#i had a lot to say about this apparently lol

[celestie0]

gojo satoru x reader | college au [18+]

kickoff ch.12 how you get the girl

ᰔ pairing. college au - soccer player! gojo x film major! reader

ᰔ summary. gojo satoru is the most popular guy on your college campus. he's tall, funny, hot, not to mention he's the most talented soccer forward the school has seen in years. but he's also a frat dude, which puts him in a world very different from your own, as he spends most of his nights partying while you spend most of yours working on your annoying film major assignments. but when he reaches out to you for a favor, you realize that helping him out might have something in it for you too.

ᰔ warnings/tags. 18+, fem reader, fluff, angst, smut, college au, fraternities, sororities, partying, drinking/alcohol, romance, jealousy, pining, slow burn, opposites to lovers, friends to lovers, she falls first he falls harder, gojo being an idiot, marijuana use, sexism, sexual harassment (verbal only)

ᰔ chapter. 12/x (probably 18)

ᰔ words. 11.3k

a/n. man the color scheme for this chapter is kinda giving BRAT lolol...i mean gojo IS brat. anywho, i don't have much to say at the beginning of this chapter but i do have a LOT to say at the end of it sooo see y'all at the bottom!! hope u enjoy. also BIG THANK YOU to @whereflowerswenttodie who beta read parts of this chapter for me n convinced me not to scrap it lol

nav. masterlist

☾·̩͙꙳ moodboard no.1 :: ♬.*ﾟplaylist

11:03am you: hi! 11:03am you: good luck today 11:03am you: incase i don’t see you

11:05am Gojo Satoru: Why wouldn’t you? Aren’t you gonna be on the field for your newsletter shots?

11:07am you: i mean yes but idk where i’m gonna be stationed so 11:07am you: it might not be on UTokyo’s side of the field

11:08am Gojo Satoru: Okay then I’ll look for you before the game starts

11:10am you: no pls don’t. coach yaga thinks i distract you. i don’t want to get yelled at again. he scares me :(

11:12am Gojo Satoru: Haha you’re silly 11:13am Gojo Satoru: East side entrance at 2 11:13am Gojo Satoru: Be there

11:14am you: or be square?

11:15am Gojo Satoru: Yea whatever shape you wanna be in is fine cutie

It’s a bright sunny day outside, perfectly blue sky with a scattering of fluffy clouds seen outside the window of your shared room in your apartment, and you realize spring is fully here from the way birds chirp past the glass. You’re stuffing your camera case full of chilled Kodak film rolls, your last stash left, and it’s the last piece of equipment you pack before slinging the strap over your shoulder and heading out the door.

Mina had offered to give you a ride to the stadium since your car’s still at the shop, but you’re happy you opted for the bumpy bus ride and although you come close to low-grade concussions from the bang of your head to the window at every other speed bump, the music in your ears while someone else is operating a public transport vehicle helps you think creatively before shooting shots.

It was surprise enough that Mina of all people was going to this game, and when you questioned her about it in the morning, she looked at you like you were absurd to assume anyone from UTokyo wouldn’t be at this game, and sure enough, it’s all anyone on Instagram has been repping on their stories or talking about in the bustling minutes before lectures. Even Utahime was going to this game, and she hates all intercollegiate sports. You knew the game was a big deal, given the way Coach Yaga was yelled at via email by the Dean of UTokyo to make sure the team wins today because a multimillion dollar Nike sponsorship would be greenlit by the prospect (for some reason you were cc’d in an email chain among divisional higher-ups, but you weren’t opposed to snooping in on conversations that were entirely outside of your tax bracket).

It’s because it’s the second to last home game before the season ends, and apparently this has been statistically the best season the UTokyo D1 Men’s Soccer team has played since the new millenia. No pressure to the players on that fact, but failure wasn’t much of an option for them anymore. 

And you can feel the stakes the second you step inside the stadium. Packed would be an understatement, there were people flooding the aisles, overbooked for the sake of the university pocketing an extra buck no doubt, but spectators could care less since they were able to at least get in on the basis of that irresponsibility in the first place, despite the stadium’s capacity having long been reached before the pregame festivities even start. Banners and signs drape over railings with the school’s striking blue and golden colors, every single replay screen is lit up and brightly pixelated at every north, south, east, and west entrance for inclusive viewing. As you pass VIP security and make it into the lower field-level entry, the scattered chants from the crowd amplify in volume and you almost wince a little to yourself from the noise. The stadium felt like a living, breathing entity, pulsing with the collective heartbeat of everyone inside. 

You’ve never been more overstimulated in your life, except instead of finding it frightening, it was electrifying. And for once, you think you can understand what an athlete must feel when playing on their own home turf surrounded by those that are wholeheartedly rooting for them.

Hana is quick to spot you, panic clear across her face as she regards you with a couple pages with your assigned vantage points, a rushed briefing session, and then she’s darting down the sidelines to make sure equipment is set up appropriately where needed. She’s understaffed, given you told Utahime about Kai’s little intervention last week and she made a nasty point to the university (and possibly a handful of legal threats) and they relented in firing him. So now the three of you were down a photographer, and the extra work shows in the instructions she gave you as you skim the sheets. 

A glance at your phone tells you it’s close to 2pm, and your eyes take in the expanse of green on the field. UTokyo’s players practice kicking shots off to the right goal post, while YCU’s players practice shots off to the left. You can’t spot where Gojo is, but you faithfully head down to the East Side entrance like he asked you to. 

When you round the corner, you almost crash right into an Ichiko mascot, but swiftly dodge, and then you stop in your tracks when you see Gojo standing right at the concrete entrance. He’s leaning back against the adjacent wall, arms crossed at his chest, and he’s stretching his neck side to side with a creased brow, an intense look in his eyes, lost in serious thought, scanning the wall across from him like he’s mapping out plays in his head. 

When you approach him and catch the corner of his eyesight, he leans off the wall and flashes you one of his so extremely charmed to see you grins on reflex, and suddenly there’s nothing your senses seem to pick up on except him. Like everything else around you just disappears.

“Hey, you,” he says when he comes up to you, and you walk him like a dog back to a corner that’s tucked further away from noises and sights. You lean your back against the wall now, the coolness of concrete seeping through the fabric of your shirt, and he stands a step in front of you. Your hands toy with the strap of your camera.

“Are you ready to win today?” you ask him, and look off to the right into the flourishing seats that are still being filled to the brim, “clearly there’s no pressure.”

He breathes in deep, and releases it slowly, like there really was tension to relieve. “We’ve got no choice but to win.”

“Is that something Coach Yaga says to you guys often?” you ask him, because the man recited the same thing about five times in that email chain. “Also, apparently you take years off of his life.” Another thing he recited about five times in that email chain.

Gojo only addresses what he wants to address, as per usual. “Yeah, it’s something he says to us often.” 

“So,” you say, “what did you want to talk about?”

He looks at you puzzled, tilting his head to the side. “Nothing. I just wanted to see you.”

It’s hard to assume that he didn’t have something to talk about with the intention of telling you to meet him here, because this is the same place you confessed to him a few weeks ago, and so is also the place he so painfully rejected you. But maybe he doesn’t think about these kinds of things as much as you do. “I see.”

His tongue pokes to his cheek as he studies your anticipating expression, and then he sighs, his shoulders slumping slightly. “What are we doing? I mean, I like you, and you like me too, at least I hope you still do. Why don’t we—…why don’t we just give it a go already? I don’t see how we can move forward if you won’t at least let me take you out on a date.”

Your hands stop fidgeting with your camera strap from his words, and you lick your lips, suddenly unable to keep eye contact with him so your gaze drifts down to his chest in front of you. His uniform is clean, no smudges of dirt or grass, just pure white fabric underneath heat-pressed blue and golden accents, and of course, that signature number 10. You’re sure he’s all you’ll ever think of when you see that number now for the rest of your life. 

You know when you want something so bad you don’t know what to do once you have it? Because it almost seems too good to be true? 

“I just wanted to let stuff between us breathe for a little bit,” you confess, “it’s just, it was a lot to deal with. Being around you when I thought you didn’t want me the way I wanted you. I don’t know if this is odd to say, and maybe I’m overthinking it, but I just feel like somewhere along the way, I kind of…forgot who you were for a little bit.” This kind of vulnerability would have you running away with your tail between your legs with anyone else, but not with him. Not after everything. 

His expression softens, melting away that confrontational energy he had earlier, and he nods slowly. He opens his mouth to speak, but he can’t seem to find words. The presence of them is there, though, you can feel them. But what good are his thoughts if not voiced? 

“I just wanted to spend a little bit of time getting to know you again, I guess.” You squeeze your arm in reassurance of yourself because he wasn’t giving it to you. You let out an awkward laugh. “I don’t really know what I’m saying right now, to be honest.”

You can tell he’s at a crossroads, and you think back to this week and his efforts to get you to open up to him again. You know how he feels right now, because it’s exactly how you felt when he rejected you. Like when someone is so close, yet so far, you can feel that they’re within arms reach but never truly. And they’re slipping away for some reason that you may never know, but all you can do is assume that it’s a fault of your own. You’re not really sure what he can do to make you feel secure about this whole thing anymore, and you can see the slight panic in his eyes when he realizes that too.

“I don’t mind waiting,” he tells you, rushed with a desperation entirely contrary to his words, “what’s a week or two when I want to spend a lot more of those with you anyways.” But he takes a deep breath, like he’s already mentally preparing himself for an agonizing wait in his head.

There’s a sound over the stadium speakers, something technical and sporty and goes entirely over your head in dismissal, but to Gojo it seems to have a different effect, as he’s suddenly attentive and stands up straighter, that focused expression on his face from earlier resurfacing. You realize he needs to get back to the field. 

“Can we continue this conversation after the game?” he asks you hastily, already turning towards the center of the stadium. And he adds an obligatory, “sorry.”

“Yeah, sure,” you quickly agree, suddenly feeling like you’re taking up his time. 

He gives you a small smile, unsure in its presentation but pure in its intention. But he can only take one step towards the field before you reach out and pinch the fabric of his jersey to keep him still. He feels the tug of it and fully faces you once again. 

“Um. Just a sec,” you say, “I have something to give you before your game.”

“Oh?” he looks at you with interest, “I fucking love things.” 

“You have to close your eyes though.”

“…what is the thing…” He squints at you with a what are you up to expression.

“Just close your eyes!” you snap at him.

“Okay, okay, jeez,” he holds his hands up in front of him in surrender, shaking his head to get his hair out of his face and then he closes his eyes. “You’re scary as hell sometimes. Excuse me for being cautious.”

You roll your eyes, useless because he doesn’t see it, and then take a step towards him. You cup his jaw with the palm of your hand, his cheek twitching slightly from the unexpected contact, and then you raise on your tiptoes to press your lips to his cheek. It’s short and sweet with the sound of a peck.

“For good luck,” you whisper, then you quickly lower yourself back onto your heels, take a step back and tuck some strands of hair behind your ear. The ground suddenly interests you.

He opens his eyes, blinking a few times with shock and his hand comes up to brush the tips of his fingers against the spot you kissed him, and then his gaze goes comically dazed when he reaches out to hold you. “Alright, c’mere you,” he says, closing his eyes and puckering his lips as he leans down to kiss you but you laugh and push his face away.

“No no no, only on the cheek for now,” you say with a small laugh.

He does nothing to restrain his frustrated groan. “You can’t do something that cute and then expect me to be chill about it.”

“If you win, then, maybe I’ll let you kiss me for real.”

“Maybe?”

“Yes. Maybe.”

He’s close, towering over you near this bustling east side entrance that he seems to like so much, and his eyes drop to your lips. “Alright. I like those odds.” 

You give him a smile and slip away from him to get back towards the field, and you feel his eyes on you as you walk away.

The pregame events are a blur, with blaring music accompanied by the sounds of the sports announcers clipping across the speakers, finally quieted down in time for the players to line up on the field for the national anthem which was then followed by UTokyo’s alma mater. 

You’re stationed on the same side of the field as Minato, UTokyo’s side, while Hana is covering the sidelines of the opposite end with the opponents goal post. Minato’s filling up a cup of Gatorade for himself at the athlete’s station and then he comes back around to find you.

“Are you ready to take your shots? I see Hana wanted you to shoot on film today,” he says to you as he sloshes around Glacier Freeze in a flimsy plastic cup.

You twist your aperture dial with your thumb. “Yesss, all set. I’ll try to keep up.” 

He nods at you in approval.

The atmosphere feels nerve wracking. Something felt different about this game, the stakes feeling high. Well, of course they’re high, because if they lose today then they’re out of the tournament. But the stakes feel high for other reasons too, an energy you can pick up on but can’t quite discern. 

Your eyes drift across the field where you can see a referee placing a ball at the center of the field. Off to the right, you can see Gojo standing with a few of his other teammates, including Geto, Nanami, and Choso, and they’re all gesticulating to various corners of the field as they discuss what you can only imagine have to do with their plays for today. And you realize— it’s their last college soccer season. Their second-to-last official home match before the championship, and for those of them that haven’t qualified for the national league, it may be their second-to-last match of this caliber for the rest of their lives. One of the final chances that they have to prove something of themselves. The determination was palpable. 

The chief referee’s whistle cuts through the air with three short chirps, and that gathers the attention of all the players on the field. UTokyo wins the coin toss, choosing to kickoff, and YCU’s players choose to attack the left side goal.

Your stomach churns with anticipation, the crowd hushing too as all the players take their places on the field. If you feel nervous, you can only imagine how the athletes feel. There’s a rhythm that you’ve learned over the past couple of months getting to know the sport, where players stretch out their necks and kick out their feet and take subtle deep breaths as they survey the stands. Idle moments before the start of the match where they have no choice but to look forward and only forward, so they take a moment to stay in the present for as long as they can gather. You’ve never been much of a sports spectator, and perhaps you’ve only recently had some personal interest in the team, but you realize you feel pride in your school as you stand behind chalk sideline and see UTokyo’s colors scattered across the field in uniform. And fuck, you wanted them to win. You wanted them to win with fierceness and wrath, and it’s a desire you share with the crowd. 

Gojo spends a minute talking to the referee before the black and white striped man pats him high on the back in the good sport and urges him towards the center of the field. He lifts his foot up onto the ball, rolling it back and forth underneath the spikes of his cleat, and you can see it in his eyes, even from all the way over here, that he seems to have different ideas in mind for this game too. High stakes. Pre-determined, set with will, evident in the clench of his jaw and the concentrated furrow of his brow as he surveys the field with his eyes, and you’re lost in the sight for what feels like forever because you can hardly register the chirp of the ref’s whistle. 

And then the kickoff starts. 

The ball is tapped to Geto to start the play, and the first few minutes were intense as the ball was passed back and forth between UTokyo’s players, placing pressure on YCU’s defense as they inched closer and closer towards the goal. A pass between UTokyo’s #4 was intercepted by YCU and the ball was rushed down towards the left side, the crowd’s horror evident in the uproar as they raise to their feet in fearful anticipation, and with ruthless offense, YCU’s forward takes a clear sink shot towards the goal, and the crowd holds their breath before they watch Choso lunge for it in air, gloved hands firmly grabbing the ball and then pulling it to his chest with a possessiveness you can only expect to see from a skilled goalie, before he crashes down into the ground and the crowd releases relief in the form of rowdy roars.

Ten minutes in, with everyone on their toes, each team tested each other’s defenses. UTokyo were known for stellar offense, especially within the past few years with players like Gojo Satoru and Takuma Ino joining the league as powerful forwards, but UTokyo’s overall offense was still statistically second to none other than YCU. And the pressure YCU was putting on UTokyo’s defense was wearisome to say the least. You glance to see Nanami, who is UTokyo’s best defensive player, huffing and puffing as he stands between two light-footed YCU players in an attempt to guard, and fails an attempt to steal the ball before it gets to the feet of YCU’s striker #6, passed in a split second off to his teammate, with a fake so seamless that it has Choso just a couple inches away from touching the ball before it’s sent flying into the net. 

The noises from the crowd are still loud, but dampened in spirit. 

With the referees hand signal up in the air, the current score is confirmed. 0-1, YCU. 

Coach Yaga calls for a sub, in which he switches Nanami out for who you believe is a 2nd-year defensive player name Yuta you’ve seen around practice with a promising statistical record for interceptions, and you watch as Nanami takes the bench before he swipes the sweat off his face in exhaustion. God. Just fifteen minutes into the match, and YCU already has UTokyo’s defense winded from play. 

You bring your camera up to your face, forgetting for a moment that there was still a job to do here, and you position the direction of the lens towards the center of the field, where Gojo takes his place at the ball once more. Yuta briefly passes by him, signaling some play to him by holding up a number three, likely something Coach Yaga asked him to pass on to Gojo, and you see him briefly nod, his mouth slightly agape as he breathes slowly and pulls his jersey up to wipe at the sweat at his forehead. 

The referee chirps the whistle, Gojo taps the ball to Yuta, and the play starts. 

YCU immediately puts pressure on UTokyo’s offensive play once more, with eager movements to steal the ball, but it’s passed between UTokyo’s players with ease, more practiced and more sure. The kind of play that you and the rest of the school was used to seeing from them. However, Geto loses the ball on a left-back pass, but right when YCU makes attempts to cover field in a long-shot kick towards the left, Yuta intercepts the ball and swiftly passes it to Gojo.

The crowd immediately rises to their feet in anticipation, watching as Gojo shuffles the ball down the field, dangerously close to off-field boundaries, a signature tactic he uses because he knows there’s not a single player in the league that can match him in precision and control to keep the ball in-field on a steal, and he swiftly passes it towards Geto with a side-swept kick, beelining down towards the goal post, in perfect time for Geto pass-back to meet his feet and when Gojo was this close to a net, there was no stopping him. 

He draws his right foot back, and explosively kicks the ball forward, chipping the grass under it in the motion, and it’s sent flying towards the goal, and then threaded past the goalie right to the back of the net. The cheers that erupt across the stadium rumble the ground beneath you. 

1-1, even match.

UTokyo spends no time celebrating, other than a few pats to Gojo’s back as he nods in acknowledgement, no emotion on his face other than pure concentration and greed. The greed to win, like a righteous sin. He stretches his neck out, panting slightly as he takes his place towards the right side of the field and the referee chirps his whistle to signal YCU to start the kickoff.

They quickly make attempts in moving the ball towards their scoring-end of the field, but face push-back from UTokyo’s defense, unable to make it much further past the midfield line, and you bring your camera up to take a snap of Gojo, who you see is still standing off to the right side of the field. But when you position it and peer through the viewfinder, that space he once stood at was empty. You pull your camera down, and blink at the sight, and then the crowd is picking up in volume once more.

Gojo sprints down the flank, cutting past every defender, and moves towards YCU’s attacking goal, which was a shocking place to be for a center forward, but you could feel his desire and determination to steal this back-and-forth ball, and succeeds when YCU makes an open pass, thinking they were in the clear, only to have Gojo sneak in at the last moment and get the ball at his feet. 

The play moves by in a flash, a blur that you or anyone else in the stadium could hardly keep up with it, movements so fast you were shocked a human being was capable of even running that far in such a short amount of time, and in an almost embarrassingly easy play, Gojo makes a fool out of YCU’s defenders as he slips the ball through the legs of his last obstacle before he struck it with sharp precision, sending it soaring to the corner of the goal, past the outstretched arms of the goalie, and into the net. 

2-1, UTokyo.

It was electrifying, the feeling that strikes through the stadium, one that reaches you in your own blood. You’re shocked, standing here, after witnessing Gojo score two goals within the matter of minutes, against one of the top three teams in the league. It’s a shock that reaches everyone, including Coach Yaga who’s standing about ten feet down the line from you, his arms crossed, and you see his eyes for the first time as he takes his sunglasses off to get a better look at what he’s seeing.

You trail his sight, dragging your gaze across the field until it lands at Gojo, who is barely acknowledging the encouraging pats and shakes and goodhearted shoves that his teammates were giving him, because he was focused. It might sound crazy to say, but you swear his eyes looked like a fiercer shade of blue, like they were lit up, and you’re insanely glad you’re not one of YCU’s defensive players at the moment because you feel fearful of him even just standing on the sidelines. 

Your gaze trails back to Coach Yaga, who slowly puts his sunglasses back on but his brows are narrowed tightly as he crosses his arms over his chest tightly.

The “athletic zone”... You’ve heard of it before. A state of pure focus, of peak performance, where an athlete experiences optimal concentration and a sense of effortless control over their actions. In which they perform at their highest level, where time slows down, any and all distractions fade away, and they’re completely immersed in their sport at hand. At the task at hand.

Coach Yaga seems to pick up on the fact that Gojo was on the edge of tapping into that state. 

YCU makes a substitution, and you watch in anticipation as they begin the kickoff. 

There’s fire in their veins with desperation to even out the score once more, rushing the ball down the off-field line, one of their center forwards mimicking Gojo’s signature attack pattern, and Yuta struggles to keep up with the expert dribbling of a fourth-year player with more experience on him, so much so to where he completely leaves the ball unguarded and there’s an open shot, but Geto places pressure at the last moment, in a fierce battle for the ball, before YCU’s center forward loses the ball over the goal line. 

Choso picks the ball up, tapping on it harshly a few times as he surveys his eyes down the field, and all offensive players begin to shuffle towards their attacking goal in anticipation for the goal kick. He signals his hand down and then holds up two fingers in the air before placing the ball down on the six-yard box. He tightens the strap of one of his gloves, eyes squinting, and you follow his gaze down to a part of the field where you note UTokyo’s best aerial players are located and being guarded by YCU’s defense. And with complete trust in his team, that’s exactly where he kicks the ball. 

Geto makes first contact with the ball, his chest colliding with two other YCU players as his head comes out on top and he headbutts the ball closer towards the inner field, and Gojo immediately gains access to it with a bounce of his knee. The crowd holds their breath, fear that they’ll lose the ball to a steal in the split second it spends floating in the air, but Gojo urges it forward with a bounce off of his chest and then rushes it straight down towards the goal post. 

You wonder what sight he sees right now. Where you’re dead center, at no angle, lunging towards the sight of an open goal with a sole goalie standing in the center, anticipating to block your shot, and three defenders on your tail. There’s no room for error, no time to think, only instincts that you cultivate in the last leading milliseconds. They say that, in sports, athletes channel one hundred hours of practice in just a brief second on the field. A split second success that was years in the making. You can’t even imagine possessing that level of perfection in your body, or possessing that level of confidence that you can follow through with it in a moment as dire as this.

It was unreal, the way Gojo fades away from all the defenders, and faces no fear when confronted with the sight of the goalie in front of him while drawing his foot back to kick the ball. You lift your camera up at the last second, no time to think about aperture or ISO, just like he had no time to second-doubt a single twitch in his muscles, and his foot makes contact with the ball so harshly that you can hear the explosive sound even among the delirious cheers from the crowd, before he hook, line, and sinks it straight past the goalie’s head, rushing by like a scarcely deflected bullet, and into the net behind him. 

3-1, UTokyo.

The whole stadium is momentarily speechless, all players and referees and recruiters and reporters and coaches and employees alike, before the most deafening cheers you’ve ever heard in your life scatter across the stands.

There’s a moment of brief reprieve, where the players can catch their breath while YCU makes yet another substitution, as if they’re just trial-and-erroring it at this point, and the cheers in the stadiums remain idle as you can’t tear your gaze away from Gojo.

It’s one of those moments where you realize that someone who you thought was so familiar to you was actually someone you hardly knew at all. You knew he was a talented soccer player, everyone on campus knows it, potentially one of the best to ever grace the league, and the amount of times you passively watched his plays on a lecture hall projector screen as your professor enthusiastically broke them down during class, even before you met him, was good enough for you to realize that he was insane, a one-in-a-million, a talent you cannot replicate, one you have by divinity. One you were born with. 

And yet, somehow, getting to know him these past couple of months, he just felt so human. For someone so seemingly beyond you, he felt so…close? In those moments where it was just the two of you, it was hard to imagine that he was capable of such greatness, and that so many people were rooting for him with wholehearted tears in their eyes and cheers from their hearts, because most of the time, when he was with you, he was just a dorky idiot. You find that your heart is beating fast in your chest, that feeling of being unsure of what to do with what you’ve been wanting resurfacing powerfully. 

“This is insane,” you hear Minato say from beside you and you jump a little from your thoughts being interrupted.

You twiddle with your camera straps. “I know…almost done with the first half and we’re up 3-1…I thought YCU are number one in offense for the league?”

“Oh, yeah, I mean, yes, that is insane too. But what’s even more insane is that three of the goals so far have been scored by one player.” He tips his chin towards the right sight of the field and you trail his line of sight. “By Gojo Satoru.”

Your brow furrows as you watch Gojo, his hands on his hips and his mouth slightly open as he indulges in a few shallow breaths to gain energy while YCU prepares for kickoff. Three goals, by just one player. Your eyes widen when you realize that is insane, especially for a D1 semi-final qualifying match.

“You know what the divisional record is for most goals scored by a single player during a championship match, y/n?” Minato asks you as he lifts his camera up to take a picture of the area Gojo was standing in. 

You shake your head and wait for his response.

He drops his camera down and glances at the photo on his screen. “Four. During Keio Uni vs. Osaka Uni, near the beginning of the tournament back in 1997 by Osaka’s center forward number 24, Yuji Nakazawa. Meaning no one’s managed to beat that record since the new millenia, for a couple decades. Although a few players came close.”

You blink at him, and Minato is jerking his chin over in the direction of Gojo again.

“I think he’s trying to beat the record.”

You can only widen your eyes at Minato in realization, and then the chirp of the referee’s whistle draws everyone’s attention back to the field. 

The sports announcers go wild on the speakers, the crowd raving all the same, standing to their feet like the team just won the championship match.

“LADIES AND GENTLEMEN!! We are watching HISTORY in the making!! Gojo Satoru, UTokyo’s very own 3-year consecutive MVP, has scored his 34th goal of the season, highest of any player in this year’s season so far, and is now on the road to beat the league’s long-standing record for most goals scored by a single player in a championship match since 1997!!” And the crowd roars even louder as you stare out at the field in awe.

YCU starts the kickoff following the prompt short chirp of the referee’s whistle, and with two minutes remaining on the clock for the first half, make desperate attempts to book it down the field towards their attacking goal, one of their midfielders making a clumsy attempt to strike the ball to the net in the final minutes of the half, and Choso easily catches it in his arms, right before the buzzer of the timer sounds, and the match moves into halftime. 

All of UTokyo’s players immediately flock towards Gojo in sportful glee, finally having a chance to surround him and harass him with harsh pats on his back and ruffles of his hair for his play in the first half. Choso even puts him in a headlock because they all don’t know what else to do with their excitement and adrenaline rushing through their bodies. Their win for today was basically confirmed with the way he was playing. 

You catch a glimpse of him through the crowd of people, and he has a boyish grin on his face, reveling in the embarrassing amount of attention from his teammates, that focused look from before dissolving into his normal self again. But you can see through him, as well enough as you’ve learned to at least, and you can tell he’s not satisfied. He’s thinking it’s not enough. There’s still more to be done, and it’s not time to celebrate yet. 

His eyes scan down the sideline until they find you. 

Your heart jumps a second in your chest. He stands up straighter, despite his teammates still clinging to him, and there’s a twinkle in his eyes when your eyes meet. 

Cheerleaders take their place out onto the field, performing their numbers with loud music blaring, and the recruiters seated at their white tables get up to roam across the sidelines in discussion with referees and with Coach Yaga and with whatever players they can sink their greedy teeth into, as well as sneak at refreshments while they’re at it. You can see off to the right that Hana has reunited with Minato and she’s showing him some of the shots she took over at the opponent's side. 

UTokyo’s players start to make their way to the benches to grab for towels and drinks of water and to sprawl across in rest, and you hear loud familiar laughter approaching as you watch the players sprawl across the benches, so you avert your eyes towards the source of the sound. 

You see Gojo approaching the benches, two of his teammates slung with their arms around him in some type of adrenaline-drunken glee as they talk dramatically and theatrically which Gojo entertains with his own drunk-off-of-adrenaline glee. And you raise an eyebrow at his demeanor when he makes eye contact with you.

“There’s my freaky little photographer,” he says, and he’s standing up straight and—wait, is he puffing his chest out as he makes his way towards you? Oh for fucks sake.

Gojo has always been confident around you, for as long as you can remember, but in the fair few moments he’s been cocky, he’s been a menace. And you can only assume the testosterone-induced high of being on the verge of breaking a league record in front of the entire school then subsequently getting homiesexually praised by his teammates for the better part of the past five minutes, not to mention with the crowd and the reporters feeding his ego with a spoon across the speakers, he’s been transformed into the final boss of cocky.

His teammates surround you too, their hands on their hips as they assess you and Gojo when he meanders right up to you, arms held out to hug you, a sleazy sight you’ve seen probably six times this week, and you feel a rush of warmth in your cheeks as you place a hand on his chest to keep him away.

“You’re sweaty and gross, please stay away from me,” you reprimand him, “this is an expensive lens that is not humidity-proof.” 

“Hey, you’re the girl that Kentaro socked in the face with a ball the other day at practice, right?” one of his teammates asks, leaning in towards you to take a closer look at your face.

“Oh yeahhh, ‘cause Satoru wasn’t paying attention,” another one of his teammates chimes in teasingly, hardly heard over the loud remix playing in the background as the cheerleaders continue to perform on the field. 

You shrink a little from where you stand. Gojo’s got an irritated look on his face and he’s shrugging his teammate’s elbow off of his shoulder.

“I really hope you’re getting my good angles,” his teammate to the left comments before winking at you, and you purse your lips together. 

The one on the right leans in too, looking at your cheek with an assessing look in his eye. “At least it didn’t leave a scar on your cute face—”

Gojo shoves the both of them back and away from you by elbowing them in the chest, and they make deep eugh noises before stepping away and rubbing at their sternums with pouts on their faces.

“Get the fuck away from her,” he grumbles, “she’s mine.”

Your cheeks flush slightly with warmth at the attention, and you watch as his teammates scurry away to adhere to some social hierarchy Gojo seems to possess over them.

You raise an eyebrow at him. “Yours?”

“Yes. Eventually. Whatever, did you see me out there?” he turns his torso towards the field and points behind himself with his thumb, “when I—”

“Oh god, you know what’s soooooooooo super sexy to me?” you interrupt him. “When guys are humble.”

“Oh c’monnn,” he curls his arm around your waist and pulls you to him, to where you stumble a little on grass and he holds you when you fall into him with more clumsiness than grace. “Tell me you aren’t at least impressed by me.”

You pout, because you are, and you’d really like to give him some reassurance and validation, but for some reason his cocky attitude is setting you off. “Satoru,” you sigh, wiggling a little in his hug, but he holds you tighter, “I’m working right now. Cut it out.”

He lets go of you at that, sober enough from the adrenaline to realize you’re being serious, but he steps into your space so only you can hear him. “What? Are you embarrassed?”

“Of what?” Your face twists with confusion.

“Of me. Are you embarrassed of me?” he asks.

“No. Why would I be embarrassed of you?” you ask with sharpness.

“I don’t know, just, sometimes I feel like you’re always annoyed by me,” he says with a sigh. “It’s like, you’re really sweet sometimes, and then kinda rude out of nowhere, and it’s sort of messing with my head.”

You pout. “You were messing with my head for weeks.”

“And I’m sorry about that,” he quickly interjects, like he already knew you were brewing up that counterargument, “but you don’t have to act like you’re all disinterested and indifferent just to get back at me for it.” He places his hands on his hips and wipes his temple on the round part of his shoulder when he feels a drop of sweat trickle down from his hairline. “You don’t have to act embarrassed around me either.”

“I’m not embarrassed,” you deny, and your cheeks feel hot, and for some reason you feel angry. “In fact, I’m the one that should be asking you that question. Because I still very clearly remember that time you said I was just someone you know in front of your friends.”

He groans and tilts his head back with frustration. “Can you just let that go? Things have changed between us since then. Move on.” 

“You kissed me and then pretended I was just a stranger to you in front of your friends,” you grit as you cross your arms. “That’s the level of sincerity that I know from you, Satoru.”

“Oh, okay, so there’s nothing else I’ve done that shows you that I’m serious about you?” he asks rhetorically with incredulity, throwing his hands up in the air in disbelief.

No. That’s not true, not true at all. But he’s pissed you off now and so all logic was to the wind. “Doesn’t matter. If you’re not embarassed of me, and if you’re really serious about me this time, then fucking prove it.” You’re speaking out of spite, and you fear you’ve just set him off too.

“Fine,” he says, and he grabs the microphone straight out from a passing reporter’s hand, replacing it with a gatorade bottle. The reporter stares at the bottle he’s now holding with confusion. “I will.”

“W-Wait—” you squeak out, feeling the hair at the back of your neck bristle in anticipation and a shiver gets sent down your spine. The cheerleaders are making their way off the field at the end of their routine, and you can hear the thumps across the loud boisterous speakers when Gojo whacks his palm to the microphone to make sure the thing was on before he jogs to the center of the field.

The crowd is already cheering, ecstatic to see the afternoon's star player and pride & joy of their school, and Gojo takes a moment to soak in all the glory in comical appreciation with bowing towards all 360 degree angles of the stadium.

“Uhhh,” you hear Choso from beside you, who’s strapping his thick goalie gloves tightly to his wrists, “Why the fuck does Satoru have a microphone while standing in the middle of the field.”

“It can’t be for any publicly decent reason,” Geto muses.

All you can do is watch.

“Hi, uh,” Gojo starts, static blaring slightly across the speakers and the crowd winces with him, “sorry. I’m Satoru, Gojo Satoru, you might know me from—uh, the game you’ve been watching?”

Cheers all around, because as if a single person wouldn’t know who he is. The stands were rowdy and most definitely drunk off of sidestep beers the stadium has been serving all afternoon long. 

Gojo is about to continue speaking, when he catches sight of the table of recruiters in the corner of his eye and he turns to face them out of respect. “Oh, yeah, uh, number 10,” he tugs his jersey up at the shoulder to stretch out the fabric, the 1 and the 0 flattened in view, “division player ID 233-997. Coach Yaga keeps my business cards in his purse if you want one.”

“SAAAAATTOOORRUUUU!!!!!” you hear Coach Yaga yell from somewhere in the distance.

“Anywho,” Gojo continues, and the music dims slightly, so he glances at the stop clock on the screen, which shows him he’s got roughly five minutes left to pull off whatever idiocracy he had in mind before the second half of the game starts. “Just here to say that there’s this girl I really like.”

The crowd gets louder, almost deafening, and sonically mostly feminine in (delusional) hope he’s gonna name call one of them.

Gojo’s voice is crisp and clear through the speakers as he clarifies. “She’s standing over there,” he says as he nonchalantly points to your exact latitude and longitudinal direction, “with the big camera slung around her neck that looks like it could pull her down to the center of the earth. Yeah. She’s super cute and I really like talking to her.”

“Uh-oh,” Geto murmurs from beside you, and you glance at him to try to get a read on the situation but you can’t.

Gojo starts to pace across the center of the field now, like he’s working the crowd. “But get this—she thinks I’m not fuckin’ serious about her!!!”

The crowd groans with him in unison. Yep, most certainly drunk. Or high off of glee. Either way, he’s playing them like a violin.

“Huh?” Gojo’s voice sounds distant now, away from the mic, and you can see on the large pixelated screen that he’s being interrupted by someone that looks like one of the videographers, “oh, what’s that? This is being broadcasted? Uh-huh. Oh. I’m not allowed to cuss? Oh fuck, okay. Er— shit, okay. Wait—shoot, okay.”

Choso’s smirk is heard from beside you, and you catch Geto and Nanami shaking their heads in your periphery.

“LIKE I SAID,” Gojo continues into the mic, “the girl I like thinks I’m just messing around, so. Uh. To show her that I’m serious about her, I’m gonna…” He looks up at the sky to ponder, and you can hear people shouting all sorts of suggestions of nonsense from the crowd. And instead of saying proclaim my undying affection for her through a romantic soliloquy straight from my heart in the presence of the entire school, he says—“I’m gonna strip. Yes. Down to my tighty whities, Imma strip.”

H–

Huh?!?!?

You don’t even have time to be horrified or scared, you’re just bewildered beyond belief that that’s what he came up with.

What the fuck kind of reassurance did you ask for. And what the fuck kind of reassurance were you about to get?

The crowd goes wild, it’s no surprise to say everyone and their mothers wants to see him naked, even the straight dudes would dig it for the gym inspo. And he points straight to you, sleazy look on his face and you’re going to ignore the fact that he just winked at you too as he crosses his arms to hold the hem of his jersey and pulls it up over his head in the most raunchy and slutty way a man can take his shirt off.

The music manager is quick with the bit, and is most definitely a fellow Gen Z college student, because Justin Timberlake’s SexyBack (ft. Timbaland) starts playing across the speakers and the crowd goes ballistic.

“Ayo why’s Satoru Magic Mike’ing the field right now?” one of his other teammates calls out through a mouthful of protein bar, “What the fuck did I miss?”

The cameraman does God’s work in a hella zoom-in of Gojo’s sweat glistened abs, then pans up the naked expanse of the perfect taut skin across his chest, and you can’t help but stare even among all your horror. It’s like when a male bird embarrasses the fuck outta himself to attract a female bird sitting on a perch, except instead of within the context of a NatGeo documentary, this was your real life. Everyone wants him, but he’s making a fool out of himself for you. 

He pretends to stretch his arms up into the air, a cover-up to flex his biceps, and then he kicks his cleats off, and the socks come off too. Entirely unnecessary, as showing one's ankles is simply too slutty, but alas he’s a whore. And when his thumbs dip into the waistband of his shorts, and there’s anticipating screeching from the crowd, he finally gets chased by security. 

Except he’s an intercollegiate D1 athlete, why the fuck wouldn’t he be able to outrun a bunch of dudes in black?

The camerawork on him is phenomenal as he runs across the sidelines of the field, eliciting a wave down the bleachers. So good in fact that you’re pretty sure the camera man could shoot for the Olympic track and field, with the way the stadium’s got a clear sight of Gojo mouthing the lyrics Them other fuckers don’t know how to act from the song still blaring with satirical rage on his face as he makes a fool of the men chasing him around the perimeter of the field.

And then he does it, drops his shorts, discards them with a kick, and he’s down to his tighty whities as promised. Cameraman has got to be displaying some previously undiscovered level of talent as he zeroes in on a shot of said tighty whities, with Gojo’s—forgive me, I need to be crass—huge bulge prominent in Big Dick Energy fashion except his tighty whities have little red hearts in rows across the fabric so do with that duality what you will.

He’s outrun security with a steady grin on his face as he eats up the drunken crowd’s cheers and riots and roars and you feel like you’re the only sane person in this stadium, or maybe you’re just not used to the fanatics of a college sports crowd. You peep the men in black trailed all the way on the left side of the field where they abandoned their pursuit of Gojo.

He taps imaginary pockets at his thighs, very muscular thighs you take indulgence in noticing, as if he expected to find something there, and he looks around when he doesn’t. He shrugs and grabs the microphone of the next passing sports commentator he spots, and then he makes his way back to you.

His breathing is a little shallow, and he inhales deep to catch his breath. “Baby.” The crowd SCREAMS at the way he purrs the word into the mic. “Will you do me the honor,” he’s huffing and puffing, heard across blaring speakers, “of being my lawfully wedded girlfriend?” And then he holds the mic to your lips.

“W-Wha—” you stutter, and there’s chanting across the crowd with words that barely make sense until you finally realize they’ve started to yell say yes! say yes! say yes! “Oh my gosh, okay, yes, fine, now please, for the love of god, put some freaking clothes on!”

The crowd goes wild with cheerful glees, and Gojo shoots fists up in the air in celebration as he runs all the way towards the center of the field with high knees, and you’re gawking at the sight, before he falls backward onto the grass and makes delirious snow angels on the ground. You see Coach Yaga’s vein popping in his neck from pure agitation as he storms off towards the center of the field to knock some sense into Gojo, but you know that Coach Yaga can’t kick him out, because they still have a game to win. The perks of being the most valued player in the league is getting to act like an absolutely insane idiot because you know they still need you in the end to bring it home.

You glance to the right, seeing his teammates nodding slowly then getting back to wrapping athletic tape around ankles and stretching out shoulders, with immediate acceptance of his actions like it wasn’t even out of character for him to do. And you realize again that you don’t know Gojo as well as you think you do.

And then the halftime timer is up.

You see Gojo approach the benches in a quick jog, squeezing some water into his mouth with his green gatorade squirt bottle, and when your eyes flit up to the screens on all four entrances, you see that the cameramen are still all focused on him accompanied by the continued buzz of conversation among the crowd following his public spectacle. But he seems to already be past any semblance of embarrassment as he takes the attention with ease, before he glances up to make eye contact with you and then lightly jogs right up to you.

“Did that prove to you that I’m not embarrassed of you?” he asks you, cocking a brow with a smug look on his face as he gets all up in your personal space. 

“I don’t know, but I’m certainly thoroughly and expeditiously embarrassed of you now,” you say, cheeks feeling flush when he leans forward so he can make eye contact with you at eye level. “I’ll have to move to a different country.”

His grin is relaxed. “Yeah well you asked for it.”

“Maybe. But I underestimated what a lunatic you are.”

“You’re my girlfriend now, you’ve gotta get used to it.”

Your heart skips a beat in your chest. “Satoru–”

“Tomorrow,” he cuts you off, “Hinode pier. I’ll pick you up at six. It’s a date, so wear something cute. And preferably easy to take off.” And then he���s attentive to the chirp of the referee’s whistle in the air before jogging backwards towards the feel and eventually turns on his heel towards the field while you’re left with warm cheeks and a heart that felt like it was moving at a mile a minute.

The timer for the second half refreshes on the screen while you loosely hold your camera in your shaking hands. It occurs to you that you haven’t taken a single photo of him before the start of the kickoff, and so you bring the piece of consolidated metal up to your eyes, peering through the viewfinder and focusing it on the center of the field. And there he was. Your muse.

Gojo lets out a breath, which you can see even from here that it’s shaky and staggered with resistance, and he lifts his jersey up to swipe at the sweat trickling down his face as he eyes the ball underneath YCU’s player’s foot just prior to the start of the second half. There it was—that look again of pure focus. 

3-1, forty-five minutes on the clock. And the referee chirps the whistle to start the second half.

It’s immediately evident that YCU has returned to the field following halftime with renewed energy, pressing high down the flank relentlessly past UTokyo’s defense, so fast it was hard for anybody to even keep a steady eye on the ball with the fluidity of their passes. The persistence pays off in the fake double-pass that slips past Geto’s feet, a moment of hesitation in the broken flow of UTokyo’s defense, and one of YCU’s strikers has the perfect line of shot towards the goal before digging his foot under the ball and sending it flying towards the corner of the goal post, scoring themselves a goal within just the first five minutes of play.

3-2.

The pressure mounts at the next kickoff, and with about seven minutes of solid play, with back-and-forth passes, multiple attempts at both goal posts to no avail on either side, it was clear that exhaustion was bustling in the veins of all the players.

One of YCU’s offensive players seems to capitalize on this, jumping on a defensive lapse of a pass Nanami attempted to make towards Yuta, and the ball is swiftly stolen then raced back towards the goal post. Choso prepared himself at the line, light on his feet paired with a solid stance, but in a millisecond of a moment, YCU’s offense unexpectedly passes the ball to a player racing up the midfield, and the player chips the ball neatly into the exposed corner of the goal despite Choso’s attempt to lunge for it in mid air.

Equalized, 3-3 game, momentary shock across the players’ faces, and the crowd bustles with something that sounds less like glee and more life fear. YCU was prepared to live up to and hold onto their title as the league’s number one offense, and as Minato explained to you during your time working in this job, an offensive team isn’t good at scoring goals, but rather exceptional at breaking down the other team’s defense.

Your eyes zero in on Geto, who stands in the center of the field for kickoff, and he’s huffing and puffing. He's the lead of defense for the team, and you can only imagine the level of pressure he feels right now. He glances around to his players, over to Nanami who seemed to share the same level of exhaustion, and then he glances towards Gojo who stood in front of him off to the right. Except you notice that Gojo looks relaxed, albeit still exhausted, but there’s a composed expression on his face even in the moment of heightened stakes. With locked eyes, Geto nods at Gojo and raises two fingers up into the air to signal a play, of which Gojo seems to respond to by closing more distance between him and the goal post prior to the kickoff, positioning himself almost directly in front of it, to which YCU’s defense immediately begin to guard him in a tight radius. 

The kickoff begins, with Geto making a few passbacks with Nanami as they close distance towards the field before passing it off to UTokyo’s string of offense and then receding back to their defending goal. UTokyo continues to close distance, raising stakes for YCU as their defense begins to falter under pressure, and the ball gets passed to Gojo, who only keeps it in possession for less than three seconds before he passes it back to Yuuji, a risky decision to make in the second half of a semifinal match, but the first-year swiftly unleashes a powerful shot that rockets past YCU’s goalkeeper, up towards the corner, except–

It bounces off the metal of the goal post, shot off with projectile speed back towards the center of the field, but with razor-sharp reflexes, Gojo headbutts the ball in air, twists his torso and strikes the ball with his foot past a dumbfounded goalie who can’t even move an inch to guard the ball that he already knew was going to sink right into the goal, and that’s exactly what it does. 

The stadium erupts with the momentum.

4-3, UTokyo. 

It was a sweet moment, one you manage to capture on camera of Gojo running up to Yuuji and ruffling his hair in reassurance, despite the missed goal. Your heart feels warm in your chest, feeling your own sense of melancholy that this was one of the last times they’ll ever get to play together on a team. 

Your eyes widen when you glance at the scoreboard, realizing that he’s tied. Gojo is tied for the most goals scored during a championship match. There were less than three minutes left on the clock. UTokyo either preserves their lead, or they risk moving into overtime, which, judging by the exhaustion on the UTokyo players’ faces in the wake of YCU’s relentless offense this entire game, moving into overtime would be a hefty, hefty risk. 

YCU’s center forward takes his place in the center of the field, fire evident in his eyes as he glances across the field. YCU are light on their feet, channeling everything in their bodies into these last moments of the game as they prepare to start the kickoff. You glance across UTokyo’s players, and although they look spent, there was a resolute look to all of them. It wasn’t the time to give up or feel at ease even near the end of this grueling battle. Now was the time to play. 

The referee chirped his whistle, and the kickoff began.

YCU immediately presses hard, as all their other plays have been all game, in their desperation to score. You can already see UTokyo’s midfielders move sluggishly in comparison to YCU’s offense, a drag to their feet as YCU pushes past the first layer of defense towards their attacking goal. Geto takes an aggressive approach, making moves to steal the ball while Nanami and Yuta guarded both flanks, and there was a relentless pass-off happening that ate up more than a minute of the remaining time.

Nanami succeeds in stealing the ball, but immediately loses it under his feet by a YCU midfielder, who makes a broad pass down the sidelines to YCU’s star forward who then powerfully kicks the ball towards the unguarded area of their goal, a dangerous shot that was clear towards the crossbar and Choso makes a leap for it, high into the air, his glove brushing against the ball, the entire crowd holding their breath in anticipation–

And the ball lands in the net. 

4-4, tied game. With one minute and seventeen seconds left on the clock. 

There was no time wasted in getting back to center field. No time spent dwelling in the horrific roars of the crowd as they watch with anxiety and fear. No time spent to process or consider or signal any plays. Not even a single second used to catch breath. When there is this much at stake, an athlete thrives on momentum. 

To your surprise, Gojo isn’t the one that takes place at the center of the field to start the kickoff. Yuta stands there instead, and you notice his eyes are erratic as he surveys all corners of the field. 

The referee chirps his whistle. 

Yuta immediately passes it off to the side to UTokyo’s midfielder, who curls it towards their attacking goal with a swift pass to Ino, who closes distance towards the goal, but one of YCU’s defender slips in, undoing any progress they had made in their offense by stealing the ball and sending it back towards mid-field. Forty-three seconds. The crowd’s roars heightened as YCU continued to push forward, thirty yards now from scoring, and UTokyo’s defense was desperate to stop them but their momentum was cracking in the wake of their exhaustion. 

It was a moment you don’t think you could ever fully or truly recall, one that you wish you had focused all your energy and attention to so that you could commit it to memory for the rest of your life. The image of Gojo pushing all the way to ten yards before their defending goal, a place where no center forward should really be at in a game like this, but it was exactly what their defense needed. It was exactly what the team needed. It was exactly what the school needed. For the ball to be in his possession.

With twenty-two seconds left on the clock, he steals the ball from right under YCU’s offensive feet, and then charges towards the opposite side of the field. The crowd rises to their feet, thunderous roaring that overtook any and all senses, as Gojo weaves through forwards, center forwards, midfielders, and defenders, covering the entire span of the field in lightning time. Fifty yards, forty yards, thirty yards, twenty hards, ten yards–

In a moment you couldn’t believe, he digs his foot underneath the ball, and sends it flying out towards the goal. There was not even a margin of an inch in which it slipped past the goalie’s hands, past his head, and swiftly flew right into the net.

With three-two-one seconds, the match was over. 

5-4, UTokyo’s win.

The final whistle blew, and for a moment, there was silence. As if the world paused to catch its breath. Then, all at once, the crowd erupted with glee that shook the entire stadium at its core. Flags waving, scarves held high, toasts of beer held up to the sky, it was deafening, and it almost makes you want to cry. Thousands of voices shouting in unison, celebrating the hard-fought victory of their school’s team. A type of pride that was fostered, and well-deserved, and long-lived.

You quickly glance towards the field again, and see Gojo standing right at the same spot where he had kicked the last and final goal, staring towards the net. You can’t see the expression on his face, but it surprises you how still he is. Like a statue, staring at the goal with the ball tucked into its corner. The very epitome of what it means to succeed in this sport was right in front of him, and it seemed like he wanted to soak the visual in for as long as he could.

His trance is abruptly interrupted when his teammates swarm in, rushing over like a wave of pure adrenaline. They slap him on the back, ruffle his hair, shout his name, the sounds of gleeful disbelief mixed with exhausted sighs of relief swarming into the air. And Gojo finally melts away from the tension of the match and into the celebration as he weakly returns the embraces of his teammates while he catches his breath. 

“IT’S OFFICIAL!! IT’S OFFICIAL!! UTOKYO’S VERY OWN GOJO SATORU HAS OBLITERATED OSAKA UNIVERSITY’S RECORD FOR MOST GOALS SCORED BY A SINGLE PLAYER IN A CHAMPIONSHIP MATCH!!” 

The speakers are blaring the voices of the sports announcers, along with ambient music to match the intensity of the match that everyone had just witnessed. 

You should probably be doing your job. You know, take a picture of the huddle of players on the field as they bask in the glory of a close victory, but instead your feet start moving on their own. Like a magnet drawn to him, you make your way towards Gojo, only a slight hesitation in your step as you stop about ten feet away, suddenly unsure. But when he makes eye contact with you, all that fear melts away.

He hastily pats the backs of some of his teammates, acknowledging their praise at the center of the huddle before tightly squeezing past them to make his way over to you. Your heart is beating fast in your chest, feeling an almost overwhelming sense of pride in your school’s team, but more importantly, in him. What was the acceptable thing to do? Run to him, into his arms, and hug him while he twirls you around? Tackle him to the grassy ground? Kiss him like your life depended on it? You have no clue what the acceptable or sane or normal thing to do is. But he’s made his decision for you when he walks right up to you, his hands holding your waist as he pulls you towards him. He smells earthy, of grass and salt and sweat and of all the hard work he poured into today, the wear and tear of the game evident in the wear and tear of his jersey. He only manages to huff out an exhale at the sight of you, like some relief washing over him just by looking into your eyes. Forget the fact that the crowd was all watching and that all of the screens you could see past his head were focused on the two of you, because all you could hear or see or think was him.

“I believe you owe me a kiss,” he says, huffing as he catches his breath but that doesn’t stop the smile that makes its way onto his face.

You nod your head, giving him your own version of a sweet smile as your arms slide up past his shoulders, crossing behind his neck, and he leans down to kiss you.

You hear a swell from the crowd, some teasing comments off in the distance from some of his teammates, you’re pretty sure you hear Coach Yaga yelling at him to get back to the benches, but it all melts away with the feeling of him smiling against your lips as he kisses you at the center of this stadium.

It was a moment so pure, so sweet, so picture perfect, and for once, you’re not the one behind the camera taking the photo. You’re the one that’s in it.

.

.

.

.

.

[end of kickoff ch12]

a/n. aaa thanks a lot for reading!! pls the fucking public stripping scene was so stupid i apologize on behalf of kickoff gojo for his behavior 😂😂 i’ll put him in his cage dw this chapter had some of what i consider to be the most challenging aspects of writing for me (internal conflict, grand public gesture, sports jargon) and so writing it felt like an uphill battle the ENTIRE time i wrote it and edited it. i considered scrapping it sooo many times cuz i just wasn't happy w it...but whatever i can't expect to be 100% happy w every chapter i put out there haha. i think kickoff has become a lil sacred for me since i've been working on it for a while now but likeee...sometimes u just gotta say fuck it we ball (tbh kickoff gojo probably says that to himself before a match) anywho, i am veryy thoroughly excited for what i've got planned for the chapters to follow, especially moving into the last angsty arc before the end of the series!! so i look forward to picking up momentum w this series again :0 honestly chapters 10 through 12 were the most difficult things i've written so far for a lot of reasons, but i have a feeling things will go more smoothly for me creatively going forward since what i've got planned falls well within my writing comfort range oh also there seems to be a little confusion about the number of chapters left, as i know i had originally said 12, but i anticipate that there will be about 18 chapters of kickoff total!! so still around six chapters left before the end :)) much lovee thanks for reading!!

OH WAIT ONE LAST NOTE I'M SORRY i didn’t really have a way of organically incorporating this into the story n i’m not sure if i’ll get a chance to in the upcoming chapters, so i just wanted to share this part of ch7 (gojo’s pov chapter) that is relevant to this chapter:

During the thrilling semifinal match between Keio Uni, Gojo’s father’s team, and Yokohama Uni during the end of his senior year, spectators witnessed a game that most college soccer enthusiasts would deem was a once-in-a-lifetime watch. Both teams engaged in relentless offense, and Gojo’s father was on his way to shatter the record of the most goals scored in a single championship match within the history of the league, but when he received a call from his wife during a timeout with the most life-altering news he could have ever heard, he abandoned everything on the field that day to go home and be with her. Grainy footage from the televised broadcast still exists online today—the moment he sprinted across the field, confused players glancing in his direction, amidst the uproar of the crowd. She called to let him know she was pregnant. 

the record that gojo broke in this chapter is the same record that his father almost broke before he got the call that he was going to be a dad :0 

➸ you're all caught up!

additional notes. please do not pressure me for updates or ask when i will next update (read rules); taglist is currently closed (consider subscribing to the story on my ao3 for email updates if you'd like! :0)

taglist:

@megumisdivinedogs @witchbybirth @avatarl0v3r @mwtsxri @asherheed

@wynney @delulux3 @higurumapet @zombriesworld @xenop0p

@phoenix-eclipses @who-can-touch-my-boob @mo0nforme @reagan707 @lost-resonance

@foulprincesscycle @luniunia @alekssashka7 @beabadobeee @thexmistress

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@ri-sa20 @thexmistress @mwtsxri @ritsatoru @sashisuslover

@chwesuh-imnida @megumisthirdog @imjustaweirdnerd @angelicscribe

[taglist is closed]

[themusingsofacurlyhairednerd]

Ok I just saw your Vamp!Rhys brain rot headcanons post and I'm letting you know right now if you do not develop them into full blown chapters for Vamp!Rhys I'll literally sue for emotional damages ok thank you <3

lol I suppose I can make that happen ;)

------------------------------------------------------

Ancient Recipes

The bed is, surprisingly, empty when you awaken, the last rays of evening light filtering in through a crack in the curtains. Your hands brush absently through the cold sheets as if they could tell you where he’d disappeared off to. He’s not usually up this early.

With a yawn, you slide out of bed and yank on one of his discarded shirts, leaving the silky button down open down the middle in a half-hearted attempt at decency before padding off in search of him. 

The library and game room is empty, the curtains pulled tight, the air a little stuffy. You can hear Cassian snoring from behind his closed door and a tendril of shadow still guard’s Azriel’s door handle, telling you that he’s not off with either of them this early.

Eventually, you find yourself wandering down into the kitchen, expecting it to be empty too, but figuring it’s worth a shot. You’re surprised to find Rhys bent over the stove, shirtless, sleep pants slung low over his hips as he carefully chops a mix of vegetables. His ears twitch as you walk towards him, a sure sign that he hears your approach. 

“You’re supposed to be sleeping,” he says without turning. You can hear the pout in his voice without seeing the purse of those full lips you love so much.

“Missed you,” you say as you slide your arms around his waist and bury your head between his shoulder blades.

He sets the knife down long enough to run a hand over where yours hold his waist. “I was coming right back.”

You place a kiss against his spine before leaning around him to get a better view of what he’s doing. “I didn’t know you could cook?”

“I am a thousand years old, Darling,” he purrs. “That’s a long time to not learn how to prepare a meal.”

There’s an old, hand written book propped up against the stone wall, the swirling script fading under the cruel hands of time in a language long forgotten. The pages are brittle and yellow now, the date written in the corner nearly illegible. 

“What are you making?”

Skilled hands throw in diced vegetables and dried herbs into a pot simmering with some sort of red sauce. “Something my mother used to make me,” he says softly. “These are her recipes.”

Your chest tightens. He’d told you about the hunters that had killed his mother and sister not long after that night when those hunters had come for you. He’d, understandably, been on edge since, the encounter bringing up a lot of old memories he hadn’t touched. It’s little surprise that he would try and find some solace here.

“Smells good,” you say. 

He twists and pulls you in front of him, so you can watch as he works. “Can’t find all the right ingredients,” he frowns. “Some of these spices have been lost to time. I think these will work instead. Hopefully.”

Rhys dips a wooden spoon into the bubbling liquid and brings it to your lips, “Try this for me?”

You give it a second to cool before taking a taste, the mixture both earthy and spicy, but deliciously warm. “It’s good!”

“Yes, but is it right?” He insists.

You tilt your head up to look at him, brows raised, “How would I know, Rhysand? By the sound of it, most of the things you’re missing were lost to the world before my parents were even born.”

You think if he was capable of it he might have blushed against the mistake. Instead, he kisses the top of your head. “I suppose I could ask Az.” He licks a bit of the mixture, frowning as he goes, before putting the spoon directly back into the pot. Apparently a key ingredient in ancient recipes is a little bit of saliva. 

A moment later, the shadowy vampire emerges, summoned for this oh so important errand. Azriel’s dark hair is sleep tousled, shadows swirling lazily around his bare shoulders. Any other morning with the two males looking like this you would have climbed them like a tree, but this morning is apparently for other things, as Rhys nearly flings the spoon in Azriel’s direction. 

“What am I missing?” He demands.

Az takes a taste and spits it into the sink. “What did you do?!” He all but shoves the two of you out of the way to reach for the spice rack in the cupboards above your head. “Your mother would have beat you with that spoon.”

“I know!” Rhys huffs. “What did I forget?”

Azriel starts opening old jars of dried herbs and adding them into the pot. “Egg and thyme for one thing, dumbass.”

Rhys grabs the book off the counter and looks more closely at the recipe, keeping one arm around your shoulders to have you close even so. “Oh, yeah I did forget the egg.”

Azriel cracks four of them into the mixture, before throwing in more herbs. “You’re cooking it too high too.”

Rhys brushes his lips over your hair. “Wanted to bring it to you in bed before you woke up.”

You twist and lean up on your toes to give him a proper good morning kiss. “I would have loved it anyway.”

“Human taste buds are disgusting,” Azriel huffs.

You hear Cassian’s footsteps before you see the half-awake vampire stumble into the kitchen. “Are we cooking what I think we are?”

“Not if Rhys has anything to do with it,” Azriel huffs.

“It was for Y/N!” Rhys returns. “I didn’t make enough for everyone.”

“But she’s so good at sharing,” Cassian says with a wink, his sleep thick voice enough to make heat pool between your legs. 

Rhys lifts you up and places you on the counter, beside where Azriel still chops more ingredients, so he can kiss you deeper this time. “Mine.” 

“Not with your cooking she’s not,” Azriel quips. 

Cassian tuts as he comes over to Azriel’s other side and dips a finger into the now simmering pot. Azriel smacks his hand with the back of the wooden spoon and Rhys hisses, fangs glinting in the candlelight.

“How are you supposed to take care of the little human if you can’t even cook her a decent meal?” He brings his fingers to his mouth for a taste, then frowns. “Do neither of you own any peppers at all? What is this, baby food?”

“I added the aleppo, just as the recipe said!” Rhys retorts. 

“You definitely didn’t! Your mother never made anything this bland!” Cassian insists.

“I’m following the recipe!”

Azriel snatches the book, scarred hands thumbing quickly through the pages. “I remember it being spicier.”

Rhys frowns. “Maybe we’re thinking of that other recipe she used to make?”

“No that one was for dinner,” Cassian returns. “I definitely remember a spicy breakfast dish. Especially on cold winter mornings.”

“He’s right,” Azriel chimes in, eyes still glued to the pages. 

“I mean, our tastes did change when we turned, maybe we’re the problem?” Cassian asks, running a hand over his face in thought. 

“Your tastes change when you turn?” You ask.

“A little,” Rhys says with a frown, violet eyes on the dish. “Maybe you’re right, Cass. Did you think it was spicy, Darling?” 

“A little,” you reply. “It could use more, I think, but again, I’ve never tried it before so I’m not exactly an expert.”

Cass peers into the pot. “It looks right.”

Azriel sets the book back on the counter with nothing short of reverence. “Guess it is us.”

Rhys’s face falls, it’s like watching him lose a piece of the past. You take his face in your hands and kiss the tip of his nose. “I think any mother would be proud to know that you loved something so much that you put all this effort into sharing it, whether is tastes the same or not.”

His grin is soft, like the kiss he plants on your lips, taking his time to pull out of it.

“Thank you for sharing a piece of you with me,” you say.

Azriel scoops it up into four small portions, the wooden dishes old and reminiscent of a time long passed. Not the formal dining ware they bring out at parties, but a little piece of home that managed to survive the passage of time. 

It’s delicious, Az had been right about needing the egg and thyme, it brings a more rounded flavor to the dish. But it would have been equally fine if Rhys had brought the first attempt to you in bed, simply because he loved you enough to try and make something for you even when he could not fully enjoy it himself. It tastes all the better because it’s something the four of you can share, can make new memories out of. You certainly will not forget it, not even in the coming change of your mortality. 

“Well now you’ve got me curious for what other ancient recipes you’ve been hiding,” you say as the meal comes to a close. 

“You make us sound like we’re old as dirt,” Cassian huffs. 

You wink up at Rhys as he kisses your temple. “A thousand years is a long time. What else can you make for me?”

[venus-is-thinking]

DRDT Chapter 2 Episode 14: Initial Thoughts

What an episode! I can't believe that we're probably starting to near the end of the Trial. But, considering we're almost there, we DEFINITELY have a lot to talk about. It's a longer episode, and there's a LOT to go over, so buckle in!

SPOILER WARNING FOR DRDT CH 2 PART 2!

T/W: Murder, hanging (with depictions)

The Reactions

Hu is literally so pretty.

I wasn't expecting her to get a whole mechanic defending Nico, but it makes sense. Letting other students cut in during the Class Trial is a great way to draw specific attention to a character point, and it's very clear that Hu's over-defense of Nico is going to be important moving forwards.

RIP to my "using the weight rack as the carousel" theory. The fan probably makes more sense. I just still have no idea how the 300-ish pound or whatever weight rack managed to get knocked over in the struggle.

I'm glad they directly pointed this out. Trying to kill everyone in the Class Trial was the EXACT thing Hu was so pressed about David doing. It's a weird double standard to be so forgiving of Nico when they tried to do the same thing.

Insane thing to say if Eden is the culprit and killed Arei because she didn't believe her. Then again, if my explanation for a lot of Eden Trial dialogue is "she's speaking out of regret for killing Arei now that she knows Arei was being legit," maybe she's just calling herself cruel as well.

This is honestly very valid.

Do you think "here" implies Nico trusts someone in the outside world? Based on their secret, it seems like they probably didn't have many friends. Could also be referring to animals? Or Mai Akasaki?

Big psychic damage to Hu though, considering we know she thrives on other people relying on her. She wants Nico to be someone who relies on her sooo bad, but they just... don't.

Like, girl. They literally JUST said that they don't trust anyone. That includes you.

She's clearly projecting in some way, though, which is definitely an oof. I wonder if Hu wishes she had someone who was undeniably on her side in the past...?

(To be clear: I think Hu is a very well written and interesting character. She fits the fucked up vibes of Despair Time, but coming from a more surprising angle of "that really nice and caring person can also be fucked up." She's just clearly in the wrong here, so I get to clown on her as I clown on everyone else.)

Ace is honestly so valid for this. Like, yeah he's kind of a bully and he sucks sometimes, but. Like. He did almost get murdered and people are, like, mad at him for it? Huh???

If Ace does end up being the Chapter 2 killer because he snapped, I honestly think he's so valid for that.

It is my personal agenda to record every instance of J being notably anti-murder. I don't know where it's going but if it does go somewhere I want my credit because it is Apparent.

(The entire fanbase nods in agreement.)

I know some people definitely still think/thought that Hu and/or Nico was responsible for the crime, so we've all DEFINITELY been squinting at that alibi. I fully believe it's true, but that doesn't change the fact that I wouldn't put it past Hu to make a fake alibi to protect Nico. Idk if Nico would go along with it, though.

I got so jumpscared by the Closing Argument-style CG.

I'm so glad we did get a definitive answer on how this thing worked. I was so afraid that we were just gonna solve the Arei murder method and the exact solution of Ace's would be a "left to audience interpretation" kind of thing.

I'm not exactly sure where the blood on Ace's fingertips comes from? Maybe he cut his hand on the wire when he was trying to struggle after he woke up or something.

This makes so much more sense than anything I saw theorized though, lol. The fan falling from drop hanging totally checks out as a way that the murder mechanism could fail.

I have NO fucking clue why Nico opted for this as the murder mechanism, though. I get wanting to use Hu's wire to frame her, but why didn't you just cut Ace's throat with the wire in the first place???

where did their cape go :(

Potentially suspicious line from Ace? I don't know what he's referring to as "go through all this." Like, maybe just reliving the murder attempt, I guess...? Could also be going through the Class Trial, though, if Ace killed as a result of Nico trying to kill him.

*Levi's secret quote looms*

Things that make me think Nico is either a victim or a survivor. Like, are you really gonna say this and then go try to kill someone else? ...Or Ace again, I guess??

Fun fact: this was actually what guided me to my initial killer picks, before I discussed with anyone else or read any theories! I thought the killer was trying to frame Nico, so it had to be Eden or Ace. The tape and everything else was just what locked it in for me. It's fun to see Teruko follow more or less the same path that I did when I was trying to solve the mystery :)

TAPE TIME :D

The use of the Bound Wrists truth bullet actually really confused me at first bc I didn't realize we were just talking about the tape. I was like, were Arei's wrists bound because Ace's were and it was intended to be another similarity???

Maybe Eden's just being nice, but I find it really suspicious that her instinct after all this time is "didn't MonoTV take it" and not "oh I guess Ace is probably the murderer."

Teruko has now outlined two different ways that it makes sense if the killer was in the gym that night. If I were Eden, and I were innocent, I would be realizing that there's a very small suspect pool left, and I know that I'm not the killer, giving me additional information. Instead, she's questioning the validity of the tape argument, which isn't useful for narrowing down the killer-- it's useful for keeping the suspect pool wider and not leaving herself as one of three (but basically two) options.

I kinda get why people are upset with Rose here, but it's also kind of an oof because they're only mad because Rose is really smart. Like, no one's out here like "oh my god Ace you didn't recognize the tape??" Y'know, because they think he's stupid. Rose has a really good memory, which raises the standards really high, which sets Rose up for failure.

In Rose's defense, she also never saw the tape in Nico's gym murder OR on the carousel for Arei's murder. She only saw the pieces in the trash can, which seemed to be inside out. Against Rose's defense, it would probably have been for the best if she'd gone in to look at the crime scene.

Am I tripping, or is "fish misunderstanding" a weird way for David to phrase this? The misunderstanding with Teruko was assuming that the murder happened last night, which was in fact because of the fish-- but the thing Teruko should have noticed, which makes it Teruko's mistake specifically, was the body swinging.

I'm probably reading into things too hard, but it's so hard with David. What do you know!!!

Damn, Teruko is SPEEDRUNNING this character arc. Considering we basically know she's locked in for all 6 chapters, I'm really surprised to see her making this much progress this fast.

I'm guessing that this means that Teruko is probably due for a major setback sometime sooner or later. But, interestingly, this makes me feel like Teruko realizing that working alone doesn't work isn't her character arc's end destination; it's the willingness to open herself up to caring about others even in the face of the consequences of losing someone you love. Teruko is closing herself off from everyone because she knows she's going to lose them. Maybe her end destination is allowing herself to love people, even if she might lose them someday.

This was fruity as hell btw. I'm starting to think Rose may be our replacement support if Charles does die in Chapter 3.

It's so funny that this is basically Teruko claiming in-universe protag privilege. Go off, queen.

I also said something along the lines of "Hu are we really doing this again." Totally forgot that the BDA is still relevant, lol.

I personally find the way Veronika phrased this to be very telling from an author's POV. Veronika doesn't say "she must not have committed the murder," she says "she must not have witnessed the murder." It would be totally reasonable for any of the students to forget that the rule is written in a way where a killer could fail to see the moment of murder, but DRDTdev wanted to draw attention to the rule's exact phrasing again, which is a deviation from the phrasing in the canon games.

To be clear here, I stand by this even if Eden isn't the killer and the BDA group really is Eden/Whit/Teruko. I still think it could be a reminder for a future chapter when it comes up. But, I don't think it makes sense to change the phrasing of a base rule unless there's a specific reason you want it to be different. Whether now or later, this feels like a reminder that it IS possible for the blackened to trigger the BDA.

I don't necessarily "believe David," per se, but I do think it's interesting that we're drawing attention to this. I don't really think it matters, especially because I doubt the characters remember, but I'd place my bets on Eden being the last one because of that, "Teruko, wait!" thing.

It doesn't matter because, if David or anyone else saw the body, no one can confirm which two of Teruko, Whit and Eden set off the BDA, but it's an interesting note.

It's so funny how no one, fanbase or in-universe, can tell if David is lying though. Like, he COULD have seen it, but he also easily could just be making shit up to try to throw the Trial again.

will I EVER understand what the fuck this man is cooking

Why. I thought you wanted to end the killing game to finish what Xander started. I don't know what's happening :( /pos

My guess for now is just that he's still trying to kill Teruko, in keeping with Xander's plans?? Idk how making her more distrustful makes her more likely to die, though.

I do find it very interesting that Eden's approach/reaction has been to be very quiet and freaked out whereas Ace's approach/reaction is to freak out VERY loudly. Ace's is fitting because what does he do other than freak out loudly, but I might have expected Eden to do... idk, something else? It makes enough sense though, considering either the group is right to suspect her, or she's still coping with losing Arei a little bit ago.

...*squints REALLY fucking hard*

The music and voice acting in this section is REALLY fucking good. It's sad/charming/soft enough that it feels like it could be genuine, but there's still a little something that makes you have to question whether or not it's real. You WANT to believe Eden, but it's so hard to do so fully.

Y'all think Eden's crying is reminding Teruko of whatever Arei's crying reminded her of?

i'm out of images :(

I really like Teruko assuming that Eden is innocent first. She's too distrusting and also reasonable (it is life or death after all) to just hard clear Eden based on nothing, but she's offering a bit of a reprieve to Eden. Eden's friendship means that she isn't going to get immediately targeted in her most down moment, and that's it. It's a small way to show Eden she does care.

On another note, the fact that Eden got to hug Teruko and that Teruko said the "let go of me" NOW is honestly one of the main reasons I trust Eden more. I felt like that was obviously going to happen, but I was expecting the post-Trial. Putting it here is wild.

Theory Update/Analysis

Oh boy, it's accusing time! It makes sense that we're going to start with Ace. At this point, I can honestly see it going either way. Major props to DRDTdev either way, but ESPECIALLY if Eden really is the culprit. I was so confident in it, but they're really making me question my assumptions.

I think that both Ace and Eden have good reasons to be the blackened or not to be, and good reasons to die here or to not. I'm going to do my best to make a list of reasons for both characters and give a bit of my thoughts on them. They're roughly ranked in most to least important order imo, but I didn't think too hard about it.

EDEN

Reasons Eden Would Be The Blackened:

THE TAPE: It would be easier for her to take the tape than Ace, as attention was on Ace in the gym. The tape's disappearance from the background also happens to coincide with Ace knocking her over and her standing back up.

THE NOTE: Eden already knows all the info she would need to know to write that note. She could have put the note back together to give herself a defense, to try to disprove herself as the culprit with her handwriting, because Rose was going to do it anyways, and/or to frame Arturo if she didn't know he had an alibi. I think any of these reasons, or a combination of these reasons, are enough to make it possible, and while Ace could've overheard, it's definitely less easy for him.

NOT BELIEVING AREI: Both Arei and Charles have, in this trial, been shown to question whether or not Eden believed Arei wanted to be Eden's friend. If Eden simply did, this plot point goes nowhere.

A GOOD PERSON: Eden has been called a good person, but other than that freaky CG, nothing has really come of it. Is the plot relevance of Eden being a good person really going to resolve by saying "Eden is a good person, she'd never kill her friend!"? If a good person isn't gold, Eden still feels like a missing piece of that puzzle.

INCENTIVE TO FRAME NICO: This one's a bit more of a reach, but I don't really understand the point of framing Nico if you're Ace. Of course Ace is going to insist Nico is the murderer no matter what. If you're Eden, you have a direct audience to setting it up similarly: Ace. If you can get Ace to go all in on Nico, that's one less person who was in the Gym who suspects you. Eden and Teruko feel less likely to say "oh well it looks like Nico's murder so it MUST be Nico."

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter death's important content shortly before their deaths. Eden has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Eden Wouldn't Be the Blackened

HER EMOTIONAL REACTIONS: I think I stand with everyone else when I say that the thing giving me pause with Eden!Culprit is how devastated she truly seems to be. I do still think it could be a combo of guilt and panic over the prospect of dying, but it's hard to justify everything.

HER FRIENDSHIP WITH AREI: Sort of a spinoff of the last one, but Arei was at least offering to Eden to be friends and to protect her. If Eden did believe that, to any extent at all, it's hard to imagine her killing Arei in cold blood.

THE FISH: The biggest question when it comes to evidence as to how Eden could be the killer. If Nico fed the fish and they were all still there last night, and Eden had an alibi until after the Relax Room closed, how would she have gotten the fish to add to the crime scene?

THE BDA: Easy to ignore imo considering we've already called it into question within the series proper, but still worth talking about. For Eden to be the culprit, either someone else saw the body first and isn't claiming to have (or it's David), or we're burning the "Eden didn't witness the crime and thus could still trigger the BDA" card here.

GENDER BALANCE: Possibly an irrelevant point, but it is true that we've had 2 women and 1 man die so far. If a man was the killer, it'd keep it even. Unlikely to be relevant as any disparity could be easily balanced out in Chapter 3 with (presumably) 3 death slots.

Points About Eden That Could Go Either Way

THE FORK CG: I firmly believe that this could be setting up for Eden being a more important character throughout the series or to die after a moment of intrigue, possibly letting us explore/imply more in her post-death bonus episode.

RELATIONSHIP WITH HU: Hu has lost David as a sane ally. Nico is telling her that they don't want her speaking for them and that they don't trust her. Would DRDTdev prefer to fully isolate Hu moving into Chapter 3 by getting rid of Eden, or to leave Hu with one friend who still believes in her.

CHARLES HAVING EDEN'S SECRET: By telling us Eden's secret ahead of time by Charles revealing it to Teruko, extra focus was given to Eden's secret. Was this just the easiest way to get everyone's secrets revealed based on character dynamics, or was it meant to imply that Eden's secret is extra important? Is that because she's the killer? Is it a #ArEden sweep???

ACE

(why are they both orange)

Reasons Ace Would Be The Blackened:

NO EVIDENCE-BASED ISSUES: This is the biggest and strongest point across the whole board imo. There is no tangible, evidence-based reason why Ace COULDN'T have done the crime. Out of all 13 currently surviving students, he's the only one who that's true for. That obviously makes him a viable suspect.

WOULD ABSOLUTELY FUCKING DO IT: Ace has been Freaking The Fuck Out this chapter. I could VERY easily see him deciding to kill here. I don't think anyone is trying to argue that Ace is too emotionally attached to the cast to try to kill all of them, because he clearly isn't.

WHERE DO WE GO FROM HERE?: I'm not really sure where Ace's character is going to go from here. I'd be interested in seeing more from him, but, like, where is his character arching to if not a killer? Ace is so disliked and intense that it's hard to imagine him really, fully pivoting and caring about others, but if he can't do that, is he destined to be a killer eventually?

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter's death important content shortly before their deaths. Ace has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Ace Wouldn't Be the Blackened

OBVIOUSNESS & POINT OF CHARACTER: Of course Ace would be willing to kill Arei or whoever and the rest of the students. This is kind of the inverse of my "would absolutely fucking do it" point-- I don't know exactly how much surprise it would carry if Ace were to be the culprit. And, more than that, I feel like the point of Ace is that he is a victim here, but he's so unlikable that no one wants to acknowledge that or believe in him. I think it'd be an interesting comparison, if everyone really wants Ace to be the killer, but he just isn't. To everyone's dismay, Ace is still here. Now what?

SECRET LARGELY UNRESOLVED: Ace's secret hasn't really had any plot relevance yet. It seems like most people's do. I'm like lowkey expecting them to bring back the starvation motive from SDR2 in Chapter 4 and have SOMETHING happen with Ace there. Either way, while it could be reserved for his bonus episode (a la Min and Xander), I'd expect that his secret would have more main-story impact before he dies.

EXISTENCE OF SCRUM DEBATE: We're suspecting Ace first, but we still haven't done the scrum debate for this trial. Unless the scrum debate is "do we just vote for Ace without ever really pursuing Eden" and the answer is "yes," I don't see how we get out of this suspecting Ace period with a scrum debate without at least entertaining the idea of Ace's innocence.

STRONG CONNECTIONS TO OTHER CAST MEMBERS: Ace is very relevant to the Levi, Nico and Hu plotlines right now. Are they really going to just... get rid of him, when that's what both Nico and Hu would want?

ABILITY TO FIGURE OUT THE CONTRAPTION: Ace would not only have to recognize the way in which Nico was trying to kill him (which, to be fair is easier if he did wake up partway through), he would also have to conceptualize and figure out how to make the playground contraption successfully. I think Eden's clockmaking skills and... generally higher intelligence imo would be better suited to that.

COWARDICE: Ace is so fucking scared of everything. Would he want to put himself into harm's way by becoming the killer and having a do or die moment in the Trial? But, is he more scared of dying as a victim in the killing game, after seeing how close Nico came to killing him?

Points About Ace That Could Go Either Way

TAYLOR LORE DROP: Ace's friend, named Taylor per a Q&A with the dev, got vagued about in this Trial. Is that something to be pursued in a later Ace free time (following the one with Levi), or is that something that's going to be explained further in Ace's bonus episode (which could VERY easily be about friendship, considering it's Mai fucking Akasaki as the other person in the convo).

ACE'S BREAKDOWN @ LEVI: When Ace said he didn't fall for Levi caring about him at all, was that him affirming himself that it was the correct decision to try to kill, even if it'd put Levi's life at stake, who he previously kinda liked? Or was he lying to himself, and, at least previously, he wouldn't have wanted to kill Levi, no matter how harsh he seemed on the surface?

Well, that's all I got! Please let me know if you can come up with any more points for any of the 6 categories, because I'm very very curious to hear them! I'm thinking I might try to do an expansion on this in a separate post before next episode if I have time, exploring the ins and outs of each point with more textual evidence to back it up. I'd love to discuss any reader-suggested points too, if y'all have some in mind!

For now, I'm still personally leaning towards Eden as the culprit over Ace, but I wouldn't be surprised to see it be either of them. Well, other than the fact that my reaction to the killer being revealed is going to be :O no matter what.

[kukurubean]

personal update

Hi! Hello! I'm sorry I haven't been very personable lately. A lot of you probably know I have been struggling with my health. Which has been going on for. nearly 5 years now. And I've just steadily gotten worse and worse, lol,

Anyway. I wanted to post an update to say I may have finally hit a breakthrough. 🥲🤞

I have some sort of fun wombo-combo of about 3 or 4 conditions trying to destroy me all at once, so every treatment I've tried (which isn't actually a lot, since there are no real treatments for what I have and most doctors don't want to deal with it) has done nothing and I have also been to just about every kind of medical specialist under the sun. I still get nightmares over the disaster that was traveling all the way to Mayo Clinic and I've been trying to pick up the pieces ever since.

My main doctor right now is a rheumatologist who I think I haunt at night. I've stumped him for what seems like the first time in his life. But he's trying harder than anyone else I've had before. Everyone else sent me away at this point lol

But this update comes after I had a "fuck it" moment and decided to once again apply to the big hospital nearby, because apparently I am somehow on their roster after being rejected over and over for several years now 🤪 (I think it's because of an echocardiogram I did on one of their campuses.)

Anywho, we managed to find a doctor willing to prescribe me a drug could help me feel human again. I've been to about 3 neurologists over this nonsense and no one was willing to jump through the hoops for it because it is, admittedly, an absolute pain in the ass to prescribe. It's called Xywav and it's not only a highly controlled substance but also the only damn drug of its type on the market. So you can only imagine the gerrymandering.

He's sending me to another doctor first, just to see if this other guy can offer any insight into wtf is wrong with me, but if he doesn't suggest anything else I should finally be on track to try it! I obviously don't know if it will work for me but it's the only decent bet I have left. If it doesn't work I am going to cry for about 3 months straight so please help me manifest this

[sam-the-friendly-ghost]

Hello! this is your random anon question of the month! (or however often it ends up being.)

YOUR QUESTION IS:

Do you find character sheets help you when you are designing OCs? What are usually the most important things you'd put on a sheet if you use one? If you don't use one, how do you organize OC lore?

Oooo! This is a really good question.

When I am designing characters I don't tend to make ref sheets anymore! This is mostly because I like the freedom of changing their designs as I work out their story. I do doodle them, and come up with a simple here's what they generally look like, but it might not be coloured, or be really sketchy, or just be a portrait. I also find character sheets really boring to make, so skipping that step makes it easier for me to keep motivation. I do often still end up with a design I'm happy with, but I don't like to "finalise" anything, unless another person is involved in which case I'll make a character sheet. Also that doesn't mean I don't draw my OCs a lot, I just don't make a red sheet for them.

I don't make character sheets, but I do write down basic information about them at the top of my document. Generally it goes something along the lines of: name, age, gender, pronouns, sexuality, some important traits, and then maybe some fun facts at the end. I remove traits that aren't strictly necessary to the story though. The important traits are generally tied to the story, or things I need to keep consistent, like "this character injured their right arm," or "this character is autistic, here are the symptoms they have." This means as I work out a story I can reference these points as I go.

Anything that doesn't have to be EXACTLY the same throughout the story, or might change as I go more in depth doesn't get written down as a note. I might like the idea of a characters favourite colour being blue, but maybe I find that the story works better if they prefer purple.

Note: I do change the format of my notes depending on how much information needs to be consistent and number of characters. For example (although not my OCs) for "Integration" I have note categories like: schedules, diagnosis, and opinions on plot relevant problems." This means I can more easily find how these characters opinions differ, and write medical scenes because their diagnosis are all in the same place.

After I have some basic information down, I just start writing, or drawing! I find it a lot easier to make good characters if I don't assign them personality traits, and instead think of them as people. This stops me from making flat characters that don't hold weight. If I have an idea (like a character liking he colour blue) I might draw/write a short blurb that's relevant to that idea so it's down, but it feels less official than a note. This also keeps my notes tidier so I can find information that is actually relevant and necessary.

Ex) Unless a character is gonna need a blood transfusion multiple times and I want to mention their blood type I don't need it in my notes, but maybe I'll write a blurb about them donating blood and get an idea of how they would handle that situation. That gives me the chance to think about details like: are they scared of needles? Would they be upset if they don't get the good kind of juice box? Why are they donating? After that I can draw parallels between that blurb and the plot to see how they would react to larger things. If they are donating because they wanted free food, I might be clued into how they would react to their rations running low while adventuring.

To sum this up: I don't create official sheets for anything I might want to change with time, but if it is set in stone and needs to be consistent, I will write it in my official notes where I can easily reference it. This helps me to be creative and change character traits for the story, but also keep important details consistent!

Ex of a ref I have below the cut!

This one is interesting cause it shows the flexibility of this system! In this story the characters more represent ideas. Leslie represents denial, and accidentally causing harm. Her story shows how by acceptance you can have healthier relationships and stuff. The sketch shows her general demeanor and an example of something she might wear. I know I want her to wear black and white clothing to represent the harm of black and white thinking. The sketch is there to remind me of that them in her clothing, but it isn't clean enough for me to feel bad about changing anything.

Thank you for the ask!

And if you read this entire thing... Congrats! You won reading a giant info dump about organising character info! (Thank you!)

[cy-cyborg]

Disability Tropes: The Miracle Cure

The miracle cure is a trope with a pretty negative reputation in disability circles, especially online. It describes a scenario in which, a disabled character, through either magic, advanced technology, divine intervention or some combination of the three, has their disability cured throughout the course of the story. Sometimes this is literally, as in the disability is completely and entirely cured with no strings attached. Other times, it looks like giving an amputee character a prosthetic so advanced that it's basically the same as "the real thing" and that they never take off or have any issue with, or giving the character with a spinal injury an implant that bypasses the physical spine's break, or connects to an exoskeleton that allows them to walk again. Sometimes, it can even look like giving a character some kind of magic item or power that negates the effects of the disability, like what I talked about in my post about "the super-crip" trope. Either way though, the effect is the same: The disability is functionally cured and is no longer an "issue" the author or character has to worry about.

But why would this be a bad thing? In a world with magic or super-advanced tech, if you can cure a character's disability, why wouldn't you?

[ID: a screenshot of Roy mustang from Full metal alchemist Brotherhood, a white man with short black hair in a hospital gown. In the corner of the screen is the hand of another person holding a small red gemstone. /End ID]

Well there's a few reasons. First, lets talk about the purely writing related ones. If you've been around the writing or even media critique communities for a bit, you've likely heard people voicing their frustrations with tropes like "The fake-out death" where a character is either implied to have died, but comes back later, or is explicitly shown to be dead and then resurrected. Often when this happens in media, it leaves the audience feeling cheated and like a character's actions and choices don't really matter if even the worst mistakes and consequences can be undone. In the case of the latter situation, where they die and are brought back, it can make the stakes of the whole story feel a lot lower, since even something like death is shown to be reversible, so the audience doesn't really have to worry about anything bad happening to their favourite character, and once you've used this trope one time, people will constantly wonder why you wouldn't use it every time it comes up.

The same is true for "fixing" a character's disability. It sets a precedent that even things as big and life-changing as disability aren't permanent in this setting. We don't have to worry about anything major happening to the characters, there's no risks associated with their actions if it can all be undone, and it will lower the stakes of the story for your audience. Personally, I also feel like it's often used as a cop-out. Like writers wanted to include a major injury the leads to something big like disability for shock value, but weren't sure how to actually deal with it afterwards, so they just made it go away. Even in cases where the character start the story with a disability and are cured, this can still cause issues with your story's stakes, because again, once we've seen you do it once, we know its possible, so we won't feel the need to worry about anything being permanent.

Ok, so that's the purely writing related reasons, but what if that situation doesn't apply to the story you're writing? What if they're "fixed" right at the end, or the way they're cured is really rare, so it can't be used multiple times?

I'm glad you asked, because no, this is far from the only reason to avoid the trope! In my opinion, the more important reason to avoid it is because of how the a lot of the disabled community feels about the miracle cure trope, and the ideas about disability it can perpetuate if you're not very, very careful.

You might have noticed that throughout this post, I've put words like "cured" and "fixed" in quotes, and that's because not every disabled person wants a cure or feels like their ideal to strive for is able-bodied and neurotypical. For many of us, we have come to see our disabilities as part of us, as part of our identities and our sense of self, the same way I, as a queer person might see my queerness as a part of my identity. This is an especially common view among people who were born with their disability or who had them from a young age, since this is all they've ever really known, or who's disability impacts the way they think, perceive and process the world around them, how they communicate with people or in communities who have a long history of forced conformity and erasure such as the autism and deaf communities. Many disabilities have such massive impacts on our lives that we literally wouldn't be who we are today if they were taken away. So often though, when non-disabled people write disabled characters, they assume we'd all take a "cure" in a heart-beat. They assumed we all desire to be just like them again, and this simply isn't the case. Some people absolutely would, and there's nothing wrong with that, but it's not as universal as media representation makes it out to be.

Another reason it's so heavily disliked is because this trope is often used in conjunction with other ableist and harmful tropes or it's used in ways that perpetuate misinformation about living with a disability and it can have ableist implications, even if that's not what the author necessarily intended.

If the miracle cure is used right at the end of the story for example, as a way to give characters a happy ending it can imply that the only way for a disabled character to be happy in the long run, is for them to be "fixed", especially if they were miserable all the way up until that point. If it's used earlier in the story as a way to get said character back into the action, it can also be read as the author thinking that disabled people can't be of use to the plot, and so the only way to keep them around is to "fix" them.

Of course, there's also the fact that some authors and writers will also play up how bad being disabled is in order to show why a cure is justified, playing into the "sad disabled person" trope in the process, which is pretty much what it says on the tin. Don't get me wrong, this isn't to say that being disabled is all easy-breezy, there are never any hard days and you should never show your character struggling, not at all, the "sad disabled person" trope has it's place (even if I personally am not a fan on it), but when both the "sad disabled person" trope and the miracle cure trope are used together, it's not a great look.

This is especially bad when the very thing that cures the disability, or perhaps the quest the heroes need to go on to get it, is shown to be harmful to others or the disabled person themselves. Portraying living with a disability as something so bad that it justifies hurting others, putting others at risk, loosing yourself or killing yourself in order to achieve this cure perpetuates the already harmful idea that disability is a fate worse than death, and anything is justified to avoid it.

I've also noticed the reasons the authors and writers give for wanting to cure their characters are very frequently based on stereotypes, a lack of research in to the actual limits of a person's disability and a lack of understanding. One story I recall reading years ago made sure to tell you how miserable it's main character, a former cyclist, was because he'd been in a car accident where he'd lost his arm, and now couldn't ride bikes anymore, seemingly unaware of the fact arm amputees can, in fact, ride bikes. There are several whole sports centred around it, and even entire companies dedicated to making prosthetic hands specifically for riding bikes. but no, the only way for this to resolve and for him to be happy was to give him his arm back as a magical Christmas miracle! It would be one thing if the story had acknowledged that he'd tried cycling again but just had difficulties with it, or something was stopping him from being able to do it like not being able to wear the required prosthetic or something, but it really did seem as though the author was entirely unaware it was even possible, which is an issue when it's the whole point of your story existing. This happens a lot more often than you'd think, and it's very clear when an author hasn't even bothered to google search if their character would be able to do something before deciding the only solution is to take the disability away.

There's also the frustration that comes from being part of an underrepresented minority, finally seeing a character like you on screen or in a book, only for that representation to be taken away. Disabled people make up roughly 16% of the population (though many estimate these numbers are actually much higher), but only about 2.8% of American TV shows and 4.1% of Australian TV shows feature explicitly disabled characters. In 2019, around 2.3% of films featured disabled characters in a speaking roll, and while it's slowly getting better as time goes on, progress on that front is very slow, which is why its so frustrating when we do see characters like ourselves and so much of their stories focus on wishing to be, trying to become or actually being "cured".

An finally, there's the fact this is just a really common trope. Even if we ignore the issues it can cause with your story's tone and stakes, the harm it can do to the community when not handled with care, the negative perceptions it can perpetuate and everything else. It's just a plain-old overdone trope. It shows up so often that I, and a lot of disabled people, are just getting tired of seeing it. Despite everything I've said, there are valid reasons for people to not want to be disabled, and just like how I made sure to emphasise that not everyone wants a cure, it's important to recognise that not everyone would refuse it either. So long as it's not done in a way that implies it's universal, in theory, depicting someone who would want and accept a cure is totally fine. The issue is though that this trope is so common and so overdone that it's starting to feel like it's all we ever see, especially in genres like sci-fi and fantasy (and also Christmas movies for some reason).

[ID: A Gif of a white man in a top hat nodding his head with the caption "Merry Christmas" down the bottom. /end ID]

Personally, because it's so common, I find even the few examples of the trope used well frustrating, and I honestly feel that it's at the point where it should be avoided entirely where possible.

Ok but Cy, you mentioned there are ways to use this trope well, what are they?

So, like I said, I'm of the opinion that this trope is better off not being in your work at all, but if, for whatever reason, you can't avoid it, or it's use is really that important to the story you want to tell, there are less harmful ways to implement it.

Don't have your only disabled character take the cure

If you really must cure your disabled character's disability, don't make them the only disabled person in the story. Show us another character who, when offered the same cure, chooses not to take it. This at least helps push back a little against the assumption of "of course everyone would want this" that these kinds of stories often imply and doesn't contribute (as much) to disability erasure in the media.

Don't make it a total cure

In real life, there are cures for some disabilities, but they rarely leave no trace. For example, an amputee's limb can sometimes be reattached if it was severed and they received medical treatment fast enough, but it usually results in at least a little nerve damage and difficulties with muscle strength, blood flow or co-ordination in that limb. Often times, these "cures" will fix one issue, but create another. You might not be an amputee anymore, but you're still disabled, just in a different way. You can reflect this in your fictional cures to avoid it feeling like you just wanted to avoid doing the work to write good disabled representation.

Do something interesting with it

I got a comment on my old tumblr or possibly Tik Tok account ages ago talking about their planned use for the miracle cure trope, where their character accepts the cure at the cost of the things that made her life enjoyable post-disability. Prior to accepting the cure, she had found other ways to be independent to some extent and her community and friends helped her bridge the gaps, but they were all taken from her when she was "cured" forcing her into isolation. Kind of like a "be careful what you wish for" sort of thing. The story was meant to be a critique on how society ignores alternative ways of getting the same result and how conforming to other people's ideas of "normal" isn't always what you need to bring you happiness. This was a genuinely interesting way to use the trope I think, and it's a perfect example of taking this trope and twisting it to make an interesting point. If you must use a trope like this, at least use it to say something other than "disability makes me sad so I don't want to think about it too much". Alternatively, on a less serious note, I'm also not entirely opposed to the miracle cure being used for comedy if it fits the tone. The Orville has some issues with it's use of the Miracle Cure trope, but I'd be lying if I said Isaac amputating Gordan's leg as a prank, knowing it could be reversed in a few hours did get a chuckle out of me.

If your villain's motivation is finding a cure for themselves, don't use it as justification for hurting people

Disabled villains need a post all their own honestly, but when a villain's motivation for doing all the terrible things they do is so they don't have to be disabled anymore, it's especially frustrating. Doubly so if the writer's are implying that they're justified in their actions, or at least that their actions are understandable because "who would want to live like that?" Honestly, as a general rule of thumb, avoid making your villains disabled if you aren't disabled yourself (especially if they're your only disabled character), but if they are disabled, don't use the disability as a justification for them hurting people while finding a cure.

So are there any examples currently out there to look at where the trope is used, if not well, at least tolerably?

Yeah, I'd say so, but they're few and far between. Two examples come to mind for me though.

The Dragon Prince:

[ID: A Gif of Ava the Wolf from the Dragon Prince, a light brown, fluffy wolf who is missing her front right leg. /End ID]

The Dragon Prince on Netflix uses the miracle cure twice, but I still really enjoyed the show (at least I did, up until my Netflix subscription ran out, so I've only seen up to season 4). The first time the trope is used in the series, it's actually a fake-out. Two of the main characters, while looking for someone to help them heal the dragon egg they're carrying, encounter a young girl named Ellis and her pet wolf Ava. The two explain their egg is not looking good and they need to find someone to help it, but no one they've found had the knowledge or ability to do anything to help. Ellis says she knows a healer who can help them, and tells them that this healer even restored Ava's amputated leg when she was a pup. When we actually reach this "miracle healer" however, she is revealed to be simply an illusionist. She explains that Ava is still missing her leg, she simply made it look as though she had restored it because Ellis's parents were planning to throw the puppy out, believing it would not survive with its disability and would only be a drain on supplies. This was not actually true and Ava adapted to her amputation very well, she simply needed more time, and hiding her disability and making her appear abled gave her the time she needed to fully recover and adjust. When they return to the healer with the main characters, she removes the illusion and explains why she did it, emphasising that the real problem was never with Ava, but with how people made assumptions about her.

While I do feel it was drawn out a bit too long, I do appreciate the use of the trope as the set up to an overall positive twist. Disability does come with down-sides, it's part of the deal and it would have been nice to see a bit more of that, but for disabilities like amputation in particular, the worst of our problems often come from a lack of adequate support and people's pre-conceived ideas about us, and it was nice to see this reflected, even if it is a little overly simplified.

The second time this trope comes up in the series is when one of the antagonists, Soren, is injured during a fight with a dragon, becoming paralysed from the neck down. His sister, Claudia is absolutely beside herself, believing it was her fault this even happened in the first place, but Soren actually takes his new disability very, very well, explaining that he understands there are things he can't do now, but that there's a lot of things he can still try, that his previous job as a soldier just didn't allow time for. It's possible this reaction was him being in denial but it came across to me as genuine acceptance. He is adamant that he doesn't want a cure right from the beginning because he knows that a cure would come at a cost that he doesn't want his sister to pay, and that he is content and happy with this new direction his life will be going in. Claudia, however, is not content. It had been shown that she was already using dark magic, but this event is what starts her down the path of using it in earnest, disregarding the harm it will cause to those around her. She ignores Soren's wishes, kills several animals in order to fuel the healing spell that will "fix" him, and Soren is pretty clearly shown to be horrified by her actions. What I like about this use of the miracle cure trope is that it touches on something I've seen happen a lot to disabled people in real-life, but that rarely shows up in media - the fact that just because we accept ourselves, our disabilities and our new limits, doesn't mean our friends and family will, unfortunately. In my own life, my mum and dad were always accepting of my disability when I was younger, but as I got older and my support needs changed, my body took longer to heal and I stopped being able to do a lot of things I could when I was little, they had a very hard time coming to terms with it and accepting it. I'm not alone in this either, a lot of disabled people end up cutting contact with friends and family members who refuse to accept the reality of our situations and insist "if we just try harder maybe we won't be so disabled" or "Maybe you will get better if you just do [xyz]". Unfortunately however, some disable people's wishes are ignored completely, like Soren's were. You see this a lot in autistic children who's parents are so desperate to find a cure that they hurt their kids through toxic and dangerous "treatments" or by putting them through abusive therapies that do more harm than good. Claudia has good intentions, but her complete disregard for Soren's decision still harm them both in the long run, leading to the deterioration of their relationship and causing her to spiral down a very dark path.

Full Metal Alchemist: Brotherhood

[ID: A Gif of Ed from full metal alchemist, a white boy with blond hair, staring angrily at a jar of milk on the table. His brother Al, a sentiant suit of armour, is in the background looking directly at the camera. The caption, spoken by Ed, says "So we meet again you little bastard" /end ID.]

The show does begin with Ed and Al looking for a way to cure their disabilities (which they gave themselves when trying to resurrect their mother as children went horribly wrong). However, when the boys discover that the object needed to do that - a philosopher's stone, can only by made through absolutely abhorrent and despicable means, and using one, likewise, comes at the cost of potentially hundreds or thousands of people's souls, they immediately stop, and shift their focus on finding the stones that had already been made so it can't fall into the wrong hands, and preventing the creation of new ones. The core theme of the show is that everything has a cost, and sometimes the cost is simply too great.

However, right at the end of the show, several characters are healed in a variety of ways. Ed gives up his ability to do alchemy to get his brother's body back, as well as his arm so he can save his friends in the final battle, but neither of the boys come away from this completely "healed". Al's body has not been used since he was a child, and so it is shown he has experienced severe muscular atrophy that will take a long time and a lot of work to recover from, acknowledging that he has a pretty tough road ahead of him. When we see him in the epilogue, he is still on crutches despite this being several months after getting his body back. Likewise Ed is not fully healed, and is still missing one of his legs even if he got his arm back.

The more... interesting use of the trope, however, is in the form of Colonel Mustang who was blinded in the final season. Mustang is shown to take to his blindness pretty well given the circumstances, finding a variety of ways to continue doing his job and reaching his goals. When other characters offer to let him use the philosopher's stone to heal himself however, he takes it, acknowledging that this is a horrible thing to do and that Ed and Al would be extremely disappointed in him if they ever found out. He uses it both to cure his own disability, and to cure another character who was injured earlier in the show. While I'll admit, I did not like this ending, I can at least appreciate that the show made sure to emphasis that a) Mustang was doing fine without the cure, and b) that this was not morally justified. The show spent a very long time drilling into the viewer how morally reprehensible using the stone was, and it didn't try to make an exception for Mustang - you weren't supposed to like that he did that.

When I talk about these tropes, I do try to give them a fair chance and discuss the ways it can potentially work, but I really do want to reiterate that this particular trope really is best avoided. There are ways to make it work, but they will still leave a bad taste in many of your viewer's or reader's mouths and you have to be exceptionally careful with your wording and framing, not just in the scenes where this trope is used, but in the lead up. If you really must use it, I highly recommend getting a few disability sensitivity readers and/or consultants (yes, even if you are disabled yourself) to help you avoid some of the often overlooked pitfalls.

[super-rangers]

u said in a comment on ur fic that you don’t know if Janis has actually began to consider that Regina might be gay yet. how much gay shit do you think Regina would have to do/how much gay shit could she get away with before janis is willing to consider it??

it’s like the other side of regina’s whole “what do you mean :) im not gay :)) i just think Janis is really pretty :))) that’s all :)”

is Janis just like “what :) regina is straight :)) we just cuddled :)) it’s fine :)) she just caressed my tattoo in the woods a little bit :) but she’s not GAY :))” ?? lmao

I think it's kinda like Janis is so unwilling to see Regina as queer that she insists on explaining it all away. It's a whole 'well, straight girls can be really touchy with their friends. Regina constantly holding me or touching me is just normal straight girl stuff and I'm being really gay and need to stop' sort of thing. It hasn't yet occurred to her that Regina is Not a touchy person normally lol

Once Regina comes out, she'll start recontextualizing all the gay little moments they shared and be like 'oh.....Regina was being gay" while trying not to think about the fact that that means Regina probably was flirting with her, because that would break Janis' brain a little

But there’s also the added layer of Janis’ experiences with Regina in relation to her queerness that’s stopping Janis from considering it. Poor girl hasn’t had one positive experience with Regina and sexuality. Like, in Janis’ mind, Regina is a deeply homophobic straight girl who has just started getting over that prejudice.

Regina is Janis’ ultimate straight girl crush, forever unattainable and forever making it impossible for Janis to move on because she keeps flirting and touching her.

Mostly, at this point, Janis is just gay and confused 😅

So I guess the answer to your question is that it would take a lot of gay shit for janis to get suspicious lmao

[supersecretnerd]

Ok so these designs are cute as hell, the Internet is just mean

I have too many thoughts about a game I still need to watch

[jasontoddenthusiastt]

I always smh at people who dub Jason as “whiny” “and therefore ooc” in tt 29. If you died and all everyone did was taint your legacy, and not a single person remembered you fondly or deemed you worthy of commemoration after your death, wouldn’t you be a bit upset too?

[obstinaterixatrix]

mom’s telling me about the brief time we went to church and just dropped that she actually hated the people there and because of the experience she has an aversion to christianity & I was like huh?? I thought you got baptized just in case?? & she was like no it’s because they wouldn’t stop harassing me. I met a lot of evil people in the church. I’m taking it back. & I’m like you’re un-baptizing yourself??? & she’s like yeah.

[wizard-hubris]

Javert, busting an entire crime gang in the sassiest way possible, telling a criminal not to shoot him because the gun will misfire, thus making the criminal try to shoot him but the gun misfires (probably making all the criminals believe he has supernatural abilities in the process), before naming every single one of the masked criminals correctly without even lifting their masks:

bonus version with quastvert:

[madebysimblr]

👖 Are you a planner, plantser, or pantser? Is it consistent?

:0 i had to go look up the other two terms b/c i had no idea what they are, i now know some new lingo weeee.

probably in between! There are a lot of things I plan out sometimes months (or years if I'm slow) in advance. Sorella's current woes I had planned out earlier this year! (maybe end of last year?) However, I do change a lot of stuff as I go along. And for the most part I don't write out more than a little bullet point of plot.

So for instance in my outline for Sorella's YA years the most recent arc was:

First: Sorella's Birthday. Turning 21, Alex surprises her. Second: Mt. Komorebi Trip! NYE roommates go snowsportin'. Alex surprises her again. Interlude: Sorella being busy with school, the show, and work Third: Maia's Hospitalization. Something serious, she's admitted the morning Alex is supposed to leave. He stays. She says ILY one night half asleep. And then the shoe drops: He returns home, (says ILY back) Charlotte comes to town asking why James Montgomery was on her floor that's so weird! Envy looks up who that is and the cat is out of the bag.

from that I built out more in between scenes, and changed things as I went along and got ~reactions~ to the story as it was posting :D (notably adding in the character of Takuya in an effort to make jimmy seem more legit)

Most recently I had the issue of about to start working on the next part, and realizing slowly whilst making poses that I didn't like the plan as it stood, and felt like i should change it. And I have this weird thing of wanting to stick to the plan if I've been thinking about it for that long BUT I did end up changing the plan, and it's for the better who woulda thought :0

[fantomette22]

Also kind of funny how people say i’m quite discreet and don’t talk a lot when i’m afraid i talk too much (maybe too loud or too fast) and afraid i ended up annoyed them. (Can smn explain pls xD)

anyway it’s late i apologize if it doesn’t make so much sense it is late)

[animmal]

getting a handle on mavis is kinda 😵‍💫 bc on the one hand she's an empath (literally) and is shown to generally have more emotional intelligence/maturity than dr🅰️x/nebs/rocket combined, but at the same time she apparently saw no problem at all whatsoever w kidnapping kevin 🥓 for peter 😭 which is like???? i mean maybe those two things can be true at the same time but like... How. 😭 is she an empath or is she okay w taking people against their will to give as a present to her brother ?

[spicyicymeloncat]

I saw in your notes that you had to cancel your birthday so happy (possibly late) birthday!!

Haha thanks it was last year in September lol!!

And actually I did get to do birthday plans it was just kinda miserably bc the reason I was going to cancel was due to conflicts with my mum (and her making me feel like an awful person about it), but my other mum didn’t care and we went anyways and it was actually fine (the concerns my mum didn’t happen)

Also I was going through basically a platonic break up as well so crazy month lol

But thank you, and everyone who sent me flags, it was nice to get some positive interaction during all that!

[sunbedo]

Hey guys. gay rights