#i suppose it’s a similar issue that my ex has with me

[sammygender]

when people get on with their parents really well i go crazy. like when they say they love their parents and when they know their parents will support them always and they don’t feel resentment towards their parents or feel like their parents prioritised their own version of love which really meant being unwilling to tolerate distress or hardship and constant fervent belief they knew what was right over their kids own genuine happiness i go crazy. not sure what this says about me though

[lostyesterday]

I’ve been thinking about disabled protagonists in Star Trek recently, which got me thinking about Seven of Nine. It’s interesting because I’m almost certain the writers of Voyager did not intend to write a disabled character, but they ended up accidentally writing one anyway, and one whose arc I find surprisingly compelling as a disabled person myself. Seven is dependent on electronic devices both inside her body and external to it in order to survive and she requires regular medical treatment and specialized adaptations to her environment in order to function. She is absolutely canonically disabled (as are all the other ex-Borg in Star Trek), even if the writers probably weren’t aware of that. The major reason that I think Seven’s arc resonates with me so much is because it reflects a deep tension between independence and dependence that is a fundamental and complex part of so many disabled people’s lives.

To be disabled is to be deeply aware at all times of your own dependence on external things (such as wheelchairs, canes, medications, etc.) and other people. At the same time, to be disabled is to also be deeply aware of the societal standards of independence and self-sufficiency you are constantly failing to live up to. You cannot do things that people are “supposed” to be able to do independently. You need help for basic tasks, and you have no choice but to trust that these external supports you are dependent on will not suddenly disappear, causing you to be unable to participate in society at all. It’s difficult to express to someone who hasn’t experienced it how much being disabled forces someone to consider their own level of dependence and independence constantly, how it becomes a deep part of one’s identity and can often be a source of trauma.

Seven’s arc on Voyager is often focused on the nature of individuality, but it is interesting how often “individuality” becomes a stand-in for independence. Seven’s disability makes her deeply dependent on the crew and resources of Voyager for survival. She could theoretically leave and use her own skills to do maintenance on her implants and install an alcove somewhere to keep herself functioning, but it would be a great risk, and her safety would be constantly in doubt. At the same time, Seven hates this dependence. She tries to rely on other people as little as possible, hating her need for the Doctor to diagnose issues with her implants and refusing to ask for help until she has no other choice. She hates this dependence because she sees it as challenging her ability to become a complete “individual” who is able to make her own autonomous choices. She hates this dependence because it forces her to rely on other people who could at any time abandon her or abuse their power over her.

So it’s far less frightening to pretend this dependence doesn’t exist, to hide it even from herself. Seven’s arrogance in her own abilities, her focus on her intellect and vast knowledge and superior physical abilities are in many ways genuine, especially early on. But at what point does this confidence in her own abilities – this reassurance that she is smart enough and strong enough to control her own destiny and be a true individual – become a coping mechanism to deal with the reality of her dependence on objects and people outside of her direct control?

Seven is told often by members of the Voyager crew that being an individual who makes her own choices and decisions is what she should strive for. And at the same time, those same people often exert control over her, attempting to restrict her autonomy. Janeway or the Doctor tell her that they know better than her what her needs are – that being an individual only goes so far. Seven’s anger at this contradiction is one of my favorite parts of her character, partially because it captures a similar feeling of anger deep inside me when I think about the ways society constantly pressures disabled people to maintain standards of independence impossible to live up to while at the same time deeply restricting our autonomy and freedom.

In the episode “Imperfection”, Seven says that what she wants most is to be useful. To be useful is to be a valuable part of society – someone who is self-sufficient and talented and certainly not deeply dependent on other people for basic survival. To be disabled is to have society constantly demand that you be useful, that you be independent and strong and never let your disabilities limit you. And at the same time, to be disabled is to discover over and over that you can never be that fully autonomous, fully functional human being seen as ideal in society. No matter what you do – no matter how far you run from the truth – it’s an impossible reality to escape.

[beauty-and-passion]

also yes i think you should talk about dipcifica i love the old man yaoi as much as the next guy but i also will always crave this kind of "coming of age" love story

Glad to comply! Here are my points about why Dipcifica is canon and endgame and everything:

1) Dipper and Pacifica are a walking "enemies to friends to lovers" trope. It literally started with Dipper saying to her face he doesn't like her, what's more clichè than that? When he said it, all I could hear was "We will definitely become a thing in the future".

And guess what? After a while, Dipper changed his mind: now he doesn't think Pacifica is the worst anymore. The next step is admitting she's great, asking her out and becoming a couple.

2) "Northwest Mansion Mystery" is basically a huge Dipcifica manifesto, thanks to the introduction of more tropes like:

the characters are put into nice suits

Pacifica fixes Dipper's clothes like a good wife

these two share an adventure together - which is universally something that would strengthen the bond between two people

their daring escape ends with a hug, given out of a sincere emotional reaction

the hug is followed by some cute awkwardness (especially from Pacifica's side)

Dipper and Pacifica share a heartfelt moment in which she reveals her insecurities, something we can be 99% sure she doesn't usually do. Also because... with whom can she share them? Her parents? Her supposed friends?

Dipper changes his mind about Pacifica after understanding her a bit more (which is always the interlude for the development of romantic feelings)

Pacifica finds the strength to do the right thing, only after Dipper sacrifices himself

the episode ends with them having fun together, laughing and enjoying their time. Also, it's implied they probably spent some time after the party to clean up the mess they made - so who knows? Maybe they shared some more time together and talked a lot more.

I mean... I've seen love stories start with less than that.

3) Dipper and Pacifica have another adventure together in Lost Legends. The formula is similar to Northwest Mansion Mystery: Pacifica has an issue (caused by her shitty parents), Dipper doesn't understand what her problem is, they share a heartfelt moment in which she reveals her weakness, Dipper tells all the right things, they hug, Pacifica does the right thing.

This is another way to reconfirm what the episode in the series already told us: these two have chemistry. They are meant to be. They are a walking enemies to friends to lovers trope - with a side dish of "slow burn" too. And we all love slow-burn stories <3

But this adventure shows us something else: how things have changed since Northwest Mansion Mystery and especially how Dipper's attitude has evolved towards Pacifica. In the episode, he is still very wary of her and makes it clear multiple times that he dislikes her.

Now he says this:

This is basically the Dipcifica equivalent of "I once considered him the center of my life, the sun in my galaxy", only with less toxic old men yaoi and more wholesomeness

it shows how Dipper's attitude is more mature

it implies he can and will develop romantic feelings for her. I mean, look at it: "I've noticed another side of you", "I see the real one and you're more than a pretty face"... gosh, if Pacifica hadn't fallen in love before, she definitely did after that.

it also shows Dipper's growth regarding women: my boy went from making huge, complex plans to talk to them, to lying to get random girls, to saying the truth in such a smooth way. He's great with girls when he doesn't try, he makes me so proud <3

4) Now I know what you think: great points, Bea, but does this couple have Mabel's approval stamp? Billford got it with Mabel calling Bill a clingy ex and telling him to get a crush on someone else's Grunkle. Does Dipcifica have Mabel's approval?

The answer is yes:

Do I have to say anything else? I think Mabel already said anything. Dipper and Pacifica are. A. Thing.

And yes, I know what you might say: they are kids! Sure they are, but that doesn't mean there can't be anything in the future. There is time for them to grow and for these feelings to develop. What we saw in the series and in Lost Legends are the crumbs, the foundation of something bigger that can evolve in the future.

And this is a great foundation because it's plausible and stable. Dipper and Pacifica's interactions never sound forced or out of character: on the contrary, they are built in a way that conciliates both personalities and justifies their changes and evolution.

If we can easily imagine a future for them, it's because their change is organic, it works in the long run - Pacifica can easily become better and better, while she works out her issue and shows the beautiful person she is. And Dipper can easily become more and more aware of what a great girl she is and start to develop deeper feelings for her. It's not impossible to imagine. It works.

And yes, this proves again how well Hirsch developed Gravity Falls and its characters, if we can easily imagine a future for them just out of a few, well-built interactions.

[brokenpieces-72]

Risk

Navigation

Kyle came to pick you up. By now the two of you were buddies, with him treating you like a younger sibling. There are plenty of memes exchanged between the two of you, and you’ve tagged along with him on more than one occasion. He knows a lot about cars, and you’ve helped him work on a couple vehicles. Turns out he works at a small mechanic shop. Never overcharges people, or pulls fake expenses. Has a tendency to undercharge but sometimes gets something of equal value.

You get in the passenger seat and putting your bag in the backseat. You notice a few small things in the back. Kyle starts driving and you stretch in the seat.

“Seat belt.” He says and you put it on.

“Peach wine?” You ask. Kyle gives a half smile keeping his eyes on the road.

“She insisted on giving a whole case.” Kyle says. One of his customers was an older lady who made wine on the side. She couldn’t always cover the costs of her old run down vehicle getting repaired so Kyle settled for a bottle of her wine to cover the rest. “Gonna let Price try some and serve it at the pub.”

“Speaking of drinks, do the guys like ice tea with popping boba?” You ask.

“Don’t think so.”

“Woo!” You cheer. More for you! You sit back in your seat, watching out the window. The drive is a longer one than necessary. After some time, you notice a few landmarks out of place. You suspect someone is following you two, and Kyle is trying to get them to leave you both alone.

“Had a visitor.” You say, wanting to fill the quiet drive. “Milena Romanova.”

“The hell did she want?” Kyle says, checking his mirrors.

“Gave me an invitation to a gathering. Offered to show some of my work at open houses. Graves was there too but he got there before Milena.”

“He broke in?” Kyle asks. Graves sounded like a toxic ex.

“No, he has my spare key. He was there before I got there, I talked to Milena and then found out he was around.” You exclaim. It’s quiet in the car for a bit. The purring engine fills the silence as he mutters something checking behind him.

“I told him about the raid.” You say. If anyone would take it calmly, it was Kyle. The car feels even quieter, though. Telling Graves hadn’t been decided yet. Kyle is fidgeting a little with the wheel, staring forward. “I’m sor-“

“Don’t say sorry to me.” He says, and you can hear more in his voice. You've heard a similar tone when someone brought the wrong tires after they were late for their tire change. There’s a pause as he straightens in the seat and speeds up a little, making it through a yellow light before making a turn and then another. There’s a pause while you check the side mirror to see if anyone is still following. After a few minutes, you don’t recognize any of the vehicles that were behind you before the light.

“Price has issues with the police since Graves and what happened with Makarov. If he can avoid them he does, but right now, we need all the help we can get, and if Graves can give us the legal system we should be taking it.” Kyle says. He has a look of determination in his eyes. One you haven’t seen in him much, except for when you’d seen him go out with Price for “work” or defend someone in a fight. He glances at you while waiting at a red light.

“Graves tell you what to do?” He asks. You nod. Kyle nods as if he already knows the instructions himself. There’s another pause waiting for the light to turn green. He looks at you directly.

“Did you actually record the conversation?” Kyle asks.

“Yep.” You say smiling. “I don’t think she’s seen the work I did of her.”

Kyle is laughing as he steps on the gas, the light green now. “You should go to that gathering just to see the look on her face.”

“She’ll likely simmer down by then. Not sure if I want to go if Makarov is there.”

“He’s supposed to be there?” Kyle asks.

“Probably. I mean Milena came to my apartment and when she saw me, she tried to make the excuse that my unit was up for sale. I assume Makarov gave her my address. She even stood there waiting for me. Could've put it in my mailbox or slid it under the door. Clearly, they want me to know they can find me.”

“You don’t want to see him?” Kyle inquires, though the answer is fairly obvious. He doesn't blame you.

“I... I don't think I'm ready to face him yet. Not alone, with a crowd of people." You answer.

Kyle pulls into a parking spot not far from the safe house apartment. He carries the wine, while you haul your bag. You both walk in and find Laswell chatting with Price. You haven’t seen Laswell since meeting John Price for the first time. After putting your bag in your bedroom you come back out and make some tea. Kyle has the small crate on the kitchen counter and is getting a couple of glasses for Price and Laswell to try. You take your seat at the bar and notice a similar envelope to your own invitation.

“You got invited?” You wonder aloud. Laswell looks at you and then where you’re looking.

“You got one?” She asks. You hold it up and John’s expression changes with the lift of an eyebrow. Laswell’s eyes go to her laptop, where you see some stuff but you’re not sure what exactly it is. You don’t want to inquire either.

Kyle hands both Price and Laswell a glass of the wine. You look at Kyle and then look between the two others while they try the wine. Do you tell them about Graves? Kyle folds his arms, looks at the floor, and then back at you. He gives you a slight shrug as an answer. You can, but that “you can” is gonna be loaded.

“Graves told me to leave an anonymous tip about the raid.” You blurt out. Kyle looks away while Price and Laswell look at you. The two of them are old enough to be your parents but damn do they feel like it this moment. You look between trying to figure out whose face to settle on. You pick Laswell but she just shakes her head and returns to her laptop. Thanks, Laswell, now you’re stuck facing the giant bear that is Price. You look at him and his face says something but you don't know what it is. It’s like reading a book highlighted with a black sharpie.

“I can call him off, tell him not to.” You say, wanting to back out of the whole thing.

“Tell who?” Johnny asks coming out of the hall. When did he get here?

“Tell Graves not to be at the raid.” You blurt out again. Johnny was reaching for the fridge until he stopped and gave you the same expression as John. Seriously how did they do that? That is impressively coordinated. You try looking to Kyle, hoping he'll weigh in. Nope. Kyle is not even making eye contact with you just looking at the ground. There is tension and you hate it.

“I’ll tell him not to.” You say breaking eye contact with them and staring down at the counter top.

“Send the tip.” John says, biting back some annoyance. “At the very least Graves can keep the damage down and focus on Makarov’s men.”

You didn’t realize you were holding breath until Price finished talking. Johnny goes back to the fridge, letting the tension die out.

“This is home made?” Price asks Kyle who finally looks up from the floor as if he were never trying to hide from the conversation.

“Yeah.” Kyle says. You eye Soap while the two continue talking and he’s distracted. You both know the risks that could come, and the differing amount of trust you both have in Graves. Time would tell.

“If you’re going to that gathering, you probably shouldn’t go in ripped jeans and a hoodie.” Laswell comments the next day. She’d come back to the hideout fairly early. Thinking about it, you can’t recall her leaving, since you went to bed early. You woke up, got dressed and came out to find her remaking the pot of coffee.

“Not sure I want to go.” You reply checking to see what in the fridge was still edible. You find some left over chicken, but the stray could have that after feeding her kits. You find a protein bar, and settle, sitting up on the counter.

“Because of Makarov?” She asks. You shrug, but she’s right. You never met the man face to face but if he was enough to make everyone treat him like the plague you were hardly eager to shake his hand.

“Makarov is a smart man, he won’t do anything to you when you’re there.” She says.

“You don’t know that.” You counter, rubbing your arm. Laswell notices you tugging on your sleeve. She lets the coffee brew while standing in front of you. Laswell holds out her hand and you already know what she wants. You offer your wrist and pull the sleeve back showing the fairly nasty bruise. It is healing but hasn’t by much.

Kate looks up at you while you’re focused on the bruise. You’d been in gun fights before. Someone grabbing your wrist and squeezing until you bruised was an experience you had no interest in repeating. At least not like that. Nolan had found you again and grabbed at you. He tried dragging you to a car but your quick thinking to bite his wrist got him off. It left you with the taste of his blood in your mouth and an impression on your skin. You’d kept it to yourself though.

“What happened?” Kate asks. Her voice is calm, likely not the first time this has happened. She isn't demanding an answer. You tell her and she listens. No scolding or shaming you for not saying anything or not doing something more. You almost wish she would because at times you feel like a kid in this group. You expect her to say you did your best and it’s not your fault. Kate doesn’t though. Instead, she tugs the sleeve back down.

“Good work. You may not be able to get him arrested but he won’t forget the bite anytime soon.” She says. You smile, feeling a little proud of yourself.

“If you can do this, then I think you can handle Makarov. Especially since I’ll be there as with officer Alex.” Kate says.

“You think I should go?” You ask.

“You don’t have to, but if you want… it would give you a chance to see some very humorous reactions to your work,” Kate says taking a sip of newly poured coffee.

Taglist: @yourlovely-moon @kaoyamamegami @h0n3y-l3m0n05 @sans-chara @1mommyrose4ever29 @smitten-haematite-quartz @tai-the-gemini @yuki2129 @whitetiger846 @graystorm444 @chibiduck @reaperxxxxzz @danielle143 @sobbingnshtting @cringeycookies @cryingpages @dcnocap207 @reaper-chan666

[zonedelicious]

In the X-Men fandom this scene is constantly brought up to call the character Noriko racist, call the entire book racist, and even call the fans and writers racist. And as a Muslim fan of Academy X I am very confused at this harsh reaction because to me it is obvious the story is siding with Sooraya.

For starters X-Men can be very VERY racist and islamophobic. I've recently been reading Claremont's New Mutants and it's painful how racist that book is to Arabs. I wanted to stop reading because of the racism.

But I do not get this reaction from Academy X, which is my favourite X-Men book.

I think a lot of people don't know what kind of book Academy X is. Academy X is a book about delinquents. The main characters are a bunch of asshole kids. The appeal to me is seeing these shitty kids grow and become better people. Yes they make mistakes that's the point. They're stupid kids.

Noriko is one of these kids. She was homeless at a young age because of the poor relationship with her family and because of this she's afraid of ever showing any vulnerability. Choosing to rather lash out at others. It's a realistic coping mechanism.

The scene with Sooraya shows this as Noriko is projecting her own trauma onto a poor girl who only wanted to be nice to her. Yes it's shitty but that's the point. We're seeing how their personalities and viewpoints clash, and how Sooraya is challenging Noriko's beliefs.

I do not see how anyone can read this as the book being racist when the scene even shows Sooraya sad. Something like this never happens when an X-Men book is actually islamophobic. Yet people never react as harshly to actually racist X-Men books as they do to this.

It's actually very similar to a scene at the start of Ms Marvel, where Zoe is racist to Nakia. We can clearly see both scenes are suppose to make you feel uncomfortable and make you side with the Muslim girl. And both Zoe and Noriko are humanized despite being bullies.

We even get a conclusion. Some say this isn't enough, but remember that Noriko refuses to show emotions, so the fact she's willing to go against her instincts here is interesting. It's more interesting to me than simply having a generic anti racism speech.

Again Sooraya is entirely humanized here. The comic is understanding of her struggle. I do disagree with the way she's drawn at times, but the writing makes her a character I could relate to. And reading this conclusion only makes me more interested in both characters.

Sadly neither character ever got a proper character arc after the comic ended. But to me that just makes me wish there were more comics of this group where we do see Sooraya and Noriko become close friends like Nakia and Zoe. It makes me think of writing my own story with them.

I love this book and what it means for Sooraya. I love seeing Sooraya's relationship with the Hellions, Jay and Laura. This is still her definitive comic, so why are we dismissing it entirely because of one scene that exists to make us relate to her?

It's very strange that this one scene, that to me is well made and relatable, is being used as a way to hate the characters, the comic, and everyone who likes it. Most hate isn't even coming from Muslims so is it just performative outrage and misunderstanding?

Or maybe this scene hits at home for some people? With the conversation being very realistic and grounded, people may see themselves in Noriko. Maybe they had a similar reaction towards a Muslim girl and are remembering it.

Noriko's stance isn't even that different from ex Muslim feminists who say similar things. The issue is how she is projecting onto Sooraya. And maybe that's what makes people uncomfortable. The complexity this conversation has in the real world.

Whatever it may be, Noriko still clearly grows after this arc. We do see her become a great leader who stands up for her friends. And even if she has issues to deal with, she was slowly becoming a better person.

In conclusion I love this book because it's relatable in how it portrays its characters. I like Sooraya being a Muslim character who's also a protagonist and a big part of the story. I hope more people give this book a chance and see the charm of it that I see.

Anyway time to go listen to anime music and imagine my OCs hanging out with the Academy X kids (need to draw that one day).

[kad3spad3]

Which batfam member fits Nobody’s Soldier by Hoizer the best?

The easy answer here is Jason because that was kinda his whole thing. And trust me I love this idea but this song could genuinely work with almost every member

Dick

He was put on a pedastool and framed as the golden child, and because of that he was expected to take over as Batman. He obviously doesn’t want to be Batman, you can see his turmoil over this in many media forms. The most talked about one being battle for the cowl. There is even a conversation about it in the young justice show when he’s Robin where he states he doesn’t want to be THE Batman.

Jason

He is the most common one to see with this song. Not wanting to be remembered as a soldier instead of a child and trying to stop the ‘Robin’ mantle because of all the children Bruce is letting be put in positions of danger. Also the fact that his memorial case is marked as ‘a good soldier’ which really feels like it’s supposed to rub salt in the wound for Jason.

Tim

Tim was the Robin that forced himself in, he wasn’t chosen by Bruce and when he originally became Robin, Bruce didn’t want him. He has also always been (in my opinion) the most interesting to dissect on a more mental level. He has always had identity issues and is a great actor. Not only is his acting skills shown in the disguises he uses (ex. Caroline Hills) but also as THE Tim Drake. Everything he does has always been some sort of act. Especially when Bruce was missing and Dick took Robin away from him because ‘Damian needs it more’. This was the origin of ‘Red Robin’ as Tim didn’t know what to do or how to be useful if he couldn’t be Robin. The lyrics “I don’t want to chose between being a salesman or a soldier” make more sense when you thing about his identity issues, salesman representing ‘Timothy Jackson Drake, teenage CEO’ and soldier representing ‘Red Robin, the worlds greatest detective’

Cassandra

Cassandra’s use of this song is pretty straight forward in my opinion. She was raised as a weapon, she was trained to kill. She never had another purpose in life to the point that she was never taught to talk, because why would she need that skill if her main focus was to hurt. Then when she finally escaped that life and was given the choice, she became one of the strictest enforcers of the ‘no kill rule’ because she had been taught that all she was good for was to kill her whole life.

Damian

Damian is another character that I love with this song. His comparison to the lyrics of this song are very similar to Cassandra’s. He was born into the league and was raised to be his grandfathers heir. He knew nothing but training and never did anything without purpose, then suddenly his whole life was changed when he was sent to go live with his father. Having to change everything he’s ever known, having to abide by a single rule that goes against his entire existence. He always tells people that he is the blood son, and that he will be the one to take his father’s place. Yet he isn’t sure himself if he is right for the position as he had single handily gone against everything his father stands for.

Anyways that’s the end. I think I’ve thought about this a bit too much..!

[literary-illuminati]

2024 Book Review #28 – The Dead Take The A Train by Cassandra Khaw and Richard Kadrey

Oh I wanted to love this book so very much. On paper it’s basically made for me – incredibly messy fuckup of a heroine, cosmic horror through the idiom of wall street corporate sharks, grimy and gory urban fantasy full of knifing people in back alleys, the works! For the first fifty pages or so, I thought I was in love – which just made the disappointment as the wheels came off all the more bitter.

The book follows Julie, ‘barbed wire magician’ (it’s at least as unpleasant as it sounds), professional monster hunter, and all-around personal disaster. Her life takes a turn for the even messier when a) her best friend/comically oversized unresolved crush shows up at her door begging for help running from her abusive husband and b) unrelatededly but more or less simultaneously, her ex-partner-and-also-boyfriend, looking up to clean up embarrassing loose ends on his rise up the elldritch corporate ladder, baits her into trying to summon a guardian angel from a sabotaged tome and ends up releasing a metaphysical parasite that starts murdering its way through the city’s occult underground. From there things just get messier.

Drilling down as much as I can, my issues with this can be summed up as it feels like a first draft. There’s stuff there on the page – character arcs, relationships, bits of scenery and action setpieces, even themes! - but it’s all just..there. Exaggerated line sketches no one ever went back and turned into full illustrations. It’s most painful with the characters – every one of them is a caricature, precisely and exactly what they first appear to be with the same beats hit again and again every single time they appear on screen. Which more or less for the quirky supporting cast but like – we get multiple chapters from the perspective of the aforementioned abusive husband, and something like a fifth of the book is from the POV of the sleazy corporate striver ex. At no point does either one get the slightest bit of nuance or pathos – Tyler’s chapters in particular end up reading like bad SCP field reports, with so much self-destructive instituional backstabbing and betrayal it all ends up being slapstick.

Sarah the love interest gets a special anti-shout-out here. Like, I know I’m just picky about and have a low tolerance for romances, but I swear – the single most important dynamic in the book in terms of both wordcount and narrative signposting is her and Julie’s romance, and it is just So. Bad. Every single scene she’s in is dedicated to rubbing your face in how fragile and traumatized and selfless and adorable and good-hearted and damaged she is, and the entirety of the romance is essentially one of those jokes about how lesbians will spend six years living with each other awkwardly waiting for the other to ask them out but stretched across 400 pages. I spent half the book patiently waiting for any hint of hidden depths or surprising twists to her character, but nope! Just a perfect domestic angel.

The setting actually has something of a similar issue. It feels like an exaggerated pastiche of urban fantasy, assuming the reader is already familiar with all the tropes and conceits and making only the most perfunctory possible gestures towards exploring or justifying them. This can absolutely work, but if you’re doing it you kind of need to use the genre as the background or setup for something else that the book is actually about – deconstruction or satire or character study or Wacky Hijinks or something. When what’s gruesome action and drama is supposed to be the star attraction, the grounding and verisimilitude of the world is actually pretty key.

A really tight, tense plot could have absolutely redeemed the whole but, well, nope. The literal entire plot hinges on Tyler, in the course of one conversation several drinks in at a crowded bar, baiting Julie into looking for a particular type of tome from a particular store so she’ll try the ritual he had swapped out with one to curse her – but then also that he didn’t know what the ritual he swapped in actually did. The big evil wall street law firm has a corporate culture that should have collapsed about 48 hours after it was founded, and absolutely nothing about it makes sense for a place with lasting institutional power. Everyone’s morality and perceptiveness changes as the plot requires. The pacing feels like they had to pull a happy ending out of their asses at the 2/3 mark and shove the rest of the book into a sequel. It’s just, it’s bad!

Also the prose starts at fun and evocative and keeps pushing into Lovecraftian levels of adjective-addiction, and neither the A-Train nor the dead are actually at all important to the story.

Just, argh. This could have been good! The first 40 pages were a really fun schlocky monster-of-the-week story! The first ritual summoning the Proctor was basically perfect! I wanted to love this!

[griancraft]

Hello, would you like to expand on the DID being treated similarly to Autism and ADHD by tiktok and tumblr?

Hi this is already getting long and I wanna post this as soon as possible so people who want to see it will see it. This is written on like 3 hours of sleep after a 8 hour shift and it took me 3 HOURS because I am so fucking out of it ask for clarification before getting upset if something is wrong.

I also want to preface this with the fact I am an advocate for healthy multiplicity. I’ve written essays for classes on non monogamy and DID. I’ve written about how identifying as separate but whole has been the best way to heal for ME. I am in no way saying that the way professionals talk about us is a complete picture. Our history is important and self advocacy is important and I think both disordered and non disordered advocacy should be taken seriously.

In the context of the disorder of DID, which is characterized specifically by distress and impairment, talking about it as a disorder is really fucking important. If you’re interested in the history of non disordered systems Sai’s card is absolutely incredible and I really really think it’s important to read. This is not a “syscourse” post or whatever, this all existed before the internet. I feel like discoursing over wether what real people experience is real is stupid because you’re never going to get into their brain.

Much of our history is self recorded because professionals for so long treated us like we were unable to understand our situation and unable to advocate for ourselves. All of these are reputable and sourced with great care by someone I trust.

https://plural.neocities.org

Alright preface over or whatever uh. Here we go.

While the DID community is much smaller than the ADHD/Autistic community, the issue of “well, I can do that, why can’t you?” is very present in a LOT of spaces. There are many similarities in how our “weirdnesses” is perceived outwardly by society. Some things are very very similar such as us being “off putting” and a lot of us being disabled to the point where we are unable to work a job. So, so much is similar in how society views us because there are so many crossover symptoms. But in terms of different experiences I’ve had people say it’s weird that I seem to switch between “emotional states” so quickly, that it’s weird how my voice changes pitch and my stims are different, that its “weird” when I switch to certain alters (my ex said this to his face btw) because they act so differently from me, I often feel the discomfort from certain friends when an alter introduces themselves with their own name. Some of these were said by systems, too!

We find it difficult to identify switches and tell who is fronting, sometimes we can’t tell until I (the host) am back in the front and things are disorienting. There is a massive push to CONSTANTLY be able to identify who’s fronting to other people.

I’ve noticed that a lot of what I experience isn’t in line with what people talk about on tumblr and TikTok and I struggled with that for awhile. Despite having the closest thing I can have to a diagnosis at this point, and doing what I can to read the literature. I do not know who is fronting if it is not me most of the time and identifying who can actually put a lot of strain on us. Sometimes we are distinct enough to tell, but not always. Many people I know also experience this.

Tools like pluralkit and simplyplural are great, but I’ve heard so many stories of singlets and even other systems feeling “lied to” when someone doesn’t identify who is fronting. For a very very long time we felt a lot of pressure to constantly be able to identify who is in the front. This is a symptom that is kinda supposed to happen though, you are dissociating from yourself.

I also think a lot of other systems find littles, animals alters, and fictives/factives cringe/weird and feel very self righteous in bullying them because of it especially if they are “normal” systems.

Littles are “weird” because it’s a child alter in a usually adult body. It’s “weird” that an adult is acting like a kid. DID is a dissociative disorder with the cause being linked to childhood trauma. An alter may form as a child as a result of said trauma. Animal alters are “weird” because it is abnormal to see people acting like animals and the (often) non speaking aspect of this isn’t taken seriously. Again, DID is linked to childhood abuse, if a child with DID was treated like an animal by their abusers they are probably going to form an animal alter.

Fictives and factives are more complex because it’s so often used as an indicator that people are faking because it’s “weird”. This is silly. I’m just going to repost something I’ve already wrote on it because I think explaining it again would make me loose my actual fucking mind.

“Things like “if I were this character I wouldn’t be in this situation” and “this character would take care of me, they wouldn’t hurt me” and “if I was this character I would be strong enough to survive” are all things I’ve thought of as probable reasons and I’ve heard similar from others too!

Also, it is a LOT easier to make something from a blueprint/template than create something entirely new in anything. I don’t see why that would be different in the brain especially if one is going through a lot already. Normal alters pull from our experiences already so it’s kinda just a more extreme version of that imo!”

And what you need to understand about living with DID is that it’s fucking weird. It will be weird. Systems aren’t any more “normal” if they don’t experience weird symptoms.

I think the “tee hee alters in my head” talk is SOMETIMES overwhelming discussions of what it is like to live day to day with the disorder. There are days when there is very little internal communication within us, and many people I know do not have any internal communication at all.

The idea that alters are separate people and not ‘parts of a whole’ is something I’ve seen people very defensive on. while I like. Get this sentiment, and it can be very very invalidating to be told this. But it’s not really consistent with the literature and if you want to treat your plurality like DID you have to at least consider parts language IMO. Modern papers in my experience do affirm the individual identities of alters while still using parts language. This is very good in my opinion because it not only validates the lived experiences of someone with DID but also stays on the track of treating the disorder in one way or another.

There are severe and dangerous symptoms related to DID that are NOT talked about enough. There are comorbidities that are not talked about at all that I like, only found out about from scouring papers. But I do not want to get into that until I have at least. A week to recover from finals dear FUCK.

[longitudinalwaveme]

Best and Worst Comic Appearances of the Rogues

Note: Keep in mind that some of these choices are very subjective and based on personal taste. In particular, it's difficult for me to know if the storylines I list as the "best" for a given character are actually the best, or if they're just the ones that appeal the most to me personally. I feel like the "worst" choices are more objective (or at least more likely to be shared by a majority of the fanbase).

I'm also only judging stories that I've actually read for this list.

Captain Cold

Best Pre-Crisis Appearance: While I like his debut story from Showcase #8 a lot, I think my favorite Pre-Crisis Len story is Flash vol. 1 #150, "Captain Cold's Polar Perils". Ayesha, Len's stalkee-girlfriend du jour, is a fun character, and Len's powers are at peak Silver Age insanity, which is always fun. It's really the perfect encapsulation of what Pre-Crisis Captain Cold is like.

Best Post-Crisis Appearance: Flash vol. 2 #182. This is the famous Rogue Profile issue for Len, and it is legitimately really, really good (even if its treatment of Lisa is frustrating at times). It's a very solid examination of the character and the backstory provides a lot of depth that Len really needed. Basically, if you want to understand modern Captain Cold, this is one of the best issues you can read.

Worst Appearance: Flash: The Fastest Man Alive #10-13. Every character in F: TFMA is poorly written, and Len is no exception. From having a murder retconned into one of the periods where he was supposed to be reformed to letting a teenage speedster take over the Rogues for no good reason, this story just does not understand Cold.

I will also note here that I generally don't like Joshua Williamson's take on Len. I have trouble putting my finger on exactly why, but if I had to take a stab at explaining it, I think I would say that Williamson's Len is too ambitious and too hands-off. Having him take over first Central City's underworld, and then Central City, seems out-of-character for Len, who's usually smart enough to understand that escalating crimes to that level is a great way to attract a horde of superheroes, and having him sit back and organize crimes without going out into the field himself, which Williamson did more than once, likewise seems out-of-character for Cold. Johns' Len wasn't always the best leader in the world, but at least he was always in the field with the other Rogues. Williamson's Len seems a lot more willing to sit back and let other people do the work for him, and he comes across as a worse leader because of it. Effectively, then, I think my problem with Williamson's Len is that his Len seems younger, less experienced, less practical, and less likely to inspire loyalty than any previous version of the character (except the one that was being written around the time of F: TFMA.)

Captain Boomerang Sr.

Best Pre-Crisis Appearance: Flash vol. 1 #310-311, or Batman #322. The first story has Captain Boomerang getting double-crossed by Colonel Computron and sent back in time (on a giant time-traveling boomerang!), whereupon he has to team up with the Flash to fight pirates. It's delightful, and is made even more so by Digger's determination to save his ex-employer, W. W. Wiggins, from the vengeance of Colonel Computron. The second story features Captain Boomerang fighting---and nearly defeating!---Batman, who narrowly escapes death on Digger's "doomerang". Batman really needs to take Flash's villains more seriously....

Best Post-Crisis Appearance: Suicide Squad #44. This gives us Digger's modern backstory, establishes that he's actually W. W. Wiggins' biological son, and generally serves as an interesting character study of a generally unpleasant character. Flash vol. 3 #7 is a very similar retelling of the same basic backstory, this time by Geoff Johns, and would have been tied with Suicide Squad #44 if not for the gratuitous scene of Digger killing his assumed father (for my money, Geoff Johns is a bit too fond of gruesome deaths).

Worst Appearance: I don't read a lot of Suicide Squad, so I'm not familiar with the terrible Digger appearances that may have happened in the various Suicide Squad runs. Because of that, my nomination for the worst Digger story is Identity Crisis #2-5, the story that killed him (and poor Jack Drake and Sue Dibney) for the sake of earning grimdark edgelord points. What makes it even worse is that the story's scenes of him interacting with Owen are actually pretty good, so we got teased with a really interesting plot for him right before he was pointlessly axed.

Heat Wave

Best Pre-Crisis Story: Flash vol. 1 #266-267, or Flash vol. 1 #312. The first story gave us the first version of Heat Wave's backstory (specifically, it established his cryophobia due to having been locked in a meat freezer as a child), presented him as the main villain of a story basically for the first time (all his previous appearances had him teamed up with another villain), and was full of delightful Pre-Crisis pseudo-science, like heat-seeking fire. It also featured a panel of Mick totally freaking out at the sight of ice cubes. The second story was Mick's first reform, and it was a solid, if slightly goofy, tale of Mick proving that his parole officer was framing him for crimes. It also led to him and Barry becoming friends (and temporary roommates) a few issues later!

Best Post-Crisis Story: Flash vol. 2 #218. It's one of the few Post-Crisis issues that uses him as a lead character, and it establishes his now-iconic tragic backstory and pyromania. Even though it's a bit excessively grimdark (did he really need to burn down the circus where he worked as a fire-eater?), it's a solid story nevertheless.

Worst Story: The Flash: The Fastest Man Alive #11-13, or the "Three of a Kind" crossover (Green Arrow #96, Green Lantern #130, and Flash #135). Everyone was terribly written in F: TFMA, and Mick was no exception, as he was portrayed as an idiot and then killed Bart Allen.

In the crossover, Mick teamed up with two random villains that he had no prior connection to, for some reason decided to try to revive Dr. Polaris with them via hijacking a cruise ship, and ended up killing a bunch of people. It really felt like he just got shoved into the story because they needed a Flash villain in it, and they didn't think about which one would actually make sense in the plot. It makes even less sense when you remember that Mick would go back to being reformed directly after this.

Also, the New 52 introduced us to the Hothead McAngryman version of Mick, and it unfortunately took over five years for him to finally get back to normal. Having the character with fire powers be hot-headed and aggressive is probably the most boring choice they could have made, and it hurt Mick's overall character for quite some time.

Mirror Master I (Sam Scudder)

Best Appearance: Flash vol. 1 #126, or Flash vol. 1 #146, or Flash vol. 1 #306, or Batman #388 and Detective Comics v1. #555.

The first two stories are delightful Silver Age nonsense. Flash #126 features Sam traveling to a mirror world where the inhabitants essentially make him their king, but he quickly gets fed up with the fact that he's given whatever he wants means that he has no opportunities for dramatic theft, and he summons the Flash to help him escape from his boring life as king. Flash #146 is the story where the Mirror Master switches his legs with the Flash's legs. It also features Barry and Sam attending the same self-help class without knowing it!

Flash #306 has disco-dancing Sam, and, more importantly, it's one of the very few stories to try to give Sam an interesting motivation: specifically, he's fallen in love with a woman who's trapped in a mirror and is desperately trying to free her. The ending of the story is a sad one for Sam, but it's also surprisingly touching.

Finally, the Batman two-parter features Sam at his overconfident, flashy, hilarious best as he tries to prove that he's a better criminal than Captain Boomerang (incidentally, this is also a great Captain Boomerang story). It features such highlights as Sam freaking out at the sight of Batman, Sam getting freaked out by Gotham muggers, and Sam deciding to rob a bank because it's across the street and he doesn't have any better ideas. The first part of the story also features some of the best facial expressions he's ever made.

Worst Appearance: For a single story, it's either Flash Rebirth #2 or that issue from Joshua Williamson's run where Sam wore his socks and underwear in the hot tub. Weirdly, Flash Rebirth #2 featured Sam only briefly, and in a flashback, but it retconned a murder into his early past in a way that would darken all of his fun Silver and Bronze Age adventures. It's one thing to have the Rogues become more dangerous in the present, and another to retroactively make all of their early, light-hearted stories grim like this. (Geoff Johns was responsible for this retcon, and far too many others like it. I really wish he didn't like grimdark retcons so much.)

The Williamson issue had Sam who was Evan-in-all-but-name-and-accent. At that point, he might as well have not been Sam at all! That being said, this was basically just the culmination of all the problems Sam has had since he was brought back to life in the New 52. I don't know how you make a character as fun and dynamic as Pre-Crisis Sam was boring and confusing, but somehow they managed!

Weather Wizard

Best Pre-Crisis Appearance: Either Detective Comics vol. 1 #353, or Adventure Comics #466.

Watching Mark fight---and actually briefly outsmart!---Batman in Detective Comics #353 is a lot of fun, and this story is full of delightful Silver Age zaniness, including, but not limited to, Mark saving Gotham City from a drought by filling all of its reservoirs just so that he can make a big announcement in the sky about how he did it in thanks for getting to steal three priceless valuables, and in turn use that message to determine what in town is worth stealing.

Adventure Comics #466 is an entirely different brand of delightful insanity, and features the Weather Wizard briefly turning good, stopping a horde of locusts from destroying crops, and saving Blue Valley from a flood because sun spots were messing with his wand, which he somehow managed to telepathically link to his brain. No, really. Sunspots briefly make the Weather Wizard turn good. Reading this is worth it just to see Barry's reaction to friendly happy Weather Wizard.

Best Post-Crisis Appearance: Rogues Revenge #1-3. By far the most in-depth look we've ever gotten at Mark's past, his relationship with his brother Clyde, and his boatload of issues. Despite being one of the more frequently-used Rogues in the Geoff Johns era, it was rare for Mark to get a lot of attention outside of his role as a big threat, and this miniseries was a nice change of pace for him. I just wish it hadn't ended with the pointless death of his baby son, Josh, because seeing Mark develop a relationship with Josh would have been far more interesting (and less grimdark).

Worst Appearance: The Flash: The Fastest Man Alive #11-13. The story where the writers replaced the Rogues' brains with rocks, and hoped we wouldn't notice. We did.

Trickster I (James Jesse)

Best Pre-Crisis Appearance: Flash vol. 1 #142. In which the Trickster steals a little kid's toy detective set, and proceeds to screw around with the entire city, and the Flash, just because he can. It's a great display of the Trickster's inventiveness and creativity, and the story goes out of its way to state that Trickster is more interested in attention and having fun than in getting money.

Best Post-Crisis Appearance: Catwoman vol. 2 #69-71, or New Year's Evil : The Rogues.

The Catwoman story features some of the funniest James moments ever, and it's so much fun watching the two con artists try to outsmart and outplay one another. Catwoman and James have a great dynamic, and it's a shame they've never really teamed up again.

New Year's Evil: The Rogues features James at his most heroic, teaming up with the Pied Piper (and, thanks to some manipulation on his part, some of the other Rogues as well) to save his ex-girlfriend Mindy's son, Billy, from a group of mercenaries who are attempting to overthrow the government of Zhutan. The story also eventually reveals that Billy is James' son, which sadly never went anywhere since for some reason no one wanted to follow up on this awesome plot point.

Worst Appearance: Countdown! Not only does he forget all of his Post-Crisis character development, but he also acts really stupidly for no reason, is a humongous jerk to the Pied Piper (his close friend!) for no reason, and then is pointlessly killed for no reason.

It's also worth noting that his most recent big appearance, the one written by Joshua Williamson, was very frustrating to me. It's not as objectively bad as Countdown, or James' appearances in F: TFMA, but it takes James in an unpleasant, dark direction, and I didn't care for it at all.

Pied Piper

Best Pre-Crisis Appearance: Flash vol. 1 #307. This story is very important for the Pied Piper, because it not only gave him his full backstory but also gave him an actual name after over twenty years of him not having one! It's also just a fun read in general, full of delightful Pre-Crisis "science" and featuring some great character work for both Hartley and his parents, who are so desperate to preserve their family name that they have a reporter who uncovered the secret kidnapped so they can bribe her to keep quiet!

Best Post-Crisis Appearance: Flash vol. 2 #19, or Flash vol. 2 #32.

William Messner-Loebs' run on the Flash is underrated, and his work on Piper is a stand-out example of why more people should read it. Even though Hartley doesn't appear a lot in Flash #19 (his first ever Post-Crisis Flash appearance, by the way), but when he does show up, it pretty much single-handedly establishes what he's going to be like going forward; establishing him as an at least mostly reformed Rogue who cares about protecting the homeless and disadvantaged. It's just really sweet.

Flash vol. 2 #32 features Hartley teaming up with Wally to save his parents and his adorable little sister Geraldine from the henchmen of the Turtle and the Turtle Man. It's adorable seeing Hartley interact with his little sister, and it's also nice to see him finally make peace with his parents, even if they'll never be close. I really wish Geraldine had gotten to show up again, because I want to see more of Hartley's little sister. Also, this story features a line that I've always found hilarious for some inexplicable reason:

Thug (in response to Joan Garrick showing up at the Rathaways' mansion): An old woman? Seize her!

A close runner-up is Flash vol. 2 #190, which is a retelling of the origin story from Flash vol. 1 #307, but with more details and from Hartley's POV (the original tale had his parents telling the story).

Worst Appearance: F: TFMA and Countdown (since one led into the other, I kind of count them as one story). In which Hartley totally forgets that he reformed, is involved in the death of Bart Allen, loses about 100 IQ points, gets chased all around the DCU, gets insulted almost non-stop by the Trickster in spite of the fact that they're supposed to be friends, watches Trickster get shot in front of him, and almost goes crazy and dies.

The fact that he gets to blow up Apocalypse with Queen music is awesome, but not nearly enough to salvage this otherwise terrible storyline.

The Top

Best Pre-Crisis Appearance: Flash vol. 1 #297-303. Roscoe comes back from the dead, possesses Barry's father, spends what appears to be several months living with Barry and pretending to be Henry Allen (while slipping off to visit Lisa on the side), and then attempts to kill Barry Allen and steal his body for his own. It's weird and creepy and unique and perfect for Roscoe, and it features lots of top puns, as all good Roscoe stories should. Also, even though he's generally a huge jerk in this story, his relationship with Lisa is adorable, affectionate, and shockingly healthy.

The most hilarious thing about this story is the fact that at one point in it, Barry thinks to himself that his relationship with his father is the best it's ever been....in response to the interactions he's had with Roscoe posing as his dad. That's right, Barry apparently gets along better with Roscoe-pretending-to-be-his-dad than he does with his actual dad.

Best Post-Crisis Appearance: This is hard. Most of Roscoe's Post-Crisis appearances are pretty bad. The writers of Hawk and Dove didn't do an especially good job with him, Mark Waid's one story with him was a decent Pied Piper story but a terrible Roscoe story, and Geoff Johns seemed to hate the character, so that always affected his Roscoe stories. If I had to pick one, I guess I'd go with @gorogues' suggestion and pick Flash vol. 2 #215-216, since he's really intimidating and cool in those issues. Unfortunately, even those issues are not immune from the curse of bad post-crisis Roscoe stories, as they include the stupid Identity Crisis tie-in retcons that negated a whole bunch of the Rogues' character development.

I seriously don't know what the problem is with the Top's post-crisis stories. All of his Pre-Crisis stories were good, solid fun, and his best story shows that he can be really effective and creepy as a main villain. Why is it so hard for modern writers to write good Top stories? He isn't inherently any weirder or goofier than the Trickster.

Worst Story: Hawk and Dove vol. 3 annual #1, or Flash vol. 2 #120-121. The Hawk and Dove annual features some truly hideous art (I'm sure @gorogues has some scans to prove just how bad it is), and features a badly out-of-character Roscoe, who just seems out-of-place fighting Hawk and Dove.

Flash vol. 2 #120-121 takes the solid idea of Roscoe trying to become president by possessing the body of a senator, and then kind of ruins it by having 99% of the cast treat Roscoe as a total joke (the same Roscoe who once tried to blow up half the world with an atomic grenade!) and by having Roscoe act like an unparalleled jerkwad towards the Pied Piper for no real reason. Before his death, Roscoe generally got along pretty well with the other Rogues, so there was no reason for him to act so nastily here. Worse, I think this depiction went on to influence Geoff Johns' portrayal of Roscoe as the most unfriendly and cruel of the Rogues, which is kind of frustrating as he wasn't always like that.

Golden Glider

Best Pre-Crisis Appearance: Flash vol. 1 #257. Golden Glider is terrifying and awesome, and this story shows you exactly why. Within this issue alone, she discovers Barry's secret identity (making her the first Rogue to pull off this hat trick), almost kills both of Barry's parents and Iris (as revenge for Roscoe's death, which she blames on Barry), puts up a very solid fight against the Flash, doesn't even flinch when the Flash threatens to kill her as a bluff (saying that she has nothing left to live for now that Roscoe is dead), and, although Barry manages to save Iris and his parents, she escapes without being captured. Pre-Crisis Golden Glider is the best, and it's a shame she never gets written like this anymore.

Best Post-Crisis Appearance: Flash vol. 2 #19. Her interactions with Wally in this story are great fun, and I like seeing her be chummy with her older brother and her fellow Rogues at the party they're throwing. Her interactions with Connie Noleski (Wally's one-time girlfriend) are also pretty funny. This issue is also notable for being one of the last stories that doesn't portray Lisa as a total lunatic, as for some reason, her character got shifted into that direction not long after COIE.

Worst Appearance: As I thankfully haven't read Teen Titans vol. 6 #22, I'm nominating Flash vol. 2 Annual 5. It's a great story for Captain Boomerang, Weather Wizard, and Trickster, but it's a pretty bad story for Lisa, as it portrays her as being completely insane and serves as Exhibit A of how Mark Waid didn't know how to write the character. Golden Glider was scary because she was smart, calculating, and surprisingly composed (given how full of rage she was). Making her violently comic-book crazy undercuts how scary she was back in the Bronze Age.

You know, it really says something that Carey Bates, Lisa's creator, is probably still the best writer she's ever had. And he was writing in the late 70s and early 80s!

Mirror Master II (Evan McCulloch)

Best Story: Animal Man #8, 17, and 21, or Flash vol. 2 #133.

Nobody writes Evan McCulloch better than his creator, Grant Morrison, and these issues put that on full display.

The Animal Man stories introduce McCulloch, establish his weird personality, his freaky powerset, and his strict refusal to kill women or children, and are generally a delight to read. McCulloch has a very distinct voice throughout and is the funniest part of all three stories. Basically, everything you need to know about the character was established in these three issues.

Flash #133 is McCulloch's best appearance in an issue of Flash. He maintains his weirdness, his distinctive voice, and his insane powerset, and he takes the Flash and the reader on a trippy, colorful adventure around the world and through the looking glass. He maintains his generally cheerful and friendly attitude towards superheroes, and he is, once again, the funniest character in the story. Grant Morrison's Evan is a delight.

A close runner-up was Flash vol. 2 #212, the story that gave Evan his backstory (grimdark though it is, it somehow kind of works for him) and established what has become arguably his second-most famous characteristic (after his Scottish accent): his addiction to cocaine. It is a very good story, and I like that we get to learn more about Evan's history, but I will say that Geoff Johns' Evan isn't nearly as cheerful and weird as Morrison's, and I think that the story would have been even better with Morrison's cheerful nutty Evan than with Johns' creepy, sullen version.

Worst Appearance: Flash: TFMA. You know the drill by this point. Stupid Rogues. Pointless death of Bart. Bad writing all around.

Trickster II (Axel Walker)

Best Appearance: Flash vol. 2 #183. There are actually surprisingly few issues that focus on Axel as a lead character, but I've always enjoyed his introductory issue. It establishes some backstory for him and effectively tells you who he is (an annoying brat who might be in over his head) and what he can do (use a lot of crazy trick gadgets and work computers better than the older Rogues). I also like the bit towards the end of the issue where Mark is thoroughly unimpressed by Axel and asks if he's supposed to be their mascot. It always gets a giggle out of me.

I also thought the arc in Joshua Williamson's run where Axel briefly got super-strength was a pretty good story for Axel. It's one of the few times he's been played sympathetically and I thought that it worked really well.

Worst Appearance: Helmet of Fate: Detective Chimp. Okay, I haven't actually read this one, but I know enough about it to know that Axel murders 4 teenagers for no real reason, and that's enough for me to list it as his worst appearance.

Also, I can't really think of any Axel issue that I have read where Axel is portrayed really terribly. Writers usually seem to have a decent grasp on his character.

Captain Boomerang Jr.

Best Appearance: The best appearance of his that I've read is in Flash vol. 2 #220-225 (the Rogue War storyline). It's one of the few stories to feature him with the Rogues, and his grief over the death of his father and his relationship with Captain Cold are both very interesting. The story also finally tells us who his mother is (Meloni Thawne) and how she had a kid with Digger (well, sort of. We know time travel shenanigans were involved, at least). That being said, @gorogues says that his appearance in Manhunter v. 3 were really good, and I've heard that the story where he teamed up with Tim Drake was a good one as well.

Worst Appearance: Blackest Night: Flash #3. The story where he was turned into a idiotic child murderer and then was pointlessly killed off!

A close runner up was the Rebirth (I think) issue of Suicide Squad where he suddenly showed up and was inexplicably a snobby criminal mastermind who really hated Digger.

[alexandraisyes]

joining in on ranting in you're ask box part- uh- idk 3?? 4??? I dont even know anymore

Anyway, *cough* i think still have some of these left (edit: I just finished typing this all out and think is defiently an understatement-)

SolarNexus: Solar just goes off on Moon for how much he hates Nexus. Thats all I have for that. I'm sorry im this close to forcing myself to start writing fanfiction again just to write this. Also for my true loves kiss saves Nexus idea- and just to write about Nexus finding who he is instead of who he's supposed to be. .... can you tell i think about these two a lot? (Edit: I prove later that I think about them even more, and Eclipse)

BloodySun: I'm like feral for these two- just, like- Bloodmoon giving dead birds and stuff to Sun and he's absolutley digusted but trying not to hurt their feelings- i- ansusnhas

Servant Sun x Servant Eclipse: I've seen like 1 ship fic with these two but I dont care. I'm obsessed. They need to hold hands and heal and go to therapy together. Obviously Eclipse would defiently be able to help Sun more (cause lord Eclipse), but Sun could defiently help Eclipse too. (Is Eclipse faking losing his memories/being reset or some shit canon? I've read too much fanfiction- im going to assume it is for this) he can also help Eclipse learn that he doesn't have to be fake all the time and thatd be cute

Nexus x Dark Sun: I dont even have thoughts about this. Like I have feelings but I dont have thoughts. I cant even reason why I like this, I just like the toxic yaoi. I just like the concept of Dark Sun not even liking Nexus but manipulating him- like- Moon turned bad x biggest moon hater. I also just like hurting Nexus so other characters can help him heal. Only thing turning me off from this ship is that its an alternate universe of his ex-brother who would most likely be his brother again if he had a redemption arc. Like- I love seeing the ship and I like the concept just it gives me the ick, but thats okay cause I dong have to rot over every ship. Actually, I'm glad I'm not obsessed with this ship I dont need more angst living in my brain. ... I am obsessed with it in a platonic sense tho so I guess the angst is in my brain anyway

Nexus x Eclipse but its when they were looking for who made Eclipse: Nexus abolutley collared him. Im sorry. .. no im not, im right. Like, what is with Nexus and treating others like dogs??? Like first v4 Eclipse, and now Ruin??? Nexus is there anything you want to tell us??? Okay pet play- also doing that to the masochist is crazy, like if you're going to treat anyone like a dog why would it be Ruin that feels like setting yourself up for disaster. Even if he isn't actually a masochist he sure is known for pretending to be one

Nexus x any Eclipse ever: listen, im just saying I think he has a thing for Eclipse's (which is funny cause Moon fucking hates them) Treating Eclipse and Ruin like his dogs. Solar being his best friend. Even Dark Sun, who's a really smart Evil Sun who absorbed the knowledge of his Moon, so im counting him. Like I think Nexus would like being thrown around by Lord Eclipse, or helping to fix up Servant Eclipse. I'm just saying-

Eclipse ² x Nexus (gets its own section i rot about these three): them just reassuring the other's that they're loved and cared for- im sorry you can't tell me that these three don't all have some form of attachment issues- Eclipse being so used to people hating him that he kind of just instinctively pushes people away. Similar with Solar, but he does it more so emotionally while also feeling like he has to earn his place and do things for people. And Nexus also feels like he has to prove himself, and that he isn't good enough.

And they just reassure each other and then the others use their words against him (/pos) and they realize how stupid it sounds and anisnsusnsns <3<3 like- nexus being like "you don't have to prove yourself for anyone, Solar. We love you, you don't need to overwork yourself for us." And, like- solar saying it to him back- and Nexus is just like ".. okay listen-" and similar things happening with the other two and ensunsjss-

also they're the three worst at interaction (other than old Moon he takes the cake for worst at it, but its okay i love it)- like they're all pretty bad at it. Eclipse is Eclipse(aka memories as a villain, and is a sarcastic little shit), Nexus is just kind of awkward, and cmon Solar didn't really ever have any interaction after his split than his Moon and probaly kids, we know he can't talk to people easily. Honestly tho Solar is the best at it (he was able to start up a conversation with Moon easier than Moon could with him) and I imagine he's the one who orders at restaurants

And Moon hates both of Solar's boyfriends and Moon and Solar are friends and I think that's just kind of funny. Like Moon likes Solar so he doesn't stop being friends with him even though he's dating the two, but he's bitter about it (though honestly if Nexus had a redemption arc and it was proved he had a virus, I feel like Moon would hate him a little less. But he'd probaly still be insecure about Nexus probaly taking his place and everyone not really liking Moon again so he'd probaly still be an ass to him.)

Anyway they cuddle. Doesn't even have to be romantic, those three deserve to be in love (also the potential from forbidden love Eclipse² is Nausnsusnsn)

... I- shipping dynamics are neat

I apologize for making this so long, I expected it to be short and then I remembered I started to like new ships 😔

ALSO were being brave and doing this off anon (also id like you to know I genuinely just stared at my phone for a moment when I saw youd followed me lmao. I was so suprised [and delighted, you're neat]- plus it was like 4 am and I hadn't slept yet. I thought it was a dream the next day because I was that tired- I had to check cause i get very vivid dreams-)

All of these are so canon bro.

Solar saves Nexus with true loves kiss real? Real. I saw it with my own two eyes. It happened chat.

BLOODYSUN!!! They love their sunny and try to show that in the best way they know how, dead birds included. Sun is so grossed out by the blood and feathers and ough that's a dead bird ewww but he just forces a smile and nods and feeds it to his cats when Bloodmoon isn't looking. Then drowns his hands with soap and shampoos the carpet.

I feel like I've seen that fic too but my poor brain- Also yes, the pretending to be reset is canon. And that's so cute I'm-

Platonic ships are just as valid as romantic ones! And I really like the angst potential too heheheheh

Ayo 👀 Mmm I have thoughts about that but I must refrain.

Objectively correct. Nexus is an eclipsephile. He loves himself some eclipse.

POLY POLY POLY 🎉🎉🎉

THANK YOU FOR SHARING ALL OF YOUR THOUGHTS THESE ARE SO TASTY OH MY GOD ROLLING THESE AROUND IN MY BRAIN

Also awww ur so sweet. I love ur art! It's very cute! Of course I followed!

Ask Game

[cadybear420]

Cadybear's Reviews- Surrender

Ohhh yeah, bitches. It's time for a JUICY review. My first review of a PooPoo Tier book. Just a heads up, this one is gonna get VERY salty.

Welcome to the thirty-fourth official Cadybear's Reviews! Today I'll be talking about Surrender, which I have ranked on the "PooPoo Tier" at 1 star out of a possible 10. My last and only playthrough of this was around February-June 2022 (for the first book) and October 2023 (for the second book).

Holy crap, this series is awful. Like, actually the worst of the whole app, in my opinion. 

It shot itself in the foot from the very start– you can’t have MC be trying to escape a toxic marriage, but have her new endgame love interest be just as bad if not worse than the ex spouse. Reagan literally talks to her as if she’s already their sub from day fucking one. And even worse, MC wants to be Reagan’s sub barely even a few chapters later, so it can almost be read as if Reagan coerced her into BDSM. 

And there was literally no reason to default MC to being a sub here. Okay, I guess it technically does set up the plot for Book 2 where Reagan is refusing to give up control, but saying it doesn’t make sense for the MC to not wanna dom at first is kinda bullshit. The writers say in their blog post about Surrender 1 that “It wouldn’t make sense for her to dom right away”, yet they’re okay with making her sub right away? Other than Reagan basically coercing her into the sub role, there’s nothing given about MC’s character that suggests she couldn’t have had interest in the dom role (or both, as a switch role) at first. 

Truth be told, I’d have much preferred if they let MC have options to try either of the roles and let the player build up her role as sub, dom, switch, sub-leaning, dom-leaning, etc. Especially since MC is supposed to be A) new to BDSM and B) freshly divorced after seeing her toxic spouse cheat on her. So let her take the time to explore and try out what she likes. That would be far more believable for the story and a far more immersive experience for the players. I get that said options wouldn’t have allowed for the arc of Reagan learning to give up some control, but surely they still could have done something creative for a more choice-based system. 

Book 2 does have us start to try a more dominant role, but it’s honestly meaningless. Because all that book does is, it doubles down on how toxic of a partner Reagan is. 

Yes, I know they do give some context for Reagan having control issues with their parents’ own abusive relationship, but as someone who has been in a fairly similar situation, it’s handled horribly. Their behaviors feel like they’re treated more as just an inconvenience or a minor hiccup, rather than genuinely toxic and abusive behaviors. 

Like, here’s all the shit Reagan does in Book 2. They go behind MC’s back to pull strings for her to get that job but then deliberately convinces her that she got it all on her own, constantly acts incredibly infantilizing to her, tries to enforce BDSM-style rules outside of the bedroom to the point where they straight up forbid her from doing a part of her own job, and– probably the worst of them all– literally tells MC “when a woman agrees to be my sub, she agrees to obey”. Honest to God, just that line right there was enough to put this series on my permanent Choices shitlist. 

And funnily enough, the series just almost got a chance to avoid it! After that awful line, MC finally gets some self-respect and dumps Reagan over their controlling behavior, and for a few chapters she has a big girls’ getaway trip with Malorie and (optionally) Reese (funnily enough the next book to be released after Surrender 2 is Getaway Girls). And let me tell you they’re the best chapters of this series and I enjoyed it to the max. It was the only part of the book I was willing to spend diamonds on. 

Now, had MC left Reagan for good– or at least had a proper talk with Reagan– then I might move this series up a view tiers. Unfortunately, it’s all downhill from there. 

Reagan refuses to take accountability for MC leaving them, and then proceeds to make Anderson track MC down on her trip when they learn she might be taking a job in Seattle. Holy fuck PB, Reagan is literally just Pat Ransic 2.0. In fact, I think they’re much worse actually. 

And what makes it all tragic is that the ending, in theory, could have worked. Reagan does apologize, they do talk things out, Reagan does become more willing to give up control, and we are allowed to choose if we want to be dom, sub, or switch. 

It seems all well and good, except for one little problem: it doesn’t feel earned in the slightest, especially not when the two become engaged at the end of the book (the one time MC is the one who proposes to LI, and it’s in the shittiest Choices book that ever smelled like shit), barely even a chapter after their conversation. Which, by the way, only happened because Reagan tracked MC down on her getaway trip to Vegas. It’s rushed as all hell, and that’s putting it lightly. 

Not only that, but even though Reagan’s behaviors are addressed (or rather, lampshaded), it’s only part of the problem. Grant and Ray’s relationship, the relationship that the writers try to parallel with Reagan and MC’s relationship and that Reagan used to justify going back to MC, was a seemingly healthy relationship where they had struggles making things work, but they weren’t toxic. 

Reagan and MC’s relationship is straight up toxic from the start– again, they acted incredibly predatory towards MC on the very day they met, and their relationship has been filled with nothing but toxicity. And MC fails to realize this, even when calling out Reagan– which is why I don’t think the story really treats the full situation with enough seriousness. The story doesn’t just shoot itself in the foot– it shoots itself in both of its legs AND its free arm, so many times that it’s too late to even amputate them because it’s already died from bleeding out so goddamn much (I know that sounds pretty extreme, but you get the idea). 

Also, to add acid to all of the many wounds, this series was the perfect opportunity to let us have a pegging scene. But outside of one scene in Book 2 where you can mention MC wanting to use a strap-on, we don’t seem to get that. Oh, but they’re perfectly fine with writing Reagan blowing on MC’s cooch despite that that’s a huge risk for an air embolism which is potentially lethal. (Granted someone did say MC can use anal beads on Reagan in the finale scene if you choose MC to be a dom; but I played that scene, after having chosen MC to be dom, and uh… there was no option). 

You know what though, this series isn’t good enough to have pegging anyways. The only pegging Reagan deserves is a pegging in the face with a fucking hammer. 

Fuck this series. What a waste of potential.

[taylortruther]

i still have photos of my ex (not many but we were high schoolers when we dated and broke up) but my ex did pass away before i met my partner. he has never cared about me having photos of my ex, i assume bc of the context of loss, but i think sometimes those things are hard to give up. you still knew that person, you have happy memories. i don't think clearing out photos of them is helpful to everyone. context matters a lot, and on the same vein, do you delete photos of people who were your friend once and aren't anymore? similar thing, but not quite the same, just something to think about.

also having a shoebox of their things that is tucked away seems very healthy as well, and something i do. as long as you aren't obsessing or crying over them still, I don't see any issue. i think a therapist would think similarly as I do.

(using the universal You here :) )

i guess some people DO cut people out of their physical photos... not sure if y'all have seen it but there's some popular tumblr post about someone's mom who fought with a bunch of friends and so all her photos have headless ladies in them. i think that's wild! but to each their own i suppose.

i really think it comes from a place of insecurity, feeling like you have to compete with an ex or like your partner isn't fully committed.

and i am sorry for your loss, friend.

[incorrectinfinity]

Ok I need to rant about jjba part 8 because my brother is taking literally forever to finish it and I need to talk about my feelings

Ok. Hi. You have entered here willingly and so now I don't have to apologize. Lmao.

Ok first off Jojolion is not bad. I liked a lot of it quite a bit, actually. Josuk8 is great, I love Yasuho SO much, and Rai is literally my babygirl I love him so much I wish he was introduced sooner DAMMIT!!!!!!!

The romance between Josuk8 and Yasuho is also the most adorable thing I have ever seen. Jjba is a series that rarely ever focuses on romance (well unless you look at it with the perspective of These Bitches Gay but I digress) and that is genuinely one of my favorite parts of the series, the only downside being that a lot of jojos are paired up eventually, and usually to a woman who is barely a character which is really unfortunate. But Josuk8 and Yasuho's relationship is literally my favorite thing about Jojolion.

They are so fucking cute and wholesome and avoid so many pitfalls that usually come with romances. For example when Toru is introduced as Yasuho's ex she clearly talks to Josuk8 about it and how he doesn't have to worry. Josuk8 and Yasuho are never torn apart by Toru because they COMMUNICATE, even if Josuk8 does still act out of jealousy a few times.

The thing that bothers me about this is how their relationship is resolved, mainly due to the worst thing about the part: pacing.

Josuk8 and Yasuho never actually become a fully certified couple by the end of their part. Idk what part 9 may throw in but I personally think this is REALLY disappointing, even if it was just a minor piece of dialog in the lasg chapter or something really I wish their relationship was fully solidified. (Maybe I missed something, I dunno)

Another pacing issue comes with my aforementioned beloved lil shit, Rai.

I love Rai. He literally shows up and serves cunt for like 40 chapters and then he dies an icon and legend for all to aspire to. But the thing about him is that he shows up for 40 chapters in a 110 chapter part. Rai is supposed to be the final member of the Jojolion cast, but he shows up so late that he feels like such a wasted opportunity. Also his death.... very unfortunate. The deaths in part 9 never resonated with me aside from Johnny (because holy fuck) and Jobin (because damn I did not expect him to die). Unfortunately Rai's death is no different. Jojo deaths after part 1 are always fast and unexpected and moved on from quickly because they have to be, but they still get their time to resonate with the audience. Rai's death to me wasn't like that, it felt glossed over. I got the same feeling with Kei too, which just really made me sad. I loved those two and they felt like they were done so dirty because of how fast the plot moves in the last few chapters compared to almost everything else in the part which is so weird.

And aside from the pacing... sigh.

Joshu fucking sucks.

That's all I'm gonna say about him. Well actually I just wanna say that literally the only arc I have ever skipped ever in the entirety of JoJo's Bizarre Adventure was one where the focus was on Joshu and only Joshu. It was also an arc very similar to one done in part 7 and it was done INFINITELY better there because it's part 7.

Anyways I have done so much complaining and I want to do more (like how a lot of the Higashikata family felt wasted, or how Kei deserved more time in the spotlight, or how the Fruit and existence of stone humans confuses the fuck out of me, or how Toru was barely even a character, or-) but I really want to talk about the things I fucking adore about this part. No strings attached, just things I fully loved.

Firstly, the Fun Fun Fun arc is one of my favorite arcs in all of jjba.

It's a fucking INSANE introduction to the part and has a gag so fucking amazing I literally drew a shitpost inspired by it which has never actually been posted to tumblr so uhhh. Enjoy.

Wonderful arc, absolutely horrific and just utterly perfect. I can't believe it took so long for jojo's to take inspiration from Saw.

That's not the only arc I love either! The one where Josuk8 is hunted by people who can only go in straight lines?!?!?!?!?!? WHERE HE LOSES?!?!?!!?!?!? BECAUSE THE STAND USER FORCES HIM TO EITHER GIVE IN OR KILL A FUCKING BABY!?!?!?!?!?!?!?!?!?!? AND THEN YASUHO SAVED HIS ASS!?!?!?!?!?!?!?!??!?!?!!??!!?!?!?!?!? FUCKING PEAK ASS SHIT RIGHT THERE.

And the arc with the ski lift!! Rai you little freak of nature I love you SO MUCH.

HIS INTRODUCTION IS FUCKING PERFECT HE LITERALLY JUST SAYS THIS

AND THEN HE'S FUCKING RIGHT

PEAK CHARACTER. LOVE THIS MAN.

AND THE BEETLES AND THE CAR IN THE TREE (???) AND THE HATO ARC AND THE JOSEPH JUMPSCARE AND LOVE LOVE DELUXE JUST AUAYSHSNZJZK

This part has so much amazing stuff in it I swear!! It's so good!!!!!! And so weird!!!!!!!! And then it just kinda. Joshu.

This part is so upsetting to me because I love it so much, the fact that it is such a mixed bag makes me sad

But it is what it is, and we don't know wher part 9 may lead. Maybe Josuk8 will be like his alternate self and stay in Morioh, or maybe he'll come visit his (half) cousins in Hawaii... who knows.

I have a love/hate relationship with part 8 and I am still really conflicted about it. I do want to read it again though and give it a second chance, skipping the arcs that really dragged it down in the process. Maybe that could improve my future experiences idk.

Anyways, in conclusion: Yoshikage Kira is a bitch in every fucking timeline he literally drove a man insane for no reason what the fuck is wrong with him???????????

ALSO THE MONA LISA JUMPSCARE??

(Apologies for calling Josuke "Josuk8" the whole time it's just so I could avoid confusing myself lmao)

[miloscat]

[Review] Syberia (PS2)

A graphic adventure, emphasis on the graphics.

Another pick from my monthly retro game club, Syberia is a game I only knew by reputation. While it was developed by Microïds' Canadian division, it was creatively spearheaded by the Belgian comic artist Benoît Sokal who instilled some unique flavours into it. Exploring some similar territory to his earlier game Amerzone, this is a point and click adventure set in a slightly askew version of Europe.

To spare my wrist from pointing and clicking, I opted for the contemporary PS2 port, which has you directly controlling protagonist Kate Walker with the analogue stick, with interactable hotspots getting highlighted as you pass them. Unfortunately the lower resolution does a slight disservice to the visual design of this game, although not as drastically as the DS conversion (which bizarrely, the later ports were based on, I've been told).

The game makes heavy use of prerendered backdrops to depict the melancholic locales, with some clever FMV insets for motion, and 3D models layered on top only for the sparse few characters. It's all in service of building Sokal's imaginative world, a world of faded glory populated by eccentrics, all touched by Hans Voralberg, the object of Walker's quest. Her mundane task of finalising a contract for the sale of a factory transforming into an unexpected steampunk adventure is ripe for drama, although the game doesn't capitalise on it as well as it could have.

Kate's personal journey is supposed to be along the lines of a buttoned-up lawyer being challenged to embrace the passions of life, but this only vaguely bubbles along in the background so she just ends up coming off as rather bland. Occasional phone calls home are meant to flesh out her arc, but they only served to make me annoyed at her shouty boss, shallow friend, overbearing mother, and worst of all her nagging, whiny fiancé. On the other hand, Kate's companion on her trip is the clockwork automaton Oscar, a standout character who mechanically exhibits a soulful blend of fussy and sassy.

But the story really revolves around Hans, the savant syndrome genius inventor. His influence is felt at each of the stops in your journey, where you talk with those whose lives he has touched, and try to tinker with the mechanical marvels he left behind. His intricate clockwork creations have been integrated in the sleepy French village of Valadilene, the majestic Barrockstadt university, the ex-Soviet industrial wasteland of Komkolzgrad, and the Eastern European hotel at Aralbad. Truly the locations are the star of the game, each seemingly stuck in a bubble of the past, the rich detail making them feel real even through an aura of the surreal.

These places do get let down somewhat by often muted colour palettes, although arguably that ties into the theme of decline that permeates each. A bigger issue is the awkwardness of navigating them, with sometimes unclear traversal options, not to mention the pause between each flip screen as the next one loads. Sometimes the direction you're facing is completely inverted as you move between screens, such that your continued move input turns you around and may even move you straight back. I suppose this is a problem unique to joypad controls... Kate also gets around very slowly (even with the run button), and goes through laborious animations to line herself up with interactables, so the pace of gameplay can feel plodding.

Broader pacing issues are present to varying degrees. The first two chapters in particular have quite drawn-out and convoluted sequences of puzzles and fetch quests. It never gets as challenging as Myst or obtuse as Starship Titanic (two other adventure games I've played with a similar sense of style and prerendered graphics), so I never struggled too much but an occasional nudge from a guide was needed when I failed to see eye to eye with the designers. Dialogue scenes also slow things down with overly wordy prose that you have to comb relevant details out of.

So there's some flaws, but my biggest issue was with the scope of the game. It just doesn't tell a complete story, ending rather abruptly as Kate meets Hans in a location you've already been to. It feels like the decision to split the story up into two games left this one without a satisfying conclusion. Hans' (and the game's) mammoth fixation and the driving motivation to get to Syberia are utterly unpaid-off; Oscar doesn't even get to meet his creator before the game ends, despite that being brought up numerous times! It's simply half a game, and from what I've read the sequel has its own problems with failing to make Kate a compelling protagonist after completing what passes for her character arc, among other things.

But you know, no game is perfect. I still think there's a lot to love in Syberia. The atmosphere is thick and there's always striking visual design waiting around the next corner. Every location feels distinct and fascinating, and each has memorable characters and setpieces. It brings up some interesting ideas, even if it doesn't quite grapple with them as much as I wanted it to. If anything it makes me curious about Sokal's comics, although from a quick look I'm not sure any of them have been published in English! Sacre bleu!

[commenter2]

Exes and Oohs breakdown (spoilers)

Another Moxxie episode where we see his father AND ex-boyfriend.

This episode already gets points for coming out on the weekend, as a lot of people like myself didn’t like how the last episode aired during the work week.

Looks like Loona’s fat shaming/gas lighting is working, as Moxxie is now starting to believe it.

From time to time I have brought up the idea that Millie’s anger might be related to some kind of mental or psychological problem, and its moments like this that seem to hint/confirm it. It’s nice to see Moxxie being one of the things that can calm her down.

Looks like Moxxie and Millie aren’t the only people Blitzo likes to see doing it.

Heh it’s a Hell-icopter. Hey if Vivziepop can make the occasional cheesy joke in her videos then why can’t I, especially since I’ve already ignored several big ones of hers so far in the series.

Returning background characters. Well those kids are going to need therapy.

So this episode takes place in the Greed ring. Kind of hoping we would go to Envy, but at least we can learn more about the Greed ring.

Interesting to know that there is vehicle sized elevators available to take people to other rings while in their respective vehicles. Explains how Blitzo can bring the I.M.P. van to places.

Loo Loo Land is still a wreck.

Mammon is so cheap, he won’t pay to print his own logo on all of his things.

Improper toxic waste disposal. That’s the reason why the place is so green.  It’s probably more radioactive then anywhere in the Fallout series. Eh better than just having it represent money.

Before I forget, it seems like the theory of the shark demons being from Greed is true. It does make me wonder if there a sub-species though, as I’m sure there are some sharks in the Envy ring that look totally different from what we’ve seen, heck I think we saw some of them in “Ozzie’s”

In that wide shot where we see Crimson and that big shark guy, what is that red demon supposed to be? He looks like a Imp/Incubus mixed with something else that looks very bird like to me. Could he be the bastard child of a Goetia who slept with a lower-class demon?

Crimson says Blitzo is becoming famous but is it because of his business or because of his “relationship” with Stolas as the events of “Ozzie’s” still haven’t been showed yet. Has my wish of their relationship still being a secret coming true? I guess we will have to wait till the Ozzie X Fizz episode.

THAT’S NOT ANDY BERMAN!! Come on that would have been awesome for this episode, and I’m not even an Invader Zim fan.

WAIT HE DATED MOXXIE AND MILLIE! Now that’s a twist while still breaking away from cliché tropes.

Of course Blitzo is jealous of Chaz getting with M and M XD

Baby Moxxie and his mother! Looks like she wasn’t happy in the relationship, poor thing. At least it’s fitting and tolerable for this one time story compared to another cliche marriage but I’m not getting into that as today is all about Moxxie and Millie.

I will say, Moxxie’s mother is beautiful!

Love the flashbacks followed by the Titanic references, even Blitzo calls it out XD.

For robbing a bank owned by the demon of Greed, I’m surprised Moxxie only went to jail. You think a crime like that would be instant death or getting tortured from the demon himself.

MOXXIE AND BLITZO FIRST MEETING! I wished Moxxie had talked more in that conversation but it’s nice to see how it all started. It also seems to show that Moxxie likes Blitzo because he’s leagues nicer than his father and ex, betting its was how Blitzo wanted to get in touch with Loona that sealed their friendship.

By Moxxie saying “sissy lifestyle” I’m guessing Crimson is homophobic. I can see several HH/HB characters having issues with that.

Looking closer, Chaz’s hairstyle is very similar to Seviathan von Eldrtich’s hairstyle. I’m guessing that is a common style for aquatic demons.

Please tell me were going to get a “Princess Bride” scene later in this episode with Millie in the Westley role :D

So Crimson is homophobic. I’m also still surprised by what this series can get away with sometimes when it comes to visuals.

The flashbacks are education as along with getting more confirmation of Moxxie’s childhood and Crimson being a bad father and husband (not surprising) with very little words, but it’s also thanks to him Moxxie’s mother is gone. Damn. Hell just got a lot uglier without her in it.

It also seems like the HB fandom has another person to ship with Stella :3

Fourth wall break.

Imagine if before Chaz and Blitzo did the nasty, Stolas appeared with a camera, causing Blitzo to go “Are you F^&*ing filming us!”

Moxxie’s last name is Knolastname!

Moxxie X Millie FOREVER!

I honestly wasn’t expecting Chaz to have his own agenda, I thought we would see Millie learn about the wedding and try and stop it. Heck I’d be okay if Blitzo did this as he hasn’t done much in the episode, almost like he SHOULDN’ T have been in it.

“Says he’s better then he looks only to be knocked out” cliché. It would have been cool to see Moxxie do some action before getting knocked out, as that would be another reason why Crimson ties him up as he see’s that his son can be a problem.

I have been wondering what a demon wedding looks like, so it was nice seeing some elements of it.  I am surprised that the demon priest is wearing attire an actual human priest would wear. You think he would wear something more IDK… hellish, like wearing all red or something. Ooo what about gray as that could represent the groom (who wears white) and bride (who wears black) becoming one!

Want to point out that Wrath channel is playing a country like song, fitting given we know it’s filled of farmers and other stereotypical country stuff.

We’re getting our “Princess Bride” scene!!!!!

Mille gives Mortal Kombat’s Scorpion a round for his money on, I mean she pulls out people’s skulls and spines WAY better then him.

She literally just turned a shark into sushi XD

After all that, I would have just killed Crimson, and maybe Chaz, so they can’t cause future problem especially when they already have tons of enemies but that’s just me. At least I could see them returning in interesting ways but more on that later.

It honestly wasn’t surprising to see Loona still in that chair, heck I bet she could stay in any chair for weeks without having the need to get up.

NO KEEP THE HELL-ICOPTER GUYS! That would have been cool to have for later.

I don’t think Chaz is dead, however without his teeth I bet he wished he was.

Actually thinking back, I’m surprise that though he is a shark demon, he can’t regrow teeth like an actual shark. It makes me wonder if other animal like demons lack traits the actual animal has, like I could see bee demons being able to use their stingers without fear of it coming off naturally.

Another episode, another Hell enemy for I.M.P. though I do see this leading to a good episode.

(watching credits) DAMMIT Chaz is dead. Why couldn’t it be Striker! I really would have liked to have seen Chaz return with not only dentures to replace his missing teeth, but also trying the same plan on Helsa Von Eldritch in a Hazbin Hotel episode. I feel like this potential episode would have been a growing moment for Charlie who discover Chaz’s plans, and though she hates Helsa (showing similar traits to how her father hates people like Adam or Michael in that episode which are pointed out by the characters) she puts it aside and helps Helsa realize she is being used and maybe while the two still hate each other, there is some respect between them as maybe Helsa does something that helps the Hotel.

Another good episode that is fitting with this season’s theme of expanding more on the character’s backstories, though this one is the best so far. All the positives about the episode are the same as previous episodes so I’m going straight to the negatives.

Though I do like how Millie got some good screen time, I wish we could have explored more about her in it, like what if she always had a bad reaction when dealing with exes EVEN when said ex tries to be friendly with her?  It also would have been nice and fitting with her character if she tried to bond with Crimson during the episode or again figure out his plan’s with Moxxie and instantly tries to stop it.

As I mentioned in my Helluva Boss EXPO literature, I didn’t like Blitzo being in another episode that really would have been better off as a Moxxie and Mille only episode. I recently watched a DCAU Justice League/JLU review and it went over how though it was about a team, not every team member appeared in every episode which was a plus as it gave stories where the problem couldn't be solve in 5 minutes because this specific character was there but also gave us interesting character interactions and dedicated screen time for said characters. It would be nice to see that later on in Helluva Boss in some way. Same with how Crimson being another bad father since we’ve gotten plenty of those. Again I know bad parents is a theme in Vivzies’s shows but I think it be nice to get more “variety” like that headcanon I made about Moxxie’s father being an actor, but more on that in my eventual Helluva Boss rewrite. It IS happening but there is no big rush right now, which gives me time to focus on other things I need to catch up on. I at least hope HH’s Lucifer isn't like that as it would be nice if he was a character who loves Charlie but strongly think her redemption idea should be stopped as along with how he feels like his pride is being attacked a bit, he is scared of her failing and maybe because of something else as I suggested in my HH season 1 premiere post.

At least Crimson’s personality could lead to an interesting future episode where he tries to get revenge on Moxxie and especially Millie, which would hurt Moxxie more. He’d be perfect for the antagonist of my episode idea where Moxxie and Millie go and spend time with Millie’s family, as Crimson has orchestrated the events that led Millie’s father Joe in a bad position and unknowingly lures Moxxie to him in order to get out of it. Of course seeing how Crimson treats Moxxie, and realizing he isn’t going to let him go and plans on hurting Millie next, Joe goes back on his deal and the two (along with Millie and her other family members) defeat Crimson who I could see dying of natural causes because he refused to give up on getting back at Moxxie. This episode could also make Millie’s parents finally accept Moxxie as one of the family and maybe Moxxie starts seeing Joe as a new father figure.

This episode was worth the long wait, and luckily Spring starts soon so hopefully episode 4 will come out soon. I have to say I’m excited for the upcoming Blitzo centered episodes as they guarantee to give us some good stuff.

What are your thoughts on the episode?

[dr-dendritic-trees]

I'm reflecting on the current round of The Fucking AI Discourse (supposed ableism edition) and my opinion remains basically... its a graph and its theft.

But its frustrating to be stuck in this situation, because a) Image generation is still fun and cool, and I would like for the infrastructure to exist for people to enjoy it guilt fee and b) as much as I find a lot of the arguments about people's capabilities disingenious, I do actually recognize that there is a real difference between, the fact it takes most people years of concerted effort to be able to reliably make representational art and the fact that for some people, no number of years will help.

But because its been on my mind I've been thinking through what I know about machine learning and images and what I've realized, that frustrates me is that its probably possible to use machine learning to make a real accessibility tool. Current image generation generates sets of pixels based on their associations with labels (written prompts), and the current batch of tools generate finished art doing that, which is why I continue to hammer that you've made a graph, not a painting. But a similar command -> image learning set could probably be used to translate artists instructions into images.

Ex. you could actually digitally paint by writing commands like "add a green background", "make the green lighter", "insert an image of a cow", "make the cow brown", etc.

It would have the same training set issue that the current stuff has, but that's going to be its own issue and this would actually give people the control that you definitionally don't have over an image generator.