#i realized i was starting to do an actual timeline of events and this was not the post for that

[hextehc]

the timeline and changes from act 1 → post - act 1 into defender of tomorrow aka the talis to giopara pipeline it lived inside of him this entire time and he didnt even know it

( act 1. ) while some things were present in the beginning like being patient, diligent, inventive, persistent, suicidal, reckless, gullible, an absolute unit of a people pleaser, ambitious, insecure, polite, and even held ideas of having relaxed prejudice against those in zaun (arguably you could say almost everyone in piltover has negative ideas of people from the under city so jayce is absolutely no different despite where he came from originally. you can see it in the way he talks to viktor sometimes, completely forgetting that he's from zaun himself; this is an entirely different discussion) these traits vanished as the series went on. hard to actually see what goes on the 7 year time lapse of jayce in and out of the lab especially playing as the councilors lapdog that bids their every command, but you see a little more of a newer jayce and some of old traits that stayed the same. you see he's more proud of his and viktor's work, a lot more bold in his pursuits particularly when he gets more involved with the council, even charming and honest to the point where it's almost manipulative; ambitious and diligence still holds true but the less time he spends in the lab, he becomes more headstrong, demanding, fierce, difficult, and renege; having too much tunnel vision, he goes against his most important persons wishes and being blind to rift drifting between the both of them. guess you could say he's also inattentive with his partner's failing health and quite inability to read the room, until it's too late (even a negotiator with sylco to give zaun its proper freedom).

the foundation really crumbles when the council room explodes and he sees his partner's body broken but barely alive. he decides to play the role of frankenstein, impulsively and desperate with trying to piece viktor's body back together using his schematics.

( defender of tomorrow. ) he starts to lose those values when he was just the creator of hextech. carelessly thrown into politics lead to his downfall and before he knew it, viktor had decided to leave piltover to go back to zaun and fight back jayce's development and the nation as a whole. he begged, pleaded, even giving up his council seat (originally having the mind he wasn't fit to help defend piltover and fight for its citizens, translating into against viktor rather) so they can resume what they originally wanted to do: create hextech to help the common man, in piltover and zaun. it didn't give. this causes him to become panicked, scornful, impatient, hostile, and resentful. it was hard to accept the nature of the present and the future. in the lab he continued to be, doing what he wanted to do but made the promise to himself that no more weapons would be created the exceptions of the ones already made (the mercury hammer, atlas gauntlets (originally made with miners in mind), and the hexrifle). he starts to neglect to his grooming habits, letting his beard and hair grow out; he becomes indifferent to what others think of him.

eventually, as those feelings subside, and having still under the council's eye, he forces himself to only associate hextech with himself and not his old partner (and becomes annoyed at people who make the comment you were so loud about including him before, now what happened?). the golden boy and paragon of progress was no more, even refusing to look at the posters that showed off his face, ones that gave bright hope over piltover and a dark shadow over zaun.

he then becomes arrogant, stubborn, sarcastic, insensitive, disrespectful, regretful, possessive, dismissive, rude, secretive, and insular. he absolutely irritable, upon stopping one of viktor's failed attacks on piltover, does he gain the defender of tomorrow title. one who held so much pride of the beautiful city of piltover now has feelings of shame, but egotistical. if he was going to put into this position, might as well play into it. can we just mention jealous and obsessive, too? just in a private room where he and viktor share, regardless of being enemies.

however, he's all too familiar with masking to make himself to more digestible and approachable. he only feeds into that, his face speaking for him, but even with all that he still remains helpful, hopeful, passionate, disciplined, protective, and empathetic.

[systematicallycapricious]

[AoN] PxDN Lore Snippet: R-00 + R-01 Reactivation

Yep, I read Persona x Detective Naoto, and yep, I'm incorporating it into this story. Why? ‘Cause it’s not a bad read, and more importantly it’s got a lot of feasible world lore I can use to enrich the setting, of which I can do all sorts of fun stuff with. Also, Sousei and Sho share a lot of similarities in terms of circumstances and behaviors, so any chance for him and Sholar to cross paths has lots of fun potential as well, even if it's only once.

Anyway, this is just a little snippet from the full AoN-PxDN lore doc that I'm getting straightened-up, 'cause I'm excited about how nicely I got it to fit together. \o/

Spoilers for: Persona x Detective Naoto, Persona 3, Persona 4 Arena/Ultimax, and my fic "Apropos of Nothing" (very mildly though, otherwise I wouldn't be posting it xP)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

(For quick reference, the R-series ASSW project spanned from roughly 2006 to 2009, with Sousei's run being from 2007-2008, Ai's spanning 2008-2009, and their endings being Yūri's death and Aigis's reactivation respectively. SEES is first founded in Spring 2006 (being Mit/Aki/Shinji), and P3 happens as normal from 2009-2010. The 7th Gen ASSW project also ended with the explosion & creation of the Dark Hour on Sept 10th, 1999.)

So, several times throughout 2011, Minazuki accesses Ikutsuki's isolated server + the Ergo database server in general, with the first instance of the latter catching the ShadOps/KJG's attention. A bit spooked by the unauthorized access, everything related to Ergo (both current and old) is given a thorough security check, resulting in the discovery of 3 ASSWs sitting around in storage, among other things.

(Note: the database server access happens differently in this AU, so up until now, Minazuki had been accessing the isolated server legitimately via Ikutsuki's whitelisted computer with admin credentials, and then attempted to access the general server with an unregistered device. I still have to learn how databases work though, so I might have to adjust that in the future.)

Pretty much no one seems to know much about this mysterious 5th Gen and two R-series androids, despite there actually being a decent bit on information on-file for the latter once they decrypted it, and so, alongside a bunch of other old Ergo artifacts, the three are shipped out to the Yakushima Ergo quarantine facility for inspection and threat assessment. Some of the staff who were cited to work on the R-series are also contacted by Mitsuru to get further information.

(Note: unlike OG, the transport goes smoothly, because canon-divergence. /o/)

Mr. Tsuge Tetsuma has been employed as a researcher in the Kirijo Ergonomics Robotics Division for a long time now, but more importantly since the R-Series project was abruptly halted and its products stuffed away into storage. Now, he was nowhere near happy about having to leave Sousei and Ai in there for all this time, mind you, but he didn't have the authority nor the opportunity to get them back out of storage on his own, and so it was all he could do to stick with the company until an opportunity might arise. Getting a phone call from Mitsuru provided one such opportunity.

With the aid of Tsuge, the three ASSWs are reactivated and inspected, and once Mitsuru learns that they're not threats and are sentient beings with "hearts" of their own, they're given official rank as auxiliary members in the ShadOps to keep Public Safety from trying to confiscate them on the grounds of being "highly dangerous weapons". And… I guess I haven't figured out the specifics beyond that point yet, like if they actually help out the ShadOps or not. I feel like they might given Sousei’s determination to prove his usefulness and Ai’s desire to help out overall, but Sousei’s determination to have a combat-type Persona might also undermine that? Anyway, Tsuge is also brought into the fold as an official ShadOps researcher and tasked with being the supervisor of the Kurogamis due to his past experiences and relations with them and their creator.

(Fun fact: the reactivation order goes Ai, Sousei, Labrys because they have more information on, and familiarity with, the R-series units than the 5th Gen unit, so there's less risk involved with activating the Kurogamis than there is with Labrys. (Plus, in the event that Labrys ends up being hostile or out of control, the Kurogamis could be called in to help suppress her.) Also, Tsuge knows that Sousei will be rowdier than Ai, so as one of the chief specialists on the team, he's making the executive decision to give the team the ‘easier’ one to start with, lol.)

A year passes (which is what makes up a lot of Sousei's impression of "smoldering away at a lab, not yet fulfilling his mission as a suppression weapon"), and in late 2012 the National Police Agency entreats the KJG for technological aid in civilian safety and law enforcement measures. With the Kurogamis’ robotic physique and Sousei’s Past Reading in mind, this opportunity gets presented to Tsuge and the Kurogamis, of which Tsuge eventually gets Sousei on board with when he learns that they can be stationed at Yagokoro's PD, where Aoi Touko works. Ai didn't really need a ton of convincing, being content to be wherever Tsuge and Sousei are and determined to help out where she can.

(Note: part of the "last year's brutal crimes" is influenced by the Inaba kidnapping and murder cases, as it caused quite a stir across the nation, though the other part is probably more mundane, non-magical crime. Also, other technology and robotics were implemented in other PD's across Japan, but Yagokoro was the only one to make use of ASSWs specifically.)

And from there, PxDN happens more-or-less as normal, although certain events may or may not have Naoto meet the Kurogamis and/or Tsuge before PxDN occurs. It depends on if they end up staying on Yakushima for the whole time or if they go to an Ergo or ShadOps facility on mainland Japan, and furthermore if it happens to be the one Naoto visits or not. Most likely, if they do cross paths at all, it'll be brief, or else an off-handed mention of them by someone else, but I'll have to see as I solidify more of that part of the timeline. P:

Also, Tsuge’s employment with the ShadOps lets him distribute Evokers to Touko and Naoto during PxDN’s events, perhaps special models more recently designed for use outside of the Dark Hour/CoUn, because they really shouldn’t be able to summon their Personas so casually in the conscious world. It’s somewhat believable for when Naoto Awakens to Amatsu Mikaboshi and when she’s trying to save Touko, given the circumstances, but outside of that. :P

[unexpectederawhilesubmitting]

WARNING: DOCTOR WHO SPOILERS EXPLAINING REGENERATION SHENANIGANS

-------------------

okay so I was kind of not on board with the concept of bi-regeneration, mainly because of how it seemed like all of the Sad and the Trauma that the Doctor had undergone got kind of handwaved away? i'm all for ncuti's Doctor being sort of a fresh start/jumping on point for new viewers, but i didn't get how that could work if like, literally 40 minutes ago he was David Tennant being a sad wet puppy dog of a man

however, after rewatching it, i've realized what i think happened there, and it goes all the way back to something introduced with the 4th doctor's regeneration that was never explained: the Watcher

^this spooky guy

so, for those that don't know (or haven't seen every episode of a show that is over half a century old), the Fourth Doctor regenerates at the end of a story called Logopolis (he falls off a satellite dish, but that's not important right now). all throughout the episode, this weird figure, The Watcher, stands off in the distance, and even intervenes slightly by saving the Fourth Doctor's companion. there's not much given in the way of an explanation until the Fourth Doctor regenerates, saying "it's the end. but the moment has been prepared for..."

the watcher walks up, and gets absorbed in a super rad 1980's digital effect (never change doctor who), while his companion just gives us the not-super-helpful-for-lore statement "He was the Doctor all the time!"

then, in a crossfade, the Doctor goes from Four to weird-powder-man to Five

canonically, the Watcher is explained as a future version of the doctor that comes about in sort of a weird overlapping thing with the doctor's timeline, it's very wibbly-wobbly timey-wimey.

-------------------------

SO what does this have to do with biregeneration and satisfying character arcs/moving on from trauma?

Well, remember, Fifteen said this, about Time Lords doing rehab out of order:

so, here's the thing: Fifteen is the Doctor AFTER Fourteen (duh, I know?) But to be clear...Fourteen lives out an entire lifetime with Donna and family, gets to a ripe old age, and then, when his lifetime of healing is over, he gets yeeted back through his own timestream just to zoot himself out of David Tennant's chest.

Remember, his first words to Fourteen (after popping out of his chest) are "So good to see you! So good!", not the RTD classic "what?". He greets himself like he's almost expecting this, he then says "does anyone want to tell me what the hell is going on here?" which only makes sense if he's coming from a different point in his own timestream (remember, when two doctors interact, memory gets really weird, 10 and the War Doctor don't remember the events of Day of the Doctor until they live through them as 11).

SO TO BE CLEAR: Ncuti Gatwa is playing the Doctor AFTER he has spent years healing from his traumas. His Doctor is fine because Fourteen takes the time to rest and work on himself.

tl;dr: I didn't like biregeneration at first because I thought it looked like this:

In actuality, it looks more like this:

[is-this-even-relatable]

Misfortune Teller

tldr: An older Danny, apprentice to Clockwork, does a lot of field work across dimensions, resetting the timeline, queuing future events, and who knows what else. Occasionally, he warns people about such upcoming possibilities, to set them on the right path. How, you might ask? Well in this case... as a wandering fortune teller.

Crack-fic (oh god, it's getting long and my logic brain won't let it remain as crack) where Danny becomes Clockwork's apprentice after getting his GED. Living his infinite afterlife to the fullest. Inspired by this tumblr post.

Working for Clockwork had been... interesting so far. At first, Danny got frustrated by how vague and cryptic Clockwork was. He'd just shunt Danny off to some ancient time with a few words, his own time medallion (Danny carried it everywhere with him now), and then pop back into the portal, leaving Danny with only the faintest idea of where to go.

Eventually, after enough time (ha!) spent around Clockwork, Danny figured out that it just basically meant that he had free reign and to do whatever he wanted. Because if he went on the wrong path, (like that one time in Pompeii when he had almost caused the volcano to explode a few years too early), Clockwork would just pop on by, say another few cryptic words, and then it'd all be fine and dandy, or as he liked to say, "All is as it should be... Now stop practicing your wail by an active volcano."

After telling Jazz about that (it was supposed to be funny, not concerning), she just sighed and shook her head, with a forlorn "think before you act, Danny!" but hey, it'd turned out fine so far, so who cares how he does what Clockwork asks him to do, as long as it gets done, right? Even if it's with a liiiiitle more mischief than strictly required.

Besides. Danny was the one who had been doing time shenanigans across millennia, not Jazz. And he thought he'd been getting pretty good at it too! He'd actually started giving himself a different made-up background for each universe he visited. Sam and Tucker were helping him keep up with the identities on a spreadsheet, so if he had to go back to one he'd already visited, he'd remember who he'd said he was supposed to be.

---

He was on a call with them one evening while haunting Jazz's apartment, doing just that, when he felt a familiar tingle in the back of his throat, as well as a heightened awareness of the seconds passing by, that always accompanied his mentor's appearance.

Sam was talking about his past stint posing as a god of death when he cut in. "Hey- sorry to interrupt, Sam- Clocky's here, guys, I gotta dip."

"Aw, come on! We hardly talked any this past week since you passed your certifications, man," Tucker complained.

Danny rubbed the back of his neck sheepishly. "Yeah, yeah. Partly on you too though, you've been caught up outside of class, and Sam's schedule is nearly the opposite of yours."

Sam hummed in agreement despiter Tucker's scoff.

Danny missed hanging out with them as much as they had in high school, but hey, life goes on. Or at least, theirs did, to college. After finally flunking out of Casper High, he'd taken some time to get used to his responsibilities in the ghost zone, and when he had, he realized that he didn't really have much enthusiasm or timeleft for his human life.

And he didn't really want to go back home either.

But Jazz had made him tie up any loose ends before he noped-off to god knows where, which frankly, he had to thank her for. Getting his GED took a few years, but it was an accomplishment that could be attributed to Danny Fenton, no ghostliness required. Then he was able to let that tether go free.

Pulled out of his musings by a few more grumbles from Tucker, Danny said his goodbyes, promising to call the next time they were all available.

After hanging up, Danny swiveled around, anticipation already lighting up his eyes an ethereal green.

Clockwork, for his part, had been waiting patiently through Danny's lengthy goodbyes. Although he supposed that it tracked for the watcher of time to be patient. With his job, it'd be a nightmare if he wasn't.

"Phantom," Clockwork spoke, calm as always. "I have some tasks I need you to complete as my apprentice."

And Danny, always ready for adventure, didn't need him to explain any further. "Sure! When do you need me to be?"

Clockwork smiled at that. "I am fortunate you are eager. Follow me."

---

Danny popped into existence in this universe with a burst of cold air and static electricity. He found himself hovering by a clocktower above a sprawling, gothic city. Smog and light pollution obscured the stars above him, to his disappointment. He comforted himself with the fact that he'd probably have all the time he wanted to fly someplace less populated to see them later.

He started off by familiarizing himself with the city. As he flew, he followed the trail of power and met the resident city-spirit, a spooky- but kind underneath- woman draped in black lace, who told him her name was Gotham. He spoke in length with her about this universe, its heroes, and her knights. On that, she was very enthusiastic... or at least Danny thought she was, her projected emotions belaying much more than her gloomy exterior. She told him how her knights had been through a lot and would need some guidance fighting the darkness that pooled in her deepest corners, smiling with too much glee, filling lungs with fear, and terrorizing with cold hard bullets.

Danny could sense that the dangers she spoke of were growing in power, ever slowly. The longer they shadowed people's minds and hearts, an intangible thing grew that lent them more otherworldly pull than their physical forms had right to hold.

That must be what he was sent here for.

But... they were weak, pitifully so for him, infinite king as he was. And besides, he wasn't here in that sense. He was a messenger, a simple apprentice. And he could do this however he wanted.

Cue his talk with Lady Gotham, and subsequent idea to arm her knights. With what? Well, he figured knowledge would be a start. Flying high above the city invisibly, Danny noticed a sea of colors and lights by what appeared to be the city's pier. He flew down, noting that it appeared to be the setup spot for a travelling circus or carnival of some kind.

He considered what to do. One of Lady Gotham's troubles was a madman clown, right? Well maybe he'd be attracted to his ilk here... and with the danger came the knights. Maybe he could catch one of them here?

Danny was floating around at the entrance and beginning to formulate a plan when a flyer caught his eye. Looking for a mystic to read fortunes. URGENT!

Hadn't Clockwork said something about fortunes? And he hadn't made an identity in this universe yet...

A mischievous smile crept across Danny's face, splitting it in two with far too many teeth.

---

Half a city away, a man in all black, perched on the very same clocktower that Phantom had Appeared by, shivered as he felt an ominous premonition about his sanity in the near future...

Said man quickly opened his comms to check in with his many, many kids. Yet even after hearing back from each, he still felt apprehensive.

Somewhere even further, Clockwork laughed.

---

And that's how Danny found himself seated at a fortune teller's booth at a pier in Gotham, two days later, for the Tricksy Traveling Circus's grand opening.

[keeps-ache]

2024's last digital piece !!

happy new yeeear!! this year i'm gonna try to work on my writing a bit more lol 💫

2021's last piece of art from me

happy new year, my resolution is to set timers so i drink more water✨

[fuckyeahisawthat]

What is Mage Viktor doing?

So it turns out I do have a take on what's going on with Mage Viktor, why he's messing with timelines in the way he is, and what he hoped to achieve by bringing Jayce to the torment nexus dimension and then sending him back to his own timeline armed with facial hair, trauma, and the ruthless determination to somehow stop his own Viktor.

Of course this is just my own reading; there are many ways you can interpret the reveals of the final episode. But it's become my preferred reading because it makes Mage Viktor come off as absolutely BATSHIT. The apotheosis of all Viktor's best and worst qualities. As he would be.

First we gotta lay out some fundamental principles about how I understand Viktor that will inform this reading.

Viktor was never being controlled by the Hexcore. This deserves its own whole meta, but tl;dr, I think it is directly antithetical to the core themes of the show to think that Viktor wasn't making his own decisions all through s2.

Over and over again in Arcane, we see characters become "monsters" and do monstrous things, and every time the thematic point is that this is still the person you love. When Vi says that her sister is dead because she is Jinx now and when Jayce says "my partner died in this room" THEY ARE BOTH WRONG. The person they love is different now but they're still in there and they can still be reached.

Viktor is transformed by something terrible happening to him (like many characters in the show!) but all his decisions are still his own and to me they seem like perfectly consistent--if extreme--extensions of what we know about him as a character before he gets a Hexcore heart.

So my analysis starts with the premise that Mage Viktor is not trying to free his past self from an outside influence. He's trying to hack his own character traits to make a different version of himself do what he wants.

Viktor is BOTH genuinely altruistic and compassionate AND deeply arrogant. This is such a banger combination and I think turning down the dial on either trait makes Viktor less interesting. I think Mage Viktor has genuine remorse about what he did in his timeline and he is, fundamentally, trying to find a way he could have stopped himself from killing everyone (within certain constraints; we'll get to that). When Jayce is able to show main timeline Herald Viktor his memories of what Viktor is about to do to their world, the first thing Viktor sees is not dead Jayce, or himself left alone in an empty world. It's all the ordinary people who are going to die terrified because of him.

I do not think any version of Viktor wanted this result. But Viktor is so convinced he is always right that his arrogance carries him right past the point of no return before he realizes oh actually I haven't freed everybody I have killed them.

So I do think Mage Viktor is trying to find a timeline where this doesn't happen, but he is not timeline-hopping in order to preemptively stop other versions of himself from making the same mistake. If he wanted to do that, he would just leave all the many many timelines where Jayce dies in a blizzard as a child alone. No Jayce who grows up obsessed with magic, goes around Academy rules to get the hex crystals, invents Hextech and gives Viktor the power to fuck everything up. Easy peasy.

But no. Instead, Viktor is actively going into other timelines and changing them at the point where Jayce would have died.

He is doing things that appear to make the sequence of events that leads to his world-ending magic blast WAY MORE LIKELY. And that's because...

Viktor is obsessively selfish when it comes to Jayce.

Mage Viktor wants to find a timeline where he doesn't doom the world but not at the expense of meeting Jayce and spending years doing science with him.

If the goal was only to prevent Jayce from dying in the blizzard, he could have done it quietly, waiting for Jayce to collapse in the snow and then transporting him to the base of the mountain, leaving before Jayce had any idea who saved him. Instead he makes SUCH A DRAMATIC PRODUCTION of it that Jayce remembers and can repeat the steps of the action years later, well enough that he actually produces a working spell from a barely-tested Hextech prototype. Mage Viktor wants that shit burned into baby Jayce's brain. He wants to make sure he fundamentally alters the arc of Jayce's life, bending it into a trajectory that collides with his own.

Viktor also (as far as we see) doesn't go the route of going back in time and killing his younger self, or steering the course of his own life along a path where he never meets Jayce. He doesn't even go for a timeline where he and Jayce meet each other but they don't invent Hextech. Now maybe it's the case that some time before our Jayce arrives in his timeline, Mage Viktor tried all that, and has figured out that none of those options work. (Maybe in some of those timelines Jayce is the one who goes Machine Herald, and there's no partner there to talk him off the ledge of ending the world.) But I think it's also possible that, now that he's gotten the experience in one timeline of spending years with Jayce making once-in-a-generation scientific breakthroughs together (which I truly believe is just as important a part of their relationship to Viktor as any romantic or sexual element might be)...he can't bear to deny any version of himself the chance of having that--even if the price is the rest of the world. Because a world where Jayce isn't his partner isn't a world worth saving.

So what I think Mage Viktor is doing is sitting there with his stubborn engineer brain and the husk of his dead soulmate, fiddling with the timelines like a Rubik's cube, going Not meeting Jayce CANNOT be the only option. There MUST be a timeline where Jayce and I meet each other and entangle our lives in an alarmingly codependent way AND we dodge the apocalypse at the last minute, I don't end up killing him, and we do not doom the world together. And I'm going to fucking find it.

So he's been hitting timeline after timeline, trying to find the combination of factors where everything works. He is not trying to preemptively save every timeline from himself, he is trying to prove to himself that meeting the love of his life doesn't doom the entire fucking world. It's devotion that is SO PROFOUNDLY SELFISH that he is willing to doom timeline after timeline, but driven by someone with enough compassion and pride that he doesn't want the guilt and shame of knowing he can only have this one life-changing thing if he ruins everything else for everyone, and enough arrogance to still look at this as a problem he must be smart enough to solve.

At some point in this process, I think he also figures out that Jayce is the only person who has any chance of reasoning with any version of himself. I think it's worth paying attention to the exact wording of his "in all timelines, in all possibilities" speech, because it's not just a love confession (although it is that).

"I thought I could bring an end to the world's suffering. But when every equation was solved, all that remained were fields of dreamless solitude. There is no prize to perfection. Only an end to pursuit. In all timelines, in all possibilities, only you can show me this."

And while this is some hella romantic cosmic soulmate level shit, it is also Viktor saying I need you, because you are the only person I have ever trusted enough to save me from myself.

It's the Hexcore promise all over again. Viktor knew he couldn't destroy his own creation. I read this not as Viktor being physically unable to destroy it because the Hexcore had some power over him, but not having the will to destroy it. Because this huge leap in Hextech technology was his big breakthrough and not (as I think he saw it) him supporting Jayce's dream. He knew he couldn't do it. So he asked Jayce to do it for him. Please, save me from my own pride, my desire to leave a legacy. I can't do it on my own.

It's a huge extension of trust, for Viktor to admit such a need. And now he's doing it again when the stakes are MUCH MUCH higher. I need you, because you are the only person who can show me the horror of what I am about to do and have me believe it.

Of course, the deep irony is that really the only person Viktor trusts to tell him he is wrong is HIMSELF FROM THE FUTURE. Astral plane Machine Herald Viktor is standing right behind Jayce, watching Jayce's memory of Mage Viktor telling him what the consequences of his actions will be, and that is the moment the horror sinks in and cracks him fully out of his machine shell.

But of course Jayce is the only person he would ever trust enough to carry such a message (from himself!!) to somewhere close enough to reach him.

It's not clear exactly how much of a detailed plan Mage Viktor has when he sends Jayce back to the main timeline, or how much of that plan he shares with Jayce. But I think he has figured out some broad strokes which affect how Jayce behaves.

(1) Jayce has to immediately go and kill commune Viktor. Squishing Salo is maybe a bonus side quest, but Jayce doesn't even take time to fucking shower before he heads for the commune. (I would love to see the part of the conversation where Mage Viktor is like yeah you know that pit you just climbed out of? Yeah the first thing you gotta do is go right back in there, all the way to the bottom, and find me looking like ethereal cyborg Jesus and blast a fucking hole through my chest.) Maybe this is because if Jayce waits around at all, commune Viktor finds a way to get to him and he folds and joins the cult. Maybe this is because there are just fewer variables involved in forcing Viktor to speedrun his own villain arc by Jayce repeatedly turning him down in one "perfect" form after another. Maybe Mage Viktor knows himself well enough to realize "yeah if you say no to me even ONE TIME but ESPECIALLY when you are HOT and SUFFERING I will go fucking apeshit and we can use that to our advantage."

(2) I think Mage Viktor has realized that he can only be stopped at the very very VERY last minute. He has to be able to see the direct line between what he is about to do right now and the arcane-blasted hell world he's about to create. Otherwise his ego will get in the way and tell him he is smart enough to figure out a way to somehow not kill everybody. Yeah Mage Viktor fucked that one up obviously, but I, main timeline Viktor, will be smart enough and well-intentioned enough when the time comes to simply not do that. I think this is why, for example, Jayce doesn't go to the commune trying to get Viktor to see the error of his ways. It won't work until it is allllmost too late.

Main timeline Viktor stops literally seconds before the point of no return. The arcane corruption spikes that we see everywhere in Mage Viktor's world are already starting to appear.

I think Mage Viktor knows that Jayce has to let him get right up to the edge, close enough to be looking over into the abyss, before he'll be able to pull him back.

But he knows Jayce can do that. That's what they do for each other, right?

This is why I think it was always the plan for Jayce to fight him all the way to the top of the Hexgate, and then surrender. Jayce has to survive until the end of the fight, and maybe for magical physics reasons he has to wait until Viktor sends the anomaly into the sky above the Hexgate. But once they get to the top of the Hexgate tower he stops trying to fight Viktor altogether. Maybe Mage Viktor told him exactly when it had to happen or maybe he just realizes this is the exact same place where he died in Mage Viktor's world; this is his last chance. But in any case, Jayce lands on the top of the Hexgate on his knees and he doesn't try to get up.

He waits, and when he senses Viktor behind him he doesn't try to fight or run away.

I think he knows, either because Mage Viktor told him or through his own intuition, that he has to let Viktor pull him into the astral plane if he wants a chance at reaching him.

How exactly he was going to get through to him and/or get close enough to share the memories before Viktor assimilated him...ehhhh I don't know if either of them had that figured out. The "you were never broken" part of Jayce's speech, while important from a character perspective...very crucially DOES NOT WORK. IT DOES NOT WORK AT ALL. Viktor is assimilating Jayce the whole time. You can see Jayce's astral body changing from the unique version that's still him (like his hands on the left, when he first enters the astral plane--which still look more or less human even though Viktor has already erased "imperfections" like the scrapes and cuts from his time in the pit and the arcane corruption that's spreading up and down his arm from where the rune is embedded) into a featureless gold blob like the other assimilated people.

You can watch the gold light creeping up his body steadily during those lines until it reaches his eyes.

The ONLY thing that stops this timeline from ending the same way Mage Viktor's does...is EKKO.

I think you can make the case that Mage Viktor sent Ekko to the no-Hextech timeline intentionally. But it is such a complex chain of causality for Ekko to get to the point where he's chucking a time machine at Herald Viktor's face that there is no way anyone--even a remorseful demigod with lots of time on his hands--could control every possible factor.

However elaborate Mage Viktor's plan was, and however determined Jayce was to keep his promise to him, it all would have failed if not for factors outside their control and random fucking chance.

Arcane is FULL of near-misses and what-could-have-beens and characters who are trying their best to do something getting knocked off course by consequences they never could have foreseen. Season 2 in particular introduces a persistent thread of chaos and the sense that even events that have understandable root causes are now spiraling out of characters' control. So it feels fitting that such a moment factors into the show's ending.

This is Jayce right before Ekko blasts through spacetime right above Viktor's head.

Yeah that guy was cooked.

The only thing that stops Jayce from being assimilated is Ekko breaking time to throw the Z drive at Viktor's face.

Which startles Viktor enough that he takes his hand off Jayce's head in the physical realm, and also breaks a piece of his machine mask off in the astral realm.

As he always does when one of his "perfect" bodies gets damaged, Viktor withdraws and tried to hide, enough that he lets go of the assimilation connection with Jayce.

Jayce starts to regain his own identity/autonomy.

And he gets a do-over. Exactly the same way Ekko used the Z drive to get a do-over with Jinx when he was trying to talk her out of suicide. Jayce gets another chance, and that's when he goes for "all I want is my partner back" and "because I promised you." Which works.

Mage Viktor's plan, I think, was for Jayce to help main timeline Viktor realize what he was doing before it was too late, and then give him the runestone, which allows him to release all the minds/souls that are connected to him before this becomes some runaway chain reaction of arcane power that swallows everything around him. (How the runestone does this exactly, and how the anomalies play into it, is stuff I am still thinking about. But tbh I am less concerned with the details of made-up magic physics than I am with the character beats.) Mage Viktor had accepted that main timeline Viktor was probably going to die in this process and he'd made peace with it. That's what "should" have happened anyway, if Viktor never found a way to forestall his illness, right? As long as this Viktor got to spend the best years of his life with his Jayce, it was okay.

I don't think Mage Viktor ever expected Jayce to stay there until the end. His goal was to save the world and spare Jayce from himself. And why would he plan otherwise? We know why Jayce stays, but Mage Viktor never got that part of the story. He schlorped up his own Jayce's consciousness with everyone else and maybe he only understood the depths of what Jayce felt for him in the moment that he was killing him. And main timeline Viktor certainly does not expect Jayce to stay. He's shocked when he realizes Jayce has no intention of leaving. No, that wasn't part of any master plan. That part was all Jayce.

[fixyourwritinghabits]

Editing Your Novel Part 2: The Plot Pass

Okay, it's finally time to edit. You've got all your materials sorted, it's time to dive right in. You want to start with the big edits first, aka the plot pass.

Now listen. You're going to want to linger and fix those little bits of grammar or dialogue, and I know it's so hard not to, but letting yourself get off-track might mean wasting hours on a scene you realize later you have to delete. Fix a few spelling errors, leave a note, and stay plot-focused.

Making Sense (Of the Plot)

In the plot pass, you're asking yourself some basic questions:

Do events follow a clear order? - When you're getting everything down on the page for the first time, scenes might get jumbled up or events might not have clear causes. Maybe you have a car crashing into the cafe pages before, but in a writing haze, you wrote your main characters having a casual conversation moments later. If the bad guy beats your heroes to treasure, is it clear how they got there? (Not everyone can be Yzma.)

Do circumstances feel contrived? If there are any problems that can be solved by your characters sitting down and talking to each other, it may be better to lean into their motivation for not speaking to each other, rather than coming up with bad romcom scenarios. If the plot can be resolved by the mcguffin the grandma had the whole time, it might be better to make finding that mcguffin part of the plot instead.

It doesn't have to be perfect, and you don't have to reinvent the wheel. If someone gets bitten by a werewolf, it's perfectly fine to have them turn into one at the worst possible moment. When it comes to contrived, you're looking for problems that seem easy to solve and look for more interesting ways to complicate them.

Are your character motivations consistent to the characters throughout the story? - They can change throughout the story, but character motivations do need to be linked to the actions they take. An out-of-nowhere betrayal is way more satisfying if you lay the groundwork for it ahead of time.

Take a moment to list out the motivations of the characters in a scene you're not quite sure of can help you figure how to fix it. Having an outline helps with this a lot!

Are you following an "if... then" format? - My brain doesn't work like this when I'm writing, because as a writer you know how A got to Z, and it seems (in your head) obvious how it happened. This is where my scene card outline come in handy, because I can look at my overview of what should happen and why, and then compare it to what actually happens in the scene. I've discovered so many threads I forgot to connect that way, like why a character had a certain device (I forgot to have him pick it up two scenes earlier), or adding a few simmering dialogue bits that make the big fight pay off much better.

Can you fix the "Because the Plot Demands It" scenes? - Look, sometimes your character needs to be in that haunted house to see that damn ghost, but your character isn't the type to set foot in such a place. It's really easy, especially in the first draft, to contrive a way in there (she took a wrong turn on her way to grandma's!), but retooling these scenes to connect them to the characters motivations and needs is the way to go. The main character doesn't want to go into that obviously cursed place, but her best friend hasn't shown up for school in three days and now she's crying for help from the second floor window. Your character's strong desire to be there for her friend is a much better way to get her into that house.

This is not always easy - it took me six fricken drafts to realize a critical part of a character's motivation was because his father blamed him for his mother's death - but it is going to be worth putting in the work to hammer down.

Do you have a solid timeline? - This might not seem as important, but it's super easy to accidentally fit two weeks worth of activities in three days. Make sure you have that on reference, even if you don't mention it in the book. Also make sure to gauge your distances if your characters are on a trip, because if you do accidentally say it takes two hours to drive from Seattle to Spokane instead of five, someone will dive down your throat for it. Not me. Just someone.

Okay, maybe me. Slow down, you maniacs.

Next post we'll dive into the structure pass. See you then!

[clownakai]

Hi! Let's talk about: Conan's terribly kept secret, and how come he doesn't seem to mind that Akai has pretty much figured it out (and teases him about it)

I'm not going to lie, I think about this a lot and I've wanted to make a post dissecting the whole thing for a while. It's one of those details within two characters' relationship that says a lot about their overall dynamic, in my opinion.

So, to start off, let's address the secret in question and what it means to Conan. Basic stuff, but it's a useful starting point.

The first and greatest motivation behind Shinichi's efforts to keep his situation a secret from Ran is that he doesn't want to endanger her (good idea in theory, not so easy in practice, but this post isn't about that).

In time, this also becomes valid for everyone who associates with Kudou Shinichi and/or Edogawa Conan, given all the stunts he pulls as the latter. Just to be on the safer side, those two identities should remain separate.

Now, here's the first real "outsider" who figures out Conan is Shinichi.

I'm kind of reading this as Conan attempting to call Hattori's bluff, but as soon as he realizes that the guy is serious about telling Ran everything, he drops all pretenses and comes clean about the APTX.

Now, since this is still pretty early on in the manga, we can argue that Conan's identity hasn't been solidified just yet and Shinichi doesn't know how dangerous the Organization actually is, and combining that with the fact that Hattori is pretty much a stranger, the pros of conceding defeat on the matter and explaining himself to a fellow detective definitely outweigh the cons.

(This also gifts us with the funniest swaggest most whimsical duo ever, but I digress /silly)

And after Heiji, we have the man, the myth, the legend. Hondou Eisuke. His case is kind of particular, in that he doesn't really try to get the secret out of Conan. The truth is presented to him due to something unrelated (asking Ran out), which is apparently reason enough for Shinichi to out himself.

I do believe that Shinichi felt secure enough in doing this for a couple reasons: first and foremost, Eisuke is at least marginally aware of the Organization and the danger it represents, and he knows the importance of keeping secrets given both his sister's situation and his career choice. Secondly, Eisuke is leaving Japan: sure, there's a chance he might stay in contact with his friends via text, but he has no reason to tell Ran about Conan's real identity in the first place.

The real "danger" here was the possibility (very, very small. Basically non-existent, to be honest) that Ran would say yes to Eisuke's proposal to go to the States together (where, in Shinichi's mind, he wouldn't be able to follow, where he wouldn't be able to watch over her, where he felt he would lose her in every way that matters), and that chance, no matter how small, warranted an intervention. Not exactly pure logic, but that's teenagers for you (affectionate).

Alright, so what about people like Masumi? She even has an advantage in that she already knows about the existence of a drug that makes people shrink: her own mom looks like a middle schooler because of that. She's in danger no matter how you look at it, and she's clearly been keeping that secret the same way Agasa, Hattori, and the Kudous have for a good while. So how come she doesn't get to join the club?

The answer is, of course, the risk factor.

Masumi, as we all know, wouldn't know the meaning of subtlety if it hit her in the face with a baseball bat. We love and cherish her regardless, but admittedly, that's not a trait that would inspire trust in a pair of teenagers hiding their continued existence from an evil syndicate.

That's right! We have her timing to keep in mind as well. Masumi is added to the scene well into the main timeline's events, which means multiple things:

Conan's identity is finally well-established and separate from Shinichi's. Ran has had her suspicions in multiple instances, but they've been assuaged every time. Still, that balance is hard to maintain.

Shinichi is now fully aware of just how dangerous the Organization is: he's now much more reluctant to just share his secret willy-nilly with random strangers, even though they might prove to be useful allies in the long run.

Conan isn't the only shrunk teenager running around anymore: Haibara has just as much reason as him, if not more, to want to keep the number of people in the know as low as possible. By revealing his own secret, there would be virtually no way for Shinichi to keep Haibara out of the metaphorical line of fire.

Therefore, a variable that behaves like this...

Or this...

Isn't very likely to garner much favor from either of these two.

Something to take note of, though, is the fact that Conan pretty much only ever panics when Masumi brings up his identity if she's making an active effort to also bring the matter up with people who are firmly on the "Absolutely Cannot Find Out" list (Ran especially).

In multiple other instances, when Masumi alludes to being aware of Conan's ruse but talks to him one-on-one and makes it clear that the comment is a one-off occasion (and that she's not going to push it this time), Shinichi doesn't really lose his cool.

He may stumble over his words a bit, but the moment isn't played as dramatic or high-risk, per se. It's more as if he were being privately teased about his situation— sort of like as inside joke. It's not exactly welcome, but it also doesn't raise any alarm bells since it stays between him and Masumi.

Now, would Conan's problems with Masumi's nosiness be solved if he gave up and admitted the truth she already knows? Of course, but that's not really the point.

The issue is that this wouldn't be happening on his terms. He would be giving in to someone's else's demands, and in addition to that, Masumi has been asking non-stop about the antidote that Shinichi intermittently uses to get back to normal.

That, above all else, is what makes the endless dance of denial necessary, I think: admitting the truth also means outright admitting that prototypes of an antidote exist, and that means exposing Haibara (both her past work and therefore criminal background, and what she's been working on these past few months: letting Masumi have even a single pill would mean the MI6 getting their hands on it in turn, and that's pretty much not something anyone wants), which in turn would probably set off a very unpleasant chain reaction for everyone involved.

When Shinichi conceded defeat with Hattori, it wasn't on his terms either, but at least he knew the guy didn't really have any ulterior motive apart from his one-sided beef with the Detective of the East.

With Masumi there is no such certainty— quite the opposite, in fact, which is why I think this is the reason he's been so insistent on denying the truth even when he now knows full well that Masumi's can be no mere suspicions.

With all that said, let's get to the point of this bad boy! (I did not think this analysis would get so long. Holy shit)

Let's start with the fact that Akai operates on a pretty simple need-to-know basis. If something isn't relevant to what he's trying to do, he tends not to mention it. Still, he's not exactly strict about this: when Conan mentions Akai and Masumi's familial relation, he takes it in stride and gives his own confirmation because he sees no reason not to.

Now, this of course doesn't mean that he can't get curious about things himself, or that he won't conduct his own investigations on said things. His M.O., however, is very different from that of, say, Hattori or Masumi. It can probably be chalked up to maturity and years of experience, along with the simple matter of his personality, but Akai doesn't exactly make a spectacle of things.

He knows when to push and when to let go in a manner that still gives him the answers he seeks. He easily manipulates Conan into giving himself away as Shinichi while still making sure to be the only one witnessing that moment.

And then he decides to be a bastard and give Conan a heart attack... for about a tenth of a second, since as he does that he also carefully words things in order to give the kid an easy out.

All Akai wanted was to figure out the mystery in front of him (he's by admission a curious guy. He likes solving puzzles): now that he has his answers, he's not really going to do anything with them because he has no reason to— Conan is already willing to cooperate with him and the FBI (and has already done so before), after all. They already share intel more or less freely. He's literally living in the kid's house. For free. Why would he jeopardize any of that by falling out of favor with him?

This, I think, is a pretty solid basis upon which I can build my beautiful sandcastle.

Of the couple times in which Akai respectively asks Conan about his identity outright and mildly teases him about his circumstances, the context always plays a huge role.

In the first scenario, the two are speaking in public, yes, but at the same time the conversation is:

Pretty much kept private

Initiated by Conan (he asked for information first!)

Framed as a proposal of a mutual exchange by Akai, who also backs off immediately as soon as Conan turns him down

Of course, Shinichi is already reasonably sure Akai has him figured out anyway, so the point is moot, but it's still nice to get plausible deniability and still be somewhat in control of when he's going to come clean to the guy of his own volition.

In the second scenario, the situation is even more "secure" so to speak, as:

They're sitting in Okiya Subaru's car

They're completely alone

They're in a hurry to do something else (God fucking dammit, Shuukichi)

In this case, Conan doesn't outright react to the jab. Maybe it's because he doesn't really know what to say, or maybe it's just that he doesn't have enough time to come up with a reply before Shuukichi picks up the call. Either way, he does perhaps look a little put on the spot, but there's no real panicked reaction, no telltale change in what Conan's pupils look like in true DetCo fashion, which I'd say confirms he doesn't feel threatened at the moment.

(If we really must give it a critical interpretation, maybe the bit feels a little like a joke falling flat because it was made during an otherwise tense moment and it has nothing to do with the bigger issue.)

It's also worth noting how Akai's dig directly ties into his own circumstances, which possibly helps with lowering the "offensive" charge of the words. It's not a direct accusation, but rather a mildly humorous, harmless observation about their shared status (presumed dead by the enemy).

The biggest thing about both scenes is still, however, the fact that Akai unfailingly frames the subject in a way that leaves the choice of whether to actually talk about it completely up to Conan. He definitely recognizes his position as privileged/advantaged, but actively chooses not to make use of that, and he hasn't treated Conan any differently ever since verifying his suspicions either.

(Sidenote: I do believe that keeping the kid's identity from his own colleagues is also a strategic choice. Like I mentioned before, outing Conan would mean outing Haibara, and I do believe Akai's promise to protect Shiho also includes keeping her far away from any government agency who may be interested in what she knows— and what she's done.)

In conclusion: I am extremely normal about random interactions between these two and also I think that Conan's unshakeable trust in Akai stems from how the guy has been treating him ever since they started collaborating— with genuine respect (and even admiration) and never actually making him feel cornered the way so many others do, whether intentionally or not. This results in occasional sillygoofy privileges because Akai can recognize the time and the place in which it's acceptable to tease the Cone.

[salmalin]

My sincerest apologies and warmest welcome to my rant about FF7: Crisis Core. Or, as I like to call it,

Propaganda: The Video Game

I say this with the utmost affection. Crisis Core ranks really high up there in my favorite Final Fantasy 7 installments. I played it when it first came out, borrowing it from a friend to play on a borrowed PSP. And, the more I learn about the game and the more I replay it, the more everything lines up.

This game is not about Zack Fair.

This game is about how Capitalistic Propaganda can sink into every aspect of life to the point where it is entirely indistinguishable from reality. And it’s very overt about it. So…

Here we go.

My treatise on Propaganda’s starring role in Crisis Core.

Part One: The Timeline

Something that a lot of people gloss over due to decades of Child Heroes in media—Japanese Shonen and Shoujo series in particular—is how young these protagonists are. We’ll hand-wave a lot of stuff in non-live-action series with just a little bit of suspension of disbelief. And that’s honestly just accepted these days. But here’s the thing about those hand-waves.

Final Fantasy 7 doesn’t do that.

Now, FF7 hand-waves a lot of stuff. For example, how far you can travel in a day by foot, the distance a man weighing approximately 165lbs can jump after being genetically fused with what might as well be a cocaine demon (Jenova), and how much hairspray one can reasonably carry on a cross-country journey while on the run from the feds.

Age is not one of them.

Exhibit A: Yuffie Kisaragi.

Do I really need to say more? She acts her age. So does Zack. And Aerith, even. Most of the characters in the original lineup were over twenty for a good reason. We see several kids in the series, and they all act their age, too—both the OG and the remake. Age is not a thing that FF7 really grapples with. It’s something they take relatively seriously.

Now, to the point.

Zack is 16 when Crisis Core starts…

… and he was 13 when he ran away from home without his parents’ knowledge to join the military.

Which accepted him.

At 13.

Without a parental permission slip.

Think about that for a second.

… Or for the next several parts of this breakdown.

Part Two: The Main Character

As I mentioned in the introduction, Zack is not the main character of the events of Crisis Core. Instead, he is the focal point of the second person POV. This is not the first time Square has done this. It was done most notably with FF9, FF10, and FF12. (I’m not going to go on an Akira Kurosawa rant right now, but please check out his film “The Hidden Fortress”. FF12 and Star Wars episodes 4-6 borrow heavily from this film.) The purpose and position of this character is such that they might best witness the effects the other characters make on the world as their stories unfold, usually in the role of a love interest. For Akira Kurosawa, it may have been told this way because these people are most effected by the decisions being made.

“Well, then, Sal,” you may be asking, “who would you say is the main character? Would that be Aerith, since she’s the love interest, like in the other games?”

No, actually.

It’s the antagonist.

And by that, I mean Genesis.

Hear me out. I used to hate Genesis, for I was once young, full of judgement for flamboyancy (thanks, internalized homophobia), and was led by the narrative to believe he was mean to his friends. Then I met my Lovely beta who loved him, so I wrote a fic for her as a gift. So for that I kinda just… read stuff. Because that’s the thing about Propaganda—you gotta read stuff to navigate it. I read the in-game emails. I re-watched all the scenes I could get my hands on with him. I read his wiki and tried to track down more information about him. Then I watched the scenes in Japanese and gained a better understanding of not just Genesis, but Sephiroth’s character. And I realized that Genesis was put on this road from the start. In fact, a big part of the fact that he’s seen the way he is in Canon—only at his most hostile and lowest points—is because the story is told through Zack’s point of view.

So before we get into the breakdown, here’s the hard facts about Genesis.

1. He was a test tube baby who may or may not technically be Angeal’s fraternal twin brother, which we are not going to unpack right now.

2. He was adopted by a relatively rich family.

3. He was a child genius (which requires not only resources, but drive to achieve), and at a tender young age of like… ten or something? He decided to mess around and literally invented pasteurization. Which is incredible, and really speaks to his knowledge of the world and ability to grasp complex concepts even at a young age. But, again, this is not the time or place to unpack that.

4. He was best friends with Angeal, who might as well have been the sweetest, kindest boy to ever walk the Planet. (I’m biased. I love him.)

5. As a teenager, he became fixated on Sephiroth, who had gained national acclaim as a SOLDIER despite them being the same age. (Please see part 1 and think about that for a second.) He then goes to join SOLDIER and brings Angeal with him. And Angeal brings his step-father’s puritanical “hard work is honorable” mindset with him. (On that note, Angeal and his father’s arc really are a wonderfully scathing letter to companies that overwork their employees and how toxic/unhealthy that line of thinking is. But. Again. We are not unpacking that right now.)

6. At one point he became consumed with LOVELESS, a series of poems with heavy prose and symbolism thicker than syrup. It got to the point where he was so well known for it that there was an entire fanclub dedicated to both him and analyzing the text.

7. While he was in SOLDIER, he repeatedly had his achievements publicly accredited… to Sephiroth.

Over and over and over again.

Everyone did, really. They mention it in the beginning of the game. Sephiroth even got public credit for Zack’s raid on the castle when he wasn’t even there. How much of his legacy is real? How much of it is made up? How much of it was faked? We don’t know. No one knows. But he keeps getting credit, anyways. And when Genesis confronts him about it, Sephiroth doesn’t care. In the Japanese version of their fight scene, you could even say he indirectly implies that he wants Genesis to take his place as the “hero”. In the English, Sephiroth’s line is, “Come and try.” But in the Japanese the line is closer to, “Wouldn’t that be nice?” Which, depending on how you take his tone, can mean wildly different things—from mocking, to earnest, or even admiration—which is especially to tell because he might be annoyed with Genesis at the moment.

Fun Fact: In Ever Crisis, Sephiroth explicitly says they are making up his achievements in the press to target boys his age for recruitment. (Thus why they accepted Zack at age 13.)

My theory on this line is that he is being cynical; that Genesis doesn't understand just how harrowing and even humiliating his experience has been. This only enforces my theory that the "come and try" translation in the English not only does a disservice to a line as wonderfully heavy as, "Wouldn't that be nice?", but fundamentally misunderstands Sephiroth as a character.

8. Genesis then took the fight to Shin-Ra. Inspiring a good chunk of their staff to leave the company, he then staged multiple attacks on facilities, staff, and the main building—which also spilled out into the city of Midgar. He murdered his parents, buried them, killed everyone in town, and… Yeah. It wasn’t pretty. A lot of innocent people died simply because they were vaguely associated with Shin-Ra. These are the actions of a villain. What’s more, this is clearly a sign that he has been acclimatized to death and violence by Shin-Ra to the point where he doesn’t even consider taking hostages.

Except.

Except the entire town was a Shin-Ra town.

Banora, canonically, was a Shin-Ra built town, which means everyone there was basically an employee of the company. No one was safe. Everyone was a threat. And that…

That was how he was raised. And he finally knew the truth—that every moment of his life was touched, controlled by Shin-Ra, all the way down to his very conception. He has never known freedom. He has never known his own identity. And now that very cage was killing him, slowly and painfully, and turning him into something that couldn’t even be recognized as human. He was watching himself rot in the mirror, and it was all because of Shin-Ra’s greed. And as he searched for salvation, he sunk into LOVELESS as he always had, hinging his entire life on Minerva’s Gift because he knew he was dying and that was all he had.

9. And then he died…

10. … but then it turned out LOVELESS was actually kind of a blueprint, and he did meet the Goddess, and he did get reborn without his degradation so he was rewarded for his journey in the end.

So why wasn’t Genesis the main character of the game?

Simple.

His actions challenge the status quo without being about the status quo. It’s a story about revenge. It’s a story about retribution. It’s a story about answering mass violence with mass violence and ultimately being rewarded by it. And while, yes, the series is an action-based violence simulator, the violence in the original FF7 was a guided, tactical effort. (For all that the characters aren’t the brightest bulbs in the sun lamps.) But the biggest, most obvious shift in the narrative happened when they realized their role as terrorists—bringing mass violence to the company via bombing and open aggression—was just resulting in increasing levels of retaliation against uninvolved people. They might as well have been a child beating the ankles of a giant. The goals and themes of the game fundamentally change when they realize that answering mass-scale societal violence with mass-scale physical violence was not only unsustainable, but also wasn’t going to solve their problem.

FF7 is about change and learning when violence—and what kind of violence—is appropriate in the face of different threats.

Genesis’ arc undermines all of that, and making him the main character would contradict the very heart of the OG game.

So, instead, we are positioned as Zack, connected to him through a mutual friend. From there we see all the damage and horror this vengeance brings to those living under the status quo.

But also, that plotline’s a major downer in a lot of ways, so they needed to lighten things up a bit to keep audience involved. And that’s why Zack is, well…

Part Three: Zack is a Himbo

Please, for the love of all that is holy, keep in mind that everything I say here is with the utmost affection.

Zack is dumb as a rock.

He is a charismatic, enthusiastic sixteen year old jock who ran away from home at thirteen years old to join the military. Which, please know, why I say “military” I mean “private security guard force with a standard-issue Death Baton and a license to kill”. The first scene in the game is him being excited that he gets to murder a bunch of people in a simulation, which he is immediately scolded for by his mentor. He is a glorified, souped up private security guard who is canonically only in it for the glory at first. He wants to be a “hero”, but doesn’t seem to fundamentally know what that means. And, over the course of the story, the definition of that clearly changes for him.

Which tracks, because the story takes place over a period of time with high stress.

Occasionally I see people saying they wish that Zack had more complexity to him, and honestly? The game. Would be. SO. BAD.

Full Disclosure: I am not the biggest fan of Zack specifically because he lacks a lot of nuance. I wish he was a bit more complex, too. But I also know that would break the game. What’s worse, if he was still on Shin-Ra’s side because he understood Shin-Ra’s mission… Well… That would make him a villain, or a cog at best. That’s not main character material. It would make the ending more messed up, though.

Anywho, Zack was thirteen when he left home. He had no formal education. He didn’t tell anyone what he was doing. He even joined without a permission slip from his parents. This means that Shin-Ra was accepting thirteen, possibly fourteen year olds into the military. (Some people will say this tracks because you can get a job at fourteen in many parts of Japan. But, and this is important, you aren’t allowed to be a security guard until you’re quite a bit older, and you need a specific license for it, much like in the US.) Clearly they didn’t teach this boy critical thinking skills. Not because he’s a himbo, but because having their Super-Powered Private Security Force With A License To Kill think independently would explicitly go against their interests. (EX: Genesis.)

Shin-Ra needs SOLDIERs to follow orders or the company would no longer be able to function. Seconds and Thirds aren’t even allowed to reject missions. (One could argue that sending certain someone on back-to-back missions would be a good way for them to eliminate undesirables within the ranks by sending them to their deaths, which… would make an incredible fic idea, actually.) We already know that First, Second, and Third Class rank assignments do not actually reflect the power of the SOLDIER. This is canon. I would instead argue that those who make the rank of First Class aren’t necessarily the most powerful, but are instead the most visible in the media, thus the easiest to market, and/or the easiest to manipulate and control. (For a great example of this, see The Umbrella Academy.)

The point is, Zack may have been elevated to his position as a first specifically because he is malleable and single-minded. Even after all he saw with Genesis, he stuck by the company to the very end, with the exception of the time Sephiroth was literally guiding him to fail a mission. Zack allowed himself to take Shin-Ra’s side every time, taking down their enemies and following their orders, preserving his “honor as SOLDIER” as he had been taught. The only thing that made him stop…

… was literally getting put in a jar.

It was when he was no longer a SOLDIER.

Part Four: Honor

There is no such thing as SOLDIER Honor.

I repeat: There is no such thing as SOLDIER Honor.

It is a fictional thing that is borne of an ideology based around hard work. It only has power because it is believed in. It is an intangible social construct similar to the law, mathematical order of operations, and gender roles. So why are Angeal and Zack obsessed with it?

Pretty simple.

Angeal’s step-father followed it.

Now, we know three things about Angeal’s step-father.

1. He was chill with the fact that Gillian was already pregnant when they started dating.

2. He was a very good father.

3. He worked himself to death trying to pay off the sword he bought Angeal.

This, of course, says a lot about Angeal considering he rarely uses the sword. He essentially sees that sword as the symbol of his step-father’s life. Everything he uses it for, he sees as more important than his step-father’s life. That thing is usually Zack.

Zack, who is the child who joined the military based on stories of heroes.

Zack, who rises against Angeal in the name of his own step-father’s ideology and tries to talk him down, even at the very end. But Zack fails because he fundamentally doesn’t understand what’s going on, partially because “Soldier Honor” is just one more aspect of this narrative he was given. It is a narrative that Angeal has had to step away from, even though he doesn’t want to leave the memory of his step-father behind. He was a good man. He was a good, hardworking man.

And that is why he died.

Corporations will use you up until there is nothing left, then honor your memory/sacrifice. Shin-Ra was doing the exact same thing the company his step-father worked for did; using up SOLDIERs until they outlived their usefulness. And Angeal was horrified to realize that his “SOLDIER Honor” wasn’t honor at all.

It was willingly submitting to control.

But, unlike Angeal, over time, this meaning changed for Zack. Partially because he didn't understand it fully in the first place. It became about acting with integrity. It became about helping people. It became about not lying down and watching the abuse Shin-Ra handed out in exchange for literal money; for maintaining the status quo.

At the very end, Zack understood what it meant to be a hero.

Part Five: The Conclusion

To sum up, Zack believed in and idolized the propaganda spread by Shin-Ra at such a young age, and was so convinced by it, that he ran away from home at thirteen to join the military.

He was their target demographic, so they happily took him into their ranks. What’s more, people think this is normal enough that we see no one opposing this, because the only people who oppose Shin-Ra are “extremists” or “violent terrorists”.

Zack then became their loyal puppy, groomed to fill his role as super-powered attack dog to sick on anyone they deemed appropriate, and he filled the role. He believed he was doing good. He didn’t think they were invading another country, because that’s not what he was told.

He went after Genesis, because that’s what he was told, and he wouldn’t let Genesis’ actions shake his faith in the company.

Then he went after Angeal, hoping to get answers, only to become more confused. Angeal taught him about SOLDIER honor. He taught him about a higher calling. He was the one who made Zack truly loyal to the company. This challenged everything Zack knew.

He went with Sephiroth, planning a small rebellion of their own (a white lie on paperwork) to get answers, only to find things he wasn’t ready for and couldn’t fully understand.

Zack is shaken by each of these events. Horribly. At times, we even watch him grieve. But time and time again, he doesn’t leave the company. He sees the damage they do first hand, and he doesn’t leave the company. The company isn’t the problem, to him. He reads their emails, does their dirty work, and “maintains his SOLDIER honor”.

Zack swallows what they give him right up until what they give him is torture.

Zack swallows what they give him until he becomes their victim.

Every step of the way, Zack is fed a story of how the world is. He was raised on it. He lived it. He became part of it. He was paid peanuts to enforce the status quo Shin-Ra installed in the world by force, and he was proud of it because it was, to him, something to be proud of.

Zack believes the propaganda whole-sale, and we get to watch, from the point of view of an outsider, as it slowly destroys his life before killing him.

Propaganda has the power to make suffering normal. Propaganda has the power to make murder righteous. Propaganda has the power to take a thirteen year old boy out of his home so they can give him a sword, and when they point him in the direction of their enemies he charges of his own volition, because they made him believe in their cause. And he believes in their cause because he believes that it makes life better for everyone.

But that’s not what’s actually happening.

That’s just what he was told.

Crisis Core is about propaganda, and the depths to which it can affect our lives. It changes our belief systems. It changes our perceptions of reality. And when it’s torn down around our eyes, it can make us go insane. It can make us violent and unreasonable as we realize just how much violence is being forced upon us—violence other people just plain do not see. It's just a a piece of paper. It's just a law. It's just a job.

It's just a war.

Final Fantasy 7 was about Fascism.

Crisis Core is about the propaganda that built it. It is told from the point of view of a boy, then a man, steeped in it. He watches until the people suffering around him—Sephiroth, Genesis, and Angeal—are twisted into villains by the truths and lies around them. Genesis and Angeal are tortured by truths, Sephiroth is transformed by lies, and Zack is subsequently hunted down to conceal them.

Crisis Core is Propaganda: The Video Game.

[puckbunnyera]

Just Friends | Luke Hughes

• ──────────────♡────────────── •

pairing: luke hughes x reader genre: fluff word count: 2.3k warnings: none summary: maybe you were never really just friends

notes: it's been less than 24 hours since i posted my first fic and i've already received a few asks for a part 2 so here it is. i'll link the first part here. thank you to everyone who has taken the time to read it, like it, reblog it, etc. i'm always really nervous to post my own writing so any type of interaction with it feels good to see.

also, i know the timelines of the games played in both fics don't align with the actual events in real time but we are just going to ignore that for the sake of the plot.

• ──────────────♡────────────── •

I sigh as I stand in front of my bedroom mirror, doing one last fit check before Luke arrives. I'm nervous. I come to this realization as I smooth out the nonexistent wrinkles in my shirt. Why? I couldn't tell you. It's been almost two months since the night I met Luke, and we've talked and texted almost every day since. We've even hung out multiple times since then, but I always seem to get all nervous and jittery anytime he presents the offer. My thoughts start to consume me to the point that I'm almost tempted to text him and ask for a rain check, but before I can fall too deeply into them, my attention is stolen by the two girls lying on my bed behind me.

"I still can't believe you're dating The Luke Hughes." One of my friends says causing me to turn my back towards the mirror to look at her.

"We aren't dating." I scoff. "We're-"

"Right, you're 'just friends'." My other friend interrupts, rolling her eyes and using her fingers to make air quotes as she says the words.

"We are." I shrug, moving to sit in my vanity chair so I can put on my shoes.

"You don't have to believe us if you don't want to, but he totally has the hots for you."

"It's so obvious. Any time he has the chance to get away from his job, he's calling, texting, or coming to see you. Even if it's only for a short amount of time. Those aren't typical behaviors of a guy who wants to be 'just friends'."

They continue to go on and on as if they're trying to convince a jury that they're innocent of a crime. The sound of my phone dinging from beside me on the table finally brings their rambling to an end. I pick up to find a text from Luke.

From Luke🏒: i'm here

To Luke🏒: omw

"I would love to stay and continue this conversation," I smile sarcastically as I stand up, "But my friend is waiting for me downstairs." I make sure to add extra emphasis on the word friend.

They both giggle and bid their goodbyes as I walk out of the room. When I make it downstairs to the lobby of my apartment building, Luke, in all of his handsome glory, is waiting patiently by the door.

"Ready to go?" He questions once I'm standing in front of him. I nod in confirmation and he opens the door for us, placing a gentle hand on my back to lead me out.

"What's the plan for today?" I ask once we're settled into the car.

"I need to drop off a couple of things at the dry cleaners since my brother forgot to do it," He gestures to the items in his backseat. "But then I figured we could go to dinner, catch a movie, and then maybe grab some dessert before I take you home."

"Sounds good!" I reply with a smile, with which he returns one of his own before putting the car in drive and pulling away from my apartment building.

Things are going well today. Really well. We're having fun and Luke is being as sweet as always. However, that's the only problem. Despite the stance I took in the argument with my friends, I can't help but let their words get to me. The whole evening, I've been reading too deeply into every little thing he does. Every door he holds open for me, every chair he pulls out for me, every accidental brush of our hands when we walk side-by-side. I'm trying not to let it show, but when Luke's voice rattles my thoughts and pulls me back down to Earth, I know I'm failing.

"Are you okay?" He asks as we sit in the car, waiting for the red light to turn green. "You've been pretty quiet today."

"Really?" I ask, genuinely confused because I hadn't noticed that change in my behavior. When he responds with a solemn nod, guilt rises in my chest. "I'm sorry. I didn't realize I was. It has nothing to do with you." Yet it has everything to do with him.

"Did something happen?" He pushes further.

"No, just have a lot on my mind with work and all, but I'm okay. Promise." I give him a soft smile in hopes that it will give him enough reassurance to drop the conversation. Thankfully he does, but the look in his eyes shows clearly that he doesn't believe me. "So my friends were telling me that you have a home game coming up in a couple of days against your oldest brother's team. Are you excited?" I change the subject quickly.

"Yeah," He nods, a smile gracing his features. "My parents are gonna be in town to watch us face off against each other. All three Hughes brothers on the same ice. I'm hoping it will be as exciting as everyone and the media are making it seem." He chuckles. "I'm also just really excited to see Quinn. We haven't gotten to see each other much since I moved out to Jersey and the season started. I think it'll be nice to have us all back together again, even if it's just for a couple of days."

"I bet it will be."

"I'm glad you brought this up because I've been meaning to ask you something."

"What is it?"

"Would you maybe want to come to the game?"

"Do you want me to come?" I'm praying the hopeful look in my eyes isn't obvious.

"Yeah," He nods. "I really do."

"Then I'll be there." I assure him. "The girls were talking about purchasing tickets anyways, so I'll tell them to make it three tickets instead of just the two."

"Don't worry about it. I got it covered."

"Luke, you don't have to do that." I shake my head, readying myself to argue.

"I know I don't have to, but I want to." The look he gives me makes me forget any rebuttal I had previously prepared. "Plus, I already got the tickets and the seating arrangements set up."

"And you just knew I was gonna say yes?" I reply, crossing my arms.

"No, but I was hoping you would."

"I guess some dreams really do come true." I joke.

"I guess so."

We continue to talk and joke around for the remainder of the drive. It goes by a little too quickly though, because before I know it, he's putting the car in park in front of my building. Being the gentleman that he is, he walks me all the way up to my apartment door. It's not until I have unlocked and opened the door that he finally says goodnight, placing a soft peck on my cheek before walking away. Once he has disappeared into the elevator and I'm sure he's gone, I close and lock the door.

As I'm getting ready for bed, I become aware of the slight ache in my cheeks from smiling so much. As soon as my head hits my pillow, the realization dawns on me. I am in love with Luke Hughes.

• ───────────────────────────── •

I'm still in shock at the fact that he really went all out with the tickets. My friends seem to be as well considering that they still haven't managed to pick their jaws up off the floor yet. Never in my life would I have ever expected to be seated in one of the arena's luxury suites. I feel a little bad the more I dwell on it. There are more deserving fans that could be sitting here, yet some girl who knew nothing about the sport two months ago had them handed to her at no cost.

"Hi, you must be Y/N." An unfamiliar woman's voice pulls me from my pity-party.

"Oh, hi." I greet her as I turn in her direction.

"I'm Luke's mom, Ellen." She smiles and pulls me into a quick but gentle embrace. "And this is my husband, Jim." She gestures to the man beside her.

"Nice to meet you, Y/N." He offers a hand for me to shake.

"You as well." I accept it before introducing them to my two friends, who are not-so-discreetly eavesdropping on the conversation.

We all find a seat and fall into casual conversation. Just getting to know each other and talking about this, that, and the other. Once the teams begin to make their way onto the ice, our attentions shift away from each other and onto the players.

Having admitted to my lack of knowledge of the sport before the game started, Jim and Ellen kindly explained the game to me so I would know what is going on. By the end of the first period, I'm clued in enough that I don't need it anymore and eventually, I become just as immersed in the game as the rest of them are.

It's in the second period that Luke scores a goal and we all stand up, cheering loudly with the crowd. The excitement is so high that I don't even shy away when Ellen happily pulls me into a tight hug before pulling away and continuing to cheer for her youngest son. Third period seems to go by in a flash and then the game is ending with a 6-5 win for the Devils, both Jack and Luke having contributed to the score with goals of their own.

Once the final buzzer goes off, my friends bid their farewells before heading out to go home. However, I hang back with Ellen and Jim upon the request of Luke. I follow the two down from the suite until we make it to where the locker rooms are located, waiting in the hall for the three brothers to emerge. We stand around conversing for about ten or so minutes before the men finally make their appearances.

They all embrace and greet each other as I stand back and watch with a smile. They really are a beautiful family. Once they all break away, Luke turns his attention towards me. He steps forward and reaches for me, pulling me into his arms.

"Congratulations." I speak softly as I wrap my arms around his broad shoulders, his wrapped around my waist.

"Thank you." I can hear the smile in his voice.

Time escapes me as I stand in his arms. I'm not even sure how long we've been holding onto each other. It's his brother's voice that finally has us separating.

"You must be the infamous Y/N." Quinn steps up, a smug grin on his face. "I've heard so much about you."

"I've heard a lot about you as well," I respond politely, despite the blush I'm sure I'm sporting due to his teasing tone. "It's nice to finally meet you."

"Will you be joining us for dinner?" Ellen asks from where she stands, now next to Quinn.

"Oh, um," I look to Luke for an answer. He nods, a pleading look in his eyes. "Yes, I would love to." I finally reply.

With that being said, we all begin to exit the arena and head to the parking lot. We're almost to the vehicles when Luke gently grabs my hand and pulls me to a stop. Once his family is out of earshot, he begins to speak.

"This might seem random and sudden, but I've been thinking about it for a while." He starts, looking away nervously and lifting a hand to scratch the back of his neck. "And feel free to say no because I don't want you to feel like you have to say yes just because I'm asking. Or if you feel like you need time to think it over, feel free to take all of the time you need. Actually, maybe I-"

"Luke," I say his name softly, placing my hands on his reddening cheeks and forcing his gaze back to mine. His rambling comes to a halt. "Breathe."

"Sorry." He inhales deeply before releasing his breath. "I was wondering, would you be my girlfriend?"

It's my turn to take a deep breath. Out of all the things he could have said, I was not expecting this. I take a moment to gather my thoughts as a smile begins to pull at my lips.

"I would love to." I nod, my smile growing larger resulting in his own.

"Well," He takes a step closer to me. "Since you're my girlfriend now, does that mean I can kiss you?" His question flusters me but I try hard not to show it.

"Do you want to kiss me?"

"Really fucking badly."

"Then kiss me, Luke."

And so he does. His lips crash into mine in a soft but passionate kiss. As if he has waited a lifetime to do it. It's gentle yet desperate. As we finally part, he pecks my lips a few more times before pulling away completely. He opens his mouth to say something but is stopped by Jack shouting from where his family is waiting by the cars, surely having seen the whole display.

"If you two lovebirds are done sucking faces in the middle of the parking lot, I would like to leave now. I'm fucking starving." He teases.

We both turn our gazes in time to see Quinn smack the middle brother in the back of the head and both parents shaking their heads at their son's antics. Luke chuckles at the scene as he intertwines his hand with mine and begins to walk to the car. My heart flutters as I finally admit the obvious to myself. Maybe we weren't ever just friends. I mentally roll my eyes as I climb into the back seat, already picturing the two squealing girls in my head and the endless amounts of I told you so's that I'm sure to hear when I fill them in. However, when Luke slides into the car next to me and interlocks our hands once again, I can't bring myself to care. I think I like this little life.

[seirindono]

TMS - Author's note (Arc 1)

Today I'm stepping up to talk about TMS for a while. It's going to be a lot of blah blah, no TLDR, so hang in there or save it for later if you're brave enough, haha (¯▿¯)

So, another chapter of TMS draws to a close, with the difference that this time it's a whole saga that's coming to an end! That's a big relief for me, given that we recently celebrated the comic's 4th anniversary! That's almost the entire duration of my college life, and that's both an impressive and terrifying achievement lol.

The comic is divided into 3 arcs, each separated by an interlude. The first runs from part 1 to 8, with 201 pages total (wow!). In it, you are introduced to Mel, a young skeleton with a rather unclear past, who accidentally arrives in a a foreign timeline, along with other well known skeletons. Nowadays it's just an isekai haha. Throughout the arc, she proves to be a cautious Monster, quiet and somewhat withdrawn compared to the other skeletons we come across, notably Rus, Blue and Axe, who each got their own sequences.

Still, Mel in the last few scenes is starting to show more initiative, and the interlude will make this even more obvious, but we can expect her to open up a lot more during the next Arc, about her past, motives, goals and thoughts.

I could go on at length about what's in store for us in the interlude, but given that it's due for release sometime in 2024, I'm going to talk about the general story line instead. Although we follow Mel who is foreign to what's going on in this universe prior to her arrival, the other characters and events suggest that strange phenomena are taking place in Ebott, leading many people to become embroiled in a highly unusual affair. Crossing timelines, earthquakes, mysterious apparitions in the forest, something is afoot and the situation seems to be at a turning point when Mellow gets here.

Everyone has their own way of dealing with the situation and what to do next. Some are serious and pragmatic, like Black, others optimistic, like Blue, and others, like Papyrus, find themselves completely backed into a corner, forced to do their best to fix whatever needs to be.

A special case, however, is Axe, whom Mel meets in the forest as she investigates Mt. Ebott. The two have diametrically opposed views of their current condition. One wants to return to her world by any means necessary, regardless of the advantages of a peaceful world. The other, not so much. Both refuse to talk about their past and ignore the other's circumstances, but a sense of familiarity drives them to try to convince the other to stay or go. These are two stark positions to reconcile, and while we can expect Blue and the other skeletons to have their own views on the subject too, Mel and Axe are strangely "committed" in this interraction and resort to violence, spurred on by a unknown substance that causes Axe to momentarily lose control.

Mel is wounded, Axe unconscious, and the status quo disrupted. Other consequences follow this confrontation, and several questions are raised: Can Blue really help Mel when Axe accuses him of having already given up on going home himself? What is this mysterious entity Axe came across a few days earlier? The vibrations? What was that substance that made him go berserk? And what made him stop? Can we trust Mel and what she tells us? And many others.

Because as I'm sure many of you have come to realize, Mel has proven to be a rather unreliable narrator (or at least character since you don't follow her actual POV). Blatantly lying or omitting facts to others and readers alike, it's hard to know her next move and whether she's genuinely forgotten important infos (for it's well established at this stage that she has hazy memories and that they continue to deteriorate. The same applies to her health).

In the same way, each part of TMS so far has raised more questions than it has answered, but I can confidently say that the road is paved for Arc 2 to answer and put in perspective most of them, ahah.

Ah, this is also the moment when I can announce that ALL skeletons will be featured in the Interlude. Should be. Hopefully.

I'd also like to point out a few narrative changes for Act 2! The central characters, in particular. Original cast characters such as Undyne, Metatton and a veiled character will be more formally introduced, but we'll also meet up with characters we've already bumped into, but in a much more concrete way, such as Frisk and Alphys. I can't wait for you to get to know them! You can also expect more pov changes, more elipses and so on. Things are moving fast.

But that begs the question. When is it due? As said before, the first Arc lasted 4 years and I'm entering my last (and most crucial) year of college. I still don't know if I'll have time to get much of it done in 2025, but on the other hand, I'd like to strike while the iron's hot lest TMS be discontinued after a 1-year hiatus and my entry into the working world. Student loan, life and all. There are still plenty of things I'd like to bring to this project, and I now have the skills to actually carry them out, but on the other hand, the time involved has also increased exponentially.

Tbh with you, as an animation student, it's been one of my dreams since 2020 to do one of TMS's sequences in animatic or full anim, or even a trailer for the comic! But as a solo team, it's just unreasonable and I know it. But the parasite ----. Don't get me wrong, I could, but it would take me months and it's just not realistic when 80% of my time has to go into professionnal work that goes into my portefolio or adult stuff. I can't affort to invest time in solo-ing it or to recruit and lead a team over one side project of mine ( ´ ▿ ` ) So we'll most likely stick to classic pages.

But the same goes for collabs, community events, side stories, asks, edits, dubs, testing other platforms, regular animatics. Love all of that. Really. But I never have the time to because, man, I'd love to actually finish TMS someday ahah. It all comes back to the age-old problem of “lots of ideas, little time”, and it's so frustrating but, it's a choice I have to stick to, so bear with me as I vent my frustration. Just for tonight (´ ∀ `, *)

So, yes. Act 2. Next year? Probably? It's a long interlude, so you'll get smth in the meantime, but it's likely to decide the future of TMS and whether Act 2 sees the light of day as I imagine it or if...well, something else replaces it.

bringing back this doodle cuz it seems fiting lol

Anyway, I also wanted to thank you for your engagement with Part 8!

I don't know how other comic artists experience it, but for me it's a very isolated work, and as much as I love working alone, I enjoy the interaction with readers most of all.

Seeing people losing their mind over a serious scene, or chuckling at a dumb gag, or just simping over the characters and art. It's just great, and very rewarding. Likewise, I have a blast answering questions about the TMS universe, reading tags and receiving memes, witnessing people go increasingly mad with messages full of indecipherable screams and hearts. Makes me giggle and kick my feet everytime and I can't wait to drop the next lore bomb or funny scene bwahahah

And while we're on the subject, I'd like to say a special word of thanks to the legions of rebloggers who make it their business to spread the word about TMS. You sweet, lovely, candy scented folks. And to my dear mutuals - with whom I interact objectively so little - who have no idea how a single message or note from them drives me bonkers. Thanks for dropping by. And of course to my super Patreons who support me despite the sparse updates, but to whom I'm more than grateful. Love you all.

Sounds like a farewell message. It's not lol. Just making sure they get the love they deserve.

The post is getting long and I'm kind of done pretending I know how to write organized notes so to wrap things up, here's an exhaustive list of what I'd like to get done this year and/or discuss in more detail another day. •Make a new masterpost (for Act 2) •Analyze/Comment certain sequences from Act 1 to clarify or give context •Redraw and rewrite part 1 and 2 •Make more bonus content again *ahahahahahaha*

•Re open or close the Discord (partially abandoned and it's all on me, but I'm still mulling it over).

•Finish the Interlude and enjoy and nice hiatus

And that's about it? Congratulation for reading this and making it this far! You were there!

Be well, and see you next time.

Seirin-

First part | Prev | Next (INTERLUDE)

Ko-fi | Patreon | Comic | Commissions  | To support the comic

[brat-pack-it-up-boys]

Ponyboy that was then this is now headcanons

• I’m a big believer in ponyboy continuing to dye his hair blonde after windrixville for sentimentality (also I fuck with the character design aspect)

• so his hairs died blond but it’s also grown out, its the late 1960s and greased hair is becoming even less of a thing than it was before, so his hair is choppily cut above his shoulders and it has the worst grown at roots

• he is the KING of hand me downs, more so than in the outsiders because he fits into more of the clothes that darry and soda actually saved, soda’s flannels, pants, shirts, Darry’s old jackets, he owns his shoes and that it

�� okay this one goes more into the au where sodapop is drafted and killed in the Vietnam war because it technically lines up with the twttin timeline. But ponyboy would wear soda’s dog tags literally every day

• more reckless than he was in the outsiders, partially because he’s grown up and partially because of his friends and the people he surrounds himself with

• his friendgroup basically consist of the remainder of the gang, curly and Angela, mark, scout, and two bits sister Brenda I guess

• on the topic of Brenda, ponyboy basically reacreats his and Johnnys relationship with dally with her, they’re so siblings you don’t understand, the brother and sister ever

• very unpopular in school, not in a way of getting bullied but in the way of a lot of kids in his grade being scared of him

“that Curtis kid who helped kill someone”

• the beef Bryon has him is entirely one sided to the point that Ponyboy doesn’t even realize it exists

• despite not having the best reputation he’s finally grown into his looks and if it weren’t for the events of the first book he would be pulling

• Him and Cathy start dating a little bit after twttin, Cathy had been at boarding school during the entirety of the first book so she didn’t have the same stigma against him that the other kids at school

• he actually gets pretty into the Beatles after he starts dating Cathy because they’re her favorite band, he likes the please please me album

• he also adopts M&M into his little gang with Brenda (pushing my M&M and Brenda as best friends agenda)

• in the end all that really means is that he helps M&M with kids picking on him (his reputation from the whole bob incident makes him pretty intimidating), M&M and Brenda also get to tag along on some of Pony and Cathy’s dates to the movies

• honestly I could talk about him and Cathy for hours but as the youngest him dating her and realizing how much she has to do as the oldest makes him gain more of understanding for darry

• also him and Cathy’s song is definitely Do you want to know a secret

@izaacs-notdeadyet because you mentioned you wanted to hear them, sorry it took me thousand years to actually get around to posting this

[lianasyappingsession]

𝗧𝗵𝗲𝗿𝗲 𝗜𝘀 𝗦𝘁𝗶𝗹𝗹 𝗧𝗶𝗺𝗲.

˚ ༘♡Carl Grimes x reader

"there's only one thing more precious than our time and that's who we spend it on"

cw: teen angst, mention of canon-violence & death, reader is Negan's "kid", swearing, slightly angst inner monologue, etc. tropes:enemies to lovers, slow-burn, found family summary: you have been with the saviors for years, so how did one line-up, no, one boy, change the way you see this ruined world? a/n: the timeline of canon twd events is sorta out of order, it's been awhile since i watched s7 when daryl was held by negan so everything is completely by memory yet the point still stands. hopefully this makes sense. not proof-read.

You shouldn't be doing this. What you were doing went completely against everything you've been taught. Everything. It was early morning. Maybe around six or seven. You don't exactly know. The one thing you do know is that Negan won't be around for a few hours as he's got a ton of shit to handle. Even though it was early morning you had been up for hours thinking.

Thinking about your current life. Thinking about how those around you treat each other. So cruel. Thinking about the way Negan, your mentor, treats you. Thinking about those people at the most recent line-up a few weeks ago.

About how awful all the blood and sounds of muffled cries were. About how you sat there on the uncomfortable gravel road and did nothing but watch the way Negan treated them, the same as the other two groups. It was the same yet arguably worse than Hilltop or the Kingdom. At the time it happened it didn't really matter to you. "Typical fools who messed with the wrong people" You thought. You thought that because that's what you were believed to think. Everyone wants to believe that they're the good guy. We're not. Nobody really is. You remember glancing at the pale, long-haired teen and seeing how his un-intimidated look turned into the look of a scared teen. At that moment you realized that he was no different from you. You guys may have been on opposite sides but you were both on opposite sides of the same coin. You can't describe it, but seeing him in that vulnerable state for those few seconds did something to you. It's like reality just smacked the hell out of you. And then a few days later when Negan and the Saviors went to go claim their stuff you were face-to-face with that teen again. By then you had learned his name, Carl, he was the son of their leader. You could see the resemblance. Hell, you could see a whole lot more than just the family relation Carl had with Rick, you saw this young teenage boy as a person. Carl was a person. A human. He was a kid. Just. Like. Yourself. The feeling was insufferable. Seriously. It made you sick. Up until seeing Carl you hadn't seen another teenager your age. You felt as if you were alone in his cruel and unforgiving world. But you weren't. Not anymore. Sure, you two haven't spoken a single word to one another, (unless you count the time you explained to him what a "south-paw" was right before Negan almost made his own father cut his arm off), but you've watched how he interacted with his people. His family. Those were his people. The people he trusted the most.

And perhaps it was simply because you hadn't really seen how the Hilltop people lived, nor the Kingdom folks, but being exposed to this much genuine love made you feel... off. It made you feel weird. You hadn't seen people actually care for one another in years since your dad died. Your dad died towards the beginning of when the world went to shit. It was just you two, then your scared and small world became a little bigger once your dad met and started to work for Negan. Your dad died a few months in yet Negan kept you around. You were like, thirteen, so obviously he's not THAT cruel. He kept you under this wing, made sure you ate and got treated well. He was, in a weird way, your father. Eventually your world became even bigger once the small communities like Hilltop and the Kingdom got introduced. You thought this would be an opportunity for a bigger safe space, more faces, new people, new stories, etc. But it wasn't. It wasn't and after a few years of no social interaction with kids your own age it took a toll on you. Maybe it wouldn't have been so, so bad if Negan had been around more but he had "important" stuff to handle. He always did. You felt alone. This feeling of loneliness and the regret of hurting people was too much. You realized you didn't want people to fear you. Fear was not the way to get respect, respect had to be earned. Trust had to be earned. Relations were never going to form if you kept on like this. All of this is exactly why you are where you are currently. On the south side of the huge Sanctuary you quietly and quickly wandered the halls and searched for the holding cell. The cell that the man, Daryl, was currently held in. You had to ask one of Negan's "wives", Sherry, for some info. It took some time but Sherry had always been sweet to you so she eventually caved in. You eventually start to hear a faint sound of a somewhat familiar song, Easy Street, playing in this certain hallway. As you got closer so did the music. You eventually found the source of the sound, a small radio, sitting on the outside of a large metal door. You reached down and lowered the music a little in order to hear your own thoughts. Should I really do this? Maybe I shouldn't.. No, No, we're already here. Sherry already knows. I have to do this. I have to.

You slowly unlocked the door and pulled the chain off. You waited a few moments and glanced at the clock, 7:02. "Good. Right on time for the guards to be on the east side of the building." You think. Gosh, you hoped this worked. You slowly start to pull the heavy metal door open. It was pinch blackness in the small room. A little cold as well. Peeking inside you see the color of an orange shirt and pants in the corner. A man. Daryl. "Um... hi." You sound super unsure. Almost as if you stumbled into the wrong room. "Look, uh, you don't have a lot of time. You can go out the south side of the building, today's Thursday I think so the guards shouldn't be on this side. You should be able to leave.." You quickly explain.

He stares at you for a few moments then speaks quietly. "Yer his kid, huh?" You nod slowly. "Yeah, but uh, that's not important right now. You need to leave. And whoops, it's a shame someone forgot to lock this door.." I say nonchalantly. I leave the door cracked slightly and bend down to turn the music back up a little. Right before I do I glance at you, "Good luck, you're gonna need it."

Once you're sure the door won't close you back up and then quickly turn on your heel and book it down the hallway. The sound of the music covers up the sound of your loud leather books hitting the floor tiles. You actually did it. For real.

You didn't feel as terrified as you thought you would. No. You felt slightly proud..? Whatever this feeling was it felt good. You ran down the halls and eventually made it to a staircase. You stopped to catch your breath. You knew someone was going to get in trouble for your random act of kindness but you didn't care. Fuck it. Fuck it all. You were no longer a scared little kid. You knew right from wrong and everything the Saviors have been doing is wrong, so wrong. You were getting out of here. Today. Now. You were going to choose your own life. Be the person you wish to be. More importantly, you were going to see Carl again. See Carl and this time properly talk to him. Prove that you were nothing like your da- Negan. Nothing. You were a little nervous now that the adrenaline was slowing down but for the first time in years you felt a small sense of hope. You felt good. You finally got the courage to be your own person. You were your own person and you hope that maybe the people in Alexandria would understand that. You needed them too. Not just Carl but Rick, Michonne, Maggie, all of them. And you were going to prove it. If it was the last thing you do, that would be it. So, did you really uproot your life of safety and disobey your "people" in order to free some random guy? Yes. At least that's what you tried to convince yourself that was the reason. It was totally that and not because deep-down you secretly found the young teenage boy cute. Totally not. ~~~~~~~~~~~~~~~~~~~~~~~

p.s: this is my first time writing something like this so hopefully it's good! may or may not make this isn't a multiple part series so yaaa idk

[cappycodeart]

Bit of an art dump with some Fern content. I didn't get enough Fern fill in the new series tbh so I started hypothesizing a scenario where she and Itchy could meet? So, in this version of things, this is a Fern that gets re-cursed/re-grassed after Fionna restores the magic in her world, and Itchy tries to find a way to make her human again. Turns out they have more in common than I initially expected. When I connected the two, I realized they actually make for a fun parallel, like Fionna and Simon do.

(this is obviously many many years AFTER Itchy's adventure with that AU Betty I just don't have the braincells to finish a single plotline so I'm making y'all jump around with me. I'll make a proper timeline of events eventually, <3)

Bonus:

[yandereunsolved]

Hi 👋 I have a few technical questions for the self aware au for HOTD, if you wouldn’t mind me asking.

Does the world just… stop if we pause the tv? If I rewind a scene bc of whatever reason would that give then motion sickness? Back on pausing the show, does the world stop but the character don’t? Like if I paused the tv and started talking to someone about whatever, is Aemond crossing his arms and tapping his shoes while pouting? WOULD MUTING THEM ACTUALLY MAKE THEM MUTE??

Are the dragons jealous if we talk about dragons from other forms of media? I have loyalty to Paarthurnax for best dragon 😅 ooo what If we had a Skyrim tattoo? Imagine comparing lore?

And lastly, how would they react if we had started watching game of thrones? I like to try to rewatch stuff in chronological order if prequels or branching media gets made, I like to see the chain of events you know? Would the self awareness spread to more of that verse bc of that? Can we pull John Snow?

Sorry for the wall of text and rambling, I love LOVE self aware aus and love learning more about them

Let me retrieve my sacred lore scroll.

retrieves it.

For every rule I lay down here—they can be broken under one circumstance: if the character is completely self-aware. None of the characters I have written so far have gotten to that point. Complete self-awareness may drive any of them to insanity.

(1) Does the world stop if we pause the tv?

That version of the world stops. So that canon timeline is still there, but other things are happening off screen. They are subconsciously led back to the plot when the television is unpaused again.

(2) If I rewind a scene because of whatever reason—would that give then motion sickness?

It erases their memory and gives them a sense of deja vu. They prod inside of their mind but it's like a wall has been put up inside of their minds.

If the character is already predisposed to motion borne illnesses then they would get motion sickness.

Example. If Aegon II was incredibly drunk and you rewinded a part he was in it'd make him feel like he was going to throw up. However, he wouldn't actually throw up because he wasn't as drunk/or drunk at all (depending on how much your rewound) at that time.

(3) Would muting them actually make them mute?

Yes, it would. They would be talking in their world and wouldn't be able to understand how you aren't listening.

If they found out how to work the volume then you'd be screwed. Some may be able to do this unintentionally, while others would have to be more self-aware to unlock the ability.

Dreamers are more likely to be self-aware due to their inante abilities. So Helaena would it without even realizing it.

(4) Are the dragons jealous if we talk about dragons from other forms of media? —Imagine comparing lore.

Yes and no. It depends on the dragon's personality. If you were head over heels for another dragon in another form of media then any one of them would be jealous. If you just enjoy the dragons in that verse then some of them are okay with it.

Example(s). Vhagar would be okay with you liking other dragons as long as you liked her the most. Vermithor goes into a rage anytime you so much as mention another dragon in a positive context.

(5) How would they react if we had started watching game of thrones?

Confused at first. Since hotd is the prequel to got they'd be very puzzled. Then they'd be curious. If it took up all of your time then they'd be angry. There would already be an undercurrent of jealousy, but there's also a superiority complex there.

"We were here before them."

"Without us they wouldn't exist."

Them meaning got characters.

(6) Would the self awareness spread to more of that verse because of that?

When consuming any form of their media it is like a portal is being opened up into their world. That's the crux of what helps them become self aware. There's usually a moment in their lives that spurs that on.

With the hotd characters already being insanely jealous that interference between the two media's would cause the self awareness to spread.

(7) The most important question—Can we pull Jon Snow?

Yes.

The shit that dude has been through? He has plenty of opportunities to become self aware. Having someone there for him, even passively, would cause him to become obsessive. Possibly a bit bitter because you aren't helping him until he realizes that you are physically unable to.

Don't 👏 be 👏 sorry. 👏 I love giving lore.

[octobobble]

Break The Narrative AU intro post

I wanna start talking about the au online and such especially since I plan on eventually doing some art and writing + having friends that??? Wanna make and have made art for my au?? Insane. So this is a sorta semi masterpost. Questions about the au are like always welcome.

What’s it about?

Break The Narrative is basically an au with Click Clack (and later on Thespius) at the focus. Basically, the sorta figurative wall that keeps Click Clack from fully affecting the narrative of his world and such gets broken. Things that he would narrate without acknowledging are now things he can fully acknowledge and he can now enter something known as The Narrative Void. The more he tries to edit The Narrative, however, the more that things go awry in ways he could never predict. It eventually turns into them trying to control the “script” of the world, nearly destroying it in the process.

Timeline of events below the readmore

- Someway, somehow, something goes wrong and that little like glass wall between Click Clack and the game narrative gets cracked and breaks

- Click Clack can now actively interact directly with the script of the universe he’s in. Full awareness and such

- It’s a good story, but, well, the god of storytelling can always do a few edits

- butterfly effect of all time, he edits one thing, something else changes in a way he didn’t want

- hm. Click Clack vc well i can fix this <bearer of the curse

- He cant fix this, actually. Every time he edits the script something goes wrong. What the fuck. He’s the god of storytelling he’s supposed to be the editor of everyone’s stories how is this not going right

- it gets to a point where he’s actively fighting the narrative and the narrative is reacting to his meddling. Imagine if you had dev tools but the dev tools were calling you a bitch. That’s where Click Clack is at

- Of course, no one else has awareness of the narrative bc Click Clack was the one that would narrate it out loud. The wall is much stronger for everyone else. But they can see that he’s getting so much worse mentally and it’s. Strange

- Like hey. Is click clack supposed to be melty and have a cracked mask. Wgat the fuck is happening

- also him often going missing from his domain. Which just can’t be good

- Click Clack just wants to get some kind of control over the narrative at this point. It’s not about editing the story now it’s that he wants to have control over the story because the story keeps fighting him

- it gets so bad, in fact, that the narrative goes “ah, but this is a love story, isn’t it”

- You Can Now Play As Thespius(/ref)

- Now Thespius has narrative awareness. Which is *insane* to be hit with bc at this point Click Clack is like in a full spiral

- Because like. How long has Click Clack been messing with the narrative? How long as he been going back and forth? How long has Thespius been unaware of Click Clack going through all of this???

- Click Clack is aware of the narrative. Then Thespius becomes aware of the narrative. Then Click Clack realizes that Thespius is Aware Now

- Oh god. Oh fuck. Oh no. Click Clack wake up you fucked up big time your not-boyfriend knows what you’ve done. You dumb bitch

- Click Clack gets worse because instead of being like “oh Thespius is worried because he cares” he’s like FUUUUUUUCK EVERYTHING BAD FOREVER I NEED TO BLOW UP

- So he keeps fucking with the narrative. He keeps changing things, it’s getting to the point where everything’s just breaking completely. Everything he tries to fix gets worse. He’s the god of storytelling and he can’t even fix the story.

- uhhh something something Break The Narrative name drop. Sorry

- End up in front of a glitched out rift that’s freaking the fuck out, he’s a big inky just absolute mess of a monster. He’s only just barely recognizable through a mask that’s just pieces by now

- Thespius is standing on the spire. The realization hits him that he’s been played into the most convoluted roleswap known to man.

- He’s the villain now. Of course he is. Of fucking course he is.

- of course, at this point, a few other gods have caught on as well. Keeping with the convoluted roleswap thing, he gets so upset that he starts trying to rewrite what’s happening.

- he can’t

- why can’t he rewrite the characters

- ….when did he start thinking of them as characters?

- when did his friends stop being people?

- He finally crashes. He gives up and collapses from the stress and exhaustion

- He passes out. The narrative is finally given enough time to fix itself.

- Click Clack wakes up. He’s in his office. What day is it? Is his mask on?

- …Godpoke walks in. It’s. It’s like nothing happened

- ….theres signs, here and there. That this all happened. Things that the story didn’t clean up. Didn’t edit out.

- ….They all know it happened, don’t they. If he remembers then surely the others do too.

- Well. It’s time to resume our play, isn’t it

Thank you for reading, I’ll prob add more to this post over time etc etc