#i have faith that the story will be beautiful because i have faith in the writers

[constantfragmentation]

HI FELLOW SILCO ENJOYER

What are your thoughts on the polycule theory of felicia-silco-vander? 👀

Whew... where to begin?

Fair warning, this is going to be a long assessment.

First off, I firmly believe (unless S2 Act 3 makes me eat my words), that the writers didn't realize Silco and Vander would become such popular characters. I don't think that was the plan. They were side characters meant to beef up the main stars Jinx and Vi. Rightly so. They were devised as parallels for Vi and Jinx throughout the story. And it was beautiful.

S1 was filled with little details that enhanced every part of the plot and character development through each act.

However, if S/V were so important, more care would have been put into their backstories, which have been kept pretty vague. And these so-called continuity mistakes/plotholes seem pretty big for a studio that has been meticulous in the details all through S1.

We meet Vander, who changes his life after seeing the kids lose their parents and adopts them. Vander is seen as the builder and leader of the Underground, and he seems to lead with the threat of who he used to be (until Sevika calls his ass out).

Silco is introduced as the mean baddie immediately via Vander/Benzo's conversation in E1.

"There's worse things than Enforcers out there. We both know that."

Then his full intro including an underground evil lair and mad scientist at the end of E1.

E2 leans into the same MO for Silco. Until finally coming to the best episode (IMO) in all of S1 and it's E3, where things come to light. But he's still evil, vicious and spares no one. Silco appears to have zero empathy and is filled with a deep seeded hate.

"Silco?! You animal! Go crawl back into whatever hole you came out of!"

S1E1-3 Silco completely paints him as terrible from the Underground's perspective. Silco - bad. Vander - good. Both Vander and Benzo see Silco as a dangerous threat. So does the rest of the Underground feel the same? Do they know about what happened to Silco by Vander's hands? Sevika chooses him because she lost faith in Vander as a leader.

So, that makes me wonder if Silco WAS the brains behind everything from their smuggling business and building up the Underground to the rebellion. Vander on his own, seemingly, isn't shit. He is the muscle. WIthout the brains, he doesn't haven much in planning so he turns to making a deal with Enforcers instead.

By S1E3, we start to see beyond the veil a bit. Vander tried to drown and murder Silco. Let's remember one thing. Vander didn't just try to shoot Silco or they got into a fist fight and things got out of hand.

He tried to DROWN him. There's no way Silco went with Vander to the river fearing his life. Now, whether they went to talk in private and it got heated, you still have to sit back and look at Young!Vander and think wtf?

He is painted the good guy from the beginning. A man with restraint and compassion, looking out for everyone and especially his 'kids'.

It takes will and strength to smother/drown a person. It is NOT a quick death, it's a slow and painful death. Vander's intent was to kill him. Not once, did Vander think in the minutes holding Silco underwater that damn, this is wrong or overkill? You don't flippantly say "I'll never forgive myself" for trying to murder you slowly. Now beating the shit out of him and ruining his eye, yeah, that would make more sense from Vander, knowing he probably turned Silco into this worse person and fucked up his face, vision forever.

The viewer is left to assume it was something so fucking bad, Vander had to kill to stop it. Plus, Silco is already painted as the bad guy, so we presume Vander was right in trying to kill him?

So, what was so bad that this course of action was required? Well, it's pretty damn vague. In all of E3, Felicia isn't mentioned or hinted at ONCE. Not once. If Vander tried to kill Silco because of her, why do we not learn about any of it?? That seems like a pretty important fact, yes? This is Vi/Jinx's mom and she was a close friend? I'd say that's important.

Nope. Silco drags Vander to his lair and waxes on about fighting Piltover and finally realizing his dream of a free Zaun by any means.

Vander tells Silco he's never forgiven himself for trying to kill him, but nothing else is added to it? We're left to believe that Silco was either too powerful and influential in Zaun or that he orchestrated the bridge fight (that Vander was still fighting until the kids arrive and they see their dead parents).

This grey area is why the fandom has spent years trying to decipher what was so bad that it tore two brothers apart with attempted murder.

We learn in S2, Vander apparently "looked everywhere" for Silco and then wrote him a letter in a mine, hoping Silco might come across it. Well, if your brother tried to murder you, I'd say you would stay far away from him and not venture to old places in case he might try it again? Sounds reasonable, yes?

So Vander just gave up trying to talk to Silco and explain everything for YEARS? By S1E1 he and Benzo know about Silco and probably know where he is and that he's up to no good obviously. So why haven't they talked once in years?

Vander said he was in a rage over Felicia's death. But I'm sorry, none of that makes much sense and frankly takes the fire out of what created the fracture between two friends.

I would have preferred Riot not explain than give us a half-assed backstory of three happy-go-lucky buddies and the death of one is the backbone of hate, distrust and betrayal.

Again, Silco said Vander BETRAYED him. If they were arguing about Felicia and her partner dying, leaving kids orphaned, I don't call that betrayal. Vander's letter sounds like an argument that got out of hand. You don't just accidentally drown your best friend for the greater good because your other friend died in a fight ALL of you were fighting. You knew people would get hurt and/or die. It's reality.

It just doesn't FIT. It doesn't fit these characters at all in the narrative from S1.

Another reason I believe Riot never intended to go further with Silco and Vander's backstory is in the animation. Like I said above, S1 was littered with little and amazing details that we, as the viewer, have been analyzing for years.

The drowning was a VERY young Silco and Vander. Vander clearly has a beard and looks much older on the bridge in E1. The flashback in E3 looks like it was 10 years earlier at LEAST. That would be around the time Vi was born or a toddler if we're estimating her age by S1E1 on the bridge.

Vander beat the shit out of him and then decided to kill him by drowning. THAT is a major choice to make. That is a vicious choice. So we do see Vander as being more violent in his youth. So if the drowning came AFTER the bridge, that also doesn't quite fit either. He takes the kids and chooses pacifism, yet soon after, he's murdering his best friend. AND he suddenly shaved and grew younger, because he wanted to look clean and pretty before killing his bestie?

Zero continuity here. Bad writing. If there was mistake due to animation, they should have changed the backstory to fit than ramrod something else that looks badly done and makes zero sense to your audience.

Personally, I wish the drowning was PRIOR to the bridge battle.

It would make more sense if Vander was having second thoughts while planning the bridge fight. Maybe a separate attack went wrong and he realized they were going to lose and many would die. Silco, maybe having more influence or threatening to show Vander as a coward to the people is what finally triggers Vander to kill him. In order to stop this, Silco needs to die and then maybe Vander can convince others the fight is already lost against a superior firepower.

To kill Silco in that manner, signals to me, Silco was a great threat. Which means to me, Vander either felt he was a threat to him (since Vander does become the power in the Underground - the Hound) or he is beginning to feel like this fight is pointless and will change nothing. People will die for nothing.

Making it all about Felicia, just takes the fire out of rift between these two men all these years.

Again, she's never mentioned.

Silco even reflects in S1E3 that he still respected Vander after the drowning until he learned Vander was working with Enforcers and basically made a deal with Topside to keep the peace. That continues his pathway as a rebel and he's going to take down Vander with it or use him "what you really are".

Silco knows how violent Vander was and he's going to use it with Shimmer.

If we go by S2 timeline, then both Silco and Vander would know Felicia's kids well before the bridge battle. in S1, Silco would know who Vi is, at least and be aware of Powder. He would know this by S1E3 when he says "Have you heard the rumour? Vander the coward fled town with his children and were never seen again."

Pretty callous talking about his other bestie's kids like that. Damn. If Silco cared for her, then wouldn't he spare her kids? I just don't see this was ever about Felicia. It doesn't fit. He really didn't flinch in having Vi or any of the kids killed. HER kids? I'm having a hard time with that one.

I've said before that in Silco's eyes, Vi is an extension of Vander. When he finds Powder and she cuts off Vi as her sister, Jinx becomes an extension of himself, thus HIS daughter. It's like Silco's last "fuck you" to Vander by taking Felicia's other daughter as his own.

Overall, I hope to hell it's not some love triangle. Or either man was in love or had a crush on her.

I read some fans saying since the flashbacks are Vander's in S2, we're seeing things from his perspective. I'm all for an unreliable narrator with characters because it keeps things open for interpretation.

But we would need to see this from Silco's perspective, too—not just the drowning/betrayal. Silco sees this as a major factor in the direction his character takes. It's a life-changing moment for him.

We also don't see any flashbacks to the years Silco took care of Jinx after Vander's death. If he knew Jinx's mom, wouldn't that come up? Wouldn't that be something Jinx would remember and influence her?

In S2, she reminisces a few memories of her mom like nothing has happened since. She and Vi act like nothing really happened between them. By the end of S1, the sisters diverge when Jinx decides who she will be. It's Jinx, not Powder. She knows Silco loved her and, more importantly, accepted her for who she was. She was perfect in his eyes.

Plus, Vander's trio flashback seems odd in both animation and backstory choices. Silco looks VERY different than his flashback of the drowning. His hair is much longer (man bun), he has a widow's peak he doesn't have later (weird). He appears to care for Felicia and happy for her being a mom. They made him more physically attractive and older than the flashback in S1E3.

Vander doesn't look like the younger version in Silco's drowning flashback. He looks older too. Animation choices were made that don't match the continuity of the previous season.

We're assuming their smuggling business is doing well if Felicia talks about the Underground being much better for everyone. Are we still giving Vander full credit for that? S1 implies Vander built the Underground both from Grayson and Zaunites.

Silco jokes he is "Bozo #1". To me, he is joking but not in saying he's the mastermind in this duo. Without him, Vander's just a brute.

I'm not sure of Vi's age by S1E1, but maybe she's 10 or 12? So prior to the battle unless a fallout happened with Vander and Silco, why don't we see Silco with the kids? Why do the kids act like they don't know him? If they were such a tight trio with Felicia, why only Vander with the kids?

He fought at the bridge knowing Felicia had two young kids that could be orphaned and was still fighting when the kids showed up. He already knew Felicia was dead but was still fighting.

If her death was too much, why didn't he stop then? The kids appreance stopped him. Okay. I get that. But we don't see Silco anywhere on that bridge, does he know she dead? Is he still fighting? Where is he?

This whole polycule feels like they had to throw it in somewhere but didn't adequately explain it to match the motivations of the characters we have known and studied. It opens more plothole questions than it answers. It creates more problems that did not need to be there.

If Felicia wasn't that important to expand on last season, why do it now and do it poorly that contradicts characterizations already laid down in the whole previous season?

I'll say it again and again: Riot did not plan for it. They didn't think Vander and especially Silco would be so popular, and fans would demand to know more about them.

Plus, another thing that kind of bugged me:

When Vi is embracing Warwick/Vander and tells Jinx "He's your dad too."

Yeah, it's a nice moment, but it's a shit on Silco too. Technically, didn't JInx have more years with Silco than Vander? She saw Silco as her father (although not the best), accepted her, encouraged her skills, gave her important jobs, wouldn't give her up and called her perfect in his dying words.

I guess fuck that dad, right? He is evil dad and now he's dead, doesn't matter anymore.

Did anyone else feel like Jinx turned back into Powder this season? The kicker in S1, is that she CHOSE to be Jinx. IDK. The sisters were real quick to hook back up after everything.

As I've said before, they needed maybe three seasons if they were going this route. No character is getting enough time this season for good story-telling and character development. Too much is getting crammed in one season and it's sad because there is SO much story to work with.

I, for one, would watch another season of these characters. You could take time to explain the Black Rose and Mel's story. Ekko has nothing this season. Jayce doesn't have much. There's very little explaining and too many new questions that won't get answered in one season.

Vi became an Enforcer for half a second. Granted Caitvi only knew each other for maybe a week so for their 'relationship' to fall apart doesn't surprise me. But Cait bouncing back and forth. Jinx bouncing back immediately after Silco's death doesn't make sense since he wasn't the cause of her mental illness.

"Silco didn't create Jinx. You did."

Sister's bond quickly like nothing happened between them. Sevika is suddenly on Jinx's side with little work considering they disliked each so much.

Intro of a new character, Isha.

Viktor turns into Jesus and hangs out in the Big Bang with Sky. I was waiting for Machine Herald and got Jesus Herald.

Ambessa could have a better story but again, I think they needed at least one more season to flesh everything out. It's all too fast and packing way too much into one season of plot for so many characters. The sister's reunion is too fast. We don't get enough info on Warwick yet.

I hope, but they can't tie all this up in three more episodes.

Sorry for the mental vomit, but I've been thinking about this all week, and now it's out like verbal diarrhea. Even though I've enjoyed this season, I can't help but feel disappointed. S1 was so much better.

[novastaree]

random spn opinions that no one asked for

Lilith always should have possessed or appeared as a little girl. everything is the same but i just view her as someone who died young and took people to possess accordingly. Also It's pretty scary for one of the most powerful demons to just always appear as an innocent child

chuck should have just been a prophet or at least not confirmed god because personally i like when stories let you theorize about something as important as god. It also would have played into the Faith idea of the show

for the same reason as before i never really liked Amara. like shes cool. also she was in such an off putting love situation with dean him meeting her as an infant and all.

sam should have been 'the boy king' at some point and i get that could be a reference to the fact he is Lucifer's vessel. but him as a yellow eyed demon like hinted to would have been amazing (like how did we get night of hell Dean before Prince of hell Sam?)

In the later seasons sam and dean kept calling themselves hunters but they really were people who kept ending the world for each other and then trying to fix that problem by ending the world in a different way. Love them anyway

the cage shouldn't have been so easily broken into by Rowena, like it took 66 seals by Lilith to open it the first time and The four horsemen rings to open it to throw something back in. Love Rowena obviously she's really powerful but still seemed too easy

The alternate reality plot shouldn't have been introduced at all. i love au Michael buttttt there could have been so many different ways to reintroduce Michael without introducing different realities.

I loveeee love love love love Adam but They should have either never introduced him or treated him better as a character than they did. Because he deserved it, he did quite literally take the fall for Dean

SOMEONE LITERALLY ANYONE SHOULD HAVE KEPT TRACK OF WHAT WAS CANON. it pmo soooo much every time they went back on what they said last season or at the beginning of the show and never mentioned that it changed or why it changed.

The boys should have never lost their saving people part of the hunting things quote because at some point they just started killing every single possessed person either by an angel or a demon they ever came by

The Angels falling was a beautiful scene but them never gaining their wings back was odd to me, And I feel like it was only done like that because they didn't want them to be so powerful So they could just go back to having demons being problems

The angel tablet made me mad as a whole, like why was it powerful?? none of the other tablets were powerful They just were things prophets read

[wren-galathinyus]

a little late to this game and I can't even give my full notes like the previous two times (I'm at work and can't do the second watch through I do to take note of my thoughts) but I would like to scream regardless, sp here are a few disjointed thoughts and feelings I'm screaming into the void!

as always, spoilers for arcane, the final act, under the cut

-LESBIAN SEX LETS GO WE FUCKINGGGG WOONNNNNNNNNNNNNN 🎉🎉🎉🎉🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈

-but on a serious note for that thought, I'm so fucking happy that we got to have this. these two complex, beautiful, awful amazing women who are unapologetically queer and finally get their shit together to realise, the world isn't gonna wait for us, let's have sex, let's enjoy it. the fumble that vi makes with caits fancy belt, the delicate and healing way that cait holds and undresses vi, the full shot of vi's back tattoo, the fact that they can't keep their hands off each other and can't stop smiling! fuck! this was everything to me if you couldn't tell. also so much appreciation to the fact that this scene is an exact parallel to their first meeting!

-yes Mel get it with your sexy golden magic. I can't wait for the spin off series that will come from thus show cus I think it'll explore the black Rose and noxus war and I can't wait to see more of them!

-cait fighting desperate and dirty while still being so smart you have my heart (also cait with an eyepatch, fuccckkkkkkkkkk

-Maddie's betrayal lol, and the thanks for the warmth, bitch what warmth, cait was so mean to you even when you were sleeping together 😂

-the alternate reality???? oughh, oug oww, I need to lie down and cry for a whole week about that. everyone being alive except vi??? that shit hurted. also, domestic and therapised powder was everything I didn't know I needed and I'm so glad that when ekko figured out the anomaly that that timelines ekko came back to her. timebomb so cannon (also adore ekko for this entire act, every single second of it)

-jayvik mutual destruction is so them actually, and I'm glad they were together in the end. also sorcerer older vik had to be my favourite of his character designs. he looks so soft and at peace

-ambessas death is really not something I though we would see, or at least not in the way that it happened. but it's almost bitter-sweet that her death was nesacary for Mel to graduate to wolf in her eyes

-look, heimerdingers sacrifice was cute and heartfelt, but I really didn't have any attachment to the guy and was just glad that ekko made it home. very cute little song though

-Jinx is fucking dead and I hate it. yes it was in character, she did her one last good thing and just wanted to rest, but damn why did it have to be like that , but on the other hand, it leaves open the spot for powder to take hold of the narrative, because don't think I didn't see those hextech gems girl. she is everything to me and I really hope she's apart of whatever story comes next (I'm praying that powder gets to see vi all grown up, and that her older sister is okay, and that vi gets to see powder, the girl she might have been, and also that vi can see her brothers all grown up) (but that's all just wishful thinking)

-btw!! I always had faith in the writers. I love how this season came out on the full. it's absolutely amazing to me how they have managed to create on of if not the highest quality animated TV show ever. it was admittedly rushed, and I would have loved to see all these plot threads tugged at thoroughly before being tied up, but I still think what we got was a masterpiece

-jayce I did not like you in season one but I loved you in season two, and I held out hope that we would see why you did what you did, and it was so fucking perfect I would like to kick all of the jayce haters, just a little in the shins

-back to Jinx, it was genuinely so heartbreaking to see her catatonic over the loss of Isha and I hope they're together again now

-final form (herald) vik was pretty cool I like how it looked compared to his LoL design

-cait and Mel team up was something I didn't know I needed but damn it was good. the gays and girl kissers were eating well this weekend

-the animation of powder and ekko dancing? think I'll just go cry for another week for that alone, and their kiss!!??!? screaming crying

okay that's all I can think of for now. I may post more, I may not. I will absolutely be reposting like crazy though. agree or disagree with me, I want to hear your thoughts!

[francesderwent]

@itspileofgoodthings tagged me to post gifs from 10 favorite tv shows! haven't done this in a while (2020, 2018) so I'm gonna try to make sure all the new beloveds get in here. they are in a particular order and the order is "gifs I thought looked nice next to each other"

special mention to not a tv show but the miniseries of my heart:

don’t remember who’s been tagged yet so I’m tagging @drharleyquinn-medicinewoman @mademoisellesarcasme @motleysaint @cakeyouareoh @thebirdandhersong @iamfitzwilliamdarcy @contagiousgrace have fun!

[rollercoasterwords]

I have, a genuine question for you. Do you acknowledge the racism in the original AYTD or at least know about it? Like how MsKingBean uses slurs and racist stereotypes?

hey, so, i'm a bit apprehensive about answering this because...it doesn't feel like a very geniune question to me, if i'm being honest. "do you acknowledge x thing" is a question that is inherently set up so that i'm meant to answer "yes, i acknowledge that x thing is true," because the alternative is saying "no, i don't acknowledge that x thing is true," which is already framing this interaction as if to disagree with you would be a kind of failure on my part to do some due diligence of engaging critically with a text. and the fact that you say mskingbean89 used slurs in atyd shows me that you haven't even engaged with the text, because that simply...isn't true.

if what you're referring to when you say "slurs" is the anti-romani stereotypes--this is coming from an extra chapter in the bootleg tapes focusing on greyback, where there is a slur used to describe his living situation + he + his family were portrayed as nomadic irish people in a way that was insensitive. people who read that chapter and then went back to the canon story with that characterization in mind rightfully pointed out that it was fucked-up. mskingbean89 addressed those criticisms by adding this note to the beginning of that bootleg chapter:

personally, i think this was a good way to take accountability + acknowledge the mistakes she made with that portrayal. she was a human being who made an ignorant mistake, which then just happened to get absolutely blasted to millions of people--she did not have sensitivity readers or editors looking over her fanfiction, because she did not write it expecting it to reach the level of popularity that it has. to be honest, i am not really sure how she could have better acknowledged her mistake, aside from just....not having made it in the first place. she explains her intentions without acting as though that intent cancels out harm, owns up to the fact that the stereotyping was harmful regardless of intention, and provides resources to learn while also committing to be more mindful + educate herself moving forward. honestly, that's exactly the response i would hope to see from someone who makes a mistake like this one.

i agree with you that people reading atyd should acknowledge + understand the racism regarding romani stereotypes stemming from that bootleg chapter, which is why i think it's great that there is a note literally built into the beginning of that chapter acknowledging it! but i feel as though there's been this like...game of telephone happening online when it comes to atyd, where there are now people who have never even read the story talking about things that quite literally do not appear in the base text itself. i've also seen people acting as though mkb herself did not address these issues when they were raised to her, which is just...patently false.

and so what i'm wondering here is what you're looking for from me when you ask a question like "do you acknowledge the racism in atyd." anyone who actually reads the texts has to acknowledge the racism in that bootleg chapter, because mkb puts that acknowledgment front and center at the beginning. and also like...in the part of the fandom i'm in, in the conversations i've listened to or taken part of regarding atyd, people have acknowledged the issues with that bootleg chapter and the ways it reflects back on the main story. so what do you mean by "acknowledge" when so many people, including mkb herself, have already... acknowledged it? what action are you calling for, and who are you calling for it from?

because like. if what u actually want to say here is that atyd is Irredeemably Problematic and we should all like....shun it? universally agree that it's Bad? then it's just like. it is up to each individual reading the story to decide whether that specific portrayal of greyback in the bootleg chapters is something that ruins the story completely for them or whether they still think the story as a whole holds worth. personally, i feel like i can acknowledge that there are issues with mkb's portrayal of greyback and i need to be mindful of that when reading the story so as not to internalize harmful stereotypes while still finding atyd to be a masterpiece that really beautifully deals with a lot of nuanced issues regarding class and disability and systems of power. this is just part of thinking critically when you read; many famous and beloved works of fiction contain the biases of their authors or have mistakes or issues in the way they portray things that are a product of ignorance. and i know everyone reading marauders fanfiction should understand this, because if u genuinely think that a character being negatively stereotyped means u should throw the entire work in the trash, then none of u would be touching harry potter fanfiction with a five foot pole in the first place.

so, anon - if you have actually read atyd, and there are issues with racism that you have found that i am unaware of, and not just telephone-game twitter posts of people taking shit out of context that you're accepting as truth without bothering to engage with the work yourself--if you want to have a real conversation about it, i would invite you to come to me as an actual person and not an anonymous ghost in my inbox. my dms are open, but when it comes to talking about serious issues, i tend to find it more genuine if the person coming to me actually cares enough and believes in what they're saying enough to say it as themself. and if you haven't read atyd and are just parroting things you've heard other people say online then i would invite you to actually sit down and read the work and form your own opinions on it before getting back to me. i know that might sound harsh, but honestly i'm just completely fed-up at this point with all the bad-faith takes and misinformation that i've seen people spreading about atyd just because they think it's cool to dislike a popular thing.

[lucksea]

the two possibilities that might also both happen whenever i watch leo is 1 im going to stop watching before finishing it like i did with return of ultraman because i hate it too much. or 2 im going to have to redraw sydneys "where are you taking me" "i dont know man. just with me for the rest of my life i guess" with me and leo and/or nefariously written seven who was originally supposed to be a completely different character

[queenlucythevaliant]

Why did God harden the Pharaoh’s? I’m in a Bible as Lit class and someone brought up “wouldn’t that be against free will,” and why did God let the Israelites stay it in slavery for so long. Why is God different in the Old Testament to the New Testament? I hope this doesn’t bother you, with all these questions

Okay, so there are several different questions here and I'm going to try to address them all. I'm sure I'll miss something somewhere, so other more knowledgeable friends feel free to add on. Follow-ups are also very much welcome.

First off, Bible as literature class! Yikes. I took a Bible as lit class for my English minor years ago and my experience was pretty much wall-to-wall frustration. It was mostly an exercise in coming up with the most transgressive reads on Scripture possible and that really upset me.

I hope that your experience is better than mine. However, assuming that the class is at a secular university, I'd still encourage you to be intentional about talking the things you cover in class over with knowledgeable Christians in your life. I certainly benefitted a lot from doing so, both in the sense that I got to vent a whole bunch and in that I got help contextualizing the secular perspectives within Christian scholarship.

That out of the way: The God of the Bible is the same in both the Old and New Testaments.

I do understand where you’re coming from. It’s not uncommon for people to find God kind of inscrutable in the OT when they're more used to reading the NT. I actually think that's a failure on the part of the contemporary church in the West; large swaths of the OT tend to be understudied among lay-Christians.

Systematic theology can help a lot here. I'm just going to hit a few really broad highlights, but I really can't recommend Wayne Grudem highly enough if you're interested in more in-depth reading. Lots of people start with Bible Doctrine, but my family happened to have a copy of his enormous Systematic Theology tome in the basement when I was in high school and I got a lot out of just poking through that a little at a time too. A few quick bullets though:

Across all the Biblical texts, God is love. He glories in kindness to his people, whether it's in the covenant with Abraham, the Exodus, the faithful ministry of the prophets, Christ's ministry/death/resurrection, or the promised coming of his kingdom.

God is holy; he gives the Law to the Israelites so that they can approach his holiness without fearing for their lives and he sent Jesus so that we can do the same. Both Isaiah and Peter react with fear and awe in the face of God's holiness.

God is just. By virtue of his holiness, he cannot allow sin to go unpunished. As modern westerners, we often chafe against this but has any of us experienced justice that was actually pure? Justice is a form of faithfulness, and the same God who sent his people into exile poured out his wrath on his own son in our place. He has promised that one day, every evil will face his perfect justice.

God is faithful. He keeps his Covenant with Abraham even unto the cross. In the OT he is faithful husband to an adulterous people. In the NT he tells us that when we are faithless, he remains faithful, for he cannot deny himself.

Lots of other characteristics but this answer is going to be long enough as it is. The only way to get a real sense for the continuity within the Bible is to read the whole Bible with an eye towards the continuity.

The reason that God is more approachable in the NT than the Old is that he became human. In the Incarnation, all of that holiness and justice and faithfulness and love that was God came to earth in our perfect likeness so that he could live beside us and die for us. God is certainly easier to approach in light of Christ's work, but he is utterly the same as he ever was. Read the Transfiguration and tell me that isn’t the God of Mount Sinai. Read John 1 and tell me it doesn’t remind you of the end of Job. Read the Gospels, Hebrews, and Revelation and play spot-the-OT-parallel. It's beautiful.

Why did God leave his people in slavery for so long? You could ask the same question about the Babylonian captivity and even about why Jesus waits to return and finally defeat Death. Why does he wait? Why let his people suffer?

Well. God is sovereign and he only permits evil to the extent that it ultimately accomplishes the very opposite of what it intends. Because the Israelites were slaves in Egypt, the Exodus was able to occur. The Exodus glorified God in extraordinary fashion, both among his own people and to the peoples of the ancient world. It was also a necessary type and precursor to Jesus's work on the cross. I don't think it's an overstatement to say that redemptive history rests on God's work in the Exodus, which is itself contingent on a period of slavery in Egypt.

“How long, O Lord” and “Come Lord Jesus” are the same sentiment in different words. We are still in exile, even now. We are chronologically exiled from the place where we belong, the New Jerusalem, and we mourn because we live in a fallen world in which sin and death can still hurt us. We can ask, just as the Prophets once asked, why God waits to vanquish the Enemy, extract suffering from the world, and restore our years that the locusts have eaten. And in each case (the slaves in Egypt, the Babylonian captivity, and the period of waiting for Jesus to return), the answer is that God does not fix it yet because He is doing something bigger!

Regarding Pharaoh's heart: this is basically a question of human nature. The easiest way that I can articulate it off the top of my head is using Augustine's fourfold state of man:

Prior to the fall, man was able either to sin or not to sin (posse peccare, posse non peccare)

The natural state of man after the fall is one in which he is unable not to sin (non posse non peccare). This was Pharaoh's state.

Following the work of Christ, regenerate man is able not to sin (posse non peccare)

In eternity, glorified man will be unable to sin (non posse peccare)

When we talk about man's will, we must acknowledge that our wills are subject to our nature. In other words, Pharaoh was a natural, fallen man. His nature was inherently sinful and his heart inherently hard.

What we've got here is sort of a "Jacob I have loved but Esau I have hated" situation. Pharaoh, in his natural state, had a hard heart and a natural enmity with God. God did not intervene to give him a heart of flesh. My people I have loved, but Pharaoh I have hated.

Not a perfect parallel, but I think it serves its purpose. The point is that God's sovereignty isn't in conflict with man's will, since our wills are a function of our natures. Man behaves however his nature inclines him to behave at any given time. We call this free will; however, God is entirely sovereign over all of it.

This is definitely a long, messy answer, but like I said, feel free to continue the conversation. I've got some biochem to work on, but I'm always happy to talk theology :)

[scattered-winter]

some of the ways y'all talk about buddie on here is. sure something.

i've seen so many people cry "queerbait" and similar sentiments and i'm just????? we must be watching different shows or something. 911 has a beautiful, canon queer relationship in the main cast, so we know they're willing to show them and write them in a realistic, beautiful way. and idk some of y'all are so up in arms about buddie not being canon yet but like....you do realize that part of storytelling is anticipation from the audience, right?? you do realize that storylines that are rushed to please the fans are never on the same level as storylines that take their time and bloom on their own, right???? you do understand what a slow-burn is, right???????

idk i just. i think as a whole the fandom needs to take a step back and trust that the writers know what they're doing with this. we're not here to fight and complain about this show, we're here to enjoy the ride. maybe we should let ourselves do that.

[velvet4510]

To anyone who believes fairy tale romances never happen in real life, may I remind you that JRR and Edith Tolkien met and experienced a forbidden love in their youth, and then were separated for five whole years because of his guardian’s rules that he could not date till he was 21, and she got engaged to someone else only because she assumed he’d forgotten her and lost hope that she could ever be with him, but then on his 21st birthday, he wrote her a letter saying he still loved her and wanted to marry her, she responded basically saying ‘if I’d known you hadn’t left me on the shelf, I would never have said yes to anyone else,’ then a week later she greeted him at the train station and then immediately dumped her fiancé, and they got married and she converted to his religion and danced for him in a flowering field far away from the trenches into which he was drafted, which left such an impression that he crafted an entire story about the most beautiful maiden in the world who danced in a flowering field and made enormous sacrifices to be with the man she loved, and they had four kids and remained faithful to each other and blissfully grew old together and their shared gravestone is now marked with the names of that same fictional couple that he created, who broke every rule and overcame every possible obstacle to be together and get a happy ending, who only did all that because he based it all on their own real love story.

[arolesbianism]

It's so jover guys

[chilumi-shipper]

Soulbound

Zhongli x GN!Reader (Soulmate!AU)

Summary: Zhongli hated the mark on his neck, and he hated whoever the mark bounded him to. But fate plays a cruel joke, matching him with you, as he swore he would love no one else but Guizhong.

Tags: Angst/No Comfort, Short Story, Rejection, Hurtful Words, Hatred to Love

Soulmark - A mark that binds two individuals as soulmates.

~•~•~•~•~•~•~•~•~•~•~

Morax had always been frustrated by the mark on his neck.

A glowing, permanent part of his body that marks him tied to a soulmate. He thinks its stupid, for the love of his life was already in front of him, a gray-haired inventor that no carving in his body could ever stop him from adoring.

He finds it unbelievable that his neck is claimed by a soulmark yet Guizhong's remain blank, and he curses Celestia above for such a foul joke.

How could he be for anyone else but her?

When her dust settled in the field of glaze lilies he thought were incomparable to her beauty, he was utterly devasted, his clawed hands held onto his neck, wanting to rip the soulmark that had been taunting him for centuries.

How could he be marked for someone else while the love of his life laid lifeless?

He loathed his mark, everything about it, and he will till his last breath.

...

Zhongli deeply dislikes you.

You are a messy, silly, babbling buffoon.

An adventurer from Mondstadt that embodies the nation's will of freedom. Bubbly, carefree, and loud, much like a fellow god he didn't particularly like.

Despite of his disdain of you, your affection towards him never wavered. You filled his somber days with excitement as you joyfully tell him stories about your adventures, share some new recipes you've learned, even ushering him to talk about obscure Liyue historical facts that you've always found interesting.

He was much too proper to shoo you away, and his cold looks and short responses didn't discourage you to try to make friends with the man that peeked your curiosity.

Ever so slowly, you had pried open his caged heart, planting a small seed that was so distinctly you.

He would have accepted you, he would have seen you as a friend... and yet...

Out of the corner of his eye, he caught a faint, familiar mark on your neck, revealed when you put your hair up into a ponytail.

Zhongli knew he truly disliked you.

...

"I don't believe in the marks either, Mr. Zhongli..." You reasoned with him, but his gaze still stung you with daggers.

He caged himself back up, ensuring that you could not care for the little seed you planted, no light would be able to reach it again.

His heart would not open...

No matter how many times he catches himself smiling at your antics.

No matter if he displays every gift and trinket you give him from your travels.

No matter how much he preferred your cooking over anyone else's.

No matter how beautiful you look staring up at him with your doe eyes as you confess your affection.

No matter how frustrated he felt at himself when he made you cry as he rejects your feelings.

Because, for him, how could there be anyone else but her?

...

"Do you see why it could never be you?"

You both stood in front of a monument, surrounded by various plants and objects you assume to be from friends of this ancient goddess.

"I bet she was amazing."

"She was perfect. Perhaps that's why I was not worthy to share a mark with her."

At this point, you were used to his words, how they praise her, how they degrade you.

"You're pretty great too, Zhongli..."

Faith places identical marks on the necks of two soulmates, and the rest is a romantic story of the passion that builds up as people pursue their marks of love.

Fate is cruel to you and him.

"That mark is not for you, Y/N." The Geo Archon says to you, tearing you apart silently, as you stand and take his words.

His heart quivers despite the harsh words coming from his own mouth. Even after millennia of having the mark engraved on his neck, after concluding that maybe he would allow your little seed to prosper even just for a bit, he still chooses to cling onto his hopeless past.

Tears fall down from your eyes, but you remain quiet, only nodding in agreement.

You loathed the mark on your neck.

...

Zhongli opens the cage of his heart a little, allowing him to peak at the small sprout from the seed you planted.

So distinctly you, it was the only thing he has of you.

After letting you leave him at Guizhong's monument with tears still staining your face, he couldn't help but miss you.

He couldn't help but let you finally take your place in his heart, after so long of hating his soulmark, hating whoever the mark tied him to, he fears he has finally accepted faith.

...

"Where is it?" He grips your arm harshly, his hold not faltering as you try to shake him off. His gaze was cold, yet you could still catch the hint of alarm in his eyes. "What have you done?"

After weeks... you return to him... missing something.

You winced at the stress of his words, feeling frightened under his tense hold. "I..." His bruising grip didn't falter, urging you to explain yourself. "S-Surprise...?"

"You..." Zhongli looks at you in disbelief. "How stupid could you be?"

"M-Mr. Zhongli... it's a blessing of the Anemo Archon... I prayed for him set us free from fate."

"Y/N... I..." He was at a loss for words, his heart ached as his eyes searched your neck in vain. "Fate... going against it is painful. It must've been excruciating."

"It was... but this if for you, Zhongli..." You smiled, feeling him loosen his grip. "Because I love... loved you." You fully free yourself from him, rubbing at where he previously held you.

The wind around him picked up, and he hears the faint whispers of an old friend along with it. Whispers of comfort, as he clearly ruined what would have been the light of the rest of his days.

Your soulmark fades, but his remains...

Zhongli loathed his mark, for it bears no meaning, no one but him bears that mark.

As you leave, trying to fade away in the background of his life, you remain under a spotlight in his eyes, for you will always be the one that shares his mark, no matter if it is visible.

~•~•~•~•~•~•~•~•~•~•~

What y'all think of this one? :3

I bet y'all's feelings were hurt hehe

[princesssarisa]

In the past I've shared other people's musings about the different interpretations of the myth of Orpheus and Eurydice. Namely, why Orpheus looks back at Eurydice, even though he knows it means he'll lose her forever. So many people seem to think they've found the one true explanation of the myth. But to me, the beauty of myths is that they have many possible meanings.

So I thought I would share a list of every interpretation I know, from every serious adaptation of the story and every analysis I've ever heard or read, of why Orpheus looks back.

One interpretation – advocated by Monteverdi's opera, for example – is that the backward glance represents excessive passion and a fatal lack of self-control. Orpheus loves Eurydice to such excess that he tries to defy the laws of nature by bringing her back from the dead, yet that very same passion dooms his quest fo fail, because he can't resist the temptation to look back at her.

He can also be seen as succumbing to that classic "tragic flaw" of hubris, excessive pride. Because his music and his love conquer the Underworld, it might be that he makes the mistake of thinking he's entirely above divine law, and fatally allows himself to break the one rule that Hades and Persephone set for him.

Then there are the versions where his flaw is his lack of faith, because he looks back out of doubt that Eurydice is really there. I think there are three possible interpretations of this scenario, which can each work alone or else co-exist with each other. From what I've read about Hadestown, it sounds as if it combines all three.

In one interpretation, he doubts Hades and Persephone's promise. Will they really give Eurydice back to him, or is it all a cruel trick? In this case, the message seems to be a warning to trust in the gods; if you doubt their blessings, you might lose them.

Another perspective is that he doubts Eurydice. Does she love him enough to follow him? In this case, the warning is that romantic love can't survive unless the lovers trust each other. I'm thinking of Moulin Rouge!, which is ostensibly based on the Orpheus myth, and which uses Christian's jealousy as its equivalent of Orpheus's fatal doubt and explicitly states "Where there is no trust, there is no love."

The third variation is that he doubts himself. Could his music really have the power to sway the Underworld? The message in this version would be that self-doubt can sabotage all our best efforts.

But all of the above interpretations revolve around the concept that Orpheus looks back because of a tragic flaw, which wasn't necessarily the view of Virgil, the earliest known recorder of the myth. Virgil wrote that Orpheus's backward glance was "A pardonable offense, if the spirits knew how to pardon."

In some versions, when the upper world comes into Orpheus's view, he thinks his journey is over. In this moment, he's so ecstatic and so eager to finally see Eurydice that he unthinkingly turns around an instant too soon, either just before he reaches the threshold or when he's already crossed it but Eurydice is still a few steps behind him. In this scenario, it isn't a personal flaw that makes him look back, but just a moment of passion-fueled carelessness, and the fact that it costs him Eurydice shows the pitilessness of the Underworld.

In other versions, concern for Eurydice makes him look back. Sometimes he looks back because the upward path is steep and rocky, and Eurydice is still limping from her snakebite, so he knows she must be struggling, in some versions he even hears her stumble, and he finally can't resist turning around to help her. Or more cruelly, in other versions – for example, in Gluck's opera – Eurydice doesn't know that Orpheus is forbidden to look back at her, and Orpheus is also forbidden to tell her. So she's distraught that her husband seems to be coldly ignoring her and begs him to look at her until he can't bear her anguish anymore.

These versions highlight the harshness of the Underworld's law, and Orpheus's failure to comply with it seems natural and even inevitable. The message here seems to be that death is pitiless and irreversible: a demigod hero might come close to conquering it, but through little or no fault of his own, he's bound to fail in the end.

Another interpretation I've read is that Orpheus's backward glance represents the nature of grief. We can't help but look back on our memories of our dead loved ones, even though it means feeling the pain of loss all over again.

Then there's the interpretation that Orpheus chooses his memory of Eurydice, represented by the backward glance, rather than a future with a living Eurydice. "The poet's choice," as Portrait of a Lady on Fire puts it. In this reading, Orpheus looks back because he realizes he would rather preserve his memory of their youthful, blissful love, just as it was when she died, than face a future of growing older, the difficulties of married life, and the possibility that their love will fade. That's the slightly more sympathetic version. In the version that makes Orpheus more egotistical, he prefers the idealized memory to the real woman because the memory is entirely his possession, in a way that a living wife with her own will could never be, and will never distract him from his music, but can only inspire it.

Then there are the modern feminist interpretations, also alluded to in Portrait of a Lady on Fire but seen in several female-authored adaptations of the myth too, where Eurydice provokes Orpheus into looking back because she wants to stay in the Underworld. The viewpoint kinder to Orpheus is that Eurydice also wants to preserve their love just as it was, youthful, passionate, and blissful, rather than subject it to the ravages of time and the hardships of life. The variation less sympathetic to Orpheus is that Euyridice was at peace in death, in some versions she drank from the river Lethe and doesn't even remember Orpheus, his attempt to take her back is selfish, and she prefers to be her own free woman than be bound to him forever and literally only live for his sake.

With that interpretation in mind, I'm surprised I've never read yet another variation. I can imagine a version where, as Orpheus walks up the path toward the living world, he realizes he's being selfish: Eurydice was happy and at peace in the Elysian Fields, she doesn't even remember him because she drank from Lethe, and she's only following him now because Hades and Persephone have forced her to do so. So he finally looks back out of selfless love, to let her go. Maybe I should write this retelling myself.

Are any of these interpretations – or any others – the "true" or "definitive" reason why Orpheus looks back? I don't think so at all. The fact that they all exist and can all ring true says something valuable about the nature of mythology.

[bbrattywise]

SEEKING VALIDATION FROM THE 3D IS SOOOOO LAST SEASON

HEAR YE! HEAR YE! ladies & gents, boys, gals & non-binary pals, i present to you another post brought by urs truly, @bbrattywise : this post was ib: this reddit story

anywho, intros done, let's cut straight to the chase, i think the reason why most ppl struggle with validating themselves from the imagination is we're scared its "lying to ourselves" & its "being delusional" *red buzzer to both answers because those are FAR from right!!*

1) the imagination is REAL, realer than this reality in a sense that whatever u persist in the imagination will quite litreally materialise into ur 3D (because thats litreally how the law of assumption works. You assume in ur imagination/4D and it materialises into the 3D, ya get me??) So no matter what, ur dominant thoughts/assumptions (a.k.a ur dominant thoughts u persisted in ur imagination whether thats being tiktok famous or having ur dream yacht) have no choice but the manifest into the 3D.

2) u not feeling happiness/any sort of positive emotions when visualising/imagining living in end w/ ur desire ≠ it being fake. Because obviously, u having something = u being quite used to it so ofc u are not gonna feel all giddy everytime u think about it. Thats totally normal!! that is the same principle for experiencing "negative emotions". You experiencing any sort of emotion doesn't change the fact that you ALREADY HAVE ur desires in ur imagination, so chillax buttercup! you are not doing anything 'wrong'.

3)"but how do i imagine having my desires?" pls dont overcomplicate yall, i swear its as easy to do as it is to say. Basically pick what u want & acknowledge it being in ur imagination. For example, whenever i be stressing about the 3D i be like "oh yea, i already have it in the imagination which is my true reality" and go about my day. Its as easy as thinking, think as u already have it (because that is quite litreally the case). As Neville Goddard says "creation is finished" which i love falling back to whenever i am in doubt because once you've imagined ur desire, thats it. Thats all you gotta do.

4) find ways to make ur imagination ur fun place. When i started utilising the imagination, i was like "huh, wdym i can litreally imagine WHATEVER?!!" lemme tell u, the imagination is limitless!! It's like playing sims 4 without the restrictions put in place by the developers. You make DA MF RULESSSSSS!! Wanna visualise owning a pet dragon?? the sky's the limit!! its so fun picking things & living out ur imagination knowing that it materialises into the 3D regardless <3

the law of assumption (though a mundane, universal law) is such a beautiful thing to be aware of so utilise this information. Don't dwell in old circumstance because you're scared of change. Trust me, take this leap of faith and really have fun with the law of assumption. After all, its practically a life cheatcode, might aswell use it, right?

divider creds:

[area51-escapee]

I just have a hard time believing that They are putting chemicals on gas pumps that knock a woman out in order to kidnap them and sell them into sex trafficking. There are so many variables. What is this chemical. It has to be extremely fast acting to knock a person out while they are pumping their gas. If you get out and pay for your gas at the pump and then pump your gas and then get in your car. This plan is kind of shit. How do they guarantee a woman is going to use that specific gas pump. People of all genders need to get gas actually. Do they put it on all the pumps. A lot more people would be randomly dropping like flies at gas stations. Has this happened. Do they then sit around waiting for a woman who goes inside to pay to run over and apply this chemical. That seems kind of risky since a lot of gas stations have big ass windows in the front. What if someone else is inside the car waiting. Again they’d have to be pretty shitty at the crime they’re trying to commit. What if the person touches this chemical but does not immediately pass out, gets in their car and attempts to drive off. If this chemical works as they claim they would eventually pass out at the wheel and disaster would ensue.

For this to work this chemical would have to render an adult sized human unconscious in the time it takes to pump their gas through skin contact alone, the gas station would have to be completely deserted of other customers because if somebody randomly passes out at a gas pump people will generally get concerned, and the gas station itself would also have to be in on the plot because those things have cameras fucking everywhere so if somebody passes out and is then dragged off by a stranger to another vehicle there will be evidence of it. Which I don’t know. Sounds like a fucking conspiracy theory somebody made up to make people fear leaving the house even more. But that’s just me. I genuinely want to research if this is an actual thing that has happened if there is any evidence to this claim but people’s source is always just “I heard this is related to sex trafficking” where did you hear that from. From who. How. And yes I am constantly harping on this point because I’m fucking sick of living with grown ass adults who believe everything they hear online and then make it harder for me to leave the fucking house and live my life. People are getting online and creating new urban legends and fully grown adults who should know better are eating that shit up and spreading it even further. It really feels like how some urban legends come around, maybe basing things off an isolated incident and then reporting it as a nationwide phenomenon similar to how people check halloween candy for poison or drugs to this day because of one crime (committed by a person who was familiar with the victims) way back in the day.

[rbrownillustration]

I don’t know how to give a spoiler alert on this website but if I can warn you here it is. This is vague enough though it’s not too much??? Maybe????

Anyways, I saw Transformers: One yesterday and have been thinking about it nonstop ever since. It’s beautiful. Almost perfect. Sensational. 10/10 would recommend please go see it if you have any Transformers love in your bones and even if you don’t. It’s just a good story.

As for the spoilery part, don’t read ahead as I talk about this piece if you don’t want some spoilers.

What kills me about this movie is, yes, Orion and D-16’s friendship, but also Bee and Elita coming together as a team as the four of them. Bee particularly, as it would be assumed he is the youngest and the least experienced in their little group and needs them potentially the most.

I would say there’s a direct parallel you could make between Bee and D-16 throughout the movie. As both of them move from blind loyalty in the status quo to having to accept that the system they live in is set up against them and the power that they trusted is false and vile.

D-16 is a fascinating case of losing trust in anyone and anything because of that betrayal. The movie does a fantastic job of justifying (not excusing) the rise of Megatron and truly emphasizes how tragic of a character he really is, beyond just the violent rebel we’ve gotten used to.

Bee on the other hand shifts quickly to lean on the support and trust of his friends (maybe he is more inclined to as they are literally his only option), and to still hold his faith in Primus and the true Primes, ultimately following Optimus.

Anyways, this illustration I whipped up this evening is in the climax of the film when Sentinel Prime has captured much of the High Guard, as well as D-16 and Bee. D pulls the ballsy move of refusing to kneel to the false Prime. They discuss Megatronus Prime for a bit, Sentinel drawing attention to D’s Megatronus decal. Then Sentinel decides that D-16 should always have a reminder of that dead Prime, and brands a crude likeness of Megatronus on his chest with a laser gun.

Above all else I think that this is potentially the final turning point for D-16. This isn’t the point of no return (see end of film when Sentinel gets his due) but I see it as D-16 losing faith completely in both the true Primes of the past (Megatronus), and the false Prime of the present (Sentinel), leading him straight to the point later where he won’t trust his future to anyone but himself. Not even Orion. I wanted to explore this moment visually so while I was at work the composition for this piece slowly started forming in my head and I knew I wanted to bring both D-16 and Bee into the focal point.

[zaldritzosrose]

Make Me Want To Sin (Aegon x Betrothed!Reader)

Summary: He'd heard it so often, it must be true. "It's still innocent if our clothes stay on". And Aegon has every intention of living by that, especially with a betrothed as beautiful as you.

(Thank you to @lynnbeth5172 for sending me the most Aegon coded tweet ever!)

TW: She/Her pronouns, afab reader, dry humping, fingering, mentions of loss of virginity, innuendo, profanity, Aegon being himself.

Words: 1743

No beta because I like living on the edge!

Aegon counted himself lucky. Not only had his betrothed been chosen for him, but marriage had also never been something he’d sought out himself. But his mother had chosen someone beautiful. One of the most beautiful women he’d ever seen, he’d wager, and Aegon had see a lot of women.

You were a lady of a Great House, as expected. His marriage was never going to be one of love and romance, Aegon knew that. He was a prince after all. Though romance wasn’t really his forte, he had to admit it.

Pleasure. That’s where his expertise lay, in his own opinion. And you were sweet and chaste. A follower of the Faith, nothing more could be expected from someone chosen for him by his mother. Of course, she’d want someone like that.

Aegon, however, found every excuse to tease and tempt you.

“Come now, my dear, I have heard it said time and time again,” Aegon cooed, his fingers linking with yours as you walked the gardens, “As long as we remain clothed, it is all innocent.”

This wasn’t the first time he’d tried this. Stolen kisses in secluded hallways were one thing, but you’d had it ingrained into you that you needed to remain pure for your wedding. Meaning, of course, no intimacy. But Aegon was determined. He knew, from the way you’d sigh his name whenever he’d touch you a little more intimately or kiss you a little harder, that you wished for it as much as he did.

But you were a far less sinful person than he was.

“And I have told you, it is tradition for a betrothed couple to wait until their wedding night.” You answered, not hiding the roll of your eyes.

Four months you had been betrothed and Aegon was insatiable. But never forceful. Something that had surprised you, based on the stories you’d heard. And maybe, that was what slowly broke your resolve. Not that he knew it was breaking.

Two week until your wedding, that was all that remained. But Aegon seemed even more impatient. You took it as a compliment, of course. Or at least, he would tell you that you should. That he was so hopelessly attracted to you that he couldn’t wait a moment longer to have you.

Each compliment, each lingering touch, each flirtatious whisper in your ear at dinner, was breaking down your wall more and more. And Aegon knew it.

When you didn’t chastise him for the way his hand now rested on your silk covered thigh at dinner, he knew he was getting closer to his goal. He wanted you to want him as he did you.

His fingers squeezed at your flesh ever so slightly, watching as the pink flush crept up your chest and higher to your cheeks. But you didn’t ask him to stop, as you usually did. Aegon took a little confidence in that, slowly drifting his hand higher until he stopped short of the apex of your thighs. Inches from where he wanted to be the most.

“Aegon…” you warned, and he simply flashed you that smile you had grown to love.

His hand remained where it was for the rest of the dinner, but he knew he could get a little further next time.

It was a week until your wedding now and your willpower was almost at its end. It seemed like now, everything Aegon did in your presence was arousing. And he could see it. How your eyes would linger on his hands when they held his wine cup, or on his lips when he spoke. He had you, almost.

Aegon was sat in the library with Aemond, though the younger prince was the only one reading. Aegon came here because you enjoyed it and spending time with you was what he enjoyed. The corner you had chosen was quiet and as Aemond wandered away in search of something else to read, Aegon saw his opportunity.

With a gentle pull, he tugged you from your chair to his lap, revelling in the small squeak of surprise you let out.

“Aemond could return any moment...” you whispered, trying desperately to ignore Aegon’s hand on your shin, trailing a path beneath the fabric of your gown.

Aegon only hummed in response. He couldn’t care less if Aemond returned, his only focus was you. Knowing he wouldn’t let you go anytime soon, you tried to return to your book. But the words were nonsense as Aegon’s hand dipped between your thighs, toying with the fabric of your smallclothes.

“Aegon, here? Really?” you asked, your voice cracking slightly as his fingertips dipped beneath the undergarment.

Again, you only got a hummed response, as Aegon’s lips found the sliver of exposed skin at your shoulder. As if on instinct, your head tilted, giving him more access to your body. You could feel him beneath you, the hard length of him pressing against your backside. You knew you shouldn’t, but it was getting more of a challenge to resist.

“Do I make you want to sin, my lady?” Aegon whispered, his voice taking on the low tone that always had you shivering.

His words sent a rush of heat down your spine, pooling between your legs. And you knew he could feel it, his fingers slipping your smallclothes aside.

“If our clothes stay on, it is innocent, that is what you said?” you asked, repeating the words he’d said time and time again.

Aegon grinned into your neck. He had you and the time he’d waited now was worth it.

“Yes, my sweet girl, that is how it works.” His voice was soft in your ear, but his words had you whimpering, combined with the slow movements of his fingers against your pearl.

Aegon wanted to feel you, just a little something to sate him before your wedding night. Something to tempt you, prepare you for what was to come.

His hand delved deeper, a single digit slipping between your folds now. The groan he let out as your heat enveloped his finger was near sinful. He’d pictured this, time and time again alone in his room. But nothing would compare to actually feeling you. The slick heat of your arousal that was already dripping onto his skin. His own cock pulsed against your backside, and he couldn’t help but grind his hips up into you. He needed more.

“Oh…Aegon..” your voice was like music to his ears. The library was quiet at this time, but he captured your lips and swallowed your moans. Just in case. He couldn’t afford to be caught now.

He sped up, slipping another finger inside and rolling his thumb against your pearl. Your head falling to his shoulder, burying your face in the crook of his neck as you felt a tight knot in your stomach. Aegon could feel it, you were so very close, and he wanted to see you come apart for him.

And it didn’t take long. He curled his fingers inside you, chewing on his lip as he felt your muscles clench and hold him inside. And only seconds later, the most delicious moan of his name fell from your lips, thighs closing around his wrist as you peaked.

“That’s it. You are so very beautiful when you come, my lady…” Aegon purred, slowing his movements until he stopped.

Your head rested against his shoulder, your breath coming out as pants as you came down from your high. You’d never felt anything quite like it, but the way Aegon’s hand continued to squeeze at your body, you knew he wasn’t done with you.

With practised moves, he maneuvered you to straddle him, bunching your gown just high enough to expose the flesh of your thighs. The new position sent a shot of pleasure up your spine and you instinctively rolled your hips against him.

“You are insatiable, my prince,” you mused, Aegon’s hands now rested on your waist, urging you to move again.

Aegon only chuckled, the feel of your body against his knocking all thoughts from his head. This was what he’d imagined, what he’d wanted. And now he had it, he didn’t know where to begin. Something about the way you looked at him now, chest still heaving ever so slightly. Skin flushed from your peak. You had never looked more beautiful.

“Still innocent…” he mumbled, bucking his hips up against you as he helped you roll your hips.

His lips found yours, hands slipping from your waist to your backside. You could tell by the way he held you tight, kiss messy and rough, that he was close to his own end. And you’d be damned if you didn’t please him as he had you.

You braced yourself against the back of the armchair, trying to keep your movements as fluid as possible. And the groans that left Aegon’s lips told you were doing something right. The feel of his cock pulsing and twitching under his breeches felt better than you could ever imagined. It wasn’t long before his grip became bruising, slamming his hips up into you, chasing the friction despite the clothing between you.

His face glistened a little from the exertion, hair sticking to his skin. Your lips found his jaw, as they had many times when your past kisses had got heated. But this time was different. Your teeth nipped his skin as the rut of his hips hit your core in just the right rhythm to have you peaking again.

“Yes, fuck…” Aegon was lost to pleasure now and feeling you peak again was enough to have him following with his own. With the last few ruts of his hips, his head fell back against the chair and his eyes closed.

Both of you sat quietly. You’d expected to feel ashamed, like you’d done something you shouldn’t have. And yet looking at your betrothed, cheeks flushed, lips swollen from your kisses, you felt both satisfied and proud.

The silence was only broken when Aegon chuckled, a deep sound that had your head tilting in confusion.

“I knew I would tempt you,” he smiled, pulling you down for any other kiss.

You smiled into it, relishing the slight hiss he gave when your hips pushed down against his. Your thoughts wandering to exactly how your upcoming wedding night would be.

“You were right,” you whispered, lips brushing against his.

“You do make me want to sin.”

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