#i say 'personalities' bc. it's complicated

[jubshead]

In my opinion <- strongly for ME

When it comes to Agatha All Along seems like people lose the plot & content about it as it goes, idk why but

1) Agatha is a Villain- she doesn't need redemption she's aware of herself & acknowledges her doings ( like wanda says " you do it you become the hero , I do it I become the enemy)

Agatha doesn't have to atone to what she's done or will continue to do ,does she feel bad hmm 🤪

So she's a serial killer - most those witches deserved it if you ask me, her salem coven completely did for wanting to put a child on trial because they were scared of her powers

"You don't see it holding me back " & it shouldn't hold her back she's a cunty witch no one forced anyone to follow her in her scheme she's a great con artist 🥵 I'd willing volunteer for you AGATHA HARKNESS 😏

Now I'm not saying her grief is an excuse, & that it's ohkay what she's done with her & Nicky's song but isn't a lil evil enjoyable😈 don't always have to be good doesn't mean you're always right

Like the ballad where all that's wrong is right & all that's bad is good!

² ) Agatha & Rio's love IS NOT toxic. What makes it toxic that rio gives & Agatha takes? If you think in depth their love is dynamic! Agatha is a person who time & time again is wronged by close & acquainted people of course she'd close herself from hurt when that's everyone's intentions without giving her a chance it's not her fault that people misunderstands & here comes Rio our amazing entity who knows how to show compassion because no ever will this is something Agatha deserves & Rio is literally the best example being that homo sapien feel the same way about death so who's best to understand Agatha than Rio herself & show & give Agatha what no one has? Their love makes sense & is precious because death can be seen to never be loved & here comes Agatha someone that's put off by people whom in their eyes seem like she's not capable of ever loving, yearns to want & give it & is giving it to death the best way she possibly knows how to, so who's to say their love is toxic?

3)Agatha is a Villain! That's what's perfect about her it's what makes her likeable

She is not evil( yes she is 😏🤭) , just misunderstood, not given a chance . She can still do & is doing the things even if she was good

] a daughter, a mother, a mentor ! Being a Villain doesn't stop her for being the things she was gifted with as Rio sees her for what she masks with - you just have to look through the disguise as well cause in time you'll see notice & you see if you pay close attention she isn't hiding as one would say you just aren't taking the time to notice because she's good at what she does best DECEPTION!

1 and 3) Yes, I agree! Agatha is a villain and she shouldn’t have a redemption arc! She doesn’t want to change and she won’t (tbh I prefer her as immoral lmao)

I think redemption arcs are usually very forced, just bc someone regrets their doing it doesn’t change what they did. She can have better actions, but being a villain isn’t really about what you do in the present, is about the way people view you and she’ll always be a villain in someone’s perspective, there’s no way for her to run from that title anymore.

People have the need for their favorite characters to be liked by everyone, have a moral high ground or something like that, but making her greedy and egoistic (in my opinion) gives her a bigger depth than “oh she always does what’s right”. Who the fucks only do what’s right?

I don’t agree that all of the witches she killed deserved, the only ones I know that deserved were her previous coven!

2) Agatha and Rio have a VERY complicated relationship.

Would I say it’s toxic? No, I wouldn’t!

Are they toxic people? Yes, they are!

I think they basically match each others freak to the point their toxicity doesn’t become toxic lol

And I also think that they have true feelings for each other, they can fight, they can argue, they can hurt, but when it comes to the important stuff they will take things seriously! Just like Rio did when she defended Agatha from her mother.

[juliamccartney]

this is funny bc i'm aromantic but one of my "personalities" most certainly is not

[inkskinned]

we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.

"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."

i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.

you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"

i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.

what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.

i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.

"don't make a big deal about this," you said.

this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.

"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.

you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."

the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.

afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."

[meagancandraw]

You ever think about how neither of them got to say goodbye?

[nonbinoclard]

they could never make me hate you, miss oranje

[aardvaark]

im so glad that we never get a clear picture of sophie’s background in leverage & i hope we never do. however i also really like making up various, often conflicting backstories for her in my head. perhaps they’re all backstories for an alias of hers, ones she laid to rest back in season two.

[dukeofthomas]

"They were never really that close pre-death" "Dick was mean to Jason before warming up" etc etc are the worst Dick&Jason takes possible. Why would you even say that about them

[seefasters]

me when there are brothers who are lawyers (aa with bcs dialogue)

[epic-sorcerer]

“Arthur can totally dress himself he’s just spoiled” why are you giving him that much credit

[callixton]

i think the thing to understand abt martha jones is that even after she leaves she is five seconds away from dropping everything and traveling with the doctor at any given time. bc that itch to blow everything up and damn her personal duty to hell in search of a higher call never leaves her. but martha is smart. and rational. and has spent a long fucking time needing to keep herself safe. (bc he comes when she calls but never before.) and so she has gotten very good at keeping herself on the right side of those five seconds. but i do think if ten was a different person (if he could acknowledge how much he needed her instead of just how much he liked her) (if he didn’t feel this righteous martyrdom when it comes to being left alone) (if he cared enough about her to beg. if he cared enough about himself.) i think that her answer no would come crumbling down pretty quickly is all.

[potatobugz]

oh also undertale newsletter. i am insane

[thewardenisonthecase]

btw tw for talking about abuse

I've seen a lot online about how the game never mentions Caterina's abuse of Lucanis while he was growing up (being beaten and starved, which is mentioned in the Wigmaker Job) and I think there's a small mention to it if you're a crow (when asked, he says it was torture training under the first talon and that he resented her for a long time)

And while I do think part of the reason why this isn't brought up is just due to how sanitized this game is when it comes to the crows, I think I do understand why in world wise it's not possible to just be like hey lucanis, fuck your grandma.

It's really hard, loving someone who hurts you. Because you know they're hurting you and yet, you still love them. It's even harder when they're family.

Because its not like Lucanis doesn't know that she hurt him. He says so himself - he hated her, he resented her, and althought I do think him 'justifying' it by saying that at least it prepared him for the life of a crow, at least he still admits that it happened.

But the thing is that despite all this shit, she's still his grandmother. And like, yes, blood shouldn't excuse justifing this behaviour, I feel like it's cultural. Idk how spain or italy works when it comes to family, but here in brazil, you'll hear so many stories of physical abuse happening in families, and its still a situation like Lucanis - i hate them, i resent them, i love them, they're my family.

It's a...complicated situation and I think Lucanis's situation is made worst by the fact that he only has two family members alive and that he cannot let go of.

She beat him, she starved him, he hated and resented her, and he was afraid of dissapointing her, even if in her eyes, i don't think he could. I mean, he comes back an abomination and she still tenderly says 'my poor boy' when you rescue her in the Villa.

All in all...it's tought and I think that it would not be Rook's place to suddenly make Lucanis want to kill his grandma bc he wouldn't. Sorting out those feelings is something he has to do himself, and i'l almost glad the game doesn't make rook do a therapy session with him to talk about it.

[moe-broey]

GOD I would HATE to be stuck at a family dinner with them 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭 I would NOT fucking survive, the vibes alone would do 1000 points poison damage to me 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭

Also JUST. JUST.

THE VIBES. ARE RANCID. SHARENA DARLING YOU DESERVE SO MUCH BETTER THAN THIS (ALFPNSE TOO BUT DEAR LORD. Sharena LITERALLY was just told to Don't Speak Unless Spoken To RANCID. RANCID FUCKING FAMILY)

[prettyboysdontlookatexplosions]

like on the one hand language matters and i too sometimes find slang trends annoying and/or concerning and on the other hand sometimes women do actually make jokes and talk shit on the internet with their friends and it is not actually that deep and commentary on phenomena gets to a weird point where i’m like i don’t know how “these idiot losers on the internet using a two to four word phrase they will have moved on from in a year are basically the primary cause of patriarchal oppression” is the feminist take. like sometimes i start to think the plot has been lost.

[thelaurenshippen]

this is a genuine question not at all meant as a rude gotcha, but I feel like I've seen lots of people cite the relatively low barrier of entry as a huge advantage of podcasts as a medium, "if you have access to decent audio tech you can make a podcast" etc etc. So where does the need to sell a script come in? Is it a financial thing, and IP thing, something else?

this doesn't read like a rude gotcha at all, it's a really good question! there is a much lower barrier to entry when it comes to podcasts compared to tv, film, theater, etc. (though not as low as writing a book if we're talking about hard resources - you can technically write a book with just a laptop and a dream and then self publish! though as a writer who has written a lot of scripts and four books (3 published) writing a book is a much bigger psychological burden imo lol).

the need to sell a script, for me, is entirely a financial thing. if I had the money to produce podcasts at the level I want to entirely independently, I would! I know how to do it! but, unfortunately, I really only have the funds to produce something like @breakerwhiskey - a single narrator daily podcast that I make entirely on my own.

and that show is actually a great example of just how low the barrier is: I actually record the whole thing on a CB radio I got off of ebay for 30 bucks, my editing software is $50/month (I do a lot of editing, so this is an expense that isn't just for that show) and there are no hosting costs for it. the only thing it truly costs me is time and effort.

not every show I want to make is single narrator. a lot of the shows I've made involve large casts, full sound design, other writers, studio recording, scoring, and sometimes full cast albums (my first show, The Bright Sessions had all of those). I've worked on shows that have had budgets of 100 dollars and worked on shows that cost nearly half a million dollars. if anyone is curious about the nitty gritty of budgets, I made a huge amount of public, free resources about making audio drama earlier this year that has example budgets in these ranges!

back in the beginning of my career, I asked actors to work for free or sound designers to work for a tiny fee, because I was doing it all for free and we were all starting out. I don't like doing that anymore. so even if I'm making a show with only a few actors and a single sound designer...well, if you want an experienced sound designer and to pay everyone fairly (which I do!), it's going to cost you at least a few thousand dollars. when you're already writing something for free, it can be hard to justify spending that kind of money. I've sound designed in the past - and will be doing so again in the near future for another indie show of mine - but I'm not very good at it. that's usually the biggest expense that I want to have covered by an outside budget.

but if I'm being really honest, I want to be paid to write! while I do a lot of things - direct, produce, act, consult, etc. - writing is my main love and I want it to be the majority of my income. I'm really fortunate to be a full-time creative and I still do a lot of work independently for no money, but when I have a show that would be too expensive to produce on my own, ideally I want someone else footing the bill and paying me to write the scripts.

I love that audio fiction has the low barrier to entry it does, because I think hobbyists are incredible - it is a beautiful and generous thing to provide your labor freely to something creative and then share it with the world - but the barrier to being a professional audio drama writer is certainly higher. I'm very lucky to already be there, but, as every creative will tell you, even after you've had several successes and established yourself in the field, it can still be hard to make a living!

anyway, I hope this answers your question! I love talking about this stuff, so if anyone else is curious about this kind of thing, please ask away.

[pennedinblood]

as of ten minutes ago we are officially Jobless™️. my sign to retire early and devote the remainder of my existence to writing toxic old man yaoi