#i love connecting specific melodies to specific characters

[bougainvillea-and-saltwater]

Okay, alright. I had about a week to bother y'all with my silly little tag games and my blorbo ramblings, so did you miss me?

As I love listening to music while working on anything, I've currently been thinking about what a theme for my characters would potentially be. You know, a melody without lyrics or something like that—just a soundtrack from a movie or series that you listen to, and for some reason, you immediately connect it to your blorbos. And I believe I end up with these choices:

For my Miraak's theme, I would choose the House Velaryon Theme from the House of the Dragon. Ramin Djawadi is a music genius—he has somehow made this track sound like a man-o'-war sailing to battle (which is perfect since Velaryons are the royal fleet of Westeros), and in my head, it's rather accurate to Miraak who's an Atmoran and I imagine his race being close to the sea with their traditional longships and all... When I listen to this track I always have this mental image in my head: Miraak being officially anointed as a Dragon Priest, with his mask covering his face, a thick golden mantle on his back, holding his staff in hand, and facing the other Priests who attend his coronation... (can't wait to write down this scene in-detail!)

As for Jia's theme, I choose Yennefer's Theme from the Witcher series. A really melancholic but slowly-building powerful melody, with some hints of burning fires in the background that come to their crescendo by the end of the soundtrack (around 4:45).

And for Miraak's & Jia's theme together, I choose the track Here's Your Destiny, again from the Witcher series. I played it again and again during writing a very key-moment scene between these two that happens in chapter 11, but I won't spoil more...👀

Okay, I really think I've been bothering people with my constant tagging, but I can't help it. I want to bask in every bit of information an oc can give me. So, I will tag my mutuals, in the hope they won't delete and block me for pestering them: @miraakulous-cloud-district, @blossom-adventures, @kiir-do-faal-rahhe, @illumiera, @b-lizi, @prettytamagnii WITHOUT ANY PRESSURE AT ALL. I'd love to listen to your tracks if you have any, but if you don't or don't want to do it, it's absolutely alright! 🥺

[lovscb97]

— STEP OUT ! ⊹ᡣ𐭩₊⋆

❛ 八命合一心 ; eight lives united as one heart ❜

about: welcome to step out! this is an ot8 stray kids series containing solo fics for all members based off of their respective songs from the newest album "合". here, you'll be able to choose and explore from a variety of themes and universes, and each world is handcrafted to revolve around one out of the eight, whether the inspiration for it came from the lyrics, melody, concept or more. though the stories are not directly connected with one another, each of them has its own flair. with any hope, they'll be to your liking, so do stick around to find out & enjoy your stay!

status: ONGOING.

pairing(s): ot8!stray kids x fem!reader

disclaimer: all fics contain MATURE content along with smut which is not appropriate for minors. viewer discretion is advised & you are the only one responsible for the content you consume.

add. notes: hello n welcome 2 lovscb97 first series debut ... this idea came to me on a whim when i was listening to seungmin solo on a walk n i was like "yk what would be cool ? ot8 fics based off their solo songs. Yea." n boom! step out was born. special thanks to jamsie n nico for their help n i hope u guys enjoy it loads!!! plz mind the tags for each specific fic before reading (more detailed ones will come with each chapter so as to not spoil much about the stories) but other than that have a great time n lmk what u think if u wish <3 details for specific fics are under the cut btw!

last updated: 01/01/2025.

TAGLIST: OPEN!

. . .

ˋ°•*⁀➷ TRACK 001.

READ HERE.

ˋ°•*⁀➷ TRACK 002.

title: railway

featuring: best friend's ex!bangchan x fem!reader

word count: 7.85k

tags: angst, forbidden romance, toxic relationship, unprotected sex, exhibitionism, dirty talk, etc

READ HERE.

ˋ°•*⁀➷ TRACK 003.

title: youth

featuring: camp counsellor!lee minho x fem!reader

word count: n/a.

tags: strangers to ???, some angst, summer fling, found family, protected sex, bittersweet, etc

READ HERE.

ˋ°•*⁀➷ TRACK 004.

title: ultra

featuring: roommate!bff!seo changbin x fem!reader

word count: n/a.

tags: roommates to lovers, fluff, mutual pining, heavy tension, dry humping, rough sex, unprotected sex, etc

READ HERE.

ˋ°•*⁀➷ TRACK 005.

title: so good

featuring: tour guide!hwang hyunjin x singer!fem!reader

word count: n/a.

tags: black cat x golden retriever, family trauma, confessions, protected sex, angst, open ending, etc

READ HERE.

ˋ°•*⁀➷ TRACK 006.

title: hold my hand

featuring: guardian angel!han jisung x fem!reader

word count: n/a.

tags: 'she fell first but he fell harder' trope, kissing, sweet lovemaking, some religious undertones, character death, etc

READ HERE.

ˋ°•*⁀➷ TRACK 007.

title: unfair

featuring: beast!lee felix x princess!fem!reader

word count: n/a.

tags: royalty au, premodern timeline, shapeshifting, fairytale-esque romance, monster-fucking, breeding kink, etc

READ HERE.

ˋ°•*⁀➷ TRACK 008.

title: as we are

featuring: baseball player!kim seungmin x fem!reader

word count: n/a.

tags: childhood best friends to lovers, first love, sports injury, grief, healing, slowburn, protected sex, etc

READ HERE.

. . .

title: hallucination

featuring: church boy!yang jeongin x delinquent!fem!reader

word count: n/a.

tags: good boy x bad girl, religious guilt, blasphemy, unprotected sex, corruption kink, etc

© all rights reserved to @/lovscb97, do not plagiarise, translate, re-upload, etc

[reva-lution]

Moonfam Music Analysis

This took a lot longer than expected, but I have finished a full analysis of Rayla, Runaan, and Ethari (a little bit of Tiadrin and Lain for specks of screentime they had) up till the end of season 6! Truth be told, I still need some time to begin analyzing season 7, especially since I wasn't expecting the direction they took with this narrative thread.

ENJOY!! Let me know if I missed anything, what you noticed in season 7, or what you would like me to analyze next! Thanks for your support!!! FULL ANALYSIS AT THE LINK BELOW ----------------------------------------------------------------------------

Thematic Foundations: “Heartbloom” as Rayla’s Family (popularly referred to as the Moonfam) Theme

“Heartbloom” emerges as a musical representation of Rayla’s connection to her found family (Runaan, Ethari, and by extension, herself). The theme’s tender, layered orchestration—featuring strings, piano, and flute—speaks to the deep emotional bonds within the Moonshadow elf family.

Instrumentation and Tonal Qualities: The consistent use of plucked strings in “Heartbloom” and its structural similarities to “Silvergrove” underscore its ties to Moonshadow culture and Rayla’s heritage. These instruments evoke the delicate yet resilient nature of her family, highlighting their fragility and strength amidst conflict.

Parallelism with “My Heart for Xadia”: The cello’s introduction in “My Heart for Xadia” mirrors “Heartbloom,” connecting the Moonfam’s story to larger themes of love and sacrifice. Both pieces resonate in F major, a key often associated with warmth and tenderness, grounding the emotional moments between characters.

“Because She’s Rayla”: A Personal Identity Theme

“Because She’s Rayla” is closely tied to Rayla’s individual growth and her struggle to balance familial expectations with her own sense of self. Its instrumentation (violin, cello, piano, and flute) aligns closely with “Heartbloom,” suggesting that her identity cannot be separated from her family.

In Season 6, Episode 5, as Rayla sings to Esmeray, the melody’s shifts between major and minor keys echo the interplay of hope and sorrow—a hallmark of both “Heartbloom” and “Because She’s Rayla.” This moment underscores Rayla’s emotional journey and her attempt to reconcile her familial connections.

Fast-Paced Themes: Action vs. Reflection

The fast-paced sequences in Rayla’s confrontations with Runaan highlight their strained relationship. The absence of “Heartbloom” in these moments reinforces the emotional distance and unresolved conflict between them. However:

In the moments when Runaan recalls Ethari or Rayla appeals to him directly, the music shifts—slowing and softening to reintroduce emotional intimacy. For example, in Season 6, Episode 9, Rayla’s plea (“I’m your daughter”) is underscored by “Because She’s Rayla,” signaling a breakthrough in their relationship.

Selective Use of “Heartbloom”

The sparing use of “Heartbloom” in scenes involving Tiadrin and Lain (e.g., Season 6, Episode 9) suggests that this theme is not tied to all familial bonds but specifically to Runaan, Ethari, and Rayla. This distinction highlights the lingering narrative significance of the Moonfam trio, leaving space for future exploration. Specifically, when Rayla is giving her final goodbyes to her parents in Season 6, Episode 9 the Heartbloom theme is completely absent, replaced by melodic vocals and a touch of Rayla’s personal theme.

Key Transformations: Death and Renewal

In Season 3, Episode 3, the minor key version of “Heartbloom” following the Ruthari kiss reflects themes of loss and transformation. This tonal shift parallels Runaan’s trajectory—his grief over Ethari and the Moonfam’s sacrifices. Similarly, in Season 4, Episode 8, as Rayla gifts the butterfly blades to Rex Igneous, “Because She’s Rayla” evolves subtly, mirroring her growth and the ongoing influence of her family’s legacy.

Moonshadow Elf Themes Across the Series

“Silvergrove”: The theme captures the essence of the Moonshadow elves’ homeland. Its reliance on plucked strings and sparse instrumentation reflects their stealth and detachment from the world. Yet, this detachment also signifies the loneliness and isolation that pervades Rayla’s story.

Scene Highlight – Season 3, Episode 3: The melancholy yet serene tone of “Silvergrove” mirrors the emotional weight of Rayla’s departure from her home and her sense of exile.

“My Heart for Xadia”: The opening strings of this piece resonate with “Heartbloom,” linking the broader struggle for Xadia to the personal sacrifices of the Moonshadow elves.

Scene Highlight – Season 6, Episode 9: Subtle echoes of “My Heart for Xadia” can be felt in the mystical glockenspiel tones during Rayla’s reunion with her parents, tying their personal sacrifices to the greater fight for Xadia.

Moon Nexus Motifs: The Moon Nexus themes feature gentle, cyclical melodies on flute and strings, symbolizing the perpetual cycles of the moon and the elves’ adherence to duty and time. These motifs subtly appear in moments of reflection or decision, such as Runaan’s imprisonment and Rayla’s moments of doubt.

Musical Motifs Across Episodes... link below :D

[literaryvein-reblogs]

Hi! Sorry to disturb. I'm a quite inexperienced writer, I'm trying to write my first long work and I don't want to just get it out and be done with it, I want to put care in it, so your blog has been super helpful for both small tips and for big deals. So I have a doubt and I thought I'd ask you, if you can't or don't want to answer that's fine!

One of my main characters is a singer but most importantly a song writer so the songs she writes really have a meaning with the story and are meant to get a reaction from her counterpart. I tried a few ways but I can't seem to incorporate her singing very well in my pages, how would you go about it? Do you have any tips?

Thank you and have a good days and holidays if you celebrate xx

Hi! Here are some references and tips from various sources I found for you. Use which ones would work best with your specific story, and alter as needed:

Writing Template: Singing Scene

Part 1

What perspective will this be from? The singer or the audience? Maybe both.

There is more to singing than using the voice.

Will the audiences’ emotions be front and center for this scene or will it be the character’s? It doesn’t matter if you are writing first person or second person. The character can show the reader what the audience is thinking based on body language. 

If the character is singing alone, the audience can be more than just themselves. It could be a deity they believe in, or a loved one that passed away and is present either in physical spirit or thought. Could be a pet or even nature itself (trees, grass, etc) as the character’s audience. They all would respond in their own ways. Maybe the trees dance in the wind while the character sings a melody. Or the birds and bees join in on the tune.

Part 2

Connect a deep feeling and understanding back to the reader.

Remember, overall experience is more important than mechanics.

What is the song about? What genre? How does it sound? Is it slow or fast? Lighthearted or formal? Does the singer have a high voice or a low one, or a mix? 

How does the song make people who hear it feel? Is the singer doing anything else while they sing?

Let’s say the main character has a song stuck in their head. One way to show the reader (if it’s important to the overall plot) is when every time the song gets stuck in the character’s head, the paragraph would stop and a new one would start with the lyrics.

Part 3

Create an emotion profile for why the character is singing

Is there a message you want to convey? This can be shown by how the character sings.

Tone/breathy, maybe the sound of an exasperated sigh would be heard in parts of the singing.

How the character holds tension in the body can really influence the emotion. Are they rigid, loose? Perhaps seemingly overthinking it.

Diction can be shown through how you write the lyrics the character is singing. For example, hard/soft on the consonants using bold letters or capitalization. The character can have pauses and slurring in the singing, shown through the way you write the lyrics.

Breath. Every emotional state has a breathing pattern associated with it. Ways to write breathing for singing would be through body language and onomatopoeia. For example if the character is scared and is hyperventilating: He placed a hand over his heart, barely able to stare into the crowd of onlookers. Wheeze, gasp!  Was all the lyrics we heard from him that night”.

Think about the type of song and the genre. For example, if you’re writing about rock music, the instruments will be guitar, drums, piano. So ‘Her voice rose higher, while trying to follow the raspy, intense notes of the musician’s bass.  

Is this a new song?

If you’re using well-known songs, include action, internal monologue, and scenery description to avoid a reader skipping over to the actual story.

If a song is new or a unique take, you can paraphrase the lyrics in a way that tells you something relevant to the character or moment.

Example: The goofy man staggered down the street in his drunken stupor singing: “You ma-a . . . blue-eyed girl!” He took another swig from the bottle in his hand. “Do you remember when . . . we used to sing: Oh la la, la la, la la, la la, la te da! Just like that!”  He took another swig. “All alone on my own. I thought I saw you the other day. But it was my dreams—” He was silenced by sirens coming from behind him down the alley. He bolted!

Part 4

Create emotion profiles for the song.

Purpose of the song. Is the message in the content of the song or the characters reaction to them?

Songs in fiction have multiple purposes such as giving background details, foreshadow, used as a metaphor, portray emotion or conflict, reflect or mirror events of the story, used for character development, etc. The message you are trying to convey will determine how you write them.

One method is good for when the content of the song is unimportant or secondary to the characters reaction. Simply include a description of the song. Using broad terms, describe the topic and style of the song but keep focus on how it affects the characters.

Part 5

How does it end? Good note or bad? Audience wanting more? Character feeling happier?

Don’t be afraid to end the scene or chapter here.

When it ends, is there thunderous applause?

How are they feeling? What are they thinking? Their posture. Are there any subtle movements in their hands, eyes, and breathing patterns?

After singing the character could simply move on to later that night or the next day. You don’t necessarily have to show what happens right after. It may even make the reader curious. You can show the results of singing throughout the story, for example, if other characters start treating the singing character nicer, or they get a contract deal, or if their depression has subsided. Example:

Intense, was the crescendo as it built to a slow roll that crashed like a great wave into the souls of those that listened. A calming silence fell over the eager audience; they were captivated by the intoxicating tune coming from this slender throat. From the depths of his soul, the lyrics rose and swelled around everyone in that room as if all could feel his misery. In this moment, his pain was their pain and the audience and singer were as one. 

Some Personality Traits of Singers

3,088 singers were surveyed to learn what personality traits and interests make them unique.

Singers are artistic and enterprising. They tend to be predominantly artistic individuals, meaning that singers are creative and original and work well in a setting that allows for self-expression. They also tend to be enterprising, which means that they are usually quite natural leaders who thrive at influencing and persuading others. [Using the Holland codes]

The top personality traits of singers are openness and social responsibility. Singers score highly on openness, which means they are usually curious, imaginative, and value variety. They also tend to be high on the measure of social responsibility, indicating that they desire fair outcomes and have a general concern for others. [Using the Big Five]

Character Development through Music

One device that is highly effective in understanding character is music. Music is nearly universal in its influence.

It’s a bit too easy to just answer the question, “What kind of music does my character like?”

More difficult might be, “What kind of music would my character turn off?”

You might think of an entire type of music or, more likely, a specific song. Maybe a song that would break your character’s heart in two at just the first beat.

Think about instances of revealing character traits using music as a way to show your reader more about how your character interacts with the world.

Music can be explored in literature showing us just how responsive this device can be to character.

Our knowledge of character may be deepened by their interaction with music.

How might this work in your own writing?

Try this exercise, using the first few words from Prince’s iconic “Kiss”:

“YOU DON’T HAVE TO BE BEAUTIFUL…”

Copy this line, including the quotation marks. Unless your character is Prince, write says, or sings, or said, and your character’s name.

Imagine your character speaking these 6 words.

To whom did they say them? Where are they talking? Are they singing at a bar? Or is your scene NOT connected to the reality of this song at all?

You can imagine that your character is the first person to ever say these words to another. Take time to free-write this scene, and see what happens next.

More references:

On Sensory Language ⚜ Word Alternatives: Auditory

Words to Describe Someone's Voice ⚜ Key Musical Terms

Sources: 1 2 3 ⚜ More: Notes & References ⚜ Writing Resources PDFs

Hope this helps. No need to apologise, this was such an interesting request for me to look into. So thanks so much for that & happy holidays to you! <3

[yazthebookish]

Hello my loves❤️!!

I've said that I do not intend to discuss anything HOFAS-related since I haven't read the book and I only know a few details I specifically asked.

But I read the beautiful, beautiful Bryce, Nesta, and Azriel Walmart chapter and I need to just gush about something. It's not the whole chapter but just small parts of it mostly relating to Azriel.

Disclaimer: I have no interest in engaging in ship discourse (annoy me and it's an immediate block) nor do I want someone to change my opinion because it will not be changed. I stick by what I read and interpret in these books and am quite happy and content with it 😉

⚠️ Bryce, Nesta, and Azriel Bonus Chapter Spoilers Ahead! ⚠️

And with each mile onward, she could hear Azriel humming softly to himself. The rolling, wild melody of "Stone Mother" flowed off his lips, and she could have sworn even the shadows danced at the sound.

Do you realize that the entire time Bryce was playing the songs on her phone, she made no comments on Azriel's shadows but towards the end when her phone's battery died and Azriel started humming to himself, then she made a note of the shadows dancing at his sound.

They did not dance to her songs, they dance to Azriel's humming and I find that so endearing!!

It proves my point again at the instances we get descriptions of Azriel's shadows singing are with positive connotations. Their dancing is not written to be nefarious or odd.

Pray tell, in the entire series when Az's shadows are described to be dancing, which scenarios triggered those actions? Mostly when it comes to Gwyn because if you search in every book you won't find a description of them dancing around someone except Gwyn. This is a point I've been making since ACOSF came out and I'll highlight them below:

• These excerpts are from Azriel's bonus chapter

"How was the party?" Her breath curled in front of her mouth, and one of his shadows darted out to dance with it before twirling back to him. Like it heard some silent music.

Gwyn wasn't singing here, they were reacting to some silent music... which we can suspect as much is the mating bond? A bond Sarah described in ACOSF as music between souls?

Azriel entered the warmth of the stairwell, and as he descended, he could have sworn a faint, beautiful singing followed him. Could have sworn his shadows sang in answer.

His shadows sang in answer. We don't know for sure if Gwyn was singing or it was something else but I'll bet on the latter since she was training and one of his shadows earlier darted out to dance with her breath as if it heard some silent music. It still reaffirms to me that it can hear the music between souls, the mating bond.

• This is from ACOSF (pg. 623) and keep in mind this is post-Solstice/Azriel's bonus chapter

Azriel clapped his hands, and all the females straightened. "You'll work in groups of three."

Gwyn asked Az, her teal eyes bright,

"What do we get if we finish the course?"

Az's shadows danced around him. "Since there's no chance in hell any of you will finish the course, we didn't bother to get a prize."

One of the things I absolutely love when it comes to SJM's romances is she creates a common ground for the couple and gives them some things to bond and connect to.

In this instance, it's not only about Azriel's shadows but the fact that he also is fond of music. He doesn't express his fondness through dancing like Nesta, he hums to the tune. He sings.

Who else adores music and sings? Gwyn.

Who made Azriel admit that he sings? Gwyn.

These are not a coincidental connections.

And the author is a big fan of music so I think it's such a beautiful connection to create between two characters that have had such a dark and tragic past and are still processing the trauma they experienced.

The chapter did not give us much in terms of ships or who is Azriel into, but it did elaborate more on Azriel's fondness for music. It did elaborate on the genuine reactions of his shadows which were sometimes always framed in a negative way.

It also kind of proved my cute headcanon about whenever Azriel sings, his shadows dance around him.

I honestly can't wait for his book!! But first we have to tackle HOFAS so look forward to my reading updates in a few days!

[year2000electronics]

I’m also gonna propose the OTHER side of the coin.

Mom!Tippi

Wouldn’t it be so tragic if Timpani had been that much closer to Bleck this entire time? If potentially Luigi were to meet and befriend her, neither having the slightest clue who the other is, prior to the events of SPM? And by the time they do all realize who everyone is and fully reunite, they only have like 5mins max to cherish it before two of them have to sacrifice their lives to save the third :)

Then on the other hand it’s also lowkey kinda hilarious?

Tippi is just kinda going through the motions with the prophecy. No memories and very little sense of self, she’s putting all her focus on the Pure Hearts and stopping the Void. Very… clinical-like. And gradually she starts to open up more to Mario & Co, grows a bit more lively and starts remembering things.

Like her lost love.

So imagine her surprise as things are starting to click and she’s piecing things together, and for the latest piece to the puzzle, there’s her exchange with Bleck when the group’s confronted by the Count in Sammer’s Kingdom. And then he not only mentions the name “Timpani”, which is very familiar for some reason, but also mentions a son.

There are many questions once she’s got her full memories back. At least she thinks so, but she certainly doesn’t remember having a child with Blumiere before they were torn apart and she was cursed to wander dimensions forever! Who IS this child? Where did he come from? What does this mean? Does this make her a mom? Will the child want her as a mom? Can she be a good mom? This was way less terrifying and complicated when it was just saving all reality from violent oblivion!

At first she thinks it’s Mr. L based off observations from the heroes’ fights against him. But then surprise! It’s actually Luigi! The sweetheart boy she’s known and befriended a few years prior to the adventure… how they were this close to have preventing it altogether had they figured it out sooner.

Picture the final thing that confirms for them both without a doubt their shared connections to Blumiere with the MOTI song that’s the duet to the Memory/Bounding Through Time track. A cherished melody between the lovers when they were together, that was also used as a lullaby for Luigi as a kid when he had nightmares.

Btw Luigi and Tippi being amnesia buddies throughout Ch7 Underwhere and Overthere segment is super cute. Criminal that this wasn’t capitalized on in the game either, like c’mon! Amnesia Buddies! Just supporting each other and helping the other get through the more intense flashbacks when they hit in addition to quest/adventure stuff.

Makes Luvbi’s teasing comments hinting that Tippi’s got a crush on Mario, Luigi or both a lot more awkward, tho.

That awkward moment when you accidentally call your mom friend “mom” out loud to their face, but it later turns out she was your actual mom the whole time.

It’s hard to hug on account of Tippi being a butterfly Pixl, but she carries the intent when she sits on Luigi’s nose and stretches her wings out across his face as best she can.

…I have far too much to say on potential relationships between characters that barely interact canonically.

AW YES... let tippi and luigi bond theyve earned it

i think the funny thing about that, too, is that even though tippi and luigi don't get much together, tippi does have some VERY strong opinions on mr. l (calling him greasy, saying he's weak, and her tattle on him specifically says he has 'no other outstanding features of note') so if she thinks mr. l is bleck's son (instead of luigi) i'm sure her first reaction would be... Interesting... LMAO

[cy-fi-theansweris42]

Ghostbusters Frozen Empire spoilers ahead

I've seen some criticism over Phoebe's actions in Frozen Empire, more specifically over the point when she separates her spirit from her body, calling it "a dumb decision", that "she's smarter than that", that it's "out of character for her", and just like.

First of all, remember she's 15??? She's a teenager??

But also I want to argue that it does make sense for her character, especially after everything that happened in Frozen Empire leading up to that moment.

Before we talk about Frozen Empire, we have to remember her story arc from Afterlife.

In Afterlife, Phoebe is uprooted from where they were previously living, and we know she has trouble making friends. Trevor tells her to tell him some of the jokes she's been practicing, her mom tells her to "not be herself" (jokingly/affectionately, but it's still said), and we know that Phoebe struggles to make friends. She struggles to connect with people.

Then she finds out her grandfather was a scientist, like her. He was a Ghostbuster, something that she connects to. She compares herself to Egon and is upset when she finds out her mom didn't tell her that her grandfather was a scientist like her. Then, most importantly here, her mom says that Phoebe "found herself" at the farm.

During Afterlife, Phoebe's story is about finding herself and connecting to who her grandfather was, a scientist, a Ghostbuster.

Flashforward to Frozen Empire.

Now they're in New York, and from what we see even though it's been 3 years since the events of Afterlife, it doesn't seem like Phoebe has really made any new friends in New York, she's still friends with Podcast, but he still lives in Summerville and is only there for the summer. She has her family, but she doesn't have any friends there. Her focus seems to be on being a Ghostbuster because that's where she found herself, that's what she wants to do.

And then it's being taken away from her.

She's suddenly told that she can't be a Ghostbuster because she's too young, and all the while the rest of her family is continuing to go out on busts and leaving her behind. There's things going on, and she's told she can't help, which just throws the fact that the thing she loves, the thing she wants to do, has been taken away from her.

And then, while upset from this, she makes a friend, Melody. It's someone she can talk to, that she seems to enjoy being around. She doesn't know that Melody has an agenda, that Melody is going to use her (not hating on Melody, that's just literally what happens). To her, Melody is a friend and someone she can talk to that distracts her from how another part of her life has been taken away.

Now I don't know if anything has been confirmed, but Phoebe comes off as neurodivergent (honestly I would not be surprised if she was intentionally written that way). One thing when you're neurodivergent and struggle to make friends is like, when someone acts like they want to be around you, to be your friend, you might not catch any signs that something's up.

So with that in mind, remember that Phoebe had no reason to suspect anything was going on with Melody. Before separating her soul from her body, Phoebe just thought she was finding a way to exist on the same plane as her friend. It was a way to just be with her friend for just a couple of minutes. Remember, it was just for two minutes.

So, during a time when Phoebe had something important to her taken away, a part of her identity taken away, she made a connection with someone she trusted and believed to be her friend. Of course she'd trust her, of course she'd try to essentially hang out with her friend for just a couple minutes.

She didn't know what was going to happen next.

[vinestaffery]

Hello!!!! Since I'm pretty sure Requests are open at the time I'm writing this, Could I request Subspace with An Idol Reader??

subspace x idol! reader

content: slight stalking themes; obsessiveness; general fluff?; confessions; a bit wattpad-like y/n; y/n is song-inspired; dont know what else to really say, it's subspace!!!

authors note: subspace i love you uuhmmm who said thatttt???? uuummmmmmmmmmm

[Y/N] sat in the cozy corner of the studio, tuning their hair and their outfit for the stage, humming a new melody they had been working on. They were going to be playing with Boombox, a well-known individual within Playground. [Y/N] smiled, staring at themselves in the reflection, as their guitarist tuned their guitar. They strummed absentmindedly on their instrument, looking up to [Y/N].

“Hey [Y/N], did you hear about that weird guy who’s been hanging around the playground lately? Stated that they were going insane, they nearly stole some random guy's ticket to this concert,” they spoke in a shattered voice, as if they were afraid of the person. [Y/N] glanced up, intrigued. 

“Weird guy? You’ll have to be more specific. This place attracts all sorts of interesting characters, whether you like it or not,” they replied. [Y/N]’s friend shook their heads, a serious expression on their face. “No, I mean really weird. He’s been making quite a scene. Loud, obnoxious, strange type of person gave me the creeps just hearin’ ‘bout it.”

[Y/N] chuckled, brushing off the concern their friend had expressed. They turned, hands on their hips, comically. “You know, being in a band brings out the strangest of people. It’s all part of the experience, right?” Their friend looked at them with a slight discomfort. They sighed.

“Maybe, but this guy is different. There was something off about him. Like, he was looking for something or someone, and he’s got this intense energy,” they continued. [Y/N] turned around and focused back on their small accessories and additions to their outfit.

“I felt like he was only thriving off of chaos and pure... something.” [Y/N] zipped their jacket up, letting the sound resonate for a moment. “That sounds like half of the fans we meet. People are drawn to the music for different reasons," [Y/N] turned, “and sometimes those reasons are a little unconventional, but it’s what makes this experience so interesting!”

[Y/N]’s friend placed their guitar on their lap. They shook their heads, not fully assured. “I get that... But what if this guy is even worse than usual? I don’t know; I just... am scared; I have a bad feeling about him.”

[Y/N] smiled warmly, appreciating the concern but not feeling particularly worried. “Thanks for looking out for me, but I can assure you, I’ll be okay! Sometimes the most intense fans are the ones who connect with the music on a deeper level,” [Y/N] walked over, placing a hand on their friend's shoulder, “and it’s kind of flattering in a way.”

They gave a reluctant nod, still uneasy. “Yeah, maybe you’re right; just promise me you’ll be careful, okay?” 

“Promise,” [Y/N] said with a reassuring smile. “Now, let’s get back to checking off the list; we’ve got to go up soon.”

[Y/N] raised their microphone in the air, the sound of the crowd going insane as the song entered the final strum of the guitar. Panting, their chests rising as they smiled, only to soon skip off the stage and grab a quick drink. Rushing away, [Y/N] took a cup and poured themselves a drink. 

[Y/N] took a deep breath, feeling the familiar thrum of excitement as they prepared to meet one of their biggest fans. They had heard rumors about strangers' fascination with their music, and it was surreal to think that someone they admired was also a fan.

The back of the stage was a small area. It was a space where musicians and others could speak freely, away from prying eyes and ears. But it seemed somebody was already there, pacing back and forth with a restless energy that seemed to crackle in the air around him. His usual maniacal grin was firmly in place, and his eyes lit up as soon as he spotted [Y/N].

“Ah, there you are!!” Subspace exclaimed, his voice dripping with excitement. “The idols of the playground themselves, gracing me with their presence??”

[Y/N] nearly spat out their drink, soon panicking as they dropped their cup and hid it with their foot. It was subspace! The Subspace! [Y/N] had been a long-lived fan of his works, especially the release of Biografts. [Y/N] felt sweat pour down their forehead. “Oh! Hello! I’ve been such a big fan of your work!”

Subspace’s eyes widened slightly, a look of genuine surprise crossing his face before he quickly masked it with his usual bravado. “You? A fan of mine?? Well, that’s a twist I didn’t see coming!!” He let out a loud, almost manic laugh, the sound echoing around them.

[Y/N] nodded, their hearts pounding. “Yes, I love the intensity and raw emotion in your performances. They’re...inspirational.” Subspace’s grin widened, and he stepped closer, his gaze intense. “Inspirational, huh?? Funny, I was going to say the same about you. Your music... it’s like nothing I’ve ever heard before. It’s... intoxicating.” 

You could feel yourself falling for this man faster than ever.

[Y/N] felt their cheeks heat up, their heads spinning with the unexpected praise. “I don’t know what to say. Hearing that from you means a lot.”

Subspace’s expression softened for a brief moment, a flicker of something almost genuine crossing his face. “I guess we both have our obsessions then. But tell me, What is it about my work that you admire so much??”

[Y/N] took a deep breath, trying to gather their thoughts. “It’s the way you throw yourself into your performances—the sheer passion and intensity. It’s like you’re not afraid to be completely yourself, no matter what anyone thinks. That’s something I really admire.”

Subspace’s grin returned, but there was a hint of something more behind it now. “Well, well, it seems we have more in common than I thought. You’re not so bad yourself, you know??”

Before [Y/N] could respond, Subspace took another step closer, his voice dropping to a softer tone. “You know, I’ve always wanted to meet you, to see if you were as captivating in person as you are on stage. And I have to say, you haven’t disappointed.”

[Y/N] felt their knees go weak, the overwhelming mix of excitement and nerves threatening to overtake them. “I’ve always wanted to meet you too, Subspace. Your work has been such a huge inspiration for me.”

As they stood there, face to face with their idol, [Y/N] could only nod, their hearts racing and their minds a whirlwind of emotions. Meeting Subspace had been everything they had hoped for and more. The reality of the moment was sinking in, and they felt a rush of pure exhilaration.

Subspace's grin widened as he watched [Y/N] struggle to contain their excitement. “You know, you’re even more charming in person than I imagined. It’s no wonder you have such a following.”

[Y/N] laughed nervously, feeling a warmth spread through them at his words. “Thank you, Subspace. That means a lot coming from you. I’ve always admired your fearlessness and the way you put everything into your work without holding back. It’s something I aspire to do.”

Subspace’s gaze softened slightly, a rare moment of sincerity breaking through his usual manic demeanor. “It’s not always easy, but I find that the only way to truly live is to embrace every moment, no matter how chaotic. And you, [Y/N], you have that spark. That same fire.”

[Y/N] felt a surge of pride and joy at his words. “That’s one of the things I love about your work. It’s raw and unfiltered. It’s...real.” Subspace’s grin returned, wider and more genuine than before. “I knew there was a reason I felt drawn to your music. We’re kindred spirits, you and I. Both are chasing that same high, that same passion.”

[Y/N] could feel their hearts beating faster, their excitement growing with every word. “I never thought I’d meet someone who understands that so well. It’s...it’s incredible.”

Subspace took a step closer, his voice dropping to a conspiratorial whisper. “Tell me, [Y/N], what drives you? What keeps that fire burning inside you?”

[Y/N] took a moment to think, their minds racing. “It’s the connection with my fans, the feeling of creating something that resonates with others. And the thrill of pushing boundaries and exploring new territories. It’s addictive.”

Subspace nodded, his eyes gleaming with understanding. “I get that. It’s the same for me. The rush of a performance, the thrill of the unknown. It’s what keeps me going.”

They stood there, sharing a moment of silent understanding, a bond forming between them. [Y/N] felt a sense of exhilaration, knowing that they had found someone who truly understood their passion.

Subspace broke the silence, and his voice filled with excitement. “You know, we should collaborate sometime. Imagine what we could create together. The world wouldn’t know what hit them!!”

[Y/N] felt a thrill of excitement at the idea. “I’d love that. I think we could create something truly amazing.”

Subspace’s grin widened, his eyes sparkling with anticipation. “Then it’s a plan. We’ll make something that will blow everyone away. Just wait.”

[Y/N] felt a surge of joy, their hearts soaring with the possibilities. Meeting Subspace had been everything they had hoped for and more. As they stood there, face to face with their idol, they knew that this was the beginning of something incredible.

Subspace’s gaze softened once more, a rare moment of vulnerability breaking through his usual bravado. “You know, I never expected to find someone who understands me like you do. It’s...refreshing.”

[Y/N] smiled, feeling a warmth spread through them. “I feel the same way. It’s amazing to meet someone who shares the same passion and drive.”

Subspace nodded, his eyes filled with a mixture of excitement and gratitude. “Here’s to new beginnings, then. And to create something that will leave a mark on the world.”

[Y/N] raised an imaginary glass, their hearts swelling with joy. “To new beginnings.”

As Subspace walked away from the meeting spot, [Y/N] felt a sense of exhilaration and excitement. They had met their idol, someone who understood their passion and drive, and they knew that this was just the beginning of an incredible journey.

[crocs-simp]

One underrated aspect of Benrius I haven’t seen talked about: the soundtrack

I don’t know how many musical nerds are there in the camp cretaceous fandom, but if you’re like me then you’ve likely noticed that Darius and Ben are the only main characters to have their own leitmotifs:

No other campers get this treatment, not even Yasammy (they do get a joint theme though which is super cute in its own right)

So why is this a big deal? Well, a character’s leitmotif is basically their trademark, the thing that instantly brings their faces to mind when you hear that specific tune. Think Darth Vader and The Imperial March. It embodies their soul in a sense, shifting in keys and tempos as their journey takes them through joy and sorrow, but never straying from the core signature melody.

A character’s leitmotif often plays when they enter a scene, subtly telling the viewers that hey, this is their moment now, pay attention to them. So what happens when two leitmotifs meet? Well, it could mean many things, but mostly it is meant to imply a significant connection between the two characters they represent. The connection could be antagonistic, friendly, or...

Intimate.

Hear how both their leitmotifs flow seamlessly from one to another, lifting each other up and cornily accompanied by an angelic choir no less. Notice how despite Ben being the one speaking, it is Darius’ motif that plays, because Darius is the star of the scene, the receiving end of Ben’s attention and love. And then, as Darius returns the affection, the score shifts in turn to reflect it, playing Ben’s theme as Darius redirects all of it back to Ben, physically too I might add.

Musical storytelling is an oft underrated aspect of TV and movies, yet when done right it conveys just as much as visuals and dialogues, as any LOTR or Star Wars or Hamilton fan would happily point out to you in much more eloquent words than I can. The story of Darius and Ben is one of subtlety, of stolen glances and longing nights, reflected in the music of their hearts.

[bedoballoons]

Since this ask is a little specific, I'll let you choose the characters. Basically, the characters of your choosing with a winx fairy reader. If you don't want to do it, you don't have to.

I don't mind! However I haven't watched the Winch series in a very long time so if these aren't exactly like them I apologize! I hope you enjoy and thank you so much for your request!

P.s. This was so nostalgic for me, I remember watching Winx alot growing up and even having like my first set of ships between the fairies and their significant others 😋

─⊰⁠⊹ฺ🍂𝔾𝕖𝕟𝕤𝕙𝕚𝕟 ℍ𝕖𝕒𝕕𝕔𝕒𝕟𝕠𝕟𝕤⊰⁠⊹ฺ🍂

{༻~Winx~༺}

CW: Fluffy! Made the reader have a different fairy magic include as many as I could! (Pet names: Lyney: Mon amour,

(Includes: Lyney, Tighnari, Xiao, and Freminet!)

♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡

𑁍༄Lyney: <Fairy of light>

"Lyney...are you alright? I know this isn't what you were expecting.." You chuckled nervously, feeling your face heat up as he stared at you wide eyed, watching your dazzling wings sparkle in the sunlight, it was a lot to process to say the least. "You're...a fairy? Like what you read in books? You'd think being a magician I'd be better at handling things others don't normally understand, but I must say...this is definitely throwing me for a loop."

"Well to be more accurate, i'm a light fairy. I can use light magic...I also have a more optimistic personality." His gaze started to make you shy, suddenly you regretted showing him...what if he couldn't accept it.

"A light fairy, you know that suits you. You do radiate a type of light, I noticed that even before you showed me your wings. In a sense, you're a true being of optimism....that's beautiful. Mon amour, may I ask a few more questions?"

𑁍༄Tighnari: <Fairy of nature>

"Does being a nature fairy mean you are naturally more gifted with plants and animals?" Tighnari sat in the bright green grass, watching you with dazed eyes that constantly flicked to your wings. He'd asked so many questions, if you were born a fairy, were your parents fairies, did you know others like you, but he still able to actually wrap his head around your secret.

"I think I'm pretty good with plants, they certainly grow nicer when I'm around and I have control over some...as for animals..I mean I was able to start dating you fox boy~" You giggled teasingly, trying to loosen him back up to his usual self..hoping you hadn't just absolutely shocked him to the point of no recovery.

Thankfully your words helped, "I'm fennec fox boy thank you very much. If you're going to call me a furry at least be specific."

𑁍༄Xiao: <Fairy of music>

"Is that why...your music is soothing to everyone? Why you're able to convey so much emotion in your songs?" Xiaos hand was gently holding yours as the two of you swayed your feet off the edge of the Wangshu Inn railings, watching the night sky with your wings finally out in full view..your true self exposed for him to see.

"I'm not really sure if that's why...all I know is, I have a deep connection with music. I can feel what every note means, hear songs of joy, sorrow...any emotion clearly just through the melody. When I make music...I try to put that into it, make it so everyone else can hear it as well as I can... especially you."

"I can...it makes me feel calm. Thank you for that."

𑁍༄Freminet: <Fairy of waves>

♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡

"You're a fairy of waves? Like...one with the o-ocean?" Freminet looked away from you, the blush on his face steadily growing darker everytime he caught glimpse of your wings...of you. It was like he saw you in a whole new light, his love for the ocean...for water itself and now you were apart of that as well. It was like a dream he didn't know he wanted to come true...had just done so. You were undeniably the most perfect fit for him now.

"One with the ocean...I don't know if I could say that entirely...but I do know that..the second I met you I could tell you understood how the sea felt. That you were like me when it came to it's waters and the creatures within, I was hoping that finding out my secret...wouldn't be to shocking that you'd no longer want to spend time with me."

"A-all I want to do is spend time with you. We should g-go diving together, talk about everything the ocean has to offer...I want to know more about you. T-to relearn everything a-about the one i-i...l-love."

ଘ(੭*ˊᵕˋ)੭* ੈ♡‧₊˚~Have a nice day~*⁠.⁠✧

[m1ssunderstanding]

Understanding Lennon McCartney Rewatch Part 4.3

Oof! Got him!

“She loves you and he loves him and they love each other”. You know when you've got something to say but you don't want it to look like you really wanted to say it specifically so you throw it in between two other things? No? Just me and John?

I'm obsessed with John just heaping praise on Paul in this interview. Every song the interviewer brings up it's “best” “my favorite” “all Paul” “good piece of work” “somewhere I have the tape of him doing it” “damn good” “one of his masterpieces” See also: Paul’s a good lyricist, he just doesn't try because he's insecure. And: one of the most innovative bass players of all time.

John mixing up In My Life and If I Fell “although I don't know why I'm confusing them, they're nothing alike but they have the same–” The same what? Same target? Same muse? Hmm? “It's really about–it's not about Cyn.” He's barely hanging on to not saying it here, like, by a gossamer thread. 

John confessing that the consistent character flaw of Paul's which hurt him ((hurt. Not annoyed. Not angered. Hurt.)) was insensitivity. Not bossiness or lameness or sneakiness. Insensitivity. What John couldn't handle in the end about Paul was that he wasn't aware enough of John's tender feelings. 

He's also so cruel in this interview. And what you've got to pay attention to is the theme connecting the songs he's cruel about: Let It Be (let John go) and The Long and Winding Road (the long and pointless fight). 

The Japanese Monk comparison doesn't quite land for me because it implies that John purposely broke up the Beatles because he knew they were at a peak and he wanted them to stay gold. And I think that's what John would like the story to be. It makes him feel better inside. It makes him look incredibly wise and courageous. But it's clear – John even stated it himself more than once on record – that the breakup was not purposeful or calculated. It was a terrible accident that nobody wanted, least of all John. 

More quotes to live by when examining John's post breakup “ow!”

I find it fascinating that John thought of Paul's and Dylan's lyrics as very similar and says so twice in this documentary. But nobody else ever draws that comparison. In mainstream thought, Bob Dylan is one of the greatest lyricists of all time if not the greatest (it's me. I'm mainstream. Subterranean Homesick Blues my absolute beloved.) and Paul is the worst lyricist to ever get successful. And you know what? I think Paul gets punished for being physically pretty and financially savvy, and I think in the exact same way his music gets punished for being melodically pretty and commercially successful. 

John about Paul's inscrutable messages in his songs: if one knows the person, one knows what's coming down. John in I Know (I Know): and I know. What's coming down. 

I will always love how he says in the same breath . . . “I've compared it to a marriage a million times" and "Paul and I were together.” 

You really do gotta be like “Johns say the darndest things sometimes.” I mean that's what Paul did, right? Because genuinely most of the time he's a fucking sweetheart. After he's sat there defending Paul's insane mourning bus movie, the interviewer asks him to compare himself and Paul. And after saying there's never been a question about commerciality, he says this. 

Nobody think about Paul writing “One of These Days” just before John's death then “This One” a decade later. Don't do it. I do recommend. 

Free as a Bird is such a beautiful song. It's a gorgeous melody, and it's got such complex emotions. He's still mourning something that was lost, but he's hopeful. He's on his way home. 

You all know that long distance interview Paul did right before John died where they bring up some of the awful things John said recently about him (ignoring the millions of loving and admiring things). When Paul's voice cracks and he looks up at the ceiling and struggles for a minute and the lights go out, I have a theory that it's one of their kids being protective. She was messing with the lights before to be silly and then when the bad question comes she turns them off again as a sort of protective sabotage. 

What If though? What If that's true? 

Quote of all time!!! “The person I actually picked as my partner, who I recognized has talent and who I could get on with, was Paul.” He doesn't say ‘as my sidekick’ or ‘running mate’ or ‘captain’s mate’ or ‘second string’ or any of those things that traditional Beatles fans tend to push on them. Partner. 

Serious question, because I swing all over the place as to what I think actually happened between John and Paul physically and emotionally. If we agree that Real Love is about Paul (a baby and another on the way lalalalalala farm . . . Just call him on the phone) Then what about this lyric? “Was I just dreaming (a word of theirs and something they thought they shared) or was it only Yesterday (Paul's biggest song) I used to hold you in my arms? Is that to be taken literally? John used to hold Paul in his arms? i.e. frequent hugging and cuddling?

The heart monitor cuts so harshly into John singing “Grow Old With Me.” As we see beautiful images of John and all the people he's leaving behind. I'm dry heaving. This documentary is so much more painful this time around than the first. 

Anyway I'm glad we got coverage of all the “for Paul” songs. Which. Btw fuck you Sean and Peter. You proved absolutely nothing.

[merbear25]

The joys of music

Music is a wonderful means of self-expression. Being able to connect with its melodies, lyrics, and bands is something that should never be taken for granted. It's just an added bonus to be able to share this with someone.

CW: SFW, gn!reader, headcanons, fluff (excluding Caesar)

Mihawk, Caesar, Corazon

Mihawk: dark wave, post-punk, and cold wave. Examples: Twin Tribes and HAPAX

He'd find this type of music soothing. It'd probably help him relax after a long day of being surrounded by many chaotic characters and situations―letting himself get lost in the sound.

You'd find him sitting in front of the fireplace, eyes closed to fully immerse himself in the music.

After a few moments of listening with him, you'd comment on how charming it is.

Opening one of his eyes to look at you, he shifted his sight on the dancing embers.

Slowly getting up, he stood next to you, extending his hand.

Taking it with an inquisitive look, he lifted you up and held you close.

Swaying to the beats, his hand placed lightly on the small of your back and the other careesing your hand: you'd look dreamily into each other's eyes.

Placing your head on his chest, he'd hold you closely. Your souls intertwining with the melodies being played.

Caesar: cabaret metal and avant-grade metal. Examples: Tardigarde Inferno and Stolen Babies please ignore how on the nose this one is 😂

This type of music is often referred to as circus metal, and a lot of the music videos (especially from Tardigarde Inferno) are trippy, which remind me of Caesar. To me he's a walking acid trip.

Conducting experiments and research can take hours upon hours, so it was nice to have something on to boost his spirits.

The circus-like background with the added dark themes was the perfect inspiration for him to think of ways of testing out his newest brain-child on one of his many lackies.

Being enticed by the tunes dancing down the hall, you followed them to find Caesar happily leading someone into a chamber and pulling an ominous lever.

Regretting having found him in the middle of the trial and error portion, you slowly backed away from the entrance.

Unfortunately, your awkward hesitation caught his eye.

Greeting you warmly, he tried to coax you into coming over to him.

When seeing your eyes dart nervously to the chamber, he was quick to add, "Don't worry about this silly contraption! I'd never do such things to you." The softness never left his voice.

Corazon: Indie pop, progressive pop, alternative rock. Examples: The Real Tuesday Weld (linked to a specific song I think he'd love) and tallyhall

I think he'd appreciate the storytelling with these bands/genres. They hold a lot of emotion and are paired with light melodies. He'd probably also like when these are mixed with more upbeat moments.

Laying down on the grass, Rosinante cloud watched while he eased his worried thoughts.

The entrancing stories flowing through his earbuds teleported him to another reality―one where everyone would be safe from his brother's rising threat.

Enjoying the gentle breeze passing over him, his peaceful moment was abruptly put to a hault.

You startled him―seemingly popping up beside him out of thin air.

Releasing his 'silence' he asked if you needed something.

Kneeling down beside him, you told him you wanted to know what he was listening to.

Lending you one of his earbuds, his anxiety sudsided when he saw your face soften to the music.

Throwing his 'silence' up again, he enjoyed having you lay down next to him. The wind was picking up, causing the leaves above you to rustle and letting more sunlight peak through their gaps.

[amber-angel]

Okay! I saw Les Mis performed by the current US cast with my roommate a few days ago, and I wanted to share some of the details that I liked (this is going to be long). Some of these I wrote down during intermission, some are things I remembered after, so some stuff is a little less specific. Also this will be two parts

PETIT GERVAIS! I gasped at this part, such a good detail to include

Valjean can SING, that high note on "24601" during Who Am I was incredible, the breath control is evident. His RANGE

Fantine's voice was amazing. I Dreamed a Dream was so good, and Haley Dortch owned that stage. Every song that had Fantine was a good song, and I had tears in my eyes during her death scene

Lovely Ladies was beautiful, the woman in the red dress has a pretty voice and the staging worked really well

I think there was a detail during the scene between Fantine and the guy who tries to get her arrested that I liked, something about the way Haley Dortch sang it, but I can't remember it exactly, sorry

I loved Valjean's "my race is not yet run" (he did a vocal run) during the confrontation, and his harmony with Javert was so satisfying

Little Cosette was so good, loved the detail of little Eponine mocking her melody and that the Thenardiers harmonized with her as Valjean walked her back, I don't think I've seen that done before, and it worked really well

Thenardier saying something (I didn't catch it, I think it was "die"? Not their fault, I'm hard of hearing) to Cosette and her just going limp was hilarious

Valjean and Cosette bowing to each other and dancing was adorable

Madame Thenardier has great comedic chops, loved her bits, especially in Master of the House. And of course Thenardier himself was hugely entertaining

ENJOLRAS

SIR

HE CAN SING. I can't even describe it better than that. Devin Archer teach me your secrets please

Kyle Adams hi. The way he plays Grantaire feels so real. There was a lot of coat swooshing and looking at Enjolras. The amount of tiny details and things that just he was doing makes me want to have this show with this cast imprinted in my mind so I can rewind and watch every person on stage individually

There will be more Grantaire details in part 2 (he's one of my favorite characters, so I did pay attention to him more)

Marius was great, his little "tease..." when Eponine threw his book was funny and endearing. Jake David Smith had some really good moments where he turned lines into a funny bit ("I'm doing everything all wrong") or a moment to make the audience connect with the character

Sometimes it can come across like Marius doesn't actually care all that much about Eponine, but Jake David Smith and Mya Rena Hunter did a fantastic job of showing real affection towards each other. All the props to them

I love, love, love the character details, the fact that they're evident in the performances says so much about this incredible cast

Also the set design was absolutely perfect, One Day More with Valjean in one balcony and the Thenardiers in the other looked amazing. I loved how much even the pieces that are usually just backdrop or setting were used in the staging

Also also the costumes were beautiful. I especially liked Cosette's dress and the outfits for the wedding

My roommate liked Javert's hat a lot

[kopfkino-o]

The Seer and the Singer

Disclaimer: While I consider the below theorizing to be pro-Gwyn, as well as pro-Elain, I do want to go ahead and note that this post discusses Gwyn being a lightsinger. There will be no ships discussed in the below text and I ask that ships be left out of any discussion surrounding this post. My goal here was to theorize about the characters, not the ships. If anything mentioned above might potentially bother you, please consider scrolling! kk now that that's out of the way lemme yap.

I’d like to discuss the potential implications of Gwyn being a lightsinger and how she might play a role in an Elain book. In particular, how she might use her powers to help amplify/summon/control Elain’s sight.

Let’s get into it!

The Lightsinger Theory

There’s been countless other creators who have complied amazing theories and metas on this, so I’ll only be touching on this briefly.

At current, I believe that Gwyn is most likely unaware of her powers or at least somewhat aware of her magic, but does not fully understand it due to the loss of any familial relations who could have taught her about them. Which is incredibly heartbreaking when you think about it.

Disclaimer: Regardless of the outcome, I do not think Gwyn will be evil. I repeat, I DO NOT THINK GWYN WILL BE EVIL.

Regardless if she knows or if she doesn't, I do think we will see Gwyn come to a better understanding of these powers in the background of the next books (similar to how I think we will see the continuation of Nesta's journey + the Valks just like we saw Feyre's pregnancy arc occur in the background of SF). I think this largely because I suspect that Nesta, and therefore her best friends in Gwyn and Emerie, will be present in an Elain book, regardless of the endgame, due to that fact that both sisters are Made, therefore connected to the forces of the Mother and the Cauldron. If you’re interested to hear my thoughts on how Elain specifically is connected to both entities you can read more here.

How will Gwyn come to learn of these powers and/or reveal them to her friends? I think we will see the narrative call back to what Nesta experienced upon hearing Gwyn's voice during the priestesses' 7pm ceremony + (potentially) the events of Azriel's bonus chapters. But there’s other creators who have talked way more in-depth about why, or why not, they think Gwyn could be a lightsinger so let’s move on to what I think that could mean for Gwyn’s role in an Elain-centric book!

Gwyn’s Voice - Pure and Clean, Becknoning Any Listener

Time and time again, we are shown within the text that Gwyn’s voice, in particular, her singing has… some atypical effect on the characters. Most notably Nesta and Azriel. Below are the complied moments where this is highlighted in ACOSF:

Across the hushed, cavernous space, it was easy to hear Gwyn’s soft singing as she flitted from table to table, looking at the piles of discarded books. Trying desperately to find the missing tome. The words of Gwyn’s merry song were in a language Nesta didn’t know, but for a heartbeat, Nesta allowed herself to listen—to savor the pure, sweet voice that rose and fell with sinuous ease. Gwyn’s hair seemed to glow brighter with her song, skin radiating a beckoning light. Drawing any listener in. But Merrill’s warning clanged through the beauty of Gwyn’s voice, and Nesta... - ACOSF, Chap.

Drawing any listener in. Beckoning. These words just feel... so intentional. And never before have we seen a character's voice described with such intentional language.

Nesta could only gape at the lovely melody, the voices from the front of the cavern leading it, lifting higher than the others. Gwyn sang, chin high, a faint glow seeming to radiate from her. The music was pure, ancient, by turns whispering and bold, one moment like a tendril of mist, the next like a gilded ray of light. It finished, and Merrill spoke about the Mother and the Cauldron and the land and sun and water...

I find the fact both the Mother and the Cauldron being mentioned here is very, very interesting Could the old language, these ancient whisperings, be the language of the Mother? Of the Cauldron? The soft murmurs of fate? I need to do a bit more reflecting on the priestess's connection to both entities, but, I do find it interesting that the Cauldron is mentioned here. The Cauldron that Made both Nesta and Elain.

Gwyn’s voice soared like a bird through the cavern as she started the third song with a solo, and Nesta closed her eyes, leaning into the music, shutting out one sense in order to luxuriate in the sound of her friend. Something beckoned in Gwyn’s song, in a way the others’ hadn’t. Like Gwyn was calling only to her, her voice full of sunshine and joy and unshakable determination. Nesta had never heard a voice like Gwyn’s—by turns trained and wild, as if there was so much sound fighting to break free of Gwyn that she couldn’t quite contain it all. As if the sound needed to be loose in the world.

Again, Gwyn's voice is described as beckoning. Her voice draws Nesta in a way that the other voices does not. Like Gwyn is calling to her. Like her voice is summoning Nesta, drawing her in, drawing her down.

Gwyn’s voice rose again, holding such a high note it was like a ray of pure light, piercing and summoning. Two other voices rolled in to join, pulsing around that repeated high note, the harp still strumming, voices whispering and flowing, lulling Nesta down, down, down into a pure, ancient place where no outside world existed, no time, nothing but the music in her bones, the stones at her feet, her side, overhead. The music took form behind Nesta’s eyes as the priestesses sang lyrics in languages so old, no one voiced them anymore. She saw what the song spoke of: mossy earth and golden sun, clear rivers and the deep shadows of an ancient forest. The harp strummed, and mountains rolled ahead, as if a veil had been cleared with the stroke of those strings, and she was flying toward it—toward a massive, mist-veiled mountain, the land barren save for moss and stones and a gray, stormy sea around it. The mountain itself held two peaks at its very top, and the stones jutting from its sides were carved in strange, ancient symbols, as old as the song itself.

Could this vision have been induced by the lyrics of the song? Perhaps. But within the narrative the author takes great care to highlight that it's Gwyn's voice that draws Nesta down, down, down... It's GWYN'S VOICE that evokes, summons, beckons this vision into Nesta's minds eye.

In particular, I find it really interesting that mossy earth and golden sun, two symbols that I feel are connected to Elain, are mentioned. As well as mist. Mist, which we learned in HOFAS, can be used to veil and shroud lands such as the Prison and Avallen, dampening it's natural power and purpose.

Another line I found to be very compelling, and the main reason I'm writing this blasted post, is that Nesta feels as if a "veil had been cleared". [Yes, this is in reference to the harp strings, but I still think it's important.]

Now on to Elain. How was her mind described? A misty veil. A void, a land of dreams, unclear and shrouded, with gates of iron covered by sleeping blooms.

So, if Gwyn's voice could do beckon a vision for Nesta.. imagine what her voice could do for a certain Seer.

A Voice to Lull You Down into the Void

Now, here's where I get into theory-mode. I think we will see Gwyn, with the encouragement of Nesta and Emerie, her found sisters, use her voice to help lull Elain down, down, down into a vision at a pivotal time in the story.

Perhaps when the Prison roars back to life in the same way we saw with Avallen? Or maybe when one of the sisters needs to see back through time to better understand the creation of the Starsword or the rule of Theia? Perhaps we see this play out in a desperate effort to save Elain’s kidnapped love (a post for another day) where she finds herself needing to peer through the world in search of him.

To me, I think this would make Gwyn being a lightsinger play into the “misunderstood murder faeries who are actually benevolent creatures” subversion SJM likes to write and has used with both Bryaxis and the Suriel. Because I do think that lightsingers, whether Gwyn is one or not, are just that: misunderstood creatures. Creatures and beings who can be used for good. Who can be empowered by their magic. Beings and entities who, like the Suriel, are just simply misunderstood.

Just picture it:

Gwyn leaving the Library because Nesta needs her help. Her voice. Her power of song. Arriving at the townhome to find Elain floating in a tub a la the mystics of Crescent City. She spreads her arms wide, eyes fluttering closed, and begins to sing. Maybe she knows the song. Maybe it just flows from her. But the words guide Elain down, down, down, through that murky realm, through the mists and the threads of time and fate, to the place she needs to be, to the time she needs to see.

I know at this point I’m diving into headcanon territory, but I think this could be an amazing twist on Gwyn being a lightsinger, and a chance for us to see more of her again in the next book. Because I do think we will see her again in the next book!

Also imagine how badass this skill would be for Gwyn as a Valkyrie. She could use her voice to induce visions while in the field or to lure the enemies to her and her squad. An ability like this could be invaluable for the Valkyries as a unit. One day I'll do a yap session on my theories for the future of the Valkyries and expand more on this, but for now, just imagine the badass potential with someone like a lightsinger in their ranks.

A Closing Word: The Valkyrie and the Seer

So, with that, I’ll close this post with this. I do not think Gwyn will just disappear from the narrative. Just like I don’t Nesta will. In fact, I think Nesta will be a key player in Elain’s book, and by extension, the Valkyries as well. At least in one way or another.

And gods would I love to see that.

Give me women working together. Give me women leaning on one another’s magic and strengths. Give me the Seer and the Singer!!

if you've made it this far, thanks for taking the time to read my ramblings! if you're interested in civil discourse on this theory, feel free to leave a comment or shoot me a dm! i am always down to yap

[manytoonepoet13]

“The Key to My Notes to Unlock Your Melody.”

A Little Thought About Character Relationships in Fragaria: Merold and Kurode (something I can write on a whim while still finishing Haikei...).

I'm pretty sure that I'm not the only one who has wondered about Merold and Kurode's relationship. They barely speak of each other, and when they do, it's not even on a first name basis.

But what I like to pay attention to is their visuals and the connection between Your Melody and Key My Notes, the little details of their character design. Especially Merold's half-a-heart necklace.

I've been interested in this particular detail for FAR too long, longer than I'd admit. Initially, I had thought that perhaps this was a part of it's design, that maybe it never had an other half, but it didn't really sit right with me, especially with his relationship with Kurode.

In the website, it is said that Merold dotes on Kurode in his own special way, even if his feelings aren't properly conveyed, and this got me wondering: “Was “Your Melody” not only an apology to Hallritt and him asking for reconciliation, but also a message to Kurode, wanting to reach out to him and rekindle their brotherly bond”.

For MONTHS, I've been constantly repeating that “Your Melody” was all about Merold and Hallritt's reconciliation, yet even with utmost confidence that I believe that this is true, I can still say that there are parts that didn't quite stitch well together as seamlessly as I'd like it.

Specifically these lines:

“As if our two hearts laid atop each other's... may we be connected by their singular rhythm.

Let me fill your gaze with bouquets of flowers blanketing the horizon.

All those fragmented things are intensifying our MELODY.

Come, let's turn the timidity into joy and dance to your MELODY in the scores.

The MELODY of your voice that I want to remain beside, what if... If you want to cloud over the future, if it is sadness that you want to echo... then please let me play it from here.”

“Even with this fragile heart, above all else, you are my dearest, (Tell me, tell me why.)

These overflowing feelings are a MELODY for you. (Tell me, tell me why).”

I must admit, what I wrote for this segment back then was so generalized and I'd like to change that, for now I have a better understanding of Fragaria and how they approach character relationships through songs and visuals.

The two hearts line may be a reference to Merold's half-a-heart necklace, one who, let's assume, Kurode has the other half.

The fill your gaze with bouquets would be related to Merold wanting to reach out to Kurode and wanting to rekindle their brotherly bond, and since we've correlated the flowers within the bouquets as emotions and/or memories, I'd theorize how Merold's approach to fixing their bond was to show Kurode how he truly cherished those emotions during the times when it was present, or how he longed to be able to share those memories and make new moments that is to last forever to be remembered again, to show Kurode that he does indeed love his brother despite all of the things that has transpired between them.

The rest of the lines directly relates to upholding Kurode, showing his support, showing that he does indeed care, that everything he did was to protect the ones who are dear to him. Kurode included.

Kurode indirectly replies to Merold in Key My Notes as well:

“If only I became accustomed to the perfect sound that makes one happy.” The perfect sound being the melody, the melody that connects people and bring them together, with the one who is accustomed to this perfect sound being Merold, showing how inferior Kurode feels whenever even the mere mention of Merold's name was present.

“If only we can be imperfect and not full of deceit.” a tie to the line “It's okay to deceive with an outright lie... because within it lingers a quiet love.”

Everyone is imperfect, everyone knows that, but there are some people (Merold included) that just can't help but do whatever they can to protect, even if it means depriving one of the truth. And Kurode's wish is to change exactly that; to have people comfortable in who they are and what they can do without having to resort to lies and instead embrace their imperfections and use it to their advantage.

“Sometimes we can let go of that hand due to weakness.” again, a tie to wanting to do whatever you can to protect. But there's also another thing I'd like to point out, this hand he's talking about might be his hand that Merold had let go of due to weakness, assuring himself that it's ok, that he can let go of that hand even though it's truly not.

"Let me protect everyone here." to “If you want to cloud over the future, if it is sadness that you want to echo... then please let me play it from here.”

Merold's stepping down and allows his brother to finally have the spotlight all to himself, only offering support and assistance if needed, encouraging him to look up, and see that there's still a tomorrow worth fighting for, and he's more than willing to play his sadness far from him as possible to let him see that.

“Even with this fragile heart, above all else, you are my dearest.”

“Inside this heart, a memory that's sincere and eternal.”

Time and time again, we have been constantly reminded of the fact that these memories, these emotions that these characters are being deprived of for the sake of being safe is one of the biggest mistakes yet. One should not deprive himself or another of the truth.

Merold's line is of him finally coming clean, finally admitting his feelings and allowing himself to be vulnerable, to acknowledge the wrongs in his doing and despite whatever front he may put up, he still holds a fragile heart who just wants to protect his dearest – brother.

While Kurode's is of him realizing that whatever that has happened between him, Merold and everyone else in the past, it's all sincere, eternal and true and never wavering. That no matter how much it'll be covered up, it still has it's way to show itself to the world and speak up, to tell everyone of the truth, to make everyone realize, accept, and cherish the truth. All along with it's flaws, it's dangers and more. It is the truth, and it is the world that they love so much.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“The knights ask nothing in return for their love.”

[awfuckitssunshine]

YHS as Qhosts - Taurtis

I got bored one day and decided to just randomly choose a fandom and one of its characters to turn into a Qhost, my species that is just an excuse to self-insert some OCs into different media

So I Wheel Decided some fandoms I love, got Yandere High School, and had the wheel choose between Sam, Taurtis, and Grian. I got Taurtis!

The lore is that, at some point in the YHS timeline, all 3 died and Haemal grabbed them (during their senior years at Tokyo Soul specifically). Though, while Taurtis technically died drowning, it is labeled as a homicide.

He remembers everything and was both relieved and terrified when Sam and YHS!Grian joined Haemal, knowing that means they died.

Despite the fsct Taurtis isn't all that musically gifted, his headphones were iconic, so his theme became around beats and music popularity instead of just music

With this, Taurtis is able to use his headphone jack to guide people, things, etc into following his rhythm(melody piper style), so long as the jack is plugged in somehow

Wherever he steps, Taurtis had sound waves extend from him, combining into a soft purple color when they connect

(More about Qhosts below)

Qhosts are an entire species whose job is to help people through stories and play through stories!

- Qhosts do not have regular names. (They have names like 'Omen, Annarchi, Nyx, etc)

- All Qhosts have a "theme" (mostly shows up in their weaponry. E.X, the Qhost in the artwork (Nyx) has a theme about death because she is very relaxed about death and she gets a scythe as a result.)

- Qhosts live in Haemal; an infinite void where they can make anything they desire appear (many Qhosts made 'jobs' to entertain themselves and each other, like parks and coffee shops and roads, etc)

- All Qhosts died and are pulled from their multiverse/universe into Haemal by random (Nyx, herself, was in a bus accident)

- Qhosts have several job types:

Curators - Keeps tracks of all the stories that are fully explored, with nothing left to offer

Librarians - distributing stories to Qhosts as well as keepers of storybooks/story portals

Haels - "Adventurers" who hunt down new story portals in Haemal (These three keep each other in line)

Archeologists - Qhosts that travel into new story portals, typically the "prologue" to make sure its usable and/or safe, give it a genre, etc)

Completionists - The Qhosts who complete each story to full completion

Non-Status - These Qhosts either don't go into stories often, rarely at all, or claim a story to live in as long as they desire, until they return to Haemal

( Less important but still fun lore)

- Qhosts don't actually need to eat or drink or sleep, but it definitely is energizing

- QHOSTS DO NOT HAVE TO BE HUMAN Most of them are humanoid but not all of them are human, especially in a vast set of universes

- A lot of Qhosts have genre favorites and dislikes, which Librarians keep track of(so, yknow, you dont give a dating sim specialist to a horror specialist)

- Protagonists, if there is one, are the only ones who can see the Qhosts. If there are multiple protagonists, one is focused on at a time