#i guess this applies to really any character

[dirtheran]

I get the sense that while they had planned for that piece of lore to be true, they didn't want to go all in until they were really confident they had it nailed down, which makes it even funnier that it turned out so poorly in Veilguard, imo.

For example, the two biggest "reveal" banters - both Cole's, regarding Solas not wanting a body and burning Mythal off his face and wanting to give wisdom rather than orders - are in Trespasser, rather than the base game. Obviously that doesn't make them less canon, but it does mean that they nailed down that particular plot thread with the certainty that it was something that was worth noting, rather than hinting at. If there's a gun here, it's this lore reveal.

And then! In Veilguard! Bioware made the narrative choice to confirm a huge amount of lore analysis with something very close to objective truth (Solas relating his own memories to no one but himself - no potentially unreliable narrator in an artist that worshipped him here like in the Trespasser frescos, this is The Guy) in the format of a series of very long, very visually flat cut scenes where there was absolutely no ability to react in any meaningful way to any of it.

Does it make sense from an in-game perspective? I mean. Brother, I fucking guess. Technically there's a reason Rook and the Team™️ want those memories, but jesus it is weak. MAYBE there is something in the memories that can MAYBE redeem Solas and get him to change his mind, forget that he has had these memories all along and presumably he's grappling with them in his own regret prison (look away from that plot point, do not ask questions about that plot point). Technically at this point he's still trapped and not at all a danger, but sure. It works out for Rook and Co because of course it does, but a narratively tight choice it is not.

From an external perspective, it is absolutely brutal. It is an incomprehensible choice, in my opinion, to have the worst things that have ever happened to a man played out in a disjointed sequence, and the man himself doesn't have the chance to. Weigh in. Comment. Mention it. Provide context. God for-fucking-bid Solas get any amount of agency when we're talking about the worst things he feels he has participated in.

And you know what - I could forgive even that (in my opinion) extremely bad narrative choice if we could have the characters question in any way what they're seeing rather than summarizing and then doubling and tripling down on 'so this WAS all Solas' fault!!'

All of that criticism applies infinitely to the Wisdom confirmation, because not a single character involved can use their brains long enough to say 'oh, wait, when Solas says "my people", he can mean spirits too, huh! and they ARE suffering behind the Veil! Suddenly his prevarication about who he's doing all this for makes sense!"

But they can't do that, because Bioware won't write that, and Bioware didn't write that because they really, really, really don't want you to ask if the Veil should come down. They don't want the characters to have the voice to say "maybe Solas has a point" because they're not taking the Veil down and they don't want you as an audience member to stare directly into the question of 'but why?'. You might do it anyway, but it is a very uncomfortable position to put your unequivocally Good Guy characters into if you don't want them to experience any kind of moral quandary and suddenly they're on the side opposite a freedom fighter who wants to tear down the Veil not because he hates the people in this world but because the broken status quo is something that he considers his fault because - indirectly - it is!!!

The Wisdom reveal is a symptom of a long list of things that had narrative support but jesus, the way the characters reacted made me wish they were just still mysteries.

It feels like Bioware built a deck of cards of every single question they made you ask about Solas and Elvhen history and spirits in general and then instead of playing a game with you to show them they threw them all on the table and said, "there, happy?"

If I'm being honest, man, not really!

i know that this is a deep cut, but when people justify a terrible writing choice by saying 'no see there's evidence in the text' it's like. yeah i Know there's evidence in the text. its not a question of whether the thing is true, it's that its stupid.

like yeah i Know that theres a codex entry about how the venatori came to accept being led by the evanuris. i can read that codex entry and still say 'well that was a goofy ass writing choice'

[rottmnt-residuum]

Any other LGBTQ+ Headcannons that are canon is the comic??;)

*patiently awaits Cupioromantic Donnie*

hmm... had to think about this for a while and talk about it with co-author, but here's what we got. we mostly base this stuff on how plausible it is in show/if there's evidence for it. with a dash of personal experience. This only applies to residuum, btw. I have different personal headcanons for these characters outside the comic.

april: lesbian. this is mostly based off of the fact that most aprils get with their caseys & the comment she said to dale. which could be taken as disinterest in dale specifically, but she seemed more concerned with impressing that popular girl earlier and that reads as more... saphic, i suppose. or at the very least homoromantic.

raph: raph is just raph. we look at him and basically just *tv static*. go crazy. all we got is jokes or stuff that has too little evidence to support. so, yeah, he's whatever you want him to be i guess?

leo: trans. already said my reason in the other post. also, gay. if gay were a power source he could power the entirety of the united states for five months straight without a single power outage. failing power grid notwithstanding (< thats the actual word. its supposed to be mushed together like that. wack.).

donnie: as much as i'd like him to be ace/aro spectrum rep, he just doesn't have the evidence in show for us to apply it to him in this comic. it's funny, for being hc as ace so often he sure is the most outwardly romantic/sexual turtle in the show lmao. one! cherry: "you're so cute, but you're so mean! why do i always go for your type?" two! astrogirl?? (whatever her name is) he is very very romantic with her. he has a type y'all. also just look at those two, he's a leg man lmao (bootyyshaker9000 anyone? ha!) anyway. and with the bromance/instant chemistry he had with that one guy in the purple dragons... Pan. or possibly Omni as he does seem to favor... cute brutal femme... Yeah. Omnisexual.

(you have no idea how fucking bad i want this boy to be ace spectrum. hes got the colors y'all!! The Colors!!!!! but alas... i am bound by my canon plausibility creed for this comic)

mikey: ace. possibly ace/aro. he shows interest in literally no-one. we're aware that the common hc is pan but... we know a pan 13 year old, and let me tell you ahahahaha, kids going through puberty are very uncomfortable to be around sometimes, especially around their partners. or crushes. and mikey... well, that boy is ace behavior personified lmao. aces in the back you get what we mean right?? right??? anyway commiting to aroace

[crehador]

ok i know dream rap battle isn't a Serious Game that requires too much thought to be put into meta but

wouldn't samatoki's counter blow + sr gentaro's taunt be a pretty wild combo 🤔 i guess the drawback is samatoki has to be the highest hp chara to bait the taunt, thus baiting the damage to charge counter blow, but unless he's the only one being attacked that shouldn't be too difficult since he's so tanky

like there have definitely been battles where he's the last one standing and there are still two enemies and i'm like lmao. welp. i'm gonna die. then counter blow just fuckin wipes everyone

so if the taunt could enable that without the other team members being dead.........

surely that would be sick 🤤

[fuckmeyer]

Wiggins!) the bizarre thing about the vampire men in the cullen family all seem to be at least subconsciously what Smeyer wants Bella to have but can’t seem to get over her initial vision of what she saw in her drafts or whatever. It’s odd that every single one of the Cullen men are like strongly devoted (but mostly devoid of personality because it’s so Bella centric) but when you compare them to Edward they seem interesting in some ways. Like Narratively we’re supposed to have this threat that Edward is constantly holding back from killer her but I don’t feel like we see that. Conversely, Jasper is constantly the one who is suffering about human smells and is the more vampire-like. But he’s also a glorified lap dog. So it’s like ‘oh he’s a monster but he’ll never hurt me” (things Alice has said out loud. Man even psychics slip up. I swear her powers weren’t so accurate until Smeyer needed an excuse for plot reasons)

Emmett feels like when some women say they like waifish guys because they don’t want to seem like they’re vapid for liking “big dudes with muscles” so of course you pair Emmett with the “shallow blonde”

Carlisle, I swear only exists so Edward has someone to model but I would also argue that he’s proto-Edward before whatever reworking she had to do when writing Twilight for a YA audience and brought him back as a different character.

Yeah a rant

hello again bestie Wiglet! (note to self: learn Photoshop so i can shop Jacob's bad wig onto a pic of Piglet)

this is such an interesting take! thanks for sharing. i totally see what you're saying. in all the Cullen men we see both a blend of softness & devotion *and*, interestingly enough, a patchwork of patriarchal ideas of what a man "should" be. & this idea comes to the forefront with the depiction of the love interests

smeyer wants us to see Edward as the chivalric gentlemen from the Days of Yore. we see this in the opening doors, the cutsey little romance taglines ("you are my life now," "look after my heart; i've left it with you," "so the lion fell in love" etc), the knight saving the damsel in distress, the expensive tokens of his affection, etc.

at the same time, in both Edward & Jacob we see the crude traits of the Patriarchy Dreamboat kinda guy. if i had to sum it up, it's like the guy you see in 80s movies. "bad boy." "opposites attract." he's a jerk. he's a hunk. he's domineering. he's allowed to show emotion only & especially if that emotion is anger. he's persistent in his efforts to get the girl, going so far as to kiss her without her consent if it's For a Good Cause (Edward in New Moon post-Volterra, Jacob in Eclipse). he's a cool guy who's In Control 👉😎👉

perhaps that's why the Twilight saga appealed so such a large swath of women & girls. the women, who grew up with the notion that they could have the true love of their dreams so long as they submitted to the patriarchal social contract, saw the contract being fulfilled in Edward. (i.e., "you can be the king if you treat me like a princess.")

on the other hand, the 90s/00s girlies who grew up in the midst of a feminist revolution & who could see the glimmer of a dismantled patriarchy on the horizon were attracted to Edward for the flashes of radical feminist love they saw: the unapologetic expressions of emotion, the honesty of him sharing his vulnerabilities & weaknesses, Bella's ability to override Edward's will when necessary, etc.

sorry, i know this isn't really the crux of the rant you submitted, but it is extremely interesting to see these contradictions playing out in all the male characters of the saga. it's almost like smeyer is having this internal debate with herself without even realizing it...

[nutmegpoid]

like his fuckin design was fine wonderful perfect no notes fantastic

AND THEN YOU DO THIS TO HIM?

if there is one thing about me is i am a big fan of like, physical changes like hairstyle changes to symbolize character growth but ☝️not when its a dude who had cute hair and then they give him the ugliest short haircut known to man tokimeki memorial girls side 2nd kiss im looking at you

[musclesandhammering]

Not to be political on main, but purity testing is actually the most annoying thing to come out of the last 5 years. It amazes me how so many morally intelligent folks completely fail to grasp the concept that people can be problematic and still likeable and contributive.

[breitzbachbea]

Feminism had to leave my body, I have Eiskalter Engel stuck in my head.

[dan-crimes]

I don't personally enjoy death in my stories for one because I have no experience with it personally and for two because you can't torture a character anymore once they've died 😇

[llamaisllama777]

WOOF! That's a powerful line right there. And true!

Power doesn’t corrupt, it reveals. Give someone the ability to be who they’ve always wanted, and you’ll discover who they’ve always wanted to be.

[devotedlystrangewizard]

how much of fandom would be solved when people realize that some villains just. dont care. theyre doing things for their benefit but dont inherently wish harm upon others, they just also dont really care how many will be harmed in their desire to achieve their goal

[i-loved-silly]

(PART 2) - WOLVERINE x READER x DEADPOOL — fuckup twinsies

dp&w spoilers!! + slight gore description --- part 1

Okay, recap.

Your perfect little day in dimension-travel-jail was interrupted. You almost got knocked out by two muscular men who came down from the sky like little drunk angels, who in turn happened to be famous characters. You don't know how you didn't realize earlier, guess timeline hopping also slowly melts your brain. You should really get an MRI exam sometime.

You almost passed out again when you realized you were chest-to-chest with Deadpool. Wade Wilson. Heart to heart. Body to body. Tip to tip, if that applies to you.

"You're real. I'm real. We're real." You deadpanned, stars almost twinkling in your eyes. No, maybe it wasn't the first time you've met a Deadpool. But this guy? He was the real deal. The original. How the hell did an original end up here?

"Pfft, you thought we were just drawings on paper? Two of the world's sexiest men in skintight costumes? Wrong. We're the real deal here, friendo. Can I call you that? Or will you try to kill me? You know I really didn't mean to crash into you I rea--"

"Alright, listen here. Wade, shut up. You," Logan pointed a finger at him then at you, still being embraced by Wade. "Do you understand any of the...nonsense he's talking about? Because I don't, and I don't. Have. Time for this. It's either you help me get out of here or get out of my way."

"Woah woah woah, since when did that 'we' turn into 'me'?" Wade reluctantly let go of you to walk up to Logan, his hands landing on his hips. "You're not the only one trapped here, you know, we're kind of all in the same boat here. We all fucked up our lives and it was definitely our fault bu--ACK"

You gasped, watching in horror as three silver claws stabbed straight through Wade's torso and out his back. Logan stalked closer, his scowl deepening. "Come again?" He taunted, his teeth grinding. Before Wade could get a word out, Logan turned his hand, twisting the blades inside of him.

"G-owww, FUCK. God, I swear this happened differently in another universe. Somehow hurts more this ti--" Logan stopped him again and began lifting him up in the air. By the torso. With his claws inside, being the only thing holding him up.

Your eyes widened, "Hey, guys stop that! Logan!"  You yelled, taking a step forward, your hands held up in the air defensively.

Logan briefly glanced in your direction and grunted, tossing Wade to the side. “Move aside, bub. We need to settle some things.” Then he…lunged at Wade. They just started fucking fighting each other.

You backed up, watching everything go down. This could not be real. “I thought…you guys wanted out?” You muttered, your voice barely heard over their grunting and blades clashing.

“You know it’s true, so--argh, no hard feelings, right? Plus, I forgive you Wolvie.”

“I don’t give a damn about what you think, Wade. It’s all your fucking fault I was dragged into this. I was doing just fine without yo—“

“Just fine? You call spending all your days at bars and drinking all their supply just fine? While your life crumbles around you like a house of cards. If we were really on the TVA's watchlist, maybe they should've just sent us all to anger management sessions, huh?"

“Stop fighting!” You shouted in a voice heavy with irritation, grabbing a clump of sand from the ground and hurling it in their direction.

Logan, reacting instinctively, closed his eyes and shoved Wade aside, now choking and coughing violently. “What the hell?”

Simultaneously, Wade spun to face away, retching into the sand. “Oh god it’s inside of my mask. It’s in my face hole—“

Logan regained himself quicker than Wade, to where he immediately brushed aside the sand on his face and stomped towards you. You took a step back, by the sight of his fists clenched and white knuckles you swore he was about to beat you. “Waitwaitwait! I don’t have healing factor!” You rambled and held your hands out.

He paused in his tracks, his jaw visibly clenching as he tried to control his anger. Yeah, maybe he was used to taking out his frustrations on himself and now..Deadpool. But he couldn’t do that to you. You’re not even involved in whatever shit they got themselves into. You didn't deserve to get roped in their..mess, whatever it was. He let out an annoyed breath and swiveled away, seething internally. "I wasn't going to hurt you."

You slowly put your hands down, then looked around to see Wade still rolling on the floor. Upon hearing Logan, he snapped his head towards you both, the eyes of his mask widening. Before he could even get a little, tiny, miniscule word out, you spoke.

"ANYWAY...ehm..you both want out, yes? This is all one big mistake? I could help you. I've survived out here this long without being brutally killed." You forced a grin, facing the two. They blinked.

"Killed? What..who is in charge of killing here?" Logan narrowed his eyes.

Wade stood up to his feet, popping his wrist back into place. "There's--" His face under his mask soured, god he could still feel the sand particles crunching around between his teeth.

"ugh, there's others around? What kind of crazies would wanna live here?" He raised his arms, gesturing the vastness of this dystopian desert. Camera pans out, there's an echo to his voice, a tumbleweed passes by, you know what i mean

You scoffed, still very much salty about your own situation even though it's been years. "It's not like it was a choice. The only person could who take us out is Cassandra Nova, and she does not use her powers for that. She's basically with the freaking TVA, from what I know."

A singular laugh escaped Logan, his lips turning up in a knowing smirk, "Really now? How bad could she be?"

"Uh..let's see..multiple counts of murder, enslavement, power abuse, she's sadistic, evil, has a whole paragraph worth of powers. Unstoppable, basically?" You shrugged.

"I think we could get along."

"No, Wade."

"How do we get to her?" Logan crossed his arms. Perhaps he was the only one taking this seriously. You had gotten used to it already, but you too remembered how badly you wanted to leave this place at first.

"You two seem in a rush. "

"Yeah, well we're in a rush because I've got a whole-ass timeline to save, not to mention I also made a pinky swear to this guy over here. I promised the gruff-beard that I'd help him clean up his messy timeline, like a stain of last nights left ove-"

"Got it!" You exclaimed, interrupting him. "But uh, is that even possible? To..fix your guys' timelines, I mean."

"It better be," Logan glared at Wade. "Because otherwise, I'm going to tear you apart." He sneered, really making his point by leaning closer to him. These guys need to kiss already.

You nervously smiled. If another fight starts, you swear you were going to start ripping your own face off. "Okay! I know someone, guys! We'll all help eachother out, he's real nice, which means you probably won't like him--but he'll help! Follow me."

Oh, you knew someone alright. He was the most suburban-canadian guy you knew.

Lot's of dialogue in this, oops. This fic is kinda going off the plot of the movie, so I'm sure you know who you'll meet next! Leave ideas in the comments if you have any, since this fic is very freestyle and let me now...should i include the car scene we all wanted or too soon? GOODBYE! taglist <3 : @pink-jello-fish @radiantdanvers @superlegend216 @salted-snailz @wolfsune09 @jxssimae @remuslupinsfavoritebook @flannelforthetoads @rowanlovesmoonknight @bengewatch @i-shall-be-the-possum1 @kyriekurokami @marymustdie @tzurue @euinein @sophiemajokie @itsrainingtodayyy

[marzipanandminutiae]

Dear marzi, for reasons of trying not to give period characters too modern fetishes in my smut, may I have some recs as to where I may find some of that olde fetish content you've previously seen?

On the Wikipedia page for the "corset controversy," unfortunately!

Historians have been taking obvious tightlacing fetish letters seriously for...way too long. And sometimes still are. Confirmation bias is a hell of a thing. Of course, there's no way to 100% tell which letters are fetish fuel and which are real, but generally any that use particularly heightened language or common erotic tropes- or that seem to fly in the face of evidence from extant garments, unedited videos, stock and advertisements from real corset companies, etc. -are to be viewed with suspicion.

(The same is true for letters used now to claim that nipple piercing was a real Victorian trend- for, indeed, the only source is anonymous magazine letters and many of them fall into the same obvious patterns as the tightlacing letters. One DOES describe the alleged process in detail...but it's basically the same as the process for ear-piercing, a service jewelers did commonly offer back then. Just applied to nipples. So whether it's real or not is still uncertain, but it's highly doubtful that large numbers of Victorian women were running around with nipple piercings given that no extant nipple rings have been found, such piercings are never mentioned in letters or diaries or other more concrete sources, etc.)

Besides that, I've seen glimpses of most modern fetishes in various sources:

the Psychopathia Sexualis, a medical manual of "sexual mental illness" (in heavy quotes because things like homosexuality and gender variance are mentioned under that heading), talks about everything from a fetish for tight boots and gloves on women, to bloodplay (initiated by a woman, actually, who wanted to drink her husband's blood), to force-femming, to some very elaborate femdom scenarios that I hope the sex workers in question were paid well for. Of course, since the cases are anonymous, these are also difficult to confirm- but clearly someone had THOUGHT of them, since they're written into the book.

And I've seen at least some of them in other sources, too, including some of the magazines that published the nipple piercing and tightlacing letters. The Englishwomen's Domestic Magazine was notorious for its letters on tightlacing, tight gloves, spanking, etc.

Photographic porn was definitely a thing almost as soon as photography came into being. A lot of it is pretty vanilla, but I could swear I'd seen piss kink photos (with urine painted in after development) before the blog where they were hosted went defunct

James Joyce's letters to his wife get into farting and scat fetish territory. Yes, really.

Speaking of letters, there was one man living here in Boston who, in the late 19th century, wrote letters to his wife describing erotic dreams of her as a giantess who pissed on him and then ate him. I cannot remember his name and it's going to drive me insane all day, but he was the head of Boston's censorship organization, the Watch and Ward society and these letters were first released by his own children for an unauthorized biography written five years after his death. Guess there was little love lost there.

BDSM is old. Like, really old. Old, to quote the sacred texts, as balls. I'm pretty sure there are sexual flagellation texts going back to the Renaissance, but don't quote me on that.

Basically, Rule 34 can be back-applied, too. If it existed, there was a fetish for it, probably. Of course, things that specifically involve modern technology or properties are out, but beyond that...the sky is the limit

[revenge-of-the-shit]

Hello I'm back again at how Arcane ironically continues the cycle of violence that it says it wants to end at the end of S2. It's unsurprising, but just like general Western sentiment, Arcane also perpetuates the idea of This violence must stop - therefore the oppressed must stop rising up, through not just its treatment of Zaunite characters but also through the way the writers just handwaved away the issues of classism and oppression facing Piltover-Zaun.

They also continue the tradition of giving antagonists very valid points as they rise up against their oppression, and then they take it an extra step so they can villainize the oppressed and go like "hey actually look at their monstrous actions therefore they're all BAD and their points are invalid and these dangerous revolutions need to be put down." While I will give that Arcane certainly does give more nuance than standard Western media, it still ultimately falls into this same trap.

Like:

Enforcers killed Jinx/Powder's parents, but at the very end of the day she and Vi get no apology for their parent's death but she's the one who's apologizing to an enforcer for attacking the Councilors responsible for leading the oppression of Zaun

The shot of a Jinxer knocking away an enforcer's hand and then seeing that same enforcer helping an old lady and then feeling bad - like, oh no, this person who's part of a force that's been actively killing your people actually helps old ladies, actually everything is okay now

Renni, whose motivation was to avenge her son, is framed in a monstrous light while Jayce, who literally killed her child (a child!) does not even get a single second of introspection as he faces a grieving mother (Is there anything as undoing as a daughter/child? seems not to apply to Renni at all I guess)

The Zaunite characters that achieve any level of "peace" at the end with any part of Piltover are: - Vi, who gets together with an enforcer who literally gassed her city, and gets not a single moment of conflict past her initial apprehension at joining the enforcers and some jabs from Jinx that she brushes off. I do allow though that her getting together with Cait has been set due to game lore since a very, very long time. - Sevika, who is tokenized and placed on a hostile council - Jinx, who literally exiles herself and fakes her death - I'm not even going to count Viktor under this category given how Cosmic Horror Machine Herald completely does not relate to the themes of classism (but therein lies another problem, how Arcane did not address the systemic barriers that led him to this!)

Was Cait wrong for mourning over her mother? No, absolutely not. Was it understandable that she was extremely distraught, and wanted what she thought was justice? Yes, it was. Was it okay that she gassed civilians and then thought exactly zero (0) thoughts about how she was hurting innocents was it okay that she led a team to brutally continue the oppression of Zaun? No, it really fucking wasn't.

Overall, Arcane sustains the status quo; in doing so, it continues supporting a system that perpetuates violence against the working class, a system in which the marginalized must bend the knee to achieve a surface level of "peace".

[whateversawesome]

Spy x Family Ch. 108: Fear

Don't get me wrong, that panel with Twilight remembering his friends was beautiful. I think he feels nostalgic for that connection with other people. However, I think what really caught my attention in this chapter was Melinda.

Come on, look at this:

Look at this face of terror. And she was just remembering her husband's eyes!

A long time ago, when we just met Melinda, I wrote this theory about her being afraid of her husband. Today, it was finally confirmed.

I feel so sad for her. Melinda has probably been carrying this alone for a long time. I doubt she's shared her fears with any friends or family members because, who would believe the illustrious political leader could be an abusive man? This is especially true if there's no actual physical violence in the relationship. However, like I said before, violence is more than that.

Something tells me that the violence in their relationship is mostly psychological. Donovan Desmond uses his authority to tell Melinda what to do, to create fear, to keep her away from their children.

Melinda appears as such a composed woman who has her life together in front of others, and only someone as emotionally perceptive and caring as Yor would notice something is wrong. There's a shame component in abusive relationships: "How did this happen to me? I used to be so strong and brave," combined with disbelief: "Am I overreacting? Is he really that bad? Why am I afraid of him if he hasn't really done anything to me?"

Hopefully, in time, Melinda will realize that fear is not only her responsibility; even if her husband wasn't physically abusive, his behavior caused her fear.

Without a doubt is a complicated issue, which brings me to something that will probably complicate things even more:

Yup, Twilight.

I'll admit that this is the first time that I felt very uncomfortable with what Twilight is about to do, but that's exactly the point. Good fiction/literature is suppose to move something within us, even if at times, it makes us feel uncomfortable.

You probably imagine why: Melinda is a person in dire need of therapy. She deserves (and needs!) a true professional and instead, she getting someone who is only trying to gather information.

HOWEVER...

Time and again, Twilight has shown that despite his line of work, he'll always try to do the right thing and the least amount of harm. So, I'm hoping he will apply that in this specific situation. My guess is that it will start as a way to get information (his classic "for the mission") but then, as Melinda opens up, he will actually give her good advice and hopefully empower her, as a real therapist would do!

Something else to keep in mind is that Melinda story of domestic violence could trigger Twilight himself in some way, given his own family history. We will have to wait to see how that goes.

Bonus

A final note on Melinda's beliefs in occultism: it makes sense.

I won't comment too much on the specific meaning of the cards because my knowledge is limited and I'm skeptical about that. But I will say that it makes sense that someone with so much fear and uncertainty in her life would believe in something that would bring her reassurance that everything will be okay or try to know the future in order to protect herself. (I really want to give Melinda a hug.)

On the other hand, you know who doesn't believe in that?:

Yup, our dear Becky, who is one of the most authentic character in sxf, who is protected and loved by her parents and Martha. That makes sense too.

[eggplantwaffles]

Since Steph and Kara became friends during Steph’s Batgirl run and post all her critical character development and casually horrifying pre Batgirl life, I imagine Steph accidentally lore dumps crazy shit in conversation:

———

Kara: Holy shit, are you okay?!

Steph (holding her certainty broken arm): Eh- hurts less than giving birth.

Kara: I guess?

Steph: Although, I think my baby had an unusually large head.

Kara: Oh… wait, what?!

———

Steph: You can stay with me few days, just don’t use my shampoo.

Kara: That’s the only rule?

Steph: Yeah, I had to start hiding it when my Dad let Ed Nygma and his goons stay over.

Kara: …The Riddler stole your shampoo?

———

Kara: You have to have hobbies outside of crime fighting.

Steph: I liked gymnastics in high school.

Kara: Okay, that’s something!

Steph: I quit cause I found out my coach was dealing drugs to kids.

Kara: Oh.

Steph: I also played piano as a kid but I quit that too cause after my parents left me with a pervy babysitter for days I didn’t trust any adult men for a while, including my piano teacher.

———

Steph: You’re really nice to me.

Kara: Well, yeah? We’re friends!

Steph: You haven’t even told me to go away once!

Kara: Why would I want you to go away?

Steph: Normally it’s cause Batman thinks I’m no good- but I guess that wouldn’t matter to you?

———

Kara: Do you ever wonder what your life would be like if you’d never met Batman?

Steph: I’d be in prison, probably.

Kara: For what?

Steph: I was gonna murder my Dad… actually I think I would have gotten away with it so maybe not prison?

Kara: …Forget I asked.

———

Steph: Ugh! I’m going to kill Bruce!

Kara: What’d he do now?

Steph: He paid off my student loans without telling me!

Kara: That’s… terrible?

Steph: I don’t want his stupid pity presents. He does this every year!

Kara: Pity present?

Steph: Yeah, it’s his yearly “sorry you got murdered” gift. Last year I magically qualified for a WE scholarship I didn’t apply for.

Kara: …I might regret mentioning it but did you say murdered?

Steph: Huh? Oh, yeah, brutally- that’s why I don’t like walking past construction sites. Hold on, I need to call Bruce and yell at him.

[librarygarten]

OMG I'M BEGGING FOR THE SECOND PART OF DINK AND READER MEETING

(I'm sorry if it looks aggressive 🥲)

-glitchy

Dink Kidnaps Isekai!Reader (And Regrets it Almost Immediately)

Listen, there is nothing in this world I love more than finally snapping and getting to be mean to someone. Even if that someone is a fictional villain. I have shade to throw, and WILL use this loser as an outlet for that. Please enjoy :] Part 1 ✿ Part 2 (you are here)

“Sooooo….. I’m not saying I’m opposed, but usually I’d expect a guy to at least take me to dinner first.” You roll your eyes as you struggle against the rope currently binding your arms in front of you.

“What?” The shadowy figure turns to look at you. He had been monologuing. One of his arms was still raised, as if he was about to launch into stereotypical maniacal laughter at any second.

“I’m down to try anything at least once, but I’d prefer the gentlemanly approach.” You try to stand, wobbling as you rise. (Who knew barely using your arms made getting up so much more difficult?) “I guess chivalry really is dead.”

“What are you… OH EW.” The shadow recoils, as if burned by your innuendo. “WHAT IS WRONG WITH YOU?”

“Buddy, one of us kidnaped a person out of their bedroll and took them home, and it wasn’t me.”

“I didn’t kidnap you for anything like THAT, you sicko! Your knowledge of the universe is too valuable for the heroes to have!” he crossed his arms and stomped his foot to the ground.

“Like that would help them.” You scoff. “I know what happened on their adventures. Meaning all the stuff they ALREADY KNOW ABOUT. Not really useful when dealing with a time-hopping angsty teen made of darkness and daddy issues.” You use one of your hands to motion at him, which is difficult to do with the rope around your wrists.

“Daddy issues?” He pinches the bridge of his nose. You were giving him a migraine simply by existing. “What could you possibly be referring to?”

“I mean, you’re Dink.” You smile as he cringes at your name for him. “The first time you appear in the timeline is during Time’s adventure. Ganondorf made you and you’ve been giving off rancid vibes ever since.”

“That does not mean I have daddy issues.” Dink stares at you, red eyes bright against the shadows of the room. Is he trying to intimidate you? Poor guy. If you weren’t a fanfic-reading, depression-having twenty-something, it might have worked.

“Oh right. Some people headcanon Ganondorf is trans. Mommy issues, then. My mistake.” You smile, pretending to be embarrassed at making such a ‘mistake.’

“What? No! I mean, not that there’s anything wrong with-” Dink sputters, absolutely blind-sided by your statement. He tries to recover. “I don’t have parents! Ganondorf hasn’t been around for thousands of years at this point!”

“See, you say that, but an absence of parents is also mommy/daddy issues.” You put your hand against your hip, trying to prove your point with a pose that would make Regina George jealous. Your tied wrists make the pose less effective, but you do find something interesting: In the confusion of dealing with you after the kidnapping, Dink had apparently forgotten to take away your sword. Your quick tongue had saved you once again! 

“It doesn’t apply! I’m not a person, I’m a shadow of Link!”

“Oof.” You smirk, keeping his attention on your words as you begin to subtly drag the rope around your wrists against your blade. “I’ll add that to the list: daddy/mommy issues AND you have a complex about your existence.”

“Wait, that’s not-” Dink’s face is one of utter bewilderment.

“AND ANOTHER THING!” You interrupt him, “Don’t go calling yourself a ‘shadow of Link’ or whatever. Shadow Link is a different character from the Four Swords Adventure Manga, and he was only evil for a little bit. Not like you, Mr. I-Hate-Myself-So-Much-I’m-Going-To-Make-It-Everyone-Else’s-Problem.”

“I don’t hAte myself!” He practically shouts, trying to put you in your place. Trying to get you to shut up. Anything. But his voice cracks, and the darkness around his cheeks deepens.

“Ohhhh.” You pretend to come to a realization, all the while sawing at the rope around your wrists. “No wonder you’re so cranky! Ganondorf made you a seventeen-year-old or something! You’ve been going through puberty for the last few thousand years.”

“nO!” Dink crosses his arms, and you can’t help but notice how thin they are. He really is the splitting image of what you assume Time looked like as a teenager: built like a twig. You suppose being in a coma for seven or so years would do that to someone. He continues trying to regain his dignity. “I can turn into any form. Any Link. Wherever the Hero’s Spirit is, I am there too, as a reminder of everything inside him he is denying. Everything he is hiding from the world to be the knight in shining armor.”

Dink steps behind you for a moment before appearing at your other side with a new face: Hyrule’s. “Your poor friends certainly have a lot on their plate, don’t they?”

You glare at him as he continues his speech. You also subtly coil the now-cut rope around your hand instead of your wrist.

“Of course, there’s everyone to heal. Every scrape and scratch Link must ensure none of the others suffer.” Dink’s form blurs, and when he solidifies he looks like Four. “Every weapon needs to be made and maintained. None of the others are qualified.”

His form changes again, this time to look like Warriors. “And of course there’s managing the rag-tag army you’ve all formed. Supplies and spirits need to be kept high, even if it’s at the expense of the ever-self-sacrificing pretty boy.”

“But how can he defeat evil and save the day if he can’t even control his own head?” Dink smiles wickedly as he takes the form of Wild. He puts his hand up, and you realize he’s managed to back you against a wall. You gulp.

“How long do you figure it will take? Before they realize you don’t contribute anything.” His face changes again, to Time’s, but as he is now: an adult with a scar over his eye, not a gangly teen. “Maybe a few weeks, or even a whole month. But eventually they’ll realize you’re just a fan with nothing to give them but more problems to solve.”

“That’s not true.” You smirk before winding up and socking Dink right in the face. He goes flying backwards. Apparently, shadows don’t weigh all that much. He falls in a heap on the floor, reverting back into his teenage form. “I provide delightful commentary.”

“Sure you do. And what use is that in a fight?” Dink picks himself back up, clutching his nose. Darkness seems to flow down his hand and chin. Did you give him a bloody nose? Was that even possible?

“I mean, it worked on you last time.” You shrug and back away, never taking your eye off him.

“That was lucky timing.” He scoffs. “It won’t happen again.”

“Oh, really?” You smirk, noticing a figure creeping along the wall behind him. Backup has arrived. “Then what do you call this?”

Dink doesn’t have time to react as Four slams his sword down, slicing clean through the shadow. As he does, there is a loud BOOM from above, and the ceiling disappears. Sunlight bathes the room as Legend peers through the new opening, another bomb in his hand. Sky drops into the room, the Master Sword in hand and pointed directly at the puddle of darkness that used to be Dink. It seeps between the stones of the floor, vanishing.

“Y/N!” Twilight runs into the room with Time and Warriors close behind. “Are you okay?”

“Took you guys long enough. I almost had to tell him about the creepypasta fangirls that write smut about him.” You smile. You can see your words do psychic damage to your allies.