#i have written fics

[tirsynni]

So the issue about the right to post criticism on people’s fics have come up again. Okay.

First off, the most obvious thing: unless the person asks for constructive criticism, be very wary about giving it. Again, please, keep in mind: this is fanfiction. This is a story typed out by a fan in their free time and posted online for others to enjoy. This isn’t a work that someone polished with the plan to publish for money. This is a fanwork posted by a fan for other fans to enjoy. Most writers I know don’t want constructive criticism. They want to engage with other fans with a medium they enjoy. “I really enjoyed this and I hope you do, too. Here’s an idea inspired by watching that scene.”

Of course, some writers do want constructive criticism. They ask right in their notes for it, which leads to my second point...

What are your credentials? When it comes to offering constructive criticism, are you confident in your skills to offer it? People tend to be, yeah... and then tell me what they would have written. “This is something I would personally enjoy and I wish you had written this instead.” “This does not match my headcanon of the character and you should have done this instead.” “You should have written the other character as the top.” None of this is constructive criticism. None of this is helping a writer improve. When these thoughts occur, instead of leaving them as a comment, consider writing the fic yourself! Seriously! Go for it! That’s the joy of fanfiction! You want to see something? You can write it yourself!

But really, what are your credentials? Do you know how to edit? Proofread? Did you take classes? Do you have a degree? In what? What’s your personal experience? Can I see your resume? Can you offer constructive criticism in a way which will improve that specific writer’s specific style? Can you help the writer tell the story they want to tell and not you? Because that is incredibly challenging. It’s easy as hell to tell someone what you would like to see in their story. It’s also the reason many writing circles and writing groups fail: too often it dissolves into “This is what I like, so you should change this” or “Well, such and such heard from such and such that this is really important for fiction.” That’s not how actual constructive criticism works. That’s not how you help a writer grow. 

“Well, if someone is writing and posting stuff online, then I have the right to criticize them.” Do you enjoy having so many free works at your fingertips? Would you like to see it happen in the future? Because while you’re free to criticize, that writer is free to stop writing. Writers don’t have to post. Writers can delete existing fics. Writers can and do give up because they are so excited to post their project online, only for multiple people to offer them “constructive criticism,” making them feel like shit, while many other people enjoy the fic but don’t bother telling the writer. 

“I have the right to tell the author what I like.” You also have the right to write your own fic. Which is probably going to be more productive?

“I have the right to tell the author their fic grosses me out.” Great. You also have the right to tell that to random people you meet in the street. Go for it. I personally value the concept of “don’t like, don’t read.” You did choose to deliberately read that fic, after all. That’s all on you. The author didn’t put a gun to your head and force you to read that work.

“I have the right to tell the author their errors.” Did they ask? Why are you so focused on the errors and not what you liked about the fic? I promise, if you tell authors what you enjoy about their fics, that will help them grow their skills far more than criticism. Getting positive feedback encourages fic writing, and practice helps the writer with those errors far more than random people on the internet.

At the end of the day, is your constructive criticism helping? And honestly, is that “constructive criticism” for the author or for you to feel proud about your awesomeness or for you to lift yourself up by belittling someone else? Before you gave the constructive criticism, did you ask the person? Did you value their opinion enough to verify that they wanted it in the first place? Fuck, did you even take the time to ask the person if they wanted a beta reader? Because if someone is happily posting their fic and they didn’t ask for help via a beta reader prior to posting, it might be because they’re more focused on the fanwork itself than grammar and the such, and that’s okay. If you can’t play around with fanfiction, with what can you play around? It’s fanfiction. No life or death seriousness to it!

Generally when someone leaves me constructive criticism, it isn’t constructive. It is that person telling me what they would have written in my shoes. You doing that isn’t going to make me write it. Hell, if people keep it up, writers might not write anything at all.

It’s very popular now to call writers greedy when they want positive comments or engagement with their fanworks. It’s also popular to defend the right to criticize the author when giving a comment. I would really prefer for these people to just write their own fic. Write what they want to see in the world. Maybe it’ll balance out all of the writers not writing because they’re getting hesitant about posting their works or feel too discouraged to even write in the first place.

[michameinmicha]

Stumbled upon this random ship (in a fandom im not active in myself) that has like 150 works on ao3 which are all from just two people gifting each other fics about this pairing back and forth and theyve been doing it for 3 years... i think thats true love probably

[imma-dragon53]

You’ve heard of “justice league doesn’t know Batman has kids”

Now prepare for “the Team doesn’t know Batman is Robins dad”

[podcast-hemocytoblast]

What if when Michael got Distortioned he/they/it/(?) had just kept showing up to work? Imagine Gertrude comes into the archives and finds a bunch of paperwork filled out in yellow highlighter and folded into impossible shapes, and then Michael-Distortion just walks into the room door-style and sits down at his work computer so it can email Gertrude a phishing scam.

[strawbuddy-luv]

Thinking about Tim accidently adopting Maps the same way Bruce adopted him-

Like Maps showing up to save Tim's ass, because he's losing in a fight (that he should definitely be winning but "fOr sOmE rEaSoN" isn't). Afterwards Tim's like "Kid you cannot be out here", but Maps ends up following him around, as he tries to escape via rooftops, and after like 30 minutes of convincing, Tim is (partially forced) to bring her back to his house(/Nest) because "She has no where to sleep :(". And then two seconds after she lays down to nap Tim calls Jason in a panic

When Jason shows up Tim just opens the door to reveal a child sleeping on his couch.

Jason: ...You really are a Bruce mini, you're stealing children now Timbit?

Tim, slightly hysterical: No, no no, its worse than that. She showed up in the middle of a fight, that I was totally winning, saved my ass, revealed she knows who I am, demanded she become my protégé, claimed I was "a danger to myself and others" and I "Needed someone to ground me like Robin grounds Batman", and then she gaslit me into bringing her back to my house.

Jason:

Jason: Oh my God she's just like you

Tim: SHES JUST LIKE ME!

[keferon]

OKAY OH MY GOD THIS FIC IS GREAT I HAVE ONLY READ THREE AND A HALF CHAPTERS AND IM ALREADY IN LOVE

I originally wanted to make both of these pieces in color but I’m gonna be honest I have no fucking idea how to draw Ricochet…he is described as black and red and…mmhhmmm does he have canonical (canonical for this fic I mean) design? Do I need to design him myself? Idk I’ll figure this out later

[pricetagged]

Idk how to label this. Wifehunter John?

The idea of possessive/obsessive John manipulating a situation and stealing a wife for himself struck me, so just coughing the idea up while I sneak away for a coffee before I actually have to start work in 20 mins 💖 entirely unedited, abrupt ending

Edit: Part Two

________

For someone married to his job, he has put quite a bit of thought into what he is looking for in a wife. Namely, that she's already married.

His reasoning is threefold. He can admit to himself, firstly, that it satisfies his need for control. Competency. He's a busy man with a demanding job. Not quite retired yet, no time to build his own from scratch. With this, he gets a wife boxed up and ready-trained. Broken in.

Secondly, the need for control bleeds into his saviour complex. She'll need a shoulder to cry on, someone strong and capable to get her back on her feet. She'll be feeling a little fragile. Needy. Perfect.

And thirdly, it does something wild to his jealous, possessive streak. The idea of taking something precious, of breaking her bond to another man and tying it to him? Delicious. The idea that she used to be someone else's, that he has to imprint himself onto her knowing that in doing so he is erasing the imprint of another man? It has his teeth aching, grinding even as heat rises in his belly. Stirs at him.

The idea swirls lazily in the back of his mind, never quite finding the right time or right partner. He bats at it a few times, lazy cat playing with the notion, seeing how far it can stretch before it snaps. Eyes up pretty things everywhere he goes, glancing down at their left hands just to check, but nothing quite tugs on that string. Until one day it does when he's outfitting the security system at your house.

It's side work. Cash in hand, word of mouth. Something to keep him busy when on mandated leave. Something to keep in mind as his retirement from active duty creeps closer. And your husband is a real piece of work, all blustering braggadocio energy. Young buck, not knowing his place in the herd. Not knowing that he'd be better scratching his antlers off on a tree than going head-to-head with a gristled thing like John.

It's like John's energy, his presence in the house, sends alarm bells ringing in your husband's mind (Be the man. Don't back down. Puff up your chest and strut). And it plays so perfectly into John's hands because your young buck doesn't realise that what he's really doing is fawning. To John. (Look at me, be impressed by me!) He makes his biggest mistake in putting you down in front of him, trying to sidle up to John and create some kind of desperate camaraderie. Ordering you to bring tea to the men at work. Rolling his eyes at your attempts to talk, to ask questions about the work being done. Waving you off so he can stand and watch the proceedings. Like he could supervise. Like he has any clue what he's doing.

Only the promise of the long game keeps John from levelling him with a hard look, from calling him outblike he'd love to.

He hears you both in the in the other room, having swatted the young buck off like a particularly virulent pest. Noisy and bothersome. Not needed - or wanted- in this home. And entirely too stupid to realise that John wasn't being jocular in his dismissal.

You've been scribbling away for the past few days, something occupying your time, keeping you happy and hidden away in the kitchen.

"You're not serious, are you?"

"Well, yes," he hears the slight quaver in your voice before you find your footing. You've got at least a bit of spine. Good. "You said that I should find an occupation. Not just 'laze around the house playing housewife'. This is what I-"

"Oh come on, I didn't mean- You don't think that this is viable, do you?"

"Well... I love gardening. And I'm good at it. And there's no reason that it can't be more accessible for people, especially with the current economic-"

He cuts you off with a scoff. "Dear, just- I don't want you to be disappointed. I think you don't quite understand the time and effort this will take. And you know nothing of marketing, publishing. Why don't you put that away and start on dinner?"

And oh, isn't that delicious. He can taste it now, that idea that has been swirling. It's thick, almost tangible on his tongue. The tension in the house, the bitter lacryma of stifled tears. The slight acidity of words you left unsaid. It has his mouth watering, pupils dilating.

And when he's packing up that evening, tools and materials tucked in to the heavy workman's case, he swings by the kitchen on his way out. Catches the way something is jutting out slightly from the bin, lid slightly askew. When he pulls it out he realises it's some kind of notebook, carefully (lovingly) bound. Pictures pasted, mindmaps and notes and plans scribbled in the margins. Your gardening tips. Kitchen scraps, window boxes, rooftop plots. Urban gardening. It's deeply thoughtful, well researched.

A labour of love, lying in the rubbish.

Sweet, clever little thing. That just won't do.

He leaves your house with a little piece of you tucked away in his toolkit and a nice plan forming. He'll be back, of course, not quite finished with his work. He'd planted a few little links into the system he'd almost installed, projecting not just to the monitor in your home but also in his. Got to keep his eyes on you, keep you safe and cared for in ways that your useless husband can't.

Finding that book was a boon. He'd say it was divinely ordained if he believed in all that. It weighs heavy in his toolbox as he whistles out the door.

Now, how to get you alone and return it to you..

________________

This idea may have been done before? I'm not sure, sorry! I've seen a lot of possessive John floating around. Tagging @stellewriites because I said I would last time, and you've been so encouraging of my nonsense.

Anyway I've got like 4 long-form WIPs that I'm working on, so I may never actually write this one but thought I'd share since that image set I just reblogged made me feral 💖

[tenowls]

teacher getou au...... wauh

[magniloquent-raven]

"Oh, good, you are alive." Eddie says as soon as Tommy opens his front door. He pushes his way into the house without waiting for a response, and leaves Tommy blinking at empty space.

"...Sure, come on in," he mutters.

"Would it kill you to answer your phone some time?" Eddie's standing in the living room, hands on his hips, looking at Tommy like he's expecting something.

And Tommy's still lingering in his own doorway, suddenly very aware of how ripe his PJs have gotten. "It's my day off." It's a lame excuse and he knows it. He turns away to shut the door so he won't have to look Eddie in the eye.

"It's been, like, three weeks, man."

Tommy sighs quietly. "Yeah, look, it's just..."

"Is this the part where you tell me you both love me equally and it isn't my fault mommy and daddy are getting divorced." He's being flippant, but there's anger there. Tension in his voice. Tommy's not sure if it's on his own behalf or Evan's. Either would be fair, probably.

No. No, it isn't. It's not fair. He doesn't get to storm in here and judge Tommy's life choices. It's not like he's happy with himself about this, he didn't want to break things off. It just. Didn't work out.

"We don't, Eddie."

"What?"

Tommy folds his arms across his chest. "Love you equally. He needs you more than I do."

"What happened to me being allowed to have more than one friend?"

You know what happened, Tommy wants to snap, wants to be the kind of person who gets so angry he breaks, bleeds the tension out. He wants to untangle the knot that's been tightening in his chest for weeks.

Instead he hunches his shoulders. "Nothing, you have plenty of friends. A whole station of them." Tommy bites the inside of his lip so hard he tastes iron, and his eyes fall shut for a moment while he collects himself. "I was trying to make things easier for you."

Eddie narrows his eyes. "Yeah, nothing easier than getting ghosted. In fact, I love it when people I care about suddenly stop talking to me."

"You know what I meant. You have to take his side."

"Oh, I am. Breaking up with him like that was stupid, and he's really hurt."

Tommy barely contains his wince.

"But you were my friend before you were his boyfriend." Eddie's expression shifts, not quite softening. "I'm not here to defend Buck's honour, I'm here because my friend isn't making good choices and I'm worried about him."

He cried that night three weeks ago. Held off until he'd made it home and then bawled like a child, curled up in the dark and not bothering to wipe the snot from his nose. He hasn't cried since. Not when he found one of Evan's sweaters shoved between the cushions on his couch. Not when a date night reminder he forgot to delete from his phone dinged three days ago. Every time he wakes up to nothing but empty lock-screen he feels a little more hollow thinking about all the texts he used to get in the middle of the night.

But he hasn't been crying about it. Until now.

He's not sure what it is exactly. Something about Eddie refusing to let Tommy stonewall him. Something about all the things he's gone through alone never mattering to anyone. Not enough to warrant more than courtesy comfort.

"Woah, hey, was it something I said?"

Tommy shakes his head, and wipes his cheek with the heel of his hand. "It's been a weird few weeks."

It has, is the thing. He used to be good at being alone. But six months of borrowed time was enough for him to be in a lot deeper than he thought. He doesn't just miss Evan he misses being invited to his family dinners, and hearing about life with the 118.

"How 'bout I drink your beer while you tell me about it."

"...Okay."

[zephyrchama]

"What did Mammon do now?"

The greedy demon was in his underwear, hanging upside down from a rafter in the hallway. He tried to coerce you into letting him down as you walked by, but you knew better than to do so without consulting Lucifer.

"Gambling. The usual." Lucifer had a hand on his forehead, pushing his hair up while jotting something down at his desk.

"Mammon gambles every day," you pointed out. "What'd he really do?"

By the way Lucifer groaned, you knew it was something juicy. "I caught him pilfering one of my rarest records, a gift from Diavolo, to use as collateral in a bet. It's one-of-a-kind. I doubt he even knows what it is, but Mammon always has a knack for finding things of high value."

"His secret sixth sense," you agreed. "What'd you do with his clothes?"

"They make it harder to tie him up tightly. He has a slightly higher chance of wiggling free with clothes on, so I made him strip." Lucifer gestured, Mammon's clothes had been put on some kind of mannequin, tucked away in the space between two bookshelves.

You'd never seen it before. Your jaw dropped into the widest half-smile half-astonished expression possible. It had Mammon's hair and his goofy smile. Even a flashy golden earring. "What is that?"

You practically ran across the room to inspect it. It was dressed properly in Mammon's shirt and tie. There were a lot of seams, more than seemed necessary, perhaps from being repeatedly repaired over years of use. "Lucifer, this is adorable."

"It's a necessary tool for my sanity." He pushed the chair back, standing up to join you.

"What do you mean?"

"I'll give you a demonstration."

Lucifer comically wound up his closed fist. With ballistic force, he struck the figure right in its chest. It flopped back, then sprung back up wildly to receive a fistful of lighter blows from Lucifer.

"You made a Mammon punching bag? Really?" You didn't know whether to laugh or cry. "Isn't that a bit much?"

"I didn't make it, Mammon did."

Surprise of the day number two. "Mammon made this? Himself?"

To stop the wobbling, Lucifer grabbed the punching bag's tie, pulling it tight and then smoothing it out. "Cute, right? He thought it might make me go easy on future punishments. It's a very thoughtful gift from my little brother."

"Yeah, I didn't know he could sew. Huh." The two of you stood to admire it before Lucifer returned to his desk. You followed him. "Kind of reminds me of the doll Levi made of me."

Lucifer smiled. "Leviathan made you a doll, did he? How very kind."

"No, he made a doll of me."

Lucifer froze to process this information, frowning.

You continued, "I don't know where he usually keeps it, but I saw it under his desk one time. It's pretty big and detailed. I mentioned it once and offered to lend him a shirt for it, but he got really embarrassed and pushed me out. He's gotta take more pride in his work, it was really impressive."

"I see." Lucifer gritted his teeth. "You know, something I have to do just came up. Let's finish this conversation later." He was quietly seething as he escorted you to the door. Along the way he gave punching-bag Mammon a soft whack to the head.

You realized you forgot to ask if you could untie the real Mammon, but Lucifer had already marched down the hall in the direction of Leviathan's room. Rather than trying to catch up, you decided to go see how the Avatar of Greed was doing.

[mild-incompetence]

I like how we don’t see Fizz completely until he has his horns covered and how Fizz also doesn’t wake up Ozzie until he has his horns covered.

That whilst he’s lying on Ozzie he is still almost completely under the cover. You can barely see the tip of his face and his arm.

But then the alarm goes off and he has hidden himself entirely under the sheet.

[k1tty5]

another design for the au i’m working on (cough cough thinking about)

[mariyekos]

Okay to reblog to help sample size!

[tathrin]

Once again laughing at the idea of how DISTRAUGHT Celebrimbor would be post-reembodiment to discover that Gimli, only dwarf to ever come to the Undying Lands, skilled craftsman and silver-tongued elf-charmer and basically Celebrimbor's new favorite living person in all Middle-earth starting from about ten minutes after he gets off that boat...

That Gimli is married to this absolute disaster of a Wood-elf, who has no smith-craft at all and frankly doesn't even know which end of an iron bar to grab when he is in the forge (hint, Legolas: it's the one that isn't going to burn your skin off you moron!) and is just as likely to trip on his own tongue as to say something actually eloquent and just...

Celebrimbor is distressed, okay. Legolas is a PROBLEM.

And he can't even talk to his best friend about it, because Gimli is the one in love with this idiot! wtffffff! why? HOW!?

Why in the hell isn't Narvi here. Narvi would understand.

[acheemient]

If part 3 of 1941 is not "A Nightingale Sang In Berkeley Square" coming on the radio and Crowley standing from the table where they have been drinking wine and coming around to Aziraphale's side and offering his hand to Aziraphale to dance, and Aziraphale looking a bit wonderstruck and a bit delighted and taking Crowley's hand, and they slow dance, holding each other so close, and they look into each other's eyes, and Crowley whispers, "Angel," and he's looking at Aziraphale's lips with all the wanting in the universe written upon his eyes, and Aziraphale with a face that says he's never wanted anything more than to swallow Crowley whole so he can Keep him, and they lean in, and at the very last second, Aziraphale stops them and they are standing there breathing heavily with their foreheads pressed together, and Aziraphale whispers, "I want to; oh God, I want to," and Crowley whines and tries again, but Aziraphale pulls back but doesn't leave Crowley's arms, and says, "We can't," and Crowley looks like he's been slapped, and Aziraphale looks so heartbroken and says, "They almost caught us tonight, and they would have destroyed you" and then continues so quietly, like it's a secret, "I don't know what I would do if I lost you," and Crowley tries to protest saying they can be sneaky, they won't get caught, they can have this, together, and Aziraphale looks so sad and says, "Oh Crowley," and Crowley knows Aziraphale is so close to agreeing and so close to pulling away, and he whispers, "Please," and for a second Aziraphale looks like he is going to give in, but he can't put Crowley in danger, so he makes his face colder, and he steps out of Crowley's arms, even though it nearly kills him to do so, and he says, "Besides, you know Angels don't dance," and Crowley remembers himself says, "No I don't suppose they do," and he straightens up and puts his glasses on and pretends nothing happened and says, "Of course you're right," and they nod at each other and Crowley moves to leave the bookshop, and Aziraphale feels like he's about to lose something so precious that he will not be able to ever get back, so he calls "Crowley," and Crowley turns to look at him, and Aziraphale says, "Perhaps someday...," but he can't say what he really means (some day we can have that, someday we can be together how we want, someday I will stop pulling away), so he visually changes his mind and finishes with, "we can dine at the Ritz," and he prays to a God that he, in this moment, hates so, so much for keeping him from the demon he loves more than anything, that Crowley understands his true meaning, and Crowley looks like maybe he does and like maybe he still has hope, and he nods and says, "Stay safe, Angel," and Aziraphale nods back, and then Crowley leaves, and Aziraphale is left looking absolutely devastated and heartbroken and angry, truly angry, for the first time in his long and lonely existence that he has to be loyal to Her rather than to him, and he takes a moment, takes a breath, and walks silently over to the radio and turns up the volume on the song and closes his eyes and gives himself that moment to remember what it felt like to be held, to be loved, to imagine what saying yes would bring, then honestly what is even the point of all of this?