#i know for a fact that whatever i write will be better than all that

[dirtyvulture]

The Maid - Part 2

Socialite!Wanda Maximoff x Beefy!Rich!Reader*

Maid!Natasha Romanoff x Beefy!Rich!Reader*

18+ only, read at your own risk

Word count: 4705

Summary: You are married to a wealthy socialite, but your newly hired housemaid doesn’t approve of the marriage.

AN: Thank you so much for the response to part 1! And thank you to everyone who was so patient and understanding for this part taking a while to write. I hope you all like it.

*Reader has a penis, no pronouns used.

Wanda seems to be in a better mood lately, Natasha notices, probably because the two of you rekindled whatever complicated romance you had going on. And as sad and lonely as it had made Natasha feel, at least Wanda was being less rude to her, and that would always be a win in her book.

The grocery trips and errands she sends Natasha on are less demanding, although Natasha’s unsure if she’s becoming more comfortable or Wanda’s gotten less picky. Wanda still requests Natasha’s help for her weekly meetings, and Natasha cannot understand why someone who is unemployed goes so out of her way to find the most mundane, meaningless things to participate in. But it keeps Natasha paid and busy, and she still gets to see you a few times a week.

��What are you doing this weekend, Natasha?” Wanda asks while the two of them are in the kitchen. Wanda is on her laptop while Natasha stands at the counter, cutting vegetables for dinner.

“Um…” Natasha knows better than to tell Wanda the truth, which is that she’ll be sitting alone in her apartment for the next two days and eating ice cream on her couch. “Some friends invited me to go shopping with them at the mall,” she lies. She doesn’t have friends and she certainly doesn’t have the budget to shop at a mall after all the debt she still owes.

“I’ll be gone all weekend with some girlfriends,” Wanda says, not even acknowledging Natasha’s plans, which makes her wonder why she had even bothered to ask in the first place. “I’m not into wine tasting much, but the girls go nuts for it. I’m just going for the spa at the resort, between you and me.”

Natasha has no idea what to do with this information. But she’s spared from answering when the garage door rumbles open.

Wanda slams her laptop shut. “Oh, Y/N is home early.” She gets up to greet you. Natasha can hear your voices carry through the hall.

“You’re early tonight,” Wanda says. “I was just telling Natasha about my weekend plans to Vermont with the girls–”

“Your weekend plans?” you interrupt. “Since when did you have plans to go to Vermont?” Natasha has never heard you sound genuinely angry before. She stops cutting the carrots to focus on eavesdropping.

“Carol wanted to go for her birthday!” your wife says.

“Wanda,” you say, your voice lowering. “Our anniversary is this weekend. I booked us a stay at the Ritz and got us tickets to see Wicked–”

“Well, just ask for a refund!” Wanda hisses. Natasha is stunned that this is her first response to forgetting about her entire anniversary with you. “And we can celebrate when I get back–”

“‘Get back?’” you repeat. “That’s not the point, Wanda. Why don’t you ask for a refund for your trip–”

“I can’t do that to the girls,” Wanda says. “Carol’s been looking forward to this for months!”

You mumble something that Natasha can’t hear. She feels awful for you. Clearly, you had spent a lot of money and time planning a nice outing, and your wife didn’t seem to care one bit. In fact, she tried to put the blame on you for intruding on her plans. Natasha felt herself shaking with rage for you. You deserved so much better.

The two of you trudge into the kitchen and Natasha hastily goes back to cutting the carrots. Wanda is hanging onto your arm, tiptoeing to whisper into your ear but you shake her off and walk through the kitchen to the staircase. Natasha knows that Wanda is glaring at the back of her head, probably upset that she had overheard, but for once she doesn’t say anything and disappears after you.

The mood is particularly subdued when Natasha serves up roasted salmon with a colorful vegetable medley and mashed potatoes.��

“Thank you, Natasha,” you say as she hands you a loaded plate. 

Wanda doesn’t say anything when Natasha gives her a plate.

While the two of you eat in awkward silence, Natasha cleans up the kitchen, her final task of the day. She grabs her purse and heads towards the door, when she hears footsteps behind her.

It’s you.

“Can I walk you out to your car?” you ask. “I know it’s a safe neighborhood, but I don’t want you walking out in the dark by yourself.”

Natasha is so flattered by your offer she doesn’t stop to consider how Wanda might feel about this.

“Sure, I really appreciate that. Thank you.” She leads the way out of your house.

“Sorry you always have to park around the corner,” you add, maintaining a respectful distance from her on the sidewalk. “I’ve told Wanda the whole neighborhood knows you work for us. But she’s…” you trail off, clearly not wanting to speak ill of your wife.

“I’m sorry she forgot your anniversary,” Natasha blurts out. 

You seem startled that Natasha had been eavesdropping, but quickly recover. “Well, it’s…it’s not the first time she’s done it,” you admit in a soft voice. “I don’t know why I bother trying to do anything special anymore. It’s just another day to her. And it seems like she’d rather spend it with anyone but me.”

“She’s missing out,” Natasha says, surprised by her own confidence. “You’re a wonderful person and you deserve someone who will appreciate the efforts you go to celebrate important milestones like that.” She stops before she can offer herself up.

“Oh. Well, thank you. That’s very kind of you to say.” 

The two of you stop at Natasha’s beat-up Nissan. 

“Thanks for walking me to my car–” she starts.

“Are you busy this weekend?” you ask suddenly, in a rushed whisper as if Wanda is around the corner listening. “If you’re not, would you like to see Wicked with me at the Gershwin Theater? I told Wanda I could probably get a credit with the Ritz, but I don’t want to deal with the hassle of exchanging the tickets, too. You can come over Saturday night and I’ll drive us?”

Natasha is so shocked by your proposal she doesn’t even have the words to agree at first. Growing up, she had loved watching musical movies until the VHS tapes wore out, but she had never had the opportunity to see a live performance. Even now as an adult, she still didn’t have the time nor the budget to see a show. To hear you ask that you wanted her to join you, when you had bought the tickets for you and your wife to enjoy on your anniversary she had forgotten, sounded almost too good to be true.

But if Wanda found out you had taken Natasha instead of her…Natasha shuddered at the thought. Maybe this was stepping over the line of professionalism. Natasha wanted to keep her job (and her head), and as much as the opportunity was a dream come true for her, she didn’t want to take advantage of your kindness or weakness.

“Um, I’m supposed to go shopping at the mall with some friends on Saturday,” Natasha says, cringing at the patheticness of her life. “But really–thank you for inviting me. I’m sure you have friends you’d rather take over your maid.”

“I don’t have any friends,” you say, so deadpan that Natasha almost laughs but quickly turns it into a cough when she realizes you’re being serious. While you seemed more reserved than your wife, Natasha refused to believe you didn’t have a strong social network. You were in charge of your own company and clearly doing well if you lived in this neighborhood and could afford a personal housemaid like her.

“Good evening!” The two of you startle when a cheery voice comes out of nowhere.

“Hello, Mr. Vision,” Natasha says, spotting the eccentric man first as he walks by at a rapid pace.

“Late night walk, Vis?” you call out, and he nods with a wave, pumping his arms faster and milling away. The only thing Natasha knew about Vision was that he lived by himself at the end of the street. He had no wife or kids that she knew of, not even a job as he was constantly seen walking around the neighborhood at odd hours. But he never approached Natasha or made her feel uncomfortable, which was more than she could say for most of the people living here, so she was happy to ignore him.

When Vision moves out of sight, you say, “Well, if your plans happen to change…” You fumble in your pockets awkwardly, pulling out a bent business card and handing it to Natasha. “My cell number is on there. Text me before Saturday if you’re still interested.”  

“Okay.” Natasha doesn’t want to get your hopes (or hers) up, but she still isn’t convinced this is a good idea. “Have a good night, Y/N.”

“Good night, Natasha.”

She loves the way her name sounds coming out of your mouth.

***********************************************************************

Natasha is still unsure she made the right decision to turn down your offer to see Wicked. She even called her only friend, Clint, to ask if she should’ve said yes.

“Well, you’re just seeing a show together. Think of it like a work bonus or something. Bosses give their employees nice stuff like that all the time,” Clint says as Natasha picks at a box of takeout in front of the television. Cooking at home was not her favorite chore after doing it all day for her clients.

“Yes, but it’s just the two of us,” Natasha stresses. “Y/N got the tickets to celebrate an anniversary and Wanda already hates me as it is–”

“Nah, she doesn’t hate you,” Clint says.

“You haven’t met her! You don’t see the way she treats me.”

“Exactly. Maybe this is Y/N’s way of apologizing for her behavior,” Clint says.

“I don’t know…” It was already Friday night. Natasha didn’t have much time now to change her mind if she was going to.

“Be nice to yourself, Nat. Let someone do something for you,” Clint goes on. “You work so hard for these people all the time. And I know how much you’ve always wanted to see a live performance.” Natasha feels tears well up in her eyes. She wishes Clint was here in person so she could give him a hug. “Nothing bad will happen. Just tell Y/N you want to go before someone else takes your spot.”

Natasha takes a steely breath. Clint is right. It wasn’t a date. It just was her nice boss treating her out to a Broadway show. Never mind the fact that you had intended to take your wife initially. Wanda would never have to know, right?

“Okay. Thanks, Clint.”

“Enjoy!”

As soon as she hangs up, Natasha goes into her texts. She already created a contact for you the night you gave her your business card. Her anxiety is through the roof as she types out a message to you, then deletes it and starts over. She gets more and more frustrated trying to find the right words, before she finally throws in the towel and clicks “Send.”

Less than a minute later, you respond.

Happiness explodes inside of Natasha. She can hardly believe her luck. Not only does she get to see her first Broadway show, but she gets to see it with you, and have dinner on top of it. She darts over to her closet, looking for the nicest dress she owns.

Wanda be damned. Natasha was going to have a great night with you. 

***********************************************************************

“Table for two, please.”

“Did you have a reservation?” the blonde woman at the podium asks.

“No,” you respond.

“Oh, well, I’m so sorry, but we’re all booked out for the evening,” she apologizes. 

Natasha stands behind you meekly. She can’t even pronounce the name of the restaurant and doesn’t know what kind of food they serve, but it’s probably far beyond anything she could ever afford. She’s wearing a dark green dress that almost reaches her ankles and is conservative in protecting her assets, and spent over an hour doing her makeup, and she wonders if strangers will look at the two of you and assume you’re a couple. She wouldn’t go out of her way to correct them.   

“That’s okay. This was a last-minute plan for us,” you explain. “If Tony is working tonight, can you please tell him Y/N stopped by to say hello?”

“Wait, you know Mr. Stark?” the woman pales. “Don’t go anywhere. You said your name is Y/N?”

You smile and nod. The woman steps down from her podium and dashes into the back. 

“I thought you said you didn’t have any friends,” Natasha boldly teases. 

You turn and wink at her. 

“Tony and I went to college together,” you explain, although this implies you shared a friendship of some kind. “And clearly, his business is doing better than mine–”

The woman quickly returns with a short bearded man wearing a gray suit with red-tinted glasses that match his tie. 

“Y/N!” Tony shouts, embracing you in a dramatic hug. “You should’ve told me you were coming tonight! I could’ve put together a private booth in the back–”

“It was last-minute,” you say. “This is Natasha, by the way. She’s a friend.” Natasha is thrilled at the way you associate her with you.

“Hello, Natasha, I’m Tony.” He takes her hand and gently kisses her knuckles. He doesn’t seem surprised you haven’t brought Wanda along instead. “I take it you haven’t been here before, Miss Natasha? You won’t need a menu, I’ll have the chef bring out the best dishes we have tonight.”

“That’s very kind of you,” you say. 

“Follow me! You can have a table in our east wing. Where’s Wanda?” Tony says rapid-fire, turning around and leading them deeper into the restaurant. You step out of the way and motion to let Natasha go first, and she feels your hand graze her back as she walks past you. 

“She’s out with her girlfriends for the weekend,” you answer from behind Natasha. 

“Your anniversary is coming up, right?” Tony asks.

“Yes,” you respond, your voice suddenly tense.

The restaurant is packed, every visible table filled with customers, until they turn around a corner to a quiet, completely empty area.

“Pick any table. I’ll have a waiter come out with some drinks shortly,” Tony says.

“Thanks, Tony.”

“Thank you, Tony,” Natasha echoes, unsure if she likes this special treatment. You pick a table near the corner and pull her chair out for her. As soon as the two of you are seated, a waiter in a vested suit appears with a few bottles of wine, making suggestions and pouring samples into the glasses. Natasha doesn’t have enough knowledge to understand what he’s saying or differentiate the tastes, but she enjoys the experience. It feels strange to have someone serve her, when she’s normally the one waiting on people’s every demand. 

The two of you share several appetizers together. Natasha feels like she’s floating in a dream. You have been nothing but generous and respectful to her, but every time your left hand reaches across the table for the caviar, the wedding ring on your finger taunts her. 

The dinner itself is a four-course affair, including a rich chocolate cake that Natasha devours faster than she can fully enjoy. When the bill arrives (which Tony has already chopped in half), Natasha still asks if she can chip in (despite knowing full well she doesn’t have the money to cover even her portion), but you push her card away and give the waiter your black card.

The theater is three blocks from Tony’s restaurant, so you leave your car in valet parking and ask Natasha if she’s okay walking. She had not planned ahead very well, so she only has a thin cardigan to cover her shoulders. You notice her shivering and offer her your heavy black jacket that completely engulfs her frame. Your scent completely surrounds her now and Natasha swears she won’t wash this dress ever again.

The line into the theater moves quickly and Natasha follows you all the way down to the front, where your seats are perfectly center to the stage. She crawls over a few people, feeling a little smug about getting some of the best seats in the house. You had truly spoiled her tonight and she was never going to forget this. 

She leans over to whisper to you before the show begins. “Thank you for everything tonight. I’ve already had so much fun and the dinner was amazing.”

“You’re very welcome. Thank you for joining me, and thank you for all the hard work you do for my family,” you say and Natasha beams. “Me and Wanda really appreciate it.” Natasha deflates a little at the mention of your wife, but she pushes her out of her mind to focus on her time with you. 

As they wait, Natasha props her arm up on the armrest between you two so she can hold the playbill at a comfortable angle to read. Suddenly, your arm drops heavily on hers and she looks at you in confusion. You’re reading your own playbill and don’t seem to notice that your massive arm is practically crushing hers.

“Um, Y/N?” she prompts, clearing her throat.

“Hmm? Oh!” You quickly move your arm off hers. “I’m so sorry, I thought that was Wanda’s arm,” you explain with a nervous chuckle. Natasha laughs too, although she isn’t sure if she should be happy or worried that she reminds you of your wife. She’d be happy to take Wanda’s place any day, though. 

The musical is amazing, impressive beyond anything Natasha had ever expected. She cries when Elphaba defies gravity, and after the whirlwind of the second act, she is among the first to give a standing ovation. She’s floating on cloud nine as she walks with you out of the theater back to the car.

The drive back to your home is quick at the late hour. Just as you're about to pull into the driveway, you slam hard on the brakes, jolting everyone forward. Vision power walks past the beams of your headlights, only breaking the pump of his arms to wave in thanks.

“What is he doing out so late?” you ask, and Natasha is relieved to know she’s not the only one who thinks his habits are a bit odd.

“No idea,” she mumbles, watching you pull onto the driveway and stop.

“Thank you so much, Y/N,” Natasha says, still giddy with excitement.“This was the best night of my life. I’ve always wanted to see a Broadway show, ever since I was a little girl. I never thought I’d get the chance, even after I moved here–”

“You’re very welcome,” you interrupt, seeming almost shy with the praise.

“I’m sorry Wanda wasn’t able to join you for your own anniversary,” she adds, although she’s not sure why.

You shrug. “Nothing we can do about it now. Besides, I’m glad you were able to join me and had such a fun night. I don’t think this would have been nearly as fun by myself.”

There is a pause and Natasha has to force herself to stop looking at your lips. If she had no self-restraint, it wouldn’t have taken much for her to lean over the center console and kiss you.

“Have a good night, Natasha. Drive home safely,” you say as the two of you get out of the car.

“Thank you again!” Natasha doesn’t even listen to music on her way home, riding out the high of what was easily one of the most memorable nights of her life in over a decade.

***********************************************************************

A few weeks later, Natasha is working a double shift: the first one at Steve’s house, and the second at yours. You’re away at work, as usual, but she knows you’ll be home before she leaves for the day, and she never takes any glimpse of you for granted. Wanda is also back to being demanding and cranky, and Natasha has no idea if you told her about the night the two of you had together. She had felt the silent instruction from you not to blab about her taking Wanda’s place and was happy to keep the memories to herself.

She’s in the front hall, mopping while quietly humming “Defying Gravity” to herself, when Wanda clacks by in high-heels.

“Natasha!” she hisses. “Didn’t I tell you to start in the kitchen? If I slip out here because the floor is wet–”

“So sorry!” Natasha apologizes, hoping that she doesn’t finish her sentence. “I’ll put a fan on.” She rests her mop against the wall and darts off for the $300 Dyson fan in the closet. After pointing it towards the gleaming floor, she pushes her cart into the kitchen and continues mopping. She makes sure to open the window to air out the smell, and notices Steve across the street mowing his lawn. 

She stares at him, wondering if he can see her, and her question is quickly answered when Steve waves to her. She returns his wave with a smile, then goes back to her task before Wanda can complain she isn’t working hard enough. Out of the corner of her eye, she sees him back away from his lawn mower and answer his phone; he disappears into his house hurriedly. 

“Natasha! Always make sure you open a window when you mop!” Wanda’s screech comes out of nowhere. “The chemicals you use give me a headache!”

“Oh, but the window is open–” Natasha tries to explain, but Wanda silences her with a wave of her hand.

“I’m on the phone!” she says, pointing to the cell phone held up to her ear. Natasha bites her lip, but holds her tongue. “Sorry, honey, what was that? No, I was talking to the maid,” she says. Natasha perks up despite the way Wanda titles her. You’re clearly on the other line, and maybe you’ll be home sooner than expected.

But Wanda disappears into a guest room (your house had so many of those), and Natasha can no longer hear her conversation. She dutifully continues to mop the floor, careful to fan the mop in a semi-circle pattern so as not to trap herself in a corner. She moves the chairs to the hallway one at a time, cursing their awkward shape that makes them difficult to carry and taking special care not to scrape the feet along the floor. 

Wanda’s shrill voice carries through the house again, this time covering a topic that makes Natasha’s cheeks heat up.

“Oh my God, yes, I’m still thinking about last night,” Wanda says. “When you had my legs behind my head–”

Natasha tries not to picture Wanda folded up like a pretzel while you plow into her. But she can imagine herself in a similar position (she’s not so confident in her own flexibility, but she’d make it work for you). Your hands could probably fit around her whole thighs as you push her legs apart wider, thrusting your hips in long strokes to fit your big dick into her. Natasha is embarrassed to admit that the last time she had masturbated, she had thought of you the whole time.

How much more you’d fill her compared to the flimsy toy she was using. How you would feel throbbing inside her, your body pressed hot and heavy against hers as you beg for her permission to finish. Imagining having you like that, with that kind of control, brought Natasha to the most amazing orgasm of her life. If only you had been there to share it with her. 

“I didn’t know if you’d be able to go another round, but you proved me wrong,” Wanda continues, and Natasha picks up on how breathless she sounds. She wonders if she’s touching herself right now, with Natasha mopping in the kitchen. Somehow, that wouldn’t be shocking to her. “You were still so hard when I put you down my throat.”

A lightning bolt of arousal strikes Natasha’s core. She can’t focus on mopping anymore, staring blankly out the kitchen window, lost in the new filthy fantasy playing in her head, guided by Wanda’s narration. 

Natasha lies between your legs, her lips barely brushing your hips as she takes your cock down her throat. She prays her gag reflex doesn’t protest at the obstruction in her airway, but despite the slight discomfort, she wants to do this all day. Your pants and moans are like music in her ears, urging her on to suck harder and take you deeper.

“Please Nat,” your voice wavers. The muscle fibers in your thighs are visibly tensed and your back arches off the bed when Natasha pushes your hips down, trying to maintain some kind of control over you. But your body seems to have a mind of its own, with only one goal in mind. 

“It’s almost like I can still taste you.”

You poke at the back of her throat and Natasha can feel the hot throbbing of your cock in her mouth. She’s so eager to swallow anything you’ll give her, she’s almost embarrassed in her desperation, but when your hands cup the back of her head, pushing her down so she can fit the last inch down her throat, she knows the two of you are on equal planes of passion.

Your entire body flexes and the anticipation for Natasha is overwhelming. You finally inhale sharply as the first hot spurt lands on her tongue. 

“Being on your knees for me is a good look for you.”

Natasha tips her head back against the wall, her fingers tangling in your hair. One of her legs rests on your shoulder while the other is spread far apart so you can kneel between them, your mouth pressed against her heat. Your tongue swirls around her clit and Natasha fears she won’t be able to stay standing much longer. 

“Y/N,” she pants, clutching your head tighter and rocking her hips forward. “I need you.”

Your fingernails dig harder into her thigh to still her. You look up into her eyes and Natasha thinks she’s going to finish right there. “You have me, baby. I’m all yours.”

“But there’s really only one place you belong.”

“Fuck, you’re so tight,” you grunt, almost sending Natasha headfirst into the headboard with every one of your thrusts. “I could stay inside you forever.”

Natasha hums at the praise. She’s holding on the bedsheets for life, spasming and clenching around you, trying to pull you in deeper. You fill her so perfectly, she’s convinced her body was made for yours. 

“Tell me I’m better than her,” Natasha gasps, fighting to delay her own release.

“Fuck Wanda,” you grunt, pulling back on Natasha’s hips at the same time you thrust forward, burying your entire length into her. “I love you, Natasha. You’re the only one I ever want to be with.”

A noisy car engine pulls Natasha out of her head. Her face feels flushed with arousal, and she knows what she’s doing the second she goes home. Your green car suddenly pulls into the driveway but stops. You get out and walk to the street, grabbing one of the trash bins and pulling it towards the house.

“I can’t wait for you to fuck me again,” Wanda says in the background.

The realization crashes down on Natasha’s head like a cold shower. She watches you grab the second bin with both hands, carefully walking backwards with it.

You’re not on the phone and you’re standing 30 feet away from Natasha. If Wanda’s not on the phone with you, then who is she talking to?

-----------------------------------------------------------------------------

AN: Who do you think Wanda was talking to? 👀

To be continued...(hopefully)

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[pencil-n-pen]

hii! i hope you are doing well. i love your overworked series so much. it's very relatable to me on what the circumstances the reader is in and all i do eat the series all up(munch munch) how about like a study date for them? that would be cute

Hello honey !! Thank you so much for this request, I was so excited to write it <3 Hope you enjoy!

STUDY OR DATE

⠂⠄⠄⠂⠁⠁⠂⠄ ౨ৎ ⠄⠂⠁⠁⠂⠄⠄⠄⠂

summary: you ask Leon to go on a study date with you at a coffee shop. Things don’t go as planned, but work out just fine in the end.

cw: i think this qualifies as a drabble not a oneshot it’s short :( but sweet :) sorry some angst slipped in there, one of Leon’s ex friends says some kind of mean things about you but Leon comes to your defense, honestly that’s it this is pretty fluffy

a/n: i just know leon absolutley slams those frou frou coffee drinks. i say this as a frou frou coffee drink enjoyer

no the Baby I'm Yours reference was not intentional

masterlist | previous (not actually a SERIES series, just takes place in the same universe)

°❀⋆.ೃ࿔*:･

It was you who proposed the idea of a study date.

"I think it might be nice," You'd said, staring at your shoes and shuffling in place as people file out of the last class of your day- the one you share with Leon. "I usually study by myself, but I think it would be good to... get out of my room, for a bit. Um. And then we could study together?"

"Are you asking me or telling me?"

This is one of his current favorite sentences. "Training you to stand your ground, princess. Nothing bad is gonna happen when you do."

You squeeze the strap of your backpack. "Telling...? But also asking, because I don't know if you're free."

"Even if I did have plans I would cancel them. Where were thinking of going?"

A burst of heat rises to your face. "That cafe? Near the east side of campus?"

He leans down, giving you a quick peck on the nose. "I think that's a great idea."

The walk to the cozy cafe isn't too long, but it is cold. You shamelessly use the winter chill as an excuse to cuddle up to Leon.

"As if you need one," He mumbles, squeezing you close to him.

When you arrive to the shop, the bell dinging signifying your entrance, Leon tugs at the backpack on your shoulder.

"Gimme that. I'll snag us a table that has outlets. Order something for me?"

You don’t have to look to know the hand in front of you has his credit card in it. And you know better than to refuse. He likes spending money on you, for whatever reason. You’re not complaining, really, it just eats at you a little bit. Just a little.

But it’s also really, really, really sweet. The kindness tends to override the guilt, in his case.

For yourself, you order exactly what you want- Leon has a second sense for when you order something that's for the sake of preserving money rather than what you actually want. You'd asked him once where his seemingly never-ending supply of money came from, but he'd just kissed you on the forehead and told you not to worry about it. You kind of still worry about it, but never enough for him to notice.

For Leon, you order exactly what he wants but will never admit to liking- an iced caramel macchiato. The way coffee shops like Starbucks make them, not the traditional way. More milk and sugar than coffee. It's funny watching him slug his way through black coffee with a splash of milk when you know for a fact the milky, sugary coffee drinks never last longer than about five minutes when they're in front of him.

The cafe isn't that crowded, so it doesn't take long for your drinks to be ready. You take them from the bar with a thanks, then slide into the table Leon snagged for you.

His eyes catch on the drink.

"What is that?"

"An iced caramel macchiato."

"And why, exactly, did you order that for me?"

"Because you like them."

"No I-"

"Don't even pretend."

He takes the drink with a grumble, but reaches across the table and squeezes your hand once, a quiet thank you.

You take a sip of your own drink, then take your supplies out of your backpack and get to work.

You work fairly quietly, Leon occasionally sliding random snacks he, apparently, just keeps with him across the table to you. At one point, he gets up and returns with a plate that has a few of the pastries you were eyeing earlier on it. How he even knew exactly which ones you wanted is a mystery to you.

An hour or so after he gets the pastries, the bell dings, signifying someone's entrance.

"No way! Leon, is that you?"

Leon's face twists into something sour and angry, and a small stab of apprehension slices through your chest as the voice is accompanied by approaching feet.

"Josh," Leon says evenly, crossing his arms and leaning back in his chair. "Haven't seen you in awhile. On purpose."

You turn, eyeing the man that's standing behind you, a few other guys standing a little ways behind him, all leering for a glance.

The Josh in question just laughs. "Oh, whatever Leon," His gaze catches on your face and his eyes widen.

"No way. Are you seriously here with the pretentious--"

"You mean my girlfriend?" Leon leans forward in his seat, his jaw set and his fists clenched where they rest on the table. "Be very careful about your next words."

Girlfriend?

Josh blinks. "I meant nothing by it, man. I'm just surprised to see you here with her, is all."

Leon looks absolutely murderous. "And why would that be?"

"Just because, you know. We always talked about how annoying her attitude was. And that rivalry thing you guys had."

"I remember ditching you guys when you started ragging on her, yeah. Fuck off, Josh."

Josh raises his hands. "Jeez, okay man. I was just surprised. You're seriously choosing that girl over us?"

"This woman, yes. We were never friends like that. Forgive me if I prefer being with someone who doesn't make me consider the legality of finishing a college degree in prison."

Josh seems upset by Leon's statement, but Leon holds his ground. He jerks his head towards the rest of the gaggle. "Go."

Josh scampers away, metaphorical tail between his legs.

Leon immediately turns to you, brows furrowed in concern and body un-tensing. "Are you okay? Did he upset you? Do I need to kill him?"

You blurt out the first and only thing you got from that entire exchange.

"I'm your girlfriend?"

He re-tenses.

"Do you... not want to be?"

"No!" You shout, a little too loudly, because Josh and his friends look back over, but the ensuing glare from you and Leon is enough for them to look away so quickly you think you hear Josh’s neck pop.

"No," you say quietly, "I um. I'd really like to be your girlfriend. I just. I didn't know what we were."

He gets that fond look in his eyes again. The one he gets before he says something sappy.

"Baby," He says, reaching across the table and grabbing your hand. "I"m yours. I mean that. I didn't formally ask you out because I figured you wanted to take things slow."

"I did. At first."

He smiles. "Then princess, my princess, may I please be your boyfriend?"

You can't help the giddy giggle the escapes your mouth. "Yes."

"Oh thank god," He says, wiping fake sweat off his brow. "It would've been awkward to have a heart attack and die in this cafe."

"That seems a bit extreme."

"Not really. Have you seen my girlfriend? Cardiac events are a normal reaction, I assure you."

You don't get much studying done for the rest of the day.

--

After that, there is a noticeable increase in study dates and date-dates. Leon is weirdly good at picking date spots and ideas.

The first time he introduces you as his girlfriend at a party, Ada shouts so loudly you think she might burst someone's eardrum. Your roommates all squeal with excitement when you tell them.

Chris, being Chris, says "Weren't you already dating?" when Leon tells him the news. That seems to be the general consensus.

You're on another study date right now, Leon's face doing that cute little scrunch thing when he's thinking about a math problem, and you set your pencil down just to stare at him.

He's your boyfriend.

You're his girlfriend.

He looks up at you, chewing on the end of his pencil. "What? Do I have something on my face?"

"No," You say, a little breathless. "M' just looking at my boyfriend."

He grins, leaning across the table to give you a kiss, soft and slow.

You're normally not one for PDA.

But maybe you'll allow it. For your boyfriend.

ᯓ✦

[nadas-dirthalen]

I don't personally feel shame for enjoying Veilguard but I feel like it's vital to support positive readings of the game's content, given the amount of vitriol. And I adore that there are people like yourself encouraging individual engagement and entertainment, thank you 🧡🍊

So, here's my question for you: What do you think of Morrigan-Mythal's role in the game and how her motherly aspect was depicted?

Ohhh my god, I love this ask. I LOVE this ask. (And thank YOU, anon!)

I'm sure people are going to disagree with me, but I loved it. Hear me out, people.

My own relationship with my mom is nothing short of fraught. No, I'm not going to divulge a lifetime's sorrows here in a response to an ask, but I feel like it is important context for everything I'm about to say. My mother has done frankly inexcusable things, and those things will not be excused! Not by me!

That said: I think Morrigan's adoption of Mythal was masterfully done. The biggest reason I love it is that it harkens back to everything we learned from Anders and Justice during DA2.

Morrigan talks about how Mythal appeared to her, and how Mythal appeared as a combination of herself and Flemeth. This shows me that BioWare are still very much writing from the same place, the same bit of lore, that created the best parts of Anders' arc (to me).

During DA2, I was frankly startled by how different Anders was to the one we saw in Awakening. But it soon became clear to me why: Anders tells you that the moment he took Justice into himself, willingly, that their two beings fused in a way impossible to extract or pick apart. Not even Anders knows how much of him is Justice, anymore.

His same sardonic humor from Awakening? His same wolfish grin and renegade attitude? Changed, irrevocably. We only get little glimpses of "Awakening Anders" throughout DA2.

The same, I feel, is true of Morrigan—and if it causes anger, fear, uncertainty, then I feel that is because it is supposed to. We can no longer see the line where Morrigan ends, and where Mythal begins.

I see her reasons, first and foremost, for taking Mythal into herself. Morrigan reminds me of me. As I've grown older, while I do not (and will not) forgive my own mother for some of her actions, I see their motivations in clearer light now. I see the person my mother is, and I see her good intent. I know how to be a different person than her, how to act better on my own good intentions. If I were to inherit all of her belongings and all of her diaries/memories today, I would not become her. I would use those things to do better in the world.

And if you look at some devnotes left in DAI for that scene with Solas and Flemeth, you'll see that Flemeth was always scripted as passing along her/Mythal's memories and spirit. She did so with the intent of those things being a gift to Morrigan. Whatever you believe about Flemeth, the fact remains: Morrigan was always going in this direction.

It is important, also, to remember that Flemeth is dead. Even if Morrigan is taking Flemeth's memories, the mother who abused Morrigan is gone. I think, as she's aged, Morrigan can see that for herself. Taking Mythal's spirit, and willingly, does not mean becoming Flemeth. It means being able to use Flemeth's tools, her magic, in better ways. It means being able to take Flemeth's intentions, whatever they were, and do better with them. Be better. End the cycle of hurt.

How much of that is now coloured by Mythal remains a mystery, and I love that mystery.

Much of Morrigan is precisely the same. Her quips, much the same. Her speech patterns, the same (go look at how much she uses the Hallelujah cadence in DAI, I dare you, everyone). She speaks of motherhood so reverently that if your worldstate inclues Kieran, it fits.

But there is something different. Something calmer, more refined. Something that speaks with more precision, and something that betrays less heated emotion. Something aloof, watching, from behind Morrigan's eyes. Age has done a lot to temper Morrigan, yes... but look at how she appears to not have aged much at all in the time since DAI.

Morrigan, in DATV, is kind, helpful, and reliable... for the same reasons that Solas is cunning, calculating, and unafraid to betray Rook many times over. Because it suits the Evanuris living inside her skin. There is no reason for Morrigan to give Rook any evidence to distrust her with. There is no reason to be anything but pleasant. There is no reason to not talk about motherhood and show Rook her soft side.

And on the opposite side of the coin? Emmrich (I believe) makes note of how spirits do not process emotions and move through them on their own. This is why Solas is stuck in the same regret for 10,000 years, until he gets the external help that lets him let go. This is also why Mythal, jumping from host to host to host (my theory is she was in Andraste, first, or Andraste's half-sister), has learned to soften and empathize with people in that time. Her hosts are that external help, enabling her to process feelings, to learn and grow in ways the other Evanuris (Solas included) have not.

We see it even when she is in Flemeth, and when Flemythal are venting about the betrayal that will shake the very heavens. In the same conversation, she is the only Evanuris who has ever said a kind word to one of the Dalish People. "You do the People proud." (or something similar!)

When within Morrigan, that statement goes one step further. Morrithal says that modern elves will eventually surpass their ancient ancestors, hinting that it is because of their mortal (multifaceted) spirits.

That said... Mythal, I am watching for you, and I am so ready to see your beautiful face in Morrigan down the road.

[hoiststowline]

Hello! Saw that your requests are open, love your writing!! Would you consider writing for Skyfire? I'd love to cuddle him and wish there was more x reader content for him. Either IDW or G1 up to you, and feel free to ignore if you'd rather not to!

skyfire/jetfire x reader

[a/n: hi!! omg, yes!! also, im sorry chat all I can write is hurt/comfort atm. many apologies.]

The effort scrounged was almost admirable, given the amount it took to stifle it, swallowing that sadness that had crept up the back of your throat. Though heavy evidence sufficed that you tried, yet it all was in vain as it was evident something was amiss, a fact that he would never ignore.

He’s categorically certain that warble in your words he’s never heard in past conversations. It fills his chassis with an overwhelming sense of apprehension and restlessness, presenting him immediately with a problem he does not know, but wishes to solve in a trice.

If Jetfire finds any words in your language to describe the tremble in your tone, they do not come to him easily. He’s instantly distressed, a slew of sentences rushing and fighting to escape first, but no combinations make any sense to say. This strikes him oddly, as usually there is never any ceasefire amongst conversation with you, always able to keep it from dropping off into a state of silence.

“Maybe tomorrow, okay?” You push forward, the slight quiver now nearly obsolete. “I’m not good company.”

But you’re always good company. It lingers longer than he’d like to admit, wanting to disagree with your argument wholeheartedly. It tips on the edge of his glossa, ready to be argued, but he’s spent too much time trying to pick apart the underlying message within your proposal.

“Jay?” You whisper when a moment too long passes, wondering if the call had dropped, as it has many times previously. “Are you still there?”

“Hm?” He muses, still unsure of how to proceed. “Apologies. Yes, I’m still here,”

“Oh.” It’s awkward, and that’s something you hate that arises even if it’s warranted. You’ve upset him, this is obvious, though it’s the last thing you wanted of the entire encounter. “Is…that okay?”

Would it be too forward to say that it’s not alright? In any other instance your cancellation would surely unsettle him, but he would not argue. You’re upset. You’re feeling an emotion that yanks on the chains of his own processor, wanting to be the protector, but also the consoler.

“Of course.” He settles on, opting to circle around this carefully, as to not push you further away. “May I ask you something? Before you go?”

In turn you pause, and Jetfire swears he can hear the gears turning in your head until you ultimately reply.

“Sure.” You sniff, trying to pass it off as normal, but it only slowly spikes his budding concern even more. “I can do that.”

“Whatever is the matter?” There’s a very muffled jolt at his inquiry, as if you were about to fall out of your chair. Without much hesitation, he continues, hopeful not to loose his insistence. “I can tell something isn’t right. But if you’re going to lie, please, at least humor me.”

An expected sigh, then you clear your throat twice before presenting a reply. “I should have known better to try and hide anything from you.” There’s a bout of static, as if you were moving around to another location to finish your sentence. “I’m fine.”

That did little to ease his worry, though he opted to let you go for now and try and reach you later on. “Alright.” He says, but doesn’t mean it. “Talk later then?”

“Yes.” You exhale, as if holding in an unforeseen breath. “I’ll talk to you later,”

Goodbyes are exchanged before the line clicks dead, leaving two parties isolated and unable to process their immediate problems. Jetfire cannot solve your unknowns in a timely manner, he doesn’t even know what he can do to help you, but the irresolution doesn’t last very long.

Within five minutes or so, he’s already too far gone into a haphazardly tossed together plan, redialing once more. He’s found himself uncharacteristically impatient, the line hardly clicks alive before he jumps straight out and says it, worry very present and then some.

Somehow, you conceded. Though not proud, his options were limited and the threat of sending Red Alert to your house was enough to make your situation a little more clear.

It tips on the edge of your tongue, eyelids heavy as your held securely against the side of his face. Jetfire mumbles, lips moving against the cotton of your jacket, thumb brushing against your leg in short motions. He’d wrangled you to the Ark without much effort, but partially, you knew you wanted his company. But didn’t want to be bad company, so instead absolved yourself from the comfort that was most desperately needed.

He doesn’t want you to fall asleep, wishes you would shed some of your burdens onto his shoulders. Jetfire would do it in an instant, but in this very moment, you wanted something else. And with how simple of a thing it was, he was in no position to deny such a request.

“Don’t,” He says, impossibly treading closer. “Don’t say it. Just…sleep.”

You swallow the resounding ‘I’m fine’ back, instead offering words you truly meant. “Thank you,”

Jetfire doesn’t reply, but it’s only because he catches your eyes finally closing, sensing it’s been a bit since you’d had a proper nights rest.

[spaceorphan18]

The Lady Whistledown Papers : 2x04 Victory (Part 2)

Welcome back, Gentle Readers, to The Lady Whistledown Papers, where I’m taking an in-depth look at Penelope Featherington and Colin Bridgerton’s character arcs and romance within the show Bridgerton!

For previous issues, follow tag : The Lady Whistledown Papers

Alright, guys, we're getting into the return of Marina. For better or worse, let's do this!

Lady Crane

Colin is very serious in his carriage ride over to see Marina again. Is he nervous, anxious, unsure of what he's going to get once he's there? All of that - yes?

I love his tophat, though, notice in Season 3 they don't bring that back? Because they didn't want to ruin Colin's hair ;)

Also, is it just me or does the carriage almost look like the backseat of a car here?

I have no deep meta for this. I just wanted to get a better look at his outfit. Just going to throw out there that there was a recent-ish interview with the costume designer that stated the pastels were for a younger version of Colin, and that Season 3 he gets darker, solid colors to signify that he's grown up. Interesting, right?

It's always amusing to me when the level of detail put into things like costumes, props, acting choices, etc, etc, are more thought out than the writing. Because, I may adore this show, but I can't claim the writing is blowing anyone away.

Anyway, Colin does do a little tug on his coat and takes in a deep breath before heading inside - he's ready to face whatever is waiting for him. (And technically, nothing is waiting, since he's arriving unannounced.) Just another instance of how chaotic Colin can be.

Okay, I kind of love the Crane house. It's nice and bright and open and rather inviting. It also looks like the nicest warm day there.

Anyway, so Colin is a bit restless as he waits. When Marina finally arrives, he immediately forgets himself - and calls her Marina, and then Miss Thompson, and then finally Lady Crane before remembering to bow. (Now, the whole bowing thing is going to be phased out, but it's a nice touch here to show he's forgotten himself a bit.

And this is what I think is interesting -- Marina doesn't look unhappy to see him. In fact, she seems amused if nothing else. I don't think a visit from Colin is necessarily a problem. It's when he starts to get too clingy to a romanticized idea of what could have been that she gets annoyed. But I also think -- she and Colin wouldn't have made a good match, and she knows this. Colin's brand of uniqueness just isn't her cup of tea, and that's fine, but Colin has to recognize this.

I will say, he is enamored with her baby. So, it's the second time in two episodes that he's going to be cooing over a small child. I think he's going to be be just fine becoming a father at a young age.

He's also taken aback by the fact that she has twins, though not necessarily in a bad way. And he comes over to say hello to Oliver and comment on his -- wigglyness. Which is a kind of funny delivery. This whole sequence starts out in such a light manner. I can only imagine that Colin, himself, was probably a pretty wiggly child.

Interestingly, Marina is pretty chill about the whole thing. Colin is still acting rather nervous, but I have to hand it to Marina that she's handling all of it in stride. She informs Colin that Sir Philip is not around at the moment, since he is out studying flowers. Colin stumbles over an apology for not extending an invitation.

(Like, my dude - how scandalous would this have been? A young bachelor showing up at someone's house while the husband was away. Colin does what he wants and answers to no one, truly.)

Colin states that he just wanted to check in on her after everything that went down the previous year (season? time makes zero sense in this world). Marina does seem happy with her life (and her wiggly baby - she looks like she's about to break, if I'm being honest, but that's not a bad thing - I'm glad Marina looks happy). And she says she's happy to see Colin. He's delighted by this and joins her for tea.

I honestly love the moment he sits down and just says 'hello' to the baby. Idk why, it cracks me up every time. He may still be on his journey to discovering it, but one of Colin's purposes in life is fatherhood. It really is.

Tea Time

We cut away for some time, and come back to Colin and Marina enjoying some tea. And I kind of love some of the subtleties in this little moment. Colin is telling Marina about all the things he experienced in Greece. He's excited to tell her - because she's someone new who will listen, and not his family, who seems to be over his stories.

When Marina states that it sounds like a 'remarkable' journey, Colin makes the pun that it's remarkable in that he has plenty of 'remarks' about it. Which is... such a dad joke. (I mean, we're gonna get that olive pun in a moment, I didn't realize just how much they were pushing in on the geeky!dad vibes they're giving to Colin this season).

But then there's a very - youthful - moment, in which, Colin pulls himself back in, feeling like his excitement is too outlandish, and he plays with his teacup awkwardly. It's such a small moment, but a nice acting choice, as it shows Colin's discomfort for the situation he's in, and how young and inexperienced he is dealing with emotions and relationships. I mean, Colin is a very empathetic character, but not an experienced one, and the crossroads of the two is on display right here.

And then Marina assuages his discomfort by stating, soundly, that she likes his 'remarks'. And I do think she's sincere, that she probably did enjoy the moment away from being strictly a mother and a wife. But she is quick to thank him for stopping by and is kind of ready for him to go. She can entertain him for a few hours, but that's about all she can handle -- for whatever her reasons are.

When Colin stands - he does ask about Sir Philip. Colin hasn't really made his actual intentions for being there clear. I mean, he says he wants to check in on her. But what he's really looking for (in my opinion) is a sense of purpose. If Sir Philip is a dick, then maybe he can rescue her again -- and that romantic fantasy he's been entertaining since he met her can come into play. It's one part -- his hero complex, if he isn't saving someone, well than what use is he? And one part being caught up in romantic fantasy, which Colin has a tendency to do.

At that moment, however, Sir Philip does show up. And you know what? He's actually a delight. He's all smiles, and seems totally fine that his wife has a male suitor, and the minute Colin says 'Greece' he is all in wanting to hear more.

And of course -- we get one of Colin's most famous lines... 'I oiled my way in... that was an olive joke.' I love this ridiculous pun. I love the look Marina gives him like... dude, you are an awkward little bean, aren't you? And I love that not but a few episodes earlier, Penelope was grumpy because no one was appreciating her ridiculous plant puns.

Cause here's my thing... so many of these love stories happen, and I don't know that I fully understand them -- other than, two people are hot and want to bang. And when they actually show two people who are cut from the same cloth, that match each other's freaks, that make sense being in a relationship based on commonalities -- then I really appreciate that. Colin and Penelope don't need to be in the same scenes to get an understanding that the two of them very much have things in common, and undoubtedly appreciate, enjoy, and understand each other's personalities. It's one of the things that endears me to them so much.

Sir Philip doesn't seem to care about Colin's terrible taste in jokes, he's too busy geeking out over plants. Marina rolls her eyes, because my god, she does not care one bit about plants. But Colin definitely seems interested in hearing about the history of said plants in relation to Greece. He jumps on the chance to hang out with Sir Philip.

And this is where I say -- this universe does not have enough friendships. Like, Colin needs a friend. He's got Penelope - who is clearly his bff, but she's going to fill other roles, too. Sir Phillip seems like he could use a friend, as well. Both of them seem a little starved or actual attention and genuine interest. And I do find it kind of hilarious that Marina entertains him for, like, ten minutes but Sir Philip is going to have him over for hours.

How Colin doesn't wise up to the fact clearly, one of these two people he'd rather spend more time with, I don't know. I love him to death, but sometimes he's kinda dumb.

And... that's where I'm stopping for now! More with Penelope attempting society, as well as the end wrap up of Marina :)

[evievigilant]

sorta wanna try my hand at fanfiction sorta don’t hmm

[silverwhittlingknife]

hi Silver! o/ because that fanart made me wonder - would you happen to know when/where Dick's stuffed elephant plush Zitka turns up in the comics?

GREETINGS CAM <3333 THAT ART WAS SO CUTE

Yeah, I think your instincts are right - it's a truly adorable bit of transformative fandom, but I'm 95% percent sure it's not comics canon. Barbara has canon plushies, but I don't think anyone else does.

I got kinda invested in the investigation (it's hard to prove a negative!) and I ended up typing out an entire History of Elinore/Zitka, so, uh, if you're curious, meet me below the cut for:

Where does Elinore / Zitka - the animal - appear in comics?

Did Dick ever have a stuffed elephant toy in comics?

Where does Elinore / Zitka appear in comics?

We're gonna go in chronological order!

Dick's circus elephant friend was first created for practical reasons: in Batman 436, Marv Wolfman does a big expanded flashback to Dick's circus backstory as a way to subtly show us Tim before officially introducing him (so that we can have a technically-solvable mystery-of-Tim's-identity in LPoD). In this comic, there's an elephant named Elinore who loves Dick:

Aww. Such a cute elephant!

Batman 436 comes out in August 1989. New Titans 60 comes out a few months later, in November, and guess what? When Dick visits the circus, he is suddenly surprised by an unexpected blast from the past! It turns out that even though it's been years, Elinore still remembers him!

Here's the part where Elinore remembers Dick:

SUCH a cute elephant. I love her.

(Guess who else still remembers Dick even though it was so long ago. Guess which other character is about to be an unexpected blast from the past. Guess which character Elinore is directly paralleling guess guess guess sorry everything is about Dick and Tim in my mind but I can focus I swear)

Four years later, in 1993, Batman: The Animated Series retells Dick's origin story. They like and keep Wolfman's elephant, but they change her name to Zitka:

Wolfman doesn't return to the elephant beyond those two appearances, and a few years down the line, New Titans gets cancelled and Wolfman's not writing Dick anymore anyway. So the animal gets abandoned for a while, until Devin Grayson, a fan of both Wolfman and B:tAS, revives the Wolfman-era Titans team in JLA/Titans and then the ongoing series Titans 1999.

Grayson then brings back the elephant in a flashback to Dick's past in Titans 16 (Jun 2000), where she imports the B:tAS name. Sometimes I'm skeptical of TV-to-comics imports, but honestly, I endorse this one. You lose the alliteration, which is a shame, but IMO Zitka is a better elephant name than Elinore.

Here's Dick with the newly-christened Zitka in Titans 16:

Grayson also briefly references the elephant in Gotham Knights 20 and - in a final angsty callback - in Nightwing 88 (Feb 2004), where Zitka tries futilely to comfort Dick in the midst of his trauma conga line:

... And... honestly, I think that's it for comic appearances? The two Wolfman comics plus the three Grayson comics.

Both Wolfman and Grayson are writing multiple titles - Batman, New Titans, Titans, Gotham Knights, and Nightwing between the two of them, spanning a big chunk of Dick's post-Crisis canon - and both writers use the elephant for heartwarming moments of nostalgia, which means if you're doing a post-Crisis readthrough for Dick, Elinore/Zitka feels memorable. But I don't think she actually shows up that much.

For post-2011, I am not as well-informed - throwing this out to the dash? anyone know? - but I feel like Zitka the heartwarming symbol of Dick's heartwarming circus past is, uh, thematically very at odds with the Court of Owls evil!circus vibes, so my instinct is that this story element was almost certainly dropped in the reboot.

Did Dick ever have a stuffed elephant toy in comics?

In WFA, yes; in main comics continuity, no. Technically, I have not read every comic ever published, so I could be wrong!! But I don't think so.

Below, find my rambling reasoning on the tonal vibes of pre-Crisis, post-Crisis, and post-2011, and why this particular story element doesn't seem right to me for the first two.

Pre-Crisis (...okay, mostly the Silver Age): stuffed animal, yes or no?

tl;dr no, requires too much background knowledge on the part of the reader, plus the elephant wasn't a thing until later

Elinore doesn't get created until post-Crisis, but also just generally, pre-Crisis callbacks are more along the lines of this reference in Batman 129 (published in 1960), where, wow, Batman and Robin are hunting jewel thieves - and it turns out Robin recognized this strongman! BUT HOW?!

The comic goes on to recap Dick's entire origin story in flashback, on the assumption that you may not know it.

(BTW, if you'd like to know more about Haly's Circus throughout the years, nightwingology has a great post here summarizing a lot of fun plotlines and characters!)

Basically: Silver Age comics are very self-consciously episodic and kid-friendly; they're not generally gonna do overly-elaborate callbacks because they don't know what comics their kid readers may have randomly picked up or remember.

By the time of post-Crisis, comic books were being written for an adult audience buying from the direct market, i.e. readers who are collecting whole runs & don't need or want Dick's origin story to be recapped to us in full every time it's referenced. That's why in post-Crisis, we get stuff like "hey, neat, this particular soda brand is getting mentioned in several different books!!" or "in order to understand this story arc, buy SIXTEEN DIFFERENT COMICS in FIVE DIFFERENT RUNS and read them ALL ACCORDING TO A NUMBERED ORDER and also you better be following the individual plotlines and recognize these five minor characters who we don't bother to introduce!! Good luck!!" But the elaborate post-Crisis plotlines - and subtler worldbuilding like a stuffed animal callback to Dick's backstory - don't make a lot of story sense UNLESS you're imagining your readers as completionist adult fans.

So IMO a stuffed animal wouldn't be a pre-Crisis thing unless it was The Episodic Story Of the Week, and I don't think a stuffed animal is action-adventure-y enough for the fast-paced storytelling of the Silver Age. (Unless it, like, came to life and tried to eat you or something.)

Post-Crisis: stuffed animals, yes or no?

tl;dr: no, Dick's a manly tough guy, he's not gonna have a stuffed animal, that'd be lame, like something Tim might do

Part of the edgy grimdark adult vibes in 80s/90s comics is that some characters who used to be kinda silly & goofy & lighthearted - like Batman and Robin - get reimagined as Serious and Angsty and Edgy in a Tough Cool Manly Brooding Way. This massively affects characterization for Bruce, Dick, and Bruce and Dick's relationship.

(I obviously love this change & love the tense Bruce-and-Dick interactions, but plenty of fans of the earlier fluffy comics really disliked the edgy retcons of Miller / Wolfman / Starlin / et al.)

The upshot is that post-Crisis is a period when you could have a recurring reference like a stuffed elephant, but you wouldn't have a stuffed elephant, not for Dick. I think a toy like that would be too cutesy / childish / effeminate to give a male character in post-Crisis, unless you were poking fun at him.

Now, you could probably let Tim have a stuffed animal, because Tim is sometimes cool but also sometimes a tryhard loser who is faking being cool and not entirely pulling it off (see e.g. the Robin comic where he practices tough-guy faces in the mirror, or the Teen Titans comic where Conner discovers his cringy Enya CD, or when he's fanboying over Connor and it's awkward, etc etc.). A stuffed animal would be deeply embarrassing, and you'd have to be careful to compensate by having Tim do something cool afterward - but Tim's character concept allows for "he's kind of a loser sometimes."

But Dick isn't!! In post-Crisis, Dick's a tough / impressive / "cool guy" character, the kind of guy anyone would want to be, even in the flashbacks where he's Robin, and even in the stories where he's more lighthearted than angsty. It'd be kinda lame for Dick to have a stuffed elephant, so he wouldn't. I feel like Dick would be more likely to poke fun at it if someone had one, like when he's making fun of Wally for liking the Hardy Boys. Dick could have a Batman action figure, at most, and if he had one he would have it ironically.

Basically: in post-Crisis, a male character hugging a stuffed elephant feels more likely to be a punchline to me, not something poignant. (Even with Tim, Tim could have an embarrassing stuffed animal, but he couldn't hug it when sad - that's too far. Maybe Booster Gold might do this. Probably he wouldn't, but spiritually, he would. Sorry Booster ilu! <3)

Instead, Dick instinctively deals with his inner turmoil like the TORTURED ACTION HERO he is: by punching things and brooding and yelling and joining the mob and sleeping on rooftops and going on obsessive secret missions and acquiring Angsty Stubble!! Just like Batman!

(Technically I don't know if Bruce ever joined the mob but you know he would.)

Anyway as you know this is my favorite continuity and I am poking fun affectionately, but uh, yeah sdfsfdsfs. No stuffed animals.

Post-2011 / Infinite Frontier / Wayne Family Adventures: stuffed animals, yes or no?

tl;dr it's in WFA! Probably not anywhere else, but it could be.

Post-2011 stuff tends to be cutesier overall, most of all in the current Infinite Frontier era. So I don't feel like this would be tonally out-of-line with IF comics. Taylor tends to go for more meme-y references rather than fanfic references, though.

So the obvious best fit is WFA, which is aiming for a rough approximation of Silver Age family-friendly vibes - wholesome, episodic plots, Teaching Good Moral Lessons For The Youth, etc. - plus lots of Easter eggs for fanfic readers and some comic references.

And look, here we are:

Aww.

Whew - that's everything I could find!

Anyway as you can probably tell, I LOVE the elephant, so this was a very entertaining rabbit hole to go down, thank you <3

[cluescorner]

Arlecchino's whole deal is unbelievable

Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".

*Kills Clervie and "Mother"*

Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.

*Is in jail for a while and becomes a Harbinger*

Arlecchino: Huh I wonder why I am-

Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-

Arlecchino: Ok.

Pierro: ...You're just cool with that?

Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.

*Runs the orphanage/spy recruitment initiative*

Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????

Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.

[tangents-within-tangents]

Would that there was a faithful, accurate adaptation of Dracula so that Jonathan Decker and Alan Seawright could discuss the nontoxic masculinity, healthy friendships, and the BEST MARRIAGE RELATIONSHIP IN FICTIONAL HISTORY but nooo!

[harrowscore]

why are you, as an adult in 2024, still hung up on reylo. why are you still mocking the shippers. why do you believe yourself to be superior only because you dislike a stupid ship from a fucking space fairytale. girl (gnc) get a grip

[nonsensechemicals]

crying whenever i talk about Cookie9 because all my friends have these interesting and unique theories on them while i take everything too literally and they all just stare at me like “dude… uuugh we r TIRED” <-they dont actually say this they are very kind to me but i can Feel It

[humanmorph]

Lye „Lyke“ Lychen as a sacrifical altar (to Aterika’Kaal) (but he's also kind of the sacrifice)

my @secret-samol gift for @bronanlynch! for the Aterika’Kaal/Lyke prompt of „what if things had gone differently and Aterika'Kaal was still with Lyke“.

notes on this under the readmore!

AU

In this scenario Lyke would succeed in getting the heart of the Motherbeast in Episode 47 and while Alaway would notice & probably still call out to Aterika’Kaal the way he presumably did in canon, Lyke would be there and get to make a compelling case to Aterika’Kaal the likes of „If you stay with me I am going to feed you. I’ve taken care of you until now, I’ll keep doing that“ (argument supported by the fact he’s currently holding the heart of an incredibly powerful dead god). Aterika’kaal agrees and they barely escape through the Sanctum of the Stone Chorus portal. I think it's fun if Lyke then stays there after the hour described in the move is over, maybe knowing he can't convince Pickman & the others that what he's done is actually good, and fine, there's not even anything to worry about he has this totally handled, But yeah he then sets out from whereever in Sangfielle Aterika'Kaals domain is (Austin did say it was an actual place somewhere), and the rest of the Blackwick Group is left to wonder what the hell happened since Lyke just vanished! Alaway has possibly fucked off too after losing the heart. And them getting fired, the Carnival of Moted Light etc. would still happen (and I guess Chine would succeed at what they were doing since Lyke isn’t there?) and who knows if they’d take any action in finding Lyke after that! All that aside though, Lyke basically offers himself to feed on (through blood and/or energy) and to sustain that he keeps consuming(not literally eating) powerful objects/artifacts/resources and possibly eventually living things (I’d imagine he'd still take work as a „please deal with this weird shit for us“ person and when he has to kill a cursed beast or whatnot... might aswell feed Aterika'Kaal?) (What also plays into that decision, and is part of Lyke justifying this to himself, is that without him, Aterika’Kaal would become too powerful. So he aims to function as kind of a conduit & control the power intake so to speak. I think this probably doesn’t work for very long.) I think this eventually goes bad for him because it’s super taxing on his body and the whole deal kind of flips with Aterika’Kaal feeding/keeping HIM alive. He starts finding bodies in the domain again (alternatively, Aterika'Kaal gets better at hiding them because it knows Lyke doesn't particulary like it when it does that). Lyke probably gets stronger due to this power/magic wise, but also way more fragile (he's constantly anemic!). („I love you. I want us both to eat well.“ - Christopher Citro) („When I write of hunger I am really writing about love and the hunger for it, and warmth and the love of it and it is all one.“ M.K. Fisher) Notes: I put some resources Lyke’s canonically had in-game + some extra stuff in this picture (the arrow is a reference to Marn’s epilogue, the bugs are bugs (with possibly sinister connotations. If you want them to have those, it’s optional) and the fur is from the Ravening Beast). Another detail I came up with I might aswell tell you because otherwise noone might ever know: the ring with the blue stone is a gift from Es. Sketch Notes: 1. Lyke turning his head to kiss a rose / exposing his neck was one of my very first ideas/sketches I made while working on this, and I liked it too much to not include it. 2. This is supposed to be Aterika'Kaal giving Lyke a blood transfusion but it rather looks like it's feeding on him instead...! I like how the relaxed pose turned out. 3. I wanted to draw something smaller in a simpler style to fill the big canvas I was drawing these on (even though now I put them in separate files anyways...). The day I drew this I saw a tweet about a medieval monks sketchbook, so I was still thinking about that. I didn't even plan to color it originally but I ended up getting invested, haha

Inspired mainly by these 3 quotes: „KEITH: I’m a walking- I am a shrine to Aterika’Kaal.“ (Sangfielle 12: The Secret Ledger of Roseroot Hall Pt. 4) „KEITH: There's a version of dealing with Aterika'Kaal that ends with Lyke being satisfied that he rehabilitated a god or at least it looks […] like what he thinks Aterika'Kaal would have been before the YVEs showed up. That's probably his main retirement path, but it also might kill him instead.” (Sangfielle 47: Wax, Iron, and Ichor Pt. 4) „AUSTIN: As you’re fading, the last thing that you do is make this blood sacrifice to Aterika’Kaal. Your own blood.“ (Sangfielle 52: Six Travelers: Lyke)

[thegetdownrebooter]

t*yl*r sw*ft getting dragged every 5 business days... i used to pray for times like these.

[mishkakagehishka]

I wanna be an artist so bad bro what am i doing in college

[arolesbianism]

Every now and then I remember that oni in fact will eventually have more lore added and I get so excited and scared for a moment and then I remember that it could take months until we see any of that and I proceed to forget abt it again and the cycle repeats

[inkskinned]

the thing about some men is that they want you to remember, at all times, that you are underneath them. that with one word or look or "joke", you will stay beneath them. that even "exceptions" to the rule are not true exceptions - the commonly cited statistic that one in eight men believe they could win against serena williams.

women's gymnastics is often not seen as real gymnastics. whatever the fuck non-euclidian horrors rhythmic gymnasts are capable of, it's often tamped down as being not a sport. some of the most dominant athletes in the world are women. nobody watches women's soccer. despite years of dancing and being built like a fucking brick, men always assume they're faster and stronger than i am. you wouldn't like what happens when they are incorrect. once while drunk at a guy's house i won a held-plank challenge by a solid minute. the party was over after that - he became exceedingly violent.

what i mean is that you can be perfect, and they still think you're ... lacking, somehow. i hope you understand i'm trying to express a neutral statement when i say: taylor swift was the possibly the most patriarchy-palatable, straight-down-the-line woman we could churn out. she is white, conventionally attractive, usually pretty mild in personality. say what you will about her (and you should, she's a billionaire, she can handle it), but a few things seem to be true about her: 1. she can write a damn catchy song, and 2. the eras tour truly was a massive commercial success and was also genuinely an impressive feat of human athleticism and performance.

i don't know if she deserves the title of "woman of the year," i'm not debating that in this post. what i am saying is that she was named Woman of The Year, and then an untalented man got onstage at the golden globes and made fun of her for attending her boyfriend's football games. what i am saying is that this woman altered local economies - and her dating life is still being made into a "harmless" punchline. the camera panned, greedy, over to her downing a full glass of champagne. congratulations taylor! you are woman of the year! but you are a woman. even her.

fuck, man. write better material.

a guy gets onstage at a college graduation and despite the fact like half the crowd is made up of women, he spends a significant proportion of it warning these people - who spent possibly hundreds of thousands of dollars on their education - that they were lied to. that the "real" meaning of femininity is motherhood. that they shouldn't rest on the laurels of that education-they-paid-for but instead throw it away to kneel at a man's heel. imagine that. sweating in your godawful polyester gown (that you also had to pay for!), fresh out of 4 years of pushing yourself ever-harder: and some guy you've never met - who knows nothing about you - he reminds you this "win" is a pyrrhic one at best. you really shouldn't consider yourself that extraordinary. you're still a woman, even after years of study.

god forbid you are not a pretty woman, but if you are pretty, you must be dumb. god forbid you are not ablebodied or white or cis or straight or good at swallowing. you must be beneath a man, or else they are not a man. the equation for masculinity seems to just be: that which is not a woman or womanly (god forbid). anything "feminine" is thereby anathema. to engage in "feminine" things such as therapy, getting a hug from a friend, or crying - it is giving up ones manhood. therefore women need to be put in their place to ensure that masculinity is protected.

this is something i have struggled to explain to terfs - they are not doing the work of feminism, but rather the patriarchy. by asserting that women and men must be (on some secret level) oppositional and in conflict, they also assume that being a woman is akin to being another species. but bigotry does not stem from observational truths or clarity - that is what makes it bigotry. there was nothing in my childhood that made me fundamentally different from my brother. we are treated differently nonetheless. to assert there is some biological drive that enforces my gender role is to assert that women have a gendered role. men do not see women as equal to them not because of biological reality - but instead because the core tenant of the patriarchy is that women aren't full, realized people.

we are told from a very young age to excuse misbehavior as a single man's choice - not all men. it is not all men, just that one guy. all women are gold-digging bitches who belong in the kitchen - but if a man is mean, bigoted, or violent to you, it's just that particular guy, and that means nothing about men-as-a-whole. it is only one guy who got mad when you gently rejected him. it is only one guy who warns her this trophy is heavy, are you sure you can hold it? it is only one guy who smashes her face into the cake. it is only one guy talking into a mic about hating our bodily autonomy.

i have just found that they often wait until the moment we actually seem to be upstaging them. you sit in a meeting where you're presenting your own findings and he says get me a coffee? or you run to the end of the marathon and are about to finish first and he pushes your kids out in front of you. you win the chess game and they make some comment akin to well, you're ugly away. we can be the billionaire and get the dream life and finally fucking do it and yet! still! they have this strange, visceral urge to say well actually, if you think you're so great -

it's not one just one guy. it's one in eight.