MASTERLIST ->
it's quite empty in here (っ◞‸◟c) ... an ask/idea could help!
HAIKYUU!!
fics ->
ARAN OJIRO- "MY PRETTY ANGEL." NSFW // in which you disappointed him :(
OSAMU MIYA- "WANNA EAT YA UP." VERY SUGGESTIVE // in which samu wants to eat u up :P
USHIJIMA WAKATOSHI- "IS THAT MY SHIRT?." SFW // in which u wear toshi's clothes :D
BOKUTO KOUTAROU- "BIKER BOKKUN!" // SFW // MSBY biker bokuto koutarou w MSBY.
drabbles ->
brat tamer tsukki // NSFW // he's mean :(
headcanons ->
loading... mtba!
thoughts ->
osamu miya is hot but imagine...
aran ojiro...
CHOCO THINGS ->
the struggle of loving bl ships but...
hq plushy guys
more to come...! ☆*:.。. o(≧▽≦)o .。.:*☆
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i don't like the growing opinion that people are being 'too hard' on deku for his failing to save shigaraki.
i've seen quite a few people complaining that a lot of the bnha-critical crowd are being too mean to deku for getting tomura killed, arguing that it isn't really his fault, and that hes a 16 year old child soldier who's been failed by almost every adult in his life, why should we be putting all of this on his shoulders? hes just a kid after all?
and the truth is, they're right. deku IS a 16 year old boy whos had the fate of the world thrust on his shoulders. but the story itself just plainly refuses to acknowledge this.
the narrative doesn't acknowledge how fucked up having a school that trains literal children how to be combo cop-celebrities is. it only tentatively acknowledges the fact that a universe having combo cop-celebrities is fucked up, and even then the only people who ever point this out are antagonists, who are portrayed and treated in-universe as untrustworthy. the narrative doesn't care how fucked up dekus circumstances are. the narrative treats deku like hes a fucking messiah here to touch the hearts of the evil depressed villains with his magical empathetic heart of gold before they get blown up or just sent to fucking superhell for daring to challenge the status quote.
deku isn't a person. he's barely even a fucking character at this point. he's a plot device, and a mouth piece for the objectively shitty themes bnha is trying to spout. the themes that tell you that if you're mistreated by society and want to do something about it, you're a villain. that disrupting the status quote and refusing to repent to some random teenage boy spouting empty platitudes at you means you deserve to get sent to fucking superhell. the themes that portray people fighting for civil change as mass murdering supervillains. the themes that look the audience dead in the eye and can call deku the greatest hero to ever live.
deku, who barely spared a second thought to lady nagant telling him the truth about the hero commission. who spouts meaningless platitudes about heroism and morality at nagant, and aoyama, and toga and shigaraki, when even the thought that he should question the world around him comes up. who's constantly talked about as this truly kind, empathetic person, but hasn't spared an empathetic thought to literally anyone who is classified as a villain. who listened to every authority figure around him except the ones who asked him to question his worldview. who saw la bravas tears, shigarakis various breakdowns, himikos plead for understanding, chisakis catatonic state, lady nagants truth, and barley batted a fucking eye. deku, who killed tomura shigaraki.
people don't criticize deku for failing shigaraki because they just hate deku. people criticize deku because of what he represents. because hes a mouthpiece for the atrocious morals and themes of this ideologically rotten manga. because any character he had was chopped up to bits in favor of the incomplete husk we have now. people criticize deku because hes the main character of my hero academia. theres nothing more damning then that.
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why did wilson feel the need to go gender neutral when talking about the homewrecker he cheated with that made him fall out of marriage? why did house feel the need to describe his ex-bandmate with “if he was a woman i would have married him” ? why did they both say “you’d be surprised with what you can live with?”
There is no closet there are only two men afraid of changing the dynamics of the good thing they already have
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Dog Day Afternoon (1975) dir. Sidney Lumet / Christina's World by Andrew Wyeth
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Bill and Fiddleford would lowkey fit into the "we hate each other and want the same person but fell in love with each other instead" trope so much if Bill wasn't out to traumatize everyone.
They would hate each other, competing with each other on who can romance Ford better while Ford is just like "my research :)" and is completely oblivious.
Bill: Get WRECKED you third wheel HILLBILLY, I spelled sixer's name out with RATS on his BIRTHDAY and he LOVED IT.
Fiddleford: fuck you one eyed geometry freak, I made Ford six fingered mittens for Christmas and gave him a snowglobe and he LOVED THAT MORE.
Bill: NO he DIDN'T
Fiddleford: YES HE DID
*Angry hate makeout*
*cliche spending too much time around each other cos Ford is always out for research or in the basement and end up falling in lurve*
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Finally gathered the strength to finish the Stone Ocean anime some days ago and drew this Ermes afterward.
I knew how it was going to end but I still felt so empty after it. God the end credits hit HARD.
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