#i read a fic where that was explored

[humbuns]

natsumugi save mee......sav..

[ceilidho]

dubcon ish

reader having a sexual revelation and telling Ghost "I need you to pin me down when we're having sex and make me think that I can't get away from you" and Ghost just cocks an eyebrow like "you thought you could get away from me?"

[gossippool]

so i do think it's very interesting how, at least from what i've observed, people see/depict worst logan as kind of different from the x men logan in terms of their propensity for violence, or rather how this violence is released. i think it has to do with a couple of things:

as many have pointed out, wade is the only one who has ever been able to match him in a fight. so it makes sense that people would headcanon their relationship as involving fights on the regular. but also;

most of what we see from him in the movie is him fighting, and so we assume that he has a tendency towards it, especially since the past he's trying to escape from is exactly that: him being violent towards others, including those who don't deserve it. i think this has definitely subconsciously shaped some people's perception of him in some way.

but i think it's good to remember that what we are shown isn't proportionate to who he is, because the movie necessarily can't develop his character much outside of the plot. i don't think worst logan and x-men logan are different at all in the sense of x-men logan being "gentler", because not only have we just not had the chance to see worst logan act otherwise, but x-men logan also has this same animalistic violence in him. we can see how quickly he unleashes himself in the movies when the situation calls for it, and even when he's doing it to protect, there's still that rage underneath it all.

worst logan is violent towards wade because 1. he's projecting, and 2. wade can take it. but also it's a symptom of something else that he hasn't worked through, possibly decades of trauma he hasn't worked through. i'm working on a fic that explores this rn, but my headcanon is that his post-x-men rampage was a sort of addiction for him because of the release it gave him, which he then replaced with getting shitfaced, and finding someone who could take him in a fight (wade) could be a reversion to the former addiction if he doesn't work on it. (i think that especially with superhero movies, it's so easy to brush off violence as just another normal thing, but realistically, a failure to unpack all that baggage could escalate his problems into something way worse.)

so imo i think worst logan is practically the same, if not very similar, to x-men logan, just that he's a variant that was dealt the worst card, but we interpret his character differently because all we're shown is what he became because of it. we all know logan is gentle with his lovers, and i think that unless wade shows that he enjoys it, logan would not be violent towards him just because wade can take it. just because you can doesn't mean you should, and i think he of all people would understand that

[beescake]

Sorry for the spam (^o^;) I just really like your blog

no need to apologize ayy!

in this corner we welcome all forms of enjoyment, regardless of whether you're a

happy to have yall here w me,

headin into homestuck 2024 :^)

[urfavcrime]

dsmp is still SO insane to me. still not completely convinced it wasn't a social experiment. it is something that can never be replicated again due to the really specific circumstances that attributed to it's creation and popularity

[swordoffrivolousthings]

Thoughts about Heroes of Olympus and how it could have been better.

Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.

I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)

Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2

Make the ages vary more in the main cast, trust me

Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.

I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.

Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.

And a whole lot more.

2. Add Grover into the series as a perspective character

You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.

Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.

Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.

3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way

Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.

Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.

DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.

4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with

We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.

Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.

Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.

Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.

Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.

5. Cut one of the Seven from the prophecy.

I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.

It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.

Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.

I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.

Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.

Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.

6. CONSEQUENCES!!!

Jumping straight off the last point.

Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.

Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.

Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.

Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.

To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.

Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.

Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.

Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.

Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.

Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.

7. Age up the target age. Go more young/new adult

I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.

This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.

Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.

Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)

Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.

8. Hope, or lack of its importance in the Heroes of Olympus series

Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.

Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.

Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.

Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.

This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?

Why can't they not coexist and why can't humans learn how to care about the world surrounding them.

Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.

This does not mean that the best way forward is to kill all humans.

There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.

9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series

I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.

Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.

We don't know.

Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.

Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.

I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.

All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.

Please ask me if something wasn't clear to you. I'll happily explain further.

If you find something you don't agree with, let's discuss. I'm open to changing my opinions.

[darkartistyt]

it is entirely possible that this does exist and i just have yet to see enough of it, but i feel like a fairly underutilised part of hershel's character is how he can be kinda manipulative at times without even realising it

[infriga]

Something I appreciate in the Dishonored fandom is that some other fandoms are filled with too much ship purity culture where you get guff if you enjoy or even just respect a problematic ship™ (which may or may not actually be "problematic" in some way), and it's annoying and makes for a more hostile fandom environment from people on all sides imo, and then you have Dishonored fans who went "yes we will ship the sad wet rat dad with the man who killed his wife" and that is extremely valid of them tbqfh

[mischiefbuckley]

okay okay okay here me out… this is my own fan casting for who I would want as the Diaz sisters on screen like Melissa Barrera as Sophia and Isabela Merced as Adriana like does anyone else see the vision this would be everything!!!

[lavi-gs]

Everyone is talking about the clip where Missa talks weird so Phil doesn't understand that he is saying "I love you", but I think we doesn't talk enough about this other clip:

. Translation: (forgive the mistakes, I have lousy English)

Missa: It's just that Philza, you don't know but I wanted your head for have it there behind, [of the backpack] to have you as a little keyring but I'm going to talk like that so that the chat doesn't read it, so it doesn't show up in the translator, of course yes haha. I wanted your head for have it there and say "Look, Philza made it for me, he gave it to me" [the backpack], and do as like matching, you know like yes yes yes! No translator, don't translate that.

.

(Very macabre to have the head tho)

.

A few moments before, Missa asked if it was possible to have someone's head, since he saw Foolish's head, because apparently no one explained to his that Foolish was decapitated at an event and that's why his head is an object.

It's kind of funny that he wants Phil's head, because he'd have to decapitate him for it (I think?) (even if he sees it as a keychain and not a real head) but we have to understand, he really wanted to use his husband's face on his back for the whole island to see :)

Is it a little creepy? Maybe, but when you're in love you do weird things haha

.

The least in love lol

[bloopitynoot]

Reading SVSSS: Bonus- Chapter 29

For those who don't know, I am reading SVSSS for the first time and sharing my thoughts!

If you have not read it, there will be spoilers! Consider this a warning.

Also- if you want to follow along, I am aiming to post updates daily. You can find all the posts in the tag bloopitynoot reads SVSSS. You can also check out the intro post for context on my read.

Thank fuck it's saturday and I have nothing to do because it has been a busy time!

Today I have a sad protein shake (because I bought an entire container of it and I WILL use it all even though it is deeply unpleasant). I've got cute little pumpkins though?

Alright- let's get into this absolute disaster of a chapter LOL.

Pre chapter reading thoughts based on the title: I have been WAITING the entire book for this moment. I can't wait to start this omg.

I'm SCREAMING. I thought this was going to be the actual story/song but instead it's just them reading porn about themselves. ahahah pp305-306

Good for SQQ for being pissed on Binghe's behalf! The author of that story wrote smut about an underage kid with an adult yeah that is very fucked. p306

"flirtation in the water prison" I'm wheezing at this chapter title. p308

Jesus. If anyone thought there was even a bit of truth to this story... I can see why people were shaken when they found out the two were actually together. (the cultivators/gentry being upset- not so much the common people). p309

Also. the fact that SQQ is not upset at the graphic scene where consent is very dubious (if there is any at all) but rather he's upset at the fact that the crying is unrealistic LOL it would NEVER be him but LBH who would be sobbing during sex. p309

omg. and the necrophilia. p311 This is everything I feared the actual story would be.

not related to chis chapter but a reflection on other chapters LOL Tianlang-jun fucking LOVED this story and now that I know what is in it- WHAT THE FUCK LOL. He was just over there straight up reading the most unholy porn about his kid being like "aww that's nice"

Dang this story is really just about these two exploring every kink and taboo sex act while SQQ get's repeatedly railed. p314

omg I can't. This is not "instructional material" pls omg. Someone in this time must have made actual manuals/educational material this baby can study. this isn't it. pp314-315

oh god. Not Bingqiu pt 2; electric boogaloo. Where the second book is worse than the first. p315

If I had an eject button, I would hit it right now. Fact about me- one of my undergrad majors was in sexuality and I-; 1. pls let that not be actual wine because this man is about to see god with how drunk he will be. 2. GLSS!! especially GLASS NOT BUILT TO BE IN A BODY. 3. ALWAYS USE A FLARED BASE. I AM SO SCARED RN. pp216-317

SQQ and I have the same question "You..what exactly did you read?" p322

What the fuck

That was more of an experience I wanted for 9am on a Saturday.

[necrotic-nephilim]

Do you have any more ideas about the dead dove vampire!dickxtim au you wrote a while ago? It's lived in my head ever since and I'd love to know more.

first of all thank you so much that's so sweet! second of all, i have SO many ideas you have no idea. that fic ate at my brain for like a month before i found the time to write it so i had plenty of ideas i didn't fully explore. i'm adding a read more just bc. that was one of my more fucked up fics so i don't want to subject anyone to a necro kink jumpscare

so one of the big ideas i've thought about with that fic is Tim dealing with the aftermath of it, right. bc he's of course going to hide it from everyone. the Batfam all just neds to hold onto the hope that they can save Dick somehow, and knowing what Dick did would kill any lingering hope that there's anything left of Dick Grayson in the walking husk that he's become. so Tim has to deal with the worst of it alone, probably not even mentioning he ran into Dick.

the fun part tho is that above everything else, Tim wouldn't be able to let go of Dick's comment about fantasizing about Tim before being a vampire. Tim knows the comment was made just to get in his head, but that doesn't stop it from working. he spends hours pouring over old footage of him and Dick training, hanging out, on patrol, anything he can find. just to like. try to find evidence of Dick's gaze lingering. it eats Tim alive not knowing one way or the other if it was a lie. if it's true, at least it makes it easier for Tim to move on from the memory of Dick. but not knowing is worse. and he never finds anything that satiates the question so like. that'd destroy Tim the most. (the real answer is that Dick genuinely didn't feel attraction to Tim before being a vampire, *but* Dick is convinced he did bc being a vampire fucked him up so badly that he's become his own unreliable narrator. so it's both true and untrue, and in the end, it doesn't matter either way bc Tim is fucked up by the thought of it and even if they "fixed" Dick by curing him, i think Dick's romantic feelings would linger in the horror of what he did.)

i'm really just. in love with Dick's feelings toward Tim in the fic. the most difficult part of the fic was figuring out how to end it, bc sure as a sexual fantasy Dick is obsessed with killing Tim, but he's also deeply in love with Tim, so it's difficult to follow through on. Dick wants to make Tim a vampire more than anything, but he is genuinely worried about how well it'd take for Tim. the fic doesn't really go into who's on Dick's side as a vampire, but i personally believe he's turned most of the Titans. probably some of his own rogues as well, i could see him turning Slade. i can't explain why, those are just the vibes.

it is important to me just how much of Dick's feelings for Tim are based in him not wanting Tim to live under Bruce's thumb. like the whole vampire brain has convinced Dick that Bruce is somehow the villain in this, and it was Bruce's control keeping Dick from being the person he wanted to be. it's a very warped reality and if i continued the fic i'd love for the second part to be from Dick's perspective just to have fun with the unreliable narrator of it.

back to the porn tho. Dick would seek TIm out again. probably in Tim's own apartment, just bc he wants to destroy every safe space Tim has. getting into Tim's head is an important part of breaking TIm down. the fear of Tim fighting back against being a vampire is one that Dick is trying to figure out how to manage and his current plan is to break Tim mentally. it's why he brings up wanting to sleep with TIm before being a vampire. he *knows* it's gonna fuck up Tim. and the more he puts these little cracks in Tim's psyche, the more he's sure he's breaking Tim down enough to be able to turn him. so going to Tim's apartment and proving that at any point, Dick can easily find Tim and fuck him. always holding the threat of killing Tim over his head. and Dick knows Tim didn't tell anyone when days pass after their first meeting and no Bat comes after him so like. Dick really just pushes the limits. i think he would brand Tim just bc he can. i also got a comment on the fic that mentioned Dick stabbing Tim and fucking the wound and i canNOT get that image out of my head either-

and the necro/snuff kink just. Dick playing the long game, so it takes maybe months of stalking Tim, going after him. sometimes he fucks Tim, sometimes he just fights and taunts him. and all the talk about killing Tim fucks with Tim's head a little bit. i think it'd be fun if it killed Tim's ability to have vanilla/normal sex with someone else, like Kon. it's hard for Tim to understand anyone being attracted to him in a way that doesn't involve him being a dead body. i don't think he develops the kink fully, but he does end up convincing himself being a corpse is the only way he's attractive bc of all the things Dick has said to him. it all plays into Dick psychologically breaking Tim.

i am a lover of fucked up/unhappy endings so. for me. the ending would be Dick following through on his plan to kill Tim and turn him. it'd take months for Dick to work up the courage bc TIm was absolutely right when he pointed out that Dick was too scared to actually follow through on his fantasy. Dick tries, multiple times. he convinces himself no less than five times that this is going to be the one. this'll be the time he really does it. but just as Tim starts to die, Dick panics. i think it's especially fun if once Dick even gives Tim CPR bc of his cold feet. so Tim does "die" for a second and has to brutally come back while Dick is buried inside of him.

but when Dick does it, his fears manifest in that Tim does *not* take being a vampire well. he's constantly trying to kill himself (in the time it takes for Dick to break Tim, Tim probably does figure out what poison can kill a vampire) and Dick ends up having to keep Tim locked up so Tim doesn't kill himself. would truly love to try to write Tim as mentally shattered as possible. part of him loves Dick, but he's fighting himself so hard he's not even sure if it's the vampire side that loves Dick or the human side. he's kept like a human pet, bc Dick is convinced he'll get Tim to accept it sooner or later. just a very fun, very fucked up sort of ending. i say this about all the fics i write but this one specifically i do *really* want to continue someday. i know exactly the direction i'd take it, and it could turn into a pretty long fic with a lot of fucked up porn, a lot of unrequited love, and an eventual mind break for Tim.

[crownedwille]

Are there still Crown Prince!Wilhelm stans out there despite S3 turning it into the number one problem? Please report, we need to unite and no, that doesn't mean that I don't support Wille's mental health and happiness and that I love the monarchy, some people out there must get it

[bitchthefuck1]

you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.

There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.

[sophistired18]

No one talk to me. I fell in love.

[leliwardens]

the toolset is dubiously canon at best but i still take what i like to mix into my worldstate SO according to character files: marjolaine is 37 to leliana's 26. and if they first met when leliana was 16, that would of made marjolaine 27...which is the about the same age leliana is when she meets the warden. and obv the warden is older than 16, but only by a few years which adds a lot of flavoring to leliwarden i don't think many have considered before.