#i just hate the narrative online

[pickapea]

my absolutely biggest online pet peeve is US centric people projecting their rich sorority girl bully stereotype of nurses onto everyone else, as if nurses aren't working class and mostly immigrants of colour everywhere else. and when did it become cool to hate on underpaid and exploited workers anyway

[brujahinaskirt]

arthur is rude to that one sex worker because the guys are fucking around as they oughtn't be and he actively wants the source of their distraction to go away. that is how he operates through the entire game: deliberate, utilitarian intimidation and strategic unpleasantness to achieve a goal. it is an early game commentary on arthur meant to position him as a big dog that barks. it is not a commentary on his views about women which are clarified many times afterward. you guys realize that right

[broodygaming]

Often I think people need to separate above table stuff and in game stuff, but here I think the opposite needs to happen.

I don't think the narrative is "Fearne NEEDS to do this" it's more "hey Ashley you're allowed to take cool stuff and take risks and it'll be okay."

Like, we all know Travis is gonna pick up the talking sword and wanna keep it, even though it's a risk, right? Why. Why do we know this about him? Think about it. He's always willing to do the risky option. Take the least tred path, because it's THERE and he trusts the story to catch him on the other side.

Ashley from day 1 being on the show, even her telling the story of that first fateful birthday party, she's TALKED about feeling insecure, not wanting to pull focus, wanting to sit back and watch the others play.

For so long, this is great, everyone just wants her to be included. (This isn't me, like, reading into this btw, these are their literal words.) People online would complain about how "wow Yasha was actually here for a full ep and she barely spoke". She's talked so much about how she often just wants to watch what's happening.

Enter Fearne, Ash is here for every single episode. She's chaotic, she's in the moment. She wants to push all the red buttons.

But does she? Does she actually push a lot of red buttons? She steals stuff, sure. But she still has this "I dunno I don't wanna be disruptive" aspect to her, her being Ashley, not Fearne.

This isn't just about "Fearne does or does not want the shard". To me, it seems it's more about telling ASHLEY, hey, you're allowed to take the big magic item. It's okay. You have it. You be in the spotlight. You get the power up. PUSH THE RED BUTTON DO IITTTTTT THE STORY WILL CATCH YOU ON THE OTHER SIDE. It's less about Fearne trusting herself and more about Ashley trusting her castmates.

Again. Don't be weird. This isn't like, reading into anything that deep haha. C'mon. Like Matt literally told her in a 4SD you gotta take risks and do the scary thing and trust it'll be okay sometimes. That's the game.

[thefirstknife]

I don’t understand people who are upset we don’t have all the answers about the Veil right now because quite frankly I thought that was the point? Like if we had all the answers then we get to the issue (that a lot of these same people had) where the seasons feel disconnected and like little actually matter until the last one before the expansion. They didn’t give us everything probably because we’re supposed to discover the answers as the year goes on before we chase the Witness through whatever portal it made. Bungie is doing what they wanted and yet people still complain

Yep, pretty much. They also did explicitly say in the latest TWAB that yes, the story will continue throughout the year. Some people took that as Bungie "having to tell us that there's more story because of how shit their writing is" but what I saw was community managers trying to politely explain to tens of thousands of raging players that the story isn't over. It felt almost passive aggressive to me given that this is exactly what players wanted:

We know there are still plenty of questions left unanswered at the end of Lightfall’s Campaign that you’re all eagerly awaiting answers to. As the events of Season of Defiance get into full swing this week, know that this is just the beginning of the next year of storytelling that will connect the events of Lightfall and The Final Shape. We can’t wait for the community to learn more about The Witness’s origins, its objective, and the ways we can thwart it and its disciples throughout Season of the Deep, as well as Seasons 22 and 23 later this year.

You made a great point about that. People asked that seasons become more meaningful. I remember that initially seasons were kinda all over the place and not really connected into a full story. Like, there were very few connecting points between Undying-Dawn-Worthy-Arrivals. Nothing that couldn't be summarised in 2 sentences. Even less if you look at Black Armory-Drifter-Opulence seasons from Y2.

On one hand, it meant that you could skip any and not lose much. But on the other hand, those that weren't skipping complained that the seasons aren't very well connected between each other and the main campaign of the year. This was a serious enough complaint that it became the reason for more connected seasons and also a reason to let seasons last the whole year, as detailed in a TWAB from April 2020:

We have been making progress carrying the overarching narrative Season over Season in Destiny 2. Saint-14 and Osiris led to the Warmind which leads to… [REDACTED]

It’s not perfect yet. The bridges between Seasons can definitely be improved, and we could do a better job of recognizing prior Seasons’ narrative threads in the active Season. 

In Year 4, we are going to build a better interconnected narrative and, more importantly, let players be a part of that narrative no matter when they enter the current year.

I'm putting this here because people have notoriously bad memory, but we have tangible proof of people asking Bungie for seasons that have more meaningful and interconnected narrative. Bungie listened, but that also meant that skipping a season became harder if you wanted to stay in the loop. Obviously you can watch a playthrough online, but you know. But clearly the majority wanted seasons to be meaningful and were happy when Bungie listened.

And now suddenly we don't want the story to continue during the year? I understand the FOMO complaints and monetary complaints. If you buy an expansion, you want to NOT feel forced into buying all seasons for it in order to experience the full story. It's just strange to me that we are dropping that issue at Lightfall when BL and WQ were the same. A lot will say that they liked it before, but now just got tired of the same thing over and over, but what exactly is that thing? A good and connected narrative that links expansions and seasons? Do we now want a break year where seasonal stories are irrelevant and nothing meaningful happens?

Obviously, connected seasons benefit Bungie. I am aware that connecting the narrative like this means more people will feel compelled to buy the seasons. But if they're already making contect they want us to buy, then people want their purchase to mean something instead of getting content they easily could've skipped. It's kind of an impossible conundrum? We want the seasons to be good and narrative rich and meaningful, but we also want the seasons to be easy to skip and not necessary to play. That's kinda contradictory.

I genuinely don't know what is the solution and I welcome discussion about it. I just find most of the discussions about this kind of stuff to be very strange. Like, in most cases it just boils down to a contradiction of wanting the story to feel worth investing yourself into, but also easy to sit out. Those two things just can't both be true at once.

[snekdood]

Quite honestly, i think people just dont like to acknowledge how many times i have been victimized bc it doesnt work for their narrative of the Scary Bad Trans Guy With No Regard For Others And Likes To Kick Puppies And Doesnt Know Real Pain Or Trauma

[bitchy-peachy]

Was watching a shitty leftist tiktok rant and when her stupid ass started with popular disinformation, I noped out. Eff off with that.

Putting Trump's bs on Biden is pretty dumb when we can search up your lying nonsense to debunk it.

[selfchiller]

I should just suck it up and write some fanfic but I am so scared

[buggachat]

honestly what I love about miraculous and what I think a lot of people seem to hate about it is that the show is completely character-driven. it absolutely follows the rule of "would" rather than "should". episodes and plot lines and everything make so much sense and are so easy and engaging to follow when you understand that everything happening is because that's what the characters would do. things like: marinette would lie to protect someone's feelings, chloe would need more than just being queen bee to change her, adrien would forgive someone and try to see the best in someone who has shown him nothing but red flags. these aren't things they should do, it's just what they would. they don't change their behavior to tie up every loose end, they aren't vessels to give the audience moral lessons, their interpersonal conflicts are sometimes never addressed head-on and instead remain as a constant noise in the background of their relationship, they are all so stubborn and complicated. the plot bends to them, not the other way around. i see all the time people complaining about how the show is so bad/a failure but in the same breath say that they love the characters, as if the show's primarily goal is not to create and facilitate those same compelling characters that you love and let you watch as the story unfurls around them.

i mean, it's completely fine if you hate it. it's fine if you'd prefer every loose end to be tied, if you prefer the plot and story to take center stage, if you don't like it when a plotline seems to be forming but the characters decide against it, etc. it's a narrative choice, and not a "good" or a "bad" choice, just a choice. we all have our preferences. but your hatred of it is not any more "objective" than someone else's love for it. sometimes being a character-driven-story lover is difficult when online media criticism seems to always see it as a bug and not a feature.

[new-moon-3]

(not trying to go against anyone here, just a little note of a thought I had while reading this!/gen)

As a person who studies sociology, I cant really call my practice a religion personally because 1 it doesn't feel right nor accurate, maybe its bc of the christian propaganda around literally everywhere, maybe not, and 2 because from this discipline's perspective, religion is more of a social concept, an agent of unification between members of a community, society, etc. This is why so many actual religions and practices were colonized along with the people, lands and cultures, and why there are like only 3 or maybe 4 worldwide spread along with different interpretations, etc, and having christianity as one of the most well-known even when you don't even care for it at all (for example when horror movies constantly use this one) -this is globalization's work, basically.

So now we have the question, can a minority's belief be considered a religion? Im talking about minority in the way that is not concentrated in one space, in one countable way like others do, or doesn't have a current culture following it. What about when multiple people form their own communities but online, does that make them suddenly a "real" religion? Do we need institutions to have religions or use that term in the first place? What about ppl who practice alone, secretly?

Do We "Work With" the Gods?

Lately I've been seeing #witchblr posts in my feed more often. Honestly, it’s incredibly exhausting to see witchcraft treated as synonymous with pagan/polytheist/non-Christian practices when it isn’t. Worship is not witchcraft and witchcraft is not worship. Wicca is it’s own belief system, and it deserves to be respected as such.

Worship of the Theoi isn’t witchcraft—it’s prayer, devotion, faith. Sure, a spell can be an act of prayer and worship, but that doesn’t mean prayer and worship of the gods is witchcraft too.

It’s just frustrating to see how prevalent neopagan/Wiccan concepts and ideas are in the pagan/polytheist community. It breaks my heart to see young polytheists afraid to pray or give offerings because they’ve been convinced that “deity work” or “working with” a god is dangerous, difficult, or required to even approach the gods.

The Theoi are present and real. We can and should ask them for help, and build kharis with them. Building a devotional relationship with the gods does require work, but that doesn't mean we are "working with" the gods in the same manner as witchcraft practitioners, nor do we have to.

Religion is not a dirty word. Faith and prayer are not exclusive to Christianity or Abrahamic faiths. We do not have to practice witchcraft to be valid pagans or approach the gods. Worship of the gods is open to all. The Theoi are with us; pray, and have faith they will listen.

[genderqueerdykes]

if you are a trans man or masc, masculine nonbinary, genderqueer, genderfluid or other gender non conforming identity, masc gay, a bear, a butch, stud, or boi, or other masculine queer person and don't feel welcome in any queer spaces, you're not alone.

the communities both irl and online have become EXTREMELY hostile toward mascs and men to the point of straight up excluding us and changing their wording to justify their violent exclusion. from renaming nonbinary spaces to "femme & them" and "she+" spaces, to telling men & mascs that they would "Scare" the women and "nonbinary" folks just by being there, as if masculinity and manhood are inherently traumatizing to be around.

masculine and male nonbinary folks have it so hard- most nonbinary spaces are almost definitely women's spaces who also conflate womanhood with nonbinaryhood, and often times just view nonbinary people as confused women. we are not inherently traumatizing to be around: masc enbies need places to go. we are still nonbinary and still trans and still queer for fucks' sake

nonbinary has never and will never mean femme or woman-adjacent inherently. nonbinary means what it means: people who don't or refuse to adhere to the gender binary, regardless of what side it is. masculinity is included in this, femininity is not the only way to be nonbinary.

masc queers do not have to bend over backwards to try to be more feminine and thus "less threatening" in order to have places to go. that's dysphoric and just inaccurate to a lot of queer folks' identity and presentation. it blows my mind because it makes no sense, anyway, even within the gay community, hypermasculinity has been present and even sought after by some people who find it very attractive, twunks, hunks, bears... but between the periods in queer history people started viewing masc gay leathermen and kinksters as the ones who were responsible for spreading AIDS and thus removing them from pride parades,

AND the lesbian separatism moment picking up to remove butches & male & masc lesbians from lesbian spaces identity, paving the way for modern rdical femniism, we've only entered a downhill landslide of hating men and mascs and ultimately trying to erase us from the queer community entirely.

the queer community is not the "women & femmes community". the queer experience is broad and vast, it includes a wide variety of masculine and male experiences, as well as genderfluid, multigender, completely ungendered and other gendered experiences. the lesbian, trans, bisexual, nonbinary, gay and general queer communities aren't the "safe place to hide from men & mascs community" like estranged rdfems and terfpilled trans folk like to tell you they are.

this is the QUEER community and it includes ALL forms of queerness, masc, femme, butch, male, neutral, bigender, neutral, and all. he/shes and he/hims and he/theys and he/its and so on are just as much of a part of this communities as she/hers and they/thems. you can't cast a blanket of "inherently abusive" over all men and mascs and one of "inherently abused/incapable of being abusive" over all women and femmes because that just traps you in a fantasy land that doesn't exist AND it prevents mascs and men from getting the help, resources and community they NEED.

men & mascs are hurt and abused by women & femmes every day and we refuse to speak about them because we live under a white cisheteronormal patriarchy and have complaints about how that functions. the complaints are legitimate but assuming that all men and mascs are oppressing all women and femmes and that women can never be oppressive is a false as hell narrative that actively damages people.

enough is enough. this mindset is hurting people. it's leaving masc and male queers to be estranged, harmed and even dead. i care about you if you're being affected by this mentality and these behaviors. you deserve community, safety, and a sense of belonging, you do belong, even if we struggle to form our own spaces due to unjust hatred. we will do our best to band together and keep each other safe. we must

[kick-a-long]

so being jewish, i know that antisemitism primary hurts jews. it's us. we live with the most threats from it.

but no one seems to notice how many terrorists, school shooters, bombers, hate groups, harassment campaigns, hate ideology: sexist, racist, homophobic, transphobic, xenophobic, fuck pretty much all of the worst brain worms you can get or be effected by: are powerfully charged, explained, accepted because of and linked through jew hatred.

the dyke march hates jews, but so do trad cath men's rights groups. black hebrew israelites hate jews, but so do flat earther, Qanon, and the KKK. so do incels. so do the anti israel leftist. both the far right and far left have vast theories about how jews are involved in world affairs. so do pretty much any color or creed of goyim that has fallen down the rabbit hole into la la land where violence becomes a political solution.

all the big hate group networks use jews as a uniting big tent to find common ground to work together. no joke. brown and black christian nationalist and islamist pro terrorist speakers are routinely used by white supremesists online and at in person conferences.

no one seems to acknowledge that the jew hate is the core principal behind conspiracy narratives globally and that conspiracy narratives are the destabilizing force that lets a person go from "i want to change the world for the better!" into "things can only get better by mass violence!"

and everyone kinda ... ignores it. not even that it's a warning sign but like... that it's pretty critical to convince someone that they need to cause mass death? i just feel so crazy sometimes.

i'm not even just worried for jews, i'm trying to warn goyim that antisemitism is why schools and concerts aren't safe FOR THEM, and it's like... crickets. no idea.

[kittymizuki]

still in disbelief about how mizu5 genuinely captures the subtleties of transmisogyny so accurately like nothing else i've seen before especially with the nuances with which mizuki's story is told … all it takes is a single sentence, a few words … i love that the classmates saying that shit don't even … realize how cruel they are, bc that's how it /is/ and bc "oh no, we said something weird to a Normal Girl, that makes us look bad" - transmisogyny is just a punchline to a joke for them, that's how detached they are from their own cruelty and it's really not any different from the 'average' misogyny and how that tends to be a joke amongst boys. what ena ended up being exposed to is really just the classmates' 'boy's locker room talk' leaking out, so to speak? ena's probably heard jokes from people about how unfeminine her behavior is in the past and she quickly spits out "that's not funny" bc ena and mizuki are both "pretty girls" who like fashion and dolling themselves up, and hearing them talk about how mizuki's cute in this way … i'm sure it reminds her of her own experiences with being an 'influencer' - people like her when she shuts up and makes herself cute and appealing and ena must've absolutely received her fair share of comments and messages from weirdos for posting selfies of herself online, but i think what drives this home to me as such a fantastic narrative is the way that they call mizuki "attractive as long as she's not making any trouble and being a pain" bc it really speaks to how trans girls are objectified and only deemed 'acceptable' as long as they make themselves into limpless dolls who are acceptable targets for any form of abuse and misogyny instead of trying to claim their own subjectivity as women, so there's so much crossover in how mizuki's experiences work alongside ena's? but also mizuki faces so much more constant and direct criticism, all her actions and choices so closely under scrutiny.

mizuki loves and appreciates the attention of girls and when she first met ena she saw herself in the art that ena made - ena draws a girl in pain and mizuki goes "she's me". in the scene where mizuki gets outed, ena is speechless not bc she thinks mizuki is "gross" or bc she's mad mizuki "tricked" her? she's just horrified that she just got degendered /by association/ and then had to listen to these boys speak about the girl she's in love with in this /aggressively/ violent way, especially since mizuki has a meltdown, knowing, apologizing for hurting, even as ena would absolutely say "no, i'm sorry, im sorry, please don't hate vourself" bc mizuki feels like she's the one at fault for feeling like ena would assume the worst of her, but mizuki also feels like she doesn't have the right to be angry at people … this is the first time we get to see mizuki's rage and it's so palpable … i love so much that she hates the idea of niigo's kindness being born out of her 'abnormality' as a trans girl … she hates everything about this. she hates the idea of coming out, she hates the idea of having a question attached to her girlhood..

mizuki logically knows that niigo are going to accept her bc they've also gone through so much turmoil themselves and understand what it's like to be on the fringes of society, but she still can't shake off all those intrusive thoughts about how they might only accept her out of pity or consideration bc they feel too bad for her rather than a genuine understanding and the idea that things might change between them bc of that is too terrifying to embrace… such patronizing 'kindness' burns too much for mizuki to accept, so she'd rather run away and shut herself out completely… for mizuki it's like being stuck on a bridge where the only two ways out are ones where nothing changes and this hurts in its own way bc she can't tell how much of it would be genuine and how much would be an act and the other way is them /trying too hard/ to be considerate and this can easily become alienating bc mizuki truly just wants to be "one of the girls" in the most natural sense? she doesn't want to be made to feel like she's being accommodated, but there's also all the guilt that she's been internalizing for being "deceptive" and not saying the truth sooner that further complicates things and makes her feel like she's undeserving of any kindness that she may be offered… even though she genuinely was going to tell ena the truth herself, it doesn't matter anymore bc someone else told her before she even got the chance to do so herself and that's something she actually wished would happen in the past, so is there anyone to blame but herself? mizuki's entire thing is that until now she's been "writing" a fictionalized cis girl version of herself when she's with niigo and obscuring her own transness bc she doesn't want to be treated as an Other or have an asterisk attached to her girlhood bc she just wants to be treated as one of them instead of having to explain herself or prove anything but she has her facade violently stripped away from her in the most traumatic way imaginable and now she's entrapped within dysphoria induced suicidal ideation...

[nachobsns]

Hello - I was impressed and extremely relieved by what you wrote in the post about the cult mentality of the Left RE Israel and accusations of genocide. You mentioned that you bought into the mindset until recently. If it's all right for me to ask, what was it that helped you break out of it? (Please feel free to delete/ignore if you'd rather not answer!)

thank you!! and no worries about asking— i think i put something in my pinned post about how people are welcome to send asks about this stuff, although my story isn’t super interesting. i fell down the typical online rabbithole, a couple weeks after october 7; i knew what had happened, at least vaguely, but the posts trickling onto my dash were all about the (undeniably tragic) loss of life in gaza, with little to no acknowledgment of the hamas atrocities that had started the war, so my narrative was pretty one-sided from the beginning. it just continued to snowball as the months went on and people became more radicalized, calling into question the reality of the 10/7 attacks and the humanity of all israelis. i never went all the way down the pipeline to full-on endorsing hamas or justifying their attacks, at least on a personal level, thank god, but i would reblog other people’s posts referring to hamas as a “resistance movement” and calls to boycott starbucks and mcdonald’s and condemnation of the “zionist media” etc etc etc. what pulled me out of it wasn’t any one thing— if someone had directly called me on my flawed logic and antisemitic biases while i was in this mindset, i doubt it would have done much, just reinforced my belief that i was on the “right side of history” and zionists were aggressors who couldn’t be reasoned with. it was mostly just passive observance and a slow exposure to other perspectives. i’m pretty sure the first post that led me to question my thinking was an ask on jewish-vents, which popped up on my dash in like, late july. this led me down another rabbithole, first scouring every single post on jewish-vents, then moving on to more popular jewish blogs that i had seen on “zionist blocklists” (applesauce42069, xclowniex, and spacelazarwolf were probably some of the blogs that influenced me the most, though i told myself i was just hate-scrolling at first, lol). i felt incredibly guilty seeing all the harm the movement i was a part of had caused to random jews and israelis just trying to live their lives and i realized how it went against everything i believed about how minority groups should be treated. from there, the aspect of actually undoing my thinking and changing my behavior for the better still took several weeks. denial of jewish indigenity to the levant in the face of tantamount archeological and cultural evidence was the first to go, as well as any ambiguity in my feelings about hamas. after that, it’s mostly been a slow process of redefining the idf’s actions from a “genocide” to a “war.” i still believe that what’s happening in gaza is unconscionable and horrific, and that too many innocent civilians have died, but i also understand how difficult it is to fight against a terrorist group that systematically embeds itself in civilian populations, and that the ratio of militant to civilian deaths is incredibly low compared to most urban warfare. i quietly deleted my old blog in early august— if i had directly engaged in harassment against jews, i likely would have kept it to make amends to the harmed parties and put a face to my actions, but as was, i had just contributed to the larger atmosphere of antisemitism on this site, and i felt uncomfortable knowing that i had a blog full of sentiments that no longer matched my values and beliefs. i decided i would be better if i took my endorsement out of the equation entirely, because when you’re looking through the notes of a post, it obviously doesn’t matter if someone who’s reblogged it no longer agrees with what was said— their notes still count as tacit approval, and i did not want approval of this “activism” attached to my online presence. i still have unwanted kneejerk reactions that crop up sometimes, particularly around the fundraiser posts from people “in gaza”; even though i know logically that they have all the markers of scams, there is still a part of me that really wants to believe i could help.

[graysoncritic]

A (Negative) Analysis of Tom Taylor's Nightwing Run - Introduction

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

I want to start this essay by admitting I’m actually embarrassed by its length. Why did I spend so much time on something I dislike? The truth is, I did not begin this with the intention of creating such an extensive, formal study of the Tom Taylor and Bruno Redondo’s Nightwing run and how it reflects the wider problems with DC’s handling of one of their most iconic characters. I was just trying to organize the thoughts that came up during discussions with other Dick Grayson fans. Before I knew it, I had enough material, enough desire to challenge myself, and enough frustrations to vent to properly create this monstrosity.

I did not begin this Nightwing run determined to hate it. In fact, I was ready to love it. As Taylor promoted the run before the first issue was officially released, I was so excited for it. As I read short interviews where he discussed Heartless, I could not wait to have a new, incredible villain. Foolishly, I believed Taylor when he said he loved Dick Grayson. 

Needless to say, I was disappointed. Then frustrated. Then angry. The beginning of any story is a period where writer and reader form an indirect bond, and as the story progresses, so do the highs and the lows of said relationship. As such, a reader’s tolerance for negative factors will either increase or decrease depending on their experience up until that point.

In other words, if the writer fails to earn the reader’s trust and instead takes their attention for granted, even seemingly insignificant details become irritating in a way they would not be if presented in a better story. In such scenarios, the reader can no longer overlook those minor moments because there’s little good to balance them out with. It is a death by a thousand cuts. 

In the case of Taylor and Redondo’s run, along with those thousand cuts are also broken bones, internal bleeding, head trauma, and severed limbs. A weak plot, simplistic morality that undermines the story’s stated themes, and, most importantly, a careless disregard for Dick Grayson and everything he stands for utterly destroyed my enjoyment of this series. 

It is still too early to tell what sort of impact Taylor’s (as of time of writing, still unfinished) run will have on Dick Grayson’s future portrayals. But just because we cannot predict its long term significance, it does not mean we cannot critique it. Currently, we simply lack the benefit of hindsight. 

If this essay were to have a thesis, then it is this: Tom Taylor and Bruno Redondo’s Nightwing not only fails to tell a compelling Nightwing story, but it also exemplifies a cynical, self-serving, and shallow approach to storytelling that prioritizes creating hollow viral moments to boost the creators’ own online popularity over crafting a good story, honoring the character in their care, and respecting his fans – fans who have, historically, often been women, queer folk, and other individuals who felt othered by a cisheteronormative patriarchal society. Taylor and Redondo’s thoughtless and superficial narrative not only undermine the socially progressive ideals they supposedly care for by propagating a cisheteronormative patriarchal worldview, but they also demonstrate a lack of love and understanding for the character in their care. At best, Taylor and Redondo have no interest in getting to know Dick Grayson, nor any respect for their predecessor and their contributions to this character. At worst, they despise Dick so much that they wish to reinvent him into something completely different, tossing away everything that was special to his fans in order to appeal to a readership that never cared about Dick Grayson. 

I structured this essay so that, hopefully, each part will build on the ones that came prior. Naturally, because all aspects of a story are interlaced, there will be overlaps between each of the sections. As it may have become obvious from this introduction, I’ll be focusing primarily on the writing of this run. That is not to say that I will not address the art, but writing is the field I know most about, and so it feels only fair to focus my critique on that. 

I hope that by the end of this essay, I will have successfully proved that this run’s mishandling of different narrative elements betray a cynical appropriation of progressive ideology and a disregard and disinterest in what makes Dick Grayson so special to so many people. This is an attitude that is present within DC Comics’ current ethos as a whole.

Now, who is this essay for? Honestly, it’s probably not for Tom Taylor fans. I do not believe I’ll be persuading anyone with my writing, and, to be quite honest, neither would I say I wish to do so. Taylor and Redondo’s run has won numerous awards and has many dedicated fans who adore it for what it is. If that is you, then I’m glad. I wish I could be among your numbers. I wish more than anything that I could love this story. But I do not, and I know many others agree with me, and it is to them, I think, that I’m speaking to. As Taylor’s run is praised to heaven and back, I needed a safe space to voice my thoughts. This essay became this safe space. And to others who also feel unseen by the constant praise this run is getting, I think this could speak to you, as well. To be cliche and cringe, this will hopefully let you know that you are not alone. 

Finally, I want to acknowledge some people whose thoughts greatly contributed to the creation of this essay. For around three years now I’ve been having wonderful interactions with other Dick Grayson’s fans, and those discussions were not only incredibly fun and cathartic, but also provided great insight into what needed to be included in this essay. My best friend especially gave me a space to vent when I got frustrated, and my original outline borrowed a lot from the messages I sent her, as well as notes I took for our discussions.  

I’ll also be directly quoting four different Dick Grayson fans (identified as Dick Grayson Fans A, B, and C in order to allow them to keep their anonymity). Their analyses were so critical to the formation of my thesis and for a lot of what will be addressed in this essay that I actually feel like they deserve co-credit in this essay. Dick Grayson Fan B especially deserves a shoutout in helping me track down a couple of pages used as supporting evidence, as I knew what pages I was looking for but was having a hard time remembering in which issue they were located. I’m quoting them with permission, and crediting their ideas and contributions whenever relevant. 

Now, without any further ado, let’s get started. 

[snekdood]

i feel like u shouldnt be allowed to say someone has an ideology if they dont even know wtf you're talking about

[biancadoes1]

FAVE ANON HERE 😏

It’s been a minute since I’ve submitted but after the vitriol I have seen on Twitter this weekend, I felt the need to speak…

First things first, all of us are brought here with one definitive common thread - we are all fans of Bridgerton. If we were not, we would probably not find ourselves in this fandom at all.

With that being said, if you’re on this blog you are probably a fan of both Nicola AND Luke. More than likely, you want them to be together romantically or believe they already are. And if you don’t want any of that, I don’t know why you’re here reading this posts. This is how you become a troll.

You are allowed to be a fan of one and not the other. This is not a dictatorship and no one is holding a gun to your heads. But this is the point where it is VITAL for me to remind you how many times Nic and Luke have a real love for each other and at the core are best friends. WHAT THIS MEANS IS you cannot call yourself a fan of one of them while simultaneously spreading hate and contempt and overall nastiness about the other one all over social media.

Now I have approached the topic of the RUMORED insignificant others. Did you know that there is no general rule of fandom that states if you are a fan of a character performer that you must also become a fan of any performers they may date now or in the future? WHAT THIS MEANS IS THAT no one is required to become Jake’s #1 fan just because the rumor mill wants to say Nic is dating him. Hell no one has to become his #1 fan if Nic herself came out and said she was dating him. Again, there is no need to speak with malice about his looks or his talent all over the internet but you do not have to be a fan. Same goes for the dancer who shall not be named (I know it’s a trigger for many around here). And if they act in deplorable ways - such as the dancer has displayed in the past - you are allowed to speak out on it while using decorum.

This is ultimately bringing me back to why I wrote this today. Tell me why I’m seeing tweets talking about how Jake is a more successful and more talented actor than Luke. Tweets saying Luke can’t act and how amazing Jake is. These tweets are from Bridgerton “fans”. These tweets are from Nicola “fans”. Based on everything I’ve written up until now, the math ain’t mathing on the word “fan”.

I’m not spreading hate to Jake. Fact of the matter, he’s a 24 year old kid almost fresh out of drama school. He has had one season of a failed show on a streaming network riddled with failed shows. He now has a small part in a movie that probably is not even recognized yet out of this fandom and extreme movie fans - if we’re being honest. Luke is 31 and is on his 4th season of one of Netflix’s top shows. He was the male lead last season and the season broke records. He was on a Disney channel show when he was younger. He was on multiple stage shows on the West End. He’s had many other roles in smaller projects and just picked up a lead role in a new film. While it is considered an independent film, it is a LEAD role.

With that evidence laid out, how can anyone actually say with their full chest that Jake is the better and more successful actor? Oh right they can’t. What it comes down to is the fact that the “Jakola shipping” movement is not based on anything more than being an Anti-Luke Newton movement and it is GROSS. No matter what they tell you, there was no “relationship” being universally talked about prior to late summer. On August 25 those festival pictures were released and some very twisted narcissistic people in this fandom took them and ran with them. They created a narrative to help dictate what and who people in this fandom are allowed to discuss online. They’ve bullied creators off of TikTok and Twitter and gaslight the hell out of everyone when called on it. A 24 year old gay man (OMG I SAID IT) is being bullied on the internet and the blame is fully being put on “Lukolas” when the truth is that no one would be paying any attention to him if this narrative wasn’t perpetuated in the first place. (Side note: if you’re sending hate to Jake on behalf of being a Lukola, please stop. Please treat him like you treat every other one of Nic’s male friends. No one should be getting hate.)

The majority of the hate and toxicity in this fandom stems with the Jakolas Jackholes and those who blindly follow and defend a certain creator. I’m not going to say her name because I know how much she gets off on people talking about her (even when it’s bad) AHAH. This is the shit that everyone else is afraid to say out loud but it’s true. And for those of you in that discord reading this to report back, hiiii!

Oh and if anyone has a problem with this and wants to call me out for being on Anon, let me know and I’ll DM you because I’m not afraid. I’m grownup.

Xx

Finally seeing people with common sense!

My fave anon pulls through yet again.

Everyone say thank you fave anon.