#i just genuinely miss this comic

[notsodailycake]

I miss HIWFI

Idk if there is anyone but my mutuals who miss the comic, but i do, alot

[poorly-drawn-mdzs]

I'm not going back to Gusu with you.

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[caramelldansenu]

[abbybubbls]

So I know very little about the IDW Sonic comics (and don't really plan on reading them) but have seen most of the characters being thrown around long enough where I have to pretend like I know about them when I know close to nothing about each of them... So I took em all and summarized my assumptions about them along with what I actually know, just because I thought it'd be fun! I can't wait to be wrong.

[wishchip106]

i’m slowly making my way through reign of x atm and its like the comics are just remembering they need to feed me or something every now and then

i need more of my favorite bald guy 😭

i can accept magneto every so often BUT ITS NOT ENOUGH EUGHH

[raiiny-bay]

redhead :-)

[luckylunatix]

Heyyyy sorry for being cringe but I drew Marvin in a maid dress... Just wanted to get a little silly and quirky and do that

(Put a little bit of a sci-fi twist on it cuz I love really leaning into the space angle whenever I draw him in some kind of outfit)

[kyouka-supremacy]

(╥﹏╥)

[agoddamnrayofsunshine]

It’s so interesting to me how the DC fandom right now is stuck in this weird time period which has never existed in the comics but seems to exist entirely within fanon. And it exists in an extremely substantial amount of fanon works even though it’s never been an established time period

Its like. Damian is robin, Dick is nightwing and Bruce is Batman, but Tim is still red robin. And even though he’s red robin he’s out as bi, which happened like ten years after his red robin run. And Babs is still oracle and she’s still in a wheelchair and no one is batgirl, but her and Dick are usually not dating even though they’re dating atm in the comics. And Jason exists in this nebulous state where he both is and isn’t an active criminal like some high stakes Schrodingers cat. Steph and Tim usually aren’t dating either. Alfred is somehow still alive, and almost no one in the fandom acknowledges that he’s dead in their fanwork

And Jon and Damian are friends, Jon hasn’t been aged up, but he’s also usually acknowledged as being bisexual (even if it’s not a ship fic). Kon is alive and everyone remembers him. The powers that either of them are able to use are entirely dependent on the whims of the author

It’s anyone’s guess as to whether a fanfic author decides that Barry or Wally is going to be flash in their fic. Bart is always impulse, he never retired at any point, in a few fics he never even died even though Kon did. Roy Harper is Jason’s friend and rarely Dick’s, Lian is a young child, and Kori is Jason’s friend. No mention of the other titans

It’s so weird cause like. It’s not that these events never occurred in canon it’s just that they all occurred at wildly different points in time, not usually overlapping, and somehow the fandom has collectively decided and agreed upon this made up time period which has never existed in the comics. It’s kind of cool honestly but also genuinely bizarre

[xxplastic-cubexx]

now that ur a marvel fan manifesting u become a dc fan too 🙏

ohhhh you gon have to manifest real hard brother

[green-tea-lemonade]

OH MY GOD YOU'RE BACK I'M SO HAPPY!!! YOU ARE MY FAVORITE ARTIST EVER EVER EVER AAAAHHHH

AAAAAA thank you that literally means so much for me to hear!!!!! YESSS!!! I am back!!! >:33

I have so much SolNep content I wanna spew out from silly doodles to very random AU art to actual stories and more!!!!

[shikai-the-storyteller]

Went to the bookstore today and asked about their mythology section and this frickin guy had the gall to be like "Yeah it's over here, but these are really dense and difficult so let me show you the children's mythology section." I was so baffled I didn't say anything. Normally I would've been very offended, but I couldn't help but laugh because I was like "I've been reading those massive textbook-esque mythology books since I was a literal child as research for my novel, sir. But sure, show me the kid's section, I like reading kids' books too."

[laugtherhyena]

Sometimes i think about udon comics Karin, why was she like that.

[apopcornkernel]

badge that says “congrsts on surviving the hyperfocus”

[daisyachain]

Restorative or Transformative?: Homoerotic Subtext, The Closet, and Ciphers in Pop Culture. The nature of commercial art is that it’s sometimes bad and inconsistent. Notably it’s also misogynistic. One way in which audiences try to reconcile massive plot holes or gaps in character motivation is by reading secrets or hidden information into a plot.

Commonly, male characters are interpreted as closeted gay or bisexual to reconcile the absence of women from commercial narratives with the generally stunted and poorly-written male characters that form the focus on said texts. This reading has become especially common among a non-heterosexual milieu. Rather than transforming the original text into some radically different new form, this closeted interpretation seeks to make the original text stand on its own as a story rather than a Swiss cheese of dumb writing decisions.

This interpretation only works for a specific type of pop, usually genre fiction. Any story in which tortured male leads eschew women in favour of male-male bonds (because female characters are constantly killed off, written sparsely, or written out, because the production team keeps casting their male buddies, because actors demand to keep having scenes with their bros, whatever) can become a sounder structure if you put one of them in a closet.

The gay interpretation is the natural consequence of shoddy misogynistic writing from ventures like Supernatural, Naruto, all the biggest hits. It’s also the natural consequence of more benignly misogynistic writing like The Adventures of Sherlock Holmes or The Lord of the Rings, where women aren’t necessarily rejected but are simply absent from the worlds of the protagonists. When the emotional crux of the story falls on male-male interactions, this reads as romantic because society at large priorities (definitively heterosexual) romance as the pinnacle of human connection. Two forces are in conflict, the primacy of heterosexuality (read as: romance) and the primacy of men.

Anyway. All that is to say that the typical gay or bisexual reading of male characters in pop fiction comes from a very real place. But, in some places, that’s the default interpretation. Angst, insecurity, secrets, double lives, fatigue, disappointment, restrained passion, stunted personal growth, anyone living in the closet can tell you that it impacts and defines your whole life to know that you live in a way fundamentally incompatible with The Proper Way that life is structured around down to tax law and superstore prices (which assume a heterosexual nuclear family unit). Characters in fiction also tend to have personal problems because that makes them interesting and tasty.

If you’ve grown up on stories with the specific type of misogyny that can be papered over with a closeted interpretation of the male leads, carrying this interpretation over to any male character will make sense more often than not. Even a bit of angst or insecurity? Well of course that makes sense if a character is closeted.

Except that’s hurt a normal part of fiction, and sometimes the closeted interpretation takes away from the point of a character. If a male character is on another axis of marginalization, the closeted interpretation imposed by the slash reading community downplays or trivializes the effects of that marginalization in the plot by overwriting it with another type of marginalization. Alternately, sometimes a character’s heterosexuality is a part of the story. There are some sorts of critiques or investigations of misogyny or masculinity that don’t work if the character has an ‘opt out’ of the cisheteropatriarchal perspective. Not that gay/bisexual men aren’t except from misogyny, but misogyny masculinity and heterosexuality are so tightly linked that it sort of defeats the point if you interpret that character outside of heterosexuality.

All that is to say—the closet interpretation is a quick and easy spice to apply to the weaker parts of action-adventure genre fiction to make it taste better. It draws from a large enough sample of art that it’s pretty widely applicable. Because of that, it’s part of some people’s [my] default interpretation package just because the semi-dull macho show at least gets less dull if you imagine there’s a reason for there to be no girls besides simple hatred. That then forms its own problem where the interpretation that works with your average genre work gets then blanket-applied to all genre works and obscures the places where the closet interpretation doesn’t fix the work, and actually makes it less interesting.

[roseworth]

this book is so bad it’s pissing me off