#i love writing Lois

[letgraysonsheart]

Lois have an emotional talk with Dick about his f1 seat < Lois and Clark having a bet about if Dick will take the f1 seat theyre offering or not

[paranormaljones]

Love and Attraction in My Adventures with Superman

As someone who has never been particularly drawn by superhero media, I wasn't really sure what to expect when I first started watching My Adventures with Superman about a week ago. I had seen a few posts here on Tumblr that had piqued my interest, but all I really knew about it was that it was well-loved and had an art style that I knew I liked.

I absolutely did not expect to fall head over heels for the show entirely, or to be moved to tears multiple times by the wildly sweet, revolutionary relationship between this adaptation's Clark Kent and Lois Lane.

I say "revolutionary" because this romance touches on a lot of things that I feel are lacking in most modern portrayals of romance, and it handles them masterfully.

Most of what I reference/talk about in this post will focus on the first four episodes of season one (with a particular focus on the fourth episode, Let's Go to Ivo Tower, You Say) , because they are my favorite episodes and I think I can communicate what I want to by pulling mainly from those episodes. But I will be pulling bits and pieces from the whole series so consider yourself spoiler-warned.

The main point is this: I absolutely adore the way that physical attraction and emotional attraction are balanced between Clark and Lois.

The fact that this is possible comes from how well-crafted the dynamic is between the two of them; Lois' raw passion and energy inspires confidence and a mutual passion in Clark, and Clark's gentleness and kind heart inspire a tenderness in Lois that she was never given an outlet to show or receive. From this dynamic, a wealth of physical and emotional intimacy is naturally born. But never in the series do the two aspects of attraction feel out of balance; rather, they play off each other effortlessly. When one is brought into focus, the other quickly follows.

From the first episode and onward, it's obvious that Clark and Lois are awed by each other's physical appearance. Lois outright describes Clark as "beautiful" (which, if you saw one of my earlier posts from not too long ago, is something that makes me so incredibly happy to see in mainstream media).

To be fair, she doesn't say that to his face and says it in a moment of extreme frustration. But I still count it.

Anyways.

Upon seeing Lois for the first time, Clark is practically frozen in wonder for a good few seconds.

Lois, too, experiences this initial moment of attraction and almost immediately makes contact, with a playful punch to Clark's chest as he holds the door open for her.

This is a detail I really love, because first of all wow, I aspire to have her level of confidence. But also, it becomes clear early on in the series that Lois expresses herself very physically. She has no qualms regarding physical affection. Clark, on the other hand, is much more reserved and, at first, generally only initiates contact after an invitation from Lois, or after enough time has passed in their friendship for him to know that Lois is very physical and wouldn't have a problem with it.

There is also an immediate emphasis on Clark's concern for Lois' physical well-being. Take a sip of water every time Clark asks Lois if she's okay just in the first episode alone and you will be well hydrated.

Later on in this first episode, while trying to infiltrate a warehouse, Lois confidently asks Clark to boost her up to a window so she can get inside the building. Clark is immediately flustered, showing how much he feels out of his depth even with physical contact that, on the surface, would have no romantic connotations. (But to be fair, Lois is asking him to put his hands around her waist and lift her up when they literally just met like maybe six hours ago. I would be flustered too.)

And when Lois loses her balance and Clark effortlessly catches her, his first response (after blushing, of course) is to ask her:

Even in moments where the romantic tension is thick enough to cut with a knife and Clark clearly knows it, his first priority is to make sure she's okay.

And thus begins one of the strongest underlying themes throughout the whole building-up of their relationship, which is trust.

I'm gonna jump ahead now to the scene that inspired this whole post: the stairwell scene in episode four.

A basic rundown: Clark, Lois, and Jimmy are given an assignment to attend a tech unveiling for the city's top investors at Amazotech headquarters. Lois, naturally, ignores the parameters of the assignment and tries to use it as an opportunity to expose corruption in the city and get her stop-the-presses story. Clark very reluctantly follows her lead, believing that she will get herself into trouble . . . until Dr. Ivo, head of Amazotech, makes a few rude comments about Lois' appearance (Lois doesn't hear these, only Clark). This deeply irritates Clark and prompts him into revealing how much he knows about Dr. Ivo's corrupt business dealings, in an attempt to intimidate the truth out of Dr. Ivo, who responds by having Clark thrown out of the building and into a pile of garbage in an adjacent alleyway. Lois comes to find Clark (who is unhurt) and teases him about whether or not she should let him back in the building, since he didn't follow the assignment. Clark jokes that he doesn't even meet the dress code anymore, revealing that his suit jacket was torn as he was tossed out of the building.

Lois then reveals that she came prepared for this, and tells Clark to "take it off."

Clark immediately becomes flustered again and begins stammering as Lois pulls him back into the building by his jacket, continuing to tease him.

It's in these moments, as you can see, that the lighting of the scene changes. As soon as Lois says "take it off", everything is bathed in a rosy light. This happens frequently between these two; often, when we the audience are seeing one of these characters through the perspective of the other, the lighting takes on a very dreamy quality. This will come up again momentarily.

As Lois and Clark ascend the stairs, Lois removes her jacket and pulls a sewing kit from her pocket, admitting that she carries one on her because she herself has torn a lot of her clothing on her escapades.

The two then sit down on the stairs, and Clark removes his jacket. The lighting changes again, and we see Clark from Lois' eyes. It's clear by the dreamy lighting and the way that Lois blushes and involuntarily chokes out a "Wow . . ." that she is once again awed by him and deeply attracted to him on a physical level.

And this scene represents so much about their growing dynamic. It honestly has me floored.

But before I explain fully, I have to go on a tangent about my beloved Clark.

Throughout the beginning of the series, I believe Clark shows several signs that indicate that he is insecure about his physical appearance. Which you wouldn't expect, right? I mean, look at him. He's objectively a dreamboat. He was designed to be that way.

But at this stage of knowing so little about where he really came from or who he is, I think Clark struggles with not having a way to explain his physique. He admits that he wasn't an athlete in school; he was in the chess club. He doesn't work out as an adult. And yet he has the muscles of a bodybuilder. But, like so many other aspects of himself, he doesn't have a way to explain it. This causes a disconnect in how he sees himself physically; he likely feels as though he doesn't deserve his naturally impressive physique. And you could argue that he even does his best to hide it. As a civilian, he generally wears bulky, layered clothing like sweatshirts and sweaters. He slouches and carries himself in a very inward direction; his shoulders are often forward and his arms close to his sides, as if he is habitually attempting to make himself smaller.

This is one thing that brought me to tears when I saw it. The idea that a person can feel insecure about having physical attributes that would normally be seen as positive (and that they can't explain and/or feel that they don't deserve) is not very well-explored in media, but it is experienced by quite a few people, myself being one of them. But often in the real world when someone attempts to express this kind of insecurity, they are shut down and mocked and told to "be grateful" for what they have because others would envy them. Which I can say from personal experience is unbelievably damaging to a person's self image. So seeing this possibly be represented in Clark Kent himself was incredibly moving to me.

But back to the scene itself.

In the most recent gif above, this is the most vulnerable Lois has seen Clark thus far. What I think is so beautiful is the way that she invites him into this vulnerability by making herself vulnerable first.

Rewind a bit. Outside the building, Lois tells Clark to take his jacket off. Not a big deal, right? It's not like he's not wearing an undershirt. But Clark becomes flustered, not outright expressing that he's uncomfortable with this, but certainly indicating that he's not exactly at ease with it either.

Next we see them climbing up the stairs, and as they do so, Lois removes her own jacket and reveals her bare back to Clark in the process.

I believe this was incredibly intentional. This scene would have carried a very different tone if Lois' outfit was revealing in any other way. But the fact that her back is exposed symbolizes that she trusts him, in a physical and emotional sense. It's like when my cat Penny rolls on her back and exposes her fluffy tummy. Lois revealing this part of herself was her saying "I trust you, I feel safe with you, and I'll be vulnerable with you if you'll be vulnerable with me."

And only after that does Clark remove his jacket.

Because there is the factor of attraction at play, there is a lot of blushing and stammering going on in the beginning of this scene. These are two incredibly attractive people who are incredibly attracted to each other, after all. But immediately after the initial romantic tension, there is emotional vulnerability as well. Lois confides in Clark about her relationship with her dad, and the crippling self-doubt that she has kept very close to her chest. Clark jumps to reassure her in earnest, telling her that she has "changed his life for the better, in every possible way."

And that is what I meant at the beginning of the post when I mentioned balance.

Every moment of physical attraction in this series is followed by or harmonized with a moment of emotional vulnerability. Clark and Lois both invite each other deeper into each aspect of connection, and thus their relationship builds in an incredibly natural and beautiful way.

At this point, I think this post is about five miles long as the crow scrolls and I should probably stop now before all my thoughts run away with me. I could go on forever about the impact that this series and these characters have had on me, though. I will forever be grateful to the creators for giving us such an incredible series, and such a beautiful romance.

[shoot-i-messed-up]

Was always worried about the angst of unrequited love, had never realized the sheer amount of comedic potential that it has.

Imagine one-sided Superbat where Clark is fully aware that Bruce has a crush on him but is being his repressed self about it, and Clark is just like, “I’m not gonna touch that :) you’re going to figure that out for yourself, buddy, and in the meantime, I’m just going to have a good time and be best friends with you as you inevitably pull yourself together enough to either fall out of love or to confess :) and I’ll just let you down gently because I care about you :)” but he absolutely 100% is using it to his advantage in the meantime. His puppy dog eyes had never been so effective before. He’s gotten out of Monitor Duty three times in the past month.

[bonebrokebuddy]

It’s time for a, “things I sent to my twin’s inbox but she said I should post myself because I never post my own work and she’d like if I stopped spamming her inbox with ideas but I forgot about it and just kept it in my drafts notes for months and now finally I’m posting the fucking things.”

Or for short:

DP X DC PROMPT #7:

————————————

Danny visits metropolis and people are deadset on believing that Danny is either Clark’s little brother or his nephew from Illinois… despite that Clark can literally not be related to him. Not that the people at the Daily Planet know that, but even the ones who do know are giving him a hard time.

“I’m adopted Jimmy!” Clark threw his hands in the air in frustration. “You are very aware of that.”

“But he looks just like you Clark, you even talk the same!” Jimmy peaked around the corner, catching a glimpse of Danny talking to Lois in the employees lounge.

“He has a upper midwestern accent. I’m from Kansas, Jim. Not all midwesterners know each other!”

“So?”

“Jimmy. You know damn well why we can not be related.” Clark subtly gestured to his cheap “I believe in aliens” mug. Jimmy was Clark’s best friend and most of the time he really appreciated the kid’s keen eye but Jimmy also seemed to be constantly dead-set on figuring how to give Clark a headache.

“But he looks like a mini you! Have you asked him if he has a spare spaceship lying around anywhere?” Jimmy snarked as he glanced over to Danny and Louis who were finally heading back from their break.

“Jimmy, I will put you on the moon and leave you there.”

“Alright sheesh. I get it, I’ll drop it.”

[mamawasatesttube]

deeply distressed that there are only 52 fics in the lois & kon tag and none of them are the extremely specific scenario i want to read about today :/

[wolfsbanesparks]

WIP game (part 2!)

Rules: You will be given a word. Share one sentence/excerpt from your wip(s) that start with each letter of that word.

I couldn't help myself so I'm taking @cerealboxlore's offer to jump in again since I had so much fun with the first one!

Word: MARVEL

M: "My hero," Lois smiled pulling him close and ruffling his hair.

"I thought Superman was your hero?" Billy teased.

"It's easy being a hero when you're bulletproof, but when you're a squishy little human like us, it takes guts." (One Last Chance)

A: A voice in his ear startled him, warm breath ghosting over his skin. “I could take out that gag and let you scream and scream and scream until your throat bleeds and your voice dies out. But no one would hear you. No one would suspect a thing." (Pretty Little Thing)

R: “Raising that many kids on your own,” he said, pausing as he looked for the right words, the right way to show his support of his teammate. Eventually he settled on keeping it simple. “That must be hard. If you ever need anything, I hope you know I’ll always be just one call away.” (Family Matters)

V: “Vasquez residence,” he said, his jovial tone jarring after the day Billy had had. He almost hung up right then and there, just so he didn’t have to hear it again. (Pretty Little Thing)

E: Every book and TV show seemed to have a romantic subplot, every song was a love song, every interaction a potential meet-cute—it was like the whole world was centered around something he couldn’t comprehend. (Crush)

L: Looming in the darkness, where moments before Billy could have sworn there was nothing but shadow, was the Batman. (Marvels in Gotham)

This was so much fun, but it also reminded me just how much more I need to write lol. But needless to say I am more inspired than I've been in ages!

Feel free to ask me anything about my various WIPs, talking about them is a surefire way to make me want to write more!

Pretty much everyone that I can think of has been tagged in this by someone, so I'll leave it open for anyone to join in!

Your word is: HEART

[ghostlycleric]

I just can’t get over the cool cool scene in Will’s bedroom oh my god.

The fact that Mike “gets kicked into gear when the people he loves are in danger and usually makes apologies and confessions in the heat of the moment (or hes forced to either by circumstance or friends after refusing to apologize)” Wheeler goes up to Will to apologize and get him back without any danger involved. As far as Mike knows, they’re just about to go on a “roadtrip”, and the danger is far ahead of them.

They had the other heart to heart before this, less centered around eachother, but still sweet and a clear indication of being on good terms. Mike could’ve went with that. He could’ve been satisfied with that. BUT HE WASN’T.

He purposefully goes to Will’s room just before they leave, before any danger arrives, to make sure they’re best friends. To make sure that Will knows Hawkins wasn’t the same without him, and that their friends are great but they’re not him. He apologizes without prompting, after a heart to heart that he totally could’ve considered enough.

May I also point out that Mike didn’t have to saying anything

BUT HE WANTED TO

[this-is-a-love-story-isnt-it]

Lois and Clark 2x13

[sillyfudgemonkeys]

Still wild to me that the Avatar team saw a guy write a love story between a stick and a monkey and were like "This is the guy who we need to write Rangshi and Yangvik" and then he ended up making two of the best couples in all of the Avatar-verse TT0TT

[cerealboxlore]

hey so to add on to deaged billy, what if he as captain marvel often says “do good and good will follow” to the league, but as billy he ends up saying “no good deed goes unpunished”

i wanna see the league’s reaction to that

i also want him to have a super emotional scene where he saves someone despite the danger it puts him in and says with a breaking voice “sure no good deed goes unpunished, but it makes a difference. a small difference but a difference”

another thing i want is for when he turns back into marvel (assuming his identity isn’t discovered) that one of the leaguers (i’m imagining hal? idk tho) remarking on how feral he was as a child and marvel responding with the most feral grin to ever grin “who says i ever stopped?” and then switching back immediately to his normal marvellous self

I apologize for not getting to this ask soon enough, but wowie it has been dancing a real show stopping number in my brain cells for some time now.

First of all, I absolutely adore the "no good deed goes unpunished" motto for Billy as himself, seeing as when he is not Captain Marvel, he is more vulnerable to the truths and dangers of the world, and his experience in it has molded him into the pure of heart, yet bitter, child, he is today. Billy believes in the best in people and believes in doing good for others, but he doesn't believe in himself (to be worthy or deserving of anything good in return).

And I can totally see a scene happening where Billy continues to stand up against major threats and villains, despite only being in his mortal form with no magic or strength to him.

Maybe he's in Metropolis when a magical disturbance problem happens, and knowing Lex Luthor, he'd take advantage of a situation to take down superman with something he isn't good against. Lois Lane could be in danger while Superman is busy fighting a magical foe that Billy can't fight for once due to his inability to transform back into Captain Marvel, and seeing her about to get hurt pushes Billy to help her. He pushes her out of harms way but in doing so, leaves himself vulnerable to an attack and gets himself blasted across the room, injuring his tiny mortal self.

The pain is immense. It's worst than anything uncle Ebeneezer or muggers would make him feel. He knows that he's bleeding, he knows that his ribs cracked and heard his bones snap, but he refuses to lay down. Billy Batson may not have the powers of Captain Marvel at the moment, but Billy Batson, has the courage of Billy Batson.

He willingly stands up for what he believes in and is willing to fall for it, too. He doesn't care what others think, he just cares if they are safe.

Gosh, Imagine Billy Batson standing up to fist fight Lex Luthor. Small child gonna be roasting him for being bald and having an inferiority complex, haha. Or just kick him in the groin and run away 🏃‍♂️

As for the last thing you mentioned with Billy being a feral child, both in his mortal form and champion form, I love it. I am here for Billy being feral 24/7.

Superman: It's good to have you back as yourself, Captain. I have to say though, it was strange seeing you as the child you were. You were...how do I say this...

Hal: Feral. Rabid. An ungodly child who bit plastic man for stealing his doughnut.

Superman: Yes. What he said. If you don't mind me asking, what happened to you as a child that encouraged such good behavior and manners that we see in you in the present??

Hal: Pft, yeah, I think spooky wouldn't mind some advice on how to become a tame boy scout for his own herd of feral kids.

Captain Marvel, smirking: Well, hold on. You're assuming I stopped. I never said I did.

With the spirit of Billy in him, he gives them a wink with a cheeky smile, warning them of what was to come if he ever felt like it.

Feral Billy showing up in his Captain Marvel form reminded me of this fic on AO3, where Captain Marvel plays a prank on his coworkers about telling them his real age, then when they freaked out, said it was April Fool's. Cyborg knew though. Cyborg suffered in knowing the truth.

I'll reblog this with the link to the fic when I find it! I think you'd like it (if you haven't already read it).

[bisupergirl]

i simply couldn't be a jon fan even if i wanted to be bc 99% of his tag is just ooc d.amijon posting. i already get so annoyed by kara/batfam posts in kara's tag i just wouldn't be able to handle it w jon.

[patentedsun]

sorry I'm so MIA but I've been rewatching Malcolm in the middle and a lot of the opinions I've seen online COUGH REDDIT COUGH r quite frankly just bizarre as in, quoting myself, "when The Boys in mitm do something genuinely illegal and terrible and everyone understands it's a sitcom and can giggle but when The Mom is yelling exaggeratedly suddenly this is a Serious Show and she's abusive and narcissistic and should die 🤨"

[desperatecheesecubes]

Absolutely criminal that DC gave us a Clark and Lois that remembered the world pre flashpoint and did NOT give us a single panel where either of them missed Kon or Chris

[movedtodykedvonte]

I genuinely want Peter to have like a story that’s all about him healing as an adult. Not completely, that would take forever but like finding someone he can feel normal with, a desire he constantly complains about in almost every iteration. Someone who he can do normal things with that is also helpful if not supportive of his life as Spidey (You can tell I really liked Chat)

He wants a life he can truly live and it would be nice to have an issue have that as a subplot. Whatever Spider-Man is doing is completely separate from what Peter has going on. His partner, friend, whatever, gets he practically has two separate lives and is truly patient. They would wait for him after a scouting or fight. Be okay with less lavish planned dates and get he is going to miss things. They signed up for this when dating a hero and they understand it.

Peter deserves for once to have someone consistently and overwhelmingly be in his corner. To be ready to sacrifice like him but at the same time remind him that he is Peter before he is Spider-Man, not only for them but for himself. 

[mamawasatesttube]

Please tell us more about the Selkie au 👀

I wanna know everything. What’s the significance of the pelt being worn by Tim? What are the backstories?

YEAH!!!! okay so a bit of background: selkies are critters from celtic/norse mythos. they are seal-human shapeshifters, who can change form by removing or wearing their sealskins; the most common tales involve fishermen stealing a selkie woman's sealskin cloak to entrap her as his wife, despite her yearning to return to the sea.

SO, with that being said:

kryptonians are selkies!!!

kon is created by cadmus labs and lex luthor. he doesn't even know the significance of his coat; it's kept locked away except for when he gets it for promotional photoshoots. he doesn't realize it has anything to do with why he's always discontented and afflicted with varying bouts of malaise.

when clark finds out - when he can see this physical, material evidence of kon's mistreatment - he's beyond horrified and enraged. they're violating a child, so profoundly that he doesn't even realize he's being violated, and he cannot let that stand.

lois, fully human but VERY protective of her husband and by extension all selkies: LET ME AT HIM. LET ME AT LUTHOR IM GONNA RIP HIS FACE OFF

clark, holding her off the ground: dearest, please. i need you to stay calm... and write the most damning exposé the planet has ever seen.

lois: .......FINE. but then YOU better rip that bald fucker's face off, you hear me?

clark comes home with kon in tow, uncharacteristically quiet and subdued. his eyes are red-rimmed and his cheeks blotchy, but lois doesn't say a word about it. she lets him sit curled up in the corner of the sofa, clutching his pelt around himself tight enough to make himself look small, and thinks he looks more like a child than he ever has before.

fast forward a couple years. kon has found his place in the family; jon in particular adores him. he's gotten kind of jaded and unhappy about his whole history; he's seen clark leave his sealskin around the house, has even seen lois wear it, but he's kept his hidden away in his room ever since that first day, except for when he's wearing it himself. clark, lois, and ma never touch it; the only one allowed to is jon, and even he knows not to push if kon's feeling antsy.

tim is kon's bestie. all the core four are besties. but none of them know the selkie secret - it's very well-guarded. they just know kon is a weirdo who really loves to take long walks on the beach and gaze at the ocean.

one day, he is on a long walk by the marina with tim. tim, somehow or other, falls into the water in january. he gets out quickly, of course, but it's cold and he's wet and kon really doesn't want him to get hypothermia, so--

he shrugs the sealskin coat off his own shoulders and wraps it around tim's, and tells him c'mon, let's get back to the house.

they go back to the house.

they walk in the door.

tim is wearing kon's coat.

tim. is WEARING. KON'S COAT.

kon, who barely even tolerates his beloved baby brother touching his coat, because he was so violated and taken advantage of in his earliest days!!!!

TIM IS WEARING KON'S!!! COAT!!!!!

clark hold her coffee. lois is about to whip out her shotgun.

and that's how we get the scene @cowboysorceror drew <3 clark is extremely concerned; lois is 👌 THIS CLOSE to a mama bear rampage, tim is freezing, and kon is like. well. this sure is happening!

other quick notes, in part brainstormed with beckett and also with my bestie @adjit in various dms:

kon doesn't, like, LOVE this whole scenario, but frankly, he's more worried about tim than he is upset about his coat. he knows tim would never use it to hurt him, to control him, to own him; he trusts tim. simple as that!

it's kind of hard to communicate this to clark and lois in a couple of quick facial expressions over tim's head, but he manages.

they get tim bundled into a hot shower and warm, dry clothes, etc. he's coming back downstairs from kon's room, afterwards, and pauses on his silent feet when he overhears his name in conversation.

"no, it's not--i'm fine, i promise," kon is saying. "tim's not like--tim wouldn't hurt me. i know he wouldn't. you don't gotta worry."

huh, tim thinks. he's pretty observant, not that he needed to be to notice the way clark and lois stared at him and kon earlier. clearly, the jacket is significant; he knows clark and jon have matching ones. maybe it's a family thing?

sounds like kon had some kind of shitty ex, and... they got worried about him getting into a relationship again?

well. no need to worry about that! he immediately resolves that he will put their worries at rest. he Will be the best boyfriend kon has EVER had.

like, they aren't dating (yet), but, uh, you know. semantics. details.

(he doesn't find out the actual secret until later. when he finally realizes what this meant, that kon trusted him with his personhood, he. well, he's not crying, but he does get this funny tug in his chest and he really, really has to go hug kon for a long time.)

[jellovella]

a thought blob about maws ep 6

i think like. the latest superman ep. i'm glad it ended up becoming clear to jimmy and lois that clark wasn't hiding it bc he didn't trust them specifically but bc he was just scared especially since he hadn't told anyone anything like that ever before, and that they made it clear that they accepted him for who he is and ended up pretty understanding about the whole thing despite being mad at first, like idk it feels like a pretty cool queer analogy imo especially when it's put side by side with the literal queer relationship facing the same fears of being ostracized...

... but i still really feel like the whole lois trust issues thing hasn't been resolved. i think it will be in future episodes considering not only is their relationship the backbone of the whole series, but also the general is probably her goddamn dad, who's also the same guy who gave her the issues in question. but i think her arc of realizing that constantly demanding answers from everyone around her and putting herself and others in dangerous situations to satisfy both her fear of being out of the loop and also her need to pursue her own ambitions is not very good, is definitely not quite done yet?

and people are probably gonna use that as an excuse to be dicks and complain about her character being poorly written or whatever, but this definitely seems to be something she's been set up for from the very beginning, and just bc she's still not quite getting it (she was mad that jimmy didn't tell her for crying out loud!!! it's not even his secret to tell!!!) doesn't necessarily mean she won't. she clearly has unresolved problems that can't just be magicked away in this one episode, the trust issues run deep, i mean come on she was scared that he was faking having feelings for her bc of this shit. she was probably scared the whole clark thing was just a facade, which isn't entirely unreasonable, i mean hey in some iterations it IS a facade, but like she clearly has had some pretty bad experiences with having secrets kept from her that would make her spiral off into thinking like this...

anyway point is it's not out of character or bad writing for her to behave like this, it makes sense entirely considering how she's behaved all season and the past parts of herself that she has shared. saying her character was ruined by this stuff just doesn't make any sense to me bc like. she's literally been like this from the start! obsessing over finding answers! only it turns out it's not just bc she wants to get recognition but also bc she's so used to being left out of the loop that now she's become desperate to be in the loop as much as possible! a character doing shitty things due to unresolved emotional issues isn't bad writing y'all and it also doesn't make her the goddamn antichrist. this is a kid's show. chill out