#i need to say something bc what have i just watched what was that

[princessflorida]

saying they've "lost their final bargaining chip" is so incredibly ludicrous and revolution fantasy to me honestly. no they didnt. their final "bargaining chip" is extortion and coercive force. it's how they got to where they are now. and force will be required to stop them. fascists dont just run out of bargaining chips. WE are the chips. and they're doing a very successful job at farming us. they wont run out.

if they truly had lost THEE FINAL bargaining chip for "keeping the masses working for them", then they'd lose. because we wouldn't be working for them. but we still are. literally no one has stopped. because we have to have a roof over our head and food, especially people that have kids. or people that have meds they HAVE to pay for or they die, etc.

IF they EVER lose "the final bargaining chip keeping the masses working for them" it will be because it was taken by force. the final chip is being allowed to stay alive. the final chip is not starving to death or dying from exposure.

i can tell when people say stuff like this they've never been homeless or lived poverty at best, and at worst are usually chronically online kids who have never had to pay bills and have never had to choose between having a roof or eating. i can telk they've never once had to worry about where their next meal was coming from, have never had to steal food to stay alive, had to do risky fucked up shit not to die in the heat or the cold, etc.

our compliance will not be rewarded with anything other than JUST barely getting enough food and sleep to stay alive. alive, not well or healthy. just alive. starve an animal and watch what it's willing to do to get food. itll do anything. so will we. our coercive forced compliance is rewarded with not dying. and the vast majority of people, especially those who have kids to make sure don't starve to death, will stoop to any level to make sure those mouths get fed. and i don't mean the snitch bitch from mcdonalds. she can rot. i mean that saying "theyve lost the final bargaining chip keeping the masses working for them" sounds like the chronically online teenage revolution fantasy from someone who's parents pay their phone bill, and their way through college, and bought them a car etc. like you're really not convincing me you've ever gone hungry once. clearly the masses are still working for them. nothing has changed.

the adjuster (luigi is innocent til proven guilty can yall stop saying he did it sybau snitches youre as bad as the mcds lady by doing that), whoever he is, did a heroic and powerful thing. and "the masses" simply ARE NOT willing to organize and follow in his footsteps. they'd rather keep working bc they need food and a roof NOW. until we combat that with community mutual aid and organization on a large level, their "last bargaining chip" is our lives.

think about what you're saying before you say it. seriously. the chronically online revolutionary fantasy shit pmo so bad. all i see nowadays trying to organize w people is that no one wants to ACTUALLY do anything, they just want to keep working for the masses while pretending that bitching online is some sort of radical revolutionary activist shit that actually does something (it doesnt). and those of us who actly are willing are so outnumbered and poor, disabled, sick etc that WE'RE the ones who need the fucking help. anyone above our tax bracket, middle class, who pretends to be into this shit when it comes time to try to do that? crickets.

let me know when yall are ACTUALLY ready to adjust the world in favor of humanity's sustainable survival ourselves. ill be waiting. ill probably die waiting. the adjuster has shown us we cant change the world alone. we need numbers. big numbers. enough of us that they can't just throw us in prison and make an example out of us.

bc right now the rich/elite/1%/politicians are sitting and laughing at dumbass tweets like this knowing the people posting them won't even break a single misdemeanor law much less do worse. they don't let the snitches in the club, and they know the people against them won't crash the club either. even losing 1 of their own, did that stop UHC? did it stop for profit healthcare? no. a lot more deaths will have to happen for any of that to stop, bc they will not stop for any reason other than being dead. and they know their club is untouchable both to snitch asskissers and those against them. bc we dont try. bc of the threat of violence and death. the end.

[dearru]

do u guys know that one song by doja cat that goes “like fortnite ima need ur skin.” that’s what inspired this. hope u enjoy. | mlist

imagine you, an aspiring singer, starting to date the wildly influential streamer, kodzuken. you two are the definition of a picture perfect couple, and you start to make lots of content together. as a result, your career begins to take off, and kenma’s content grows in popularity,

everything’s great— until it isn’t. the relationship ends up crashing and burning in an embarrassingly public breakup.

people are devastated. video essays are made. diehard fans even claim the split is the equivalent of “parents divorcing.”

it’s a whole ordeal.

but as time passes, the wounds heal. and in true internet fashion, it becomes old news. some people still whisper about how they believe you two are soulmates, but for the most part, kenma’s chat and your comment section don’t get flooded with invasive questions about whether you two will get back together anymore.

fast forward to two years or so after the breakup, you and kenma end up growing in your respective careers. his several business ventures have grown exponentially, and you’re now selling out stadiums.

kenma doesn’t stream as much as he used to when you two were together, but he chalks it up to having to juggle so many different commitments now. fans speculate as to whether or not that’s the true reason, but as a collective, they agree that they’ll take whatever content they can get from the elusive creator.

despite not streaming as frequently, kenma still likes to indulge his audience every once in a while by hopping online. normally, he likes to decide what to play, but every once in a while, he’ll let chat decide.

tonight is one of those nights.

on a whim, he gives in to requests for him to boot up fortnite— an old favorite of his— for the first time in months.

big mistake.

the second he opens the once beloved game, he gets jumpscared by something that even his worst nightmares couldn’t have fathomed.

you.

everywhere.

to his horror, and the chat’s delight, he finds that you’ve become the poster child for fortnite’s newest campaign. your face is on the menu screen, banners of you flash in bright colors, and you’re plastered everywhere in the item shop.

they say men are constantly haunted by the ghost of their first love, and in a cruel twist of fate, it’s a saying that has become ironically true for kenma as he realizes that epic games has made you into a fucking skin.

he debates the consequences of throwing his pc into a wall, but his screen flashes with an overly excitable chat faster than he can make a decision. old fans are freaking out, new gen fans are wondering what all the fuss is about, and someone donates just to type “YOU’RE FUCKED.”

kenma has half the mind to laugh as the notification illuminates his face because he knows the donor is right.

he’s not an idiot. he knows that you’re popular now, but to be so famous that you have your own skin? he’s in absolute disbelief. there’s no way the universe hates him this much. it’s bad enough that you’re on every headline and radio station. now you’re in his favorite video game?!?!

he is so unbelievably, irrevocably fucked.

—a/n: i think that kenma’s viewers are evil and they all band together and emote on kenma with ur skin whenever they see him online.

—a/n #2: has anyone written abt this concept before. pls lmk. i would love to read it bc i giggled so hard when the thought popped in my head HAHAHA.

—a/n #3: guys i don’t play fortnite, watch streamers, or write for kenma at all so pls don’t hate on me ok thx love u

[pint-sized-pillars-au]

Hey hey! love your art! I always come on here to see if anything pops up :)

Quick little scenario-

If the kids were asked to sit still in the center of an empty room (separately/1 kid in each empty room) & left alone, who would leave first & who would leave last? (Or told they can leave bc they've been in there for too long by themselves lol) Muichiro don't count bc I don't want a lil bby to be left alone in an empty room

Thanks! Keep up the amazing work! XD

-Ky

ahhh i absolutely love this ask! this is such a good scenario! i thought it over for a couple days and here's what im thinking... for the sake of this post we'll say the Ubuyashiki quintuplets are the ones conducting the experiment, and the room they're in is fairly empty

*Muichiro

they would put him in a room and the poor thing would climb all over the door and babble and whine the second it's shut

he doesn't even last a minute. he cries so much that one of the quintuplets has to grab him

2. *Gyomei

he's fine at first. he just sits down to meditate and isn't all that worried about the experiment

until he starts thinking about the other children

and he worries sick about not being with them... what if something happens and he isn't there to protect them? but he's not supposed to be freaking out... he was told he needed to relax and let the others watch them! but he cant help himself

he senses a Disturbance in the force (a crying baby Muichiro) and leaves five minutes into the experiment

3. *Mitsuri

she starts overthinking and getting anxious and upset

she would much rather be with the other kids, and being alone, she can't help but feel homesick. she starts missing her parents a lot

so she sits in the room for maybe 15 minutes before peeking her head out and asking if she could do something else

she and Kanata play while they wait for the other Hashira

4. *Shinobu

she is totally fine with the experiment but she gets bored almost immediately

Shinobu tries to meditate, but that bores her even more

she walks out of the room after half an hour and joins Mitsuri and Kanata (in which more quintuplets join in on what they're doing, while Muichiro clings to Gyomei like a lifeline)

5. *Giyuu

he doesn't really wanna participate in the experiment. he misses his friends. after arguing against it for a bit (he's a youngest child, so he isn't used to not getting what he wants /affectionate) he settles down in the room and just sits there sulking for a bit

Giyuu starts imagining what he'll do when he gets out of the room, and he has a ton of ideas of games to play with his new friends

he tries to take a nap but he's so excited, he forgets all about the experiment and skips out of the room calling for Sanemi and Obanai

6. *Tengen

like Shinobu, he just gets really bored

he lasts for a couple hours. he occupies himself by doing his hair, painting his nails, etc

with how heightened his hearing is, he soon picks up on the sound of the other children laughing and playing

he starts feeling homesick too, missing suma, makio, and hinatsuru. after a lot of contemplating, he gives up on trying to defeat sanemi, and leaves the room

7. *Sanemi

he stays for a few hours but bold to assume he's having a good time

he paces around the room, he bounces off the walls, he tries to turn everything into parkour, he turns something into a "sword" and tries target practice, etc

he even dusts a bit, and cleans up the room a few times to keep his mind occupied

what makes him leave the room?

he accidentally stubbed his toe, and it was his last straw. he stomps out of the room, grumpy and upset

Tengen and Giyuu help him out a bit, and then he plays the new game Giyuu came up with

8. *Kyojuro

he grew up very well disciplined, so he stays put for as long as he needs to be. he takes the experiment very seriously and is very respectful

he feels pretty lonely within the first ten minutes. he tries to occupy the space by talking aloud to himself, but with no one to respond, he gets pretty sad

he wonders how the other kids are doing. he also wonders how Senjuro is doing, and notes to give him a big hug once Senjuro visited the following day

he tries to play tic tac toe with himself. he puts on little voice impressions and pretend he's different Hashira to keep himself entertained and prevent himself from feeling lonely

kyojuro ends up taking a long nap. after sleeping for a few hours, he forgets why he was alone in a room to begin with, and just walks out to play with the other kids

9. *Obanai

given he was raised in a cage, this is nothing

Obanai just lays on the floor and keeps his eyes on the door and windows

he stays in there for so long, the other kids have to go in and get him (Kyojuro in particular insists on grabbing him, since he knows Obanai doesn't do well in giant empty spaces)

they find him sitting in the corner and hugging Kaburamaru. his closest friends cheer for him and celebrate him being the victor

however, as soon as he's out of the room, he starts crying. it turns out he was really scared, and he hated every part of the experiment. he and Kyojuro cling to each other the rest of the evening

the Ubuyashiki kids apologize hysterically for the experiment after Amane lectures them a bit, and all of the kids sleep in a giant cuddle pile that night

[stargazerlion]

I say this as someone who has almost went down several different pipelines, expecting people, especially teenagers (as I suspect Person A is likely to be) to be able to magically recognize and pull themselves up by their bootstraps out of the minefield of propaganda pipelines specifically meant to target them and being morally judged as soon as they approach any mine thats only half buried and they in theory could have a chance of detecting and then being told that clearly that means they want to step on a mine/fall down the pipeline, is unrealistic. Support for each other goes beyond unions and soup kitchens, it also includes helping people find their blind spots using compassion and grace before they get into trouble. One of my moots from irl I want to tell a story about. It was several years ago, I was just starting to be well away from alt right spaces but still had some of these ideas left in me, and we were talking about a piece of art I made, I dont remember what, and they made a comment that all art is political in context of my art. At the time, this defaulted in my mind to a "leftists reading too much into things bc woke" mentality and I responded back that well mine wasnt. And they responded along the lines of "ok, thanks for sharing." That then left me room to later realize how knee jerk and unthoughtful my response was, and even to realize some of the unintentional political influences on this particular peice of art. Through that simple acceptance and not rejecting me as a lost cause, I learned something, learned about myself, and became a bit more woke even through the realization that they were right! If someones down the pipeline theyre down the pipeline, they may need a specialist or luck to help. But if youre watching your friend wander into the Nazi minefield, the good thing to do imo is to show them what the mines look like, tell them "you can get a closer look if you want and will accept the risk, so you can better identify them later, but dont try to see what they feel like underneath your feet" instead of just leaving them to struggle (total rejection) or saying they want to be blown up all along (deciding theyre already a Nazi at this point)

Trigger warning: mention of Nazi

*Person A is NOT German

*This poll was submitted to us and we simply posted it so people could vote and discuss their opinions on the matter. If you’d like for us to ask the internet a question for you, feel free to drop the poll of your choice in our inbox and we’ll post them anonymously (for more info, please check our pinned post).

[suguwu]

here have just under 1k of a nanami draft i found in my docs bc apparently that's the vibe today

"you're being weird."

nanami raises an eyebrow. "i'm not," he says.

"you are," you say. "you're being weird about dumplings."

you'd picked them up on the way over, sending nanami a vague text to say that you'll be late. it's one of his favorite stalls, a humble little thing tucked away near a busy izakaya. it's a long wait, but you've never minded. you like to watch the vendor make shumai while waiting, marveling at the quick precision of her bent fingers. she works with an easy, fluid familiarity.

shoko teases you when you say the vendor's dumplings—shumai, gyoza, all of her offerings—are made with love, but you think that knowing something so well that it's etched in your fingertips couldn't be anything but.

it's always felt right to share them with nanami.

he picks one up and eats it. you stifle a smile. the stiff way he's holding his chopsticks and the way he's not looking at you speaks volumes. it's almost childish.

you think you love him most in these moments.

you point your chopsticks at him, ignoring the way he rolls his eyes at your rudeness. "see? you're being weird."

you probably should have known this was coming. you'd tipped the scale as soon as you'd arrived with the takeout containers.

"i'm eating dumplings," he says.

"weirdly."

"what does that even mean?"

you peer at him, scrunching up your brow to match his. he's unamused. or rather, he'd like to be, but you know better.

"i dunno," you say. "you just are."

he sighs. you think if you kissed him now, you could taste the smile he's swallowing down. "i don't know what i was expecting."

"me either. you really should know better."

he doesn't answer you, too busy stealing a dumpling out from beneath your chopsticks. you gape at him as he pops it into his mouth.

"kento!"

"yes, sweetheart?"

you grumble out a soft insult. he chuckles, a low, sweet rumbling, and you consider letting everything go. consider just basking in the warmth.

but he reaches for another dumpling, and you think of the way he'd looked when you brought them. how you could practically see him flipping through your favorite things like recipe cards, searching, searching, searching for what to do next.

"kento," you say.

"what?" he asks, starting to nudge a dumpling—your favorite kind—towards you. he raises a brow when you don't reply.

you take a deep breath.

"you know that you don't have to earn everything, right?" you ask carefully.

nanami goes still.

"excuse me?"

"you don't need to earn everything," you repeat. you shift in your seat, trying to ignore the way your heart is rabbiting in your chest, the way heat is spreading beneath your skin.

he puts his chopsticks down.

"what do you mean?"

"don't do that," you snap. "don't pretend you don't know what i'm talking about."

nanami's dark eyes sharpen. "you're being unfair," he says, blunt as always, and you hate that he's right. "i have an idea of it, but i want to make sure that i understand. i think i should be able to ask for clarity."

each word is calm. cool. you think of early winter, when the ice is thickening with each passing day.

your chopsticks are leaving imprints of their pattern on your palm. it almost hurts. nanami's gaze darts down to your hand; his lips thin.

"i don't—you don't need to earn everything," you say helplessly, scrambling for better words. "surprise dumplings can just be that. you don't need to do something in return. you don't need to reciprocate every time i do something for you."

you hadn't thought anything of it. not at first. you're not even sure when you noticed. but you had, and now you see it every single time. you've never given him a present—no matter how small—and not received one just a day or two later. it's sweet in its own way, but the longer it goes on, the more it sits like tar between your ribs, heavy and sticky and noxious.

"i enjoy gifting you things," he says. "you're aware of that. it's never been an issue before. what is it, exactly, that you need?"

"i need you to let me love you without feeling like you owe me for it."

his shoulders go tight. you've teased him before about the mountain ridge of them, how solid he is, how immovable, but there's something fragile to them now. a rockslide waiting to happen.

"fuck," you hiss, your stomach roiling. "i just—you're so bad at being taken care of. i want to do things for you. just because. i want to do things for you without you needing to do something in return, because sometimes it's like you don't think i love you enough to stay."

nanami takes in a sharp breath.

[discodummy]

I'm gonna rant about my body image issues and dysmorphia for a second so watch out. I'll put it under a read more if i can figure out how

slay i think i did it. anyway, going to the gym as much as i have and getting into shape and stuff has been lovely, dont get me wrong, but it also makes some things very strange for me. Like, I was raised by a an who had a manual job and was a bodybuilder in his 20's. My perspective of what a "dad bod" was was SO skewed by my dad that i though it meant a buff guy who puffs his chest out when he stands stil to look bigger. My older brother (by three years) was chubby in middle school and then did swimming and lacrosse and had an insane dorito shaped body by 17 and still has it now. I was 6'3 when i started high school and i looked like a lollipop: just a big head on a tiny body. And i stayed that way all through high school. I assumed that getting beefy and filling out like my dad and brother did just want going to happen for me. I spent all of my early and mid 20's weighing like 145 (150 on a good day) and having to buy 28x34's for pants and medium shirts. The pandemic happened and i started working from home and after a few years i was about 210 or so. I stayed around that weight for bit and assumed it was my adult weight and what my body liked and spent over a year coming to terms with it. wel NOW after going to the gym and eating better for the last 10 months, im down to a toned 180 and im all sorts of jumbled up. I hit my shoulders on doorframes bc even though i measured and know my shoulders got at least 4 inches broader, i still dont believe it or feel it. My mediums got too tight, and my XL's from being 210 fit my shoulders and chest but hang off of me. Like im surrounded by evidence of the shape my body is in now, and i can see in the mirror how i look, i just dont think its clicking for me. I'm right about 6'4 and until the last year or so i wouold just say i was "medium tall" bc i didnt think i was TALL tall, just tallER. Like thats how deep this weird disconnect from the objective truths of my body goes. And now im at the point where people compliment my arms or chest or butt or something and i cant shake the nagging feeling that its just flattery and they dont mean it and isnt true. Someone said my arms were big and i was like "i mean theyre long, but i wouldnt say big" and it took me seeing several people with smaller arms over the course of a while for me to be like "oh yeah i guess so". Like, i always felt like the most average and unremarkable of my family and thats SUPER bleeding into things now. Maybe i dont think i can be extraordinary or above average or something?? All i know is im CLEARLY not seeing what everyone else is, and poeple are getting frustrated with me about it and taking it as me being fake-humble or just plain oblivious. And i feel insane talking about it bc one of my friends says it makes him feel awful to see someone who "looks like me" doubt myself so much, because that means that HE must be so much worse then. I also know that a 6'4 in shape white guy having body image issues isnt exactly the easiest thing to sympathize or empathize with, but it sucks that I feel like i cant really talk about it with anyone bc it just gets too personally hard for anyone to go in depth about. Its like my issues are too triggering for others and i just need to get a grip or something. IDK, i just needed to vent about this bc i dont know what else to do. if you read all of this, let me know what you think or something lol

[dezmolad]

all u need to know about ES3

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[arielluva]

it is funny learning that people use scenepacks to make edits and stuff bc if anyone ever asks me what ones i used for my utena edits i'll have no answer besides my uber autism making me know exactly which episode the scene i want came from

[jemmo]

i don’t want to jump the gun, but i think hwang daseul might have just done it again. two episodes in to let free the curse of taekwondo and i am obsessed. more than obsessed. transfixed. this show feels special in a way hwang daseul’s touch only can give, and just using these two episodes to compare to her previous works, i love that i can already spot the continuity in the kinds of stories she tells, the messages she portrays and how she portrays them. she just knows how to let her characters exist in harmful and difficult places and show how their experiences affect them while also just showing them as normal human beings. it is so so easy to overdramatise these kinds of stories that have these difficult topics and have it be so surface level, but she has never done that. instead, she shows how those experiences shape a person and how they go about living in spite of them. all the way from where your eyes linger to now, she gives us characters that are wholly themselves and not just the traumas they have gone through and i just adore that. i can’t remember what i was talking about specifically, but i remember talking about this sentiment and how it actually helps to build empathy in an audience as opposed to just showing a difficult topic at the most surface level bc you think that makes it accessible and easier to understand and hence empathise with. i don’t think that ever works. it’s only when you do what hwang daseul does, when you give us characters we can get to know and fall in love with and care for that you help us to empathise with their experiences. it’s hard to understand the weight and the hardship of experiencing something traumatic, but when something bad happens to someone close to you, a family member or a friend, you understand and feel that pain astronomically more. that’s what hwang daseul manages to do. and more so, she makes you feel that while also seeing these people as people. you get to see them away from the hurt, you see them smile in moments of happiness and you see that too with people you’re close to, and you feel even more how special and important those moments of happiness are.

and that’s why, whenever hwang daseul is at the helm of something, i will be seated from start to end with endless boxes of tissues ready. i can’t wait to see what else this show has in store.

[rystiel]

ngl i need jack back on doctor who and i need him to mention ianto. like when he gives his “i had a boyfriend who…” anecdotes but he actually mentions ianto’s name (he kept his promise and never forgot him)

[a-lonely-dunedain]

ok question! related to this post by @gwynbleiddyn that I see resonated with the folks here on lotro tumblr:

the devs have given you permission to add 1 (one) quest of your design into the game, specifically doing something fun/low-stakes with one or more Rangers post-war. What are you doing and with which Ranger(s)?

I'll go first: (under the cut bc it got longer than intended)

Corunir has been enlisted to help do repairs in the lower circles of Minas Tirith. And by "enlisted" I mean "Corunir Does Not Know How to Take A Break and needs to be constantly helping people, so he showed up wouldn't leave until the foreman gave him something to do"

Now, as this quest would have to be located in Minas Tirith Midsummer, the foreman is not particularly comfortable saddling this war-hero with busywork when he should be celebrating the end of the war he helped bring about! nevermind that that's what literally every other quest in midsummer is making the PC do shh don't worry about it

ANYWAY, he's got a plan, but he needs your help with it. Around dusk, he wants you to tell Corunir that there's some repairs that need done on the top of the wall at east side of the 2rd circle, which coincidentally just so happens to be where the best view of the fireworks they're setting off at the gates is. Also be sure to bring along this plate of snacks and some comfy pillows to sit on.

so when Corunir gets up there he's like "that's weird, I don't see any damage up here-" and then he sees the fireworks starting to go off, that you brought snacks, and puts two and two together and is like "oh darn, it looks like I've been tricked into watching a fireworks show, you devious trickster you (affectionate)"

so you guys get to hang out and watch the fireworks for a bit, and afterwards Corunir laughs at the fact that you literally had to trick him into relaxing and having a good time. Perhaps you have a point, he should allow himself some time to actually enjoy the peace they fought so hard for. He recalls Radanir had proposed the Rangers should do a pub-crawl later, and now thinks he should take him up on the offer. (and, of course, the PC should be allowed to join in, but alas I'm only allowed to add One quest as per my own rules lol)

[moeblob]

Erin, to her crush: You're a dick

Mason, the crush: I won't argue! But to clarify -

[mirrortouchedsea]

(CW for Suicidal Ideation)

Hinata’s breath was heavy as he landed the final move of their act. The tinny music playing from their speakers went quiet and the audience clapped politely. It was always the same song and dance as the crowd moved on with their day. A few of them tossed some yen their way but otherwise it was time for them to regroup for their next performance. Yuta knelt down by the hat with some coins and bills sticking out of it, counting their earnings thus far. 

“Hey aniki! We might be able to eat well tonight! There’s like 3,000 yen in here!” Yuta exclaimed. The idea of a filling dinner made Hinata’s mouth water. Oh what he wouldn’t do for even warm noodles not from a cup. 

Hinata turned to grab the iPod from its place on the speaker, choosing the next song to play. He put the phone back and turned the volume up a little more to play over the evening rush. The music started and he and Yuta moved in unison around their little stage, taking in the crowd. There were some regulars that Hinata recognized, the businesswoman who was perpetually tired but always stopped for their performances and a few kids who looked up at them in awe as their parents were trying to usher them away. There were always new faces too, of course people traveled across the country all the time or took new trains or moved cities, but there was something different about the boy with the bright red hair at the back of the crowd. His sky blue eyes pierced straight through to Hinata’s heart and made him stumble when their gaze connected with his own. 

“Hey, aniki focus! We’re almost done, don't fail on me now!” Yuta whispered, carefully shielding Hinata from the crowd as he regained his footing. Yuta was always so quick thinking. Hinata got back to his position and finished up the routine, eyes looking for that boy he had spotted earlier. He half hoped the boy would come talk to them afterwards while they were packing up for the evening, but when he finally saw that shock of red hair, it was moving away with the rest of the crowd. 

Hinata sighed, disappointed. Maybe that boy would come back someday. There was something about him that drew Hinata in. 

Someone bumped his shoulder, drawing him from his thoughts. “Hey, aniki, are you alright? You seem out of it today.” Yuta’s hand rested on his shoulder and Hinata couldn’t help but smile. Wasn’t it supposed to be the other way around, the older brother checking in on the younger one? 

“Hey hey everything’s fine Yuta-kun, don’t worry about me. I was just thinking about that delicious dinner you’re treating us too~” He playfully pushed back on Yuta, the red haired blue eyed boy all but forgotten now. 

“Hey! It’s technically our money so I’m not treating you to anything!” Yuta scowled but the smile in his voice was obvious to Hinata. 

“Hehe, then dinner’s on me! Say ‘thank you aniki!’” 

--- 

It was a week before Hinata saw the red headed boy in their audience again. He had all but slipped his mind, but those striking blue eyes were impossible to forget. Yuta was introducing their next performance which allowed Hinata to take a better look at the older boy who had made his way to the middle of the audience. He was tall and what Hinata could see of his outfit seemed ill-fitting at best, along with a headband holding his hair away from his eyes. 

Hinata scrambled to his position as the music queued up and let his instincts take over. Every so often he found himself glancing at the red haired boy, trying to see what he thought of their performance, but his face revealed nothing. 

Why was he so focused on this one boy? It’s not like they didn’t have strangers who watched them sometimes, and none of them had caught Hinata’s attention quite like this boy. He really couldn’t be much older than Hinata, maybe 17 at the oldest. Was he an older brother too? The boy’s eyes made contact with Hinata’s and it took everything in him to not look away. 

Once again however, Yuta snapped him out of whatever trance he had been in and everything was forgotten. 

“Are you really okay aniki? You’ve been out of it a lot recently…” Oh how it pained Hinata to see the concern on Yuta’s face. Nothing was even really wrong per se, but Hinata was distracted nonetheless. 

“I’m fine, Yuta-kun. Geez, can’t your older brother have some peace?” His mouth ran faster than his brain and he immediately regretted it. Yuta’s face flipped through several emotions; hurt, confusion, exhaustion. It wasn’t like him to hide things from his brother, so why was he doing it now? “Whatever, let’s get some dinner. My treat~” 

“It’s our money!” 

--- 

The boy continued to make appearances at the twins’ performances on the street, becoming something of a regular but disappearing before Hinata could flag him down. Hinata wasn’t even sure what compelled him to want to talk to the older boy, but he wanted to say something. He had even noticed that the boy seemed happier and his clothes fit a little better, not like they were just the first thing he grabbed out of a donation pile. 

Finally, after almost a month of trying to say something to the boy, Hinata saw him walk up to their hat on the ground and drop a few coins into it. 

“Thank you!” He said, walking up to the boy. “Hope you enjoyed the performance!” 

The boy froze as if he wasn’t expecting to be greeted like that. There was a slight flush to his face. “I-it’s nothing, don’t worry about it. You uh…you were great?” The boy seemed unsure of how to reply, though Hinata was happy with the compliment nonetheless. Maybe… 

“What brings you here? I mean--agh, sorry! I just mean…I noticed you don’t have a regular schedule?” The words were practically falling out of his mouth and Hinata wasn’t really sure what they were doing. “Like you show up a few days in a row but then go three weeks without stopping by at all!” He was just digging a bigger grave for himself! Great! 

“Ah uhm…I’m not from around here.” The boy scratched at the back of his neck. Maybe Hinata should back off. 

“O-oh, yeah of course. Duh. Are you visiting family or something?” 

“Not quite. I really should get going though. See you…later?” 

“Yeah, see you later.” 

“Hey Aniki, are you coming or not? The food’s gonna get cold!” 

“Coming!” 

---

It was almost a month before the boy appeared again. In the time between, Hinata had come up with a million different ideas for what his life was like. Was he a delinquent who skipped school to hang out on the street with gangs (how scary! But he looked strong enough to fit in)? Or was he a runaway from a city far away, somewhere Hinata only dreamed of visiting like Okinawa? Maybe he had a bad relationship with his dad and ran away, a thought that Hinata hated to admit had crossed his mind more than once. Or maybe he just passed through the city on the way to somewhere else. That seemed to be the most likely option, especially if he couldn’t come very often. 

When the boy did finally show up again, Hinata had to hold himself back from practically jumping him after the performance. Something looked…different about him though. His eyes seemed more tired? Like he hadn’t been sleeping well. Hinata thought of a fight he had with his dad a few weeks ago that made it hard for him to sleep and thought maybe this boy was the same as him in that regard. 

Hinata decided to wave him down after the performance, hat in hand (they had done pretty well! It felt heavier than normal and even without counting everything, they’d probably have enough for breakfast too). 

“Hey! You look tired, are you--did you want to get something to eat?” Please say yes please say yes please say yes--

The boy’s mouth opened, then closed, then opened again. Did Hinata mess up? Oh he overstepped and now there really wasn’t any chance of getting to know him. Why was he so interested in talking to the boy anyway? Hinata had been asking himself that for a while now and he still had no answer. 

“I…I can’t. I need to go.” The boy turned and ran off before Hinata could ask more. He just kept messing up, didn’t he? Maybe he really was just a burden to Yuta and their dad and the restaurant owner. He shouldn’t have been born and Yuta would’ve been better off--

“Aniki! Sheesh, get your head out of the clouds. How much did we make?” Yuta grabbed the hat out of Hinata’s hand and quickly counted out the coins and bills. “Woah! We could eat a whole five course meal with this…” 

“Think with your head a little Yuta-kun. We’ve got breakfast paid for if we don’t blow it all tonight!” 

Yuta nodded before handing the hat back to Hinata. “So, my pick tonight?” 

--- 

Hinata signed the note, trying his best to keep the tears from dripping on it and smudging the ink. After his blunder with the red haired boy, he hadn’t shown up to their performances for over two months. Hinata was certain that he had messed up and was too forward. He didn’t even know the kid’s name! Why did he think the two of them could ever be friends? 

And on top of all of that, Yuta had become more and more distant from Hinata, as if Hinata just existing was dragging him back from his full potential. Yuta would have been better off as an only child and maybe Hinata deserved this life. Thirteen years living with their father, who had treated them as nothing but monsters, blaming them for their mother’s death and everything bad that had happened since, Hinata had resolved to run away. He’d make his way to the mountains and maybe he’d find someone willing to help him or maybe he’d slip into an endless sleep. 

Dear Yuta-kun, the letter had started. I’m sorry that I’m leaving like this, but I know that I’m just a burden to you. I’m sorry for that. I wish I had more to say but I just want you to be happy and maybe father will treat you better without me. I love you. 

The other letter, already folded and placed on the table, was much shorter, addressed to his father. 

Dear Father, I’m sorry I couldn’t be a better son. Please don’t take this out on Yuta-kun, it was my decision. 

The less words he spent on that man, the better. Hinata folded Yuta’s note and placed it on top before quietly exiting through the front door. 

---

Everything was cold. Hinata slumped against a tree, head between his knees in a last ditch effort to keep warm. Sleep should come soon and he could painlessly move on, at least that’s what he hoped. He barely registered someone approaching him, but didn’t look up. 

“Hey.” The voice was vaguely familiar, but where did he remember it from? A warm hand shook at Hinata’s shoulder. 

“‘M fine.” The words were barely a whisper. The other voice grunted before walking away. It was another minute before Hinata felt something drape around his shoulders and a cup shoved in his hand. Whatever was in it was steaming, warming his fingers. 

“Drink.” The voice said. And he did, the tea was very, very bitter. That voice… 

Hinata looked up, meeting a pair of bright, sky blue eyes. That’s where he recognized the voice from. Did he…live? In the mountains? The boy seemed to recognize him too. He was wearing a headband and what looked like very warm clothes that Hinata wished he had. Hinata finished the tea, trying not to focus on the flavor. It helped at least, in warming him up a bit. 

“Why are you here?” The boy finally spoke again. It sounded like he was unsure if he should be mad or concerned, or both, but he offered Hinata another cup of tea, which he accepted if only to warm his fingers up. He pulled the blanket closer around his body. 

“I…ran away.” Hinata looked downward, as if admitting this out loud was a cardinal sin. The boy gestured for him to continue. “I guess I just…I was dragging my brother down. I’m not really talented at anything like he is and I’m the reason our dad sees us as monsters. He shouldn’t have to deal with a brother like me.” Hinata wasn’t really sure why he was spilling this so easily. The boy was a good listener though, hanging on every word Hinata spoke. Was he shaking? He’d never admitted this out loud before and it felt oddly freeing to say it to someone. 

He waited for a response, anything to chase away the uncomfortable silence Hinata had created with his confession. He really fucked up, didn’t he. He should have just kept that to himself like he always did instead of burdening a stranger like this! 

“I…” The boy started, barely audible above Hinata’s racing heartbeat. “I’m glad you’re alive.” He sounded unsure of his words. Was he just trying to be nice? Of course he was, how else do you respond to a kid telling you something like this? 

“You don’t have to pretend.” 

“I’m not. When I saw you singing and dancing…I think I realized something--” The boy cut himself off, the suddenness of it making Hinata look up. A moment later he heard his brother calling out from the woods behind him. 

“Aniki! There you are!” Yuta tackled him to the ground, squeezing Hinata like he might just blow away in the wind if they weren’t careful. “You scared me! I can’t believe you’d do something like that!” 

Tears pricked at Hinata’s eyes again. “I’m sorry, Yuta-kun. I’m really sorry.” He buried his face in Yuta’s jacket. His nose started to run, from the cold or the tears he couldn’t tell. 

“You aren’t a burden to me. I don’t know what I’d do without you around Aniki!” Yuta pulled back, hands gripping Hinata’s shoulders. “Promise you won’t do something that stupid again.” 

Hinata wiped the tears from his eyes, sparing a glance where the boy had been. It was as if he had never been there at all and Hinata had just hallucinated the whole interaction. He looked back at his twin brother. “I promise.” 

“Now let's get you home and warmed up. Where’d you get this blanket anyway? It doesn’t look like one of ours.” 

“I…” The boy had been real, and he told Hinata he was glad he was alive (even if his explanation was cut short by Hinata’s brother rushing in). “I guess I just found it. There must be people living nearby or something.” 

--- 

The chatter of the night club died down for the night as everyone was getting ready to go home. Hinata’s feet were sore from running around, but it was satisfying to be back in a restaurant like this. It reminded him of his childhood working for the Chinese restaurant with Yuta. 

Rinne, the leader of Crazy:B who had wanted to get closer to Hinata, and by extension 2wink, slid a drink down the bar. It looked like a horrible mix of syrups and club soda, but one sip was all it took for Hinata to drink it all down. 

“Great job tonight Hina! You’re a real natural at this stuff.” Rinne was washing the other glasses behind the bar now as Hinata finished the rest of his soda. 

“Yuta-kun and I used to work in a restaurant so it comes pretty naturally to us!” 

“That so?” 

“Mhm!” Hinata slid the empty glass back to Rinne, who quickly dumped the ice and washed it before tossing the towel over his shoulder. The entire week they’d been working the club together, there had been something bugging Hinata at the back of his mind. “Hey, Rinne-senpai…did you ever watch our shows?” 

“Huh? ‘Course I have, vice prez wants us to work together so I’ve seen a few of ‘em.” 

“That’s not what I mean. I mean like…back when Yuta-kun and I did street performances.” 

Rinne paused for a moment. “Why’re you askin’?” 

“Oh, it’s nothing. You just reminded me of someone who used to watch them.” 

“Well I’m sure whoever it was is proud to see you singin’ and dancin’ on stage.” Rinne had come around the bar and stood next to Hinata, ruffling his hair. “Let’s get goin’ or I’m never gonna hear the end of it from Niki-kun.” 

[britneyshakespeare]

i'm very interested what ppl find to be the harder shakespeare plays and which they found to be easier. bc i was googling out of curiosity and i found a sparknotes article (link if you're curious) that ranked ten of the most commonly-read plays on difficulty and it put king lear kinda down low whereas it put julius caesar pretty high because of the politics/complicated conflicts. that kind of baffled me because julius caesar was the first tragedy i read outside of the classroom and i found it very approachable; it's one i often recommend to people trying to get into shakespeare because the plot is already familiar to most ppl and you can just enjoy the poetry and how shakespeare chooses to characterize these figures. on the other hand i read king lear a few years later in my shakespeare journey, and to be honest i still kind of have a hard time with lear. maybe i just don't connect with it on some level; i'm not sure. it's not a very tightly-organized play where the action is as centered as in the other tragedies like hamlet or macbeth. that's certainly a me thing and maybe that'll change with age. but i'm always a little surprised when i find someone's experience with the plays so much different than mine.

anyway if you're reading this feel free to reblog and tag or comment which shakespeare plays you found yourself falling into most naturally and which worlds you felt like you had to force yourself into. i'm interested in what ppl feel on this subject