ive been getting some interesting comments from my recent itafushi piece... first of all, megumi's a bit further away from yuji that's why yuji looks taller and second of all, what if i just wanted yuji to be bigger omg... hes a growing boy after all!! but honestly, it's always my itafushi artworks that gets weird comments😞 sorry for this sudden rant, i was getting a bit upset from it i just wanted to draw them
251 notes
·
View notes
"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?
I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.
And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.
I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.
But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.
Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.
The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.
Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.
Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.
If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.
*: (edit) added for clarity.
**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.
107 notes
·
View notes
I see plenty of posts saying things like “how is DPS a comfort movie” or “DPS is a comfort movie it ends at the play” and I get the joke and I understand the sentiment, but to me, even with the end, it’s still a comfort movie.
Like yeah. It’s sad. It’s incredibly sad! Neil kills himself and it’s heart wrenching and watching the consequences unfold makes you feel sick. But there’s still good to be had out of it, comfort to be taken.
Most importantly, life goes on. Neil dies and the poets’ worlds are turned upside down, but life still goes on. They don’t get to shut away from the world that killed their friend; they still have to live. I know that’s scary to lots of people but I actually find comfort in that. Bad things happen and you still have to breathe and live and grow, especially when the people you love cannot. There’s still change to be made.
Also, you are loved! You are remembered! We get to see in real time how absolutely devastated the poets are when they learn about Neil’s suicide. Your friends DO care. You DO mean something to people. They would be BROKEN if you were gone. Both in context and out, that is a comforting notion.
Finally, your actions have impact. That speck of dust nihilist spiel is bullshit. Neil and his situation is most obvious, but the entire rest of the movie shows this in I think the best way. Even though Keating is leaving, we see tangibly just how he changed his class. How his ideas, simply just who he was and how he lived changed his students. You don’t have to be famous or president of the world to mean something to others. Yes, it can be for better or for worse, but you still matter in the web of life, your ripple effects still reach others, you never know how profoundly you can touch someone.
Todd, historically anxious out of his mind, defies authority and displays his beliefs at the end of the movie. That scene is so damn important! Especially juxtaposing the scenes that came before it! The movie could end sad. It could end really before that classroom scene. But it doesn’t. It ends on a scene filled with hope and triumph and rebellion. Because that is the whole point of the movie! And that’s what I glean comfort from.
TL;DR I argue that DPS is absolutely a comfort movie right to the very end with…an obnoxious amount of words.
108 notes
·
View notes
Favorite
I love this general consensus of the fandom or at least a part of it that believes that of the whole group, Nightmare's "favorite" is Killer. I agree with the idea, but he is not the favorite because of any sentimentality involved but because Killer is the easiest to handle.
If I were to say who is Nightmare's "least favorite" it has to be Dust (despite who is perhaps the one who grants the "most beautiful negative feelings" that Nightmare has seen) Dust is very volatile and too rebellious and Nightmare doesn't likes those who rebel.
90 notes
·
View notes
So, a video was uploaded by Lego in 2014 (though it might have been made before that) which depicts all the Ninjago characters as voice actors for their own show.
Then, years later, for season 13, a blooper reel was released which showed all the Ninjago characters as if they were acting in a live-action show.
So, here's what I understand. As the characters are still Legos in both videos, Ninjago used to be an animated show which was hyper realistic as the quality is exactly the same in the show and the first blooper reel. Then at some point, Ninjago became a live-action show. My theory is that maybe the original voice actors quit after season 7, and the animated show was replaced with the live-action one with a new cast, and that's what we see as the redesigns. What do you think?
And yes I know neither videos are canon
49 notes
·
View notes