to be crushed again when she falls off that pedestal).

There are as many red flags in the screen time we do see as there are reasons to root for them. She claims to be miserable with inherited money just like he is, but she’s way more comfortable relying on it, talking about it in ways that we just don’t see Schneider do. And the whole point when Schneider’s father visits is that Schneider is not who Lawrence wants him to be–but as far as we know, Avery isn’t putting on an act to get along with him, the way Schneider does. She just IS enough like him. She’s very at ease on his level.

And don’t even get me started on Avery stopping Schneider’s joy over being an Alvarez to make him focus back on her. It’s a joke, but it’s also not a good sign for their future, if any part of her isn’t 100% comfortable with how important to him the whole family is.

7. My grand unifying theory.

I’m convinced that her lack of dimensions, and their relationship lacking depth as much as it does, is because writing Avery in involved bringing India on. I’m not saying I wish they hadn’t!! Again, I adore her. But it’s a problem, and here’s why.

Every serious love interest we’ve seen Penelope have, from Victor to Mateo, is in her orbit mainly, but also interacts with the rest of her life. Max got to know everybody, counseling Alex, being pestered by Schneider, flirted with by Lydia, etc. Victor was central to her life for a long time, so we learn a lot about him through his many family scenes. Mateo has scenes with Penelope mainly, but he’s around the family enough that we learn about him based on that proximity–how he feels about Alex, how his background compares to her family’s.

Avery is Schneider’s first serious love interest, and we see her interact with…Schneider. No conversations between her and Lydia, only one exchange with Penelope when Avery tries to mistakenly console her over being single, then they never directly speak again. Avery doesn’t ever talk to the kids, though they’re super important to his life.

As a show, ODAAT never made me consider the Bechdel test until I was trying to include Avery in an edit about the female character interactions and I realized that that one moment with Pen is the only one. As a character, her entire point, and focus, and existence even, is about Schneider. It wouldn’t be so weird if she were just another Stick Girl, but we’ve seen her included in family events. We know she knows the people in his life. We just don’t see her ever talk to any of them, and I don’t think that was a choice they made to keep her character secluded so much as it was a natural result of adding a character to the outer ring whose only purpose in the story is to date Schneider.

So they created a girlfriend for Schneider, and they worked her into the story enough to give them a relationship, and to make their breakup and reunion important plot points for Schneider’s S3 arc.

And because the show was more focused on the family, Avery’s character was only included where she absolutely had to be, to hit those plot points.

And because the actors have chemistry enough to sell it, ODAAT called that good enough for their characters and that relationship and kept moving.

It’s clear from social media that the cast and crew of the show adore Todd and India, and adore their onscreen relationship just as much. Because of that, I’m not sure if maybe they’re a little blinded to what the whole thing is like for the rest of us, who don’t know them personally, who don’t see Schneider/Avery first as an adorable ship starring these two cute dorks that so clearly are meant to be because the actors are.

But whatever the reason, I think a lot of the people involved in the show ship it harder than the viewers do. I ship Schneider/Avery because she makes him happy and the actors are fun to watch, but I hope they’re not endgame for all the above reasons.

Schneider deserves love and a future with someone, and even if he doesn’t end up with my personal choice for his ideal match, I still want that someone to make sense. I want to be able to root for them for reasons that exist in canon. If the show gets more seasons and we see Schneider and Avery work on/through some issues, if we see him start to treat her like a flawed person he loves rather than like someone he doesn’t deserve at all…if we get to see how the other important people in his life relate to her…then I’ll be more on board.

But after S3, all I can say with certainty is that Todd and India make Schneider and Avery watchable…but they can’t carry the whole relationship based on their chemistry alone.

#odaat #one day at a time #schneider #schneider x avery #schnavery #avery #todd grinnell #india de beaufort #meta #mine

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pawnshopsouls · 5 years

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Musings ! Bonely in S3

//I keep thinking of post-s3 finale stuff and part of me is like, “man, how differently would things have turned out if Bonely were there to be the voice of reason with Gunmar?

//Like with the Janus Order, he’d be like “don’t be hasty” with going outside, and killing the Janus Order. Or him being the middle man between Gunmar and the JO in setting things in order for food and bedding stuffs so that they aren’t grating on Gunmar’s nerves so much. Very much a “A’right, I’ve bought yeh one day teh keep from bein’ eaten. Now yeh better use it teh get us foodstuffs before you ‘n’ yer order become foodstuffs.”

//Probably would demand like, live livestock (bc he knows nothing short of living flesh will satisfy any gummgumm there), war prisoners (bc when isn’t humanity at war???), or criminals (deathrow inmates), etc. Granted, he’ll also demand why the JO haven’t placed changelings in strategic places if they can’t get any of this, but I digress. XP

//But consider: Bonely talking German to Otto (Bc Windersh, Bonely’s native language is a mix of German and Norwegian) and telling him to straighten up and not to snivel when he’s around. He doesn’t like dealing with weasels and he expects a certain level of respect and decorum when being approached by JO members. Idk if he’d be able to prevent Gunmar’s exterminating of the JO but he’d try. He sees them as incredibly useful and would rather have them to bring down human “tribe” governments from the inside while Gunmar gets lays siege on them from the outside.

//As for Morgana, he doesn’t like her. He doesn’t trust her. He doesn’t like how Gunmar worships her but he can’t say anything against it since Gunmar lets him worship the Sovereign. I also don’t think he’d bow to Morgana as Gunmar does. If he were made to bow by Gunmar, he’d do it in such a way that Morgana is never out of his line of sight. However, if he were looking to prolong Gunmar’s life, he’d definitely use what he learned about human weapons from the JO and seek to determine whether or not Morgana’s magic can disarm human technology. If it can’t, then he’d announce that unless they can disrupt human tech, it doesn’t matter if they have eternal night, the humans will light it up with their corpses.

//Crimony though, thinking about Gunmar’s defeat hurts, especially with how it’d affect Bonely. Like on one hand, he knew something like this was coming. He knew the Sovereign, or whatever form of Providence dwelt in Arcadia, wouldn’t allow their wickedness to go on forever. He knew it. But on the other, Gunmar’s death probably it felt like he was been cleaved in half and now part of him is missing. It’s gonna take him a while to recover from all that. Probably about as long as it takes the Arcadia construction team to fix that hole in the canal.

//However, if the Quartet were born before the Eternal Night, Bonely might leave them in OddBall’s the care while he and Gunmar deal with with the surfacel and war. He wouldn’t want them to be in the crossfires of what they were doing, especially with how they could be used as leverage by anyone. Then, after the finale and the Gunmar’s defeat, he would actually ask Salem to be his liaison with Jim & the Market trolls. Before they leave and while they’re prepping to get the babies out of the darklands, Bonely ask them to let him back into the darklands to take care of the rest of his tribe.

//However, when he sees that they can’t take off the amulet nore use its blue half to open killahead bridge again, he tries to convince them to let his kids and their guardian (OddBall) at least be brought with the babies they intend to save from the darklands . He’d even offer to make a pact that neither he nor his descendants would make war with the Market Trolls so long as he lived, in exchange for their lives.

//I think even Blinky and Jim would be torn on this but it would be Merlin who’d be the one to emphatically say “No” on the matter and probably rally the other trolls against the decision so that even if they wanted, they couldn’t do it without risking a full-on revolt. (Probably convinced them that they weren’t just bringing whelps, but that they were “gummgumms” too.)

#¢::Passin'Gossip::¢#ooc #¢::OutOfSpooks::¢#musings #long post #tw long post #cw long post #trollhunters #trollhunters musings #cut for length

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globrights · 6 years

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iasip s3 rated by macdennis content

The Gang Finds a Dumpster Baby: Dennis chides Mac for littering and not caring about the environment... Mac agrees to check out the global warming movie he watched bc Dennis kept talking about it even though everyone else was annoyed by it... they really are in love huh. 5.5/10

The Gang Gets Invincible: Mac and Dennis decide to try out for the Eagles because they want to figure out who’s the better football player. “Lincoln Field, baby!” This should be a generic ‘Two Bros Compete Over Sports Thing’ plot but Mac and Dennis are like... really gay about it. They mock Dee together for wanting to try out too and they’re being very misogynistic but the way they laugh at her is so cute. Mac leans in very closely to Dennis’ face when talking about how Dee could embarrass them in terms of running stamina. Mac and Dennis have a whole conversation with their dicks out as they stand over the Lincoln Field and Mac looks at... he looks at Dennis’ dick and asks him if he’s done peeing. And Dennis says no because Mac standing next to him and talking to him makes him nervous,,, okay,,, Mac and Dennis bicker over Mac’s makeup skills and Dennis’ cheekbones. Mac and Dennis sit together on the bus. They’re cutely excited about getting to see Donovan McNabb (even though they don’t) and they’re both... so bad at running. We stan unfit losers who cant even run for ten minutes!! “I liked your form on that, and I liked how you went before the whistle.” “Goddamn right!” “Nice!” Jesus Christ do these two even remember they’re supposed to be competing? Dennis essentially verbally sucked Mac’s dick for tackling his sister and told him he liked his FORM I know I quoted that but like... y’all seeing this... Also can we talk about how Dennis had this running monologue going on while he was running in the field to catch a football was this: “I’m going to make Mac look so bad. My form is perfect–“ like why is Mac always his first thought like it came before his narcissistic thoughts AND his throwaway comp het thought... sigh... 9/10

Dennis and Dee’s Mom is Dead: Mac and Dennis not realizing how gay they are is so fucking funny... Mac banging everyone’s sister but also calling them gross? Comp het rights! Dennis talking to men trying to invite them over to their party is literal actual flirting and he is so stupid for it. “Bro, aw, I just had the most perfect blonde guy slip right through my fingers. I mean, I had him in the palm of my hand and then... he was gone, you know what I mean? I mean, this guy would have been perfect for you. What’s up with this beefcake? Is he coming to the party, or what?” I can’t believe Dennis told Mac this. This sounds literally like they’re gays trying to find love in this world. Give me a break maybe!! Mac and Dennis having no idea that they were waving around a dick flyer that they literally cut themselves is peak metaphor for how in denial about their sexualities they were. Mac and Dennis get up to PEAK gay activity during their party because of how excessively Dennis touches Mac, he literally says “oh yeah, baby, nice one!” when Mac punches a glass frame, breaking it, and taking a random apple and biting into it. He’s so proud of Mac for the dumbest of shit. “You’re gonna tell everybody how we’re like those guys from Jackass, how we like to smash stuff and shove shit up our asses.” “That’s right! You’re gonna get so much shit shoved up your ass tonight!” Oh my god? Oh my god! Nothing says love like throwing knives at college students and basically putting them through emotional and physical torture! That’s just how it is! The symbolism and just everything in this episode pushes this up to a shocking 8.5/10

The Gang Gets Held Hostage: “Come here, come here, come here! I think I got a plan to get us out of this, but I need you to do the destroying thing. Can you?” “I’m a great destroyer.” “Are you kidding me, dude? You’re a born smasher.” “Yes! I’m a born smasher.” “I’m gonna work a different angle with the girl.” “Work those pecs.” “Yeah, exactly.” “Bump it.” “All right.” “Dennis.” “What?” “I love you.” 9/10

The Aluminum Monster Vs. Fatty McGoo: The whole “Dennis has an announcement!” scene is so cute and so funny. Other than that though, Mac and Dennis don’t get up to much, but Dennis does lie to him about dress orders which pushes Mac into Frank’s arms where he learns how to run a sweatshop. 4/10

The Gang Solves the North Korea Situation: Dennis wearing Mac’s duster with no shirt and the way Mac was staring at him? Good shit! 7/10

The Gang Sells Out: Mac and Dennis both somehow managed to get each half of Charlie’s shares in the bar. Charlie gets confused between ‘wood’ and ‘wooed’ and when Dennis tries to explain it to him Mac gives him a little “Dennis, just...” and Dennis goes “It’s a waste of time?” and like. That’s just really domestic of them actually. 6/10

Frank Sets Sweet Dee On Fire: Nothing v specific here but Mac calls Dennis a ‘club kid’ which is cute. 2/10

Sweet Dee’s Dating A Person: “You do have a great voice. You have, you know what man? You have an excellent voice.” The look of absolute BETRAYAL Dennis gives Mac when he doesn’t let him be in his band... wow. “We need a new front man.” “Right. You want someone with a good voice.” “Yes.” “Who’s attractive.” “Yes.” “Someone with charisma.” “Yes.” Somehow they both bottomed in this scene and Dennis wearing glasses is so fucking stupid. This episode would’ve gotten a perfect score if Mac didn’t kick Dennis out of the band for having slutty hips. Mac, those slutty hips are everything you’ve ever wanted in life. Wake up. 9.5/10

Mac is a Serial Killer: Dennis seems to REALLY take notice when it comes to Mac’s comings and goings from the apartment... His reactions to Mac getting laid seems like fake enthusiasm to me :/ 3/10

Dennis Looks Like a Registered Sex Offender: “Listen, I need your help, okay? You’re part owner of the bar, and you’re probably the only person that Mac listens to, and I need you to talk to him.” God Dee really out here knowing the truth huh. She really out here knowing everything, huh? 7/10

The Gang Gets Whacked Part 1: Mac and Dennis the cute little work couple who tries to fix the electricity and both having differing but wrong opinions about how to do it! Mac and Dennis the cute little work couple who ditch work to sit outside their bar in lawn chairs and drink beer together! Mac and Dennis the dumbass work couple who can’t understand the things people say to them because they drink a lot! 9/10

The Gang Gets Whacked Part 2: Mac slaps Dennis and rescues him from his life of prostitution. Wow that’s like a line straight from a very weird mafia AU. 7/10

Bums Making a Mess All Over the City: The way Dennis looks at Mac when he says “In fact, Special Agent Bauer and I plan to take care of a few things today...” Mm... Conspiring with your boyfriend and twin sister while holding your cat as you plan to take down your dad truly is the life huh. 5/10 because it was a great fucking look

The Gang Dances Their Asses Off: One of the most ridiculous things in this episode is the fact that Frank ranked Dennis and Mac second and third best after himself. Some other ridiculous things? Mac and Charlie’s talk about Mac’s... cream... which led to Mac saying this golden line “I’m always putting my cream all over his face.” Mac and Dennis have a dance off where Mac mimes himself sucking Dennis off. Repressed rights! It’s a crime that we didn’t get to see Mac and Dennis slow dance this episode, but still I’m gonna give it a 10/10, especially because Dennis and Mac had 25 pound kegs hanging off their chests and Dennis said “Come on, man! Give me some of that liquid hydraulic shit!” it sounds dirty somehow, anyway, Dennis wrapped his arms around Mac and they both fell to the ground. Very sexy.

#text #iasip #macdennis #its always sunny in philadelphia #rated

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