#i really went off on one here

[mintyimperiatrix]

so wild theory time but what if the Master is Omega's son

ok hear me out because that sounds insane but i think it kinda works? cause first off we know now thanks to the Timeless Children that the Doctor is the daughter of the Other(/Tecteun). the Other is a scientist and explorer and while their morality's differ to the extreme the Doctor does, on the surface level, adopt these traits from them.

we also know that the Doctor, in their first childhood, had a friend on Gallifrey. a friend with no name. a friend who... accidentally killed her during a fight. i know i'm not the first to say that the kid on the cliff is the Master but it's a good starting point

so then we get to Omega, someone who was friends with the other two Founders and yet easily the one who's life we know the least about, at least from before he was chucked into a black hole. he wasn't an explorer like Tecteun, he was an engineer. he wanted to build his own things, be famous for his achievements and use them to obtain godlike power but when his usefulness ended he was thrown aside by Rassilon. does any this sound familiar?

All of those traits are shared by the Master.

lets cut to the End of Time real quick. the Master builds a device to bring Gallifrey back into the universe, allowing the next 'ascension' to take place (before the Doctor broke the machine) but when his moment of glory was about to come Rassilon, like Omega before him, threw him aside. obviously this is all pretty circumstantial and doesn't actually prove anything but then there's this exchange earlier in the episode

"Two Children of Gallifrey" could just be a poetic way to refer to two random Time Lords. except we know it doesn't, because the Doctor isn't a random Time Lord and even if the average Time Lord doesn't know that the Matrix Does. so if the Doctor is the daughter of one of the Founders then she is (almost) literally a 'Child of Gallifrey'. take the same idea and apply it to the Master and logic dictates he would be the child of either Rassilon or Omega

i think the most interesting part happens after that though, when the Time Lord dude refers to them as 'the Enmity of Ages' (which would be an amazing name for a band just saying) and Rassilon immediately knows that this means the Doctor and the Master. the only time we've seen him meet either of those characters before is in passing during the Five Doctors. it's easy to infer that he'd know the Doctor from their role Time War but the Master? he didn't fight in the war, he mostly refused to work with the Time Lords during the War and then hid himself as Professor Yana when it got too much so why would Rassilon, who has only seen the Master once when he was tied up on the floor in the body of a Trakenite, know that the Master was the other half of the Enmity of Ages?

you Could say he learnt of the Master's reputation during the Time War but i frankly don't think he'd care about that? so to me at least it feels like the best explanation would be that he's met the Master before, way back when he was first President. and the reason he's so disgusted by the Master, the reason he finds it amusing that the Doctor's 'final act' is the murder of Gallifrey is because he knows who these two are. he is staring at the children of his fellow Founders, realistically these two are the only people in the universe he might consider a threat to his power or his status, and much like he did with their parents he tries to use both of them before casting them aside but just like before they both come out the other end alive

also saying the Enmity of Ages to me infers a greater conflict than just that of two normal Time Lords. from any single character it would be just a dramatic phrase but this is directly from the Matrix itself, which knows all of Time Lord history, so they are a Big Deal

but now we skip to everyone's favourite episode: The Timeless Children (genuinely one of my favourite finales it gets such a bad wrap). we learn the Doctor has unlimited regenerations, or at least had unlimited regenerations at some point because whether they still do or not is kinda up to interpretation. it was the Doctor's biology which allowed the Time Lords to unlock the power of regeneration, however the Other limited the number of regenerations to 12 lives when giving it to the rest of the population. i think Tecteun's presence in Flux implies that she never limited her own regenerations and you could probably say the same to Rassilon's, with that being his secret of immortality.

now in the episode the Master claims that Tecteun took the ultimate sacrifice by testing the raw ability on herself, but suppose she didn't. suppose she had another test subject first. suppose she promised one of her friends that his son, the best friend of her own child, could become the first Time Lord to receive the gift of infinite life. suppose then that Omega, wanting glory for himself and for his son, agreed to this and allowed Tecteun test her discovery on the boy, who was then granted an endless cycle of regenerations to match his friend's. from there Tecteun, now knowing the ability would work, put into herself, into Rassilon and into Omega before limiting it to a dozen lives per person and spreading it out among the population.

it's a lot of inference i'll admit but it would add a good few extra layers to these lines:

and this of course opens the door to the possibility that other character's we've met of cryptic origin with seemingly impossible knowledge but too dark a morality to be the Doctor could be the Master instead. characters like Lee Clayton or Gat (obviously not both at once) could be an early version of the Master. maybe Magus and Hazel from the Forgotten Lives books are also past versions of the Master. hell if you want to go wild maybe even the War Chief is the Master from before they had their memory wiped (but thats very unlikely)

also as i was finding the right screenshots and clips for this post i found these as well...

the way the Master refers to the Founders as 'our parents' (Tecteun and Omega being referred to as separate parents, as a Thoschei shipper i'm not touching the sibling theory with a forty foot pole) does make me wonder if he found out about his own past too but didn't tell the Doctor, not wanting to admit that he was the reason for the Doctor's first regeneration, the reason for Tecteun's torture and experimentation on her and the reason she could safely discover the ability for herself

so yeah who's to say that the Master isn't Omega's child who, like Tecteun's child, was captured by the Time Lords, regressed into a child, restricted to only 12 regenerations and robbed of all their memories. maybe he isn't any of that though. i mean maybe he is just a whiny crybaby who wants to be as important as his best friend. maybe he was the Timeless Child and the Doctor was the kid who pushed her. maybe he's actually Rassilon's child instead. who knows? not me!

[benevolenterrancy]

May your hardened heart be woken By the soft and distant song Of all you left here unspoken All the shards we keep stepping on - Take this body home Take this body home Call the wind, and let her know Take this life outgrown Take this broken soul Call the stars, call them all And take it high, take it far, take it home

[nobleriver]

TWD: The Ones Who Live - Finale Opening Scene + Blurred/Faraway

Requested by Anonymous

[carnivalcarriondiscarded]

since I saw your post of frank going butterfly hunting with their skirt, it got me wondering..what if eddie too had a skirt!

I imagine frank got him into the whole flowy dress ordeal. probably wears one when going through his mail shift or while working on the garden with frank.

oh my gosh...matching skirts!

considering that apparently Eddie has done drag, i imagine that its probably the other way around!!

i gotta a little lost in the sauce w/ these and forgot what the rest of the ask said besides "FranklyDear in skirts" oopsies <3

[crustyfloor]

Till's piece from the event is a very honest depiction, but I want to examine it in more detail since it looks so interesting.

For one, I find the headpiece confusing, I was hesitant on this point in the last post I made covering this I assumed the headpiece Till is wearing (separate from the headphones) was this device.

There isn't even a name for that device, but it's been theorized that it serves a similar function have the collars pet humans have, but affects the pet humans in some way.

I believe it's a behavioral management device since there is an emphasis on the brain when it's shown. And just based on the design itself. I think the purpose of it is similar to a shock collar.

Till in this environment looks familiar, he has that focused expression that he always has when he's writing music, like he's in a daze. Since this is a practice in a controlled environment I think he might actually be handling an instrument this time around (hence the headphones). Till has a natural passion for music, the environment of Anakt Garden also appears more calm than what he goes through with Urak so he looks very much in his element.

But despite how calm, and focused he looks outwardly, his collar shows orange.

Till is giving with his expressions even around the aliens, so if he was feeling bad (I would suspect as much seeing the fresh experiment patches..) I believe it would look more obvious, but the difference threw me off a bit. I could be reaching (definitely) But given how unruly his behavior can be, and how much effort the aliens are putting into finding ways to subdue him I think they used that device to mellow him out so that they could properly monitor him.

The collar being orange gives me the impression that he's not as calm as he looks but the headpiece is keeping him in a 'sedated' state(?)

Red - Condition in the negatives, energy depleted, feeling bad. overall horrible state.

Orange, yellow - to a lesser extent, more like if you're feeling skittish, nervous, (think of this mode as feeling under the weather)

Green - Good, calm, happy, normal and a healthy mode.

(Translation by kh47uo on Twitter)

This behavior could also show desensitization, as he had likely been conditioned to not be phased nor show weakness in front of the aliens even if he feels bad, a way of tolerating. But this is just me trying to make sense of whatever that head gear was... he could've also been sedated beforehand (banging my head against the concrete)

Also interesting to me that we weren't shown Till doing other things, like dancing, or singing. I think it's a testament to Anakt's (And Urak's) priorities as they have Till build on his music skills, his strongest skill. It's probably because that's all he has to offer is his music (His grades in every other subject are a mess.). So building that to its greatest potential before anything is important. But it's a reminder of the situation, he's not so intense about his craft because of his inclination to it. He doesn't make music simply because he likes it, he does it because it's what he has to do to survive. Despite doing what he is naturally driven to do, he looks like he has had his life drained out of him.

Urak (the bastard) knows that for sure. Appearances, and 'decent' skills can get you far but overwhelming passion and skill can put you farther above all the rest, it's exactly why Luka is the best in his league, and why Urak pushes Till to his limits to surpass that even with such destructive means.

[i-really-like-phrogs]

Re-design of my un-named Beetlejuice OC from back when I was thirteen

Original Reference under the cut:

[sandflakedraws]

god i need to draw more (dreamworks) trolls. please ask me to draw more trolls

it is insANE the kind of traction these movies are giving my brain rn

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[jtl-fics]

Fluent Freshman - Part 19

PREVIOUS

There’s a couple things about FF that might be good to know at this point.

1. There are few things in the world he hates doing more than asking for clarification or admitting he doesn’t understand / know something. The thought of going up to someone and admitting that he hasn’t perfectly comprehended the situation upon the first explanation is something makes his stomach twist like he’d just eaten Mango-Habanero ice cream.

He has figured out his own math theorems in the pursuit of not having to ask the math teacher to explain he doesn’t understand. He got lost in an Ikea once for over 6 grueling hours where he considered making a home there and living among the display rooms until his grandma grabbed him by the ear and dragged him to safety (the food court) and let him regain his strength (eat Swedish meatballs). He, to this day, is not sure about one of his foreign language friend’s names (how embarrassing he just keeps waiting for someone else to say it but they go by some insane nickname).

So he has become a master of piecing shit together on his own. He sometimes gets it wrong (Andrew, god how embarrassing) but for the most part 8 times out of 10 he can get to the right answer if he just has a couple pieces to work with. No one had ever actually explained to him how Exy works and he was too embarrassed to ask after the third week of practice in middle school so he just pieced together what he was and was not allowed to do through the art of trial and error. He’s even mostly pieced out the rules for the other positions.

So with the information he has gotten through people being bound and determined to talk in foreign languages in front of him he has an idea about the tenuous situation some of the older Foxes find themselves in.

He’s heard Kevin Day and Jean Moreau talk in French.

He’s heard that the anxiety in both of their voices as they talked about their futures and owing 80% of their salaries to the ‘Moriyamas’ and how nervous they were about getting on professional teams or else they’d be killed.

Captain Neil and Andrew are not always using Russian to talk dirty.

He’s heard Andrew soothe Captain Neil’s worries about playing for a professional team. He’s heard Captain Neil mention that at least ‘Ichirou’ would likely just kill him and not make a game out of it like his father did.

Organized Crime might have more to do with Exy than FF had originally thought.

(He had thought it. Plenty of times he had thought it but his Gran had warned him that he was overthinking things. That he wasn’t playing a sport invented by the Mafia. That he had caffeinated coffee instead of decaf. “It’s going to be okay sweetie. Just take a deep breath.”)

This leads into the second thing you should know at this point.

2.  Before he had signed with Wymack he had known the broad strokes of Captain Neil’s life. There had been a lot of news articles about it and Gran (bless her) loved trashy gossip magazines.

After he had signed with the Foxes he had done a bit of a deep dive on as many of their controversies as he could find. There’d been things from brawls on the court (worrying), player overdoses (concerning), a straight up MURDER (Oh god), and the very public breaking of the King of Exy’s arm resulting in his suicide (Warranted, that wacko was going to take off Captain Neil’s HEAD.)

But the thing that had made him actually a little bit, dare he admit, excited to go to Palmetto was the fact that Captain Neil was there.

For someone who froze for almost a decade, who just took it and didn’t have the balls to even react? Neil Josten is an inspiration.

This is someone who got away, who lived a life completely unlike FF’s, someone who knew how to run and more impressively someone who learned how to FIGHT. Captain Neil was being hunted but he still ripped people to shreds in interviews. Captain Neil was probably more scared of the Butcher than FF had been of anything in his entire life but Captain Neil was way braver than FF could ever hope to be.

Captain Neil was taken and tortured but he still fought. FF had seen the scars and Captain Neil is right to wear them proudly (though based on some conversations he has unfortunately overheard he is sure Andrew may have a role in Neil’s positive feelings about them).

FF had thought that he was being lead to his death down in a basement of a club (Don’t cringe. Don’t cringe. Don’t cringe. Don’t-) and he just trailed right behind the two of them without even an illusion of a fight.

Neil Abram Josten was a bit of a personal hero.

He’s proud to call him Captain Neil. He wishes Andrew hadn’t been there when Greg had mentioned wanting autographs because FF wants an autograph from Captain Neil but now Andrew has probably mentioned it to Neil.

Long story short, FF had looked into a lot of details on Captain Neil’s case.

Including two of the Butcher’s top men who were still on the loose.

Romero Malcolm and Jackson Plank.

He keeps his presence low but no matter how many times he blinks the man grumbling in Italian next to him continues to be Romero Malcolm.

Moreover Romero Malcolm continues to grumble about the fact that he is having a hard time finding ‘Nathaniel’ and that he’ll have to grab one of ‘The Wesninski brat’s friends’ to draw him out.

FF is a recently confirmed friend of Captain Neil.

FF who is standing next to this man, with his dick out, and trying to remain as invisible as possible.

After two shakes (Yes he was watching but only because he had to! He wonders briefly if he goes to the FBI if they would accept a description of Romero Malcolm’s penis for the wanted poster? Probably not but it is BURNED into his retinas.)

He watches as Romero tucks, zips, and then bypasses the sink entirely.

FF shivers at how unhygienic that is. Who RAISED him?

The door shuts and FF needs to get out of here ASAP but his hands are shaking with the sudden adrenaline of ’One of the FBI’s Most Wanted just took a piss next to me and is looking for me friend’. He pulls his phone from his pocket and ducks into one of the stalls. Even if there’s no door it’ll at least FEEL a little safer, a little more private. He needs to warn Neil, Warn Andrew, and warn-

The door to the bathroom SLAMS open and music blares in (palms are sweaty, knees weak, arms are heavy-) and his phone slips out of his hands and into the toilet. There are footsteps coming towards him and FF digs deep.

He’s in ultra stealth mode. He is the wall behind the wallpaper. Mantis shrimp can only dream of the color he becomes, the United States military have the CIA on the look out for him because he’s fallen off all conventional forms of radar and tracking.

He is a bargain fruit platter on a dessert table at a kid’s birthday party.

He is ULTRA stealth.

Romero’s gaze glides over him.

Then the man leaves (STILL DID NOT WASH HIS HANDS).

His heart is hammering in his chest but he manages to reach down and grab his phone. Well, Coach Wymack had gotten the extended warranty at least. (“Do you know what these fuckers do to phones? Josten crushed his last year in a fight with the Baseball team captain.”)

His phone’s extended dip into the toilet water had not done it any favors in working properly.

Well fuck.

He wipes his phone down the best he can. He wipes his phone down with some toilet paper before cramming it into his pocket (Sorry Nicky, he’ll wash the toilet water pants if they survive).

He sees a flyer on the wall of the bathroom and starts to think of a plan.

He rushes out of the bathroom (he still washes his hands because he will not have something in common with a man on the FBI’s most wanted list and he just dipped his hand into a CLUB TOILET) and clocks Nicky’s wild arm movements and WORSE clocks Romero just 10 clubbers away.

He sees Romero’s eyes lock onto Nicky and a smile that terrifies him.

He’s out of Ultra Stealth Mode even if every atom in his body wants to run.

He is so stressed and panicked that he has gone beyond his body’s ability to process that so all that is left is determination. He’s got a head full of a half-baked plan, a hand going to his pocket, a second hand on the only ‘weapon’ he has on him, and a stomach full of acid.

He’s pulling his phone out of his pocket before he can really let himself think about it and walking up next to where Romero is standing. He holds his toilet water phone up to his ear and does the one weird social anxiety thing that he had never done before.

He pretends to be on a phone call.

“Hey Captain Neil,” he says and in the corner of his eye he can see Romero’s gaze shift from Nicky (surrounded by an adoring public, covered in sweat and therefore difficult to grab - a difficult target) to himself (alone, shorter, and probably looking like he’s about to pass out). “Yeah I think I’m going to take a break outside after I grab quick drink and then a water at the bar.” He says because he has to be the easier target and he has to go to the bar. “Yeah, yeah, okay I’ll mention it to that bartender guy.” He says and pretends to hang up.

He turns and he walks towards the bar and feels his pulse in his throat go to the beat of the music (success is my only motherfucking option, failure’s not).

He only knows about the alley because in the car ride to Sweetie’s Nicky had mentioned that he wouldn’t let FF’s first time be out there. He had been embarrassed but it was the only way he knew to get Romero out of the club and away from where he could hurt Captain Neil or anyone else in the pursuit of that.

He spots the bartender who had gotten the drinks for their table and his mind completely blanks on the name but the bartender sees him and smiles. “Oh you’re Neil and Andrew’s new friend! What can I help you with? I thought you were-“

“Hi, yes I am Captain Neil and Andrew’s friend.” He says a little loudly because he can feel Romero behind him and he does NOT want the man to know anything about where Captain Neil was.

“Captain Neil? Oh wow that’s adorable.” The man gushes. “What can I help you with? I won’t ask for ID for one of their friends.” He winks.

“I’d like to order the uh…” he tries to remember the exact drink name from the flyer, “…the deluxe chocolate martini?” He asks and knows he got it right when the bartender’s expression shifts ever so slightly.

“Oh yeah, how do Andrew and Neil feel about that?” He asks and oh great a coded conversation. It’s nice to actually be having a real one of these for once instead of just perceiving normal conversations to have hidden meanings.

“They don’t know. They probably prefer that I order it instead of Nicky or Aaron.” He lets his eyes dart to the wide where he believes Romero is watching him.

“I don’t know if that’s true.” The bartender says, “Nicky knows how to handle a drink and Aaron’s not a lightweight either.” He adds.

FF struggles to find a coded way to say ‘It’s not that someone’s hitting on me too hard like the flyer mentioned. It’s that there’s a mafia hitman in your club.’

Finally after a moment, “It’s not the usual kind of drink they get.” He tries and the bartender looks confused by the statement, dammit. He struggles to find a different way to say it before the bartender smiles.

“Y’know you’re really cute.” He reaches under the bar top and grabs a piece of paper and a pen. “How about you write down your number for me cutie? We can meet up sometime.” He says. “I’ll get started on that chocolate martini for you.” He says.

HE COULD KISS THIS MAN.

“I’d like that.” He says.

He writes out a quick message on the small note paper.

‘Armed. After Neil. Looked at Nicky. I’m going to the back alley. Phone is dead.’

The bartender comes back and looks at his note. “We’re out of chocolate martini mix, can I get you something-“ He hopes the club lighting obscures how pale the man got, “something else?” He asks and FF can SEE his pulse.

“Can I just get some water then?” He asks.

The bartender nods and pulls up his phone and hopefully is dialing the police and hands FF a water. His hand grabs hold of FF’s “You don’t need to go out into the alley. You could hang in the backroom with me?” He offers.

There really are some kind people in the world.

“I think it’s better if I’m not in here for a bit.” He says back and honestly he needs this kindness and he has a spare bit of courage, “What’s your name by the way? Sorry I missed it.” He says.

The bartender swallows, “It’s Roland.” He says.

“Thanks Roland.” He twists the cap off of the water bottle and takes a sip.

He turns and pretends not to notice how Romero is trying to be inconspicuous pretending to be on his phone.

He makes his way over to the alley door and notices that Romero is tracking his movements but is not following him like he did to the bar.

His heart is pounding and he can’t BELIEVE he’s doing this. He wants to run, wants to hide somewhere, wants to become imperceptible but…but…

He opens the door to the alley as the bass of the remixed song finishes.

(You can do anything you set your mind to, man)

He lets the door slam behind him and he is alone in the alley.

He was not expecting a van to come to a screeching halt in front of the entrance and for a different face to appear climbing out of the car.

Jackson Plank.

FF looks at the ugly smile on the man as he walks towards him with a knife in hand.

Okay now what genius?

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

NEXT

5/26/23: EDITED. Can’t believe I forgot to put the Captain in front of Neil’s name on the meme. I’m blaming the accidental early awakening.

Per your requests:

@i-have-three-feelings​ @blep-23​ @dreamerking27​ @andreilsmyreligion​ @belodensetdust​ @rainbowpineapplebottle @yarn-ace​ @iwouldlikesometea @lily-s-world​ @obscureshipsandchips​ @booklover242​ @whataboutmyfries​ @sahturnos​ @pluto-pepsi​ @dreamerthinker​ @passinhosdetartaruga​ @leftunknownheart​ @aro-manita-muscaria @hologramsaredead​ @Chaoticgremlinswishtheycouldbeme @tntwme​ @tayspots @nick-scar​ @crazy-fangirl2524​ @blue-jos10​ @stabbyfoxandrew​ @splishsplashyouropinionistrash​ @sammichly​ @the-broken-pen​ @bitchesdoweknowu​ @very-small-flower​ @ghostlyboiii​ @its-a-paxycab​ @bisexual-genderfluid-fan​ @cheesecookie​ @theoneandonlylostsock​ @foxsoulcourt​ @blueleys @adverbialstarlight​ @elia-nna​ @can-i-just-stay-in-the-corner​ @nikodiangel​ @foxandcrow-inatrenchcoat​ @hallucinatedjosten​ @satanic-foxhole-court​ @vexingcosmos​ @chalilodimun​ @insectsgetcooked​ @angry-kid-with-no-money​ @queer-crows​ @lillyndra​ @themugglemudperson​ @readertodeath​ @apileofpillows​ @mortalsbowbeforeme​ @hellomynameismoo​ @next-level-mess @youreonlylow​ @interstellarfig​ @notprocrastinatingatalltoday​ @percyjacksonfan3​ @queenofcrazy27​ @bsmr261 @ghostlyscares​ @spencellio​ @adinthedarkroom​ @harpymoth​ @sufferingjustalilbit​ @anxietymoss​ @oddgreyhound​ @ohno-myhyperfixation-itsbroken​ @ken22789​ @atiredvampire​ @isoldescorner​ @not--a--pipedream​ @azure-wing​ @bushbees​  @roonilwazlib-main​ @crumplelush​ @foldedaces-paperbirds​ @thesenseinnonsense​ @let-tyrants-fear​ @ketchupfriesandallthingsnice​ @legowerewolf​ @deadlydodos​ @but-we-respect-his-craft​ @cariniqe​ @zanypersonapricotbiscuit​

The requests to be added to the tag list keep being spread out across a few different areas. If I missed you please just ask again in the replies I promise I just missed you.

As stated before if you’re up here and I spelled it  right but you didn’t  get a notification there might be something  switched around in  your settings that won’t let me tag you properly?

Lillyndra it worked this time!!!

[youssefguedira]

V, JoeNicky & Nile

V. An abandoned or empty place.

When Joe pulls the sheet off the couch it kicks up enough dust that it makes Nile sneeze. The couch underneath is old, wooden frame rotting, fabric stained and full of holes where moths have eaten away at it. 

“Sorry,” Joe says to Nile when she finally manages to get the sneezing under control. “Didn’t realise it was that bad.” He puts his hands on his hips and looks down at the couch. Nile looks it over.

“There’s no saving that,” she says, wiping at her eyes. She can heal from falling over ten stories, but she can’t get away from allergies.

Joe frowns. “I liked that couch.”

The house is older than anywhere else they’ve brought her, and has been abandoned for long enough that it’s falling apart. But through some trick of posing as their own sons, or something, Joe and Nicky still own it, even if there’s a giant hole in the roof and all the windows are broken. Why they’d decided to come back here, Nile doesn’t know, but it’s a nice enough area, and a good distraction from, well. Everything. Growing back a leg, she’s discovered, is not fun. 

From one of the other rooms – she thinks it’s the kitchen, she’s not actually sure where Nicky had wandered to – there’s the sound of something breaking and crashing to the ground, and a muffled curse. 

Joe makes a questioning noise in the vague direction of the kitchen. A few moments later, Nicky appears in the doorway, covered in dust. “I am okay,” he says. “But I think we will need to go out to eat tonight.”

“Nothing?” 

Nicky shakes his head. “Unless you want to start a fire and go hunt some rabbits.”

Joe grins. “Just like old times, right?”

Nile shakes her head firmly, which makes Nicky smile. She loves them, but there’s no way they’re doing that. 

“We can probably clear out enough space in here,” Joe says, gesturing to the floor. “Get the sleeping bags out of the car. Probably have to start a fire anyway, but…”

Nile looks around again while Joe says something to Nicky in Arabic that makes him laugh. The house is falling apart, sure, but it’s structurally stable, and the bones are all there. It could be something. They’ve got time to make it something. 

Nicky is the one who goes for pizza in the end – he doesn’t trust Nile and Joe to order it if left to their own devices – while they try to clear out a space in the living room. Eventually, though, after Nile has another sneezing fit, Joe suggests they just take the sleeping bags outside instead, which works out a lot better. He sets about starting a fire with practiced ease while Nile sets out the sleeping bags around it. They’re far enough away from civilisation that she can’t hear cars passing by, which is kind of surreal, and the stars are brighter than she’s ever seen them. 

When Nicky gets back, two boxes balanced on one arm and a bottle of wine in the other, he looks over their makeshift camp and laughs. “Just like old times, then?” he asks.

Joe grins. “Except we have pizza.”

“And actual sleeping bags,” Nile says.

“Ah, these modern inventions could never quite match the comfort of a pile of furs,” Joe says wistfully. Nile gives him a look. She’s ninety percent sure that one’s bullshit, but she can never quite tell with him. 

Nicky sets down the pizza boxes, and jogs back to the car to grab the pack of plastic wine glasses they’d bought before they got here. 

“We should’ve bought marshmallows,” Nile says. “Could have made s’mores.”

“Well, we’ll have to go to the hardware store tomorrow anyway,” Joe points out. “And I think it’ll be a little while before we can actually sleep in there.”

“Tomorrow, then?”

“Tomorrow,” Nicky agrees.

[feroluce]

Belobog was my fave main quest but a lot of it is so. Contradictory. It's like they had multiple groups doing different shit and none of them checked in with each other for consistency. And you see this so much in Gepard's profile.

So in the main quest, they made him unfailingly, unquestionably loyal to Cocolia. Gepard's character arc is him learning to question authority etc etc. And this isn't even a bad thing; that's a story worth telling! It makes good conflict between him and Serval! And I love that we got Gepard as a boss battle and I get to see him all the time in SU!

But then you look at his character stories and it's like. The complete opposite.

According to his profile, Gepard has already HAD this awakening, long before the Astral Express, and he'd already decided Cocolia sucks. Even outside of his stories, there's a pretty damning readable between him and Pela.

He even disobeyed direct orders right in front of her- he has been disobeying orders for a while now!

So I've decided I'm marrying the two different sides of this into a 1.5k fic-ish thingy, because I think there's some fun potential there with Gepard not trusting Cocolia, but still having to pretend to be a good obedient little soldier.

Anyway. I love to think of it as like. Gepard knows Cocolia has sunk into her apathy. He can see it in her eyes every time he looks at her. She doesn't care. Not about him, not about Pela, not about all his soldiers on the frontlines giving their lives to protect the citizens. And that's... It makes him bristle a bit, but ok. Gepard can deal with this. Even if Cocolia no longer cares, as long as she does her job then it's fine. Having compassion behind an action doesn't matter as much as the action itself. If Cocolia's heart is no longer swayed, then he'll just have to care twice as hard to pick up the slack. He considers it part of his duty as a captain of the guard anyway. It's fine. Gepard can deal with it.

And then, Cocolia starts coming down to the restricted zone. Issuing direct orders.

And Gepard realizes he is in way over his head.

Because Cocolia orders him to stay back and issue commands from the ramparts, away from all his comrades, away from where he can protect them.

Gepard had thought nothing could be as bad as watching a fellow guard die right next to him. But the first time he watches someone struck by a killing blow, so far away, it hurts. Every defensive scar across his arms itches, his fingers curl in want of a weapon, the cold cannot numb his hands enough as they desperately ache for his shield. It hurts.

Gepard tries to find any reason to stay. Because surely... He knows Cocolia has lost her love for her people, but surely... She wouldn't...

One day, Cocolia orders for their gunners to advance 20 yards. There are no survivors. She almost looks like she smiles.

Gepard doesn't sleep that night.

Pela brings him the report at the end of the first month; and then the month after that, and the month after that. A significant uptick in losses, and all of it started on that first day Cocolia started overriding his authority and issuing her own orders. The ends of Gepard's pens have all been nearly chewed off. Pela outright calls Cocolia an idiot, and Gepard corrects her. Cocolia isn't an idiot. Gepard had known her through Serval, knew her through all her college years and then some, and he knows how intelligent she is. It's not that she's stupid, and it's not that she's inexperienced, it's nothing of the sort.

Cocolia knows exactly what she's doing.

She must, there's no way she could make such a horrible mess of things so badly by accident. And Pela, quick as a whip, sharp as a tack, always too smart for her own good, catches onto the meaning behind Gepard's correction without any further prompting. The tent goes deathly quiet, nothing but the wind howling outside.

"...She's trying to kill us," Pela whispers, her voice swiftly suffocated by the silence.

Gepard swallows. He can't bring himself to correct her this time. There is nothing he could say that he would actually mean.

His gaze drops, back down to his desk and the reports on it. The names aren't listed, just the numbers, but Gepard knows them, knew them, and there must be something wrong, something he's missing, because why, why would she-? What could this possibly accomplish-?

“Gepard! Focus!” Something snaps right under his nose, and Gepard startles, eyes instantly honing in on Pela's irritated face as she leans over his desk. She holds his gaze for a moment before she huffs and begins to pace, wedges a knuckle between her teeth and bites like Gepard hasn't seen her do since cadet school.

Pela angrily strides from one end of his tent to the other, words hissed between her grit teeth. “What are we going to do?” In the dim lighting, Gepard can just barely see the damp spot of blood weeping under her gloves. “We need a plan.”

“A plan?”

“Wh- Yes, a plan! Unless you want more people to die!” Pela rounds on him then, all the wrath of a blizzard, winds roaring and snow sharp enough to cut.

“We don't even know-”

“What does it matter?! She killed-!!” Pela cuts off with a garbled noise when Gepard leaps up from his desk, hastily shoves his hand over her mouth. The prosthetic, not the flesh one, because he knows better than to assume Pela won't seize the opportunity to leave teeth marks in his skin.

“You're right. I'm sorry, I'm sorry; you're right. But you need to keep quiet.” Pela quirks an eyebrow at him and Gepard can read the question in her face. “Because we both saw what she did to Serval,” he hisses.

It's amazing the snow plains haven't thawed out yet, the amount of heat Pela can put behind a glare. The mere mention of Serval, and the smoking ruins Cocolia had made of her life and career, have her bristling up like a riled cat. The sudden hot breath she takes fans fog across his metal skin, and Gepard wisely keeps it in place until Pela finally sighs and reaches up, taps her fingertips against the back of his hand.

The second she's free, Pela bats him away and then her knuckle is right back between her teeth again, Gepard leaning back against his desk with his arms crossed to watch her resume her pacing. “If we spread the word, she'll have us discharged and make sure we can't even touch the frontlines,” Pela's voice seethes like an open sore. Gepard nods but keeps his silence. He knows better than to get in her way.

“And if you and I are both out of the picture, Belobog is fucked.” A little harsher than how he would have put it, but there's no denying that they're both important to the city's survival. Pela has the restricted zone running as efficiently as ever, and Gepard had become the youngest captain on record for a reason. “We need to keep this tight under wraps, at least for now… It can't leak to anyone higher up the chain.” Another nod. “Serval might know other discontents…” Another n-

Gepard's head snaps up. “No.”

“No what?”

“No. We're not involving Serval in this.”

Somehow, even the same tone that leaves entire squadrons shaking in their boots has never worked on her. “You're not deciding that for her, Gepard.”

Pela hadn't seen the worst of it, though, back when his sister had just been banned from the Architects. Serval's pride hadn't allowed it. Pela wasn't the one to find her passed out bottle still in hand, hadn't been the one to wash the sick out of her hair or carry her to bed. 

Serval still has trouble thinking clearly when it comes to Cocolia, still can't quite bring herself to be objective. And Gepard maybe doesn't want her to be purely objective- but he would worry a lot less if she thought twice before she acted more often.

“At least let me be the one to bring it up to her.”

“Whatever, fine,” Pela gestures affirmatively at him as she paces past, and Gepard sighs. Good, at least that's one thing he can help.

From there, it's a lot of hemming and hawing and frustration. Cocolia has them under her boot, and Gepard and Pela both know it. Even with the way she's been cracking down on freedoms lately, Cocolia is still, overall, liked by the people. It's unlikely anyone would believe them. They don't even have solid proof, because most people don't know Cocolia as well as they do and won't see the clues in the same light. 

The Fragmentum has been ramping up in recent years, too. Everyone is struggling just to survive as is, they can't afford a fight on two fronts. Gepard is a damn good captain, one of the best for that matter. But they're at a massive disadvantage, his experience is narrowed to fighting a defensive battle against monsters, that's all he's ever done. That's all anyone there has ever done. He has no way of finding first-hand knowledge for taking the offensive against a human opponent, and if he goes at this blind, there's no way he'll get everyone out unscathed. He's going to lose people. He's going to lose a lot of people.

He'd never thought before that Cocolia would have it in her to have someone killed. And with this new knowledge, he has no guarantee she won't go after Serval or Lynx if she decides to retaliate.

Gepard has to remind himself to breathe when he realizes this.

Pela writes down every name the two of them can come up with. Lists and lists of names and groups and anyone they can think of who might be an ally in all of this. They memorize every bit of it, make their plans of who to talk to and when. Gepard watches the sparks reflect off Pela's glasses as they burn the evidence together.

Pela finally leaves, far too late to make it home, but says she wants to stay in the restricted zone anyway to investigate. Gepard watches her make her way in the direction of Dunn's tent, watches her back until she's out of his sight and squashes down the urge to follow and keep an eye on her. His tent feels empty.

In the morning, Gepard is up before the wake up bells. He drags himself out of bed, leads his soldiers through their morning training. The same people gravitate to each other everyday. Friend groups and training partners. There's an ongoing rivalry between a few squadrons that everyone bets on. Some of them have lockets around their necks, keepsakes, mementos. Some of them wear wedding rings.

Gepard is suddenly, painfully aware of something acidic clawing at the inside of his throat, of a heavy weight low in his chest that blooms, takes up room until it threatens to spread his ribs. His mouth tastes of bile and blood.

He rearranges the schedules. Puts himself down for every open patrol into the Fragmentum, makes sure he'll be on the frontlines every single time Cocolia visits.

He only hopes that it's enough.

[dotpyenji]

happy bisexual day to those who celebrate

[askdacast]

"how did the guy with no friends win?"

except, he did have a friend in the end

Pearl, a past winner who was also all alone the entirety of DL and went mad because of it

Pearl, who won because the person who betrayed her at the very start atoned for what he did by sacrificing himself and giving her the win

("I guess I forgive you after all...")

Pearl, who after healing from that betrayal went on to open her heart to alliances in the end (Nosy Neighbors + Grian et. al.) and eventually did find one she could call...family (The Mounders)

Pearl, who was the ONLY one to extend that invitation to the friendless villain ("I guess you found your family after all, Scar")

Because she was the only one who knew what it was like to be all alone, like him

But also come back from that dark place and reach out to someone who suffered just like her

And in the end they became a duo, she even tried to sacrifice her life for that fellow 'undeserving' lonely person, and only didn't because he wanted a 'fair' (for a given definition of that word) fight

Even at the end, Scar's "I'm gonna get you Pearl!" loses just...a tinge of the angry, bitter bloodlust he'd been baring throughout the session, and sounds almost playful

And then "she's dead scar. you won."

He killed the only person left who considered him a friend because she, in a sense, gave her life to him

It didn't start with the duel. It started with her hand of forgiveness.

but also because Scar really did become so much better at pvp like dang his red kills were vicious

[dykedvonte]

Ty for answering my asks! Recently, I saw some fanart of the gender bendered crew and it got me curios, how much would the plot change if Jimmy was a woman. I mean, she would still be emotionally abusive (esp to Fem!Curly), but at lest, I guess, the crash would've never happened (?)

Also, her relationship w/ Anya: if she was assulted still, it prolly would've been dissmissed, since it's between 2 women. Or, if Anya is male in this scenario, he couldn't really be able to talk abt it, since society decided that "women can't r*pe men", so it's not serious and he should suck it up. Man, it's just sucks to be Anya in any scenario my poor girl 😭

What do you think? If you have an opinion on that at all, that is

-💀

I think the scenario's where the gender was flipped or any level of gender based intersectionality is expanded makes it so much more complex.

If this is the scenario with fem!Jimmy, it comes with the territory of questionable internalized homophobia. Does Jimmy brush it off in this scenario because she doesn't think lesbian encounters are real ones? Is she struggling with her identity and taking it out on Anya who may be openly queer compared a fem!Curly who is either straight or just not interested in Jimmy? Perhaps it's a sort of weird entitled that can occur in female dominated spaces "We're both girls, I know what you have, it won't matter." It's still is something I don't see Jimmy denying in this scenario, he never really denies it in canon just talks around it with Curly. Here I can see it's less about the pregnancy and more so about the internalized homophobia. Not seeing Anya as anything but an unwanted aspect of her femineity and the allure of it, there's a lot more objectification of both Curly and Anya in this alteration as I would believe feels better thinking of them in that light if they are just fodder in her mind. Guilty pleasures that no longer bring her such. It's a careful situation because I don't want this to fall into predatory lesbian stereotyping, Jimmy is just a person who does not respect other people or their choice, if it conflict with what he wants or perceived is owed.

The idea of Curly having to report it and outing her not only as a rapist but queer and the denial, especially in the case Anya and Curly are both out as she feels a sort of resentment she can't be secure with herself that way. If it is masc!Curly, there could be the jealousy of him being able to actively pursue relationships he wants while she feels she can't, Anya and Curly playfully flirt, its casual but it's something she longs for in the same way she doesn't. She obsesses over Curly because she wishes she could be Curly in a social sense in both aspect male or female Curly.

If it's fem!Jimmy and masc!Anya? It's a much more delicate situation. In this scenario Jimmy gets pregnant. Maybe Anya does a blood test after the incident and finds out Jimmy is pregnant. It's a very sensitive matter because if it's fem!Curly her first assumption is Anya may have done something. That is just the immediate assumptions in cases like this. I think the fact that Anya is telling her would make Curly think it's not that simple, especially since Jimmy isn't brining it up or really caring but everyone reacts differently. Jimmy is pregnant however, and that's a big deal, she'll figure that out eventually on her own but how will she react? Curly knows it won't be good, Anya knows too.

I think the crash is instigated in this scenerio by fem!Curly actually doing more, refusing to sweep it under the rug because she can conceptualize that fear, likely she and Jimmy are the only girls on board. She trusts everyone, well did trust everyone, but it's just something you live with. She can't just live with that double standard but I feel like she really doesn't know how to address it. How does she bring it up to superiors without implicating Anya? What does she do with Jimmy, it still feels like she's catering to Jimmy but now the concern is primarily focused on the life this baby will be born into. If it is born at all. I don't think Jimmy would try to kill Anya in this concept but try to spin the narrative it was mutual up until she got pregnant. Curly doesn't really buy it but it's a lot of processing, a lot more he said she said but what Jimmy is saying just doesn't make sense. It gives Jimmy too much time to really settle with the fact she's pregnant and likely can't support a kid nor wants to give birth out in space. Jimmy feeling like she's being othered from the only other woman could also be a factor, maybe even starting into her thinking Curly is behaving like a "pick-me" for siding with a guy over her. The crash is more spiteful in terms of having to protect herself alone, due to Curly not outright supporting her delusions.

It really adds a certain horror to Jimmy's pregnancy hallucinations because after the crash they are about her, her symptoms the sign of showing. She doesn't want the child either and considering what being pregnant can do to your mental/physical state, especially some of the more negative symptoms, I doubt she is handling it well. A lot of Anya's struggles are with the stigmas around male victims. His body reacted so did he want it? He's gonna be a father and courts likely will make him pay or care for the baby even if they take Anya's side, their world is just like that. Would the other's blame him for not doing more, he is a man after all? Should he be considered lucky a woman was that into him? It's eating away at him because not only does he not feel safe, he actively blames himself.

In the case Curly is still a cis guy, its that weird feeling guys often get when talking about male victims of assault. I don't think he'd victim blame but he likely asks or thinks about how it could've happened, why wouldn't Anya just overpower Jimmy? Maybe he couldn't? Maybe Anya didn't have it in him to strike a woman. He wouldn't. Now he thinks of what he would have done if Jimmy did something like that to him. SImilary to my trans!Curly post, he's wondering if it could've been him. It's likely one of the first times in his life he has to think of that type of vulnerability in terms of himself and other men and against likely his girl best friend. I think that arm pat right before Jimmy crashes the ship would really make him feel weird, not like he'd have the time to really dig into those feeling but y'know WERE GONNA CRASH!!!.

In terms of Jimmy and Curly's specific relationship, it just gets messier if they aren't both guys or girls. There's a lot of misogny on Jimmy's side with fem!Curly. He often points out she's a woman captain or makes a point of her being one of the few independent woman in her field and how certain men hate that. It's insidious but Curly doesn't think about or like to cause she likes to believe Jimmy isn't one of those guys. He can be a bit antiquated, maybe a bit of a pig but no ones perfect! Here a lot of his resentment is more gear toward a woman having that power over him as Captain/filling the typical male roles he fails at. He can't stand that she's above him in almost aspect and he likely takes it out on other women. Similarly, fem!Jimmy and cis Curly is just as bad. It's a fact of not knowing if she wants to be him, wants him or wants to destroy him. It's obsession without anything positive. She feels entitled to his space and life and time and he has a hard time setting up boundaries cause, well, Jimmy's a girl, his bestfriend and it comes with all the stigmas around boygirl best friends. To him it's a sort of oppressive doting, he feels wrong telling her not to pick and like he's being controlling. That's how she'd spin it whenever he'd try to make boundaries with her.

They are still just friends but most people can't tell even if they can tell it's not healthy, in both cases. Either way I feel like if they were opposite genders to each other there would a specific infatuation Jimmy would have with Curly that would be less hidden but sort of unaddressed because the idea of Curly rejecting them would make them lash out in a way Curly may just leave for their safety. It's also Jimmy wouldn't want to be with Curly specifically but just want what would consistently provide/available.

If they are both girls, its envy. It's that sort of hate that someone fits the standards you don't, wanting them to be picked second or crack. She likes to get into Curly's head, point out flaws and act like it's just her being helpful. She wants Curly to be a girls girl but only for her. There's a sort of possessiveness like purposely jeopardizing relationships because why would a man come first? That girl hates me and is a pick me, why are you friends with her still, Curly? Like this is silly but think about how Regina George treats Gretchen Wieners and that's effectively how fem!Curly and fem!Jimmy would work but technically Curly has the sway of Regina.

I believe the crash would always happen. Jimmy would try to escape responsibility or really thinking about what they did in any world, any gender. It's about facing the consequences, losing things he refuses to let go of or having to deal with responsibilities he's not ready for. The switching of sex or gender really doesn't change those core aspects.

[solradguy]

I thought the early 2000s "strong yet naked/mostly naked woman kept in her place by stronger, bigger, beast/monster or gang of racist caricatures" trope* was known by basically everyone but I mentioned it as a criticism of this older art book I'd flipped through recently to a friend and it turns out it isn't lol Maybe I've just read too many Heavy Metal issues... It used to be HORRIBLY inescapable in any sort of mature art scene back in the day lmao

*This trope is different from the pre-2000s one because the women usually look like they COULD fight back for at least a little bit whereas the previous trope had them be completely helpless damsels in distress

[calkale]

i wish younger people went to school to learn rather than just to get the degree