#i really hope someone answer this

[natinkart]

chat, fellas, everypony, what if I opened commissions?? would anyone be interested??

edit: GUYS GUYS I DID IT IT'S ON MY KOFI HERE CHECK IT OUT

here some of my works, both sketches and finished:

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan��s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[deoidesign]

Time and Time Again comes back tonight!

Thank you all for being so patient with me, I know it was a long hiatus.

My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!

So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.

[microtyalm13]

everything about Gavriil feels suffocating.

how his presence alone can be almost overwhelming, how his massive body cages you everytime without a chance to escape. you wouldn't dare to try anyway, knowing that you don't even have a say against a creature of his caliber. he will find you. in your dreams, in your nightmares. in your room.

how he will be intense and vague about everything just for the sake of it; to confuse you further, to see the conflict of emotions in your eyes merge with arousal. eventually your hesitance turns into acceptance, a desperate need to feel his hands all over you. and he will be oh so grateful to fulfill that desire.

how his thick tongue pushes past your lips and into your mouth, reaching almost the back of your throat, relishing in the muffled little sounds you make. your drool mixed with his saliva drips down your chin, and your hazy eyes look up at him when he finally pulls away, giving you a second to breathe.

how his hips are slamming into you relentlessly, your wetness and lack of resistance allowing him to move almost effortlessly. forced to hold onto him for dear life instead of pushing away. all of your morals and principles are being tossed out of the window every single time he comes to you. he has you where he wants you, and will not stop until he feels like you can't take it anymore.

and how in the morning he vanishes away, leaving you guessing: was it just another wet dream? but the cold stickiness between your legs tells you more than you need to know.

[a-s-levynn]

Tiny Token wishes to offer their deepest affections to everyone who desires to receive it on this day of celebration of love

[pix-writes]

"Ford is grateful for your patience and willingness to be involved in his life, especially as he knows he wasn't good at opening up to you when you were starting to become friends let alone a relationship." This is from Stanford HC, and I find it very interesting! How would he act at the beginning of the relationship? What does it take for him to become friends with someone, and that evolves into romance?

My thinking behind this part of my HCs is what Ford has been like through the series, he is shown throughout multiple media in the GF series, that he has continually pushed people away as part of his wound of feeling isolated due to his intellect and polydactly. Through this wound he's actually developed over the course of the series and his time in the portal a lone genius hero archetype that he wants to fit into, to compensate for the hurt he has continually felt from others and being an 'outsider'. (I could go into this in more depth about where this comes from in his childhood and how it affects his outlook when he comes across bill/building the portal, honeslty, but this is the jist of what I want to get across).

(rest under cut)

It's only really once we get to weirdmageddon and post-oddpocalypse, that Ford's arc comes full-circle into healing this wound for good --> as we know Ford has a fair few people in his life who love/care for him, in the past (Bill era) he was unable to see it, but once he exits the portal he begins to care for the twins and value them (and stan, even though he doesn't show it); this makes him take a similar route in trying to defeat Bill still largely on his own, because he doesn't want the people he loves to be in danger and blames himself for Bill's hold on their dimension, thus Ford thinks it's his problem to deal with --> Once they start working together to defeat Bill is the turning point for him to realise that he was wrong and that in order to defeat Bill, you have to work together. [I think he even says that he realises he was foolish for thinking he had to go it alone and that there are people who love him that he can share the buren with, I think in Journal 3 or TBOB (can't remember which rn).] I would argue that it's not until Stanley's great sacrifice in order to save the kids/the world, after screwing up the circle magic thingy, that reality hits him like a ton of bricks and he starts being more open and quickly starts to heal his biggest character wound.

So, considering this in a potential relationship, I think Ford, is generally closed-off, which hasn't helped him in the romance department in his life in the past! Whilst I can see the judgement of others and his outsider status socially would impact this as well, being closed-off and individualistic means that when he does come across someone who would be a good prospective partner, he just... assumes they'd not be interested or overlooks them because he's doing something important and isn't thinking of romance in the moment, so if the other person flirts with him he's not good on picking it up. [I'm finding this all terribly relatable!]

With the insecurity from his wound on top of this, it doesn't make for a good mix, Fiddleford, for example, was not only an assistant but quite a great friend to Ford that he didn't appreciate at the time and due to the added influence of Bill wanting to isolate him from people, Fiddleford ended up having his attempts of deeper connection being thrown back in his face! Whilst a lot of this was unintentionally done on Ford's part, he did tell him when he left that he "didn't need anyone". In the past at Backupsmore Uni, he says that there's not a lot of people he finds 'smart enough' to be on his level to be friends with - which is textbook classic defensiveness to reverse that 'no-one understands me' mentality into something that props up his ego instead. Pushing people away means that he won't have to face the rejection he continually experienced in his childhood, but it means he's potentially pushed away people who could like him as well!

So, I think that in the beginning of a budding friendship/potential relationship, Ford would not be the best at connection or communicating his feelings openly, he'd likely step on other people's toes (metaphorically) in social situations, without realising or meaning to offend someone.

That said, I think it'd be easy for him to become interested in someone who is clearly talented and intelligent, someone who similarly values higher education yet also has a similar love for that which doesn't fit the norm/is bizarre. Perhaps someone who is also deemed a societal 'outsider'. He's been feeling lonely for so long that if you're persistent and kind and can get him to talk on the subjects he loves, he'll start to see you as a friend. I think that being kind and thoughtful with gestures (acts of service) and gifts either to him or his grand-niece/nephew are other things that will make you stand out from the crowd, too, for him to see you as a genuine good person and friend.

However, he will struggle to open up and to let out his natural self (nerdy, passionate, dedicated, 'weird'), so it will take a while to deeply connect to Ford if you're friends, and even longer for him to realise you're interested in him romantically and to act on it.

I think in that stage of 'good friends that are attracted to each other', he would have fallen for you fast; but at the same time he doesn't trust that you are romantically interested in him, even if you have said that you are, part of his mind tells him that it's a trick, a joke. You might think you want to be with him, but you'll leave him soon enough when you realise he's so inexperienced in romance/relationships etc, etc. I think a lot of his old wounded mentality would surface and he's try to push you away, if you get together post-weirdmageddon, or would just shoot you down intentionally/unintentionally if you get together beforehand. Furthermore, he has been a 'loner' for most of his life, particularly after 30 years in the portal, so it's difficult at first in a relationship to share the more mundane things, since he's used to being on his own.

Ford would overthink things to the point of anxiety at the very beginning of a relationship and make it more awkward than if he just relaxed! ^^' He's a bit of a perfectionist when it comes to planning dates, too (reminds me of dipper with the list lol), though it's sweet, cause he cares so much to make it good for you! Once it goes wrong a couple times, you'll both find the humour in it and he'll realise he's being foolish again and relax a little. You'll have to give him reassurance and go at his slow pace in the start of a relationship and he'll find some confidence, probably quicker than either of you anticipated too! He's liked you for a long time by the time you get together, so whether he intends to or not his passionate nature leaks through ;)

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[bogos-bint3d]

ok ok I trust you to be as insane about this as I am

in the seven eight nine dialogue, when Alphys talks about how seven loved five and was just doing what they felt they had to, Toriel interprets it as being Asgore doing what he had to for monsterkind, but I think she was actually thinking of Undyne doing what she felt like she had to by attacking Frisk, because she loves Asgore (and Alphys). being "sicced" on them as the captain of the royal guard, and playing the rule of the "misled antihero" in undertale's story.

when Toriel says that this makes seven "weak", Undyne bursts in with a distracting display of strength, trying to dismiss the topic. you could make the argument that she just wants to defuse Toriel from being mad at Asgore, but she has a seriously pissed look on her face. as if she took that personally, but also didn't know how to argue with it...

ANON. ANON YOU ARE SO FUCKING CORRECT FOR THIS HOLY SHIT. ANON. ANON WHO ARE YOU ILY

DUDE YOUR MIND UXJSJSJSJSJSJSJJSJD IM AO CTAZY ABOUT THIS MAN TY FOR SENDKNG THIS YOU ARE SO SMART OML SHSHSJSKSKSKK

^actual image of me right now thank you so so so so much anonymous. When I find you.

[canisalbus]

I hope this isn’t unwelcome but here are a few of my personal Vascete modern AU headcanons:

As a child, Vasco was usually voted as a team captain when playing sports with other kids. Not necessarily because of his sporting ability, but rather because of his leadership qualities and general agreeableness and ease with others.

Machete always uses perfect grammar when he texts, but can take a while to respond. Vasco often responds instantly but with less attention to grammar. Machete texts in unbroken paragraphs (when he has a lot to say) but Vasco’s texts come through in small, sporadic flurries.

Machete is very familiar with hospitals, particularly so in his childhood due to his various medical issues. As a result he actually finds their cleanliness, and the politeness of the doctors, comforting. These experiences also made him more patient than he might otherwise have been.

Vasco donates blood and is on an organ donor registry.

Machete always carries hand sanitiser around and is constantly offering it to Vasco, who always carries hand cream around, and is constantly offering it to Machete.

Both are well-versed in music and have refined musical tastes.

Vasco hums wholeheartedly whilst doing the dishes - a chore Machete likes to avoid where possible. Vasco knows this, so he pretends he doesn’t mind doing them.

Machete often has a headache and Vasco’s usual first response to this is to ask Machete if he’s had enough water today. He’s often right.

Vasco scarcely thinks of the other paths his life could have taken. Though he knows pain, he feels very fortunate for all the good he’s been dealt in life, and attributes his good luck mostly to happy accidents. Machete on the other hand has unexpected moments of stark awareness of all the possible forks in his road. It’s a sudden deja vu that creeps up on him when he’s alone, almost as if he can remember all of his and Vasco’s past/ potential lives together. The feeling vanishes just as soon as it arrives.

Hot dang anon I LOVE these. Unwelcome UNWELCOME? You come to my house and present me with thoughtful interpretations of my characters, I feel nourished.

I can definitely see Vasco being a popular choice for a team captain. He's physically active but not ultra sporty, and even though he can get excited and carried away, he's never been that competitive (he's got that 'I just hope both teams have fun' sort of vibe that people tend to like).

The texting bit is terribly cute. Vasco rapid firing message after message vs Machete intermittently slapping half an essay in the chat.

Machete is hypochondriac and his threshold for seeking threatment is low, especially if he's experiencing anything he's not already familiar with. To my understanding Italy has a good quality universal public healthcare, but he typically chooses to go with private sector anyway and has been investing in pricey health insurance for years (probably way more extensive than what is necessary or reasonable).

I also thought of Vasco as a habitual blood donor. He wouldn't like it per se (medical surroundings unnerve him), but I think he might just get a kick out of being a good boy and potentially helping people. (I know gay, bi and msm men used to be banned from donating (or at least severely restricted) but it looks like many countries have revised their criteria significantly in recent years and there's a good chance he'd be eligible these days.)

The hand sanitizer/hand cream combo is so good. It made me chuckle. (Are you a hand sanitizer person or a hand cream person?)

Their respective tastes in music and cinema have more overlap than you might initially think, and they keep aligning closer and closer over time.

Machete wouldn't like doing dishes. Having to touch wet food (weird texture + unhygienic) is bad times all around. But he genuinely enjoys a little bit of vacuuming, dusting, laundry and general tidying and organizing. He doesn't leave that much for Vasco to do, just the occasional visibly messy jobs that squick him out more than he cares to admit.

That's very considerate of him. That's a very considerate thing to do to anyone in general. Dehydration and low blood sugar can really sour your mood and you wouldn't even notice they were the reason you're feeling so bad all of a sudden. (When I'm having a difficult day I try to remember to ask myself whether things are truly collapsing or am I potentially just a little too thirsty and hungry and unaware of it. Usually it's the latter).

Ah yes, Machete and the horrors. Vasco might be aware of the horrors as well, but perhaps he possesses the specific kind of galaxy brain that is near immune to this particular flavor of existential dread.

[oikasugayama]

hiii could you write poe coming untouched? i feel like thats somethig he would do and ohhh god 🛐🛐🛐

UM YEAH I SURE CAN BC HE TOTALLY WOULD

gn!reader, NSFW, MDNI bc i'm an adult get away from me. not edited or formatted or whatever, very stream-of-consciousness

Poe is fairly insecure and needy, so relatively often you have to reassure him that he's your one and only, you love him so much, no one else matters to you, etc. etc. The words and affection (hair pets, kisses, cuddles) help for sure, but the best way to reassure to him that you're his and no one else's, and he's yours and no one else's, is to rail him. absolutely fuck the shit out of him.

it starts with the kisses and cuddles, but your touches gradually move lower and lower, rubbing his hip and his thigh until you're eventually kissing on his neck and rubbing his crotch like that oscar wilde movie scene, you know:

poe doesn't sit in your lap though, he wants you on top of him, he likes to feel small and taken care of. (he's fairly tall and gangly so it's not exactly easy to make him feel small, but he tries his best)

you take him to your room, lay him in bed, and take his clothes off while kissing and touching him. it's definitely more kissing than touching--you'll make out of with him for a while, lightly brush your hand over his crotch. kiss down his neck, mutter that he's so pretty, and you love the way he whines for you. he pets you back, running his hands up and down your arms and your back, petting your hair when you kiss lower and lower on his body.

he tries to buck his hips up to get some kind of friction, but you sit up and tsk.

"no, no no," you coo, sliding your hands up his body, making sure none of you gets close to his crotch. "that won't do. you're a good boy, right? my good boy."

"yes," he whines, wrapping his arms around you. "I'm your good boy. can I touch you? i want to touch you."

"Do you deserve to? are you going to worship me?"

"yes" he insists, nodding hard.

"will you make me cum? with just your tongue?"

poe keeps nodding.

"what if i sit on your face, hmm? that sounds nice."

"yes. god yes please, please."

"and you're not allowed to touch yourself, you understand? your hands stay on my thighs."

"yes yes yes yes yes"

you finally relent, getting naked yourself and crawling up his body until your knees are by his head and you're hovering over his face.

"hands on my thighs," you demand, and he quickly obliges, getting comfortable. his tongue is already sticking out, trying to reach you. you make him wait, though. you softly move his hair out of his face, you trace your fingers around his eyes and nose and his eyebrows.

"you're so handsome, you know that? such pretty eyes, such nice hair. you've got such a perfect nose and such lovely lips."

"thank you," he says softly. he knows he has to say thank you otherwise you'll fuck him in front of the mirror and make him compliment himself--sometimes he's okay with it, but it's not what he wants right now.

"eat up, baby."

then you finally lower yourself down, sitting fully on his face. no hovering, no going easy on him, full sitting.

and he loves it. he loves the weight of you, he loves feeling the warmth of your inner thighs, loves your taste, loves your smell, everything. his tongue goes straight to work, teasing and tasting everything. he's good at it, too. he made sure a long time ago that he could make you cum on his tongue because he wanted to be good for you. he wanted to be the best for you.

you swear that between your own moaning and your praise of him you can hear little moans from underneath you. you rub his hands, groan, squirm around grind down on his tongue.

"fuck, poe, you're so good. so good for me baby, yeah, just like that, right there!!" and so many other praising and filthy things. he can't take it anymore at a point. the feeling of you on him, the nice things you keep saying, the taste he's so addicted to. his hands tighten on your thighs, he squirms around a little, keeps moaning, and then you notice his breathing picks up and you feel something splash on your back.

"eh?" you turn around just a bit and catch the final sight of his cock twitching as the last bit of cum settles on his belly. he whines under you as you lift off of him, wanting to hear his voice when you ask:

"did you just cum? you weren't supposed to touch yourself."

"I didnt!! i didn't do anything, i couldn't help it, you just feel so good, i can't help it. i love to please you."

"oh, you sweet thing." you reach behind you and wipe some of his cum off your back then take your hand up to your mouth and taste it. "well it's my turn then, isn't it? keep going, darling." and you sit back down.

[lilislegacy]

I love that whenever you get sent songs, you actually take the time to listen to them. And not only that, but you analyze the lyrics and everything. I simply think it’s so nice that you give everyone’s thoughts and recommendations your full attention. There are not many popular posters who do that and actually care about each person’s thoughts that much. No one is saying this to you so I thought I would

And I have a question. What are YOUR songs that make you think of Percy and Annabeth? And I going to listen to each of them with my headphones on and really pay attention to the lyrics. Because you do the same for us

this is so nice of you to say! thank you for this ❤️ and yes, i always want people to know that i value their thoughts. the only reason i am “popular” is because you all listen to my thoughts and value them. so why wouldn’t i do the same in return?

for my songs, i have soooo many. but i will give a few!

1. Rescue by Lauren Daigle- this one literally gives me chills if i think about percabeth during it. the lyrics are so freaking spot on. especially percabeth in the titans curse, the last olympian, and all of heroes of olympus. if there is one song you guys are gonna put on your headphones for or play in your car and let yourself have the feels, make it this one.

2. True love by Pink - it just gives such percabeth pjo vibes. i love how much they bicker and press each others buttons.

3. Paris by The Chainsmokers - this isnt one where the lyrics match exactly. obviously the bits about alcohol and cigarettes don’t really apply to percabeth. but the themes of the song and some of the lyrics really hit hard. it just gives percabeth vibes to me

4. Young and Beautiful by Lana Del Rey - no explanation needed. it gives me chills

5 Missing Piece by Vance Joy - there’s so much about this song that fits so percy. i just love it for them.

[tofixtheshadows]

hi!! so there are a lot of improbabilities that make this hypothetical unlikely but: if kabru had met toshiro first & recruited him (toshiro being so passive + not with a clear goal would have helped there & kabru is ptsd-driven but very noble in his goals which can be explained) AND they got all the way down to the bottom (idk if i believe in them...but hypothetically!) would the winged lion find either of them to be a good target for next dungeon lord? one over the other? im thinking kabru has the intensity and complexity of desire necessary but i can't imagine what it would look like if he became lord of the dungeon. do you have any thoughts?

Good morning. This is a very fun thought experiment!

(side note: I got a second anon this morning with a very similar request? not sure if related. I'm gonna let this answer speak for both of them)

Toshiro sure would have had a different time of it if Kabru had gotten to him first, huh? On the one hand, Toshiro seems to like Kabru; I think it's sweet that Kabru seems to gravitate towards hanging out with him when he isn't with the rest of the main cast. So they probably would've been good in a party together.

On the other hand, Toshiro never would have met Falin and fallen in love with her. Even if she didn't reciprocate in the end, I don't think he regrets anything that happened. Even his difficult friendship with Laios was ultimately positive (for both of them!).

They definitely would not have made it to the deeper floors, I think Senshi is crucial to achieving that ... but this is a hypothetical.

I'm puzzling over the question of Toshiro, because he is a secondary character and there's only so much we know about his motivations. His big one in canon is to save Falin, even if it means all he can do is put her to rest. Without that, without her, what sort of desires does he have?

Toshiro originally came to the Island because of a demand from his father: for one of his three sons to find "something interesting" enough on their travels to bring back home that would convince their capricious bastard father to make them his heir over the others. So they're all off on their separate training journeys with their respective retainers with the added caveat that they can't return without something to impress their father. It's implied that after falling in love with Falin, Toshiro had wanted to bring back home a wife.

Since he's said to inherit the family after he returns home without her anyway, I've been assuming that the "thing" Toshiro ended up bringing to Toshitsugu Nakamoto was the story of the dungeon, the demon, and his friend Laios, king of a risen country and Devourer of All Things Horrible.

Anyway, the things we know about Toshiro's home life are kind of fucked. It's amazing he turned out to be so nice. He's always been a shy, sensitive person, and he was sickly as a child; Maizuru cared for him despite her spymaster duties and ended up filling a motherly role for him, even though Toshiro's mother is still alive. Historically, it wasn't uncommon for noble children to be raised more closely by their governesses/household retainers than their parents, so perhaps something similar was happening here (disclaimer that I don't know much about feudal Japan specifically).

We know that Maizuru loves Toshiro and dotes on him, but she's also very strict and frankly terrifying; she used the same Hag summon that she was monitoring Izutsumi with on Toshiro as a child just to keep him from wandering off. We also know that when he found out that Maizuru was having an affair with his father, it put a distance between them. Whether this is because he felt betrayed on his mother's behalf or because he dislikes his father that much, or something else, is unclear.

Toshiro was childhood friends with Hien, but as they got older, she had to take his place as one of his retainers, which seems to have severed that closeness. Canonically, he isn't close to his two younger brothers either. Toshitsugu literally bought Inutade and Izustumi (the latter as a drunken "gift" for Maizuru!). We see that Toshiro is uncomfortable with this, but doesn't know how to approach the issue. He lets Izutsumi go the second she's out of sight for five minutes, which implies to me that he really wanted the excuse to do so. Inutade is harder, because she loves being with the Nakamoto family and hero-worships Toshiro's father.

...all this to say, Toshiro has complicated relationships with his family and household. There's love there, but also a lot of coldness enforced by the upper-class need for propriety. Toshiro falls in line and acts as the proper stoic samurai, but he chafes at this; he envies Laios's gift for feeling and expressing things openly and readily. I think that's what the Winged Lion would prey on, given the chance.

I don't think he would be prime dungeon lord material, but if it came to that, I could see the Lion tempting Toshiro with a kinder vision of his life, one where he and his little brothers weren't pitted against one another, where his family was warmer, where there weren't barriers of class between him and his retainers, where he was allowed to be more himself.

Now ... Kabru.

Kabru is interesting because, since his ultimate goal is to seal the dungeon and eradicate monsters, I imagine that meeting a demon would be like a guy who's given a genie and wants to wish for no more genies. And if said genie is trying to take over the world via wishes, the genie is a bit screwed. I really think that Kabru is the character who would stump the demon(s) the most, despite his complex desires, because they are antithetical to the demon. Laios also had complex desires, but the Winged Lion lured him and set him up as the hero of a fake prophecy because a lot of Laios's desires revolved around monsters, so his wants aligned perfectly with the demon's methods. Oh you want monsters? That's great, they're the things I use to solve most of my problems anyway.

Even in the absence of prior knowledge of demons, I think Kabru's back would be up as soon as the Winged Lion tried speaking to him. Kabru's insight is almost preternatural, and he's well-versed in persuasive speaking thanks to his own silver tongue. He would mistrust the Lion immediately, especially considering its monster-like form.

Giving the demons bestial appearances is an artistic choice on Kui's part, so I don't think there's any indication that the Winged Lion & co can't look human, but the Lion might have been constrained both by Thistle's seals on it and the need to maintain the lie that it's just the innocent guardian deity of the Golden Country. If it could, I think it would try to look less monstrous, with Kabru.

Still, the point of the demons, I see, is that anyone can be tempted, anyone can be manipulated, because we are all full of buried desires that can be unearthed, and wanting things and having to defend them make you susceptible to manipulation.

Consider what Mithrun told Kabru: they keep the knowledge of demons secret because knowing the truth would not stop people from trying to have their wishes granted. After all, Mithrun was a Canary, but he fell for its temptation anyway. I've seen people characterize this as a sort of rock bottom decision, and maybe that's true, but I also pin it on his toxic inferiority/superiority complex. That's exactly the kind of thing that makes you think you're built different.

Would Marcille have stopped before unsealing the Winged Lion if Mithrun(/Kabru) had actually gotten to sit down with her for five minutes and explain why becoming dungeon lord would be a very bad idea? Maybe. Or maybe her desperation, and her own pride, would have made her decide that she knew better, that she'd be careful, that she'd go in with a plan and definitely get what she wanted with no dire consequences.

I think Kabru could be desperate enough to make a similar decision, even if his desires were antithetical to the demon. And the demons have an advantage over the aforementioned genie simile: their ability to eat desires.

If the Winged Lion were smart, it wouldn't let Kabru seal it away like Thistle. Given the opportunity, its best chance for dealing with Kabru would have been to immediately eat his desire to stop another Utaya.

I'm gonna plug this wonderful and tragic little one-shot someone wrote recently about the dungeon lord Kabru hypothetical: This place is not a place of honor.

[elysianymph]

🔥 anything about sirius because i am being a little hater towards some characterisations too

i've already talked your ears off about this on discord but i'm happy to talk to about it again bc i fucking HATE new sirius black with a burning passion. i hate him as much as i love my sirius black that marauderstok can pry from my cold dead hands bc i'm not letting him go. i don't know when it happened and why but marauders fans are particularly persistent on taking away any interesting traits sirius had and leaving behind a whimpering pathetic twink that cries when someone looks at him the wrong way. sirius has been scrubbed clean of any morally grey traits he might've had (he's not allowed to care for his family (unless it's regulus) or long for them bc they are bad, he's not allowed to have any prejudices even though he was literally raised with pureblood mentality and taught he was superior to everyone else from the day he was born, he's not allowed to be an asshole bc he's not like his family guys!! and when he is an asshole it's always used to victimize the character he's being an asshole to and sirius is painted as the villain with mommy issues that can only be fixed by getting dicked down apparently)

i cannot stress this enough: LET THIS MAN BE A COMPLEX CHARACTER!! and no, giving him mental illnesses that miraculously disappear when he gets together with remus and making him attempt to kill himself post prank because he feels bad is NOT making him complex! you're just weird. you're just romanticizing mental illnesses and i can't believe you don't see anything wrong with it. giving him bipolar to justify his actions is?? not??? representation??? it's offensive to people who actually have to deal with these issues in their day to day lives and yet here you are using something that will impact their life forever as a plot device for your uwu sadboy mlm fanfic.

and that's what new sirius boils down to. he's a plot device, an accessory to everyone else's story that's never given much depth other than "oh his mom used the cruciatus on him and now he's traumatized". no hate to jegulus but hate to specific jegulus fics that turn sirius into an overdramatic caricature of his former self for the sake of drama and angst.

also, some of these wolfstar shippers... wtf are you guys on?? idk when and why (that's a lie i do but i'm not gonna say it) remus became sirius black in a werewolf costume but here we are. oh sirius was cool and effortlessly smart and handsome and girls wanted him? well guess what? snatches all of those character traits and throws them onto remus they're his character traits now. ignore how it doesn't make any sense for the werewolf child who was isolated from the rest of the world to be a smooth talking alpha casanova who plays basketball actually. while we're at it, ignore how unrealistic it is for a boy who was raised in a family that believed they were superior to everyone else based on blood status, who was raised to be the perfect heir and checked off all the traits needed to be one to be insecure?? and unsure of himself?? and stupid??? and a loser??? i don't understand what the point of flipping the wolfstar dynamic was when you're left with a shallow copy of the original but ok. you do you ig.

to summarize, my sirius is cool and effortlessly smart and egotistical and a complete asshole who thinks he's the best thing ever. is it an act to cover up how damaged he thinks he is because of his family? possibly. but i also fully believe sirius thought he was a god amongst men and everyone should be glad to be in his presence. he talked down to other people because he considered himself smarter, he rolled his eyes when students asked stupid questions and made fun of them when they got an answer wrong. he's a teenage boy let him be a dick with no excuses.

(also i find it funny when people write about sirius getting into a fight with james or remus and crying because they said something mean. as if sirius wouldn't throw hands the moment someone started criticizing him. he's toxic and that's what makes him interesting. that's his purpose! characters exist to make stories interesting, to start drama, not to be your moral guide on how to act. stories become so much more fun once you let go of the need to make every character a good person. also liking a character doesn't equal liking them as a person. i love sirius but i would hate his guts irl)

[tevanbuckley]

i hope tommy gets his head cut off by the blades of his helicopter and taylor is there to report on it and she and buck reconnect and end up together lmao

go touch fucking grass, i'm so serious, if a tv show has you behaving this way it's time to log off and re-evaluate your priorities

[utilitycaster]

So BH got the hint to go talk to the Raven Queen while talking to Corellon as played by Abubakar Salim. What do you think the odds are of Laura getting up and into the DM chair as the RQ?

I don't know what the actual odds are, since as extensively discussed Matt's really been tap-dancing around the line of good narrative judgment, but they should be zero. Either this would require giving Laura an amount of information such that it would be nearly impossible for her to play Imogen going forward (never mind just the regular logistics of like, unless the point is that Laudna goes in alone, I would think Imogen should be there in the scene and fully able to react); or you're sticking her there with little to no direction in a campaign where the biggest problem is a lack of direction. Like, I'm sure she would embody the Raven Queen well, because she is a good actress, but it's the same idea as why Marisha doesn't play Keyleth in Campaign 3.

[punctuation-completionist]

Have you seen the demicolon?

yeah, i mean i've heard of it but like. idk i am surprisingly neutral on the concept? i mean it's a fun idea but also it's not really viable in a writing context (formatting-wise at least) so it just. eh.

(demicolon thing for context)