#i love fury so much

[furyjohnson]

ARE MARKIPLIER FANS EVEN STILL ALIVE???

[dotcircledot]

toothless doodling

[thereweredragonshere]

The devious boy. Let him snatch fish from unsuspecting villagers

[httyd-art-requests]

Ohhh could i ask a hybrid dragon?

(Night fury x DeathSong)

srry for bothering and...

I LOVE YOUR ART AND DRAGON DESIGNSSSS <3♡♡

Extremely cool dragon combination, thank you for requesting it!

Dragon #113 - Night Fury × Death Song Hybrid

I'm thinkiiing... Nightsong. Or Night Song, whichever spelling looks nicer

[neztune]

I had access to an iPad that can use a stylus, so here’s the Toothless doodles! (I’ll get a better iPad someday)

[tampire]

City of the Wolves

[starry-bi-sky]

jason and danny childhood friends au memes (mild spoilers)

[secriden]

Watching Joong's Hurt Me Please MV with the context of how episode 6 ended and how this is likely a song about Fadel's thoughts and feelings about Style after Finding Out, I wanted to take a deeper look at the lyrics.

I have transcribed the English lyrics on Youtube side by side with a fan translated version (credit: bl_zonee on Twitter) just because there's different shades of meaning between them that I find really interesting and I'm curious which one is the more accurate translation or if both are valid, but just give different nuance. (Perhaps a mutual who understands Thai would be willing to give some insight? *u*)

Verse 1 makes a lot of sense to me: Fadel must be wondering how Style could be so cruel ("unkind" / "heartless") because every instance of Style being honest and asking for honesty in return, all of Style's genuine desperation to bare his heart to Fadel in episode 5 and 6, now looks like a calculated, cruel deception.

And after being so afraid to reveal his secret to Style for fear that it would make Style walk away from him, there's a painful irony in Fadel now wishing Style had walked away before. Because the betrayal hurts so much more now that Fadel has given in to his heart.

The chorus is where the nuance between the translations gets interesting.

The Youtube version seems almost like Fadel is taunting Style, putting up a front that he can take the pain Style is dishing out and more. It's like he's hiding behind the bravado of being able to handle the hurt, and even more.

The MV also depicts Style smiling sadistically after slapping Fadel, as if he's enjoying the pain he's inflicting. Meanwhile, Fadel looks up almost in adoration, a strange softness in his eyes at odds with how cruelly he's being treated. The knowledge of Style's betrayal has turned Style into a monster in Fadel's mind, one which he cannot help but to still have soft, affectionate feelings.

But the fan translation sounds much more hurt and accusatory. Fadel is expressing his pain and anguish much more plainly and "you did this to me" is a line that demands responsibility.

In both translations, though, the last line ("can't get enough" / "enjoying the pain") gives us a hint that Fadel isn't willing to give Style up even now. Despite the pain, despite feeling as if he's simultaneously burning up and drowning, there's a part of him that still wants this. That still wants Style.

Interestingly, as Fadel sings the last line he begins to visibly struggle against the rope tying him to the chair. The soft look vanishes and in place is a determination and shadow that spells trouble for Style. The shock is wearing off and Fadel is starting to fight back.

Verse 2 is where the agony really hits, for me.

In both versions, Fadel recognises the way Style's love was (maybe still is?) precious to him ("your love feeds my soul" / "your love nourished my heart"). But because Style's love is a lie, it's transformed into a weapon ("poison"). It twists Style's love into a source of "hurt" to Fadel.

Which is why I think both versions have a line where Fadel admits that there's a part of him that wants Style to keep hurting him -- or rather, to keep loving him; because these are the same thing to Fadel now -- ("hurt me, make me feel used" / "the more I was hurt the more I enjoyed it") whilst also remaining accusatory ("the more I loved, the more sorrow/I suffered").

The lines about "nothing left to write about our love" / "our story" also feel very pointed and final. A closing of a chapter; a closing of the possibility of their former, uncomplicated happily ever after. Style has nothing left to write (report) back to his superiors (the police) because Fadel's love is already complete and his deception has reached the inevitable conclusion of Fadel being found out/destroyed.

All this happens while we see Style continuing to threaten Fadel with a golf club and an almost crazed expression of glee juxtaposed with flashes of Fadel and Style in much happier times.

Also the fact that this line comes with this scene where Fadel lets Style kiss him despite “knowing” it’s all a lie *sobs uncontrollably*:

The first chorus comes back once and the music reaches a plateau. We are clearly preparing for a drop or a modulation and we get exactly that (twice!) with the second chorus:

Here, both versions converge: Fadel is angry, he's furious. Style hurt him and he's going to repay all of it and more ("you'll hurt [by much more]" / "you must suffer more than I did"). The lyrics tell us that, while Fadel cannot take back the hurt (take back his love), he can certainly ensure he isn't alone in the suffering (this love will also hurt Style).

It is at this part where my heart sank as I realised that Fadel's "I think I love you" line in episode 6 now takes on a much more sinister tone.

Because I think that discovering Style's betrayal was also what made Fadel realise the truth of his love for Style; the very agony he was in was the sign that Fadel's heart was lost to him. But even as it is true, I also think he still made the choice to ruin Style in the same breath. Because if Style could use Fadel’s love as a weapon then Fadel is going to use it (Fadel’s love) to hurt Style too.

A decision was made in this moment, and everything Fadel does afterwards in this scene is deliberate.

There is, however, one piece of hope:

Despite Fadel's expressed fury, what the MV shows us is Fadel breaking out of his bonds, shoving Style back and punching him once and then:

For all his anger, for all his rage, for all his threats of manifold vengeance, what we see is Fadel pressing close and kissing Style; once on the lips, and once on his chest (heart), all while the lyrics makes space for one last plea:

("don't betray me")

For me, its the way the line is shown together with this direct visual parallel between the ignorant Fadel in the past (left) and the Fadel of the present who has seen through Style's deception (right) that I find particularly compelling. Even now, even at the point of Fadel discovering Style's betrayal, there is still hope for forgiveness.

Because Fadel cannot help himself. Because Style made Fadel's bleeding heart whole again; and it beats, it feels, and despite how much it hurts, what Fadel still wants more than anything else in the world -- desperately and simply -- is Style.

[montesmithart]

Another character introduction post :D

Meet Hachiko, my night fury oc who was created in 2015! (it’s literally the oldest character I have lol). This guy doesn’t have any specific bio, or backstory, or whatever. He just exists and I love him ;D Sometimes I also draw funny stuff with him because he’s just perfect for memes! I’ll show these to you later ^^

His old ref sheet from 2015 btw😭

[arthur-lesters-spinal-cord]

Me and my friend @jimjams-the-bat just finished playing slay the princess together so ive drawn our respective wives.

Thank you slay the princess for giving me some really gay moments.

[animezinglife]

"Don't just leave her on the damned floor!" lives rent-free in my mind.

[allforthegayphase]

Absolutely obsessed with these, I can’t even form a coherent thought

[thereweredragonshere]

Hi!!!!

First I just wanted to say that I love your art, and that your art of Astrid has been slowly pulling me into the Buffstrid camp!

And secondly, do you have any advice on drawing Night Furies? I've been having trouble with it (there's a 1/4 complete drawing I have just TAUNTING me) and in particular trouble with boiling it down to just shapes.

Heyy!!! :D

Thank you so so much!! <3

I find that night furies can be broken up into five basic shapes, which are then expanded upon

I will admit that it is hard to put the connection between these shapes into words. I find a lot of this comes from having traced over toothless so many times that my hand quit its job and filed a lawsuit against me. My best advice is to use those basic shapes and trace over toothless with them in mind to gain your own understanding of how he is structured, as it works differently in every artist’s mind.

- The chest is boxy and the broadest part of the torso (Think kinda like a bird, cuz they gotta have all that muscle for the wings. And the ribcage is there)

- The midsection gets increasingly thinner

- The pelvis is the pinch point where the body transitions into the tail

Another thing is the structure of the back.

I know that looks horrible and mathematical but I promise you those three red triangles are such life savers.

The top blue line is where the spine (presumably) is, so that is the most flexible part of the back. Everything will bend in accordance with it. It starts at point A of the red triangles, and ends at the pelvis. Point A to point C is on a slant, and is the absolute widest part of the body.

Because I’ve done it so many times I don’t actually draw out that triangle when I’m structuring a night fury, but it’s something that I’m always thinking about whilst plotting the important meeting points.

Another thing I tend to do is draw a line down the direct middle of the back when planning out how the pose will look

Here are a few sketches I did recently of my oc Prosper.

You can see in the first sketch that there is a directional line going down the very centre of her back. That was draw before I did any of the actual structured parts of her body.

BUT ALSO!! In the sketch closest to the right, you can see that I very obviously ignored the whole triangle shite with the chest. This is a psa that you do not under all circumstances have to stick to anatomy rules. Sometimes drawing tips do not apply and fuck yeah artistic stylisation man! That ribcage would not at all function on a real animal but does it look awful and horrible and like it should die? Nope! And- in the middle sketch, I did stick to the triangle rule. Example of selectively using drawing tips where they feel appropriate!!

Honestly there are so many points I could make when it comes to drawing these guys that there are just too many for one post. If there’s anything you want me to go specifically into detail on please do feel free to send in asks for it!

[aq2003]

benedick challenging claudio to a duel, 2011 version vs the 2001 radio play version

[tampire]

Adelheid Bernstein and Heidern in King of Fighters All Star

[fae-dreamer-99]

I think one of the most underrated (and frankly one of my favorite parts) of ACOMAF is at the beginning of chapter 58, Feyre has her heart to heart with Cassian about what it meant for him to swear to protect her sisters to Nesta. At the end of the heart to heart, right before Velaris is attacked, there's the line "I debated pushing him, but the river flowing beneath us..."

After seeing a symphony together, and having one of the sweetest conversations between them, Feyre considers pushing Cass into the Sidra. If that isn't little sibling energy I don't know what is.