#i have So much queer art in the house

[abluescarfonwaston]

Bratworth in his full regalia going to queer artists shows and buying whatever strikes his fancy because he can and you know what? He’s a twenty year old with his own apartment that Von Karma doesn’t visit and its just HIS and he can do whatever the FUCK he wants with it. So Yes. Yes he would like to purchase that painting of two men tastefully cuddling on the beach together and the sculpture of a penis and that hand knit pride quilt thank you very much. And because he both Looks and Is visibly upper class it makes the other rich folk more likely to buy stuff. He’s just Very pleased with himself for decorating his house So tastefully. (Its not. Mrs. Von Karma would yell at him if she saw)

He attended a drag show in college. He bought a school hoodie and had it pulled tight around his face and watched with so much awe and confusion that his little sixteen year old gay heart couldn’t take it and he broke down crying in the back row. Two years later he put on heels and staggered on stage as a performer. It did not shrink his massively overgrown ego in the slightest but the wig and dressmaker he commissioned were Delighted and Franziska had a Blast scolding him and instructing him how to put on makeup properly.

He’s gone to gay bars and clubs before. Saw some men dancing in cages with little more than a thong on and men dancing with men and women dancing with women and loved all of it except the noise and lights and actually i have a migraine now i’m going to leave but Please don’t stop on my account.

He’s written Multiple dissertations on how Magisteel is the perfect couple- just LOOK AT THE THEMES AND PARALLELS PEOPLE. He has been canceled more than once. For picking every fight available mostly. (Half the time he thought he was just having a friendly debate. Tone is not his strong point) But he also kept a Lot of the fanartists fed and housed with his commissions. Larry and Phoenix both made rent because of him more than once. None of them are aware of this.

[aroaessidhe]

2024 reads / storygraph

The West Passage

medieval fantasy set in a giant crumbling palace of traditions with forgotten origin, ruled by giant eldritch Ladies

when winter weather comes in the middle of summer, and a beast below the palace begins to rise, two teens from Grey who have suddenly gained a lot of responsibilities set out on separate journeys to the other towers to find a way to stop it, and meet all sorts of strange people and creatures along the way

world where pronouns/names are based on people’s roles

tons of cool medieval-style chapter illustrations by the author

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[bmpmp3]

dysgraphic artiƨts risɘ UP!!!!!

[coalburiedinwarmashes]

First week working in the best place ever completed🤩

[libraford]

The word 'rural' is in the public consciousness again and every time people start going in about the 'rural values' 'rural way of life' I remember just how subjective that word is.

I have a friend that lives in LA. He considers Columbus, OH to be 'rural.' A population of over 900k. Thriving arts community, tons of culture festivals, every kind of restaurant you can think of, one of the most annoying college campuses ever, several smaller colleges, lots of queer spaces, comic book conventions, huge concerts... rural.

The town I live in considers itself 'rural.' 38k population. Arts festival every year, a small pride celebration, monthly gallery hop, big Halloween festival. Five ice cream shops, three coffee shops, a couple fancy bars, so many grocery stores. Huge library, conservation and sustainability advocates, queer spaces, a hospital, one private college. Rural.

The town we nearly annexed, but lost the deal considers us 'urban' compared to them. Less than 5k. They have a limited hospital, often send their surgeries here. Downtown has hardware store, bars, craft supply store, a couple grocery stores, pizza places. There's some farmland, but much of the square acreage is golf. Mega churches. The houses here are 500k. Most people drive ATVs. They have a handful of festivals in the summer.

A town I would often get sent to to cover their high school sports- a little over 2k. There's a Subway, a Domino's, Family Dollar. Some bars, some corner stores. Some local crafts. All the students grow up knowing each other, most of them stay there. But they have craft fairs and art galleries, still.

Less rural still than the town I go through to get there, population of around 600. Houses, farmland, post office, general store.

Who would still look down upon the town of about 400 that I would go to sometimes- post office. Gas station. Bar. The school is the only big thing there.

And yet still, I have seen towns with population in the double digits that have a church and a post office.

Even just looking at the numbers doesn't lend accuracy to what 'rural' actually looks like. Because this is what it looks like in ohio, but it's different in West Virginia- where your closest neighbor might be a mile down a hill. Or in Montana, where your town might be planned very tightly and your neighbors are very close, but the nearest grocery store is an hour and a half away. These are places I've been, friends that I've talked to. I've never been to Missouri or Alabama or Louisiana- I'm sure they have a unique experience of being 'rural.'

So my point is that when people talk about 'the rural experience' or 'rural values,' they are talking about millions of people across the entire country who all have lived unique lives- and who may not even agree on what 'rural' is.

Think about who is talking, and who is being talked over, and who isn't even being asked to join the conversation.

[hairmetal666]

Eddie owns a record store, gets to talk about music everyday. Life is good. Great, actually.

He's consolidating the Christian rock section on a quiet Wednesday morning when it happens. A man with swoopy dark hair, tight dark blue jeans, and a plum Member's Only jacket walks in, and doesn't take his Ray Bans off even once he's solidly inside.

Eddie is awestruck. This dude is gorgeous. Heart stopping. He watches him browse in quiet astonishment, unable to say anything until he blurts, "Can I help you find something?"

The man smiles--Eddie's heart stops--and he says, "Nah, just browsing. Your sign caught my eye."

And he's still not quite with the program, the rich honey of the man's voice taking him totally by surprise. "Ah, oh, it did?" He manages after a few long beats. "Painted it myself."

"No shit? It's great."

"Thanks, man. I also think it's some of my finest work."

The guy laughs. "How can I know unless I see some of your other pieces?"

Eddie's face heats, but he's never been known for having good impulse control. "Maybe you'll get lucky."

Spots of pink bloom on the man's cheeks and the tips of his ears. "And here I was, thinking I was getting special treatment."

Eddie cocks his head, smiles big. "Well, the day's still young." It's so risky and stupid; no way this guy is queer, but he grins at Eddie, laughs a little too.

"That right? Well, tell me your latest recommendations."

"For you?" Eddie eyes him up and down. "Wham!"

The guy's laugh is warm and rich and Eddie wants to drown in it. "Big of you to say for a someone who's only listened to Enter Sandman for the last four months."

Eddie cackles, points a be-ringed finger. "It's a good song! A great record."

"Hey, I've got no problem with Metallica. I just don't think you should be casting aspersions on Wham!."

"Casting aspersions, do you have a word of the day calendar or some shit?"

"No! It's toilet paper."

Their snickers grow until they're both hysterical, needing to lean against a display to stay upright.

It's like he's living in a dream, hitting it off with a beautiful man who just happened to stumble into his store. They catch their breath and Eddie uses the time to grab a record off a nearby shelf.

"Here," he says. "Try this."

"Joni Mitchell?"

"Don't tell me, Wham! fan, that you're too cool for Joni."

"Nah, she's my best friend's favorite. How much do I owe you?"

"On the house," Eddie shrugs.

"Shit, that's generous. Thanks, man. Now, about your art--" He glances at the shiny watch on his wrist. "Fuck, is it really 3:15? Goddamnit, I gotta get going."

And Eddie wants to call him back, doesn't want this dream encounter to end, but he's dashing to the door--

And just like that, the man is gone, the only evidence it ever happened the lingering chime of the bell over the door.

The bell clatters again, and his head wrenches up hard enough it hurts his neck.

"Was that Steve Harrington?" the customer shrieks.

"No," he scoffs. Except. Except. The hair and the clothes and sunglasses and the face and his lips--

"No!?" He feels the way his eyes have gone wide with panic. He didn't just flirt with Steve Harrington. Of course not. Not ever. He would've recognized--

He runs to the racks of magazines in front of the register, grabbing the latest issue of People. The cover features a glossy, polished photo of the man who just left the store. The one who had the highest grossing movie of the summer alongside his co-star, Julia Roberts. The one who, according to the article within, is in Chicago right now shooting a new movie. The one who Eddie flirted with. The one who flirted back.

He groans and covers his face with his hands. At least he'll never see Steve Harrington again.

---

Harrington comes back.

The second time, he's wearing a jewel blue polo and fitted slacks, Ray Bans nowhere to be seen.

"Got anymore recommendations?" Steve asks.

"What?" Eddie's still trying to accept that Harrington came back.

"I finished Joni. It was good. Recommend something else for me."

Fully with the program, he reaches to the rack behind him, handing the vinyl to Steve without ever taking his eyes off him.

"Seriously?" Steve deadpans.

"Tell me you don't deserve it after last time."

Steve studies the cover of Metallica, a complicated look on his face. "Fine, but you have to listen to the album George Michael released last year."

He mimics getting shot in the heart. "After my magnanimous first suggestion, you dare to punish me with Freedom?"

"Think of it more as an opportunity."

"To regret every decision I've ever made?"

"To expand your musical horizons."

Eddie rolls his eyes. "Fiiiine. It's a deal."

Steve beams. "Good! Ring me up."

And Eddie, he'd comp it again, but Steve gives him this look that tells him not to try it.

As they pass the magazine racks, Eddie points at one featuring Steve on the cover. "That thing you wore to the Vanity Fair party last month was hideous."

Steve snorts, then laughs. "Thanks. My stylist decided to go for something--"

"--terrible?--"

"Avant garde."

"Oh, is that what they're calling it these days?"

Steve pays, throws Eddie one last smile, "next time?"

Eddie nods, already certain this time is the last one.

---

He keeps coming back.

Eddie tries not to read into it.

Steve is straight, famously has a girlfriend. former horror movie child star turned cinema wunderkind, Nancy Wheeler. They're always on the covers of the tabloids, in ever more improbable stories about affairs and secret babies and french countryside weddings.

But he keeps coming back. And eventually, they grab dinner. And that dinner becomes lunches, movies, clubs, concerts. Eddie's in paparazzi photos, and there's no speculation about their relationship. Steve has a girlfriend.

But sometimes. Sometimes Steve will rest his hand on Eddie's nape, his lower back, let it linger. He'll trace a finger down the tattoos on Eddie's forearms or the patches of his battle vest. He'll lean too close when they talk, unafraid to press their bodies together. And he catches Steve's eyes on his mouth more than once, his pupils wide.

Over the next few weeks, Steve's gaze on Eddie's mouth gets hotter, his looks longer, and it's killing him. All he wants to do, all he ever wants to do, is close the distance between them, appease the gnawing beast of desire in his chest.

But Steve has a girlfriend.

They don't talk about her, not even when he knows all about Steve's best friend, Robin, and the gang of kids who adopted him, or Joyce and Hopper, his surrogate parents. Never Nancy.

He tries not to read into it.

---

They're supposed to meet for dinner. Steve scored reservations at a trendy new restaurant, but Eddie's late. Astronomically, horrifically late. It's pouring rain, it takes fifteen minutes to get a cab, traffic is a nightmare.

Out of patience and time, he decides to run the last few blocks to the restaurant. By the time he reaches the building, he's soaked to the bone, spluttering harsh breaths through mouthfuls of rain.

Steve is walking in the opposite direction, hands stuffed into the pockets of his coat.

"Steve?" He calls.

He turns and this is the first time Eddie's seen him angry. "You're late," Steve's eyes rake over him, and his face softens in an instant. He takes Eddie's wrist, leads him into an alley where the buildings are close enough to block some of the rain.

"What happened?"

"Traffic."

Steve's gaze go all soft and gentle, and Eddie's knees buckle a little. "You look like a drowned rat."

"Yeah, well." Eddie scoffs. "We can't all be beautiful movie stars."

"You're more beautiful than I could ever be, even soaking wet."

He shakes his head, ignoring the cascade of butterflies; Steve shouldn't say things like that. His vigorous movement sends wet strands of hair slapping him in the face.

Steve reaches out, softly brushes it back.

Eddie stops breathing.

Steve closes the distance between them.

What a thing, to be kissed by Steve Harrington. What a terrible, glorious thing.

He breaks it fast, face red, can't catch his breath. "Nancy," is all he can say.

"Nancy?"

"You have a girlfriend."

Steve's face scrunches. "She's not my girlfriend."

Eddie's mouth drops. "Yes, she is." They went to the Oscars together.

"Eddie." Steve takes a few steps back. "Eddie. I'm gay."

He laughs, an ugly honking thing. "C'mon. What could she possibly get out of that?"

Steve's eyes widen, eyebrows reaching his hairline, mouth pursed in a bitchy line. It takes Eddie a minute but, "Ohhhhh. So, it's all--?"

"It was the best way."

"But you're--?"

"I thought you clocked me immediately! Wham!???"

"That was because of the jacket!"

"Have you ever met a straight man who dresses like I do and likes George Michael??"

"That describes five dudes I see a day!"

"And you thought they were straight??"

Eddie stares into the middle distance, replaying some of those interactions, and--"Huh. Okay. I get hit on at work waaay more than I realized."

"For fuck's sake, Eddie!" He's shaking his head, but Eddie sees the way the corners of his mouth shake with suppressed laughter.

"I'm sorry! You have a very public straight relationship!"

Steve giggles, pulls Eddie close. "Is this okay?"

"So okay."

"You do like me back?"

"Are you kidding! Thought I was going insane, how much I want you."

"And now?"

"Come back to my place?"

"Thought you'd never ask."

And Eddie, he's seen Steve playing at love dozens of times, but this--right here, in a soggy, smelly alley where they're both soaking wet--it's more perfect than any movie.

[roebeanstalk]

6/2 Update: Security deposit has been paid!! Thank you so much to everyone for the help 💚 I still have to pull together all of June rent for my current place which is $675. Thank you everyone for all of the help so far 💚

I’m asking for help with June rent, which is $675 and needs to be paid ASAP.

Cashapp https://cash.app/clawshot

venmo https://venmo.com/rmck89

ko-fi https://ko-fi.com/roebeanstalk

Any help at all is super appreciated. Every dollar adds up, and shares are so helpful too. I know that I’ve received so much help from people in the past and I can’t thank you all enough. I hope that this is the last of these that I have to do.

Needs:

June rent: $23/$675

Security Deposit: $495/495 Paid 💚

Bonus:

July rent (First month at new place): $495

Movers + Uhaul: $300-350

More info on my situation under the cut!

Thank you so, so so much.

I have a history of mental health issues, and as a result I have a very difficult time getting and maintaining employment. My mental health also impacts my ability to keep up with and complete freelance/commission work in a timely manner. While I have made some incredible steps forward lately thanks to the right combo of therapy, medication, and a support system, I am still not at a point where I am self-sufficient yet. I am getting there – and I am committed to keep trying no matter what.

Original post blurb, taken out of main post since deposit has been paid:

My landlord has decided not to move forward with me as a tenant due to my history with payment/mental health. While this is frustrating as heck, it’s allowed me to find a better, more affordable housing situation. I have signed a lease at a new place and move in July 1st!Once the deposit is paid, my space on the lease is officially secured and I am good to go. This is the main thing that I am looking for help with.

Why I need help:

This new housing situation is incredible for me – it’s a room in a quiet house with two other queer folk, and the rent is very affordable compared to my current situation. The new place is $485/month, the current place is $675/month. Even with utilities, my total overhead for shelter will cost less than rent at my current place. If I can secure my spot in this house and move forward, I see such a clear path forward for me in terms of self-improvement and self-sufficiency.

For the first time in 15 years, I feel like I can tackle the things ahead of me. If you’re able to help out I would really, really appreciate it.

What I’m doing:

I am job hunting for something that works well for my situation. With the cost of rent, I think that a part time job will be able to cover it. The process of getting a job is difficult for me, but I am committed to continuing to work at it.

On the art front, I have occasional comic coloring jobs that help me out. I also have commissions – I have finally been moving forward at a good rate and have been really happy with my work. In time, this will be able to be a more standard income route. I also have a Patreon that brings in about $65/month.

Cashapp https://cash.app/clawshot / venmo https://venmo.com/rmck89 / ko-fi https://ko-fi.com/roebeanstalk

Thank you so much for reading over all of this. Thank you to everyone who has helped with donations or kind words or reblogs. Thank you so much to every commissioner and customer who has been patient as hell with me on artwork, communication, and stickers. Thank you thank you thank you. Thanks to every single one of you I have been able to keep pushing myself forward, and I'm so happy to keep doing it and make good on everything. And eventually, give back to my community. I love you all so much, even though i don't know any of you that well. Thank youuuu. <3

[snippyschnapps]

after my final art project has been graded I’m probably gonna compile all of (or at least some of) my batshit writing on obsession and shit into one singular page or post or whatever and I’ll post it to the tumblr masses because tbh I think a lot of you would have a higher likelihood of Getting It in the intended way and if someone doesn’t eventually Get It i’m gonna start biting.

[renthony]

OFMD has officially been cancelled, and I am once again thinking about all the people in the world who nitpick diverse media to hell and back when it isn't 100% perfect, as if having nothing at all would be preferable.

I'm so fucking tired of good, earnest, diverse media getting held to ridiculous standards by both networks AND fans, and then getting cancelled.

It was supposed to be three seasons. David Jenkins fucking said it was supposed to be three seasons. And then the network dragged its ass on renewing for season 2, and now...no season 3.

FUCK this shit. I'm so tired of media by and for marginalized artists getting fucked over. I'm tired of marginalized people fighting for scraps and then getting the rug whipped out from under us.

Yeah, OFMD isn't the only thing out there. There are other things to go enjoy, for the moment. But the fact that it's the shows that are queer and multicultural that keep getting cancelled is pretty fucking transparent, and I've seen quite a lot of concern from people in the industry about the direction we're headed. The outlook is concerning. It's more important now than ever to support marginalized artists, whether they're making indie art or trying to get something made by a mainstream studio.

Our Flag Means Death. Warrior Nun. One Day At A Time. Willow. Dead End: Paranormal Park. First Kill. Q-Force. The Owl House. Steven Universe. A League of Their Own. Vampire Academy. I could go on, but I don't need to, because there are entire lists that have been curated by news sites: Gay Times, Out, Autostraddle, Pride, Movieweb, Collider.

There's a reason I spend so much time and energy studying things like the Hays Code and the history of censorship. This shit comes in waves, and the only way marginalized artists survive it is through community support, mutual aid, and being really goddamn loud.

So be loud. Make art. Support your fellow artists and the artists you love. We need each other if we're going to weather the storm.

[transbookoftheday]

Trans Horror Podcasts

My post about trans horror books last year was much more popular than I expected, and since I've recently fallen in love with fiction podcasts and audio dramas, I thought I'd make a post about trans horror podcasts as well.

If you like trans horror, please give these a try - especially if you enjoy listening to audiobooks!

Hello From The Hallowoods:

Come walk between the black pines! In this award-winning queer fiction podcast, an eldritch narrator follows the increasingly connected residents of the forest at the end of the world. It's a bittersweet story that explores queer identity, horror genre tropes, and finding hope in humanity's last moments.

Hello From The Hallowoods is my absolute favorite podcast! If you only listen to one podcast from this list, please make it this one - it's so beautifully written and super queer! Also: season 4 starts today!

Trans main characters include:

our nonbinary eye-affiliated podcast host

a nonbinary "Frankenstein's creature"

a transmasc ghost

a genderfluid storm witch

a trans woman who can visit other people's dreams

multiple characters using neopronouns

Camp Here & There:

Good morning, campers! Camp Here & There is a weekly horror comedy podcast tuned in to the loudspeakers of a small midwestern sleepaway camp plagued by supernatural terrors and natural disasters. Sydney Sargent, resident camp nurse, cheerfully reports on all the terror we must face with a big smile. Let’s hope there’s nothing weird about that!

Sydney is a trans man.

Dos: After You:

Things have changed. Deck has fallen in love with someone who isn't human, and leaves a hungry house behind to see him again. Will he be waiting for you? The world has changed… but what about him? Dos: After You is a queer urban fantasy/horror audiodrama available in both English & Spanish

Deck is a trans man.

Jar of Rebuke:

Follow Dr. Jared Hel's journey as he works to re-discover his forgotten past and finds his place within the small Indiana farm town of Wichton and the cryptozoological organization he works for called 'The Enclosure'. These audio journals, and other recordings, dive deep into Midwestern US cryptids and folklore while also telling a mystery about identity, queerness, neurodivergence, and community.

Jared is nonbinary.

Spirit Box Radio:

Spirit Box Radio is an award winning, horror audio drama podcast about a radio show for enthusiasts of all things arcane. Follow Sam Enfield a former postboy with no experience in the arcane arts, who finds themselves forced to take over running the show, following the disappearance of the previous host. Sam soon discovers there are more than ghosts haunting the show, and finds himself amidst a mystery which threatens everything he knows about the world beyond his tiny basement broadcast studio, and maybe even himself.

Sam is a trans man.

The Silt Verses:

Carpenter and Faulkner, two worshippers of an outlawed god, travel up the length of their deity’s great black river, searching for holy revelations amongst the reeds and the wetlands. As their pilgrimage lengthens and the river’s mysteries deepen, the two acolytes find themselves under threat from a police manhunt, but also come into conflict with the weirder gods that have flourished in these forgotten rural territories. This is a world where divine intervention takes place through prayer-markings scratched into stumping-posts, and offerings are left squirming to die in the flats of the delta. This is a world of ritual, and hidden language, and sacrifice. This is folk horror, and fantasy, and a dark road trip into the depths of unusual faith.

Faulkner is a trans man and Paige is a trans woman.

The Magnus Protocol:

The Magnus Archives 2: The Magnus Protocol is the prequel/sequel/”sidequel” to the internationally renowned Magnus Archives podcast. The Magnus Institute was an organisation dedicated to academic research into the esoteric and the paranormal, based out of Manchester, England. It burned to the ground in 1999. There were no survivors. Now, almost 25 years later, Alice and Sam, a pair of low-level civil service workers at the underfunded Office of Incident Assessment and Response, have stumbled across its legacy. A legacy that will put them in grave danger. If this intrigues you then it is our pleasure to welcome you to the Office of Incident, Assessment and Response. Make sure you pick up your badge at desk and report to your line manager before sitting down. Oh and stay away from I.T., seriously.

Alice is a trans woman.

[signanothername]

Could we have some soft/comfort headcannons about anyone of your choosing? It's election night and I really would like something soft for my brain to chew on instead of worry all night

Absolutely!

Imma give you a bunch of different little guys <333

———

Killer:

-his cats help him a lot with sleep problems, they make him calm enough to the point of actually closing his eyes whenever he’s with them (reminder that he usually sleeps with one eye open xhxbbx)

-after he’s saved, he gradually becomes better at eating, he still avoids food that reminds him of the past but becomes more accepting of other types of food, eventually getting his bone mass and weight back, going from lanky to chubby <3333

-he eventually accepts the state of his soul and instead of trying to fix it, he tries to understand it, understand himself, he becomes a lot more gentle with his own self

———

Color:

-he has albums upon albums full of pictures he took over the years, filled with places he visited, pictures of people he loves and moments he cherishes

-he’s very connected with so many people, and a lot of people find him to be a great confidant, he does a lot to help people where he can, he eventually gets the good he gave back with people taking care of him

-he’s in a queer platonic relationship with Delta and Epic

———

Nightmare:

-he has piles upon piles of gifts Dream gave him for their birthday over the years, he never got rid of any of them, these gifts are something he cherishes dearly

-he’s the one to introduce Killer to Ccino’s cafe, he actually did that with no ill intentions, and Nightmare himself is not really sure why he went out of his way to introduce Killer to the cafe

-he and Dream sometimes sit beside their mother in silence, just taking everything in, taking each other presence in, not talking or interacting, Nightmare feels peaceful during these moments, it’s the closest thing to the same feelings he had as a happy child

———

Dream:

-even though he has a fallout with Ink, he eventually remedies his relationship with them, they become best friends again

-whenever life gets too much, he goes to Swap’s house and stays with the swap bros, it helps immensely

-Dream never expects to receive anything on his birthday, that expectation is broken when he receives a gift from Nightmare, he never got another gift afterwards, it’s only that one gift, but it’s the entire world to him

———

Error:

-he thinks of Ink as his bestest friend in the world, he’d never admit that out loud tho dhdhhdhdh (they’re frenemies)

-he loves geno and Fresh dearly, they’re his proclaimed siblings, he’s more open about his love with them

-he actually takes commissions by making dolls for people who want them in exchange for chocolate as payment (his chocolate stock never runs out zgxggx)

———

Horror:

-He eventually finds a better relationship with food

-he succeeds at escaping from Nightmare and managing to keep his AU (and most importantly his brother) safe in the process

-he finds himself becoming best friends with Farm

———

Ink:

-his art is something others never see, but surprisingly, if you had the chance to see it, then you’d find it’s art the people they love most

-their fallout with Dream actually hurt him, so when he and Dream got back to being besties, they felt very happy about it

-he loves spending time with Color, Epic and Delta cause of their constant traveling habits, they’re very entertaining to be around

-while they spend most his time in the doodlesphere, the second place you’ll most likely see them in is with their parents in the omega timeline, he loves them with all his heart

———

These are the ones I can think of off the top of my head hdhdhdhdh hope they’re enough to rotate in your brain all day <333333

[borninwinter81]

Queer horror from my teens

I periodically wonder whether these books are still known and read by young goths and horror fans as they were all extremely important to me in my teenage years, so I thought I'd share them.

Though I'm cishet, during the mid 90s two of my favourite authors wrote primarily queer fiction: they were Anne Rice and another author from New Orleans who is now known as Billy Martin.

He came out as a trans man in 2011, however these books were published prior to that so unfortunately you have to search for them under his deadname. This is why I've used that name in the tags on this post. I don't believe the books were ever reprinted with his current name.

Though I loved Rice, I always felt a more immediate connection with Martin due to his vivid portrayal of subcultures like goth and punk, and how it felt to be a teenager who was part of them. I could see myself in many of his characters as I had the same interests, listened to the same music, and shared the same sense of social alienation. Remember in the 90s the Internet was still a reasonably new thing, and many of us didn't have a home Internet connection at all. There was certainly no social media, no YouTube, and no real way to meet and interact with like-minded teens unless you were lucky enough to have another "weird kid" at your school. If you were a weird kid, you likely had very few friends and were bullied.

That as much as anything else led me to seek solace in books written by an author who I felt understood me, and characters who became my friends.

Lost Souls is about vampires in a kind of Lost Boys/Near Dark way. Fans of the YouTuber OfHerbsAndAltars might be interested to know that this book is where the name of his channel comes from - it's a description of the taste of Chartreuse liqueur.

Drawing Blood is about ghosts, a "murder house", computer hacking, comic art and a very beautiful (if rather messed up) romance. This one is probably my favourite of the three.

Exquisite Corpse is about serial killers, set against the AIDS crisis of the 90s. If you like the Hannibal TV series you'll probably enjoy this one - imagine if Dennis Nilsen and Jeffrey Dahmer had somehow met.

Martin doesn't pull any punches when it comes to descriptions of blood and gore, violence, abusive parents or his portrayal of toxic romantic relationships (of which there are many in his books), but if you can deal with those things there is also a great deal of beauty, phenomenally good writing, and a somewhat unique perspective on the supernatural.

Maybe I'm biased, looking at these through the lens of my teenage self. Maybe they'd seem horribly dated to today's young audience. But I still wanted to make this post in case there's someone out there who will end up loving them as much as I did.

[robogart]

So I just did a big redux of my tiers for patrons and I would be thrilled to have your support and share some cool art with you too! 🥳💖💖💖

And time for a little Support the Arts Moment 🥳👏✨ :

Between the censoring of queer art, and the ever expanding censorship of erotica, artists now more than ever can use your support! We are continuing down an uncertain political climate and creators like me could use your help!

So maybe you feel that throwing $2/month doesn't make much difference, and that only the $20+ tiers are worthwhile. But every single bit helps! The reason I'm still  housed at all is because of ALL my patrons, together, across every tier kindly supporting me to draw and share gay little arts!

Whether it's my work or another artist, now is the time to help support us! The reason social media is fun to use at all is because of all the incredible work that artists share! And if you're able to give $2/month ($24 for a WHOLE YEAR’S worth of content), please consider it! 💖

Much love to all of you! And see you around!! 🥳💖💕✨

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[maybe-boys-do-love]

Because I've really enjoyed Peaceful Property and contributed to the discourse on here around it, I want to spend some time exploring the thoughtful critiques of the show by @bengiyo, @lurkingshan, @twig-tea, @respectthepetty, @my-rose-tinted-glasses, and @one-of-tankhuns-neurons. I started writing this out but then it got all annoying and academic so imma just list rant with the utmost respect for everyone's thoughts for making me think so much about this show.

1.I wondered about what shows might be examples of class division themes done with an orientation toward the lived experiences of the working class in BL, cuz honestly it's just not super prominent and well-done in much of media anywhere. The Aof series where he takes screenwriting credit seem to be the best representatives: ATOTS and Moonlight Chicken, especially, but he touches on macro and micro economic issues in all his works. Aof's really willing to depict the hardships and compromises required when living with less financial security, and I can def agree that Peaceful Property is not offering that. I just personally feel okay with that, because I see the latter show as doing a more theoretical and symbolic narrative about economics, and overt symbolism seems pretty in-line with the ghost story horror genre its using.

2. To me, I see Peaceful Property's main critique of class issues as being about Marxist alienation. So we've got our first two ghosts being really literal with this, where they have a labor they do and a final product that they don't get to partake in. Builder wants to have a meal in the house he built. Wig maker wants to wear the luxury wig she sewed. Then, with rider, we get a lil more abstract with him wanting him and his delivery to be recognized and build a meaningful relationship with someone. And since then we've been getting more and more abstract about people finding personal meaning and supporting others through their labor. But all of it still connects back to this idea of alienation from their labor, the magician, Chef Hong, and Peach are all prevented from performing the labor that brings them fulfillment by different circumstances.

3. For my reading, the queerness is very much part and parcel of its capitalism critique. Agree with it or not, but man x man loving stories have been used historically to run counter to the competition between men fighting for the top spot encouraged by capitalism. Maurice is a pretty prime example of this, where Maurice, instead of pining upward for Clive, ends up choosing the lower-class Alex and running away to be happy together. Pat and Pran's love in the face of their family's business related feud in Bud Buddy is an even closer example to how I think Peaceful Property is contrasting queer love and capitalistic competition. There's a few signals for me that Peaceful Property plans to explore this a bit more. The Cok Long sign reminds me way too much of the slang of "dick measuring competitions" and I don't think they gave us a character named 'Best,' who has reappeared a couple of times for no reason. With the magician, Pang, and Chef Hong, we also have a repeating motif of lost assistants who made the work meaningful and possible, a socialist emphasis on the value of all workers and the need to connect with others to produce their labors of love, which we see thwarted for the queer story line. The fact that the Thai dancing was two men working together to create the art offers an alternative to a competition between men. And I want to say that I'm just talking about narrative devices here, not the reality of how capitalism works. We're very much in symbolist land, with this take. I'm just a sucker for symbolist land, and it's hard for me to watch horror especially without taking my brain there.

4. And then there's the way queerness alienates one from the accepted 'normal,' which has emerged as a dominant theme in the last few episodes. But if we take this theme and apply it back on previous episodes, we can see traces of it throughout the characters. Home's statements have been the most explicit in illustrating an internalized homophobia with his desire to be part of a 'normal family.' And the tensions with his family about whether he deserved to inherit the properties has queer connotations about queer people's inclusion in their families and the legal and financial repercussions of that (What Did You Eat Yesterday is the top tier of detailed impacts of queer rights in that vein). Peach's social anxieties and depressive behaviors, ostensibly related to his close call with death and ability to see ghosts, parallels queer experiences, too, and we see how it shapes his and his sister's financial predicaments. (Aside: I wonder, regarding some of the complaints about their behavior in the context of poverty, if we might better read the two of them as broke middle class characters. We don't have much context about their childhoods, but their behavior has never really presented as people familiar with getting by on a dime.) Queerness and the threats of financial insecurity have been articulated as interrelated by the series.

5. Home's redemption? We'll know more as things get revealed, but it seems that we're meant to see Home's biggest failing as the negligence that allowed him to hit Peace and his cowardice in not standing up to his family and taking responsibility for the harm he caused. If that is his chief issue, in my view of a restorative process (and thank you so much @respectthepetty for naming this aspect of the show!), the necessary amends are...

facing up to his family (partial check)

admitting his mistakes and seeking forgiveness from Peach (he was in the process of doing so in the latest ep)

addressing the distraction that led to his negligence so that he can attend to Peach and people like Peach so it does not occur again (hmmm...)

That last point is key because we still don't know why it was significant that he was on his busy ignoring the call of girlfriend number 32 or whatever. But I'm suspecting it will connect to Home's internalized homophobia (and @heretherebedork has done some great writing about that subtext). That would give the accident a significance regarding horizontal violence between gay men that the privileged can then run away from while others who can't escape have to suffer the consequences. There's lots of ways queer men can and have done this to one another in everyday life and hook-ups but at the most extreme historically we have the the AIDS crisis, where someone's negligence regarding sexual health inspired by the psychological fear induced by being in the closet could truly be a life-or-death matter with major financial ramifications. For Home to truly own his mistake he is going to have to risk his own financial security in standing up to his family, and he's going to have to stop hiding from himself so he can develop compassion for others in the world. And the last scene in which we see him in the same predicament as Home I saw less as a cop out so Peach and the audience would feel bad for him and forgive him and more as a representation of his ability now to truly understand what Peach has gone through.

6. Do I think this series is going to solve capitalism? This show is about the spiritual dimensions capitalism robs from people, and I think it has real answers about disrupting capitalism through reconnection with our relationships to our work and to other human beings. I'm not religious, but I respect religion's ability to help people find and emphasize a deeper meaning in life, and I think that that doesn't necessarily but can challenge capitalist practices. Peaceful Property is working to show how caring about spiritual well-being breaks up the automaticity of capitalism and has never let go of that thread. To discuss Peaceful Property's takes on class division without speaking about its religious elements seems disingenuous to its greater purpose and a bit disrespectful to the Thai culture the series is so infused with. I'm intrigued about how Kan's plot will play out with the Vimarnsukmun family and it's impact on their finances. What would actually disappoint me and run counter to the show's themes is if the gang somehow inherited the family's wealth or properties other than the ramshackle Cok Long Cocktail Lounge. In Aof's work and in Maurice, the endings involve a disinheritance to represent that life is about connection not financial gain, which contrasts philosophically with the upward fantasies of capitalism. So in ATOTS, Tian moves to the village, in Moonlight Chicken, Jim trades out his diner for a smaller food truck, etc. To find the true meaning of home, Home will need to release himself from his attachment to his inheritance of financial privilege. Of course, being dead might be an option for that lol, but we'll see how the rest of the series plays out.

[sepublic]

The Owl House Pilot Leak!!!

            Oh my titan.

            The Owl House’s original pilot episode (basically a bunch of voiced-over storyboards) just got leaked and OMT. Watching it felt like experiencing the original magic of the show all over again… Reminding me what it was like to fall in love the first time!!! The hype and rush, the excitement to type down my thoughts after a new episode, analyzing and gushing over both big and small moments, the details!!! The pilot has reiterated all over to me again why I love these characters, from Luz's powerful earnestness, to Eda's chaotic demeanor! It’s like having the whole show open ahead of me, the possibilities endless when knowing this is just the beginning and we could go anywhere from here!

            What’s interesting is that Luz’s conflict with Camila doesn’t really exist here; In fact Camila isn’t present or mentioned at all! What brings Luz to the isles is Amity, who’s been learning in the human world, under the guise of being a human by disguising her ears! It’s alluded to that Odalia and Alador made her do it, though we don’t know why…

            But WOW that must’ve been so meta, doing S3 with Amity stuck in the human world with Luz, hiding her ears! It must’ve been a fun way to bring back the older concepts in new form! And indeed, we see a couple of stuff we’ve already gotten glimpses of, such as the storyboards of Luz offering her friendship art to Amity! I love that we get to see the actual scenario of how Amity accidentally defended Luz in the first place, since we heard that but didn’t get to see how it turned out.

            It’s interesting that Lumity is basically the inciting incident of the story, though I can see why the final version opted instead to emphasize Luz’s conflict with her mother. Especially with how she chooses to stay in the isles in the final draft, which leads to guilt over lying to her mom, having her ‘coming out’ moment that eventually occurs in Yesterday’s Lie, etc. So more agency when it comes to Luz losing her access to the human world. Plus in the pilot, there isn't the same emphasis on Luz trying to live out her dreams of being a witch, and her obsession with stories that ties back to Manny and forms the basis for a lot of other themes and arcs.

            That said, I also appreciate what this alternate take offers, and how Lumity helps tie everything together, it really is the queerness that is such a foundational part of the ‘weirdness’ theme that the show is about, and it’s intertwined with the pilot! God Luz being heartbroken when Amity dismisses the drawing… And then crying when Eda compliments it without realizing who it’s about! Or maybe she did, she could’ve recognized Luz there and figured out a way to stealthily make Luz feel better…!

            I love Luz routinely lock-picking her locker because she presumably forgot the combination! And it’s interesting that we have a setup of there being multiple dimensions that the Boiling Isles has access to, and not just the human world and Demon Realm. That plays a role in the climax, more on that later. Given we have what is basically an airport for different dimensions, I wonder if we would’ve seen Luz find her way back home much earlier on, under much less intense circumstances, in a S1A episode?

            The ‘Emperor’ is also alluded to in the pilot, which we didn’t get actual mention of until the fifth episode in the final show. He apparently dislikes humans and wants Luz brought over to him, is this still operating off of the ‘Pupa’ version of the character who claimed to speak on behalf of the true ruler, trapped in their metamorphosis by him? So maybe he wasn’t always human, or maybe this is Belos’ hypocritical way of ‘protecting’ humans by keeping them away and in blissful ignorance of the demon realm.

            We also establish Hexside much earlier! IIRC Hexside was always part of the show, but executives pushed for it to have more emphasis, which the crew continued to follow through on in S2 onwards because that had already been set up. Lilith is the principal, and I recognize the storyboards of her, including her bat transformation! We get a Tinella Nosa cameo, we see Amity, and there’s also a brief cameo of Willow too! Nice way to set her up before her proper debut.

            The ‘barrier’ containing King’s crown turns out to just be a regular human locker, which makes me wonder if the writers updated the final draft to make it a force field that only allows humans through, because of the whole Belos twist. Which makes me wonder if in this draft, Belos is Pupa, who never was human, or maybe they realized the opportunity to insert foreshadowing into a big twist regarding the main villain. Makes me wonder if the house we see Amity enter in the pilot, which is on sale, would've had any significance like in the final show. Love how Tinella Nosa is a student at Hexside, and also Dana having to occasionally insert lines for Wendie Malick and others was great.

            Lilith is a lot more openly adversarial, which is different compared to how her actual debut provides a softer side to her; I imagine this would’ve been apparent in a later episode of the ‘Pilot AU’, and her transformation has me curious; Was she originally the one with the curse, but then the writers changed it to Eda? Or did they both have a curse? Eda also has an owl form she can summon and control at Will, maybe all Clawthornes have a beast mode that’s less of a curse and more of a talent. Lilith ends up trapped in another dimension, which makes me wonder if she’d have a temporary replacement –possibly Pilot Bump- or if she’d return offscreen. We see the portal key get destroyed under much more casual circumstances, though it’s less as big of a deal for this and the established ‘dimension port’ we saw before.

            (Also, Amity recognizing Luz in the hallway… Everything to me!!!)

            Warden Wrath doesn’t exist and neither does the Conformatorium, it’s Lilith and Hexside. With her as principal and Amity as student, I wonder if we would’ve gotten more of their relationship in the pilot AU, if Covention was a way of carrying over that former connection since Amity would be a teacher’s pet in either version of the story. And speaking of ties to Covention, it’s interesting is that Eda’s chest gem seems to be linked to the Emperor’s Coven, as ‘Pilot Kikimora’ uses it to control her. Curiously, we have a scene at the end mirroring what we got with Lilith in the final draft of the show!

            I feel it implies that Eda DID join the Emperor’s Coven with Lilith, if only for a brief moment, but then defected; But the chest gem is basically the pilot version of the Emperor’s sigil, except with the explicit function of being a shock collar. I find it interesting that Eda still has the mirror to contact the EC with, instead of just getting rid of the thing. Is she a rogue agent who hasn’t totally cut ties, because she can’t? Won’t?

And the fact that Pilot Kikimora can just shock Eda at will makes me wonder if the Emperor is low-key just letting Eda roam around, which makes me wonder if he’s aware of the familial connection, is using Eda to find Luz, already knows about her doing that because of the time loop, etc. We’d of course have gotten an episode where Luz finds out about Eda’s connection and helps her deal with the gem… I realize now that Luz learning Eda also wanted to join the EC with Lilith is a carryover of this idea.

I can see the ups and downs between both versions; The final draft sets up Luz’s conflict with Camila and the reality camp, which is foundational to her character arc throughout the whole show. Her pain over being ‘sent away’ is just so vital that I appreciate its inclusion in the first episode. But I also like the inclusion of Lumity and the earnest desire to be friends with someone who showed her, unwittingly, any kindness at all! We get explicit bullying from Luz’s peers in the pilot, but in the final draft we also get her thoughtlessness that plays a big part in her S1 arc. And Luz’s arrival in the isles is more intertwined with Eda and King in the final version, which also feels right; The show is about these three in particular!

All in all, this was wonderful to watch! The magic was experienced all over again, not just in watching an episode, but also commentating on one that was just ‘released’ as well? I thought the last time I’d do anything like this was with the series finale Watching and Dreaming… But as Luz said, it really comes full circle with watching the first episode all over again! So maybe we have other stuff to still look forward to after all… At the very least, we have an eternal anticipation with an unexplored universe ahead of us, that will never reach completion; So it's like our ever-lasting final gift from TOH, and a good last one. So until next time: BBBBBYYYYYEEEEEEEEE!!!!!!!