#i may be part of the problem because i LOVE when robin jason was shown to be ok with murder

[roseworth]

honestly i don't think any jason after his death seems to really match the one before it? hard to say he's in character at any point then. they might as well have introduced some new guy and told his story through flashbacks. at least the new guy would presumably have someone that cared enough about their oc to give them consistency

can i say something controversial. i disagree with this

i think you have a great point about how robin jason is a lot different than red hood jason, bc a lot of robin stories have him as just an average happy kid so the whiplash from barr tec jason -> utrh jason is insane

on the other hand,, that adds to it for me. this was not winick's intention but i love the idea that jason was just a happy robin that loved his dad & loved being robin then immediately gets crushed because he was living his happy life and thought everything was great, then went through an insane trauma and realized that everything was not as great as he thought so he decided to start killing people. in my head theres a great narrative where he basically becomes unrecognizable to who he was before because thats how bad his death & resurrection fucked him up

but also heres where im gonna get even more controversial! i dont think hes that different!

i loooove barr tec but i think barr has specifically said that he wanted to be writing dick so he just pretended he was. a lot of robin jason writers didnt bother to give him any character of his own, he was just dick 2.0 until starlin

i dont love how starlin wrote jason because his only reason for writing jason like that was that he hated him and wanted to kill him. but. starlin's jason was so distinct from dick that its one of the only times that it feels like jason. honestly if you take early post-crisis robin jason and compare it to starlin jason, its not that different. hes a little aggressive & angry but does it for a good reason, he fights with batman and can be impulsive but has strong morals even if his morals arent always what batman believes, which is very similar to who he was when he first became robin post-crisis

and because starlin jason is one of the only times that jason is distinct from dick (not to mention, in terms of general robin jason knowledge, most of jason's iconic robin stories come from starlin), it makes sense that that version of jason was used in utrh. and the version of jason that had empathy for victims to the point that he wanted to kill the perpetrators makes so much sense for red hood jason. he believed that the best way to get vengeance for the victims was to kill the person who did it, which is why he was so mad that bruce wouldnt do that for him after he died

in my mind there is a very clear progression from the version of jason that died and the version that comes back to life. he had a lot of empathy for the victims when he was robin (to the point that bruce told him that he should sit out the garzonas case bc he got too emotionally invested in it) so it makes sense that when he is the victim of a gruesome murder from someone like the joker, who has killed and done horrible things and isnt going to stop, that he would be extremely pissed that bruce wouldnt let his morals go just to kill the person that killed jason, since thats what jason, even as robin, believed was the best way to get vengeance for the victims

[redhoodinternaldialectical]

Thank you so much for the Jason review rec list! It motivates me to start reading his comics, tbh. It helps tremendously that you put so many details of his characterization in it, because it prepares me of the way hes written in it! :D I do have a question, which is: in your opinion, which of runs have the most consistent writing/characterization? Ive heard that hes written.. very inconsistently bcs they dont know how to write him (wont let him be an anti-hero or challenge batman, which also brings me to another question on what counts as his true characterization; is it him before the n52 reboot?) Thank you!

I'm really glad to hear that! I hope you have lots of fun exploring Jason comics :D

Wow are both of those questions very difficult to answer! But I shall do my best to under the cut!

Most runs are very internally consistent with regards to his characterization. Jason will stay mostly the same throughout the run, or have an actual character arc that keeps him feeling like the same character throughout.

Batman and Robin (2009) is a notable because Jason is written by two different authors in it, and Grant Morrison's Jason and Judd Winick's Jason have very different vibes.

What people usually mean when they say he's written inconsistently is that every author has a different take on what Jason should be like, and they all have a different idea about what kind of story they want to tell using him.

Judd Winick read Hush and thought something along the lines of "Wow this story would have been so much better if Jason had actually been the one behind everything that happened here!" and so he wrote Under the Red Hood, and made Jason into Evil Batman: someone with all of Batman's methods and techniques, yet without the commitment not to kill and with a serious thirst for vengeance.

Grant Morrison wanted a much more traditional Batman villain. Villains who blame Bruce for all their problems despite Bruce not actually being at fault and then killing people about it are pretty common. Morrison took that idea and used Jason to fit this mold in a new era where Bruce was gone and Dick Grayson took up the Batman mantle.

Scott Lobdell wanted a story about redemption and healing and family. So Jason gets repeatedly paired with other people to care for or to love and shown parallels in his own life that force him to confront his own unwillingness to forgive and become a much, much gentler person.

The authors of The Man Who Stopped Laughing were faced with the challenge of finding a suitable antagonist for the Joker. Jason is a character with enough of a violent streak to actually be menacing to the embodiment of all evil that is the Joker. But that requires bringing out that murderous streak, and thereby countering Lobdell's characterization.

Which of these is the true characterization?

None of them.

All of them.

One True Characterization can't exist in comics. Especially not DC comics which has a policy of almost routinely destroying their entire multiverse and building it back up from scratch.

Every character's personality is an aggregate of all the different stories that have been told about them. Those stories are told by dozens of different people, in a constantly shifting setting, full of characters who are also written by dozens of different people. What is and isn't canon changes constantly. All you can do is read a bunch of comics and get the general vibe of a character from that.

Jason's characterizations in particular have been so widely different that it's hard to figure out what exactly you should count as being true to him.

The reason many people may point to pre-new52 comics as 'true' characterization is that an important part of characterizing is keeping in mind the events the character has gone through and how those might impact their thinking and worldview. During the time span of around 1980-2009 DC comics were written such that it was pretty easy to make a timeline of events for any given character. Post-new52 I and many others find it nearly impossible to tell what history any of the characters have.

In between 2009 and now there have been at least two or three reboots. So, for any comic passed 2009 here is a list of questions about Jason that I can't answer:

Has Jason ever been to prison?

Did Jason fight Tim in Titan's Tower?

Was the Red Robin identity originally held by Jason?

Did Jason ever attempt to be Batman?

Has Jason actually stabbed Tim before?

Did Jason ever shoot Damian and Dick?

Does Jason remember the time he spent multiverse hopping with Donna Troy and Kyle Raynor?

Did he ever have tentacles?

Does he know that Dick has killed people? For that matter: Has Dick killed anyone?? Did Blockbuster ever exist??? Is that time he killed the Joker counted as canon still????

Did Jason ever kidnap Mia Dearden?

How many people has Jason killed? I can't even tell you if he's killed less or more than 100

Did the All-Caste thing happen?? Did Lost Days happen???

Was he involved in Hush?

These are really important questions! The list does not stop there either!

This uncertainty does not invalidate the newer comics, but the nature of the reboots does mean that the already difficult task of getting a 'true Jason' is impossible. You have to take every reboot as a reboot, meaning that new-52 Jason and Rebirth Jason and 2005-2009 Jason are literally alternate universe versions of each other. This is both true on a meta level, and has been written into the canon of the fictional world he lives in. Arguing that one is more real than the other is futile.

(Though it does mean that if you want a stable timeline, starting with 2005-2009 era comics is a good idea. It's easier to follow along with what is supposed to have happened and when. It also contains the majority of the events that fandom likes to play off of.)

The versions I like best reside mostly in the 2005-2009 era, and that's true for most of the other Jason fans that I follow on Tumblr, but I know of a few blogs who much prefer Rebirth Jason and neither of us can definitively prove that one Jason or the other is more valid or canon or true or whatever.

Most arguments about which Jason is the true Jason will just come down to personal preference anyways. Many, many people could write essays, pulling up sources and comic panels, to argue very effectively that I'm wrong about Brothers In Blood and Batman and Robin (2009) #1-#6 being in character for him. That's okay. It's cool even! The fact that he is messy and complicated and can be interpreted so many different ways is great! As you read, you'll find out which versions appeal to you best and they might be very different than mine!

My biggest advice is to read each author's rendition of Jason with an open mind, and an open heart, and just see if you like it!

Don't worry about searching out the real Jason. Just vibe with the stories that have been made about him and think about how each appeals or doesn't appeal to you. If you start reading, you'll develop an understanding of him. Your personal interactions with the art/stories will always be more valuable than figuring out the fan or authorial consensus about him.

[every-dayiwakeup]

You may have seen this recent addition in the Billy tag but oh my goodness people have no brain cells anymore. Here’s just a part of the post

I couldn’t fit all of the buffoonery in this post in one screenshot and it took me so much self control to just block the user and not leave a comment on their grammar or their logic.

Like, dang, ignoring that Jason literally shot at and beat Lucas up, reducing Billy to nothing more than an asshole racist, AND saying that Jason was a good boyfriend when Chrissy felt like she couldn’t even talk to him about her problems?

Yeah, I've seen it 😃🤌

It's all over, my friend 😑

I was hoping after that scene with Jason and Lucas, perhaps antis would give it a rest... but then I started seeing Jason apologists pop up.

Now, Jason is a fictional character, like Billy. If people want to... like him... they can. What really upsets me is their hypocrisy, and the unwillingness to acknowledge that the Duffers' shitty writing also applies to the characters they just love to hate.

If you want to like Jason, you can. But despite the tiktok edits, love didn't make him crazy. He wanted an excuse to go after Eddie, and I'm certain he would have gathered up a mob for he and Lucas even if Chrissy was alive.

I'm glad you brought up the fact that they're saying Jason is a "good boyfriend". Yeah, he's so great that he doesn't notice something is off about her. What he cares about is that Eddie (someone he hates) was who she chose to confide in.

I think Chrissy was afraid of Jason, and I say this because Jason has a vendetta against "freaks", and she doesn't want anyone to know about her visions because she doesn't want to be another "freak" in Hawkins.

No hate to Jason's actor, he did great. But Jason Carver is worse than Billy. I'm actually disturbed about how antis aren't using critical thinking.

They're so used to hating Billy, that it's a learned thing, and as you mentioned they clearly lack the brain capacity to unlearn that behavior.

Jason scares me more than Billy ever could- because we don't see Billy gathering up a fucking mob to kill people. We don't see Billy unleashing the basketball team on Erica and Lucas.

Jason's behavior is eerily similar to that of racist extremists and right wing movements, and for people to ignore the fact that what Jason was ordering Lucas to do is straight out of a fucking cop's mouth mind boggling.

I've seen enough dashcam videos of racist cops on the news that when he pulled out that gun and started talking I forgot this was a Sci fi show.

My point is, Jason felt real for a whole another reason than Billy did.

The Billy Hargroves of this world don't scare me. It's the Jason Carvers and the Neil Hargroves that do. And people that go on rants about hating a teenage abuse victim with no proper grammar.

Antis can't make this connection because the Duffers aren't able to either. They are as smart as their audience. They wouldn't have thought of making Robin gay without Maya. They wouldn't have thought of Billy being abused without Dacre. That brings me to my next point; THEY DON'T THINK.

Stranger Things is not as complex as they think it is. Notice how complex, real characters with any hint of a troubled life are shown (Billy, Eddie, Chrissy etc) they're killed off. Because the Duffers cannot write complex characters. And by extension they cannot write social issues.

Racism is not an aesthetic. If you bring up even a hint of it, you cannot gloss over its ugly effects. Once the Duffers attempted to bring social issues into a Sci fi story, they could have gone into depth about it. But like I said, this is a Sci fi story. And it was never supposed to feel real. If that was their intention? They failed.

I related to characters like Billy and Max more than I did El, and not because El has powers. Because Billy and Max (and their sibling dynamic) brought a new kind of darkness to the show that the creators didn't know how to handle- reality.

In a show about monsters and kids with special powers, Billy and Max were among the only characters who were more than stereotypes. They had real issues, and as I mentioned, the Duffers gloss over social issues.

The difference between them and say, Stephen King? For one, King can write and address social issues and still scare the pants off of readers. Because reality is scarier than any fictional monster. Plus he didn't try to humanize characters like Pennywise. He actually spent more time on developing his main characters, and he didn't gloss over their trauma.

In all seriousness, I blame the antis' lack of critical thinking on the Duffers. They backtrack everything. They wanted Steve to SA someone. They wanted Billy to say the n word. But if this had happened... I still wouldn't trust the Duffers to know how to handle either.

I love how fans are just now realizing how shitty the writing is- but it's not just because of Byler or Stancy. Apply the same logic you use on Eddie and use it on Billy. These characters are only amazing because of the actors, and they need to realize that.

Where was this defense of Dacre when he was being harassed online for playing Billy? The creators (and I use that term loosely) just sat back and let him take the blame for a character they only wrote to be Henry Bowers 2.0.

They wanted Dacre (as Billy) to say a slur, and he didn't. The writers wanted Billy to be racist so that he could be hated. They wanted him to spice up the story line, and further Max's character (which they failed).

This is a knock off of Stephen Kings method: that only irredeemable characters are racist or homophobic. He tells readers from the get go what characters to root for by doing that.

Plus reducing Billy to what the writers wanted him to be? They really should appreciate Dacre's push to make him more.

Also good for you, because self control is something I myself struggle with when I see this bullshit from antis. You're better than I am. I personally hate it when someone not only rants with no sense but bad grammar 😭

[maychorian]

So random question(s):(also disclaimer that all I know about the batfam is from fanfiction lol) (Sorry if this is a lot, you're one of my fave authors ever so I apologize if this is a lot! Feel free to disregard this ask if you'd like! ) onto the questions! In canon did Tim ever actually follow batman and Robin around as a child? I know that's a big part of his character in most fanon but I wasn't sure how "true" it actually is. Also, is Damian actually into drawing? Again, I've never picked up a batman comic in my life and I frankly don't plan to, but I really love Tim and Damian (especially how you write them!) in fanon so I was just curious.

No problem, I enjoy answering questions!

Canon only shows Tim following Batman around once, in his origin story. He notices that Batman is being too reckless and both taking and giving more injuries than usual, since he fell into depression after Jason's death. Tim follows Batman around (on his bike, it's not shown that he's ever on a rooftop) and takes pictures as proof, then tracks down Dick and tries to persuade him to come back and be Robin again to help Bruce out.

I was a bit surprised when I started digging into fandom, having read the comics as a teenager and coming back twenty years later, to discover that fans have taken that concept and run with it. Folks have built entire tropes and genres of Batfam fanfiction in which Tim takes pictures of Batman and Robin for years before meeting them. That's definitely not in canon, but that's okay.

Certainly the photos that Tim showed Dick appear to be very good, so it's reasonable to extrapolate from that evidence that Tim is a good photographer and may enjoy it as a hobby. And it's canon that he kept a scrapbook of Batman and Robin's exploits and figured out their identity because he recognized Dick's quadruple somersault.

I do enjoy stories that use these concepts, because I love the idea of Tim meeting the Bats early, and him being their unofficial photographer for years gives a lot of scope to play with. But I also like stories are a little closer to canon where that never happens, too.

Also, comics canon is a weird soup and completely self-contradictory in a thousand ways, so there's nothing wrong with taking the concepts you enjoy and playing with them and ignoring the rest.

I am not as familiar with Damian, but I believe there are at least a couple of panels where he's shown making sketches that appear to be quite skilled. So I do believe it's canon that he's an artist, but I don't know to what extent. I also don't know if he considers that to be a fun hobby or simply a skill he was forced to learn in order to be a better detective and forensic scientist. It could go either way.

[river-bottom-nightmare]

Hey I love your...everything about dick Grayson. I have a terrible memory but I remember someone saying they think dick Grayson has ADHD and I think it was you? If it was can you talk about it a little more? Like, give some examples of traits? I love that headcanon but as someone not that knowledgeable of this stuff I wanted to get someone else's pov on the topic

agh thank you!! and yea, that was me, in this post. that was just me rambling a bit and me jotting stuff down, but i did say if you wanted more i’d be happy to give more. and so, in headcanon format, here is more.

One of Dick Grayson’s defining traits is that he could not sit still. Everybody had noticed it, everybody had commented on it, and everyone pretended to find it annoying while also knowing that his constant fidgeting, bouncing, leaping, talking, and laughing was a comfort. The buzz of energy surrounding him was a constant, and prompted many many people to offhandedly remark to Bruce, “He’s probably got ADHD.” Green Arrow, when Robin was talking Flash’s ear off when he first met the Justice League. A socialite in a dress with a borderline-obscene neckline when Dick came up to him for the eighth time that night, drawing his attention to something new. Even Harley Quinn, as he jumped around her in circles after they’d tied her up to a pole in a warehouse while Bruce copied the data, although she said it with a fond little grin and a bit more, well, educated style.

And if he was being honest? Bruce agreed with all of them. Just, in a different way. 

Dick’s hyperfixiations were a sight to behold. He’d find something interesting to label as his New favourite thing ever, Bruce!!, absorb everything there was to know about the topic, then move on to something new in a month. Which had always been the problem. Bruce couldn’t begin to count the nights he had to coerce Dick into coming downstairs, leaving his rare igneous rock collection or his college-level textbook about nerve paralysis or his new batch of poisonous flowers, and eating something, or going to bed. There was a reason Dick was underweight for most of his life, and still was as an adult.

It was in his “all or nothing” attitude, the way he threw his entire self into the job, or whatever needed to be done. But if he decided something wasn’t worth it, or that he was done, he dropped it entirely, with no lost love. His impulse control was bad, but that was something Bruce could help him with, train him to keep a level head or make the right choice. Though, making choices was another thing to tackle altogether. Choice paralysis was the best way to describe it. If Dick didn’t absolutely make up his mind about something, then he was split, caught between two different choices, and he couldn’t say no to either. 

Jason may have rage coursing through his blood, but his anger was solid, dependable, reliable. Dick’s mood swings, however, were monsters that Bruce had been trying to understand since Dick was a child, his kindness and understanding changing to harsh words and accusatory looks so fast it gave Bruce whiplash. Jason seemed to be one of the few who could wade his way through them, never trying to change him or stop him, just trying to understand him.

Tim’s internal clock may be blown and shot to hell, but it was out of willpower, determination. He had work to do, and he would power through his tiredness until it was done. (And then he’d grab an oversized superboy t-shirt and crash for a couple days on end.) Dick, on the other hand, could not sleep. Lying in a bed made him restless, but sitting in the kitchen hunched over a mug of chamomile tea made gave him a headache. Dick had once told him, in the hours where it was too early to be morning but too late to be night, that he just wanted his brain to stop for once, to just shut off. Bruce didn’t have an answer. Tim, apparently, had an answer, because he would sit up with Dick in that kitchen, turning the lights down low, and talking with him about this cool new spot he found for his photography, or some changes he’s thinking of making to his suit. Tim’s quiet rambling seemed to ease the headache, at least.

Cass and Dick may not have many things in common, at first glance. They never bonded the way they did to other members of the family, the way Cass and Steph learned to laugh together or the way Dick and Jason finally reached an understanding, and were able to just spend time together. Bruce actually thought Cass would get along with Damian, given their shared assassin history. But Damian just looked at him strange, and said “I’m not the one who was raised as a human weapon.” And that...that was true. Cass may have been isolated and alone, and Dick might have been raised with love and affection, but Bruce couldn’t deny that the two of them had been raised, as Damian put it, human weapons. And despite Dick’s ease and grace and innate flexibility, Bruce knew that Dick itched at his skin, sometimes felt uncomfortable and not in control in his own body. But then he saw Dick with Cass one day, stretching and going over some basic yoga poses, the silence between them thick with something heavy and grateful. Bruce memorized the content and peaceful look on his children’s faces, then left as quietly as he’d entered. 

Bruce was no stranger to Stephanie’s self esteem issues, overhearing her in front of the mirror many a time, clothed in the Robin costume and telling herself, in between gritted teeth, “I deserve to be here. I’m good enough. I’ve got this.” As for Dick, his self esteem issues were a tad different. His constant need to make people like him, his jokes and quips that were aimed to make people think he was funny, think he was worth it, his absolute terror of rejection, the way he broke off relationships and had trouble maintaining the ones he did have under the philosophy of leaving before they rejected him for real. A whisper in the back of Bruce’s mind whispered Rejection Sensitive Dysphoria, though neither of them were fond of labels. But it wasn’t hard to miss the easy stream of compliments flowing back and forth between Dick and Steph, usually good natured teasing, but no less sincere. It helped them more than they realized.

People may say Damian was violent, rude, and prone to outbursts. And this was true, for the most part. Bruce knew Damian was still getting a handle on his emotions, but he also knew the kid actually meditated in his free time, and most of his actions were well planned and thought out. Dick, on the other hand, had outbursts frequently. He’d just gotten much better at controlling them, or maybe just blowing up at Bruce and hiding them from the rest of the family. And his emotions were a hurricane, a whirlwind of raw power. Regulating him had long since gone out the window. Luckily, Damian seemed think the opposite (or maybe Bruce had given up too early). Dick never actually seemed to enjoy meditating with Damian, but controlling their tempers was something the two of them were working on together, one backing the other up or slow them down, and vice versa. 

Every time someone came up to him, telling him Dick was just so cheerful and hyper and constantly in motion, Bruce was brought back to the first week in the manor, Alfred raising his eyebrow at Bruce after Dick’s latest antics had landed him in his room, refusing to open the door for anyone. Bruce knew Alfred was running through a mental checklist in his head, same as him. Alfred had told him, “This is going to be quite a bit of trouble, Master Bruce.” Bruce had shown his weary agreement. Then Alfred had nodded resolutely, and said “I suppose we shall just love him right, then.”

Bruce knew without a doubt that Alfred had succeeded in that particular promise. But Bruce was still asking himself whether or not he had. 

ADHD is,,,,,,,hard to write. tag list: @comicsandhoney @dangerduckjpeg @yesboopityboop @birdy-bat-writes @astroherogirl @anothertimdrakestan @thebatsandbirdsofgotham @subtleappreciation

[yonfiendmaker]

behold! i didn't see any otgw icebergs, so i made my own :)

if you think i should add something, lmk!!

Explanations under cut :)

First layer:

▪︎Beast!Wirt au - very popular au in which Wirt stays in the Unknown, possessed by the Beast to some extent.

▪︎Bad End Friends - Crossover AU of Beast!Wirt teaming up with Ice Finn from Adventure Time and Bipper from Gravity Falls; sometimes other 'bad end' au characters are thrown in such as a glitched Gumball from TAWOG

▪︎Irl Copies of the For Sara tape - Limited copies of the For Sara tape were sold at two points. They have yet to sell for a third time. (🤞🤞🤞)

▪︎Tome of the Unknown (pilot) - The Pilot of the series. Can be watched on YouTube.

▪︎Wirt Staying in the Unknown - In a scrapped ending, Wirt was to stay in the Unknown, saying that facing your real problems was scarier than staying there.

▪︎Mystery Kids - Crossover AU with other child-late teens aged characters from sources based on mysterious and supernatural themes such as Gravity Falls and Psychonauts.

▪︎Quincy Endicott's grave - Quincy's grave can be seen in the graveyard that Sara and the others are hanging out in.

▪︎Original Beatrice Voice Actress - Beatrice had a different VA in the pilot, Natasha Leggero. Melanie Lynskey voices her in the actual series.

▪︎The Woodsman's Daughter is Named Anna - The comics have several issues focused on his daughter, in which her name is revealed to be Anna.

▪︎Jason Funderburker's Ax Murderer Story - At the gathering in the graveyard, Funderburker is telling a story about a man with an ax; this story is believed to have influenced the existence of the Woodsman.

▪︎Full Versions of Songs in the OST - A handful of the songs are cut down for their appearances in the series and can only be heard in full on the OST. The most notable example is Old Black Train , which is actually 2 minutes and 15 seconds long, but is only in the series for about 15-20 seconds.

Second Layer:

▪︎Sara is named after the Fleetwood Mac song - Listen to it here :) it is notable that it includes lyrics about "drowning in a sea of love" and that Sara is "the poet of [the singer's] heart."

▪︎OTGW Reanimated - a reanimated project for the first episode. Got taken off of YouTube, but can be viewed on Dailymotion.

▪︎Baby Wirt Audio - In the For Sara cassette, there is a small section of audio that can be heard in about the middle of the recording of Wirt's father talking to him as a baby.

▪︎Funderburker/Funderberker - The two Jasons's surnames are spelled slightly differently to avoid confusion.

▪︎The Brothers Never Ate or Needed to Rest - Although Greg expressed being hungry, neither of the boys actually ate anything (outside of one spoonful of bland potatoes and inedible items such as dirt and leaves) and never laid down to rest, only sleeping when night came.

▪︎Book on Interior Design in Wirt's Room - In Wirt's from, a book on interior design can be seen laying on the floor, backing up the knowledge he displayed when analyzing the interconnected mansions.

▪︎Mad Love was Based on a Dream - The plot of Mad Love came from a dream that Pat McHale had about house hunting. In the dream, while exploring one of the houses being shown, he ended up wandering into someone else's home.

▪︎Beatriceoftheday - A blog dedicated to our lord and savior Beatrice, known for its strange shitposts and intense praise of the titular bird girl.

▪︎Wirt is Jealous of Greg's Popularity - Shown in the Circus Friends issue of the comics, Wirt is jealous of Greg's ability to make everyone laugh and have fun. This may factor into his dislike of his brother.

▪︎Greg was Feeding Fred at the Tavern - At first watching, one may be confused as to where all the food Greg was gathering went, why Fred was wearing lipstick and why he was refusing to talk to Beatrice. Shown in a deleted scene, this all explained, as Fred tells Beatrice that he didn't talk to her because Greg was feeding him.

▪︎Elijah Wood Voiced the Crazy Driver - Exactly what is says on the tin, the nutty driver was voiced by Wood.

▪︎Cloud City is Heaven - A popular theory that Cloud City actually represents Heaven.

▪︎Greg is Greg Universe - A headcanon/theory that has mostly died out that Greg is the same Greg in Steven Universe.

▪︎Bee Beatrice - Beatrice was originally cursed to become a bee, but was changed into a bluebird to match better with the seasonal autumn theme.

▪︎Pat McHale Voiced Wirt's Voice Crack - Wirt's voice crack when asking the Beast Are You? was actually done by McHale, not Wood.

▪︎The Other Actors Harassing Elijah Wood When Singing Wirt's Song - In order to make the performance as awkward as possible, the other actors were asked to yell and demand Wirt to sing. This can be heard in the episode.

▪︎Come Wayward Souls Has the Same Melody as O Holy Night - The song shares a cadence with "O Holy Night", and can be sung to its tune.

▪︎Black Turtles Origin/Purpose - No one knows why the black turtles exist, and McHale has said that they're just one of the unexplainable things of the Unknown.

▪︎Anna Never Left the House - In the aforementioned comics, it is shown that Anna had never left the house, living on her own until the Woodsman's return.

▪︎Sailor Suit Greg - Greg originally wore a sailor suit, but was changed later on to his current, Johnny Appleseed inspired outfit .

▪︎Beatrice Missing Being Able to Flip People Off - In the Art Book, Beatrice's introduction states that one of the reasons she hates being a bird is because she no longer has hands to flip people off with.

Third Layer

▪︎Jason Funderberker is Visually Based on a Teen Pat McHale - As seen here, Funderberker was designed after McHale.

▪︎Babes in the Wood is Based on an Old Alice in Wonderland Cartoon - You can view the original 1923 cartoon here! Starts at 4:25.

▪︎Wirt and Sara are Dipper and Mabel's Parents - A popular AU/hc where Dipper and Mabel of Gravity Falls are the future kids of Wirt and Sara.

▪︎The Tune of Wirt's Song is Improvised - In addition to the aforementioned harassment, in a further attempt to make the performance as awkward as possible, Elijah Wood was not given a tune to sing, only the lyrics.

▪︎Wirt's Costume Origin - As said in the art book and on his tumblr, Wirt's cone and cape come from an attempted rock and roll persona from McHale's teen years.

▪︎Greg is Based on Pat McHale's Son - It has been claimed that Greg is based on McHale's son, but Greg existed before him. The similarities are simply coincidental.

▪︎Old Scratch - The original name of the Beast.

▪︎The Beast Killed the Woodsman's Wife - Shown in the comics, The Woodsman's wife was mortally injured, with her attacker implied to be the Beast.

▪︎Wirt and Greg Staying in the Unknown Until Christmas - Another scrapped ending, in which the brothers stay in The Unknown until Christmas, with their absence unexplained.

▪︎Tome of the Unknown (original plot) - Early concepts had the Beast ( then known as Old Scratch as mentioned earlier ) scattering the pages of the titular book for the brothers to collect. Each page would come to life and the brothers would explore each story.

▪︎Dante's Inferno Comparisons - Check out these videos for full analysis!

▪︎Wirt Panty Shots - In the aforementioned Circus Friend comics, Wirt dons a dress as part of a disguise. Later on, he rips off the bottom half off, revealing that he is wearing bloomers.

▪︎The Beast's True Form was Inspired by Trypophobia - As stated in the art book, The Beast's hole-filled appearance was inspired by Trypophobia, the fear of many small holes.

▪︎The Fight is Over is About Drowning - Give the lyrics another read.

▪︎The Beast Last Minute Design Change - The Beast had a very different design, and it was changed into the current one at the last minute.

▪︎Gnome in Cloud City Representing Wirt - Many people believed that the Gnome with the lantern in cloud city was a parallel to Wirt, or a glimpse into his future. However, this was debunked.

▪︎Send Me a Peach - This song is included in the ost, but isn't in the actual series.

▪︎Fred and the Highwayman's Backstory - The comics expand upon the story of Fred the Horse and his involvement with the Highwayman.

Fourth Layer

▪︎Babes in the Wood Title Origin - The name of this episode comes from an old story of a pair of children getting lost in the woods, dying, and being buried in leaves by robins.

▪︎poorlydrawnotgw - This was a blog created during the poorly drawn series meme period. It consisted of poorly drawn and very strange shitposts and has since been deactivated. I was a part of it as mod Goopy Wirt and only have a handful of images saved from it.

▪︎Read and Listen Book Lost Audio - A read and listen book was created, with the book being read by Greg's Frog, who would stop every now and again to talk about being a frog. The pages can be found online, but the audio is currently lost.

▪︎Skinless Witch - A scrapped episode concept involved a skinless witch that kidnapped Greg and rode him like a horse.

▪︎Gentleman Burglar Wirt - A scrapped concept in which Wirt breaks into a woman's home, who is charmed by this young man who has come to visit her.

▪︎Animal Transformation - It was originally planned for Wirt and Greg to be turned into a bear/dog and a duck and remain that way for several episodes. This was later used in the comics.

▪︎The Unknown is influenced by Wirt's mind/interests - The Unknown is influenced by those who walk in it, in this case, Wirt. This includes the old timey mystical nature of it, as Wirt has been stated to have an interest in old folk tales.

▪︎Good Guy Beast/Black Train Scrapped Concept - In an earlier draft, the brothers were on a train, heading to what they assumed was death. They jump off, ending up in the Unknown. The Beast tries to get them back on the train, which turns out to be heading back to life.

▪︎Evil Woodsman - At one point, the Woodsman was intended to be under the influence of the Beast and tried to sabotage the brothers's attempts to return home.

▪︎Lorna Reading the Tome of the Unknown in the Epilogue - In the epilogue, Lorna can be seen reading the titular book from the aforementioned scrapped plot.

▪︎The Beast was Originally the Devil Himself - The Beast was first designed as a devil-like character, the aforementioned Old Scratch.

▪︎The Brothers Never Went Home/The Hospital is Part of The Unknown - a theory based on the fact that the edges of the screen are still blurred at the end of chapter 10, the rushed narration, and the lack of consequences of nearly drowning.

▪︎Beatrice Seeing Wirt Nude - In one of the comics, Beatrice accidentally sees Wirt while he is washing his clothes in the river.

▪︎Sara is a Descendant of Lorna - A theory that Sara is a distant relative of Lorna.

▪︎Exists in the Same Universe as Clarence and Home Movies - The most well known piece of evidence is the overhead shot of the town matching the town that Clarence is set in. Wirt and Greg also have a cameo in another episode, and one of the final episodes shows Brendon Small of Home Movies runs a movie rental store in the town, connecting all three series together.

Final Layer

▪︎Beast x Wirt - Also known as Poetree.

▪︎Candycone - Greg x Wirt.

[nightwingmyboi]

Dick Grayson and Temper

For whatever reason, Dick’s temper has become one of the main traits that people focus on when looking at Dick’s character. This isn’t necessarily a bad thing, since he does have quite the temper, but since it has become one of those essential aspects of his personality for a lot of people, I just wanted to clarify a few things I think get misconstrued? 

Certain people take Dick having a temper and equate it with him having anger issues or thin skin. It’s bled into art, text posts, fics...where Dick is described/shown essentially as a petty asshole, someone who has a tendency to overreact and lash out at family and friends, someone who is whiny and always complaining (@bigskydreaming​ goes a little more into this perception here). I don’t think this is a fair interpretation of Dick’s character at all. There are two main things I feel like people need to keep in mind when thinking about Dick’s temper. 

1.) Dick’s infamous temper is, 9 times out of 10, directed at criminals. 

Nightwing (1996) #65

When Dick mentions struggling with his temper, he is almost always talking about the anger he feels towards criminals, not loved ones. When he sees people hurt or in danger, especially those closest to him, he gets pissed and can go too far. He often gets angry in defense of his family and those he protects. 

Titans Vol. 2 #29

Batman and Robin #12

In fact, one of the biggest examples of his temper is him beating the Joker to death, as a result of the Joker killing Jason and Tim. Like many heroes, Dick struggles with not crossing the line when faced with crime; this doesn’t mean that he is the same way with those he loves. 

2.) In most circumstances, Dick has demonstrated excellent control of his anger. So, Dick may have a bad temper...but it usually doesn’t make an appearance unless he is under an immense amount of pressure (and sometimes not even then). 

Injustice Gods Among Us #16

Dick’s not a doormat and he can be confrontational if that’s what is needed to get the job done, but he is also known for keeping a cool head under immense pressure and stress. He’s known in the superhero community for resolving conflict and has often been called “the glue” that keeps various teams together. That wouldn’t mesh with the idea that he is constantly losing his temper. In fact, his middle name might as well be de-escalation, because that’s pretty consistently what he does. Look at how he acts in various arguments: 

Example #1: While Nightwing is off-world with the Titans, Jason dies. Likely struggling with grief, Bruce doesn’t attempt to contact Dick while he is off world or when he returns. Dick is left to find out through a teammate, Danny Chase. Despite being left in the dark, Dick still goes to the cave to try to support Bruce. He puts his feelings to the side, and doesn’t even bring up the fact that he was hurt by Bruce’s exclusion. Unfortunately, the conversation derails regardless, and Bruce ends up hitting Dick and telling him that it was a mistake to invite Dick into his life. 

The New Teen Titans #55

Look at how Dick reacts. Even when Batman hits him and yells extremely harsh things at him, he doesn’t lash out in turn or yell back. He keeps calm and continues to talk to Batman; he likely understands that this is a product of Bruce’s grief and as a result allows his feelings/hurts to go unaddressed. 

Example #2 (inspired by @hood-ex​ post here): Garth loses his temper when he learns that the Titans won’t help him with a problem he’s having. When Robin tries to stop the fight, Garth punches him. 

Teen Titans (1966) #28

After he takes the hit, Dick continues to try to keep people from fighting, and in the end, Dick once again puts his bruised feelings to the side and doesn’t say a word of complaint to keep team unity. He still goes and helps Garth with his problem. 

Example #3: After Donna’s death, Dick was devastated. He spiraled into depression. In the aftermath, he was stricter and quicker to anger than he would normally be. Even his leadership of the Outsiders was effected, and as a result, Anissa, Black Lightning’s daughter, was seriously hurt. Black Lightning is not pleased; he slams Nightwing against a wall and yells at him. 

Outsiders (2003) #16

Even when Dick is emotionally compromised and short tempered, he still isn’t looking for a fight. He doesn’t retaliate when Black Lightning slams him against the wall, and he doesn’t interrupt when Pierce tears into him (for a whole page of the comic). It’s not like Pierce goes easy with his criticism; yet, Dick remains stoic and takes it. He doesn’t say a word of complaint or defense, and he doesn’t lash out. He keeps his temper under control. (Just an fyi for those wondering, but this is definitely one of those times Dick deserved a harsh talking to, lmao, support you Black Lightning!!)

Example #4: The Batfam is fighting a villain known as Mother, who is known for brainwashing people. Anyone could be in her control, so when Tim is acting suspiciously, Dick decides to investigate to ensure that Tim is not a double agent. Dick finds out that Tim secretly kept his family in a hidden location to protect them, and unintentionally brings trouble to their door. On the flip side, Tim gets angry at Dick for sneaking around behind his back and putting his family in danger. Though Dick tries to explain his actions, Tim won’t hear it and instead throws a punch. 

Batman and Robin Eternal #5

Even when Tim punches him out of the blue, ironically because he can’t control his temper, Dick just takes the hit and lets him walk away. He doesn’t ever push Tim for an apology, and Tim never gives one. The rest of the series, people give Dick crap for betraying Tim’s trust, and despite Dick’s reasonable concerns being the impetus for his actions, Dick accepts the other’s criticism without complaint. 

Examples #5-57: Just think of all the times that Damian insulted Dick and told him he couldn’t cut it and generally was acting like a little shit, when Dick was struggling with Batman’s death and with taking on the cowl and with running Bruce’s life, and Dick still never gave up on Damian and gave him Robin. Very patient, very thick skin. 

And I could add even more moments! I don’t mean to go overboard, but the idea is that, over pretty much his entire history, from Robin to Nightwing to Batman and back, there are more times that Dick puts his feelings to the side and lets people yell at him (and basically physically assault him RIP) for the greater good, then times he flies off the handle and loses his temper, especially when compared to other characters in the Batfam. Seeing people say that Dick is secretly an angry asshole when pushed a little or is always blowing things out of proportion and being whiny is just annoying, especially when Dick canonically has worked very hard to keep his cool and mediate in various tense situations, even when he has reason to get offended and retaliate. 

And this isn’t me saying that Dick can’t lash out, cause duh he’s a human being and he’s not perfect. He does have a temper and sometimes can say harsh things to those he loves. But, he doesn’t usually lose his cool, and when he does it is usually a surprise. The rarity of Nightwing giving into his temper is part of the reason it is so impactful when he does fly off the handle. 

A lot of the panels you see floating around about Dick’s temper are 1) from times he was brainwashed or mentally influenced (Dick yelling at Donna, Alfred, and Joey are all from a single time when he was brainwashed by Brotherblood for example), 2) from times he was in great emotional/mental distress from the deaths of those close to him, or 3) examples of times that Dick is standing up for himself, that I don’t really see as him having a temper? And a lot of those fights/arguments that are shown are not as one sided as tumblr makes them seem, lmao. Either way, most of these times aren’t really representative of his normal behavior or attitude.

In conclusion, Dick isn’t some petty jerk with anger management issues; he’s a human being, who sometimes gets angry and upset like every other human being in the world. He has a temper, but I don’t feel like it should define him in the way and to the extent that it currently does. 

P.S. This isn’t me trying to excuse the times that Dick has been nasty and let his temper run away from him, obviously. Like I said, he’s human and he’s made mistakes. But he doesn’t lash out normally or often. I’m just trying to put things in perspective. 

[lookatthisdork]

Opinion piece: DC House of Horror (2017)

First of all SPOILERS for DC House of Horror!

Second, this is only my OPINION. It might be unpopular. It might even be offensive. But I want to talk about this before going back to my normally scheduled “hey look at this cool stuff” and “it’s stupid AU time!” content.

I did not read the Green Arrow and Captain Marvel/Shazam stories since I’m not currently invested in those characters. *shrugs*

The rest are...meh. The whole series seems to have Keith Giffen credited with the plot ideas, but each story has a different script writer. So I have no idea who I’m criticizing in each of these blurbs. Probably Keith. I don’t know.

Bump in the Night (feat Superman; by Edward Lee)

I have admittedly little experience with horror movie conventions, but I’m pretty sure this was aiming for the opening of a monster movie. Creepy, dangerous alien falls from space, kills the locals before making its way to more populated areas. The poor schmuck that finds it first always dies quickly and painfully, which is what happened to Pa Kent here. Kind of a cheap death, but it fits the genre convention.

The dramatic irony of Martha Kent trying to call her husband and her refusing to leave the house when something strange is happening outside were pulled off pretty well. Overall, I think she reads as a spirited but ultimately doomed horror protagonist.

My problem with this is that the alien (”Clark/Baby Superman”) reads as a complete cardboard-cutout monster cliche. Why did he kill Pa and Ma Kent? No reason is even alluded to. He just kills them because they’re there.

(If I were writing this, I would have played up the naive-creepy-child factor. Have Clark accidentally kill Jonathan Kent since he’s a child who doesn’t know his own strength and has never seen a dead person before. If you want to keep the alien-vibe, have him not recognize that he killed a person. Imagine a kid using a magnifying glass on an ant, then replace the ant with Pa and Ma Kent. I like to think that would have been more memorable.)

Man’s World (feat Wonder Woman; by Mary Sangiovanni)

Well, they definitely have the aesthetic they were going for. The mixed chronology is actually not as confusing as I was expecting since the artists made good use of the colors and a wardrobe change to help guide the reader through the flashbacks. I actually felt creeped out by this one.

The only problem is...this doesn’t read like Diana AT ALL. Having Diana not speak English is a great way to keep her menacing, but it also destroys any ability for the audience to know what’s going on in her head. Without her words, we have only her actions, and...she’s just going around killing people? Who haven’t done anything?? (Except the last guy, but he’s one out of six on-page deaths.)

What is her motivation? Why is she doing these things? What happened to Wonder Woman, righteous warrior and defender of the innocent?

(This would have been excellent if it was a villain character instead of Diana, just saying.)

Crazy for You (feat Harley Quinn; by Bryan Smith and Brian Keene)

Is it a ghost? Or is it a hallucination? Both? I’m not sure, and I love that I’m not sure.

That said, I’m definitely not a Harley expert...does she read in-character? I don’t know, she feels flat to me. And something about cutting hard away from witnessing the murders. Unreliable narrator is in effect, I want more concrete details of the murders from Chuck’s point of view.

Last Laugh (feat Batman; by Nick Cutter)

Ha. Hahaha. This is the one I reblogged panels from yesterday. 

Good things first: capitalizing on Batman-Joker parallels has been done since forever, but that’s not necessarily a bad thing. I think the opening and closing scenes are well-narrated and well-composed. The much smaller batcave and the gun are good hints that something’s very different about this universe. The Joker’s voice was pretty good, for the most part. I wouldn’t change much of anything in the first half of this.

The second half...hahaha.

My beef with this one isn’t that Jason was killed; it was that he was killed for shock value and as an undisguised reference to super-(in)famous Death in the Family. It does not add constructively to the narrative at all. Last Laugh is clearly a hard AU with only the barest resemblance to canon; leaning so hard on canon that you only have one panel (technically two panels) with Jason in your story means that I just get angry instead of mournfully distraught when Jason is killed. It’s cheap and unearned in my opinion.

More broadly, there’s mixed signals as to the nature of Bruce’s delusion. Is he going around beating/killing people dressed as Batman? Or does he do his murders specifically dressed as the Joker? The later red panels indicate the former while the zoom-in on his locker at the end implies the latter. This whole story would have been much stronger if the writer had picked one interpretation and stuck with it from beginning to end.

(I would go with a strong Batman/Joker divide where Batman is still the vigilante and the Joker is the only “one” doing the crimes. Have the blue and red panels read as Batman vs Joker for most of the first read-through, but also have them consistently show Delusion vs Truth for the second read-through. I would also have Joker’s call-outs be a little more ambiguous so the twist actually sneaks up on you as opposed to be super obvious from the first red panel on.

And goddamn, if you’re going to kill Jason, at least have him show up in the narrative beforehand as Robin in the Delusion panel and ordinary-child-Jason in the Truth panel. Have him walk in on something he shouldn’t have, which leads to his murder and Bruce’s subsequent final mental break. Hell, maybe even imply that Robin was never really a thing outside Bruce’s head to really hammer home the death of a child who did nothing wrong.

Work for the tragedy, is all I’m saying.)

Blackest Day (feat Hal Jordan and Justice League; by Brian Keene)

In my opinion, this is the strongest of the lot. Zombie Barry compromising the moon base - because he was looking for help and didn’t realize he was already doomed - is excellent. And terrifying, because Zombie Barry could start the apocalypse by himself, imagine how many people he could bite in a minute. Liked how Hal held onto hope all the way up until he felt himself changing, then decided to take a Last Stand rather than let himself become part of the problem.

Superman being off-planet was cheap. The timeline for the End of the World seems super contracted based on Constantine’s transmission and the way the moon base was wholly in the dark. Wonder Woman and J’onn died very easily. Would have liked more fighting off the zombies, but this was short enough that there wasn’t a lot of time for that.

Having the World actually End...I’m never a fan of complete annihilation by zombies. (And what about Themyscira? Atlantis? Is DC Earth really completely depopulated?)

(I’m just saying, post-zombie-apocalypse AU. I’d read it.)

Unmasked (feat Two Face; by Wrath James White...that’s a weird name)

I think this one’s the weakest of the ones I read. I may not be the most well-read when it comes to Havey/Two-Face, but ugh. Serial Killer Harvey is something I don’t need in an official AU. Not to mention that that is not how skinning a person works - connective tissue between the skin and the muscle would mean that peeling each face would take way more time than shown. 

The Leviathan thing also takes up way too many panels and accomplishes nothing. NOTHING.

[theheavymetalmama]

Soooo...Jason Momoa told a little kid that Superman wasn't in Justice League because he was dead, DC is making a Superman Year One comic with Frank Miller as the author, they're making a two-part animated movie based on "the Death and Return of Superman," and rumors are flying around that Supergirl is going to be in Justice League. Oh, and the Justice League trailer dropped. Your thoughts?

That’s a lot to take it. Let’s start with the big one. New Justice League trailer!

Sorry guys, still don’t like it. Granted, it doesn’t look as bad as the previous trailer made it look, but it still looks massively underwhelming. Hell, the only character presented I even like is Wonder Woman, because she’s the only one who’s been established.

Well, established in a good movie, at least.

The rest consist of a Batman who belongs behind bars just as much as any of his villains and three other characters we’re meeting for the first time fighting a villain that nobody gives a shit about, which could be forgiven if the characters were interesting but again Batman’s an asshole and we don’t know anything about Aquaman, Flash, or Cyborg yet. And am I the only one who cringed at Cyborg’s line? Not the line itself, but the flat, robotic delivery. Good god, they took one of the most expressive and emotional live-wires in comic book history and turned him into Arnold from Terminator 2, but without the charm and charisma.

I’m also not looking forward the role the Amazons play, which appears to be them being in the movie for the sole purpose of Steppenwolf to kill/mop the floor with them. Yeah, take the place and characters everybody who watched Wonder Woman fell in love with and just wipe them off the face of the Earth in their second appearance. No way there’s going to be any backlash from that!

Honestly, I could write an essay’s worth of things in the trailer that irked me, but topping that list are these lines from Batman.

“Superman was a beacon for the world. He didn’t just save people, he made them see the best parts of themselves.”

Let’s forget for a moment that Superman has only been in two DCEU movies and you can count on one hand how many times he was shown in a heroic light. Let’s forget for a moment that Man of Steel and especially Batman v Superman spent more time hammering into audiences skulls that more people in this world are afraid of Superman than there are people who see him as a hero. And let’s forget for a moment that this Superman has spent more time feeling sorry for himself than he ever did being the symbol of hope the movies tried and failed miserably building him up to be.

Let’s instead take into account that these lines are coming from Batman. Oh yeah, Superman totally brought out the best in people. That’s why after the disaster in Metropolis, you took a deep breath, composed yourself, and reached out to him to see what he was really about before jumping to conclusions and-oh wait, no you didn’t, you obsessed over him for over a year and decided to straight-up murder his ass, you fucking hypocrite!

Seriously, what the fuck, WB? You spend two whole movies shitting on Superman, the people who love him, and his legacy, and now you’re trying to save face by saying that he brought out the best in people when you’ve only shown the BAD things that happened because he exists? Fuck off. No, seriously, fuck right off. You have to EARN that shit, which you fucking didn’t because you killed Superman before anybody could connect with him and threw the entirety of “The Death and Return of Superman” right under the bus in the last 20 minutes of a Batman movie! I honestly don’t know what’s worse. That Batman is being portrayed as a stupid and hypocritical murderous asshole, or that said stupid and hypocritical murderous asshole is leading the team that Superman is supposed to be the leader to!

Ugh, FUCK everything! But let’s move on, shall we? Frank Miller is writing Superman: Year One.

The very idea of Frank Miller writing any solo-Superman story makes my skin crawl. The fact that the same guy who turned Superman into Ronald Reagan’s personal attack dog who can’t read and raped Wonder Woman is retelling Superman’s origin story? Ugh. Just thinking about that makes me feel like I need to jump into a swimming pool filled with bleach and then get buried up to my neck in rock salt!

Let’s all just put aside that Frank Miller is a racist and misogynist scumbag who hasn’t written anything good since Robocop vs the Terminator. Let’s instead take into account that the man has been writing comic books for 40 years now and has written Superman several times, and every time he’s portrayed him as stupid, boorish, and incompetent while going out of his way to have Batman humiliate him in some way, shape, or form. Yes, I know, Miller has said that he actually likes Superman and only wrote him that way because the story was from Batman’s perspective and that he actually regrets writing him as a government tool, yeah, I don’t fucking believe him. He’s had dozens if not hundreds of opportunities to show Superman in a positive light and he’s never done it. He’s never done it before, so why would he now? The only time Superman has ever been portrayed with any semblance of who he actually is in a Frank Miller work was in Dark Knight III: the Master Race…you know, the one book in the series that Frank Miller didn’t write! Oh, but he wants to write part IV, so great, he’ll get to shit on Superman one more time before he either retires or his diseased liver and STD-ridden body do him in. “Oh, but Katie, he has cancer!” So? He’s still an asshole!

Well, that was grim. Let’s talk a little bit about Jason Mamoa telling a little kid that Superman was dead.

Okay, in the interest of fairness, I don’t think Mamoa had any malicious intent. I’m sure he was just caught up in the moment and wasn’t thinking straight, especially when he apologized to the same kid during an autograph signing that followed the panel. It was still a dick move on his part, but whether or not he gave it some thought, his fellow cast members told him “dude, that’s a little kid,” or his PR guy said “Look Mamoa, Warner has done a fine job of alienating Superman fans all on their own, they don’t need you helping. Now if you want to shrug off being typecast as an uncouth barbarian you’d better stop acting like one and say you’re sorry!” I’m glad he realized it was a dick move and took it back. I’m sure the fact that WB still wants to convince us that Superman is really dead wasn’t helping either. Speaking of which…

The Death of Superman and Reign of the Supermen are getting animated adaptations.

I have very mixed feelings about this one. On one hand, this was one of the stories I said deserved a faithful animated adaptation. Yes, some aspects don’t hold up anymore, but they can be worked around. This is also not the first time the story was adapted, as “Superman: Doomsday” was what kicked off the string of animated DC movies. But it was also very watered down and may as well have been called “Superman: the Clone Saga.” So the fact that they’re making a two-part animated adaptation should be good news…

Having said that, let’s get real. If they genuinely wanted to make a faithful adaptation of ‘The Death of Superman,’ they would have already. I can’t shake the feeling that the only reason it’s even being made is because Warner and DC realize that shoe-horning Doomsday into the end of BvS only succeeded in alienating Superman fans and they need to save face, not helped by the fact that the last animated solo-Superman movie they made, Superman Unbound, came out in 2013. Everything else since then has been either a Justice League movie or a Batman movie. Oh sure, Superman was in some of them, but the only one where he had anything resembling a leading role was in Justice League: Gods and Monsters…the alternate universe story where Wonder Woman is from space, Batman is a vampire, and Superman is the son of General Zod and his capsule lands on the US/Mexico border right as some refugees are crossing because apparently the writers felt that Superman being an alien just wasn’t quite on the nose enough.

Now I know what you might be thinking. “Okay, so maybe they didn’t make it as soon as you would have liked, but they’re making it anyway so what’s the problem?” The problem is the possibility that they’re making this not because they want to or feel that it’s a story worth adapting, but again just so they can save face for those of us Superman fans who felt alienated at the conclusion of Batman v Superman where the entirety of the story was boiled down to “Lex Zuckerburg creates Nuclear Man 2.0 and Superman gets stabbed to death at the end.” And a movie that nobody wants to make tends to be a movie that nobody wants to see.

That’s to say nothing of the fact that DC animated movies…well, they just haven’t been very good lately. Ever since their Flashpoint film, the movies have ranged from okay to outright bad. Justice League: War sucked, Son of Batman was obnoxious, Assault on Arkham was good but not great, Throne of Atlantis was a snooze-fest, Batman vs Robin sucked, Gods and Monsters was okay, Batman: Bad Blood had a good movie in it that was bogged down by the writers putting Batwoman’s story on the back-burner and insisting Dick and Damian arguing had to be on the forefront, Justice League vs Teen Titans could have been good if they didn’t put the least-interesting character Damian Wayne center-stage for no goddamn reason, Justice League Dark was hot garbage, Judas Contract was lame, and the less said about The Killing Joke the better.

In short…I hope it’s good, but given previous movies and the circumstance, I’m not holding my breath.

EDIT: Forgot about Supergirl apparently appearing in Justice League. I hope she kicks Batman’s ass. It’s long overdue somebody took Batman down a peg and I can think of worse motivations than “You got my cousin and only other member of my race killed,” as well as providing catharsis for Superman fans given he landed a grand total of two fucking punches in the title fight of Batman v Superman. Other than that, I don’t really care. Her inclusion can’t make the movie anymore troubled than it already is.