#i have now learned the correct term
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I didn't know what the right term was in english so now i just look like some kind of knitting addict who just wants it to end.
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what if we held on to whatever we get the idea of as Normal as unquestionable & think all you can do to this normal is apply some veneers overtop it to be more polite & also resent that. maybe we could project that everyone who seems to be Annoyingly Disruptively doing more than this must be putting on a performance to look good &/or humor others b/c that's all we ever believe we're doing, & again, we resent even that much....maybe we could use our show of More Polite language to make the same points blaming everyone who our Normal mistreats for their own mistreatment
#perhaps we could lecture autistic people on their; ah; Lacking Social Skills or Intelligence. it's just matter of fact#completely neutral what Annoys those who do well enough when thrown into any group settings; completely neutral how they React#like yeah can't possibly take issue w/anything Acceptable to Encouraged in the realm of even ''successful'' ''normal'' social interactions#infinite ''smh this is why nobody takes ableism seriously'' like oh you mean b/c of the ableism? is why you don't take it seriously?#infinite ways of phrasing that everyone alleged so Annoying With It is just like you but someone actively Putting On An Act too much#all it can possibly be. just as someone's Anti Ableism would be knowingly ''humoring'' / ''tolerating'' an autistic person e.g.#ah you see to this Person Who Identifies As Nonbinary's face i will try to mostly use Their Preferred Pronouns. that's that done#but it's sooo annoying. what's next; multiple &/or changing pronouns? god even worse. so Inflicted Upon my correct norm#if i'm not feeling actively malicious & devious in how i treat someone i am surely as righteous as it gets#having to improve on perfection by occasionally feeling Put Upon to perform politeness around some individuals? ughhh#that's why it's actually illegitimate. shouldn't have to be Put Upon like that. (finding the norm Questionable? out of the question Lol)#shocked ppl report that casual usage of the r word is having a revival. by shocked i mean [already clear ppl didn't care abt that]#& again just the current ''polite'' rephrasing of ableism like oh um :) disabled ppl are just a Specific kind of unintelligent & unskilled#& unprofessional & incompetent & a harmful scourge :) & maybe if they learned to be otherwise they wouldn't be punished :)#just formalized ABA vs the less formalized ABA huh. & the [the Real ableism] it ostensibly is to be saying all this i'm sure#something something not a real ally if they encourage behavior that will Make other ppl treat you badly. helpless neurotypicality :(#just as the ppl saying ableism is baked into terms & phrases used casually well beyond the [bad but lol guess not That Bad r word]#were definitely the ones Advancing Ableism by annoyingly overdoing the Polite Veneer you imagine they were Demanding#(rather than a more thorough questioning of language & accepted ''norms'' in pointing out the logics in their usage / basis)#simultaneously as being too much to ask it was also always so Frivolous as to not be worth the apparently infinitesimal effort#hmm guess we'll never solve the contradictions there....#not even with the ''openly saying 'see? i don't take ableism seriously & now it's Your Fault b/c i saw this & scoffed at it''' clues#& a final shoutout to the classic ''it's called being Realistic'' language in this & wherever else relevantly applied lol. we could go on
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suffering 😁
#in avoidance mode or whatever the fuck it's called#i'm supposed to be doing my math but it's the start of the whole lesson plan which means reviews and oh my god something's wrong with me be#ause i can't even stand just eight minutes of someone telling me things i already know#and in slightly the wrong way too...#-10 does not “become” +10 when you “bring it over” to the other side of the equation! you are adding ten to both sides of the equation and#on the side that started with -10 that ends with the term gone because (-10)+10=0! it doesn't even matter that you explained it that way#because i did not need it explained but now i'm worried about the future when i do need to learn things and have them explained and that yo#will continue to explain them poorly but i won't have to prior knowledge to recognize this and correct for it!#.....#there are forty four seconds left in the video. i can do this#aaand now im on merriam webster reading an article on why forty is spelled without a u.... sigh#finn says shit#highschoolposting#collegeposting#i don't even know anymore y'all
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The Van Has Officially Declared It Spooky Season
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I've got my parent's van for the week and it seems determined to establish my status as The Local Cryptid by terrorizing an innocent 7-11 clerk.
...I might need to back up a bit.
My mother is an eminently sensible woman who knows herself well, and when The Plauge hit, she knew she'd need some sort of mentally and physically engaging craft project to keep herself from going insane and massacring the local zoning and water management boards (even if they have it coming). So she and Dad acquired a utility van and converted it into a camper van because while they love camping, they're past the age where their joints and immune systems will tolerate sleeping on the cold ground in a nylon tent.
They did a terrific job of it and my mom taught herself woodworking and carpentry and now the van has it's own cabinets, fold-away dining table, and removable queen-sized bed with memory foam mattress. My Dad was already a computer engineer, but he learned the dark magics of automotive software and electronics to install after-market backup cameras, a media player that would take a terabyte hard drive and a solar-powered battery and outlet so they could wake up and just turn on the kettle and griddle for breakfast without having to exit the van into a cold morning on an empty stomach.
Truly, the height of Camping Luxury.
My parents are both in their mid-seventies and my primary life goal is to be at least half as cool and hale as they are when I get old.
Anyway, they take it out at least a dozen times a year and it works fabulously, but, being as I am on good terms with my parents and also finishing the process of moving house, I've been borrowing it to move large and cumbersome objects that will not fit in the back of my equally lovely but minuscule Honda hatchback.
It's a Great Van. Very easy and comfortable to drive. Stunningly good MPG for it's size. The best cruise control I've ever had in a car.
It's just also. Quirky. Mischievous, even.
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If this van has a fault its that it bears the unfortunate affliction that all lightly used white utility vans have in that the combination of an utter lack of branding features and the large dent/scrape I accidentally put on it while trying to escape a Denny's last Thanksgiving means that this vehicle is one addition of a Badly Spray-Painted "FREE CANDY" on the side away from being the sort of vehicle you see in an edgy horror movie.
It's got the same issue that Doberman Dogs have where they look like the sort of creature that likes to snack on toddler's faces whilst actually having personalities made of marshmallow fluff. This vehicle is unnecessarily menacing and I think nothing short of an airbrushed Epic Van Wizard will correct this. People see this van pull up and lean over and squint suspiciously at me when the driver's side door opens, and then look moderately confused when, instead of Charles Manson, a small, potato-shaped creature with neon purple hair and a statistically unlikely assortment of dogs emerges.
My own two dogs, Herschel the Hanukkah Goblin/Corgi and Charleston Chew The Taco Dumpster Dog, Do Not Like The Van. Even with the bed in it, they have a tendency to slide and roll around in the back, and both WILL chew through dog saftey belts or other attempts to secure them in there.
On the other hand, my house mate's dog, an exceptionally tall standard poodle whom we lovingly call "The Creature", loves the Van because SHE wears her doggy seat-belt with only mild complaining and gets to sit up in the passenger seat like A People.
Also like A People, The Creature likes to stand and walk around on her hind legs. It doesn't hurt her and it's entirely voluntary, but every so often I will feel a hand on my arm and instead of my husband or friend, it's a canine that's taller than I am on her hind legs who wants to stare at my face with soulful, concerned eyes. The Creature's favorite thing is that she is exactly the right height for me to hold her arm in Genteel Fashion and walk around the pet food or hardware store with her like I'm a count escorting a debutante around a royal ball.
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As it stands, I am set to inherit this vehicle whenever my Honda gives up the ghost, and I fully intend to paint an Epic Van Wizard on it when that time comes.
The other peculiarity of The Van is that while Dad did manage to successfully install all his after-market electronics, not all the electronics get along. Sometimes, they fight for Dominance. The Terabyte Music Player and the Backup Camera have a particularly contentious relationship, and turning on the music has about a 25% chance of turning on the backup camera as well, and turning on the Backup Camera is equally likely to turn on the music.
Firthermore, The Van has a favorite song.
I am not kidding that Dad filled an entire terabyte hard drive with music and the software to sort it via the radio controls, but of all the Early Boomer Dad Rock (Kingston Trio over The Eagles) and Irish Folk and Symphonies and the entire discography of Weird Al Yankovic, The Van's favorite song- The one it picks to play as victory music every time it beats the Backup Camera at their weird electronic game of rock-paper-scissors -is The Liberty Bell March by John Phillip Sousa.
You all know this song already.
...but in case you've forgotten the tune:
youtube
Yeah.
The Van's favorite song is the goddamn Monty Python's Flying Circus Theme Music.
It does not play this song at a normal volume.
Every time I turn on the Backup Camera and it manages to turn the music player on as well, The Van insists on absolutely blasting this nonsense on at the maximum volume it's physically capable of producing, which I know is loud enough to be heard from the Denver International Airport's Pickup zone when they Van decided to start playing it from the economy lot about half a mile away.
Perhaps it's The Van's way of honoring the aesthetic sensibilities and sonic enthusiasm of Mr. Sousa.
...I can't help but wonder if the purpose of an Epic Van Wizard is to control this sort of faerie-like malarkey, and channel these chaotic energies into things like Spell of Don't Break Down In Nevada or Enchantment Of Always Have Good Parking.
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So last Friday the 13th, I get a call from my friend and housemate, at said airport.
It's roughly 11PM at night, and I have already retired for the evening. I am in the exact minimum of clothing required to be a decent housemate and not scandalize the neighbors should I happen to walk by a window. My feet are up. There is a cat in my lap and fictional British people murdering each other in highly inventive fashion on the tv. -But my friend has returned from her friend's wedding,and either American or United Airlines has managed to lose her luggage, including, among other valuable possessions, the keys to her car. ...So she cannot just drive home as originally planned.
There are, as luck would have it, her spare set of keys not eight feet from me.
Being a good and decent person, I agree to bring the spare keys to her so she may get home before daybreak and not spend a semester's worth of tuition on an uber across the greater Denver traffic jam.
Being also that she Loves Activities, and it's her mom we're going to pick up, I elect to take along The Creature.
I am primarily focused on remembering how to get to the airport and not leaving my friend's spare keys on the counter, so I throw on a pair of flip-flops, step outside, remember that it's AUTUMN and my minimal evening attire is not sufficient thermal protection, step back in, grab the first coat in the closet I lay hands on, pull it on, check that I have her keys again and leave.
The trip to the airport is largely unremarkable, save that it becomes necessary for me to put on sunglasses to drive, despite it being nearly the witching hour and almost entirely darker than the inside of a cow.
It's necessary because this blissful darkness of night is violently punctured by a startling number of cars that seem to have installed miniaturized but no less powerful lighthouse bulbs in where their headlights ought to go so the oncoming traffic and sports cars that insist on tailgating me in the slow lane alike illuminate the road and my mirrors with the kind of radiance I'd normally associate with the arrival of a Seraphim.
I arrive at the distant highly discounted airport car lot where my housemate is waiting, deeply apologetic. It's nothing. I say. Once I see that your car starts up, I'm gonna go to that 7-11 across the way that I parked in front of, get a slurpee or something and I'll see you at home.
While she is retrieving her vehicle (an equally eccentric but much more stately Subaru that is old enough to be elected to congress) I rifle through the loose change in the glove box and discover that I have exactly $6.66 in small bills and coins. The Subaru, continuing it's long voyage into vehicular immortality, immediately starts up.
Upon her return, we all remember that my friend had all her camping gear in the backseat of the car and there is no room for The Creature to ride home with her parent, so I again assure her it's nothing, and will just take The Creature into the 7-11 with me. She is trained as a service animal and needs the practice after the plague.
I wave my friend off and turn to enter the 7-11.
I promptly trip over the jutting back bumper of The Van and fall, cartoonishly, face-first onto the sidewalk.
Fortunately, I have a lot of practice falling on my face, and have learned not to throw my hands out but instead cover my face, so my unexpected self-inflicted attempted curb-stomping lightly scrapes my hairline and nothing else -my sunglasses even stay in place- and I get up and resume my quest for a slurpee.
It's well known that the airport is a lawless place, and the 7-11 across from the discounted airport parking at the stroke of midnight is no exception.
I know it's the stroke of Midnight because there's one of those Audubon society bird-call clocks that makes bird noises, and my arrival is heralded by the twittering call of a Summer Tanager. I am almost charmed enough by the unusual choice of chronological device to excuse the exorbitant Airport-adjacent mark-up of Slurpee prices. I stand at the machine for some time, trying to decide on a size for the price and guess what the fuck "Blue Lighting Blast" is supposed to taste like.
The Creature is being Very Polite but is somewhat agitated, I assume because she *just* saw her mother for the first time in three days and then she LEFT with no explanation, so The Creature is on her hind legs, staring woefully into my eyes, asking to be escorted around the 7-11. Even though that's not what she's not supposed to be doing, there's nobody else in here, so I let her hang off my arm and discuss various Slurpee Flavor options with her.
We eventually decide on an experiment in which I try a Small Blue Lightning Blast, and discover it tastes a bit like licking a nintendo cartridge but in a pleasantly satisfying way.
I go up to pay and realize something is amiss.
The Cashier is a young man staring at me with wide eyes, one had over the register and the other wrapped up in his rosary.
I look down at myself.
In my haste to reunite my friend with her spare keys and service animal, I had left the house in the following accoutrements:
Flip Flops. Not matching. It's below freezing outside. That last part is not particularly odd footwear for the weather in for Colorado, but it's an important detail for the rest of the ensemble.
Assorted scrapes, bruises, cuts and welts on my arms and legs that come with doing outdoor work and living in a house with three dogs and a fully-clawed cat that all want to be in my lap all the time. It's cold out, so vasoconstriction has pulled the blood away from my skin, a trait that served my ancestors well during the last Ice Age, but leaves me with pale skin to contrast the various wounds and I look like a corpse that fell out of the back of a pickup truck.
The black Bootyshorts with "CRYPTID" painted in bright red gothic font across my ass, that @theshitpostcalligrapher gave me for my wedding present.
A peculiar but extremely comfortable garment that straddles the line between "Lacy Camisole" and "Industrial-Strength Sports Bra" like the Ever Given straddling the Suez Canal. It is also Bright Red. with black accents.
The Jacket I had grabbed out of the closet, which is in fact, a black Velour Dinner Jacket.
The Tokyo-Ghoul inspired reusable anti-covid mask a friend made me with the set of Coyote Teeth.
My sunglasses, which are shaped like a Halloween Bat. The lenses are the wings and the body is the nose bridge. It is ALSO bright red.
A Very Large and remarkably Humanoid Poodle that I have been audibly affectionately calling "Dear Creature" who is hanging off my arm like she's my Prom Date.
The Very Large and remarkably Humanoid Poodle is ALSO dressed up in a black Dog Sweater that has white bones printed on it to look like its an X-ray jacket showing off her skeleton.
I look like I am taking my Very Fancy Werewolf Girlfriend to a particularly casual Dinner Party for Vampires, but the thing that's really selling it and probably alarming the kid the most is the fun accessory I acquired in the parking lot not five minutes earlier:
The "Small Scrape At my Hairline" is actually a painless but PROFUSELY bleeding head wound that I had somehow entirely failed to notice covering my face, neck, decolletage and magnificent cleavage with blood like a Tarantino Film Extra.
This does explain why The Creature has been delicately trying to use her bodyweight to push me down onto the floor for the last ten minutes. So I don't injure myself while we wait for the paramedics she hoped this kid called to arrive, you see.
The Creature has such a High and Naive Opinion of humanity.
I decide this social situation is already fucked, and the only way out is through, and with haste, before I start dripping on the floor.
"Hi there!" I say cheerfully, to indicate this is a visually alarming but not terribly serious situation. "Just a Small Slurpee!"
The Cashier has entered the relevant code into the register before I finish the sentence. His gaze flicks off me just long enough to look at the total, and he grips his Rosary harder.
$6.66
"Oh cool! I have exact change!" I say, taking the money out of my as-yet-unsanguined pocket without looking and slap it down on the counter. "You have a good night and be safe out there!" I wave, leaving.
I get in The Van, mortified, buckle The Creature up, and as I make to leave, I have to put it in reverse, which automatically turns on the backup Camera.
It also turns on the music player.
I make eye contact with the cashier as the dulcet tones of John Phillip Sousa boom from the van hard enough to make the windshield and the windows of the 7-11 rattle for the nine-and-a-half seconds I have to wait to be able to turn the volume back down. Not knowing what else to to, I give him a thumbs up, and leave.
Anyway, now I know what my Future Van Wizard has got to be dressed like, and what their familiar is.
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If you enjoyed this story, please consider donating to my Ko-Fi or Pre-ordering my Family Lore Funny Stories book on Patreon
#Family Lore#Dogs#It's Halloween babey#friday the 13th#blood mention#I hope that kid had a good night and at least one of his friends believed him#Long post#Video
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Next thing you'll say is he doesn't have a tail
ref to this pic
EDIT: Just to keep things clear I didn't really think about bringing it up but not everyone's gonna click to see the first picture and might be confused. Alastor was stated to know only a little bit of broken French, the reasoning due to being from New Orleans. Speaking standard French is very much not a thing in New Orleans, so he would logically only know French-Creole. This is very different from the standard French language and a large misconception that people from New Orleans speak regular French. So yes, he does speak some French, just not as well as people make him nor would it, in theory, be the regular French that everyone makes him speak [but I wouldn't put it past the writers to not do that research but maybe I have too little faith in them]. I'm not from New Orleans, I visited it once so it's not like I'm an expert. But I HAVE looked into it and just bothering with one Google search will tell you it's not common and you'll even have a special term called "Louisiana French" pop up. With that all said, these were statements made on years past streams and could've been changed in the official series. However, as of right now, the official statement is that he speaks only a little broken French that should technically be French-Creole if they're going by and that he's from New Orleans to know that language. And again, I don't have a lot of faith in writers to do the research into it being Louisiana French rather than regular French, but now I'm rambling lol This is just a bit of context for this comic so people who were curious can understand it a bit more. And it's totally possible I got something wrong, so feel free to point it out when I do. I just like to dig into the nooks and crannies of information for things :3 2nd EDIT: Just for any future reblogs, I did get somethings incorrect in the above (not surprising), so here's some of the corrections I got:
@mangotangerine: "A tiny nitpick - it would likely be Louisiana Creole, which is one of the French-based Creole languages (Haitian Creole is prob the most well known as it has about 10-12 million speakers vs Louisiana Creole which has around 10,000 due to multiple factors but especially legislation in early 1920s outlawing it). Louisiana French is an umbrella term for the various French dialects/etc in the region (e.g., the dialect Cajun French)." (We actually had a whole conversation in the comments of this post and highly suggest looking down there in case you're interested in learning more!)
@alyssumflowers: "I am from New Orleans and a little bit of a language nerd. You're confusing some things here. Cajun French is a dialect of French. My great grandmother spoke it fluently, my grandfather in pieces.
Louisiana Creole is another language entirely. The word "creole" means mixed and a creole language is basically a mixture of two or more languages. Sort of, it's a linguistics thing. Anyways. Louisiana Creole has next to no speakers left and I've had a hard time trying to find somewhere or someone to learn it from because I really want to." (Always great to hear from someone who has more insider knowledge on the subject! So I wanted to give this it's share due as well, hope you can fine somewhere to learn it! /ᐠ > ˕ <マ ₊˚⊹♡ )
Thank you for the comments! My previous statement still stands about Al probably not speaking normal French, but I wanted these corrections still known and pointed out :3
#Celtrist#cel doodles#fanart#hazbin hotel#hellaverse#hazbin hotel fanart#hellaverse fanart#artists on tumblr#hazbin hotel alastor#hazbin alastor#alastor the radio demon#hazbin hotel charlie#hazbin charlie#charlie morningstar#hazbin hotel vox#hazbin vox#vox the tv demon#radiostatic#radiosilence#onewaybroadcast
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Through sheer happenstance my beloved and I both speak German. They’re significantly more fluent than me, having done a year abroad and double majoring in it. But both of us have stories passed down to us of the hilarious cultural misunderstandings present in learning a new language.
One of my German teachers had also spent a year abroad. He had a good grasp of the language but not the nuance. So when he’d closed on his first apartment and his lady got him a good deal he said, “Oh mein Gott, ich liebe dich!” (“Oh my god, I love you!”)
Now in English I love you is a multi-use term applied to friends, family, and for emphasis that you’re very happy, like someone just got you your first apartment.
In German however that phrasing is very specifically romantic. Not even casually romantic, it’s Serious Love. Parents tell their kids “Ich habe dich gern” or “Ich habe dich lieb” (literally “I have you gladly” or “I have love for you”) rather than “Ich liebe dich.” (This is as it was explained to me, don’t @ me it was public school)
So this woman was horrified and creeped out that this strange man, who she was alone in a room with, had pulled the cultural equivalent of declaring his undying love for her and asking her to have his babies.
He was equally horrified to have made such a faux pas when he realized how upset she was and profusely apologized. She understood better when he explained he was American.
A silly bonus story was that in that class we pranked one of the girls into thinking “Baum” was slang for cool. It just means tree. She’d be like “Das ist so Baum!” (“That is so tree!”) It went on for a few months before the teacher corrected her.
The next story is one of my favorites. My beloved heard from her teacher of a woman who had hosted a German exchange student for a while. At one point the girl came up to the her host mom to ask, “Where can we go buy a rubber? My sister collects them.”
“A rubber? She collects them??”
“Yes, can we buy her one?”
The woman was shocked that her exchange student was asking for a condom. But, she told herself, cultural norms were different, and she knew that German teenagers were given more sexual freedom. So, trepidatious but determined, she drove the girl to a local sex shop.
The girl, in turn, was horrified when they arrived. Most German student learn British English instead of American English and they call erasers rubbers.
The translation error made her host mom think she was asking for condoms when she just wanted a cute eraser and they both ended up embarrassed, surrounded by dildos.
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autistic expression in a neurotypical art gallery
this morning i thought i would talk about AUTHOR VOICE specifically when it comes to AUTISM. as autistic author i have learned to turn the dial up and down when writing characters. rose from CAMP DAMASCUS is basically exactly where i rest on spectrum and this shows in a few ways
in roses internal monolog you will see that she uses phrases like ‘my friend’ to talk about folks where neurotypical buckaroos might just use first name. or with her parents she will think of them in FIRST NAME instead of ‘mom’ or 'dad’. this is way many autistic buds THINK
to explain this trot I will say it is not a way of disrespect or anything like that, it is simply that these terms are TECHNICALLY all correct and interchangeable. socially, autistic buds often learn to mask by pinpointing WHEN to use these words that logically the same to us.
in CAMP DAMASCUS i left these things in to create character, but if you go back in my writing you will see it. in TINGLERS this is because they are honest in PUNK ROCK way. unfiltered expressions. in earlier novels its admittedly just because i did not realize it was unusual yet
point is, ROSES internal dialog in camp damascus is neurodivergent and i CHOSE not to change her thought process in this way, because we are BOTH autistic. this can be a risk because some neurotypical buckaroos will read it and just think ‘what a strange way. this is bad writing’
camp damascus reviews are actually very good it is a very well received book by any measure, but you will see some folks kind of making fun of these traits (i do not think they would do this if they knew it was authentic autistic way BUT we cannot educate EVERYONE on this trot)
POINT IS i am now faced with an artistic choice in later books. do i write with my AUTISTIC voice even though some neurotypical readers find it awkward? in technical sense some readers WILL think each book is better if i eliminate my autistic tendencies in later edits
my advice is this: character voice IS SO IMPORTANT, but a big part of writing is finding the place between YOUR voice and your CHARACTER voice where both are authentically existing in some way. like acting, you are always bringing something of yourself even when you 'disappear'
when writing BURY YOUR GAYS i did not plan to make misha on the spectrum, but misha is part of me and i am on the spectrum. what i have realized over time is that ALL OF MY CHARACTERS will have these traits in some way because i wrote them, and i will never disappear completely
so when edits came for BURY YOUR GAYS and misha, i took that dial and i turned it farther towards neurotypical than i did with rose, BUT I DID NOT TURN IT OFF COMPLETELY. in literal sense, i left some of those ‘my friends’, because i will always bring MY VOICE to my art as well
i am proud of being on the spectrum. while my voice may not hit every convention of ‘good writing’ it is authentically ‘MY writing’ and i think that is more important than any outside checklist for ‘correct literary expression’. and guess what THE RESULTS ARE IN, MY BOOKS DO WELL
so if you are an artist getting feedback or reviews, consider which parts you can LEARN FROM and grow and change, and which parts are just AUTHENTICALLY YOU. because while your honesty may defy conventions and seem unusual to some folks, IT IS OFTEN WHAT MAKES YOUR ART SING
feel free to turn that dial marked 'YOUR TRUE VOICE' up and down when it makes sense. i do this all the time. but i have long since decided i will never turn that dial OFF completely. your voice is your POWER buckaroo, dont be afraid to sing with it
#writing#actually autistic#chuck tingle#love is real#camp damascus#bury your gays#buckaroo lifestyle#tingleverse#queer horror
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wavin at you. so question: how’d you get so good at drawing bodies? i’m pretty decent at them but you can draw bodies from just so many angles and in so many perspectives and that’s always hard from me. do you use references? how do you break the body down to be able to do those perspectives so well?
waving back at u hello!! tagging in ur other questions here so i can knock out as much as i can at once ^_^
i use lots of references! i used to use them by drawing over the silhouettes of poses i found on pinterest.
i don’t have any easy tricks or shortcuts to proportions unfortunately :’D i picked it up from observation just by doing this for so long.
it’s a fun way to learn, but can be restraining in terms of stiffness and also making u really dependent on seeing a reference before u can think of how to draw a certain pose.
now, i focus on what lines a body follows rather than the silhouette. i try to keep every section of the body to no more than 1-3 lines when first sketching.
doesn’t matter if the lines are accurate, just be bold w them!!!!!
this is a lot easier to me than breaking the body down into shapes, and it keeps everything more fluid.
it’s on these lines where i choose to exaggerate as well!!!
my fav exaggerations to do are flipping between curve/straight/curve/straight.
for example: on the left leg, i made the curve of the calf more pronounced while stiffening the straight line of the shin.
or on the skirt, i simplified the edges to single straight lines and the hem to one long curve :D
this comes back to my 1-3 lines habit, where i try to simplify everything as much as i can, but also it comes down simply to observation and practice…..which is unfortunately the worst answer ever but it’s true LOL my sketchbooks are packed right now, but i have many many pages of completely fucking up and drawing a leg one thousand times too long. the best thing to do is to draw quickly and boldly, even if it’s wrong 100 times, than to sit down and take forever trying to get it correct on the first try.
pen and marker sketching will force u to do this LOL. it helps to find pens and markers that are fun to use, especially for scribbling, bc then u will look forward to drawing more even if it turns out bad!!!
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AI in Unification?
If you, like me, couldn't fully enjoy Unification because there was a horrible feeling in your gut the whole time of "is this AI? Did Shatner really let them use AI? That seems like a thing he'd do, because he's kind of awful" then you've come to the right place.
I did a deep dive of the technologies used for Unification and while this isn't a 100% comprehensive guide here's what I've learned:
According to Trekmovie.com's article about the film, the production team used a "team of artists and animators, who combined digital and physical prosthetics with live-action location photography, virtual production, and CG set extensions" and used "OTOY’s “Octane” rendering software and the “Render Network” decentralized GPU rendering platform. Characters and props were digitized using OTOY’s Academy-Award winning “LightStage” scanning system."
So what are all these proprietary names / jargon, and are any of them AI?
LightStage: A scanning tech that allows for digital capture of a human face (probably used to capture the stand-ins faces and superimpose older footage of Spock / Kirk like they would for a video game motion capture or something) = Not AI
OctaneRender: "Fastest unbiased, spectrally correct GPU render engine" (Probably used for sets based on the example I'm seeing on OTOY's website. It DOES use AI for "denoising and lighting" but this is a feature of the program and not the only thing the program does, so it is unclear if this is something they would have employed for the shot film. If they did, this would not be used for character work / deep fakes, and given what little information is written about this tech I'm almost curious if it is even a full AI system at all or just an automatic denoiser that they've dubbed as AI to look impressive. So I'd say results inconclusive here at best.)
The Render Network: "The network connects node operators looking to monetize their idle GPU compute power with artists looking to scale intensive 3D-rendering work and with machine learning developers looking to train and tune AI models. Through a decentralized peer-to-peer network, the Render Network achieves unprecedented levels of scale, speed, and economic efficiency. " (This basically means people can use the platform FOR AI but means nothing in the context of whether AI was used for this project.)
TL;DR: AI is an umbrella term for a lot of technology and it seems if anything, there may have been some AI used in the background rendering process but nothing generative AI / deep fakes. In my cynical opinion, if they HAD used AI in general for this, I feel like they'd be shouting it from the rooftops right now since people who love AI won't shut up about it. I'm tentatively saying this was 99% made with traditional CGI and artist work as is stated in the Trekmovie.com article, but I wouldn't be surprised if that opinion changes as the day goes on and more information is released.
#star trek#star trek unification#unification#unification star trek#spirk#unification short film#generations#spock#kirk#s/k
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Saw someone describe Mithrun as a "Disabled right wing veteran who is convinced hes just as capable as he was in his prime" and also that he would "complain about immigrants" and I'm very confused.
Where did this type of interpretation for Mithrun came from? There's nothing about him that indicates he's "right wing" or any more racist than the average elf and due to his condition he literally isn't able to care about that.
The sentiment of "Mithrun is a racist grandpa" seems to have gone from an absurdist joke based on him saying a "slur" into a real interpretation of the character??
First of all he's 37 in tallman years he is not a grandpa, I know it was a joke based on him being rough and the fact he's an elf (185 years old) but I'm starting to think some people really think he's grandpa age? He isn't, he's about as old as Senshi and Chilchuck, Senshi is actually older than him being 47 in tallman years if he's a grandpa they are too, it's going from funny way to call him into ableist territory pretty fast.
Second he doesn't have the ability to be actively racist anymore, racism implies a sense of superiority compared to someone else from another race, which all the elves have. (althought he still benefits passively from this racism as an elf even if he doesn't actively feel it) Let's go thru his anime appearance and what happens.
Kabru shows up and tries to speak to the elves and convince them to try his way. The elves think the short lived people are all ignorant and treat them condescendingly, even Tansu because they live more than any other race
Then they go from "Short lived people are too stupid to know anything" into "Oh my god this poor baby come on have some cake :)" which is ALSO condescending, nobody is taking Kabru or the governor seriously because they're short lived. These elves are RACIST they're treating Kabru like he's a confused kid "come eat some cake and let the adults talk"
Mithrun is the only authority figure that wants to listen to Kabru
He is a shell of who he used to be, right now he ONLY cares about defeating the demon, if there is a chance this kid (who has had experience with dungeons before) knows another way to get him what he wants he will listen to it, cause he *doesn't* have the capability of being like the other elves.
This doesn't mean he's anti-racist, it means he literally doesn't care, he lets the other elves mistreat Kabru in every other scene unless it has something to do with defeating the dungeon, cause he *doesn't* care. He's not gonna complain about immigrants cause he doesn't care he's not gonna treat short lived people like kids cause he doesn't care, he cannot care, he lost the ability to care.
Past Mithrun was the one that was both racist classicist and a bitch, but that part of him is basically dead.
He said the slur because they asked him not because he thinks is appropriate, the other elves aren't 'casual racists' and him the 'real racist' they are all just as bad he just doesn't have the "desire to be socially acceptable" I guess, they asked, he answered and that was it.
If it would make it easier try to think about it in terms of real life bigotry and how people keep going "you can't even say (...) because of the woke" they aren't any less racist they just worry about being socially acceptable racists.
Anyway, please don't just repeat what other people say as jokes as if they're true especially when you're saying it about a disabled character. Acting like he's worse than his peers because he doesn't have the capability of being socially aware is ableism, calling him a grandpa because he has had a rough life that made him look disheveled is ableism, saying he's past his prime is also ableist considering he learned how to fight *after* he became disabled.
Correct me if anything I said was wrong but I really got peeved after reading several people misinterpreting Mithrun as some sort of bigoted old man who must be taken to a retirement home as if he just causes trouble for people who care for him.
#Mithrun#dunmeshi complaint#dunmeshi thoughts#ableism#dungeon meshi spoilers#edit: I adjusted the wording to convey what I wanted better#edit: edited the wording better again cause I realized I used a false cognate
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While I'm happy that the word "gaslighting" is more known than it used to be, and that people at large are learning to recognize what it looks like, I feel like we need to be careful not to turn it into something soft and casual we throw around off the cuff without meaning.
Being gaslit is psychological abuse that fucks you up very badly, very slowly, at such a gradual pace that you don't usually know it's happening until it's already re-wired your brain.
If you're unfamiliar with the term, "to gaslight" is to intentionally persuade someone that they cannot trust their own perceptions of reality. It's a destabilizing form of manipulation that leaves you constantly anxious, off-balanced, confused, and dependant on others.
This is done by lying about events that have happened or about things that are happening, invalidating feelings and observations, and either denying, refusing to acknowledge, or deflecting away from hard facts.
As someone who has experienced gaslighting as a form of abuse, this is what I remember from when I didn't know anything was off:
"Oh, I must have forgotten what really happened."
"I'm just not seeing it from their point of view."
"Everyone has their ups and downs. This is normal."
"I guess I wasn't thinking about what I was doing."
"I must have been wrong."
This is what I remember from when I first started realizing something was weird:
"How come every time I'm convinced they did something wrong, they just talk to me a few minutes, and I end up asking for their forgiveness? What has me so convinced I was right in the first moment?"
"I should start writing things down when they happen, so I can go back and check later when I'm confused."
"If every relationship like ours (familial, romantic, platonic) works this way, how come I never hear about it, or read about it, or see it anywhere else?"
Getting out and adjusting to the real world is hard, too, and comes with rapid swings of unfounded guilt, shame, fear, anxiety, and self-deprication that are completely unfounded in reality.
You've been conditioned to believe that you are entirely helpless and unable to think for yourself, possibly "crazy" or otherwise fundamentally impaired, and that there is a singular source of guidance that knows exactly what is right, and all of a sudden that pillar of support has vanished.
The immediate "after" that I recall looks like:
Constant uncertainty. Because nobody is there to tell you what's real and what isn't, you approach every situation thinking at it from all angles. Every question has fifty possible answers and most of them are wrong and you don't know which. If you choose wrong, the world will end.
A sense of helplessness. You feel that nothing you do is correct, and it's easier to make no choices at all- or you make wild, reckless, impulsive choices, because you feel you have nothing to lose.
Memory loss. I don't understand this one, but it's not like memoriescare being erased, but more like... you're so used to treating your memories as dreams or imaginations that you reflexively dismiss anything you recall as fake, and you can't believe anything you recall because you don't think it was real. Your abusers voice is in your head, wiping things away and telling you that you did the wrong thing. And you believe them, because they're the only constant you can rely on.
Missing the abuser, or the abusive dynamic. Because you know now that it wasn't healthy, but at least you knew where you stood. As long as you said the right things and acted the right way, agreed and obeyed and did as they expected, you felt like thevworld made sense. Now you have to figure out which parts of you really are broken, and which parts are working fine in a really weird way, and it's like tuning a piano when you've never played one before.
The long term "after"- for which I can only speak for myself- looks like:
Having to double-check, triple-check, and continue checking hard evidence of an event before responding in an active way.
Consulting with trusted friends to verify that your observations are legitimate and that your perceptions are valid. Following up with them to see if someone is really angry at you, or if you're just projecting anger onto them because it's what makes sense to your old pattern.
Obsessive collection of "evidence"- saving pictures, writing detailed journals, making recordings and video, never deleting emails or old texts, because you still don't quite trust yourself all the way and you're afraid that someone will cause you to doubt yourself again.
Continued self-doubt and being "gullible": I have straight up seen people flip me off to my face in front of witnesses and then immediately tell me, "No, I was just waving", and my first instinct is to believe them. For a few seconds, I *really do* believe them. Your brain is so trained to latch onto what people tell you to believe that its really, really hard to hold onto information that you already have.
Learning to take ownership over your own actions. (I didn't mess up because I'm "crazy", I messed up because I'm a person and people do that.)
Instinctively seeking approval. (Takes a lot of work to remind myself that I don't exit to make people happy, and that some people suck ass, and I can tell them to piss off.)
I don't intend to invalidate anyone currently struggling with this- if you feel that something is wrong, it probably is. That's the thought that got me out. Trust that feeling that something isn't right.
I just want people who don't know what to look for to know what gaslighting *actually* looks and feels like, so they don't just roll their eyes and think, "Oh, that word doesnt apply to me- I'm not some snowflake".
('Cause we all saw what happened with "triggered", right?)
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The transandrophobia brainrot has hit tiktok hard. There's a sound going around right now that uses the T slur in a reclamatory way, but whenever a transmasc person uses the sound people lose their minds saying it's transmisogynistic for them to use that word. But when cis male drag queens use the audio it's a slay.
My answer to those people is Get Kate Bornstein'd:
Tranny. Many people don’t know the history of the word, they assume it was an assigned hate term or slur along the lines of the “n” word. That’s not how it happened. Tranny was invented by us in Sydney, Australia in the 1970s where drag was a big deal, and still the best drag shows ever are in Sydney, Australia – they’re amazing. So a lot of trans-identified women who were assigned male at birth did drag, that’s how you made your living. And so they were transsexuals, transvestites, drag queens, and they were all doing drag to make money. They all bickered amongst each other who is better than who, “Well the drag queens are better,” “No, the transsexuals are better.” “You are all freaks, we’re better.” And on and on and on. But they worked together and they were family together, so they came up with a word that would say family and that was tranny. In Australia they do the diminutive, that’s how they come up with words. So tranny. I learned the word in the mid-1980s, late 1980s from my drag mom in San Francisco, Doris Fish, who was the city’s preeminent drag queen and she’d come from Sydney. And she schooled me in this word tranny, she said, “This way it means we’re family, darling.” “Thank you mama.” [...] So we used it and we were trannies together. And F to M was just beginning to start, the trans men were just beginning to become visible, Lou Sullivan was a neighbor of mine around the corner, and he was the first big out trans man, wrote his book. So trans men and cross dressers . . . cross dressers were also family. Transsexuals, we were all trannies and that felt good. That got into the sex industry and became a genre – there was tranny porn, there were tranny sex workers – chicks with dicks, she-males. [...] And, my only guess is that people who . . . because the only way they would have found out about the word is if they were watching tranny porn or having been with a tranny sex worker and then hated themselves so much that they turned it into a curse word. So it’s not really technically correct to say we’re reclaiming a word – it was always ours. So, many people mistake the word for the hatred behind the word and, in my generation, and I’m sure in future generations of trans people, tranny is going to be a radicalized, sexualized identity of trans in the same way that faggot is a prideful identity in the gay male community – not all gay men are faggots, but those who are are proudly fags and those who are dykes are proudly dykes within the lesbian community, trannies are proudly tranny within the transgender community. Does that mean we can’t call ourselves that because some trans woman does not want to be called a tranny? No. I’m going to keep calling myself a tranny. To the trans woman who gets called tranny, I’m sorry – as soon as . . . you’ve got to look at why you’re getting called tranny and if you don’t pass, you’re going to be read as a transgender person and then you fall back on the cultural view of trans folk which is freak, disgusting, not worth living, we can hurt you. It has nothing to do with the word, it has everything to do with the cultural attitude. So the word has stirred up a shit storm, but it’s not the word.
^ From this interview
Four weeks ago, Bear posted a call for submissions on his blog. In the interests of keeping the call as open as possible, we agreed to include as many trans-identities as we knew, so we used the word "tranny." And that's where the activist shit hit the postmodern fan base. People have been pissed. Here's their argument: FTMs are co-opting a word that belongs to MTFs. The word "tranny" belongs to MTFs, reason those who were hurt by our use of the word, because it was a denigrating term reclaimed by MTFs—ergo, only MTFs could be known as trannies. I spoke with Bear, and we agree that’s wrong on several counts:
Tranny began as a uniting term amongst ourselves. Of course it’s going to be picked up and used as a denigrating term by mean people in the world. But even if we manage to get them to stop saying tranny like a thrown rock, mean people will come up with another word to wound us with. So, let’s get back to using tranny as a uniting term amongst ourselves. That would make Doris Fish very happy.
It's our first own language word for ourselves that has no medical-legacy.
Even if (like gay) hate-filled people try to make tranny into a bad word, our most positive response is to own the word (a word invented by the queerest of the queer of their day). We have the opportunity to re-create tranny as a positive in the world.
Saying that FTMs can’t call themselves trannies eerily echoes the 1980s lesbians who said I couldn’t use the word woman to identify myself, and the 1990s lesbians who said I couldn’t use the word dyke.
At one phase in the evolution of transpeople-as-tribe, it was the male-to-females who were visible and representative of trans to the rest of the world. They were the trannies. Today? Ironically true to the binary we’re in the process of shattering, the pendulum has swung so that it's now female-to-males who are the archetypal trannies of the day. The generation coming up beyond the next generation, i.e. my tribal grandchildren are the young boys who transition to young girls at the age of five or six. They’re the next trannies. None of us can own the word. We can only be grateful that our tribe is so much larger than we had thought it would be. How to come together—now that’s the job of the next generation of gender outlaws.
^ From Who You Calling A Tranny?
We've been having this debate forever and its been stupid forever.
And its an increasingly outdated debate. More people know about trans men&mascs than ever and there are plenty of TM&Ms who have been called tranny by transphobes who don't give a shit about this distinction. And not just people who have been mistaken for transfems, either, but men like Andrew Jonathan Blake-Newton and Saye Skye who were attacked by people who knew them. Do they have more or less of a right to say tranny than a trans girl whose never been called it by a transphobe? (Neither. Because no one owns this word.)
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re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"
this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?
some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.
take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.
and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.
people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.
that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis
#bird original#see also: the murderbot diaries#murderbot does not like to be touched. murderbot does not like touching other people#physical contact is an unpleasant necessity in emergencies or to feign being human (something murderbot also hates)#at one point murderbot uncomfortably offers a hug to someone it cares for because she's upset and needs one --#and she refuses. because she knows it doesn't really want to; she won't ask it to do something it hates for her benefit#& yet murderbot fic often has it learning that touch ~isn't so bad~ and maybe there are a COUPLE people it likes to cuddle with.#the differences between vash in the original trigun anime and trigun stampede --#tristamp!vash is your woobie who hides his sad and traumatized heart under goofy behavior;#who copes and avoids through silly indulgences#2011!vash ... is not that#2011!vash isn't coping or masking. he feels immense grief yes; he also feels immense joy; the two are inseparable#he pursues joy moment to moment because he knows how fleeting each moment is#he loves people so intensely because he knows that he'll lose them -- so he has no time to waste with them#his grief is real and profound; so is his joy#i find that much more compelling and i feel like that's not a character i'd see in today's media environment#anyway#fandom#trauma#fanfic#throwing a golden apple into the tags with this but fuck it we ball
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Okay hi I don’t know if I’m doing this right and this is how you rqs something, I saw your cry for help for a luke Castellan fic,
could I pls request something like a daughter of Poseidon reader and her and Luke have been friends for years but haven’t never really seen each other as more than that until some guy starts to hit on her and Luke gets jealous asf and then the Luke starts a fight with him because he said something nasty about reader, and rewarded gets pissed off that Luke’s fighting and it’s super angsty and jealous and they fight and make up and realise their feelings and maybe a kiss?????
Hope that wasn’t too long xx
someone gets hurt — luke castellan
pairing: luke castellan x poseideon fem!reader
warnings: use of y/n and she/her pronouns, a couple swear words, character sexualizing reader
a/n: GETTING THE HOO BOOKS TOMORROW!!!!!!!!
masterlist !
꒰ა ☆ ໒꒱
"again!"
the sound of swords clanging against each other echoed in the empty field and through the forest.
"luke, how many more times do we have to do this?" y/n was out of breath. her right hand was red from gripping her sword too hard for the past hour, her hair has been tied back by now, and sweat coated her cheeks and arms.
"no offence, but your dad is into water, not swords," luke responds.
"what? you're saying i'm not the best swordsman in camp?"
luke chuckles, "obviously, because i'm here."
y/n only laughs at his response.
"swordswoman."
"what?" y/n's more than confused.
"you wouldn't be the best sowrdsman at camp. swordswoman would be the correct term."
instead of responding y/n shoves her sword inbetween luke's wrist and hip, skillfully pushing her own sword to make his fall to the ground.
"yeah, yeah, miss one time champ. go get some water," luke laughs.
"you know, after being your friend for so many years," y/n starts, but takes another sip of water as luke walks over to the bench she's sitting on. she continues, "you would think i'd learn your fighting patterns, and actually beat you for once."
"that's the thing y/n. my fighting strategies always change. once you find them out, they'll just change again," luke replies.
"you ready to go again?" luke asks for a few minutes, letting the girl have time to rest.
y/n nods, and gratefully takes luke's hand to help her up off the bench. she walks over to the dirt area with a slight limp. luke had cut her leg earlier, on accident of course, and y/n insisted she was fine. after pouring half her water bottle on it, there was nothing more than a light scar. however it still hurt.
"wow! with a limp like that, you'd think i was with her all night!"
corey andrews stepped into the clearing of the woods, with his ares brothers right beside him. ever since he got to camp a year ago he'd been harassing y/n. he always found a way to call her out in front of others. and it made y/n's blood boil.
she was about to walk over to the idiotic camper and punch him, but luke grabbed her wrist.
"leave it," his voice was soft, yet firm.
y/n gives in, and goes back to sword fighting with luke. the pair ignore corey and his friends.
corey on the other hand dislikes the silence. he walks over to y/n's side, and pokes her in the sides. it causes her to let out a small shriek and drop her sword.
"what the hell is wrong with you?" she turns and scolds corey, punching him in the shoulder.
"dude, you never mess with someone while they have a sword in their hands," luke picks up y/n's sword for her.
"oh that was nothing. we're just playing, right babe?"
y/n's stomach drops at the name coming out of corey's mouth.
"what's your problem andrews?" luke gently pushes y/n behind him. a motion the girl would soon be thankful for.
"my problem is that absolute babe, with that kinda body isn't in my bed right now," corey gestures to y/n. she's fully behind luke, holding onto his arm. was it out of comfort? or in order to keep luke from lashing out? y/n didn't know, but luke didn't mind her touch.
"she's busy," luke answers for her, feeling her grip tighten, "we're busy. so if you could leave, that'd be great."
luke needed corey to get out of his sight before he punched him. he couldn't stand what the ares boy was saying about his best friend.
"not before i get a piece of her," corey snickers and lunges to try and get to y/n from behind luke.
"corey!" luke scolds, throwing his arms out to block corey.
"don't touch me!" y/n yells in fear, now holding luke's shirt tighter than ever.
finally one of corey's friends speaks up, "corey, come on, they both asked you to leave her alone."
the other friend can't help but agree.
"y/n, go find chiron and tell him about corey," luke whispers. with a nod, y/n's running in the direction of the big house. anything to get away from corey.
before the harasser can get a gain on y/n, luke's grabbing him by the shirt. he lets go, but only to punch him square in the face.
blood instantly seeps out of his nose, and luke swore he saw fire gleaming in corey's eyes.
"why are you so protective of her? what? you sleeping with her or something?"
luke's expression doesn't change.
"if you say one more thing about her, i swear i'll punch you into the ground."
no words were spoken, making luke release his grip on corey's shirt. corey however takes the opportunity to shove his head into luke's knocking him back a few steps.
corey gets a few punches in before luke regains his balance. a few more punches land on luke's arms, before he shoves corey back, and punches him one last time before the asshole is laying on the ground.
luke's breathing heavily and corey's catching his breath on the groun as chiron speaks up.
he walks fully out of the woods now, with y/n climbing off his back. as soon as she told him what happened, he directed her to get in his back as he ran towards the arena.
y/n ran to luke as chiron started scolding corey and his two brothers, mostly corey though.
y/n holds luke's face in her hands, running her thumbs over the fresh red patches on his cheeks.
"are you okay?" there's nothing but concern filling her voice.
luke dryly chuckles, "you should see the other guy."
y/n leans up and wraps her arms around luke's neck to fully pull him into a hug. in seconds his own arms wrap around her waist.
as they pull away, luke watches chiron walk off with the three ares brothers.
"are you okay?" luke finally asks y/n.
she nods, "yeah, it's uh, nothing he hasn't said before. he's just never lunged at me before."
luke leans over to kiss y/n's forehead, before talking back to their swords. he was going to put them away, with the other dull fighting swords, but y/n's voice stops his movements.
"thank you," luke turns to the girl, "you've saved me a lot from corey, and i've never really told you thank you."
"what are friends for?"
luke's words hurt y/n, not on purpose. y/n can't help but see luke differently recently. she wasn't sure if he grew into his looks, or maybe it was just her hormones messing with her, but she started falling for luke castellan.
"you okay?" luke walks back over to the girl.
she only nods, "yeah, yes i'm okay."
luke notices the shake in her voice and her emotions changing from one to another.
"are you sure?" luke's hands rubs up and down her shoulders.
y/n only nods again, but after a moment her eyes drift down to his lips subconsciously.
luke noticed.
the boy smirks slightly, making y/n confused.
"you look like you want to kiss me."
y/n's cheeks change to the brightest shade of red, and she immediately starts shaking her head.
"no! no, no that's ridiculous," she denies
"what if i said i want to kiss you too?"
y/n's breath catches in her throat. she must've heard luke wrong.
her thought was disproved when luke leaned in slightly. he stopped, wanting to make sure y/n wanted this just as much as he did. the girl simply pulls luke to her by his neck. a small groan emits his lips once they connect with hers.
the kiss was full of force, and pent up emotions. they could both tell, and they knew how long they needed this kiss to happen.
"you guys done sucking face?"
luke and y/n break apart at clarisse's voice.
"we need the arena to practice," she states, motioning to a few of the ares sisters behind her.
"yeah uh," luke coughs, "we'll go."
and with that, he pulls a very giddy y/n out of the arena and toward the direction of his cabin.
#shelbi writes#keerysfreckles#luke castellan#luke castellan x reader#luke castellan pjo#luke castellan x y/n#luke castellan x you#luke castellan x fem reader#luke castellan x fem!reader#luke castellan x poseidon!reader#luke castellan x poseidon reader#percy jackson#percy jackson and the olympians#pjo#pjo tv show#pjo show#pjo tv#pjo series
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for astra: park sunghoon
intro of for astra | spotify playlist
pairing: sunghoon x afab!reader word count: 5.8k
synopsis: sunghoon finds himself waking up and repeating the same day over and over again until he finally breaks the cycle and finds himself on a space station called ‘astra 1’. he soon learns he is one of the few who are still alive and that they aren’t alone…
genre: space!au, survival!au, neurologist!sunghoon, neurologist!reader, strangers to lovers, angst, smut.
warnings: swearing, blood, m*rder, guns go pew pew, other life forms, some science talk, unprotected sex, biting, hair pulling, sunghoon fucks reader against the wall, adding more as the story progresses, MINORS DNI!!! (these tags will be on every part even if they do not consist of said tag)
intro | part one | part two
a/n: tysm for 4.3k follows guys!!! i’m grateful more than words can describe. this means the world to me. so have this spacey thriller based off my favorite video game for the celebration 💜
[ 𝙻𝙾𝙰𝙳𝙸𝙽𝙶… ]
[ … ]
[ … ]
[ … ]
[ 𝙴𝙽𝚃𝙴𝚁 𝙿𝙰𝚂𝚂𝚆𝙾𝚁𝙳 ]
[ ****** ]
[ … ]
[ 𝚆𝙴𝙻𝙲𝙾𝙼𝙴 𝙱𝙰𝙲𝙺, 𝚁𝙴𝙳𝙰𝙲𝚃𝙴𝙳 ]
[ 𝚆𝙷𝙰𝚃 𝚆𝙾𝚄𝙻𝙳 𝚈𝙾𝚄 𝙻𝙸𝙺𝙴 𝚃𝙾 𝙳𝙾? ]
[ 𝘾𝙊𝙈𝙈𝙀𝙉𝘾𝙀 𝙋𝙍𝙊𝙅𝙀𝘾𝙏 𝘼𝙎𝙏𝙍𝘼 ]
[ 𝙻𝙾𝙰𝙳𝙸𝙽𝙶… ]
[ … ]
[ … ]
[ 𝖴𝖯𝖫𝖮𝖠𝖣 𝖯𝖱𝖮𝖩𝖤𝖢𝖳 𝖠𝖲𝖳𝖱𝖠? ]
[ 𝙔𝙀𝙎 ]
[ //𝖴𝖯𝖫𝖮𝖠𝖣𝖨𝖭𝖦… ]
[ 𝖴𝖯𝖫𝖮𝖠𝖣𝖤𝖣 ]
[ 𝖯𝖱𝖤𝖲𝖲 𝖤𝖭𝖳𝖤𝖱 𝖳𝖮 𝖲𝖳𝖠𝖱𝖳 ]
[ 𝙀𝙉𝙏𝙀𝙍 ]
Sunghoon’s eyes fluttered open, wandering them to the glass sliding door leading out to his balcony. The morning sun shone brightly into his studio apartment. With a sigh, he pulled himself out of bed, dragging his feet across the floor towards the bathroom. Stretching out his arms and letting a small yawn leave his lips.
He really didn’t want to go to work today. But nevertheless, he brushed his teeth and changed into his favorite pair of tan slacks and gray button-up shirt with lab-appropriate shoes then out the door he went, waving a hand and giving a smile to the apartment staff, “Good morning Mr. Park!” They smiled and waved back.
Sunghoon took the elevator to the roof, where his private helicopter was waiting for him, the pilot giving him a nod as he climbed in, “Good to see you again, Mr. Park.”
“Pleasure is all mine, like always.” Sunghoon teased. The pilot's laugh filled the copter and forced Sunghoon to smile even more. He really did have the best staff working for him.
And soon enough, he was walking into his company building, pulling his ID badge from his pocket and sliding it across the counter to the guard, once his ID was confirmed he was well, him, he was sent through.
“About time you showed up!” Heeseung teased with a tilt of his head, “What time did you wake up this morning?”
Sunghoon rolled his eyes, “Do you forget who owns this company? I show up when I want to.”
Heeseung patted his best friend's back, “Co-own. Don’t forget my half.” Sunghoon chuckled and shoved his friend, following at his side to the lab.
“What tests are today?” he asked.
“Let me think,” Heeseung checked his watch, “I think we can start with the drawings.”
Sunghoon groaned, “The damn drawings?!?”
They turned the corner and walked into the lab. All the scientists and lab techs rushing around to prepare for today's tests, “They won’t take long, promise!” Heeseung crossed a finger over his heart in terms of his promise. With a sigh and eye roll, he stepped into the testing box.
“Good morning, Dr. Park.” One of the scientists said, “We are starting with drawings, yes?”
Heeseung slid to the scientist's side, giving Sunghoon a thumbs up. Oh man, if there weren’t a glass wall between him and Heeseung right now, “Correct,” Sunghoon said looking away from his best friend, “Send them in.”
Sunghoon sat down at the desk in the middle of the room, a tablet sat in front of him. With a press of a button on the counter by one of the lab techs, the tablet screen went bright, showing the first drawing.
Sunghoon raised a brow, “It’s two people facing away from each other.”
Heeseung glanced at the computer on the counter, looking at the same image Sunghoon was.
“Good, good. Next photo.” The scientist waved the lab tech to continue.
Sunghoon slid back into his chair, glaring up at everyone on the other side of the glass, “These are fucking stupid.”
The test they were running on him was the Rorschach Inkblot test. Ya know, the blobs of ink someone dumped on paper to show to psych patients and see how crazy they are.
“Hoon,” Heeseung warned, “Please.” Heeseung was always the more level-headed one out of the two of them.
Sunghoon pushed his tongue into the left side of his cheek, shooting his eyes back down to the tablet, “It’s a butter—“ His vision went blurry. A massive pain in his head throbbed and his ears rang. He shot to his feet, covering his ears with his hands, and let out a scream.
“FUCKING DO SOMETHING!!!” Heeseung yelled at the scientist, “SHUT IT DOWN!!!”
Once his vision went black, everything went silent.
His eyes fluttered open, wandering them to the glass sliding door leading out to his balcony. The morning sun shone brightly into his studio apartment. With a sigh, he pulled himself out of bed, dragging his feet across the floor towards the bathroom. Stretching out his arms and letting a small yawn leave his lips.
He really didn’t want to go to work today.
Sunghoon stopped midway to the bathroom, slightly shaking his head. Something felt too…familiar. He shrugged his shoulders, deciding it was just another day.
“I think we can start with the drawings today.”
“The damn drawings?!?”
Sunghoon dropped his head into his hands, stumbling back a few steps, Heeseung immediately at his side ready to keep him from tumbling over, “Hoon, you okay?”
Sunghoon wasn’t sure how to answer that question. How does he tell his best friend he’s been getting a major case of deja vu today? So he shrugged him off, “It’s nothing. Just a small headache is all.”
Heeseung placed his hands on his shoulders, “We can reschedule today for another if you’re feeling sick?”
“Let’s just get the damn drawings over with.” he pushed past his friend.
Sunghoon stared at the inkblot pictures in front of him then shot to his feet, covering his ears and screaming until everything went silent and black.
His eyes fluttered open, and this time he didn’t look out onto his balcony. He stared straight up at the ceiling. His head was pounding. His heart was racing. But he got up anyway.
He glanced around his studio apartment, looking like it always does. Neat and clean. Not a single spec of dust. His couch looks new. Like new new, hasn’t been sat on kinda new.
As he made his way towards the bathroom, Sunghoon couldn’t shake the feeling that something was…well, wrong. His deja vu and the splitting headache wouldn’t stop. Sunghoon tried to wrap his mind around it as he reached for his toothbrush.
“I think we can start with the drawings today.”
Sunghoon blinked multiple times and shook his head, connecting his palm to the side of his face.
What the hell is going on??
He sees the inkblot of the butterfly and he starts screaming, everything going black until he’s once again waking up and staring up at his ceiling except this time….
He remembers the events that just took place. Sunghoon quickly sits up in his bed, sweat dripping down his face as he takes in his apartment. It looks normal but more eerie. The air felt thick and the apartment complex sounded too quiet. He swallowed as he stood from his bed, slowly walking to the middle of the room. He listened for any sound possible, but only heard the quiet. Not even the sound of birds was present. Something was definitely wrong.
That’s when his eyes landed on his kitchen countertop, a card sat there straight up, his name written on the front. It drew him in, calling for him. He took the white card between his fingers, flipped it open, and read the contents inside:
Sunghoon, Meet me in your office as soon as you get up and get ready. We have a lot to discuss. You’ll need to break the glass.
Sunghoon scoffs and tosses the card back on the counter. What did this mean? Who sent this to him? But the more he lingered his eyes and thoughts on the card, the more questions he had and the more confused he was. With the events that happened yesterday(?) and now waking up to this card…all on top of his deja vu and headaches…He needed answers. Now.
He quickly got ready and laced up his boots, checking the time on his watch, the helicopter that takes him to the company building would be leaving in ten minutes, he needed to get a move on.
He counted each step it took to his front door, holding his breath as he reached for the door handle. Here goes nothing. The knob twisted and turned, pulling the door open slowly and his heart nearly ripped out his chest.
The hallway was dark. One of the light fixtures was barely holding on by its cord, flickering and sending out sparks.
His whole body shook as he took that first step out of his apartment, realizing there were no other doors on this floor besides the ones to the elevator.
What is happening…
Sunghoon slowly walked into the hall, immediately clenching his fingers over his nose. Eyes searching up and down the hall for the source of the smell until he found it.
One of the apartment workers on his floor was slumped against the wall, head hung low, and dried blood covering their entire body and staining the floor around them. Tools and other equipment are laid beside them. They’ve been dead for a while because of the looks and position of their body. “Good fucking god,” he pressed his back against the wall, forcing his eyes down to the other side of the hall, “What the fuck is going on?!”
The office. His office. He needed to get to his office. With a deep breath, Sunghoon pushed himself off the wall and rushed down the hall, keeping his eyes straight ahead to not look at the decaying body as he moved past it, heading for the elevator and quickly tapping the button. He bounced his weight back and forth with his anxiety building up along with the questions running through his brain. He reached forward again and pressed the button once again, the realization sinking in that the elevator was not working.
You’ll need to break the glass.
Sunghoon turned back around, looking at the empty hallway with only his apartment door being the only door. What glass does he have to fucking break??
Then it hit him. The glass door to his balcony.
He quickly rushed back to his apartment, the bright sunlight forcing him to squint his eyes until they adjusted but he didn’t stop moving, taking notice that he couldn’t see his reflection in the glass. Sunghoon tried to open the sliding glass door, only for it to be bolted shut…or…maybe…
Sunghoon placed his palms against the glass and pushed, but it didn’t budge. He furrowed his brows and traced the tip of his finger along it, could this be…??
He needed to break the glass. But if his suspicions are true…
The tools by the dead worker. They had a wrench. He rushed back out of the apartment and into the dark hallway, averting his eyes from the body and locking them onto the tools, and picking up the wrench from the floor, its metal cool against his skin. Once he found himself back in front of the glass, his heart raced. What was he about to find once he broke the glass? What was waiting for him? Heeseung. He could only hope his best friend was the one who left that note for him. It only made sense.
So he swung the wrench, connecting it to the glass and watching it shatter, the sound of it breaking echoing in his ears. His eyes widened as he took in what was now in front of him, arm slowly resting back at his side and hand clenching the wrench tighter. He pressed forward, carefully stepping over the broken glass and into the new area before him.
His suspicions were true. He was being watched.
Two rows worth of computers, monitors, and cameras filled the room. Dry-erase boards that tracked every movement Sunghoon made sat in the corners of the room. Stacks of folders filled with records sat on almost every desk along with multiple broken coffee cups scattered amongst the floor. In the furthest part of the room were rows of shelves filled with food and water. The same exact food Sunghoon has in his cabinets.
Sunghoon slowly turned around and faced his…apartment? Would that even be the correct term to call it? He wandered his eyes over the room he was held captive in, seeing that every inch of that wall along the glass door was see-through. It only proved his suspicions more. Not only was he being watched, the entire wall was a two-way mirror.
Quick on his feet, he rushed to one of the desks, grabbing at the folders and flipping through the records, hands shaking at everything being revealed to him, “What the fuck…” Sunghoon was being used as a test subject. Forced to replay a specific part of his life over and over again as the experiment for over a year. Everything about his experiment was fixed. The time he woke up every day. The meals he ate. The time he left the apartment. The helicopter(which was just past the elevator and in fact just a simulation ride). The company building. It was all fucking fixed. This whole area he was currently standing in was a fucking stage and he was the performer.
Squeezing the wrench, then pushed everything off the desk out of anger, frustration, and confusion. What the actual fuck was going on here? He needed to get to his office. And since this seemed to be the company building, he knew exactly where to go.
Before a step could be taken, a mug rolled past his feet. It startled him, but he kicked it away anyway, chalking it up to be one of the items he pushed off the desk and walked towards the door assuming to be the exit. As he reached the door, the sound of the mug still moved, causing Sunghoon to whip his head around, seeing the mug finally halting in its place. There’s no way he kicked that mug that hard, did he? He didn’t have time for this and completely disregarded the stupid mug and opened the door, leaving his captive place and the weird mug behind.
Only to step foot into the lab, the main source of his deja vu. He placed his other hand onto the wrench, slowly making his way further in. Bodies of the scientists and lab techs were on the floor, at their desks and stations, and leaned against the wall. Their bodies were different than the one in the stage hallway by his ‘apartment’. Their skin was completely pale, their faces looked hollowed in like someone vacuumed sealed their skin to their bones. Sunghoon didn’t know which was worse to see between the bodies here and the worker in the hall. He kept his eyes moving, wandering off to the testing box, seeing the tablet still sitting on the desk with the butterfly inkblot still pulled up. How hasn’t that thing died yet?
His head pulsed just then looking at the inkblot. Body wincing and bringing him down to his knees, dropping the wrench at his side to cup the sides of his head with his hands. He bit down on his lips to keep from screaming, trying with all his might to keep his eyes open.
Please don’t black out again. Please don’t black out again.
A noise from across the room shook him from his daze and settled the pulsing of his head and blurred vision. He looked in the direction, swearing to god he saw something moving from behind one of the desks.
“Hello?” He slowly brought himself back to his feet, squeezing the wrench in hand and ready to use it as a weapon, “Who else is in here?” there was silence, “Heeseung, I swear to god man if that’s you…”
Except it wasn’t Heeseung that moved from beside the desk. It wasn’t even human. The thing was small, black, with four legs and dark veins that moved from his circular body down to all the legs. It moved fast, quickly jumping itself onto the nearest desk. Sunghoon took steps back, keeping his eyes locked onto whatever the hell that thing was. Watching as it moved itself from one desk to the other, making its way to him, jumping back to the floor, and morphing into a piece of paper that it landed beside. Without a second thought, Sunghoon rushed over, slamming the wrench down onto the monster, its appearance going back to normal and its four legs wrapping itself around the wrench and his wrists. On instinct, he lifted his arms up and quickly slammed them back down repeatedly, shoving the monster over and over again onto the floor until it stopped moving and its legs went limp, releasing his wrists.
Sweat dripped down Sunghoon’s face as he squats down to inspect the thing, “What are you?”
ₐₙd wₕₐₜ ₐᵣₑ yₒᵤ?
Sunghoon fell back on his ass, swinging the wrench once more against the monster until its black blood pooled onto the floor.
“Oh, fuck,” He whispers, “Oh, what the fuck!” He scrambles to his feet and rushes away from the dead thing, nearly tripping over the dead bodies as he runs to what he was praying to be the exit. He just needed to get to his office. Then everything will be answered for him.
But what Sunghoon was expecting to find, and what he did find, when the door swung open were two completely different things. His jaw dropped as he stared out the windows, arms limp at his sides as he walked to the nearest railing, “Holy fucking shit.”
He couldn’t believe what he was seeing. Blinking multiple times just for good measure to double-check he wasn’t dreaming.
He was in space. He was in fucking space. Sunghoon looked over the railing, seeing what he was assuming to be the lobby of this…spacecraft? Space station? He goes with station after seeing banners and signs of the like with the name ‘Astra 1’ written on them.
He swallows and decides to explore, walking down the steps to the first floor of the lobby. He couldn’t help but smirk as he took in the sights in front of him. He was in space?! What the fuck happened that lead him here?
As much as Sunghoon wanted to explore the lobby in its entirety, he remembered the small alien(?) he just encountered. If there was one, there had to be more. Maybe even something worse than that small one lurked among this station. He needed to find his office and get the fuck off this station. Fast.
Thankfully for him, purple signs that matched the station's color theme pointed him in the exact direction he needed to go. The offices were on the top floor of the lobby along with a few meeting rooms, a break room, and the trauma center. Sunghoon walked the three stories of stairs as fast as he could, finally reaching the top floor and noticing a turret sitting in the corner, pointing to the door of the trauma center.
What could a turret be here for? Sunghoon looked at the door to the trauma center, seeing the keypad was green, probably meaning the door was unlocked. Curiosity got the best of him as he slowly walked to the door. What could this turret be watching for? All those questions were answered the minute the door caught his motion and slid open. The sound of the turret started up and Sunghoon quickly dropped to the floor and pushed himself backward. The alien he saw standing before him looked exactly like the small one, except more human-like. As tall as one, with two large dark purple eyes at the top of its head. Its skin was also black but shinier, almost electric-like; a current flowed through the outer layer of its skin. It stared back at Sunghoon, tilting its head.
yₒᵤ’ᵣₑ ₐfᵣₐᵢd? wₕy?
The turret starts shooting out its bullets, the creature quickly rushing further into the trauma center for refuge and the door sliding closed. Sunghoon rushed back to his feet and over to the keypad, pressing his index finger against it, finding the lock icon, and pressing it repeatedly until the screen turned red. He waved a hand over the motion detector and let out a sigh of relief.
yₒᵤ’ᵣₑ ₙₒₜ ₗᵢₖₑ ₜₕₑ ₒₜₕₑᵣₛ. wₕy ᵢₛ ₜₕₐₜ? yₒᵤ ₜₕᵢₙₖ?
Sunghoon looked through the small thin window of the door, seeing the dark purple slits looking back at him. The creature hunched over into a corner. Why can he hear these things speaking to him in his mind? What the fuck is going on in this damned space station?!
He turned quickly, marching past the turret and down the hall that led to the offices. The hall had three doors on each side that had two desks on either side of each of the rooms. One door sat at the end of the hallway. It was cased in purple steel with a golden outline of flowers. It was beautiful, truly.
As he got closer to the door, just above the trim was a silver plate that read: Dr. Park Sunghoon. This was it. This is his office.
The keypad was red to show it was locked. Sunghoon pressed the lock icon and two options popped up:
Enter passkey
Face ID
Sunghoon chose face ID, because what the fuck would the passkey even be? He clearly doesn’t have any memory of stepping foot into this space station, what made him think he’d know the passkey?
The screen changed into a camera, showing him his reflection. A white bar moved up and down, and side to side across the screen to scan his features. It lit up green, and the door to the—his—office opened.
With a deep breath, he walked inside. The lights seemed to be motion-censored as they lit up the office with just the few steps he took inside. This office was HUGE. To his left, he had a view of the Astra 1 lobby and the infinite space. In front of him was a locker with another passkey he didn’t know. To his right sat his desk at the far side of the room with a workbench off to the side and a kitchen on the other.
He slowly walked over to his desk, tracing his fingers across the smooth surface as he rounded the corner of it. Sat on top of the desk were two monitors with the logo of his company slowly spinning in a circle and three picture frames. One with him and Heeseung as children, the other with them the day they created this company, and the last one is a photo of him, his younger sister, and his parents at one of his last figure skating competitions. Sunghoon smiled at these photos, fondly remembering them. But his smile soon faded at the realization he doesn’t remember anything else after a certain point.
He sighs and shifts his head to the other side of the desk, seeing a fresh apple and another card. He picked up the card first.
Sunghoon, If you were able to make it here, unlock the computer and click accept on the operator screen which will be already loaded up. The passkey is 20201130. I know you must have a lot of questions, everything will be answered soon. Please eat the apple as well. You more than likely haven’t been given proper nutrients.
Sunghoon didn’t realize how hungry he was until reading the card. Quickly tossed the paper down and grasped at the apple and sinking his teeth into the fruit. He dropped himself into the chair and leaned back as he chewed. How long has he gone without actually eating?
Once he finished the apple and tossed the remains in the trash can under the desk, he got to work with the passkey, typing it in and watching as both screens unlocked. Just like the card said, a window was already open to accept the operator. He clicked accept instantly.
Curtains came down the windows and the lights dimmed. One monitor shut off, and the other loaded up a video.
“Hello, Sunghoon.”
His heart stopped. The video was…of himself. And a small white ball floated beside his head…an AI, he assumed.
“You probably have a lot of questions,” he said, holding his hands together and leaning forward in the chair he was sitting on. The room he was in was a bit dark and looked to be in the corner of the lab downstairs, “For starters, I want to apologize on behalf of the things they will do to you,” he looked to the floor, licking at the corner of his lips, “I hacked into our companies system and saw the things they are planning for you, for us.” The white ball floated to the other side of his head, “How rude of me,” he chuckled, “This is November, Nov for short. He is…exceptional. He is us of course. We created him with the help of our technology and the neuroscience department. With the help of…” he looked down at his hands and twisted a ring around his middle finger, forcing Sunghoon to look down at his own hands and seeing that ring wrapped around his middle, when did that get there? “We were able to implant pieces of our psyche into these wonderful robots. We are the only one who successfully implanted our psyche into these things,” he gently tapped his index finger to the small bot, it turned to face him, obviously giving an attitude, “Hee was pissed we figured it out first,” Sunghoon smiled and looked down at the floor away from the monitors, missing his best friend and wondering where on earth he could be in this station. The video continued, “I’ll get to the point since I’ve messed around enough,” he leaned back into the chair, squeezing at his thighs, “The Typhon—the life forms we found while exploring space—I’m sure you’ve encountered them. If my predictions are correct then you undoubtedly encountered a few types. Or your memories returned and you’ll remember everything and I made this video as a safeguard for nothing,” he shrugged, “But I doubt it would be the case, unfortunately.” There was another voice shouting off in the distance. He stood to his feet and walked closer to the camera, worried filled his face, “My worst fear has happened,” he placed both hands on the side of the camera and swallowed, “I’ll leave instructions with Nov to explain the rest,” he glanced away from the camera, tucking his lip between his teeth, “Godspeed, Sunghoon. Good luck.” Then the video ended.
The curtains drew up and the lights came back on. What the fuck was that? The sound of a panel opening somewhere in the office jolted Sunghoon to his feet, the small white robot flew into the room, turning and looking at Sunghoon.
“Hello again, CEO Dr.Park,” Sunghoon carefully walked around his desk, meeting Nov halfway, “Have your memories returned?” It shocked Sunghoon on how alike his voice sounded coming from the bot.
He shook his head, “No.”
Nov tilted to the side, “What is the last thing you remember?”
Sunghoon shrugged, looking away from the ball, “That I was reliving the same day repeatedly, taking the inkblot test. Seeing the same image and everything going black until I finally somehow stopped the loop. I have no memory of this station or even stepping foot in it.”
Nov hummed, “It’s because you stopped taking the medication they were forcing you to use, to keep you in that loop.”
They were drugging him? “Explain to me what is happening!”
“CEO Dr. Lee and yourself, built Astra 1 after the discovery of the Typhon,” Heeseung and himself…discovered these aliens on this station? “They are smart creatures, and hold the key, secrets, and abilities for the mission you and Dr. Lee aimed for.”
To reach beyond the depths of our psyche and grant gifts to those who have none, to heal the less fortunate, and discover ways to extend our lives by transferring our psyche. They did it. Nov and the video Sunghoon was shown is the living proof of that. He couldn’t believe it, “How did we discover these aliens?”
“After Astra 1 was finished being built, Dr. Lee, yourself, and multiple others came up here to take a look before officially opening the station. The Typhon snuck their way into the station somehow. You and Dr. Lee found the mimics in the kitchen down in the crew quarters. One moment there was one mug on the table, a second later there were two.”
Sunghoon chuckled, thinking back to the small creature he encountered in the lab, “Mimics, perfect name for them.”
“Dr. Lee named that one.”
“Of course he did,” Sunghoon bit his lip, “Where is he?”
Nov tilted to the other side, “The whereabouts of Dr. Lee Heeseung are unknown. His tracking bracelet was disabled after the outbreak.”
Sunghoon froze, “The outbreak?”
“Yes. The Typhon are smart creatures, they played a coup and waited for the perfect opportunity to break out.”
Sunghoon scoffed, “That’s what happened in the video I was shown wasn’t it? The outbreak was happening.”
Nov hummed, “Indeed it was.”
Sunghoon gripped the side of the desk, “What happened to me?”
“After the discovery of the typhon and their abilities, as the video stated, you with the help of another doctor, successfully found a way to transfer over the psyche and created the neuromods to help with the transfer. Then the trials of using the neuromods on the typhon commenced. Once the trials were successful, it was time to take the psyche of the Typhon and plant them into humans. You being the primary test subject.”
Sunghoon clenched his fist, anger boiling up within him. He was fucking used as the primary test subject? HIM?! The fucking CEO of this goddamn company was used as the test subject?!
“I didn’t spend years of my life getting my doctorate in neuroscience just to become a damn fucking test subject!” Sunghoon snapped, locking his jaw tightly.
“That’s the thing, Dr. Park,” Nov moved closer to him, “You volunteered for it.”
His heart stopped. He did this…to himself?
“But you had no idea what the other scientists had planned, at least not at first. You were injected with the Typhon neuromods and took tests every single day to see how their abilities were working. It went perfectly until your mood started to change. That’s when they started wiping your memory. They stripped the Typhon psyche from your brain and restarted the trails.”
Sunghoon nearly fell to the floor, a piece of memory coming back to him of seeing Heeseung on the other side of the glass, screaming at the scientists each time over and over again to shut everything down, “Heeseung was a part of this too…He put me through this, he let me do this?!”
Nov fell silent for a couple of moments, “Dr. Lee tried to talk you out of it. Once the results were good, he no longer tried fighting you, until your mood changed and the other scientists took over the project. Dr. Lee had no control after that and had to play into their games, same as you.”
Sunghoon shook his head, “How has he completely just gone missing?! I just saw him yesterday for the tests!”
Nov shook as if saying no, “Dr. Park, the last trial you went through was almost three months ago,” Sunghoon stared at the floor with wide eyes, “The outbreak was contained a bit, but your trials continued. You eventually caught along to the trials and hacked into the station's mainframe and discovered everything they’ve done to you and what they plan to do to you. Not just you, but also the Typhon. You had plans to shut the project down but were caught in the process. The last memory you have was right after that final trial and before you were caught.”
His headache formed once again, dropping his head into his palm and gripping the desk tighter. It all made sense. Every ounce of it made sense. He needed to get off this ship. To find Heeseung and get off Astra 1 and report what has happened here to the police.
“I need to get out of here,” he said quickly, looking back at Nov, “You said Heeseung had a tracking bracelet, and I’m assuming the whole crew had one. Is there a way to turn it back on and find him?”
Nov went silent again, moving to look at the floor, then back up at Sunghoon, “There’s a list of the entire crew's bracelets and their locations, but after the outbreak, only one person was given access to the locations. Which brings me to the next piece of information you told me to tell you.”
Sunghoon nodded, waiting for Nov to continue.
“You need to destroy Astra 1 and all the information here along with the Typhon.”
He froze once again, “What about the survivors here? There have to be survivors on this station! Innocent people!”
Nov went silent then floated even closer to Sunghoon, “There are escape pods just below of the bridge, use those to escape with the survivors along with yourself after setting the station to explode.”
Sunghoon sighed with relief. This was good. It gave him time to search for Heeseung.
“You’ll only have ten minutes after setting the station to explode to get back to the bridge and escape. You’ll need to move fast.”
The locker slowly swung open, “I went ahead and unlocked the locker for you. In there, you’ll find your space suit to protect you not just from the damages of the station, but also the Typhon that is lurking around. A shotgun is also provided.”
Sunghoon walked to the locker. A red suit hung inside with the shotgun sitting on a shelf above up. He took the suit in his hands, inspecting it. Dr. Park Sunghoon was written on the name tag attached to the chest. He wasted no time pulling the fabric onto his body and zipping it up. God, past him really thought everything through with this outbreak. Too bad he doesn’t remember a damn thing about it.
“The suit has an auto function for the helmet,” Nov said, “For example, if you encounter a typhon or radiation, the helmet will automatically equip.”
Sunghoon raised his eyebrows, impressed, “Who designed that feature?”
“Why, you did, Dr. Park.”
Of course, I did.
Sunghoon grabbed the shotgun and the box of bullets sitting beside it, working fast to load up the gun.
He was officially ready to find Heeseung and blow this motherfucker into pieces.
“You said one person was given access to the entire list of the bracelets,” Sunghoon shifted his weight to the side, “Who is this person?”
“You’ll need to find Dr. YN/LN. She has the list.”
Sunghoon glanced up at Nov, “And where do I find Dr. YN?”
intro | part one | part two
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Is "Uh, nope" a frequent US response to lamb?
Or is US lamb somehow different?
This is just a vaguely mystified response to some comments here.
I'm guessing the "G-word" is gamey. I've smelt gamey meat, I don't like it, and Irish lamb definitely isn't that. Also, most people I know don't need to screw up their courage before cooking or eating it.
Mutton, mature sheep-meat, has - or so I've been told, because I've never found it in any local butcher - a much fuller flavour, still not gamey, but more ... robust, pronounced, emphatic, choose your descriptor. It is, after all, a more mature meat.
For terminology reference (though this may not be current any more), "lamb" is up to one year old, "hogget" - remember the farmer's name in "Babe"? - is up to two years old, and "mutton" is over two years.
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As I said, I haven't seen mutton anywhere, and haven't HEARD of hogget.
This might be, as I hinted, because terminology has been simplified and all meat from sheep is now "lamb" - and that may answer my own question. Sometimes US lamb has a fuller flavour than, say, Wicklow lamb in Ireland, because sometimes US lamb is hogget or mutton instead.
If so, it restores a possible original meaning to "mutton dressed as lamb". That's now best known as "an older woman dressed inappropriately young", and though the meaning has been around for a long time (this Rowlandson print is dated 1810)...
..."dressing" is also the term for preparing meat for sale.
And THAT makes me wonder if the critical phrase goes beyond fashion into the fine old tradition of adulterating food, and wily butchers transforming elderly sheep into the semblance of younger lamb then charging undiscerning customers accordingly.
I don't know how they might have done it, but if they could then they would. The ways in which 18th-19th century foods were fiddled with is amazing, and more than a bit Yuck.
Or in this case, Ew.
Comments, corrections, criticisms and all the rest are cordially invited.
:->
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Side-note; in keeping with the way nicknames get attached to surnames - "Chalky" White, "Dusty" Miller etc. - anyone called Curry usually ended up as "Mutton".
Two brothers at my school had this happen; Tom Curry, the older one, had been "Mutton" for a couple of years, and when his kid brother Will started school he became, of course, "Lamb".
Oh, how we laffed...
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ETA: @bellyoftheblast just messaged me this:
It turns out, and I only learned this very recently (I think it's in Hannah Glasse) that "dressed" used to mean "cooked" rather than "prepared for sale". Which would mean "mutton dressed as lamb" would be fast-cooked and thus greasy, unpleasantly tough and decidedly stringy. (Meanwhile I'll never waste good lamb on stew again now that I have a source for mutton -- MUCH better flavour for slow cooking).
Thanks for this snippet! We've got the Prospect Books facsimile of Hannah Glasse 1st ed, so I pulled it down, blew off the dust - it's been a while - and yes indeed, I found the following recipes in just four successive pages:
"To dreſs a Leg of Mutton à la Royale",
"To dreſs a Leg of Mutton to eat like Veniſon",
"To dreſs Mutton the Turkiſh Way"
"To dreſs Veal à la Bourgoiſe"
Mutton dressed (or dreſsed) as Lamb doesn't get mentioned, probably because Mistress Glasse knew better, though that business of Mutton to eat (taste) like Venison is interesting.
It involves cutting the leg of mutton "in the shape of a Haunch of Veniſon" then steeping it in the sheep's blood "for five or six Hours" before wrapping it in layers of buttered paper and roasting it, basted frequently with butter or beef dripping.
Not quite mutton as lamb, but still mutton disguised as something more expensive...
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