#i should post about this more tbh

[immortalspacelesbian]

we’re here, we’re queer, and we’re writing the gayest fairytale retelling ever aka “A Rose Without Thorns”

[sainz100]

2024 Brazilian GP | x

[xxplastic-cubexx]

Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?

thank you so much !!

i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]

and the obligatory bonus:

[elinordash]

It was also Brett’s idea to call out Watson’s first name, ‘John’, when he emerged from his near-fatal experiment in the story.

– David Stuart Davies, Starring Sherlock Holmes

[rowrowronnie]

still forever thinking abt him

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[horse-surgeon-barbie]

maybe we STOP playing house ,, we're not good at it

[instantpansies]

STRANGE NOISES FROM THE HOLE IN THE WALL HEADCANONS/INTERPRETATIONS UHHH OBVIOUS SPOILERS. CLARISSA CENTRIC CAUSE. HOLY SHIT

clarissa is to locomotion as clara is to the nutcracker. she's the kid who dreamed him into existence hundreds of years ago. i know he says he's older than the devil - i think that's still plausible, he's existed since thought but wasn't attached to the Silver Line or brought into physical existence until clarissa, lonely or in danger or just bored, imagined a world where she could escape from her everyday life and live as a grown-up(? maybe? since benjamin/timothy/billy seemed to age up as soon as he went through the portal?), with freedom and whimsy and eventually a relationship with the friendly driver.

why do i say this? because otherwise im really fucking confused lmao, that first scene where clarissa and loco are introduced is strange in the context of the end of the play. they seem to have known each other for a good while before they get on the train. they act like a young couple who's stumbled upon the silver line as an escape from danger and now they're excited for their new life in a new, safe world. except that loco also says he's been driving the train for years.

(looking back, that very much feels like a scenario from a child's imagination - or perhaps a dream - where of course he's been doing this for years, that's his job, but of course they're glad they've found the train together, this is a new experience for her so it's just an extension of her perspective)

but clara is, she says, a child when she gets on the train. idk how old "little girl" is, but if we run with this headcanon and also assume that the timeline is both linear and literal, she's imagining herself in some form of a sexual relationship with loco at a pretty young age.

i posit that this can be reconciled in several ways (some more disturbing or inappropriate than others), but one thing that could be considered is that the first scene where loco and clarissa are introduced is symbolic of their relationship over the course of the train's history. depending on how old clarissa was when she first dreamt the world into existence, she might not have even been very aware of loco, and spent her time just enjoying the escapism or whatever. after a few years or however long, she starts to get older and decides to learn how she's actually done this, maybe spends a long time trying to understand exactly what's going on. maybe her research leads her to a relationship with loco, i don't know. they do get on the train together, maybe, when they're both young (or, well, relatively speaking) and new to the world, and loco eventually has been driving the train for years and years and clarissa makes it a bit more tolerable with some companionship after a long lonely time. but those things don't happen simultaneously, because i think those things don't really work simultaneously. that scene is a sort of speedrun/amalgamation of how the two of them have interacted over the years. and yeah i guess that means they fucked at one point in there

(im going to be transparent, some of that is a bit of cope/rationalization. i think loco and the conductor are very exes/begrudging coworkers vibes, but i do like clarissa and loco together as well - unsettlingly powerful girl x eldritch being with a soft spot is a very good trope. and im trying to make it work out okay? give me a break lol. you don't have to agree with me on this, but once i see a luke and tom couple with a fun and compelling dynamic i will not let them go even if the ethics get a bit hard to explain later on. sorry, anyways moving on)

additionally, and i probably should have said this earlier, a reason i think this whole nutcracker theory holds up is because clarissa holds a sort of unique power in the world. she's been on the silver line for hundreds of real-years, who knows how many train-years, and still remembers her name and something of her old life. loco isn't hostile to her, even confirming her memory of her name and reminding her of her birthdate. with everyone else (ex. benjamin), he actively discourages them from remembering their lives. despite seemingly being one of the oldest passengers, she doesn't transform for hundreds of years. she obviously has some significance.

you know how that ties in? if this is clarissa's world, if her mind is what created the whole thing, then i think it makes sense to assume it's tied to her. as she begins to question her surroundings, then panic as she realizes she can't leave, her emotional and/or mental state becomes less stable, less utopic, less perfect. the dream begins to turn into a nightmare. and it becomes. well. an ouroboros. the snake eats its own tail and the train goes in circles and the escapist fantasy clarissa once loved becomes a prison of her own design. trapped in the very thing that was supposed to save her.

maybe that's why anthony and benjamin can get out when they do - as clarissa's world decays, as she finally begins to become part of the nightmare, as she melds with the train, the world has to shift a bit. it's reaching the point of no return - once clarissa has been fully sucked in, the train will never stop again. falling into an infinite nothing. but in that moment, there's one final chance for the conductor to stall locomotion, one final leap that could at last pull benjamin and anthony and everyone who's been sucked in by clarissa's black hole of a nightmare out of the portal and back into the real world.

and now, clarissa has lost three hundred years of a life that should never have lasted so long. gained perhaps thousands of years of memories of joy and connection and despair and panic and forever forever forever. and she is once again trapped in a vessel of her own making - her body is that of the child she has not been for lifetimes. her world is dead and gone - not just the world she created, but the world she escaped from as well. what of locomotion, that brief flash of connection? does he even exist anymore? who is she, now? who was she? where can she possibly go from here?

shoutout delirium_undead on discord for going along with the nutcracker theory and helping me flesh this out. your ideas are so galaxy brained and i am forever in your debt

[meamiki]

5% of a color headcanon.... two versions since b&w emphasizes the dagger more i think but i still like the warm tones ASFSADA

i am not biased towards rainbow daggers whatsoever i promise (lie)

((also friend is streaming now and im there too!! bit more info linked here, its rated mature tho))

[hbpseverus]

okay, one thing about james. he is the only marauder (casting peter aside) who i just can't forgive. i like remus, and while i dislike sirius i can at least appreciate his strenghts and his good sides. but i can't forgive james for the swm incident and many people seem to have trouble understanding why this isolated event ruins his entire character. because i am willing to believe that he worked on himself and became a better person after hogwarts (mainly because i don't think lily would have ever married him otherwise). i completely believe that even at hogwarts, he was considered a likable person by many. that he was fun to be around and friendly to most. that he wasn't all bad or only a bully.

but here's the thing. there are things you only have to do once to be irredeemable, and what happened in snapes worst memory, to me, is one of those things. i do not care if james was an amazing person outside of this one incident. and i understand that everyone has different morals and that other people can forgive james - or not forgive severus. unlike james, severus got a chance to redeem himself and he took it. he was still a bully, but here's where my personal perception comes into play again. i had many awful teachers who were bullies and i know how much it sucks (in my country, teachers are insanely hard to get fired, meaning they truly can get away with almost anything including obvious discrimination). i can't justify his mistreatment of students, but to me his good sides outweigh it, so i can forgive and like him despite this flaw while others can not which is valid too. but sexual harassment is not something i can forgive no matter the circumstances or the person who did it. i would feel the same way if the roles had been reversed and james had been the victim - i wouldn't be a snape stan. ultimately we all have our own individual morals that play into how we perceive these complex characters.

tldr: it doesn't matter to me if james was a balanced character and a good person outside of swm because committing sexual harassment 'just once' is still one time too many and makes anyone permanently irredeemable in my eyes

[noelle-the-sleepy]

my FAVORITE trope i rarely see in nischa fics is mischa having a MASSIVE crush on noel, and noel despite his romantic nature is completely oblivious to it/in doubt Mischa would ever be into him, so he just assumes Mischa is just REALLY friendly. i mostly like it cuz it kinda feels like whenever people write Mischa as oblivious, they just end up making him stupid and there's WAY too many implications about non-native English speakers being dumb for me to ignore.

[francy-sketches]

Hiiiii guess who finished her pmv. finally. um enjoy :3

[gelatinous-globster]

some recent Globby doodle pages, digital this time! found a new brush I like a lot ✨

@drama-glob @enbydemirainbowbigfoot

[coldshrugs]

she said "tell me how you feel." are you even real?

[full images on bluesky]

[thepoisonroom]

can i make a post about being irritated by antimaskers as a disabled person without annoying people trying to condescendingly explain accommodations for my disability to me! btw!

[apologetic-artist]

Guys, I can't right now. I LOVE dinosaurs SO MUCH, and I LOVE the Jurassic Park/World franchise. I can't wait for season 2 of Chaos Theory, I can't wait for the 4th Jurassic World movie, I'm currently reading the book Jurassic Park, I'm over joyed. I'm so JOYOUS :3

I WANNA TALK ABOUT MY STUPID DINOSAUR OBSESSION SO BAD

(JW The Game stuff under cut)

Anyways, look at these guys in my Jurassic World game X3

They're some of my favorite lookin dinos (especially Concavenator). My dream dino in the game is Bumpy from Camp Cretaceous/Chaos Theory :D

Also these damn hatching times ugh

Charlie (the raptor in the middle) and Gryposuchus (the one on the right) take 7 DAYS to hatch. The other one is at least 2 days, but still >:[