#i mean canon wise this is very much used

[dykedvonte]

I hate the stretch lines in the front of Curly's uniform because that means the devs rushed to make a model in like a month or so and thought "They gotta at least know he has huge knockers, gotta know he's got back pain." Cause like what is the thematic importance of his tits having overhang?

What responsibility is that representing? Breast reduction? It shows an inherent greed in his character due to the excess and heshouldletmeholdone and that he clearly is blinded cause if he tries to look down his damn ladder all he's seeing is his own cleavage.

[milfbrainrot]

have always been a bit more neutral to timebomb but it has rly surprisingly grown on me so much ;-; i think i do see it more from the tragedy angle and maybe more one-sided. i'm not sure jinx has ever been in a place to reciprocate the feelings i'm sure ekko has, but it is nice to think about for years down the line and in terms of what could have been.

[omarwolaeth]

thinking 'bout how the lads interact with what the bracelets represent, especially in their decks

[tronlightcyclerun]

anyway there is also now less than ten months until they fuck up the story forever . WHERE is the namesake character . WHERE ARE THE MAIN CHARACTERS FROM LEGACY . WHY IS J*RED L*TO HERE . I DONT CARE IF ITS BAD I ALREADY KNOW IT WONT BE CORRECT

[arolesbianism]

Having a rain world oc moment. Dysfunctional family of the year award, they were so toxic that one of them found a way to kill themselves in a world where that was supposed to be physically impossible

[yanderedrabbles]

do you have any physical descriptions for each yanderes? like for cowboy yandere I’m imagining a dirty blonde tan skin, freckles and stubble on his face

Yandere boys and their physical descriptions

It kind of shifts around a lot and this is how I picture them but it's not a definitive description by any means. This is not canon.

Yandere! Cowboy is literally exactly as you described him. A real cornfed American cowboy. Strong jawline, stubble and blonde hair he keeps swept back under his Stetson.

Yandere! Soldier is the quintessential soldier from a Post-Soviet state. Buzzed hair, tattoos, a straight nose and high cheekbones. A bit on the pale side with dark eyes. Ridiculously buff.

Yandere! Boyfriend is a big guy. That's all I know. I usually picture him as Samoan. With shoulder length, wavy hair and olive skin.

Yandere! State Trooper is the definition of never trust a blond. He keeps his hair short and in a regulation cut but it usually gets a bit messed up whenever he runs into you. (We all know why). I see him as having forearm tattoos and he's almost always clean shaven. Usually has a light tan.

Yandere! Cop has a friendly, approachable face. He looks like a nice guy, someone you can trust to listen to you when you get in trouble. I see him as African American with a flat Midwestern accent. Usually keeps his hair short and within regulations, but he might sometimes get it braided. He's got plenty of lean muscle and he ain't afraid to use his strength when he needs to.

Yandere! Gangster is tall and strong, but still a bit on the thin side. Usually wears a suit but almost always takes off his jacket and rolls up his sleeves. I picture him as a dark haired Denji from Chainsaw Man. Definitely wears one of those slutty silver chains that boys like so much.

Yandere! Incubus is tall with a slightly muscular build. Where does a supposed priest find time to get buff? Who knows. He has long dark hair that he keeps neatly swept back and that brushes the edge of his dog collar. He wears a dark wood rosary. His canine teeth seem unusually sharp. In his demon form, his eyes are usually a deep wine red.

Yandere! Desert Bandit is inspired by the Tuareg and Amazigh. I see him with dark skin, long black hair and golden eyes. He definitely has a hooked/Roman nose and a traditional tattoo on one cheekbone. Wears kohl in his eyes that gives him a very sexy glare.

Yandere! Academic Rival is a nepo baby so fashion wise, he usually wears suits, vests and shirts. He basically looks like a Ralph Lauren model. Goldish hair that's kind of wavy. A bit on the thin side. He relies on wits more than strength when he wants you to do something.

Yandere! Apocalypse Survivor is pretty much inspired by Deacon St John from Days Gone. Dark hair cut in a mullet and grey eyes. He's got a few tattoos on his back and he wears silver studs in his right ear. He's got a mean right hook too.

Yandere! Greek Champion is one buff bastard. Shoulder length black hair and olive skin darkened by the Mediterranean sun. I see him as having hazel eyes. A colour you'd think would be warm and inviting, but on him they look like the eyes of a hawk. Dangerous and just a little sadistic.

Yandere! Riot Cop is... well, he's in his riot gear so I guess you'll never know. Strong as hell, that's for sure.

[otaku553]

Ok so I have been stewing this crossover au in my brain nonstop for the past few days and. I am nothing if not committed to the bit, so. Volume cover redraws :)

Here are the originals:

If you want to read more about my one piece spy x family crossover, keep reading!

So the idea is simple! Crossover reincarnation au where ASL is reborn in Spy x Family. They’re each born separately and none of them are born with the same names as their previous lives, and with no way of finding each other, they each find their own thing to do in the world.

Sabo, too used to the dangers of being a spy, eventually finds a cause to devote himself to again, in preventing war from engulfing the country he was reborn in. Ace, drawn to fire as he was in his previous life, used arson as a means to rob rich people for sustenance and survival, and is eventually scouted and hired by Garden as a fire specialist and assassin. And Luffy, though born in perhaps the poorest condition, grows up happily and takes whatever part time jobs he wants to do.

The thing about Sabo is that, as much as he seems like a young man of good repute and high standing within society, everyone in WISE knows that he is a massive nuisance. Nobody knew in the beginning how a child less than half the age of most of their veteran agents could have the same skills and knowledge in their profession. Sabo was— and still is— hyper competent, and by the time WISE figured out just how much of a menace to society he was, it was too late.

Ace forgot for the first few years of his new life that he wasn’t made of fire, and consequently, received multiple accidental burns. This did not deter him, however, from growing up to be a very skilled arsonist, well-practiced in every which way to start a dumpster fire or house fire. As a teenage he would use this often to draw attention as he robbed rich people blind. When he was caught, he was given an ultimatum by Garden: join them and receive payment for starting fires and causing problems under contract, or face the government and authorities for his crimes. Begrudgingly, he joined Garden, but eventually comes to appreciate that he can make substantial money in his element.

Luffy is Luffy. No telepathy or experimentation, no fancy schools, no gimmicks or secret identities. But he has still lived an extremely colorful life in this world, full of fascinating and kind individuals who have helped him grow up healthy and relatively happy. He goes where he is free, and he takes whatever part time jobs he wants in order to make the minimum he needs to survive.

Ace and Sabo find each other first, in their late teens, and neither of them realize that the other remembers their previous life, but both refuse to separate. (Sabo thinks Ace doesn’t remember, because Ace didn’t recognize him. Ace never saw Sabo grow up past 10, however, so he doesn’t recognize older Sabo immediately. By the time he does realize who exactly Sabo is, Sabo has backtracked and pretends to know Ace from a dream, or from somewhere else.)

Sabo’s attachment to Ace, predictably, causes problems between Sabo and WISE, but by then, Sabo is indispensable to the organization, and they make an exception for Sabo to be able to remain with Ace, so long as Ace never finds out what Sabo’s actual job is. Ace, on the other hand, hides his job because he doesn’t want his brother, who he has just found and who does not know Ace well enough yet, to know that he makes a living from killing people.

And they find Luffy sometime afterwards, prior to the beginning of the Spy x Family canon. Luffy figures out, not long after moving in with his brothers, both of his brothers’ secret occupations and the fact that both of them remember their past memories. He thinks it is common knowledge, however, and so he never brings it up.

[xxsabitoxx]

My Personal Hashira 🍆 Size Ranking

Warning: if it ain’t obvious, this contains smut lmao — therefore Muichiro is 100% not included in this. We’re talking about 🍆, length, girth, all the fun stuff. So if PPs make you uncomfortable keep on scrolling babes </3

A/N: these low key stress me out cause I feel like people can get pretty defensive over these types of Headcanons. Especially if my own thought differs from yours. Regardless, these are just my personal takes/HCs. My word is not law so do not be upset if my HC does not match yours / don’t feel the need to change how you HC these things to fit my POV. This is why I refrain from describing size in my fics, I want y’all to imagine it in a way that you like lololol

Lastly, idgaf if you see some of this as unrealistic, these are fake, fictional drawings of men, if I wanna give Gyomei a 44ft long 🍆, I can and will (I didn’t but you get the point.) Anyways enjoy my personal thoughts on this matter

1. Himejima Gyomei

Is anyone fucking shocked that this 7’2 (220cm) man is packing the biggest schlong among the male Hashira?

I mean let’s be logical real quick, his dick is as big as the rest of him. This man’s dick is dragging on the floor.

Soft: 11.2

Hard: 12.3

Call it unrealistic idgaf this man is LONG

Girthy too, he’s fucking beefy all over

This man’s dick will feel like he’s shoving his wrist up in there ong bro

It curves downward slightly when hard, I mean shit that thing is heavy, it stands no chance against gravity

2. Uzui Tengen

Again, the man is 6’6 (198cm).

Height comes into play when it comes to our two tank Hashira

Therefore none of you should be surprised that they are the top two

Soft: 9

Hard: 10.3

Your guts are getting rearranged, he knows the length he has but often underestimates how far he can go…

He’s long but doesn’t have a crazy girth to him, which thank fuck it doesn’t take as much prep to take him

He’s pretty straight when hard and manages to flex it and keep it up (he totally does dick tricks & you can’t convince me otherwise)

3. Tomioka Giyu

I’m standing by my “big dick Giyu” head canon. I just know this man is packing a weapon down there

What’s crazy is he wasn’t even aware of how good he had it until he overheard other corps members chatting

Soft: 6.3

Hard: 7.4

He’s got a decent girth and as weird as it may sound, it’s pretty, like really pretty to look at

When hard, it curves upwards and stands at attention which makes him a bit embarrassed

He knows how to use it, because of that he’s pretty confident in that aspect which is wild for him

He will also rearrange your guts unintentionally (or intentionally hehe)

4. Shinazugawa Sanemi

I don’t wanna hear one PEEP from any of you that Sanemi should be above Giyu.

My man is forth on the list but that ain’t mean shit, he’s still got a lot going on down there

Soft: 6

Hard: 7

He’s girthy, will tear you up girth, needs thirty minutes of prep minimum because of how wildly he fucks girth

He sticks straight out, no curve in sight and honestly looks like he defies gravity.

He’s like Tengen, can do dick tricks. But unlike Tengen he doesn’t make that known / show you lmao.

He’ll break your back, he may even hurt you (fully unintentional) if he gets too into it. That thing is fr a weapon

5. Rengoku Kyojuro

He’s fifth on the list but trust me he’s not lacking

He’s second smallest, but he’s not small, if you get what I mean. It’s kinda like how we rank the Hashira weakest to strongest but regardless they are still the strongest in the corps… that make sense?

Soft: 5.8

Hard: 6.8

He curves upwards, very prominent veins running along his shaft (heh, shaft)

Girth wise, he’s about normal. Not too intimidating but def offers you a good stretch, forgoing prep is real bold tbh

He’s a quick learner so he quickly masters how to fuck you

He will strive to go as far as your body will let him, so expect to be bruised / sore

6. Iguro Obanai

My king. He may be “smallest” among the Hashira men, but that doesn’t mean shit.

He’s not self conscious of his dick, he knows how to use it. He’s also pretty content with it’s size

Soft: 5.6

Hard: 6.5

See? You can’t come for me cause he ain’t even SMALL

Obanai’s dick is pretty, too. It curves upwards slightly, since he’s pretty pale, his veins are prominent

He’s got an average girth, he doesn’t need to prep you forever to get you ready. Which works in his favor cause he likes to “punish” you with no prep & going in raw

He can and will abuse your cunt, he’s not satisfied until you genuinely can’t walk without limping for a few days

[cyborg-3005]

SPOILER TADC EPISODE 4 ANALYSIS BELOW

so, generally, these episodes keep getting better and better. one is with the facial expressions, pomni’s and jax’s especially felt very nuanced and added more opportunity to read their characters. but i do also mean writing-wise.

this episode definitely felt like it gave us a much larger glimpse into these characters as people:

while she’s “high,” ragatha mentions a lot of things (horses, dancing, etc.) that seem to be memories of her past life. she’s also more genuine about her feelings regarding the other characters, saying that especially harsh thing of gangle being more annoying with her comedy mask. generally, we’re getting more of a peek at how ragatha feels internally.

zooble is given a chance to be a bit more of the straight-person or the emotional stability for other characters to lean on, and is just more present than ever before.

pomni hasn’t evolved as much from her previous characterization, but she’s more in a position this time to be stable and not in constant mental peril.

jax is forcibly toned down as the day goes on, his underlayer of apathy and depression beginning to take over for his usual sadistic vigor.

there’s so many examples with gangle, but i’ll be getting into those later.

notably, especially by the end of the day, the humans aren’t acting like it’s the end of their adventure, but the end of an actual shift, as if this is their actual job that they drive from to their actual home somewhere. i find this interesting, especially for someone like pomni, who seems to take the idea of closing the shift most seriously—as if it’s real—despite her previously being the one most conscious about the artificiality of the adventures. i think this speaks to how in a normal setting, the characters kind of assimilate into it much quicker; the normalcy of this artificial mockery of real life attracts them as respite from the existential dread in being in a world that isn’t theirs. it also seems to awaken a bit more of their underlying selves.

pomni and gummigoo, man that was a powerful scene. we had all been dreading it, but i think i was pleasantly surprised at how mature and quiet pomni was in handling the situation—so many in the fandom tend to kinda infantilize her and so assumed that when she’d see gummigoo that she’d have some sort of breakdown, but the more frazzled and nuanced reaction she actually had feels much more realistic and true to her character.

i noticed gummigoo at least has the same name as before, as when pomni speaks it he reacts by reaching his hand out with some expression of concern. some have interpreted his mannerisms in this episode as that he actually remembered pomni and his previous self when she called his name but didn’t want to say anything to make the situation more complicated, which isn’t exactly 100% confirmed but is a cool theory regardless. i just really like him as a character in general, so it’s cool to see him again.

and i also really like how pomni’s interaction with him ended on a resolute and bittersweet note. like yeah, she’s definitely sad over the situation, but she’s not completely heartbroken—she seems glad to just have seen him again, even if he didn’t quite remember their time together beforehand. her feelings when seeing him are equally positive and negative, not this abject heartbreak that makes her drown in sorrow. she’s even briefly sorta infatuated with him at the counter, which is fun considering how ragatha on an offhand comment basically confirms funnygummy to be canon.

gotta say, maybe a little sadistic, i like seeing jax actually frightened. it seems like the only thing that ends up bringing out any remote amount of good in him, which we implicitly saw in episode 1 when he seemingly pulls gangle and kinger away from the kaufmo situation (perhaps out of fear for their safety?). i’m hoping we get to see his facade further broken down.

ragatha being high was really funny and very intriguing, as we get more of a glimpse at her “true self” underneath her mary-sue-esque facade.

zooble, i love zooble, man. i think to an extent they’re possibly one of the more heartwarming characters in the whole show just on the merit that their “coolness” isn’t quite a facade to distance themself like jax and they actually show care for their friends. i feel like zooble is less of a character we’ll need a dedicated episode for, and moreso one that will consistently show a bit more of themselves throughout.

and then

GANGLE.

i love how many layers there are to gangle’s “dissection” this episode. we see a glimpse into an excellent representation of bipolar disorder and manic episodes, and so much beyond that with her specifically. i love how her mention of the comic artist thing in jax’s “training video” was clearly a projection of her insecurities over her inability to chase her dreams in her past life, which is set up in the beginning by her mentioning her experience as a shift manager. the adventure’s promise of “normalcy”—a relief from her emotional instability, perhaps—quickly devolves into the horror of being left alone with your thoughts and surrounded by the infinite horizon of crushed dreams and mediocrity, that being the spudsy’s itself.

this adventure clearly awoke some old memories of her past life, making her wallow further in her grief over her not being perfect or excelling all the time. i found it amazing how well the pacing of the episode was able to add these layers one scene at a time to build up both the viewer’s understanding of gangle’s struggles and gangle’s struggles building up with the increasing stress of her job.

that scene at the end with her dancing into the traffic felt very reminiscent of a certain scene in DanDaDan episode 7 (i won’t spoil any of that). it’s interesting how happy she appears, yet it’s revealed to be a suicidal moment in some manners—her joy is derived from a destruction of self and the feelings of pressures being lifted that comes with that. when she throws the weird mask away, she’s lifting the burdens of “normalcy” and social responsibility off of herself, and her joy is not necessarily happiness itself but a cathartic feeling of being able to have a true moment of her own. it highlights, perhaps, why people engage in self-destructive behavior—it lets them let go of the burdens and expectations weighing on them, even for a moment.

i like the touch of how this moment doesn’t actually end in making her feel better—she ends up devastated over how she “ruined” everything by having that moment and being emotionally “selfish” for once. zooble makes her realize that no one is mad at her for having that moment (although the circus might be pissed over her time being all of their boss). i do find that in particular interesting, as it’s sort of a continuation of the sentiment both ragatha and jax express that they find gangle more tolerable with her tragedy mask. they’re unkind words, but the episode, and zooble’s moment of comforting her makes clear why those two were saying that—gangle is more of her “true self” without these overlaying masks (with the mask in this episode specifically, i think it represents the expectations of success and normalcy that capitalistic society imposes on us). it’s not that it’s wrong or unwarranted for gangle to want a happier mask, but the show demonstrates that gangle is the most genuine with her tragedy mask, when she has shed the masks that present her as being “acceptable” in a way that actally makes everyone more distant from her.

the “normalcy” of this adventure seemed to be what got to gangle, as the societal expectations of “normalcy” that come with that might have been gangle’s biggest struggle in her previous life. i love that ironically, the two characters that read the most “normal”—pomni and zooble—actually end up being the ones that connect with her, not to demonstrate that normalcy is good but the opposite: expectations of “fitting in” are bullshit, no one fits in or needs to, and pomni and zooble are demonstrating that.

one more thing i have to mention is i actually like how the show is aware of the pattern of “pomni sits and has a heartfelt conversation with another character in the dark at the act 2 low point” of episodes 2 and 3, and breaks the pattern during that scene with pomni and gangle outside in two ways, one of which being pomni’s “here we go again” attitude with the scenario when it begins, and how gangle forcibly ends the conversation before it gets too far for comfort, leaving the emotional resolution a bit more ambiguous and taking more of a journey to get resolved by the end.

my rambles only make slight bits of sense, but i hope you found something interesting to talk about in here. chat with me in the comments if ya want!

[ohnoitstbskyen]

What’s the difference between Ascended, Aspects, Freljordian demigods, Aurelian Sol, and whatever Soraka’s got going on? Are they all just different varieties of League gods?

Hoo boy, okay, so. First of all, Riot have been pretty adamant that there are no gods in Runeterra, every god-like being that exists in that universe is actually a spirit or just a very powerful being of some kind, but definitely no real gods, no matter how much it seems like they are definitely writing these characters to be actual literal gods.

I don't 100% know why they are so insistent on this, but I imagine it has something to do with censorship and ratings agencies, or maybe they just don't want to have to establish any actual theology on Runeterra. Volibear isn't the god of storms for real, he's just a super powerful spirit that can create storms in the Freljord, but not all of them, so please don't ask us whether every single thunderstorm in the Freljord was something he did deliberately. That sort of vibe.

To go through them point by point:

Celestials & Aspects

The Celestials are beings like Aurelion Sol and Bard, which exist as cosmic entities operating on levels of power and motivation beyond human understanding. They came into existence with the universe itself, and tend to busy themselves governing various parts of its operation. They are, again not gods (Riot is very insistent on this), but Aurelion Sol literally made every star in the galaxy, he's functionally the progenitor god of Creation.

Some of them, though, like to interfere in the mortal world of Runetera in various ways, and they tend to use mortal vessels to do it. That's where we get Aspects: Aspects are mortals who are chosen by the Celestials that live on Mount Targon to contain their power and be their avatars in the mortal world.

Leona is the Aspect of a Sun celestial, Diana of the Moon celestial, Pantheon is the Aspect of War (or he was, until Aatrox killed it, but he retains access to many of its powers), and Zoe is the Aspect of Twilight, and so on.

Soraka is another Celestial in mortal form, but she is NOT an Ascended. Rather than possess a mortal, she created a mortal body for herself and poured the whole of her being into it, which is causing her body to permanently burn up from the inside while she regenerates it with her magic. She lives on Runeterra and acts as a mysterious mystical wise guide and mentor to mortals who need it.

Ascended & Darkin

Ascended are somewhat similar in kind to the Aspects, but usually lesser in power. The Ascended are also human beings infused with Celestial magic and power, specifically with the power of the Sun, although as far as I know, that power is drawn not from the Celestial of the Sun who empowers Leona, but directly from the physical Sun itself. This means the Ascended aren't possessed by Celestials and retain full free will, at the cost (or let's be real: benefit) of being transformed into furries, which extremely coincidentally just so happen to closely resemble the gods of the Egyptian pantheon. but again, they are definitely not gods, please don't put it in the newspaper that they are gods.

I don't know exactly how canon Riot considers this anymore, but the lore was that the Aspects of Mount Targon gifted the power of Ascension to Shurima in order to produce Ascended that could serve as shock-troops in the war against the Void, which is a swarm of extradimensional horrors that are constantly trying to eat the world. Whatever the case, the Ascended DID fight the Void, and it traumatized and corrupted them so badly that they degenerated into body-horror blood monsters called the Darkin.

The Darkin fell into civil war and it got so bad that The Aspect of Twilight (not Zoe but her predecessor in the role) decided to use some magical trickery to imprison them all in their weapons, which is where they've stayed for a few thousand years, getting even more traumatized and mentally destabilized by the total sensory deprivation and solitary confinement. If any mortal touches a Darkin weapon, it immediately assimilates them and uses their flesh as a new host, and then goes on a killing rampage about it. That's where you get your Aatrox, your Varus and (eventually, once he devours Kayn) your Rhaast.

Gods, Spirits & Demons

This is the category for Ornn, Anivia, Volibear, The Seal Sister and so on. The Freljordian people worship them as gods, but they are, technically, only extremely powerful nature spirits, manifestations of the nature of the Freljord itself, which draw power from the land and to a lesser extent from their worshipers. There are many, many lesser nature spirits, which might be worshiped as gods by particular tribes or hold power over particular areas, but Ornn, Anivia, Volibear, The Seal Sister and the Iron Boar are the most powerful and most widely revered.

On a similar note, Ionia is absolutely choked to the gills with spirits, because those lands are soaked in magic. They are usually not worshiped as gods specifically, but take the shape of everything from dragons to living trees to sprites and will-o-wisps and which roam fairly freely in Ionia. This includes characters like Lillia, who is the daughter of a magical tree of dreams on whose branches the dreams of mortals grow and mature, and it includes Ivern, who is an extremely powerful and ancient nature spirit formed from the soul of a magical tree.

Demons are distinct from spirits, in that rather than drawing on the power of the land or fountains of magic, they draw on the emotions of living things for their powers. The most powerful demons are known as The Ten, who get their power from the most primal emotions that living things feel. Fiddlesticks is the demon of Fear, and Nilah somehow draws her strength from Ashlesh, the Demon of Joy, whom her order has imprisoned. We don't know who the rest of the Ten are yet, but Riot seems to have that worked out somewhere in their internal deep lore.

Swain has a lesser (but still powerful) demon of secrets called Raum bound in his arm through some sort of deal, Evelynn is a demon of anguish and pain, Tahm Kench is a demon of addiction, and Nocturne is a demon of nightmares.

Besides those, there are an untold number of lesser demons, who feed on more and more specific feelings, and thus are less and less powerful because there's simply less of that stuff around to feed on. They are often called Azakana, and may be demons that feed on feelings as niche as, like, noblemen's fear of their extramarital affairs with handsome commoners being discovered. Yone hunts the Azakana and collects their mask, although even he doesn't know quite what for.

Death

This is where we place the Kindred. Technically they are merely Spirits of Death, but more than perhaps any other category of creature, Riot keeps writing them as Literal Gods of death and I don't think it makes sense to think of them any other way.

The Kindred take on many different shapes all across Runeterra, seemingly influenced in large part by the expectations of the people or creatures who are dying, but their most popular visage is that of a Lamb and a Wolf, hunting together. Lamb's merciful arrow ends your life if you accept that your time is up and go gently into that good night, but Wolf hunts you down and rips you to shreds if you resist and fight to your last breath, destiny be damned.

The Kindred are there for every death on Runeterra, they are the mediators (as far as we know) of all forms of death everywhere, and by far the most classically "anthropomorphic embodiment of universal existence" style god in the lore that we know of. Where a god like Anivia only really has power in the Freljord, the Kindred have power everywhere there is life. Only the undead escape them, and even then, only temporarily.

In Conclusion

YES Runeterra has tons of gods, it obviously has gods, you can't walk five feet in that universe without tripping on a god, but they tend to be gods with hard limitations on their power and influence, and rarely have powers on the level of bending reality itself.

Even Aurelion Sol, who literally makes stars, can't snap his fingers and undo causality, for example, or suspend the laws of physics wholesale.

Riot's weird insistence on "no gods in Runeterra" is more of an affectation, a bit of a put-on, than an actual narrative principle, and most of the gods of Runeterra can be understood very comfortably through the lens of various non-Christian religions like Norse or Greek mythology, or the hero/god characters of something like Polynesian myth.

[flawseer]

#18 - "Fire"

Smaugust 2024

The last few submissions have been mostly visual, but today I want to do something more text-based. I'm always looking for opportunities to ramble ad nauseam about my headcanons and thoughts, but am usually hesitant if I don't think I can make a subject interesting or particularly insightful.

A few months back I was playing with the thought of publishing a speculative analysis on Pyrrhian dragon breath weapons, and how they might differ between tribes. I got up to the conceptualization stage, but then @sidyashchiy-na-plakhe came out with a better and more put-together version of what I was thinking about and touched on some similar points, so I filed those plans away to not step on any toes. If you're enjoying this type of deliberation, I recommend that you check out his take, as it is very thoughtfully put together with some cool visuals.

But, seeing as I have no other ideas for this prompt, and since it's been a while since then, I'm going to air out my scrapped draft here. I guess this is a mixture between canon information and headcanons, with a bias toward the latter.

General Information

Each of the seven Pyrrhian tribes is capable of using a kind of orally-discharged means of attack. For the purpose of this deliberation, I am going to refer to all of these as "breath weapons", even though not all of them are activated via exhalation. It will make things easier to talk about.

There are three general factors to each type of breath weapon, those being potency, range, and start-up time. In the case of fire breath--the most ubiquitous type of breath weapon on the continent--these would roughly correlate to the temperature of the flames, how far they can travel from the source while maintaining their shape and intensity, and for how long the fire must be stoked inside of the user before it can be expelled.

How developed these factors are differs for every dragon, but the two biggest determining modifiers are constitution and age. Being physically fit will make your breath weapon more efficient--and thus stronger--because you have better control over your breathing after exertion. As a dragon advances in age, the three factors all increase proportionally. A Mudwing hatchling can produce a puff of flame very quickly, but it will barely heat up the surrounding air. An elder meanwhile might take several minutes to get their fire going, but when they do, the result will be fearsome and devastating.

Fire is the most common element on the continent, with four of the seven tribes being able to command it. I will go through those first and then follow up with the other variants .

Nightwing fire is a dark purple in color, due to a slight variation in the gas component that fuels the flames.

The flames have no particularly outstanding properties strength-wise, but they emit comparatively little light, meaning they don't stand out as much against the night sky. This makes them ideal for low-profile ambushing, but very unsuitable as signal flares.

If a Nightwing ignites an object, the flames will gradually lose this characteristic as they will begin to consume the air around them and turn into ordinary, orange fire.

Nightwing flames are sometimes colloquially referred to as "Moonfire".

Sandwing fire is, on average, the least powerful among all the fire-breathing dragons. In terms of potency and range, flames emitted by a Sandwing of 20 years will be roughly equivalent to those of a twelve-year-old from the other fire-breathing tribes.

Their unique advantage is that Sandwings can produce these flames extremely quickly, usually within seconds. If readying fire takes a dragon 30 seconds, an equivalent Sandwing can do it in 5.

While for most other dragons the use of their breath weapon is a deliberate and calculated affair, the severely reduced start-up time allows Sandwings to "shoot from the hip" without having to commit to the action, making them less predictable in combat.

A popular Sandwing combat technique is to open a fight by blowing a quick plume of weak fire into an opponent's face and then using the resulting distraction to strike with their venomous tails.

Skywings command the strongest and purest variation of fire among all tribes. Their flames come out very straight and can maintain their shape over vast distances.

They can "cook" their fire by holding it inside themselves for longer than necessary. While this becomes unpleasant or even painful if done for long, it will increase the temperature and purity of the resulting flames far beyond what any of the other tribes are capable of.

Flames emitted after doing this for long enough will come out with an intense blue color that can cut through stone.

For dragons afflicted with firescales, all of the fire they breathe will be like this, as their bodies are already channeling flames at all times to fuel the burning scales.

Because Skywing fire is so intense, it is at times difficult to control. Skywings who become emotional will often start smoking from their nostrils involuntarily.

Mudwing fire, sometimes referred to as "moody fire", is very temperamental. Its strength will vary widely based on a number of different factors, not all of them fully understood, making it appear random at times.

The most commonly understood factor that influences a Mudwing's fire is the ambient temperature. Mudwings will struggle to produce flames in environments that are too cold (close to freezing weather, very cold water, etc.). This can be partially mitigated by ingesting hot stews, soups, or beverages before fire usage.

A factor that isn't as well documented is that the Mudwing's fire breath and their uncanny healing factor are fueled by the same source. This means a Mudwing's fire will be strongest when they are healthy, and begin to diminish if they become injured, as their body will divert resources away from the breath weapon to prioritize keeping itself alive, functioning, and mobile.

Mudwings hatched from blood eggs have a tendency to develop poor breath weapons, as their super-charged healing factor--while potent enough to outpace most damage sustained from fire--is even more resource-hungry than that of a regular Mudwing.

Icewings don't breathe fire. Instead, they are able to exhale a stream of frost magic. There is nothing I can think of to scientifically explain all the properties of frostbreath as they are presented in canon, especially with regards to Queen Battlewinner. Ice that makes you lava-proof? Nah, this is straight-up magic. All Icewings are born with a small piece of magic and this is how it expresses itself.

Contrary to popular belief, frostbreath is not stronger than firebreath. In terms of general characteristics, Icewings and Nightwings are actually roughly equivalent.

What makes frostbreath more overtly lethal than fire breath is the magical component. When frostbreath comes in contact with living tissue, it will form ice crystals on and inside the surface. All flesh in contact with these crystals will gradually turn necrotic. This process is very painful.

The crystals are very persistent and it requires sustained exposure to intense heat to melt them. The best way to accomplish this is via prolonged bath in warm water (close to boiling). This method, if applied quickly after the injury, will usually result in recovery after a few hours of bathing.

Getting hit while in a situation with no access to warm water is very dangerous and potentially lethal. If treatment does not begin soon after, the crystals will begin to spread, killing more tissue and making recovery increasingly less likely, especially once the injury spreads to internal organs.

It is not uncommon for soldiers who get hit by frost breath and are caught out in the open with no treatment options to cut off the afflicted body part to minimize tissue loss.

Icewings are more resistant to frostbreath than other dragons, but not fully immune. They can succumb to the same injuries.

If an Icewing suffers an intense burn, particularly in and around the face, they become completely unable to exhale frost until the burn begins to heal.

Rainwings do not have a breath weapon. Instead, they produce an acidic venom within their bodies, which can be administered through biting, or launched at targets through a pair of collapsible, hollow fangs.

The gland that produces this venom needs sunlight to develop properly. Once the Rainwing has been exposed to sufficient sunlight, venom production will begin, and may even continue without further exposure, but it is recommended to sunbathe for at least 5 hours a week to keep the gland healthy and the venom potent.

The venom is strongly corrosive and able to dissolve most organic materials like wood, plant matter, and flesh. It is potent enough that, if it enters another creature's blood stream directly (via bite, an open wound, or the eyes), that creature will die within seconds.

The venom's lethality will rapidly decrease once it separates from the user. If it hits surface tissue and has to burn through layers flesh, it will usually lose too much of its toxicity before it reaches the blood stream (though it will still function as acid and be excruciatingly painful).

Rainwings are immune to their own venom, but not the venom of other Rainwings. Mixing a sample of venom with the venom of a close blood relative will cancel out the destructive properties of both.

Seawings are amphibious dragons who prefer to live in water, but can also go on land and exist there in relative comfort for a decent while. Their body contains an organ that stores water, from which it periodically draws to keep the Seawing's skin from drying out.

When under duress, a Seawing can forcefully expel the contents of this organ through their mouth as a pressurized jet of water. While this is not very destructive, it can momentarily stun aggressors and allow the Seawing to retreat to the safety of a nearby lake or river.

If the blast is held inside and charged up similar to the fire breath of other tribes, the Seawing is able to draw from their body heat to increase the water's temperature to scalding degrees.

[indigovigilance]

A Nightingale Sang in 1941

This is my inaugural meta (yay!) Eventually I will learn how to add gifs and whatnot to make this more interesting but today, I give you a wall of text.

I need to give credit where credit is due to three existing metas that I’m drawing upon heavily here:

A speculative continuation of the 1941 story, which includes an almost-kiss while “A Nightingale Sang in Berkeley Square” plays on the gramophone,

A behavioral analysis of Aziraphale during the S2E6 finale (will find ref later if possible)

A meta-analysis of the way in which “coffee” is used as a symbolic equivalent for liberty and freedom of choice, a running theme of this show (will find ref later if possible)

I’m going to expand upon meta #2 and #3 and explain why I think there is are very compelling reasons to believe that #1 will be canonized.

At the end of S1E6, an instrumental version of “A Nightingale Sang in Berkeley Square” plays diegetically, but the lyrical version plays non-diegetically over the credits (we hear it but the protagonists don’t). So we the audience could plausibly say “that’s their song,” but as of the close of S1, we have no reason to believe that they know that it’s their song. Even Aziraphale’s S1E3 (1967) suggestion that they dine at the Ritz could be a reference that only he gets, or just a fancy restaurant suggestion.

So when I was watching S2E6 and Crowley said “no nightingales,” I was jarred. What does that even mean? We know it has something to do with dining at the Ritz, but what does it mean to them? The reference only works if they know it’s their song. But we’ve only ever seen them hear it together after the averted apocalypse; if this is the direct reference that Crowley is making, it leaves our 1967 reference contextless and twisting in the wind.

If we assume that there was a romantic story beat in 1941, wherein “A Nightingale Sang in Berkeley Square” (which, incidentally, was written in 1939 and saw the height of its popularity at the end of 1940, so timeline-wise it’s spot-on) became their song, then a lot of events get renewed interpretations through this lens, in a way that makes this story much more cohesive and the “no nightingales” comment even more soul-shattering than it already was.

Let’s presume that immediately after this became their song and just as they were discovering their romantic potential, they were forced back into hiding. Forever after, references to the song serve as a macro for “I’d like to pick up where we left off that night.”

The 1967 suggestion of “dining at the Ritz” now becomes a directly romantic suggestion. It also gives better context for “you go too fast for me.”

Actually going to the Ritz in 2019 is not simply a celebration or even a callback to 1967, it’s a callback to their almost-romance of 1941.

When Crowley says “no nightingales” in 2023, this isn’t to say “we’re not going to eat together at the Ritz anymore.” It’s saying that the romance that began that night, the precious, fragile romance, is over.

I’ll give you a moment to dry your eyes before we move on to metas #2 and #3.

In light that this is what has been going on - they know they want a romantic relationship but have gotten so used to hiding and denying it that they are more comfortable keeping the status quo static and quo-y then trying to achieve their ideal - a lot of S2 behavior can get a fresh view.

Crowley’s reaction to Nina isn’t a realization that he’s in love - he knew that already. You can only ask someone to run away with you so many times before you are forced to admit some things to yourself. No, he’s realizing that trying to hide it (which was justified by survival), hasn’t been working, but despite failing at being stealth nothing bad has happened. He’s realizing that it may finally be safe to show it.

Crowley’s confession, then, is not a revelation. It’s making the subtext text. He’s not telling Aziraphale anything he didn’t already know. He’s saying it now because he thinks he’s safe to do so. Pin in that.

Lots of people have lots of theories about Aziraphale’s motivations in the S2 finale, which can more or less be divided into 4 camps: the genuinely held belief, the coffee theory, the lie theory, and the mutual trick theory (some version of the body-switching at the end of S1). Let me start by saying that I love all the fans and all their theories and I find their analyses to be insightful. The genuinely held belief theory, while I believe it to be erroneous, has been incredibly conducive to so many wonderful conversations and I love being in a community that has those conversations. But I’m going to explain why I think the lie theory finds the most support in canon.

Re-watch the finale (when you feel like you can) from 35:18 to 36:19 and then from 40:45 to the end, paying very close attention to Aziraphale’s words and his eyes. Michael Sheen is telling us a LOT with his eyes, and in the back half of the finale scene, with pacing.

For 60 seconds of footage, this setup is doing a lot of work. If Neil Gaiman wasn’t doing enough to beat us over the head with how evil the Metatron is, that glare at Crowley at the end with the non-diegetic ominous horns should convey the message. But again, focusing on Aziraphale. He initially refuses to talk to the Metatron; he’s made his position quite clear. There is no hint of regret or wavering; this is not someone who’s aching to return to the fold. The Metatron ignores his refusal and functionally forces him to accept a “cup of coffee.” The coffee isn’t spiked, but it is a metaphor. It is symbolic of choice. The Metatron is going to force Aziraphale to make a choice. Meta #3 does a great job of exploring the idea that a choice between anything and death is never really a choice. Hang onto that thought.

Notice I had you start up again 3 seconds before “The Conversation.” That’s because it’s important to note where the Metatron is right now. He is across the street, staring straight in through those giant windows to where our protagonists are about to have The Conversation. He is watching.

When Aziraphale returns, Crowley begins his “let me talk” riff. Aziraphale ought to be interested in what Crowley has to say, since the preamble is pretty compelling. You’ll notice that Aziraphale quickly turns to the window and back, through which he (but not we) can see the Metatron standing there, watching them. Aziraphale is then doing his best to get Crowley to STFU without raising the suspicion of the Metatron, eventually having to cut him off.

Because unfortunately, Crowley’s entire impetus for speaking up now is that it’s safe to do so. Only Aziraphale knows that they are in very real danger (or at least, Crowley is, but I’ll come back to that).

You might take something from the fact that he’s shaking his head while talking about “incredibly good news,” and seems to self-censor his criticism of Metatron (or more specifically, he takes ownership of any criticism of the Metatron, censoring out Crowley’s role in that, with the emphasis on I in “I might have misjudged him”).

Notice in the flashback that he begins the conversation reasonably relaxed. The Metatron also says a series of things about him that not only are false, but everyone, including the Metatron and Crowley, know are false: Aziraphale is not a leader, he’s a defector; he’s not honest, he lies all the time, in fact this entire season revolved around his one huge lie of hiding Gabriel. Not only does the justification not make sense coming from Metatron, but it shouldn’t make sense that Aziraphale would accept these reasons and it shouldn’t make sense to Crowley either. So is Aziraphale including these details in his recounting to Crowley so that he will get suspicious and figure out the jig? Maybe. Let’s continue.

Immediately upon being offered the job of Supreme Archangel, Aziraphale says “but I don’t want to go back to Heaven.” This is direct evidence against the genuinely held belief theory. If returning to Heaven and making a difference was a genuine motivation, we would have gotten a different response at this moment. But then we get something more.

“Where would I get my coffee?”

This is a beautiful response for a number of reasons; coffee should be trivial compared to the opportunity to be a Supreme Archangel, so it serves to highlight just how little interest Aziraphale has in returning. Taken at face value, it’s the Aziraphale equivalent of “not even at gunpoint.” But remember that coffee is a metaphor for liberty in this universe and this season. So what Aziraphale just said, in the language of Neil Gaiman metaphors, is:

I don’t want to go back to Heaven, I would rather have free will.

What does the Metatron do next?

He brings up Crowley.

Watch Aziraphale’s eyes before and after the mention of Crowley. He goes from confused to eye-flicking panic in the space of two syllables. Aziraphale already understands that his “no” is not being accepted, and that bringing Crowley into it can only possibly serve as a threat.

So the coffee, the choice, is a false choice. No one ever orders death. The Metatron has forced Aziraphale into a situation that looks an awful lot like a choice (it comes in a blue cup, after all) but it isn’t.

We definitely have some reliable narrator problems here. I’m going to presume for purposes of analysis that these cut-outs are accurate but incomplete, and that a more explicit threat about what would happen to Crowley if Aziraphale did not return to Heaven was made.

If we assume that Aziraphale has been made aware of a threat and is trying to hide that from Crowley, the rest of this scene reads very differently. Aziraphale cannot say, “you are in danger but you will be safe if you swear your allegiance to Heaven” or “I have to go, no matter what, and the only way we can be together is if you come with me,” but nonetheless he now has to convince Crowley to do the one thing he ought to know Crowley definitely doesn’t want to do all through subtext. Which we’ve spent an entire season establishing that they can’t communicate well when they are allowed to use their words. Disastrously, this is not a magic trick that Aziraphale can make work when it counts. Their failure to practice good communication means that, right now, when it counts most, they are not going to pull it off.

We see that Aziraphale is very hopeful that Crowley will pick up on his cues and play along. Obviously, he doesn’t.

If the whole riff about Hell being bad guys and Heaven being the side of truth and light is taken as genuine, it discards a massive amount of character development that we’ve witnessed in Job, Edinburgh, etc. (again, to all the genuine belief subscribers, I think it’s a compelling argument but it simply doesn’t account for the evidence). So if it’s not genuine, why say it? Again, to alert Crowley that something is Off, because Crowley should know that Aziraphale doesn’t actually believe that. They saved humanity from Heaven and Hell. They hid Gabriel from Heaven and Hell. Crowley knows that Aziraphale knows that Heaven and Hell are just two sides of the same coin. Notice again that Aziraphale glances out the window while he’s talking up Heaven; he knows the Metatron is watching, he can’t not defend the position of Heaven. I think it’s also worth noting that Aziraphale forcefully glances and gestures off to Crowley’s left (away from the window) when talking about Hell, and then turns his head to Crowley’s right (towards the window) to try to get him to realize that a representative of Heaven is literally standing right over there, just look out the window please dumbass!

When Crowley is asking Aziraphale if he said no, and we see the back of Aziraphale’s head, again we can see him turn his head to glance out the window. This is also when he changes strategies, and admits that Heaven could use a little reform. Because now there’s a problem almost as big as getting caught, which is that he won’t be able to get Crowley to go with him.

Which unfortunately makes the next part of this so much more heartbreaking. Because when Crowley begins his speech about being a team, Aziraphale wants to hear it. He can’t bring himself to shut down Crowley again, even though it could get them both in massive trouble. Notice that he glances out the window again during this, and the look of panic on his face. He begins to shake his head when Crowley mentions that Heaven and Hell are toxic; this can be taken a lot of ways but I’ll argue for the interpretation that he’s trying to get Crowley to STFU and stop saying shit that could get him destroyed.

After Crowley puts on his sunglasses we are in the “back half” and Sheen is doing a lot with phrasing here, specifically pregnant pauses.

“Come with me… to Heaven!”

“We can be together… as angels!”

Based on the pacing decision I am thoroughly convinced that the first half of each of these statements is intended to be the message to Crowley and the second half is always a qualifying statement to satisfy the Metatron.

Unfortunately, these pregnant pauses are completely backfiring in their effect on Crowley. The sentiment gives him hope and the qualifying statement crushes it again immediately. He is being taken on a horrible emotional rollercoaster with these declarations which are only further amping up his instinct to run away.

The only truly genuine, unaldulterated statement I think we get from Aziraphale is

“I need you!”

When it becomes clear to Aziraphale that there’s been an irreparable breakdown of communication between them and the subtext is not getting across, he says:

“I don’t think you understand what I’m offering you.”

He means this literally. Crowley has not understood that Aziraphale is offering him protection from whatever threat the Metatron has made.

Which makes this part extra-devastating and also absolutely in keeping with a major running theme of this season.

“I understand. I think I understand a whole lot better than you do.”

Your understanding and my understanding are different understandings.

Crowley views the offer to return to Heaven through the lens of his trauma. He understands what life in Heaven would be like. But he doesn’t understand that Aziraphale is offering him protection.

But Aziraphale just heard Crowley say that he understood everything, and he’s still going to leave. There might be a little suspense of disbelief here to believe that Aziraphale really interpreted the statement this way, but we know that Aziraphale isn’t always the brightest battery-operated candle in the drawer. So under the assumption that Crowley did understand him and is still rejecting the offer, rejecting him—

“Well, then there’s nothing more to say.”

Please pay very close attention to Aziraphale’s body language for the next part. He’s active, agitated, turning side to side, arms swinging. This is a very fidgety angel.

“No nightingales.”

Aziraphale is now completely still. He’s feeling that feeling. You know it. The one where your entire body is getting sucked into the pit of your stomach. The aching paralysis.

This is their song, the one that began their romance in 1941, the secret code for all other attempts at flirtation. Crowley has walked out on him before, Aziraphale has been stubborn and obstinate before. But they always came back together, sometimes with an apology dance or other rituals that belonged solely to them.

But now the song is over.

By saying this, Crowley has broken up with Aziraphale. We can see in Aziraphale’s sudden transition from fidgety to paralysis that he has understood it this way.

Then he turns away from the window so that the Metatron won’t see him cry.

The kiss was heart-wrenching already. But we’re not done with this analysis.

During the kiss, Aziraphale has a choice to make between two very compelling bad choices. This is the Job dilemma. But worse.

If he doesn’t kiss Crowley back, he will let Crowley think that he doesn’t love him. He will have missed out on this (maybe/probably their first kiss?) and regret it forever.

If he does kiss Crowley back, in full view of the Metatron, they are in deep trouble.

He seems to do his best to split the difference. I would even go so far to say that the awkward arm waving is Aziraphale acting for the Metatron’s benefit, to try to portray that he doesn’t want this even though he absolutely does (just not like this). The anguish when they break the kiss is absolutely real, and the first thing he does is glance out the window. Through all this he has remained painfully aware of their spectator.

He wants to say I love you. He mouths it. He breathes it.

But the Metatron is watching.

He can’t tell Crowley I love you. So he has to say the only other thing that has always unequivocally meant “I love you” when he said it to Crowley. He has to hope that Crowley understands him now, even though he never has before.

Spoiler alert: Crowley doesn’t.

My forgiveness and your forgiveness are not the same forgiveness.

One more point against the genuine belief fans (I love you): if the offer to let Crowley back in is what changed his mind, then Crowley declining removes that incentive. Aziraphale should/would have consequently retreated to his last stated position of “I don’t want to go back to Heaven, where would I get my Crowley—I mean, coffee?” [post-publication nod to @theonevoice for a great little meta] It simply doesn’t hold up to scrutiny.

I think a lot of fans were already making these assumptions about the use of the nightingale song so this meta may not feel revelatory, however, it isn’t canon (yet), and I’m sure I’ll find company that agree that canonization of this connection would strengthen a lot of these story points, as evidenced by how it is already assumed by many fans.

If you made it to the end - omg thank you! Please leave a note and tell me your thoughts!

Bonus: somebody already made the song connection here

~~~

if you liked this, you may also like:

Book of Life and what it means for Crowley

The Erasure of Human!Metatron

Baraqiel and Azazel

~~~

Recommended related (lie theory) metas by other people:

making the subtext text by @theonevoice

Aziraphale's Decision Matrix by @yowlthinks

Nothing Lasts Forever: META by @phoen1xr0se

[fatuismooches]

Playable reader but they're the only one who has a second stamina bar when gliding/swimming. When the first bar runs out of stamina, Dottore automatically switches in with a line scolding them for straining themself or light-heartedly teasing them since they need to be carried now that they are tired.

He doesn't switch in when they're sprinting though, I imagine that canonically - not gameplay wise, he's just walking behind them, watching them run around. He's marvelling at how far they've come, going from bed-ridden to jumping everywhere and running circles around him.

As for climbing? There's a small chance of triggering a rare voice-line, so small that the players who found it thought it was part of an event or a side-quest.

Dottore, sighing exasperated: "Get down from there before you exhaust yourself."

Reader, grunting in strain but is still climbing: "Hold on— I think I'm almost there, I have to see what's up here. You'll catch me if I fall!"

Dottore: "And if I don't?"

Reader: "Wha— what do you mean 'if you don't...?!"

Dottore: "..."

Reader: "Dottore? Dottie—? Dot...! You're... you're still down there, right...? I can't look down..."

MY FAVORITE META CUTIE PIE COUPLE. Reader would always try to prove to Dottore that they don't need that much help anymore, which is true... to a certain extent. It's very obvious to Dottore whenever you push yourself, so while he usually prefers to lay back and carefully watch what you do, he'll always jump in when he feels it's necessary.

"Hey, I... I was fine to keep g-going..."

"Stop being foolish and listen to your doctor."

-

"Ugh... my back hurts now."

"You poor thing, shall I carry you?"

"No! I'm fine! ...I think."

AGREED!! Dottore (or another segment) is always just a few steps behind you. He's very much content to see you explore the oddities of the world (which are so very normal and boring to him, but interesting to you after being away for so long), mentally taking notes about how much you've changed and any abnormalities in your condition. He'll watch you jump up to pick some fruits for the two of you and skip back to him. He'll watch you tussle with a fishing rod and fight to reel in some fish for dinner. He loves watching you be confident in yourself just as you once were. Of course, if any danger were to appear, then he's in front of you again quicker than one can imagine. (Gameplay-wise, it's much more optimal for the player to use Dottore while running, otherwise, they'll have to deal with Reader complaining quite frequently...)

Climbing is probably the scariest part for Reader, but they can't help but want to challenge it sometimes! It's... not the easiest, but they can do it! Especially when they have Dottore in case of anything!

...Hopefully. You're well aware of Dottore's mean and sarcastic side, even if you're not the target of it the most often. Unfortunately, sometimes he uses it to scare you out of potentially dangerous situations for your body. It's for your own good, I promise.

[starrysharks]

DESIGN DEEPDIVE:

OCTAVIA KRANKENSTEIN

due to popular demand, here is my first DESIGN DEEPDIVE, where i explain all my little character designs! character design is really important to me, so i hope you guys appreciate this TwT

this deepdive goes over octavia krankenstein, the main character of my series reassassination. firstly, we'll go over shapes and color pallete, the first things you notice when looking at most character designs.

when it comes to octavia's shapes, we can see that she's primarily made of squares and triangles. this establishes two things about her right off the bat:

- she's sharp, and personality wise, probably dangerous and active.

- she's strong, and possibly stubborn.

however, a detail that i want to point out is octavia's singular circle, in the form of a button on her dress under perfect pendant. i've added this button to indicate that behind the sharp, tough exterior, octavia has some empathetic traits. the location of the button is also important, being at the heart. (this exerpt is from my own personal factfile for octavia):

"...Octavia is a particularly self-contradictory character - while she's apathetic to the idea of killing, she can't stand the idea of harming innocents - meaning she often feels the need to justify her homicidal tendencies."

the color pallete of octavia is also important. as you can see above, she's made up of two colors and a tone - black, scarlet, and seafoam green. i want to focus on black and scarlet here.

when it comes to black, i think it's an interesting color both technically and in terms of character. black was used to give octavia's design the vibe of an executioner or medieval assassin. it blends into the night, and hides bloodstains, so it makes sense for octavia to wear it as an assassin. however, this is juxtaposed by flashy red details, which indicate several things about octaiva -

- she cares a lot about fashion and the way she looks, even if it isn't functional. the style of clothing that octavia wears is heavily inspired by 2000s "mallgoth" and the general nu-metal scene, which was often red and black clothing. (cybergoth was also a small inspiration!)

- octavia is a character with a lot of freedom. this might seem like a stretch, but in color language, red indicates action, confidence, danger, passion, and power, along many other things. in canon, octavia's dress was given to her by another character (dr. krankenstein) completely black, and then octavia edited the dress herself to include red details. this on its own might seem like nothing, but the thing about octavia is that her design is complimentary to another character's; vivica de la crux.

vivica is a character who wants freedom, but has next to none, to say the least. therefore, her "red" qualities (passion, freedom, etc), are stifled, so she has very little red in her design compared to octavia. side by side, you can see that their designs have a strong contrast in this regard.

- and lastly, octavia is vulnerable in that she wears so much of her personality literally on her sleeve. while octavia may seem stoic and mysterious in terms of character, and possesses strong physical strength, she lacks social awareness and struggles in that regard, being a social outcast within the story.

alright, now it's time to go over body type, hair and outfit! these are all pretty important in my opinion.

firstly, body type. octavia's heavily exaggerated thinness which is actually inspired by that "scene kid" artstyle that you've probably seen before, and 90s/2000s cartoons and comics in general (SPECIFICALLY the art of jhonen vasquez, who made invader zim and JTHM)!

of course, octavia's hair gives her design more depth and volume, and a strong silhouette - one resembling a ghost or spiky monster. as you can see in her ref sheet, there are 3 spiked ends on either side of the hair. in fact, there are a lot of matching pairs of threes in octavia's design, aren't there?

- three bottom eyelashes on either eye - 6 in total

- three bows on either boot - 6 in total

- and of course, three hair spikes on either side - 6 in total.

that's right! octavia's design hides a secret 666, which relates to her alternative name - experiment-666 - and the fact that she's literally seen as a demon to the clear crucifix org, the antagonists of the story.

but let's look at octavia's outfit entirely. or maybe not? the thing about octavia's design is that i wanted it to be one where you could deform and modify it in various ways, and no matter how many details you remove, it's still clearly octavia. kind of like hatsune miku!

in the end, octavia is supposed to feel like a character from the 2000s, rather than just one based off of 2000s alternative culture. i don't know if i really succeeded with that, but i'm still proud of her design regardless. if you read all of this ramble to the end, thank you so much! i might do more design deepdives for other characters if people are interested. you can even request specific characters of mine if you'd like!

[rainbowswirlything]

Neopets Lore (and Theory) - Faerie Aging and Faerie Populations

Here's another fun poking-at-the-Neopets-canon post about faerie aging and population numbers (this is a long'un, so to be nice I'll put a Keep Reading break in to make it easier to scroll past in the #neopets tag. ;))

1. Faeries are very long-lived, and don’t seem to grow old. In Fyora’s and Illusen’s Neopedia articles, their ages are listed as “Ageless.” (Jhudora’s age, for the record, is listed as “She’s certainly not telling.”)

"Go on. Ask. See what happens."

Neopets, in contrast to faeries, have been described as mortal (such as in the Altadorian Book of Ages—“Siyana, the First to Rise, blessed [the city's] mortal heroes with the gift of great longevity”—plus I’m pretty sure Jhudora calls you a pitiful mortal or something like that as one of her quest-completion messages), which implies that faeries are immortal—that they don’t die of old age. (They do seem to be able to die of other causes; there’s at least one faerie ghost out there—Valeane, from the “Aethia and the Battle Faerie” Neopedia article.)

2. Faeries appear to, at minimum, go through a “teenager” phase during which at least some of them attend a school called the Faerieland Academy, though what that actually involves, age-wise, seems to be ambiguous—in the Neopedia article for Kaia, whose backstory involves leaving her homeland of Shenkuu to attend the Faerieland Academy, her age is simply listed as “Younger than most of her kind.”

"I'm [ambiguous] years old!"

It’s not known whether Kaia is literally a teenager when she goes to the Academy, or if faeries age differently—it’s possible, as long-lived beings, that they age more slowly and reach the faerie equivalent of adolescence at a much older age than Neopets (or humans); likewise, it’s possible that faeries are “born”/created from magic and never go through a baby/young child stage, jumping straight from nonexistence to the equivalent of teen-hood. (I don't believe an infant or toddler-stage faerie has ever shown up in canon.)

3. The ongoing existence of the Faerieland Academy implies that faeries are being born/created at a fairly steady rate—there’d be no need for a school for young faeries if there weren’t an ongoing stream of faerie youths to be schooled.

(It’s not impossible that Neopets might attend the Faerieland Academy as well—there’s an old TCG card that references a “Faerieland Magic Academy” that Neopet would-be mages could attend. However, this may not be the same as the Faerieland Academy that Kaia and other faeries go to, and Kaia’s article doesn’t mention her interacting with other Neopets as students—only faeries.)

"And all of those faeries are jerks!"

4. It’s not clear how faeries are born/created.

At least one faerie mentions her mother—in the “Aethia and the Battle Faerie” Neopedia article, Aethia introduces herself as “student of Shyvara, daughter of Dreeana.” There is also an item called “Illusen’s Family Recipe Cake,” which means that Illusen presumably has a family that passed down the recipe for that cake.

However, it’s never clearly stated whether these familial relationships come about through birth or adoption. It’s possible that faeries reproduce through parthenogenesis, or--given that they're magical creatures--just use some sort of spell to conjure up children out of thin air. It’s also possible that faeries simply pop up spontaneously from Neopia’s natural magic (or something like that) and are then adopted by an adult faerie, though that option raises an obvious question—what happens if a young faerie pops into existence somewhere remote, without any faeries or Neopets nearby?

(The worst option, of course, is for faeries to be like ants or honeybees, in which the Queen is responsible for producing all the eggs necessary to keep the colony going. I would not wish that on Queen Fyora--it seems like an awful lot of work, and ruling a city-state seems hard enough on its own.) (Though there's a part of me that's strangely amused by the idea of faeries being insect-like enough to have a grub-like larval stage.)

"Why would you even suggest that."

5. However it is more faeries enter Neopia, here we run into a problem—that is, population.

If faeries don’t die of old age, and more faeries keep being born/created… eventually you’re going to start seeing overcrowding.

This presents a few possibilities:

a) Faeries do actually die of old age; it’s just that none of them have hit that age yet.

If Dr. Sloth's Neopedia article is to be believed, Neopia as we know it came into existence around 2,000 years ago—prior to that, Neopia was a wasteland without Neopets or faeries, until one day the world spontaneously became covered with greenery and Neopets popped into existence (much to Dr. Sloth’s dismay—he’d liked having a nice wasteland to fill with cool mutants!). It’s possible that faeries do have a maximum lifespan, but it’s simply higher than the number of years faeries have existed as a species. After a certain point, therefore, the faerie population could then stabilize.

b) Faeries do actually die of old age, and some have already done so, but faeries don’t like to talk about it—and might even deliberately hide their mortality from Neopets.

We know that Fyora has been Queen for at least 1,000 years (since she was the one to seal away the Darkest Faerie 1,000 years ago), so faerie lifespans would have to be at least 1,000-plus-however-old-Fyora-was-when-she-became-Queen, but (again, assuming the Dr. Sloth article is accurate) less than 2,000-and-change.

(As a side note, it’s implied that Fyora wasn’t the first Faerie Queen; according to the description of the (on-site item) book A New Day, Fyora was once an “up-and-coming faerie princess,” which raises the question of what might have happened to the previous Queen—untimely death, abdication, or something else?).

c) Faeries don’t die of old age, but after a certain point they leave Neopia in some manner.

Perhaps they abandon their physical forms and ascend to a higher plane of existence, or merge back with the natural magic of Neopia, or something… which seems a lot like death, actually, depending on one’s spiritual beliefs. Or maybe faeries have a retirement home on a planet next door (though that really just kicks the overpopulation can down the road).

d) Faeries don’t die of old age, don’t disappear from Neopia, and are, at some point, going to have to grapple with the whole overpopulation issue.

Digging too deeply into that train of thought could get a bit more dystopian than I’d necessarily like from a petsite, but hey, there it is.

"What a depressing topic..."

6. Leaving aside future concerns about faerie overpopulation—how many faeries are there, anyways?

There isn’t a solid answer for the whole of Neopia, but the Neopedia does give a few specific numbers that could be used.

The “A Dark Faerie” and “A Light Faerie” articles both have estimated populations for dark and light faeries—25,000 for dark faeries, and 33,000 for light faeries.

If we were to take those numbers and extrapolate them for the other elements—the mean of those two numbers is 29,000, so for this exercise we’ll assume that’s a reasonable average for each element—we’d get around 174,000 faeries in Neopia.

However, that is definitely not the total population, because there’s another source of faerie population data: the Neopedia article for Faerieland.

According to that Neopedia article, the total population of Faerieland is 1,620,000, 80% of which is composed of faeries. 80% of 1,620,000 is 1,296,000 total faeries—and that’s just in Faerieland; there are also faeries living outside of Faerieland (though the ratio of non-Faerieland faeries to Faerieland faeries is unknown).

Still, this leaves us with a few options:

a) Normal option: Whoever wrote the Faerieland Neopedia article simply didn’t use the numbers from the “A Dark Faerie” and “A Light Faerie” articles (which is fair enough; it’s not like those population numbers were a vital part of Neopets lore that would cause issues if retconned) Besides, other aspects of those articles are a bit outdated anyways--the dark faerie article straight-up says that dark faeries are evil (vs. the current canon that they can be good or evil, like any other faerie).

b) Hilarious option #1: The population numbers in the “A Dark Faerie” and “A Light Faerie” articles were accurate to the state of Neopia at the time the articles went live, but the faerie population has exploded exponentially in the years between those articles and the Faerieland article. How or why this could have happened is anyone’s guess, but now faeries have a massive Baby Boom generation.

c) Hilarious option #2: The population numbers in “A Dark Faerie” and “A Light Faerie” are accurate; dark and light faeries are extremely outnumbered by faeries of every other element.

If we were to assume that literally every dark and light faerie lives in Faerieland (demonstrably not the case, but let’s roll with it for now), then that’s a total of 1,238,000 faeries who are neither dark nor light vs. 58,000 total who are. Assuming a relatively-even population distribution between earth, air, fire, and water (though you could argue that there’d be a lower ratio of water faeries, as given that they have mermaid tails instead of legs they’d likely prefer to live in… well… the water), then that’s around 309,500 faeries of each of the non light/dark elements, which would mean there were a little over 9 faeries of any other of the “main” elements for every light faerie, a little over 12 faeries of any of the other “main” elements for every dark faerie, and, grouping the dark/light and earth/air/fire/water elements together, a little over 21 non-dark/light faeries for every dark/light faerie.

But again—that’s only using Faerieland numbers. The numbers from the “A Dark Faerie” and “A Light Faerie” articles appear to be for all Neopia, so the ratios would be even more lopsided as long as there are significant populations of faeries outside of Faerieland (which is surely the case; I don’t think Balthazar is walking right into to Faerieland and bottling faeries in the streets).

"Personally, I think we could use a few more of us around... but at least dark faeries are in the same boat."

But really, this one can probably be chalked up to those two older articles having relatively-arbitrary numbers slapped on them years before the Faerieland article was written and someone having to ask themselves "hey, Faerieland seems like a pretty big city... what's a reasonable population?"

[still-a-morosexual-help]

Right ik we're all in love with MC from Nightbringer but can we please acknowledge that they're literally just og om! MC but their usual personality is highlighted because of their new situation

MC's personality has always been like that

They've always had batshit options.

Nightbringer isn't the first time MC tried to kick down someone's locked door, in the og game they actually succeed.

When I say MC grew/had character development I mean: how it's canon that MC is reserved with people they don't know and Lucifer acknowledges in S2 that they're growing more open. + that they're grown confident in their magic now.

Personality wise though they're still the same shithead from og om!

Remember what they were like during the cowboy event?

How much of a snarky ass they were to Mammon & Levi in S1?

How they canonically know how to push Lucifer's buttons & delight in it?

How they're crazily adaptable & calm in bad situations?

How they have no problem choosing violence and relish in the chaos the brothers create?

How weirdly okay they are with accepting death?

Just the entirety of "Lucifer's Rough Day" Devilgram. If you have that please read it! MC's hilarious & terrible, the absolute love of my life

All that & more are present in both games.

MC's personality is still the same, the fact that the brothers are now on new ground, unsure of themselves and their positions, shy and scared and confused, unsure of even their own powers just means that MC gets the spotlight to shine because the brothers are relying on them much more heavily and their usual level of competence & snark gets elevated because of it

Here's all my posts I could find about MC from the og! game that show what they're like:

MC being done with Mephisto

MC brutally judging Satan's level of pranks

MC being absolutely badass when they save Barbatos using pure brute strength in S4

Canon facts about MC

MC being willing to lay down and die part 1

MC's emotions + facial expressions

THIS CHAT! Just casually dropping the most batshit information

Being a shithead to Satan for no reason

Being a shithead to Mephisto for a very good reason

MC happily pissing off Lucifer for the lols

MC being not nice to strangers

MC thriving on Chaos

MC being jealous/possessive

MC having 0 fear of horror

MC being Done

MC being fucking insane

MC's emotional intelligence and how they use it

MC having 0 fear in general

Giving priority to cows over their best friend

100% commitment to the bit

Being a dick

"Yaaas hon, come through!"

Giving Lucifer grey hair

MC vs the brothers on freaking out each other

MC being willing to lay down and die part 2

When MC loses their temper

Memes

MC's Magic

MC being very obviously not human

A typical friend group

The pirate event

+

This entire amazing compilation by @radarchives