#i just wish it was something that was explored more

[clockwork-hearted]

This was the first queer movie I watched in high school. I remember finally having good, strong WiFi and exploring YouTube one night. Was using my refurbished MacBook that I begged my dad to get me so I can have something to use for school.

I don’t remember how exactly I came across this movie (honestly was probably going through some YouTube rabbit hole of “movies where guys make out” or the classic “two men kissing” search), but it was the full length movie. And it was free.

I was so excited to watch it and see what kind of guy on guy action I would get to see. But being forced to stay in the closet growing up, I couldn’t just outright watch this movie while my parents were home.

So I bookmarked it. Made sure I even saved the link somewhere. And had to wait until my parents weren’t home.

Thankfully, I ended up realizing that I was a teen that was allowed to stay up late on the weekends. So I stayed up, waited until both my parents were in their rooms, fast asleep, and then I went into my room, closed the door (couldn’t lock it though. Locking bedroom doors was an offense that would cause a scene every time for absolutely no reason), plugged my headphones in, and snuggled up and watched it.

I remember sitting upright to start it then getting tired and deciding to lay down. Ended up laying the laptop on its side just so I could keep watching haha

And I remember going through the rollercoaster of emotions seeing these two characters having a connection but being so twisted up about it. Regardless of everything they went through, I still wanted that. I still wanted someone I could kiss passionately. Someone I could go to bed with and wake up next to in our own little world. Someone I could go to the beach with and spend all day with. Someone who wanted to push me for my abilities (don’t have any but it played into my fantasies lol) and strive to be the best I could be at them.

And then reaching the end of the movie and being so happy with it. I remember crying. Crying so much that I thought I wasn’t going to be able to stop. I remember shoving my face in my pillows to try and muffle my crying.

Oh, I learned to cry silently so very quick in my home. How I learned what it meant to be even more suppressed than I already was. How I had to learn to hold back all the choking sounds my throat would utter and just let the tears flow. Silently blowing my nose into tissues so I wouldn’t wake my parents and cause a scene.

“Why are you crying? What’s happening? What did you watch? What’s going on? Etc. etc. etc.” - yeah, like I was going to come clean about my emotions and be able to talk these things out. Pht. How I wished and how I dreamed that I could. Would’ve made growing up easier. But I didn’t have those kinds of parents.

So the first night I watched this movie, it meant a lot in such little time. Movies like this really saved me as a teen.

I started doing a deep dive into any and all other queer movies I could find online for free (but that’s a story for a different time).

Tbh, I had forgotten about this gem of a movie. Made me feel a little guilty for forgetting, mostly because it really helped me continue pretending, and knowing that one day I would find someone to experience beautiful moments with. It allowed me to realize that queer media (that wasn’t porn) was out there, that I didn’t have to feel alone, and that it was only a few key strokes and google searches away.

For anyone who read through this whole thing (I know I blabbed, but I really needed to get this off my chest and my mind), thank you.

And I also hope that even though the world can feel so against you, even in spaces that are supposed to be safe, that there are people out there that know and understand you and can relate to how you feel.

I know it’s always easier said than done, but hang in there. And if it all gets to be too suffocating, please remember there are resources out there to help. But please, please, please, don’t get snuffed out. Let yourself burn as bright as you can. Because at the end of the day, you will always find Shelter- whether it’s with family members, friends, teachers, chosen/adoptive families, online communities, etc. you will find it. And you will be safe. And you will be loved.

I wish you all the very best. May this movie and many others bring you as much joy as it did to me. <3

Shelter (2007) dir. Jonah Markowitz

[dindjarindiaries]

Hunter was trying to be a good older brother to Crosshair and a good father to Omega in The Return, despite a few moments of weakness, through protectiveness, observation, and supportiveness. He ultimately succeeded in his objectives.

The Bad Batch S3E5 "The Return" will always be one of my favorites because it doesn't shy away from the complexity of the family's dynamic after 1) losing Tech, who was often a peacekeeper/mitigator, and 2) regaining Crosshair. While I, and many others, wish the former was explored more, it does an excellent job of showing us even more about these siblings' dynamics than we even knew before.

As always with any analysis, this is a disclaimer that you may view this episode in an entirely different way due to various biases, one of the most notable being based upon your own favorite characters and your own life experience. All I ask is that you read through carefully before chiming in with any counterarguments!

The line of dialogue that most of my argument here hinges upon is from Hunter about midway through the episode, just before his and Crosshair's fight.

"I know you."

Going back to the very beginning of the episode, we see Hunter and Wrecker sitting and waiting for Omega to wake up. Crosshair's clearly not there, and when Omega asks about their brother's whereabouts, Wrecker says he wasn't there when they woke up, before Hunter adds this.

His face is clearly displaying concern, even though his words are reassuring. He's no doubt worried about Crosshair, too, but like he says later on: he knows Crosshair. He knows what to do when Crosshair's upset, and that the sniper wants/needs time alone, hence why he and Wrecker didn't go after him. Hunter is trying to reassure Omega, who isn't as familiar with Crosshair at this point, by insisting that this is how he adjusts to change. It's important to note that there doesn't really seem to be any hostility radiating from Hunter (or Wrecker) towards Crosshair here.

In fact, the duo only gets up and goes to check on Crosshair once Omega's involved. This proves something else that's important to understand for Hunter's character in this episode: he's wrestling with both his concern for Crosshair and his protectiveness over Omega, and that's because of this moment from season 1:

Because of Crosshair telling Hunter in S1E15 that he had his inhibitor chip removed, without the context of when, Hunter has to assume for Omega's safety that this was Crosshair acting of his own accord. This is because, if Hunter's to be a reliable protector of her, he always has to be as cautious as possible with those she's surrounded by—and unfortunately, in this case, that includes Crosshair.

(Remember that, even as the sergeant of Clone Force 99 and the eldest brother/caretaker of their family, Hunter's priorities have shifted since the war ended; Omega now comes before all else. He says this as early as S1E7 to Rex, when they had only had Omega for a short time. This is now at least a year after those events, which means that sentiment's only grown stronger for Hunter, especially after losing Omega to the Empire for six months.)

Because Crosshair is smart and also knows his brothers just like they know him, he comes to this conclusion himself. This is why he's not surprised when they start watching him and Omega from a distance, and why Crosshair insists it's because "They don't trust me."

Then, Echo arrives, and they start making plans to go to Barton IV. This is where we see Hunter's protectiveness of Omega really shining, along with some interesting glimpses of Hunter's concern/curiosity about Crosshair and what he went through.

The fact that Omega and Hunter have the same expression here... that's intentional. Omega is but a mirror of her brothers, and always has been ever since she met them. She and Hunter are literally displaying the same amount of sympathy and concern for Crosshair here.

Now, this look from Hunter that's immediately after Crosshair's done talking is read as anger from a lot of people, which is understandable. To me, though, especially through this lens, it looks more like Hunter is coming to a conclusion. Hunter can tell that Crosshair knows more (and has gone through more) than he's letting on about, but he doesn't care that much about getting the intel that Echo no doubt wants. Hunter just doesn't like the fact that Crosshair won't open up about what happened to him.

It's important to keep in mind that as Hunter and Wrecker were watching Omega and Crosshair before, they undoubtedly saw Crosshair's target practice going poorly. Hunter would certainly make note of that, and thinking of his physical struggles along with hearing this... well, yeah, Hunter's gonna have a serious pondering face, because he wants to know what's wrong with his youngest brother so he can help him. But because he knows his brother, he knows that he has to keep his space for now and be mindful.

Once plans for the trip to Barton IV come up, Hunter proposes that he goes with Crosshair and Echo, again proving that Hunter isn't really trying to avoid Crosshair. In fact, Hunter only expresses any concern when Omega wants to join, and we all know why. He's worried about her and doesn't want to risk it, which he says plainly.

It's clear, though, that Hunter is still worried about Crosshair being so close to Omega, too, especially if they're going to an Imperial hideout. Hunter has trauma from that moment in S1E8, and it's not easy for him to see past that, as much as he does still care and worry for his youngest brother. Again, he has to suspect that anyone is capable of hurting her, aside from the brothers who've been protecting her alongside himself the entire time.

Crosshair even acknowledges this when he and Hunter pass one another while packing up the night before.

(I'd like to note that, in this moment, Hunter's the one who moves to accommodate Crosshair's path. To me, that's more evidence of the fact that Hunter is keeping a safe distance from Crosshair to let him process, but because Omega's there too, he's also keeping a watchful eye on him. He's really torn between the two.)

"Don't hold it against him," Crosshair tells Omega. Why? Because:

Crosshair understands that most, if not all, of Hunter's moments of caution towards Crosshair have everything to do with Omega and her safety, rather than Hunter being angry at Crosshair. Hunter doesn't like that Omega's going on this risky mission, and he really doesn't like that it's happening with Crosshair there, when he hasn't even told Hunter everything that happened. How is he supposed to properly protect her (and Crosshair) without knowing all the details?

(And how sweet is it that Crosshair agrees with Hunter's take on Omega coming with them?)

They get to Barton IV, and there, we get one of Hunter's moments of weakness, when he's really giving in to his protectiveness of Omega and his frustration/worry about having such few details about Crosshair and his falling out with the Empire.

(But first, let's quickly acknowledge Crosshair emerging in his old armor, and the fact that Hunter, Wrecker, and the others kept it. Hunter (and Wrecker I believe) both lost pieces of their armor during their search for Omega, no doubt either losing them in dangerous situations or selling things to get by, but they never once touched Crosshair's kit—even when it would have been really easy to sell his things before selling their own.)

Because the base is empty, Hunter starts to worry that it's a sign of something bad. Remember, just because Hunter is the level-headed sergeant and leader of the group, he's not immune to trauma. Imagine how traumatizing Eriadu and all his failed attempts to find Omega with Wrecker were for him, especially with him literally being a tracker. The last time they were all together like this on a mission was when Tech died.

So, Hunter gives into that protective sense and challenges Crosshair, because now he needs the details. He has a sense that this place is notable to Crosshair, but not how, and if he wants to protect Omega, who is his main priority, he has to find out. He's also getting more and more frustrated that Crosshair won't talk to him about it.

This can be evidenced by one of their exchanges. It's only after Crosshair brings up his cell again that Hunter insists, "I get the feeling there's more to this place than you're saying." And... well, Hunter's right. This is a place of trauma for Crosshair, and Hunter's no doubt picking up on that. After being reminded of Crosshair's imprisonment, Hunter has to ask, he has to press, in his mind, for the wellbeing of Omega, Crosshair, and the rest of his squad.

Again, Hunter doesn't like operating off little information to accomplish all these things. He's a protector at heart, and he always has been. Crosshair not giving him all the details he can remember (likely because of his own trauma) makes Hunter feel even more on edge, and that's why he lashes out a bit more at his brother, questioning him about why he didn't mention the raiders before.

Unfortunately, with Crosshair deflecting to avoid his own hurt, Hunter takes the bait and engages, leading to their exchange of "Just following orders?" "If you're scared, why don't you wait on the ship?" Thankfully, Echo steps in and breaks it up, which gives Hunter time to clear his head again. This is Hunter's first biggest moment of weakness.

Now, we're getting to one of my favorite sequences: Hunter watching Crosshair from a distance inside the depot.

Hunter clocks Crosshair's discomfort right away after Echo says that Crosshair's words about the base serving its purpose "Sounds familiar." Again, it's easy to understand why people might read this as Hunter being angry or cautious, but to me, it looks like Hunter's just trying to get a read on why that particular exchange sent Crosshair away, and what exactly he's looking for.

Wanting to figure out more so that he can help Crosshair and thus help them all in this very moment, Hunter quietly follows Crosshair, and that's what leads to him seeing Crosshair pick up Mayday and the other regs' helmets.

(Hunter lurking in the back right. I'm obsessed with this shot.)

Remember, Hunter is observing this as someone who remembers Crosshair not wanting anything to do with the regs. He antagonized them perhaps the most out of any other in the squad during their arc in The Clone Wars, and he even told Hunter in S1E15 that the Batch was superior to the regs, and to most other soldiers in general. Hunter seeing Crosshair treat these reg helmets with such reverence is such a strong indication to him that something major has shifted for Crosshair, and it had likely happened on this planet.

But Hunter, again, knowing his brother, remains a quiet observer. It would've been easy for him to engage here, but he recognizes that Crosshair needs this moment to himself. Hunter even leaves him to it after. Would someone who really didn't trust Crosshair at all whatsoever turn their back to him like that? What he does is give his brother privacy, and acknowledge that he needs to know what happened... but this isn't the right place or time to be pressing him about it.

Danger is lurking, though, and Hunter's desperation to know the truth so he can be better equipped is growing. It hits a peak when Crosshair, prompted by Batcher's barking, checks the perimeter by himself. Pay close attention to how Hunter reacts to Crosshair's exit.

It isn't really anger in this expression. Wrecker's behind him is certainly one of concern. Hunter instead looks determined, and that's because he's about to pursue Crosshair to start getting answers. He's tired of not knowing, and because the stakes are starting to rise, and the evidence is all around him. Hunter decides that he's given enough space and now has to push Crosshair to talk to him.

Because, as Hunter's about to say in a few seconds, he knows Crosshair. He knows, and from what Echo says later, he's always known how to get Crosshair to talk, and it seems that it often involves some fighting and bloodshed—because Crosshair has a harder time opening up than his other brothers.

But Hunter will be damned if he doesn't try, especially now that Omega's safety could depend on this information.

Now, at last, we're at the pinnacle moment of the episode for these two characters: the fight, and another moment of weakness for Hunter. He reminds Crosshair that he knows him, and he demands this time to know what exactly happened here.

Hunter, because he knows his brother, has to push Crosshair (literally) to get anything out of him. He doesn't want this to be simple bickering like before. So, Hunter goes for a low blow. He knows that Crosshair values loyalty above all else, so he brings up Crosshair's disloyalty to both the Empire and their own squad, knowing it'll hurt him enough to get some real responses out of him.

Then comes the physical shove. This is a clear demand for Crosshair to start giving answers.

But look at how Hunter's expression changes as he waits for Crosshair to talk.

His brow softens, because Crosshair's hesitance to say or do something right away is evidence of the fact that it's something really, really serious that happened. At the end of the day, he's just worried for his brother. He wants to know, needs to know, so he can help him. It almost looks like he's pleading for an answer here.

And Crosshair does answer truthfully, revealing that he killed Lt. Nolan. Hunter is obviously shocked, and he even has a somewhat guilty reaction to Crosshair saying "after they betrayed me", because, I mean, we all know Hunter's been harboring guilt for leaving Crosshair behind.

That's when Crosshair digs his claws in to protect himself, too, also going for low blows against Hunter—starting with Hunter ignoring the warning Crosshair had sent from Tantiss.

(What's really telling to me here is that Hunter doesn't once defend himself when he easily could have. He could have told Crosshair that he was the only one who wanted to listen to Crosshair's warning, but that his and the rest of the squad's desire to try to save Crosshair ultimately won out. But he doesn't. He just takes it.)

Hunter only starts to get really angry when Crosshair gets Omega involved.

Hunter turned Crosshair's loyalty against him, so Crosshair turns Hunter's protectiveness against him. Imagine being a protector like Hunter, who's even more fiercely protective of Omega, and being told that after months of desperate, worried searching, you're the reason why the person you care the most about went through their worst bout of suffering.

Yeah, that stings. Especially because there's truth to it, the part about his jealousy towards Crosshair being the one to free her instead of himself. Hunter no doubt felt like he had failed as Omega's protector by losing her to the Empire, and not only that, but the brother he left behind had to be the one to bring her back to them.

(I also think that, in reading between the lines in this entire part of Crosshair's argument, he could even be insinuating that Hunter's shouldering the blame for Tech's death. If he knows the details, then he knows that ultimately, Hunter's the one who approved the mission. "You ignored it", in reference to Crosshair's message, could mean that both Tech and Omega could have been safe if Hunter had simply made the right call. It may not have been intentional on Crosshair's part, but I could easily see Hunter thinking that, especially if he already felt guilty about it.)

No wonder why these two are about to fist fight in the snow. Their ugliest, scariest monsters have finally come out.

And that's when the scary monster comes out, too.

(I love the symbolism!)

Hunter immediately snaps back into his protector mode. He warns Crosshair to move, but also physically shoves Crosshair out of the way and takes his previous place, making himself the one who's closest to the threat.

(Hunter does this a lot with his squad, by the way.)

They focus on getting to safety, and then figuring out a plan with the others to get the wyrm back outside the perimeter. This is when Hunter insists that they have to make sure the wyrm is drawn out that far so that they're not trapped inside with it, and Crosshair volunteers to take it on his own. But Hunter's not okay with that.

You would think that Hunter would want to be as far away from Crosshair as possible after what just transpired, but he doesn't. Instead, in this moment, Hunter is assuring Crosshair that he doesn't have to do things alone anymore, that they're brothers at the end of the day, and he wants to help. I think this is Hunter's first true attempt at making a truce with Crosshair, and attempting to extend his hand to him.

Of course, Crosshair snaps back asking Hunter if he's sure that's what he wants, and that leads to a moment of tension—but notice that, unlike the other times, Hunter doesn't retaliate. He understands with more clarity now why Crosshair's lashing out. Crosshair's hurting.

So, in teaming up with Crosshair here, Hunter knows he can mend what's most important to Crosshair by proving it with his actions: loyalty.

If anything, what Crosshair lashing out here and what Hunter going with him proves is that Crosshair's mostly hurt that he's lost the loyalty/trust of his brothers. When they get out there and Hunter's trapped underneath the ice, left to rely on his brother for guidance and rescue, it allows Crosshair to mend that sense of loyalty and trust. He can earn it back.

Not because Hunter necessarily needs him to do that, although it certainly is helpful, but because Hunter knows that Crosshair needs that. Crosshair needs to feel reliable to them again.

That's what's so perfect about Hunter's safety literally being in Crosshair's hands here. They're able to banter the way they likely would've during the war, and Hunter doesn't hesitate when Crosshair extends his rifle to pull him up and get him out of the hole in the ice.

Hunter gets proof that he can indeed trust Crosshair with his life again, and Crosshair gets that proof, too. Because, at the end of the day, they're just an eldest and youngest brother. Youngest siblings (I say as a youngest child myself) are often looking for validation and trust from their older siblings, especially the eldest. This display of trust must've been so, so validating and healing for Crosshair.

That brings us back to that first line of dialogue I highlighted: "I know you." Hunter knew Crosshair was hurting like this all along, and while he was struggling between his protectiveness over Omega and his concern for Crosshair, he was finally able to make his brother's journey to healing happen.

We then get the nods of mutual trust, understanding, apologies, and forgiveness, before they sit in peace together.

(This is one of my favorite shots in all of Star Wars. I mean, come on.)

I love how the shift in their dynamic is evident enough that everyone recognizes it once they get back. They hug it out with Wrecker, and then we shift into one of the most meaningful dialogue exchanges we'll ever get between them.

Now that Crosshair's laid more of his vulnerabilities out on the table, he seeks reassurance in Hunter. Again, youngest siblings so often just want to feel validated by their older siblings, especially the eldest. Crosshair's looked to Hunter to lead him and guide him his whole life. This is why the guilt's so evident when he comes clean about making mistakes with the Empire.

It would've been so easy for Hunter to say yeah, you did make mistakes, you did hurt us and many innocent people. Instead, Hunter says these simple few words that carry so much weight:

Hunter takes on that burden with Crosshair. He lets his own vulnerabilities show by saying, yeah, I'm with you there, there are things I wish I hadn't done, either. He then gives him reassurance and hope by saying that they can forge a new path forward, that they're not tied down by who they used to be, nor what bad decisions they made.

Hunter is putting them on the same level here, and for someone like Crosshair, who probably thought his brothers would never trust him nor accept him the way they used to because of what he's done, this means everything.

(I also feel like Crosshair really needed to hear the "I have regrets too" line from Hunter in particular. He needed a hint that Hunter really did regret leaving him behind, even if it was the best/safest option for the rest of the squad at the time. You can certainly still regret doing something, even if it was the best option at that time.)

In summary, The Return is about not just a return to Barton IV, but a return to who Clone Force 99 used to be. Crosshair's return to his squad, the return of their trust in him and vice versa. A return to the familiar.

Hunter didn't handle this perfectly, nor would anyone who was in his shoes with all these complicated relationships and trauma, but he did his best. Even while caught between his concern for Crosshair and his fierce protectiveness of Omega and the members of his family that he had left, Hunter still found a way to make things right. He completed both objectives.

For as much as Crosshair needed to have the trust of his family back, Hunter needed the reassurance that he could still keep his entire family safe on missions like these. He needed to know he could still take care of them, physically and emotionally.

And he succeeded.

[robbyykeene]

Potentially unpopular opinion, but I love that Miguel was an asshole again in the second part of this season! It’s a reminder that he’s a character and not just Johnny’s main support. I mean Robby didn’t deserve it at all, but it makes sense that Miguel couldn’t help taking his anger out on him. And I love that Johnny was on the receiving end of it, because it feels like the tension between them just went away for no reason.

Sorry if I’m bothering you!

You’re never bothering me, and I completely agree! They so rarely give Miguel any narrative agency these days, and like Johnny all it does is reduce him as a character. Miguel is a whole, complicated, messy teenager. He isn’t a saint. He isn’t perfect. He makes mistakes and has ugly unfair feelings sometimes, like every single teenager does. And I love when this show actually lets him be like this, lets him be wrong, lets him be a little bit of a dick to the people he cares about who don’t deserve it. Lets him be a real person with actual human feelings. And then also lets him take accountability for what he does wrong, apologize, show how much he’s grown, that he is a good person and a good friend. I love it truly, and it feels like it’s something that in a lot of ways hasn’t really been granted to Miguel since he fell off that balcony.

[wardensantoineandevka]

I think a lot of the responses to criticisms of Bells Hells at a narrative structure level simply are not grasping that a lot of the criticisms are centered on feeling like Bells Hells do not act with the intentionality or motivation to convincingly be a group navigating a difficult moral problem.

There's a lot of words about Bells Hells as taking a stand against injustice or as challenging the status quo or fighting oppressive systems of power and how that doesn't provide clear answers and thus results in uncertainty and lack of clarity, but the thing is that: is... Bells Hells personally actually motivated by that? ARE they, as a collective unit, personally seeking to do these things? Is that what they're motivated by? Are they as characters actually trying to solve or explore that question, or is that merely a question on the table in proximity to them? Ashton individually has a lot of feelings about that and has a complicated relationship to that question, yes, but IS Bells Hells as a narrative unit actually navigating that? Is that actually what they're motivated by? Is that actually what their mission statement or intent is?

A lot of the criticism is that this seems to be a vague concept circling, but at no point does it feel like the storytelling moves toward it with confidence and never does Bells Hells feel like they as a narrative element engage with that concept meaningfully. Everyone can try to unpack this supposed theme or narrative about complex political philosophy all they like, but the fact is that the criticism is that much of the storytelling in the campaign and the execution of Bells Hells as narrative tools with which to engage with that concept doesn't ever do anything more than look at it askance as something floating around in the air and then is very timid and uncertain about it as a potential motive, theme, or narrative intent.

Insisting that such big philosophical questions related to anti-oppressive political action engenders lack of clarity about the right methodology or best praxis does not actually meaningfully address criticism that boils down to "god I WISH Bells Hells and the storytelling itself ever felt like they were acting with enough motivated intent for me to believe they were indeed grappling with the indecision of how best to precipitate political change, instead of feeling like we're just nervously standing adjacent to the concept"

[lesbianherald]

hiii I’m curious : what’s your process for creating your stories? like character development, plotting, creating arcs, etc?

thank you for asking !!! i'm going to get way longer and more thorough about this than necessary I feel it in my bones so I'm going to read more this now (I included a few tidbits from my miro board for carry the blade :) )

it's such a mixed bag ! part of this is my adhd lmao, and part of it is because, genuinely, I think each story needs something different.

almost ALWAYS (with one rare exception of a sci/fi fantasy world I've been building for years) I start with character, especially in original work. Because character is everything it's who we're following it's what the audience/readership will grab onto. Usually I have a basic premise and setting already there, but I don't build on it until I get to know who we're dealing with in the story. And then after building up the premise, setting, and plot I do even more character work after.

sometimes.... sometimes I get really impatient to start and start writing half way through the planning process. But anyways.

so I come up with character. do the basics. think about what their deal is. What is the journey they need to have, the lesson they need to learn, what themes and emotions do I want to explore with this character? Why is she important to me? Why will she be important to others?

I also think a lot about relationships

i just wrote a coming of age dramatic comedy for instance, and for that one, I broke up the story into my protagonists relationships. Wrote out the arc/story of each relationship and then combined each of these arcs into the key points that made up the film. Each relationship I wanted to be relevant to her grieving process, as she had just lost her mother. IDK if that makes sense. I wish I could show you but unfortunately I cannot.

for fic its honestly similar, but we already know character, so I usually ask what about this character/these characters am I most excited to explore.

that being said, coming home came to me in the idea for what they'd be like in modern day, and then a single idea for a single scene - their first kiss in the lab. I wrote that first, then asked myself what the context I wanted to give it was. Of course, I changed it a little once I actually got to writing and fleshing out chapter eight.

but this fantasy fic i'm writing is a fun example. I'm building out a lot. I'm building out characters, the world, the themes. - using visuals to help me kind of guide myself.

but because I have adhd and get impatient. I am outlining throughout this process to keep myself entertained. perhaps ideally you'd figure out everything first then outline then write but my brain just doesn't work that way.

in fics, especially, the relationship is so important that I really like to see how the obstacles they face, both due to their own psychology and internal pressures, can reflect the themes, create tension, etc.

but i also like to reflect on side characters too - their motivations and desires. So they don't just become like - flat little reflections of the central love story.

Finally, and this i learned from acting theory mostly - but I love it - is in each scene I like to think of what each character wants, what they are going to do to try and get that, and why they want it. In this fic, wants are something I also look at from a chapter by chapter basis.

side note - and i'm only saying this this far down so hopefully not too may people will see it - but I do have a secret subplot going on throughout the first half of this story that the audience doesn't know about.

in order to make this work I've been mapping out everything going on behind the scenes, and making sure they pair up well with events that people reading will see. it helps me plant little hints and seeds while hopefully not giving too much away (secret subplot in blue, actual story in red)

sorry i know this is such a ramble I just took my meds and had a double shot of expresso so I am buzzing right now lmao! Obviously I'm not the expert and there's not only one way. And also it really is so different for me every time. It's important to think about what the story actually calls for !

[speed-world]

Hello!! If it's not too much to ask, can you write a cookie run kingdom au where y/n is a traveler? I just think that's the most logical way to somehow get them involved into stories and meet different cookies altogether. Maybe a few scenarios in which involve their encounters with the ancients before the main plot of crk?

A cookie stood with his sheep, observing the lands before him in silence as the winds howled and blew beside him. He was making his last few preparations before his journey, but as he turned around, he saw an unfamiliar face that appeared to be in awe of the lands much like he was…

“Oh, pardon me, but I’ve never seen a cookie like you before. You look so incredibly well and unbothered, may I ask if you have a secret to keeping your dough so healthy?”

“Oh, me? Hehe, I don’t think I have any ‘secret’ to my healthy or anything like that. I’m simply a traveler wandering Earthbread.”

“Really? So am I! I’ll be taking a pilgrimage to the Sugar-Free Road, and complete its 12 trials. What about you, where are you headed?”

“Wherever the earth and winds take me, I suppose. I don’t have a destination in mind, per se, but I’m so interested in exploring the marvelous depths across every corner of Earthbread! But, if you don’t mind me asking, what makes you want to venture to the Sugar-Free Road alone? Surely those trials can’t be the only reason.”

“You sound like you’ve been there before, is there something I should be aware of before I go?”

“Yeah, maybe don’t go by yourself. It’s a treacherous path that’ll leave you wishing you never went. I myself turned back when I was there because of how worn out I was. I would want to go back sometime, especially since I feel more accustomed to traveling to do so, but doing so alone is not something I’m doing again.”

“I see…well to answer your question, I strive to find the truth as to why cookies - those crumbling, incomplete, and not-so-sweet - all must suffer so. I wish for all beings of dough to be happy, and that is I will accept those trials. Hopefully I’ll find the answers I’m looking for at the end of the path.”

“That’s…that’s actually really nice! I respect that a lot, and I kinda feel the same way; wanting everyone to not suffer. But you won’t do well by yourself, would you mind if I tag along?”

“Really? Are you sure my goals won’t get in the way of yours?”

“Nah, of course not! You get to complete the trials and, hopefully, find your answers, while I get to see everything of the Sugar-Free Road and document it! Plus, I get to make a new friend too!”

“New friend..? Ahaha, I’m honored to call you friend too! My name is Pure Vanilla Cookie, and you are?”

“Y/N Cookie, a pleasure to meet ya Pure Vanilla Cookie!”

“Likewise, Y/N Cookie. I’m glad we’ll take this journey together!”

————————————————————————

The screeching roar of a dragon fills the air as it gradually got more distant. The dragon’s pursuer was aggravated, but still determined…

“Huff…huff…darn that dragon getting away, again!! I think I’m starting to loose count, is this the 80th time? No, it can’t have been that much…..argghh—! No matter, I’ll keep hunting it down and—!”

The bushes ahead of Hollyberry Cookie rustle as an astonished cookie stepped out, and looked to the sky where the dragon flew off. They were completely in awe and wanted to get a better look at the majestic creature.

“Woah!! Was that a dragon just now? I’ve seen glimpses of them on my travels, but that one was so close!! This could be a chance to really meet a dragon, maybe even feel its scales!! Hahaha, I gotta go now and—“

“Hey, hold it right there!”

“Huh? Oh, hey there! Are you after the dragon too?”

“That’s one way to put it; I’m hunting that dragon. I need to defeat it for the trouble its caused the Hollyberry Kingdom!”

“Oh my, I had no idea. I’m sorry to hear that.”

“It’s quite alright, that dragon won’t escape me so easily! But, what brings you out here? And why do you want to see that dragon?”

“Ah, well I’m a traveler, you see? I want to explore every neat corner of Earthbread and all the specialties in between!”

“Really now? Interesting, it’s been awhile since I’ve met such an adventurous cookie like myself! I’m Hollyberry Cookie, pleased to meet you friend!”

“Y/N Cookie, the pleasure is all mine Hollyberry Cookie!”

“Well Y/N Cookie, what do you say we go hunting this dragon together? It’s always more fun to travel with a partner, and I’ll promise you to see every bit of the dragon up close!”

“For real?! Awesome!! Ohohoho, this is gonna be fun, I can’t wait to go!”

“Why don’t you tell me about your travels on the way? I’ll, of course, share you many of my own! I’ll even treat you to the finest berry juice my kingdom has to offer when it’s over!”

“Why thank you! I’ve never had berry juice from the Hollyberry Kingdom before, I can’t wait!!”

“It will be the finest you’ve ever had, you wouldn’t want any other! This is already becoming a fine adventure, hahaha!!”

————————————————————————

Black lightning and dark clouds...What's next, a blizzard that freezes your very breath? The scale of the anomalies is growing. The Cookies in the Frozen Snowfield are perishing one by one. While it seems logical for any cookie to avoid venturing out to such an extreme treacherous environment, two cookies were individually hiking up anyways. Although for their own reasons, their ambitions may align with one another’s….

“Hmm? Oh hey there, I wasn’t expecting any company here!”

“Neither was I…are you a cookie from one of villages affected by the blizzards?”

“Me? Oh no, I’m just a traveler passing by to witness something spectacular!! Here, listen closely—“

“Grrrrrr…..”

“Hhrrrrrraaaaaahh…..”

“The growls of not one, but two dragons-in one place!! I wonder what it is here that could’ve brought them here; ooohh I’ve got to see them up close!”

“You’re here for…sightseeing dragons? How strange.”

“You sound disappointed, is everything alright bud?”

“No. I am here to know more of the weather anomalies occurring through this continent. This harsh weather has caused cookies to suffer and crumble, and I refuse to let it endure another minute.”

“Oh my, I had no idea that was happening. I’m so sorry…”

“Pick your head up, you have nothing to apologize for.”

“Ah, r-right. *ahem*…let me help you.”

“What? No, I’m afraid I can’t. These cookies have suffered for too long, and I can’t risk another getting in the way and—“

“I promise I won’t get in your way. I’ll help aid those cookies with you; I have plenty of supplies to offer some kind of help, be it food or water or anything in between.”

“Hmm…very well then. I believe our interests might be more in common than I realize. Let’s not waste any more time and be on our way.”

“Of course! I’m Y/N Cookie, by the way, pleasure to meet you sir.”

“Dark Cacao Cookie, don’t mention it. Let us do our absolute best for the cookies!”

————————————————————————

Under the intense, near-intolerable heat of the desert sun, two cookies traverse the sands bearing wide smiles of determination. Both hold their own greedy ambitions, yet aren’t driven apart by each other’s desires.

“Hah, you know, I’m still amazed as to why you’re traveling with me to the old ruins. I was wandering the desert to find this marvelous treasure, but you just want to look at them, document them, and that’s it! Why go through such risks if all you want to do is go sight seeing?”

“Hehe, well I guess you could say that’s the treasure I’m hunting for. To see all the wonders of Earthbread, its beauties in its dangers, the uniqueness of every continent, I want to capture all of it and learn everything about it! Plus, it’s super fun to meet all kinds of desserts along the way, especially one as dynamic as you!”

“So interesting, you almost make me want to share the treasure I find with you; almost, of course.”

“I don’t blame you, heh. You wandered all this way for it, it’s only fair that it all belongs to you.”

“Right? I would’ve heard if someone on Earthbread had laid their hands on it first. But then again…I want to show my gratitude for your help. This journey would’ve been boring and perhaps fruitless if not for you; what is your name?”

“Y/N Cookie, a pleasure!”

“Y/N Cookie, I am Golden Cheese Cookie. I shall never forget all you’ve done for me! Your greed for the world is something to admire for eons; nearly as great as my greed for my treasure. You and I together shall be legendary!”

————————————————————————

Somewhere, in a secluded area relatively distant from the nearest cookie civilization, a lone cookie was weeping as she was suffering from a nightmare. A passerby cookie heard her cries, and wanted to know what troubled her so…

“E-Excuse me, hello? Are you okay ma’am?”

“I’m sorry…I’m sorry…I… Oh…it was that same dream again. I’m sorry, I didn’t know another cookie was here…”

“No no, it’s alright, you didn’t bother me. I was just traveling by, venturing out to find some incredible things about Earthbread!”

“You were…traveling? Just freely and…eagerly going about across Earthbread alone? …..why?”

“Ehehe, I suppose why not? There’s so many incredible marvels about this world that I wanna see and experience for myself! There’s just so many things and secrets that I want to know about, how could I not be eager to see it all, ahaha!”

“….s-so carefree and curious…they’re just—“

“Hmm, you say something?”

“N-no, I was just muttering to myself…”

“….Hey, you hungry?”

“What? How’d you…—“

“You have crumbs falling from your hands, how long have you been without something to eat?”

“I…I do not know. I suppose it’s been a while since I’ve eaten something. Maybe I’m getting too lost in my thoughts…”

You pulled out a lot of food from your bags and laid it out in front of the cookie.

“T-that’s so much food! Shouldn’t you keep some for yourself if you’re traveling?”

“I got plenty more, don’t you worry. But if you were here resting from traveling, then it looks like you weren’t fully prepared. Is there any reason why you’re traveling out here?”

“Yes…I want to know the truth.”

“….the truth about, what?”

“Why were we, the cookies, created? Why were we brought into this world? Why were we created so small and fragile? If only all cookies were born strong, unbreakable. If only then…I…”

“Shhh, calm down, alright? Take a break for now, eat up. You can tell me more when we’re back out on the road.”

“I-we?! What do you mean, ‘we?’ I’d get in your way with whatever it is you’re after.”

“I’m not after anything in particular, remember? I wanna traverse and see all of Earthbread, and from the sounds of what answers you’re after, it seems like we may be going down similar paths.”

“….Perhaps you’re right. Okay then, I’ll go with you, to find the answers I’m seeking. …Who are you, exactly…?”

“I’m Y/N Cookie!”

“I’m White Lily Cookie. I’m…thankful for you, Y/N Cookie. I never thought I’d have anyone to help me with this, I figured I’d just burden someone else with my struggles…”

“Don’t mention it, I’m perfectly fine with it! No one should really be alone for a long journey; especially for the one you want to take. I’m more than happy to go with you, White Lily Cookie.”

“Thank you, Y/N Cookie…I will never forget your kindness.”

[drdemonprince]

Thanks for talking about child sexual abuse and child sexuality. I have some clear and many hazy memories of abuse as a child. I was also sexually active at the age of 7 or 8. By that I mean my friend and I engaged in sexual activity on a regular basis. I believe she was being abused by her dad although she never told me that it was something I always had a sense of even that young. Anyway we didn’t feel that what we were doing was wrong as such, but there was one time in particular that my big brother almost caught us and I was terrified he would tell my parents. But aside from other people knowing we had no shame around it and how we felt about it and I’ve always felt kinda neutral looking back on it. But I have always been curious as to how that began and why. I don’t remember the details of how two 7 year old girls decided to get into bed together or what other conversations we had. But it did feel completely natural and fine at the time. It wasn’t until I was much older I started to realize that other kids that age weren’t into those same things. I first had sex with a boy at 13. I was a super slutty teen. Had the reputation around that. Didn’t have shame around that either. Was actually kinda proud of it. But I do think I equated sex with my worth as a human and thats probably tied to what I was taught as a child. That has been something that’s kinda haunted me my whole life.

Anyway I don’t know how this tracks with what you’re saying but it’s nice to be able to say these things somewhere and not feel like a freak. Being abused is one thing to deal with. Having sex at such a young age is more of a taboo and something no one talks about.

Thank you for sharing, Anon. It sounds like you and your friend were able to have positive, exploratory experiences together that offered a hell of a lot more safety and agency to her than the abuse going on in her life. There's absolutely nothing wrong with that, the only issue is the societal stigma surrounding it.

And beyond that, some kids are just sexual earlier than others. I have a cis, straight female acquaintance who used to gather around all the neighborhood boys and "play married" (as she called it) by asking them to let her suck their dicks. She has no clue where she got the idea, but it was all completely initiated by her and she has no negative feelings about having done it.

It might be *weird* to hear about, but if anything I wish that more women's first sexual debuts were that harmless, playful, and pleasant as that seems to have been for her.

Of course, there's an entire cultural backdrop that makes sexual exploration far more fraught and outright dangerous for children, and some kids' motives for exploring sexuality are patriarchal values, insecurity, and abuse, and that complicates things. But shaming children or treating them as defective for having interest in this massive aspect of human life does nothing to benefit them. We seem to be very very far culturally from being able to speak about this candidly, farther away from it than perhaps we've ever been in my lifetime anyway.

[felixcloud6288]

Dungeon Meshi Chapter 61

It's back to those two guys.

Before this, the only hint to what Kabru's life under his foster mother was a single panel in chapter 55 showing him being a bit annoyed at her hugging him. He commented that things will get tiresome if he has to ask for her help.

Honestly, it's always difficult for a parent to realize their children are growing up. It's probably even harder for elves since their children grow much slower. So an elf raising a non-elf would probably struggle to realize how quickly their kid is growing. It's probably a similar vibe to having a dog all their life and still thinking of them as a baby even when they're old.

This shot made sure you noticed all the scars on her arms.

Over the entire page this panel is in, her arms became more visible as Kabru kept talking about wanting to go into the dungeons and asking her to train him to fight.

Even if she is strong, she didn't walk out of dungeons unharmed. No matter how strong you are, death is always a possibility when it comes to the dungeons.

I almost feel like she trained Kabru wrong on purpose. As I've pointed out before, Kabru's fighting style is better suited to assassination than monster hunting. And the only glimpse we see of his training was him fighting her and her dolls. She wanted to make him give up on swordsmanship. But if that failed, not giving him the skills needed to actually explore a dungeon might discourage him as well.

Mithrun is pragmatic. Even if he might have any negative feelings about what Kabru pulled, it's not like he can get through the dungeon alone, especially since they ended up all the way down the sixth floor.

I do have to question how they ended up in the sixth floor specifically. I can understand ending up all the way down to the fifth floor since the subterranean graveyard stretches wider than the second through fourth floors, but the sixth floor is entirely underground.

The fall was entirely due to Thistle's magic, so he probably just erased everything directly below the area that collapsed, leaving an opening to the sixth floor.

Kabru confirmed a few things about the Canaries. The ear notches indicate the criminals in the group. Meanwhile Pattadol and Mithrun are nobles in charge of them. Do only guards have those fairy companions?

Kabru's notes on Mithrun mention black eyes are rare for an elf. Since his eyes seem to change color when he strongly emotes, there's probably something to that.

And of course Kabru doesn't find Mithrun interesting. Mithrun has no personality to speak of.

Got excited to see another shapeshifter. I really wish we got more recurring monsters throughout this series. Most of them just appear for one chapter, get eaten, and then never appear again.

And shapeshifter is its actual name since Mithrun called it that. When Laios's team encountered it, "shapeshifter" seemed to be a generic term for monsters like certain types of slime, succubi, or magic mirrors that use mimicry or illusions to infiltrate a group.

Mithrun has totally used his teammates as projectiles in the past.

While the fake Mithrun might look and behave exactly like the real one, there's no way it has the same information the real one has. When Laios's party encountered the shapeshifter, only the real Laios could explain what was happening. And the party identified his fakes because they couldn't chime in at all.

Since Kabru didn't know what a shapeshifter was, I'm inclined to believe the Mithrun on the right is the real one. He led the discussion on shapeshifters, and Kabru could have filled in the blanks allowing the left Mithrun to say what he said.

The Mithrun who suggested they leave to dispel the illusion, the one who contacted the canaries, and the one who was generally in the forefront of each group shot is also likely the real one.

Meanwhile, I can't tell for the life of me which one is the real Kabru.

This will be fun to see animated. I think the fairy switched between Fleki, Otta, and the guy who turns into a wolf. Fleki's name got dropped in the conversation.

Mithrun couldn't tell which Kabru was the real one.

Despite being a guard and (presumably) being second-in-command, Pattadol does not get much respect in the group. Cithis seems to be the real second-in-command.

Cithis said it will take about a week before they can come for the captain. On Laios's side, seven or eight days have passed since he parted ways with Kabru. So the Canaries likely are already deep in the dungeon when the Winged Lion warned Laios about them last chapter.

Love seeing how much psychic damage Laios has caused Kabru. This looks like the poster of a cheap B horror movie from the 1950s.

Haven't seen anything this poor in nutrition since Falin's skeleton.

Kabru is trying so hard to cozy up to someone who doesn't care at all.

He's treating Mithrun the same way his foster mother treated him at the start of the chapter.

Kabru is manipulative and always tries to see through people to figure out who they really are underneath. Ironically, Laios has given him an entirely wrong impression by just acting like himself and willingly sharing his bizarre interests.

From a physics perspective, this works and makes sense and I kind of hate that it does.

Since things like momentum and velocity are kept when teleporting, a falling object that is teleported in place but flipped upside-down would still keep its relative velocity. This would probably make for an interesting physics problem. "An object falling at terminal velocity is suddenly teleported upside-down causing its velocity to now go upward. How many seconds will the object move upward and how long does it take for it to return to falling at the same speed before it was teleported?"

Kabru and Mithrun have apparently found the Touden party's lost gear before they did. So they're only several hours ahead of the party at this point. I bet the shapeshifter from earlier is the same one Laios's party encounters.

The dungeon will provide various necessities when anyone in it wishes for them. Mithrun said to not wish often though. The dungeon is feeding off desires so it probably becomes stronger every time someone looks for a place to rest.

Big bombshell reveal.

So Mithrun probably was trying to be sympathetic to Thistle during their fight. Mithrun was also a dungeon lord and he may have been trying to convince Thistle to give up his title before whatever happened to Mithrun and his unit happens to Thistle.

Mithrun is stoic and unemotive, so him making these faces and these dramatic gestures while talking about being a dungeon lord means whatever happened was serious.

back

[tranakin-skywalker]

Not enough about the clones being children and adults at the same time. They're 10 years old. They're fully grown. They're still little kids. They never got to have a childhood at all. They're terrifying soldiers. They hardly know anything about the galaxy except how to fight and how to take orders.

I want clones that have this childish wonder at the world, but being terrified to show it. Clones with the sense of humor of 10 year old boys. Clones who don't really understand what death is, not really. Not until they're on a battlefield and dying in droves.

[jesuis-assez]

Tim unconsciously sending/showing signals of his feelings for Lucy

[madbard]

I love shipping characters who hate each other in canon.

I love shipping characters who have had exactly one (1) conversation in canon.

I love shipping characters who have never met in canon.

I love shipping characters from different pieces of media.

It starts off silly. The notion of the pairing is so weird, so unexpected and seemingly dumb that it makes me laugh a little, perk up, look into it and see if this is really a thing.

And then it becomes a joke. Haha, look at this ship I’m shipping ironically, isn’t it silly, it would obviously never work out in canon but I’m looking at it and producing content for it anyway because it’s fun.

But as time goes on, it starts filling my feed. I start thinking about it - really thinking about it. Why did someone put these characters together in the first place? How would they really interact? How did they end up together, and why would they stay together?

What started out as a joke becomes a diving-off point, an opportunity to really think about both characters. The dynamic isn’t canon, so it’s yours to shape. The dynamic isn’t canon, so now you must delve into each character on your own, figure out how you perceive and understand both of them, learn to see them in a different light. What started out as a joke encourages you to dig deeper, think harder, fall even more in love with those characters as you consider the potentials which lie outside of canon, but which ultimately trace their roots through the core of the characters themselves.

Because by their very nature, crackships and rarepairs are not based on plot, and they are not based on canon. They are so seemingly random and odd that they disrupt your typical view of these characters, making you think more deeply about them. The non-canon ships you embrace or reject can inform your perception of these characters on a deep level. They can make you cry just as easily as they make you laugh. They add so much flavor.

And they can also be really, really funny.

[horrorknife]

common ground

part 2

[polterhaze]

Jimmy and Curly from mouthwashing are unironically such important comfort characters to me as crazy as it sounds. Their human portrayal does insane things to my brain as someone struggling with severe mental health issues and trauma.

I see different ugly/scary parts of myself in both of them. Stuff from my intrusive thoughts that scares me, the way system fails mentally ill, and such. So yeah, these two and their narrative regarding mental health and accountability matters a lot to me.

Also some of you are ableist as fuck in the ways you talk about Jimmy lmao. We can absolutely talk about his wrongs and the evil he has done without punching down people that hallucinate, are delusional or suffer from personality disorders.

EDIT: adding my tags because I am deathly afraid of being misunderstood

[sanasanakun]

I get why JimCurly is popular cause hot yaoi and Jimmy is the MC but it's annoying how Curlya gets villainized as some ungodly immoral ship when JimCurly is far worse in terms of morality. In my opinion, Anya and Curly have the most interesting connection/relationship in the story. There's so much potential for depth, angst, understanding, resentment (on both sides), healing, etc. between them. Easily my favorite duo in the game to study with my microscope lol

[mothmvn]

more cisgender women should be looking at cisgender boys' puberty as a menopause preview, honestly. i find that cis men treat menopause with more pause, ironically, because they recognise the emotional/physical rollercoaster - gee, your body is suddenly sweating absolute buckets and smelling way outside of your control? you feel gross, you keep growing patchy hairs in new itchy places, and summers have suddenly become unbearable? woof, been there done that, let's get you an ice pack and some gatorade buddy, i mean mom

until menopause hits them, cis women (among others) can sometimes treat male puberty as a gross horror that they are forced to mitigate the consequences of - ugh, men with their hair and their smelliness that they can't keep sanitised, it's a concession to live with them, it's a chore to share space with them. you know it's not just a Boy Hormone, right? this exact same testosterone will jump you in a dark alley 30 years from now, you can accept it before then or keep treating it like an enemy latched onto those around you

[littleghostblogs]

Playing Fallout 1 and noticing Necropolis disappear from the caravans is just. So perfect.

The game brings no attention to it. No one mentions it. The caravans just don’t go there anymore. It makes you wonder what happened, you solved all their problems already, right?

So now you have a reason to go back there, cause otherwise there’s really no reason too. And when you do, everyone is gone. There’s no more ghouls, just super mutants. They invaded, and there’s nothing you can do to stop them. Once you hit that date, the city is gone.

It’s frankly a brilliant moment of subtle storytelling and even though I already knew about Necropolis’ fate it still motivated me to go back, just to make sure.

I wonder how many people discovered it this way? I can only imagine just how effective this reveal is for someone actually playing the game blind.