#i had to get this off my mind

[artnormal]

So, y'all know this bastard, right?

Dr Octopussycat.

I was thinking, and bare with me here, he shouldn't be a domestic short hair. In fact I think he should be one of these bad boys.

The Pallas Cat. Firstly, I have to say that these are a top tier cat. Like they're perfect. Look at them. Second of all, look at that coat. Fluff for days. Makes them look a lot fatter then they are actually. In fact, they are smaller than the average house cat. Thirdly, they are known for the grumpy expression. The reason for this is that they are, to my knowledge, the only small cat with round pupils which gives their eyes a more human look to them. This makes then appear grumpy to us, but I certainly think it works within the confines of my argument.

Anyways thanks for coming to my TED Talk.

[helenreads28]

Lee Rang Full Gumiho

Hello my beautiful people. I still haven't finished totnt 1938 but as I said in a previous post I have stumbled upon a lot of spoilers. So here's my take on Rang achieving to believe in himself and acquiring the powers of a full Gumiho in that era, but still being a half fox in 2020.

So basically, my thought process is the most basic. Our lovely mermaid died a tragic death, one that Rang coudn't prevent and lost total trust in himself and his abilities. His relationship with Yeon 1938 might have become strained again, since we see Rang be so cruel to him in 2020; they might have got into a fight. Maybe when Rang and our lovely mermaid were trying to survive, the young fox called for his hyung, but said hyung never showed up.

The outcome? Yeohee dies, with Rang probably being held by the people responsible, forcing him to watch as they kill the love of his life in front of him. How they take her scales in order to sell them and gain money; and Rang?

Rang is left more broken than ever before. Even as a full fox he wasn't able to protect the woman he loved, and still loves. Yeon never showed up to help him, no matter that they had made amends. The promise that he would protect him, that he would be there if he ever needed him is once again broken. And he is left there, in a world without the people he holds dear; with one of them brutally murdered and the other nowhere to be found. Alone in a cruel world whose only purpose is to make Rang's life as miserable as possible.

So he gives up, if life is only going to be cruel to him, then be it. He is going to be as cruel as he can too. An eye for an eye; there's no purpose in his life anymore, no purpose to keep his aching hurt beating, no purpose other that revenge, other than making the world suffer as mush as he has.

Somewhere along the way, he finds a new purpose; he finds a new family. One who finally accepts him the way he is, one who is happy to see him happy and healthy. Sadly, it seems that life has other plans and his brother gives his life for his beloved. Yeon does what Rang wasn't able to do, what he wasn't strong enough to do; and he has to give it to Yeon. In the end, he did exactly what he was out to do ever since Ah-Eum sacrificed herself for his sake.

Apart from Yeon being able to do what Rang couldn't, he also forces Rang to be the one to take his life. And there Rang is, being the one responsible for the deaths of the two most important people in his life. How could he ever move forward from that?

So when he gets the chance, he offers his life in exchange for his brother's. He at least manages to repent for one of his sins and give his brother more time with his loved ones than Rang had and craved. And somewhere deep in his mind, in his soul and in his heart, he is aware he is also sacrificing himself for Ji-Ah's sake as well. Because he knows what it's like to lose the person you love the most and be forced to keep living without them. It's a thought he never shares with the world, not even when he is so close to his death. Then, he is gone with the world ignorant to his kind, loving and protective self. He was always a martyr afterall, and martyrs never get a happy ending.

Bonus: The people who killed Yeo-hee are the people responsible for bringing the Imoogi back. The purpose of her murder? To break Rang in such a way that he will be more easily manipulated, that he will be at their mercy. He already owes them his life afterall...

[fuupan]

drew these for heart pirates day and uhhhh ep1115

[vwoop-prince]

YJ S3 Dick, still in the midst of his fever dream, hides underneath the 'souvenir' instead of behind some boxes, and accidentally opens the airlock trying to take care of the Parademons. The others get it to close... but not before Nightwing is thrown into space.

There, he stares at the ship holding his friends and mentors. There, he wishes more than anything that he can, somehow, survive. There, he tries to live, if only so his family don't have to bury him like Jason.

There, Nightwing dies, wanting to save everyone, even with the cold seeping into his bones far too quickly for a regular section of space.

Then, Dick opens his eyes to... Earth? There's a little house, and grass, and trees, but there's a bubble of green over it all. Outside of that green was an entire castle, one that looked like it should have far more support beams than it does for even a hope that it stays standing.

And the sky was swirling shades of that same green. It makes him think of Lazarus.

"Well, that's something you don't see every day." He whips his head behind him, a bit too fast for Earth's atmosphere, but it doesn't hurt him. Past the bubble of green was a blue-skinned adult in purple robes, the insides of a grandfather-clock fitted inside their torso, and a black staff with a stopwatch on its top. Beside them was a man with snow white hair, glowing green eyes, a crown of frozen fire dancing above his head, and the most galaxy-like cloak Dick's ever seen clasped to his shoulders. He's wearing... a hazmat suit? Maybe? The twinkling stars and odd lighting of wherever he is were giving him a bit of a headache.

But in front of those two, within this bubble, was...

"DICK!" Wally shouted with unrestrained glee, a blur overtaking his spot for barely a heartbeat before Dick's stuck in a crushing hug that he reciprocates once his brain stops feeling like its melting.

He doesn't know how long it took for them to calm down, but the man with the crown spoke up after a time, as Wally was still wiping their faces free of tears. "Welcome to the Infinite Realms, Nightwing." Dick barely even registered that he was still wearing his suit, but now it felt suffocating. "I suppose you're the one Clockwork was holding out for; There shouldn't've been enough Ectoplasm around you to form a Ghost, and your physical body's still in space. I can see why you like this one, though, Clockie," he states flippantly, turning to his companion. Almost like he didn't expect Dick to pay too close attention to what he was saying.

"Either way, there's two options for you." The man didn't let Dick swallow his tears and question anything. Dick's not sure if he's grateful or not. "First: Stay in the Realms permanently. You'll see Kid Flash whenever you want and learn to be a Ghost with the denizens of the Realms. Maybe find your parents."

"But..." Dick pulls away from Wally, keeping him at arms length, eyes flitting between them. The two outside the bubble were distinctly... ghost-like, so the mentions of 'Ghosts' make sense. But Wally looked... alive. A bit pale, a bit thin... but alive. Dick can't see any of his own skin to see if it was blue or tinted that way, but the Nightwing symbol on his chest kept flickering between its own blue and this 'Realms' green. "But--What about the others? What about you? Why can't you come home?" The last two, he focuses on Wally, because now he can feel a heartbeat beneath his gloves. Wally's alive. He's alive.

His friend just shrugs. "Something about their portals not fit for the living? I'm meant to wait for someone to figure out a permanent portal, but they won't tell me how long that'll take." Wally glares at the... 'Ghosts'? There was a heat to it, but it also seemed like this was a well-worn argument.

"The permanent portal was always an 'if', Wallace West. And that is entirely dependent on if Richard Grayson takes the second option," the clock Ghost--Clockwork?--speaks up. But instead of the adult Dick was expecting, there was an elderly Ghost in their place. Still with the time motif. Was that... more literal than Dick took it?

"Yes, the second option..." The crowned man glares daggers at Clockwork. The temperature dips below comfortable. Dick tries to blink the spaceship and stars out of his sight, withdrawing his arms from Wally to try and warm himself. Tries to remember he's not in space. "The second option is that you return to your body... changed. You'll be able to protect Earth better, stay with your alive family, save the Lost Ones... for a price."

Dick doesn't know if he should ignore the plural in 'Lost Ones'. He doesn't know if he's reading too much into how, in this Realm, apparently only his parents were able to be found. Where's Jason? He doesn't dare hope, but...

"What's the price?"

The man smiles and a ring of blue forms around his waist. It splits in two and travels up and down his body, replacing the cloak and whatever clothes he was actually wearing with a NASA shirt, worn jeans, and red sneakers actually duct taped together. The blue tint to his otherwise tan skin fades completely. His hair turns black. His eyes turn blue.

He was like a taller, slightly slimmer, way hotter version of Bruce.

The man walks through the bubble, but doesn't disturb the grass beneath his feet. "You become the Ghost King's vassal." Dick flinches away and almost hides behind Wally. "Not my idea! But, well... it is either this, or your permanent death."

"What does becoming a vassal do to him?" Wally asks, gently trying to stop Dick from breaking his ribs with how tightly he was hugging himself. Does he even have ribs?

"He gains my powers. Ice, electricity, invisibility, intangibility, flight... He becomes a Halfa. He becomes what I was, in life. Just... needing to make offerings to me, now and then. Something like that, at least. I give him powers, he gives me a chunk of, I don't know, chocolate once a week. Like a warlock."

Wally keeps talking to the man, keeps getting information that he knows he should pay attention to, but something in his chest screams to accept this deal, and he can't focus on anything else.

Nightwing can protect. He can return to life and go back to Blüdhaven, be the Vigilante they need. He can visit Gotham every now and then, help with cases and stop criminals from harming others. He can see his brother. He can see his friends. He can eat Alfred's cookies, and have little get-togethers with Babs and the Team--hell, he can argue with Bruce.

And all he has to do is... give an offering to this guy? The Ghost King? Every once in a while?

"There's no other price?" The King turns his attention to Dick. His eyes had shifted to a blue-green that almost hypnotize him. The green swirls, the blue forms and melts like snowflakes, and he can't look away.

He takes another step forward and Wally steps to the side. There was familiarity between them. Wally deferred to him. Dick can't quite tell why. Though, with how Wally hasn't once looked at Clockwork, maybe it's because he's... grounded? Are all speedsters in trouble with, what, the Ghost of Time? That... actually makes perfect sense.

"I'll be honest, Nightwing: You've impressed me." The weight behind the King's words lifts the ones that've been on his shoulders since he was nine. "You remind me of myself. Maybe, if I wasn't a Halfa... If I had a mentor... I could've been like you.

"Despite Clockwork's insistence over the years that I get back in touch with the living, I've held off. When he eventually suggested that I help create another Halfa, I locked him in his tower for twenty years. I didn't want anyone to go through what I had. But, now... I see that you won't. You can't. Even if you hide this deal--our shared powers... You'll still have people by your side. Strong people. Smart people. You can already handle yourself. And I'd love to see what you can do--who you can save--with my help."

There was maybe two inches between their faces when the King finishes speaking. Dick roves his eyes across the other's face, trying to find the common and familiar ticks that show lies and deceit and manipulation. All he finds is sincerity and genuine care.

Wally plays with his fingers from the corner of his eye, gaze hopeful as he looks between the two of them. Wally, who was alive and breathing and able to leave if he accepts. Eventually. Somehow.

Dick Grayson sends a quiet apology to his parents and hopes they will forgive him for being a little bit selfish.

"I accept."

He flings his eyes open. Above him, domino mask too wobbly to be properly secured anymore, was Robin crying and begging him to wake up. His hands were sloppily placed over his heart. Batman was trying to drag him away, the firm set of his jaw screaming grief.

Nightwing gasps once he registers his lungs burning.

There's a large cacophony of noise, multiple bright suits and people hounding over him, and the distinct artificial taste of slightly-too-much oxygen that the ship with the Parademons had. That he flew out of and died. He was still too cold.

Someone moves their arm beneath his knees and shoulder and Dick passes out.

(Dick 'Nightwing' Grayson dies in space. Ghost King Danny Phantom likes this too-human Hero. They split their souls in half, take one piece of the others, and all they know is that Phantom is now Nightwing's Patron Deity. Danny uses ice, for electricity killed him. Dick uses electricity, for ice killed him. They are opposites, and yet so incredibly similar. Clockwork was looking forward to when Danny starts putting off his paperwork to hang out with his new 'friend'.)

[buttercupshands]

Had another one of "YOU HAVE TO DRAW NOW" moments

I actually did the scene above on my second try of the battle, lv 90 doesn't exactly make it easy to lose

Also I think it's time to show those sketches too

The Siffrin practice once more, but this time a bit earlier

Also first try on figuring Loop's full body ref too

Also this little thing, not as polished as digital would've been

Imagine my reaction when I accidentally gave Loop a flower after trying already and they accepted it. I adored that 'yeah we won't speak of this, but I accept your stupid flower' scene more than anything and it was pure text after little scene

[salamispots]

making a little comic with the little sea angel/sea butterfly friends 👀

+ some sketches when I went to the aquarium (again hhsh)

[arcanegifs]

God, I'm (yet again) exhausted. What a show. I will say, flaws and all, it's still one of the best animated series I've watched. Ever. No, I don't think it deserves the vitriol it's getting on social media.

I have a LOT of emotions right now. I don't think I'm even thinking straight after watching through everything once. It definitely needs to be re-watched multiple times. No, I'm not offering any kind of insights or anything like that. I think I'm just too emotional seeing my favorite show end.

I really wanna thank the writers, directors, artists, animators, producers, and everyone else who worked on this show for this work of art. It was beautiful, and it's why I love making gifs of this show.

And just because this show has ended, doesn't mean I'll stop making things. There's two whole seasons to work with now. I hope I can have enough free time to post regularly. I still need to make some 8k wallpapers and a ton of gifs haha.

I'll take a break and sleep for now. I'll see what I can make when I wake up tomorrow. I have so many things I want to do, but I also feel like crap and I too, have a life LMAO.

Oh, and I'm still looking forward to the next stories that they tell us! Runeterra truly has amazing lore. Excited to see what's next!

Thank you for all the likes, reblogs, and support you guys give to my lil sideblog! I appreciate you guys so much <3

[ultipoter]

It was just a small, white dog! “read” from left to right ->

Toby Fox interviewing KIKIYAMA sent me in such a frenzy and I had to draw something to celebrate the occasion. It almost feels like Madotsuki’s door got opened, just a little bit.

[druidshollow]

thanks phrases

[katabay]

THE JETSET LIFE IS GONNA KILL YOU, ERIC CARTER!

my laptop charger uhhhhhh. met its end in a very permanent, very fire hazardy kind of way last week. while waiting for a replacement I decided to try and get some work done at the library and was asking around for some urban fantasy (extra points for a mystery plot of some kind) recommendations to check out while I was there

the eric carter series was mentioned a couple of times, AND had the added bonus of having a necromancer for a main character. I love necromancers. someday I'm gonna play one in a game instead of immediately defaulting to vampires.

Fire Season, Stephen Blackmoore

[thepersonperson]

Thoughts on JJK's ending and my Dream/Delusion Theory being wrong.

Original Theory

Follow-Up on Characters Feeling OOC

(Written using TCBscans. Click images for captions/citaitons.)

Preface

I want to say that this ending could’ve worked if it were given more time. The majority of my complaints are the rushing which I mostly blame exploitation at the hands of the manga industry and predatory contracts.

Here are my original thoughts on JJK 268 when it released and JJK 269 when it released. I've basically reverted to those opinions.

Examining JJK 268–271 as Presented

When the last chapter of Umineko came out, its author Ryukishi07 very much spat in the faces of fans. He mocked them mercilessly and it was glorious. Every single criticism he lobbed at them was warranted because he targeted the fans that refused to see the love he put into his work or engage with the story on its terms.

“Without love, it cannot be seen.”

Ryukishi gave you all the tools to solve the mystery. He told you exactly how to do it. And yet some weren’t satisfied. They wanted everything neatly handed to them in a bow. Ryukishi denied them that simple ending in favor of sticking to his vision and rewarding the fans that accepted Umineko for what it was.

I have my own issues with the ending, but none of my complaints are related to that. I can also say with confidence what happens is completely in character, it’s just not something I personally vibe with.

When I read JJK 268–271 I feel that same creator frustration. I see Gege’s fatigue with fans who care only about the surface level presentation and nothing else. There’s been so much fun setups and follow throughs. So many subtle characterizations and symbolism that goes unnoticed by those who are unwilling to see the love Gege puts into his craft.

“JJK fans can’t read.” This is a fandom joke that is very true. A massive part of the fanbase ignores subtlety and gets upset or confused by Gege following through on it. The entire Sukuna battle was like that. You could pick out all the reasoning behind their actions if you paid close attention.

But then we get JJK 269 where Gege does something he's never done before—over-explain everything bluntly in a way that adds more plot holes and hinders character development. It feels like Gege is going “You don’t understand what I put down? Ok fine! Here are the answers!” It feels like getting to tell those fans off was more important than everything else.

Instead of doing a Ryukishi where he tears into uncharitable critics and rewards those who gave him a chance, Gege just abandons it all and makes an ending that won’t fully satisfy anyone. 

With my theory, I decided to look past everything I hated. I decided to trust that if a mistake was made, Gege would call it out like usual. I decided to trust that the inconsistent locations were intentional because Gege has not once ever flubbed them. I decided to trust the clever set up and follow through that’s always been there, even when Gege’s health problems were at their worst.

I decided to look at Gege’s work with love and my heart was trampled for it. My post now serves as glaring proof the ending is botched and nothing makes sense. All the plotholes I found solutions for are bigger than ever. JJK 269 in its entirety is utterly pointless narratively. It could’ve been spent on political fallout, grief, or villain backstories, but instead it reads like a defensive Reddit post.

JJK 271 isn't Satisfying

JJK 271 made everything about JJK 269 worse and then added some more nonsense. Sukuna’s last appearance really sucked for me. I found his entire interaction with Mahito to be grossly OOC.

Mahito is a character who finds humans disgusting and doesn’t care about their opinions or what they do. They also don’t like Sukuna. When Jogo believes that the age of curses needs Sukuna to work, Mahito says they can surpass him. The very idea that Mahito would be upset by Sukuna becoming more human goes against their entire established character.

And more continuity errors!

This conversation is actually their 4th. Here are the other 3:

Sukuna warning Mahito not to touch him.

Sukuna punishing Mahito for touching him.

And Mahito telling Sukuna to shut up and watch him be even better.

Their relationship was antagonistic and Mahito desired a world without Sukuna. Why would Sukuna be with them in the afterlife?

And if Sukuna was going to change his mind it should’ve been with someone he cared about. Jogo and Gojo would’ve been great candidates. Or you know…it could’ve been Uraume themself. In the way Yuji voiced his feelings to Megumi and reached out to him, Sukuna could’ve done the same with Uraume. It could’ve been a thing that expanded more on their relationship and how it came to be. But Uraume doesn’t even get to voice how they feel about anything.

What we get is Sukuna talking to someone he doesn’t like about his emotional issues he has been suppressing and then deciding to live for a person whose history we know nothing of.

I knew him being an unwanted child screwed him up. But that kind of stuff takes a long, long time to unpack. And Sukuna, up until this point has given no indication he was ready to acknowledge his trauma, just like Gojo. Even in the end Gojo can’t admit to Toji and Geto traumatizing him. Sukuna knowing his heart and being so casually open about it just flies in the face of the subtle characterization that existed up until that point. (I wanted Hidden Inventory Arc type reveal you know! But tell not show is prevailing seemingly out of spite.)

He dies stubborn and hateful towards Yuji. He lies to him about feeling nothing and not liking flowers. For him to turn around in death and go I was wrong the entire time no problem to someone he has an antagonistic relationship with is extremely OOC because it wasn't earned. 

And since when did Sukuna fear his own curse? When was that ever hinted? All that was suggested was Sukuna having a rough childhood and being exploited by others until he had enough.

Even for all the characters that survived, this isn’t a satisfying ending. Their coping with trauma is unrealistic and contradicts earlier characterization. Their relationships are not explored further. All their arcs or goals are neglected, save Yuji. Nobara didn’t even get to meet up with her childhood friends like she always wanted to. Just the mom letter.

It’s also jarring to see that a series that began with mourning, a series that made itself different by having children deal realistically with traumatic things, end where that heart no longer exists. We have so many characters who are explicitly motivated by their trauma. And we get to see them cope with it in their unique ways and still choose to chase joy through the hurt. 

And these final 4 chapters? It’s gone. Yuta being so distressed over everyone treating Gojo like an object and not acknowledging his personhood? Gone. Megumi, Yuji, and Nobara sucking at dealing with death? Gone. They all act like none of it really mattered and won’t affect them for the rest of their lives. Those who were lost are forgotten quickly and their efforts are not remembered. (At this point, everyone ignoring Choso hurts worse than Gojo tbh.)

The Totally Not Kenjaku surviving decapitation and brain eating makes no sense if that's real. And the implications from that are horrible. All Gojo wanted to do was mourn Geto’s body. All we wanted was to see someone mourn him or acknowledge his efforts. I was hoping they’d be buried together. The idea that Geto’s body is possibly being used by a the master manipulating rapist while everyone is ok with that sickens me. (Does any remember Choso?! But hey, let’s kill all the incarnated culling game players who were victims of manipulation or outright helpful to the protagonists’ victory!)

It’s also why Mei Mei surviving and going unpunished or criticized for her treatment of Ui Ui sucks to see. And I guess while we’re at it. Kusakabe really did tell a 15 year old to his face he should’ve died. (And he was wrong about that like the higher ups. Yuji and Sukuna were a backup plan and the fingers were getting stronger all on their own. Gojo was the only adult who took productive action against it.)

The revolution really did die with Gojo. His dreams were good and noble. Resetting the Jujutsu Society and its exploitation was needed. But he gives up on them and asks to be forgotten. It's done in a way that feels like Gege is addressing his fans directly and telling them to get over him too.

I knew Gojo was suicidal, don’t get me wrong, but he was characterized as someone who had a hard time understanding that others did care about him. I was hoping for the revelation his intuition was wrong via a funeral or mourning. That didn't happen and it breaks my heart. 

Yuta tried to empathize with him. We see it with the Yujo plot that goes nowhere except to disrespect Gojo’s body one last time. We don't even get to know if he was cremated or buried or how Yuta felt about that experience. It is extremely hard to see this all as anything but Gege expressing resentment for Gojo’s popularity.

And I’ll give Gege credit for that. The only theme that stayed consistent was Gojo being seen as an object to be exploited by everyone, except Sukuna. (I’m not even sure if I can include Yuji and Yuta in the cares deeply for Gojo anymore. It’s so OOC for them to be like this that I want to ignore it.)

The balance of the world changed when Gojo was born. We had several chapters dedicated to how this impacted various people's lives from Toji to random curse users. His death should be just as impactful.

But you know. Kenjaku was proven right. The cycle of curses will continue on because the systemic problems were never dealt with. 

The conditions that allowed for Yuji and Sukuna to be created still exist.

Reflection

I understand why people like myself want to reject this ending. It doesn’t feel like Gege put love into it. All the fun little quirks this series had are flattened and discarded in what feels like spite. Not even the final battle has the fun energy that was present just 4 chapters ago. 

I’ve decided that I’ll accept these last 4 chapters for what they are, but reject everything they stand for. They’re more interesting to discuss and pick apart than actually read…which ironically is how I feel about Umineko’s final chapter.

And speaking of Umineko… My favorite thing about the reaction to my Dream/Delusion Theory was this—the people who said, if they can’t handle what’s in the catbox, this is their canon. 

The fans who love the series and want to weave their own tales based on this in a way that helps others cope, please tag me in your creations. (Especially you @rosemaryreality!) It’s all incredibly Umineko and I’m forever grateful I got to experience the Rokkenjima Incident in real time.

Very important to Umineko’s themes, there was a common sentiment type across those that were dismissive of my theory vs those who were receptive to it—their perception of the mangaka, Gege.

To those that believed Gege was a bad writer, the idea that he could be clever and put love into this series was impossible to them, and therefore my theory was impossible. To those that had faith in Gege as a writer, my theory was solid, even if it needed a little tweaking.

I had the most fun with those who cited manga at me to make corrections like @runabout-river. Or those who wanted clarification on the holes I missed.

The ones that were entirely dismissive? It was boring. Their arguments mostly amounted to “Gege bad”. (I won't post screenshots here because I don't want them harassed, but they are there if you want to verify them.) Not a single person offered me an interpretation where the events were literal and took place in reality using manga panel citations in a way that tied it all into JJK’s themes and characters.

That disappointed me immensely. I wanted someone to prove to me my reasoning was wrong with a similar methodology. Instead they drew rebuttals stemming from their perceived flaws or outright dislike of Gege.

This is quite literally what happens in Umineko. It’s a murder mystery that can only be solved if you consider love. Both the love within the characters themselves and the love the author has put into his creation.

Is it magic or is it a simple trick? Is it a delusion or is it reality? Depending on how you answer and solve the mystery, your interpretation of the story itself changes too. 

I wound up being wrong of course, and Gege really did screw up everything in the end. But while that delusion was real? I had a blast.

I’ll be forever grateful to everyone that proved Ryukishi right about Umineko’s core theme.

[nenoname]

Details in Stan's letter that still haunt me

(how long will I continue thinking about a two page letter that's technically not even that long because Stan's handwriting is fricking large? .....you don't need to worry about that.)

The bro code only shows up in the Lost Journal pages, and to me Stan's message feels like it purposely echoes Ford's "miss you" in the college photo (and for some reason the message doesn't appear in the website version of the photo?) ....or alternatively Stan simply noticed how distressed Ford was about this entire thing and wanted to support him in a way so he can be sappy but without the kids knowing, or both!

Stan's claim about the Oregon lottery contradicts what the Lost Legends website said about Tate McGucket's ability to predict the winning numbers!! ...but also breaking into the Lottery HQ is definitely a very Stan thing to do and it's not the first time small gags have been retconned

Despite spending most of his letter nonchalantly destroying him, the taunt about ripping a dollar bill in half is the only part where Stan is directly responding to Bill. Maybe it's the two of them having similar ways of thinking but it's rather specific considering Bill taunts the reader about it...

And after Bill spends an entire book calling Ford Sixer despite normally using a pretty wide range of nicknames for him, Stan then spends his letter mainly referring to Ford as Sixer, even though post-Weirdmageddon he tends to use a mix of nicknames. And it's not like he'd gotten to see Bill himself for long, let alone see him steal that childhood nickname (that is only used twice in the actual show btw!). Did Ford tell him what happened or...?

With all this and the website's "still on your mind" message, what I'm getting at is my tinfoil hat theory of Stan somehow seeing some of the pages the irl readers saw, even when it should be personalised to the specific reader, and he's been lying about it for some reason. Considering that the book flat out doesn't make an attempt at convincing Soos, I find it a stretch that whatever Bill was telling Stan via the book was an attempt to convince him either.

Wouldn't be the first time Stan's skimmed through a book and lied about what it meant to him.

(...Now I kinda wanna see a story about the family reading their versions of the book and making fun of it while Stan is improvising every single one of his pages and blatantly ignoring Bill's attempts to mock and taunt him)

But also I'm fascinated by the letters that only showed up on the website (aka the Soos+Wendy+McGucket+Pacifica ones). I'm assuming that Mabel had stuck them on after Stan's letter... but they were basically eaten by the book itself because seeing Stan's letter kick-started Bill's breakdown which takes up the rest of the book

[jokzs]

I yearn for engiespy cuddling in some corner in the middle of a match like the others aren't being blown up by each other just a few feet away... do you see my vision...

I hope I do see it!

[mobius-m-mobius]

You wanna hear a good story? Listen to this one.

Mobius + comfort

[calmlb]

can we as a society please stop calling Dazai the “demon prodigy” like it’s canon??? IM BEGGING

his canon nickname is so underused too… i mean c’mon, the “black wraith of the Port Mafia??” idk if i’ve ever even seen it used in a fic 😭

[drulalovescas]

I fucking hate when we say Dean would've never given up on that rusty rebar if Cas was alive, he'd keep fighting, and are being called delusional shippers because it's a fact that has NOTHING TO DO WITH SHIPPING!!! You don't have to believe Dean and Cas were madly in love (even tho they were duh) to know Cas had always been Dean's hope and faith. You can LITERALLY SEE IT ONSCREEN throughout those 12 seasons. Every time Dean loses Cas he also completely loses hope and his will to live. Cas was an angel that pulled him out of Hell. That looked him straight in the eye and said you matter, you deserve to be saved. That saw through all his facades, saw the good and the ugly and NEVER judged Dean for the ugly. Dean had such a shitty self-esteem but the sense of "I must be worth at least something if an angel of the Lord bothered to save me from the Pit" must have lingered at the back of his head (even if at times he refused to believe it). So yeah, Dean's it's okay I'm ready to die in that atrocious finale is directly connected to him losing Cas permanently. And seeing and acknowledging that has zero to do with shipping.