#i got a little hot writing this

[guardioland]

Pep Guardiola/Reader Smut

I'd never considered myself as the type of girl who would follow a guy to his work, but then again, I'd never been in a relationship with someone like Phil Foden either. He was my best friend, my first kiss, my first love... but he just couldn't seem to get it right in bed. It wasn't that I didn't enjoy it, but there was always something missing, something that left me wanting more. And it wasn't like I hadn't tried to tell him how I felt, to explain what I needed, but he just couldn't seem to understand.

So there I was, tailing him to the Man City training grounds, my heart pounding in my chest as I watched him walk towards the entrance. I knew this was a huge mistake, that I should just turn around and go home, but I just couldn't bring myself to do it. I wanted answers, I needed to know why he couldn't make me feel complete.

As I followed him through the hallways of the training complex, my nerves on edge, I suddenly found myself in the presence of none other than Pep Guardiola himself. He was deep in conversation with Phil, his voice low and intense, but I couldn't help but feel like I was intruding on something private. I tried to make my way past them unnoticed, but to my horror, Pep caught sight of me. His piercing blue eyes fixed on me, and for a moment, I felt like I was caught in a web.

"Excuse me," I stammered, my heart pounding in my chest. "I didn't mean to intrude."

Pep Guardiola regarded me coolly, his expression unreadable. "You're with Foden, yes?" he asked, his accent thick and almost musical. I nodded, feeling a strange mix of fear and embarrassment wash over me. "Then you must have something important to say."

He motioned for me to follow him into a nearby empty office. My heart raced as I did as he asked, wondering what he could possibly want with me. As soon as the door closed behind us, he spun me around, pinning me against the wall. His grip was surprisingly firm, and I could feel the heat emanating from his body. "You have something to say to me, yes?" he hissed in my ear.

I swallowed hard, trying to find my voice. "I-I just wanted to tell you that I think Phil could be a better player. He's got so much potential, but he just can't seem to reach it." I glanced up at him, hoping that maybe he'd understand what I was trying to say.

But Pep didn't seem interested in my words. Instead, his eyes raked over my body, and a dark, predatory look came into his eyes. "And what is it that you want from him?" he demanded, his voice low and dangerous. "What do you need?"

I felt my cheeks flush with shame and anger. "I-I just want to be satisfied," I stammered, my voice barely above a whisper. "In bed, I mean. It's not about the sex, it's about the connection. I want to feel like he cares about me as much as I care about him."

Pep's expression darkened even further, and suddenly, his hands were all over me. He roughly pushed me down onto the desk, pinning my arms above my head, and before I could even process what was happening, he was ripping my clothes off of me. "You want to feel connected?" he growled in my ear. "You want him to care about you?"

His touch was brutal and possessive, his fingers digging into my skin as he roughly caressed my breasts, sucking and nipping at my nipples until they were hard and aching. He roughly pulled my underwear aside, and before I could even think about resisting, he was thrusting his fingers into me, filling me up, claiming me.

My body arched off the desk, crying out in pleasure as his touch sent waves of heat coursing through me. He growled in satisfaction, his fingers moving faster, harder, his breath hot against my neck. I felt a strange sense of power and control over him, and it only seemed to fuel his desire.

He pulled his fingers free and roughly positioned himself between my legs, his erection straining against his pants. Without any preamble, he thrust into me, burying himself to the hilt with a groan. The sensation was overwhelming, intense, but it felt right. It felt like he was finally giving me what I needed.

Pep's movements were savage and primal, his body slamming into mine in perfect rhythm. His breath came in ragged gasps as he looked down at me, his eyes burning with a fierce desire. "You want to be satisfied?" he growled, his words hot against my skin. "You want him to care about you?"

I could feel the strength in his body, the power that came from years of dominating the field. He was in control, and I was helpless to resist. My own breath came faster and faster as he continued to thrust into me, the sensation building inside me, threatening to break free in a wave of pure ecstasy.

His movements grew even more frenzied, his grip on my hips nearly bruising. I arched my back, meeting his thrusts with my own, our bodies moving together in perfect harmony. The air in the room seemed to crackle with energy, with the raw desire that bound us together.

As I felt the first tremors of my impending orgasm building deep within me, Pep slowed his pace, his breath coming in ragged gasps as he stared down at me with an intensity that made my heart race. "That's it," he growled, his voice rough and demanding. "Let it out."

His words were like a trigger, and with a shuddering cry, I came, my body convulsing around him as wave after wave of pleasure washed over me. He followed suit, his body tense and rigid as he thrust one final time, his cries echoing in the room as he released himself deep inside me.

For a moment, we were both still, our bodies pressed tightly together, our breaths coming in ragged gasps. Then, slowly, Pep pulled out of me, his eyes never leaving mine. He reached down and roughly wiped some sweat from my forehead, his touch surprisingly gentle.

"There," he said, his voice hoarse. "That's what you needed.

[carebeardean]

Charles has always left Edwin little notes slipped between the pages of his favorite books, in his science equipment, places he knows Edwin loves. Just silly things—post its that say “hi Edwin :)”. doodles of Edwin with his nose stuck in a book. reminders to stock up on wolfsbane. but.

Then, post canon, Edwin tentatively starts dating people. And it’s ridiculous, because Edwin’s right there, all the time, but Charles..misses him a bit. And his heads a mess, and he can’t sort out what the hell he’s feeling most of the time, and whenever he tries to say any of it out loud it comes out rubbish.

So. He writes down some of the shit he can’t say right, and because he’s a coward, hides them so he doesn’t have to see Edwin’s face when he reads them.

then Edwin starts writing back.

Neat lilac blue little envelopes appear in Charles coat pockets. In his bag. Once, in his shoe? Some nights, Edwin will clear his throat and mention something from a letter, offhand, like they’re just picking up conversation, and Charles can pretend they are. That they always have talked about the basement, the belt, the nameless fear that chokes him every time Edwin walks out the door with someone else on his arm.

Sometimes he can’t. The words get stuck in his throat. Edwin’s not mad, he’s maddeningly, stubbornly kind about it, which is worse.

Some nights they trade. A secret for a secret. Charles learns about the novels Edwin used to hide under his mattress, about all the lonely years before Charles got there. About Simon.

Meanwhile, Edwin is losing his mind, because Charles has accidentally stumbled onto what was a fucking courting ritual in his time. Love letters were something engaged couples treasured for years, kept and reread over and over. (Edwin does. keep them in a special box, will take one out and trace the words, tuck it in his breast pocket for courage).

Edwin would rather have to reattach a limb again than lose Charles trust, all the dark and beautiful things he shares with Edwin only. He knows—knows Charles doesn’t mean to make him fall more in love with him.

[harbingersglory]

hii could i req an soft dom arlecchino x sub/fem reader?? something w a really needy whiny reader n maybe like a mommy kink or thigh riding IDK tysm for ur time !

{☆} characters arlecchino {☆} notes drabble, fem reader, sub reader {☆} warnings 18+ content

"Slowly, doll. We're not in a rush." Arlecchino reprimands lightly, squeezing your hips with just enough force to keep you unmoving on her thigh– she was still being gentle, but the subtle warning in her tone spoke to how easily she could push you against the desk and turn you into such a mess that you couldn't even remember your own name..just that you were hers.

But the barest hint of stimulation from her slacks pressed against your throbbing cunt had you twitching, barely able to form words. All you could think about was the scorching, twisting need building in your stomach, desperation for relief slowly climbing until you'd think she was doing this on purpose to drive you mad.

"Please– 'm a good girl, right? I've been good.." You choked out, only to be met with the rough, husky laugh echoing in your ear that made you feel dizzy with a rush of need, her nails gliding along the skin of your hips as she pressed you down even more firmly– you couldn't see her face but it was easy to imagine the crooked smile twisting her lips at the way you inhaled sharply and tried to buck against her thigh.

"Shh. I know, doll. I've got you, just relax." She murmured in that sickly sweet tone that always had your knees buckling, the raspiness of her voice sending shivers down your spine. It was almost impossible to relax with her so close, the notes of metal lingering on her skin despite how well she presents herself– but you trusted her, despite how you know you shouldn't.

"There we go. Good girl." Arlecchino's grip on your hips loosened just enough for you to move if you so wished, and oh did it take every ounce of restraint to not do just that..she hadn't said you were allowed to, and you weren't about to spoil her good mood by being a brat. Not tonight, anyway. "Do you want to cum, doll?"

The fervent nod you offer in place of words draws a laugh from her lips, one that is almost mocking, making your face flush in embarrassment– but the sudden tap against your hip makes your mind go blank to the point you forget it all together, focused only on the feeling of her thigh rubbing against your cunt as you bucked against her thigh, the fabric slick and wet against your inner thighs. You'd have half the heart to be embarrassed about that, too, if not for the sudden brush of her thumb against your aching, neglected clit. Just that small touch has you speeding up your movements, practically drooling as you whimpered like a dog in heat.

"That's more like it, doll. Such a pretty girl." Arlecchino hummed, her other hand trailing up your stomach, between the valley of your breasts and ghosting across your throat before settling on grabbing your jaw in a firm, yet almost tender touch as she tilted your head to the side just enough for her to pull you into a burning kiss. It left you lightheaded, grinding down against her thigh as she claimed your mouth as her own, her thumb still ghosting over your clit sporadically.

She'd spent so long teasing you, constantly touching you but never where you needed her, that you already felt like you were going to snap like a wire. She must've been in a really good mood, then, when she pulled away from the kiss with an almost predatory lick of her lips, yet she settled on pressing kisses to your skin rather then the usual sharp bite of her teeth as they sunk into the curve of your shoulder.

"Are you close? Go on. I want to see your face when you cum– you look the prettiest when you finally break apart, doll." Arlecchino mused idly– as if she wasn't talking to you while you continued to rub your aching cunt against her thigh, chasing your own release through shaky, strained breaths. Her thumb swiped over your lips, brushing strands of hair stuck to your skin from your face– at the same time as she swiped her thumb more firmly against your clit, creating a vicious contrast that had you both melting at the barest hint of almost softness from her and the touch of her hand between your legs, dragging you into an orgasm that leaves you trembling and, had she not shoved her fingers into your mouth, screaming, tears pooling in the corners of your eyes.

"All done, little doll. Take it easy." She murmured, voice so quiet you almost didn't hear it, thumb swiping across your cheek to wipe away the stray tear, her hands pulling away to settle on your sides. "You did well– good girl. Let me take it from here."

[sixlane]

the bridge

jegulus microfic | just a few words | i only read this over like. twice. so um. hope you like it.

“Noooo, no no no Reg this is not happening,” James said, clinging to the railing of the pedestrian bridge.

“This will be fun,” Regulus had said, “amazing views,” he’d advertised. And now here James was, a million or whatever feet in the air over rushing rapids, his head spinning and his palms sweaty.

“James you can’t wimp out now. We’re already halfway across.” Regulus gestured toward the other end of the bridge where the rest of their tour group was waiting for them.

“Regulus, baby, I love you so much but there is no way I will make it over there. Just leave me here to die.” Maybe he was being dramatic, but it truly felt like the bridge would collapse with even the slightest movement.

“I’m not leaving you to die on our honeymoon. I think that would probably ruin the mood,” Regulus said with an eye roll. “Okay how about this. Just close your eyes. I’ll hold your hand and guide you the rest of the way.”

James started to shake his head. “I don’t know—“

“I’ve got you, James. It’ll be okay. Just me and you.”

And in that moment, looking into the eyes of the man he loved so deeply, so complexly, and so completely, James knew it was true. He would always have Regulus to guide him. His own personal north star.

“Okay,” James said, “Just me and you.”

As he took Regulus’ hand, even though they were 50 stories up, James had never felt more grounded.

[lloydfrontera]

In my opinion, the reason the reunion scene was skipped was because the author couldn’t figure out a way to write it non-romantically and gave up after a while

honestly. i kinda agree with you nonnie.

it just. the set up to the scene is sooooo romantic. you have lloyd being absolutely devastated at the thought he's not going to see any of his loved ones ever again and that he's been dropped back into his terrible life, to the place he admitted he'd rather die than go back to,,, and then someone knocks at the door and when he opens it this is the sight that greets him:

his best friend, the person he's closest to, the one he's spent years with, the one he promised a peaceful life at his side, the one he wanted to grow old with, the one he sacrificed everything for, the one he effectively gave his life to save, the one he thought he'd never see again, standing at his door, having crossed literal dimensional barriers to get to him, a soft and teary smile on his face as he tells him "i missed you"

like. c'mon.

i'm all for platonic interpretations, i'm aroace, i love me a good best friendship as much as the next guy, but,,,, isn't this,,, like,,, really fucking romantic??? extremely so??? am i??? reading too much into it?? because it feels really, really romantic to me.

and like you say. where do you go from there. what response could lloyd give that doesn't involve throwing himself at javier and clinging to him with all of his strength. what conversation could these two have that doesn't involve them seeing how truly devoted they are to each other. what resolution does their arc together have that isn't them spending the rest of their lives together, at each other's side, like they so dearly wanted to.

but. alas. that wasn't the story bk moon wanted to tell. and that's very much his right. i just think that if he didn't want me to assume there's no in-character and narratively satisfying version of that conversation that doesn't end with them kissing he should've at least tried to give us something. and not completely skipped it lol

but that's just my opinion too :]

[flowerakatsuka]

denki!kuroba has plagued my mind for the past 24 hours so it's time to drop their design & lore. ( bonus + more lore under the cut! )

( ya'll knew i had to find a way to shoehorn kurokara into this au SOMEHOW. )

while they don't meet during the events of six idol statues of taboo, kuroha does eventually get to meet chorosuke's recently reunited brothers afterwards. strangely enough, it seems that karatsugu knows who they are. kuroha's life before the accident was much like the one kuroba lives ; having attended college for horticulture and working at their grandfather's floral shop. karatsugu and kuroha had known each other for a long time, having become friends in high school and staying quite close into adulthood. because of this, he was absolutely devastated when they suddenly disappeared a year and a half ago while on the way to visit family in yokohama. there were no reports of any crashes or deaths, no missing people found, nothing. it was as if they were spirited away, never to be heard of again. upon learning this, kuroha is rather distraught. even though his face is so familiar to them, the past he recounts to them refuses to come back to them. something they had been keeping a secret from the others at the midorito estate was that they had begun to recollect some things, but what they remembered seemed more like strange dreams than any memories they should have. memories of traveling with mononoke, fighting in gang wars, fending off youkai, a life much like what karatsugu described but not exactly the same... and in all of those memories, the six same faces, so eerily similar yet unsettling different. the most prominent of them all being the faces just like karatsugu's. they aren't sure why these strange memories are all they can recall, perhaps they're finally losing it, but with the brothers' help, kuroha might be able to figure out the true meaning behind them and even remember their life in this universe along the way.

ALSO, a quick explanation of denki!kuroba's name!

( fair warning : my understanding of japanese is very rudimentary so i may have made some mistakes in my translation or how names are written. please let me know if that's the case and i'll correct anything i've gotten wrong! )

kuroba / クロバ -> kuroha / 黒葉 ( くろは )

kuroba's name is written in katakana while kuroha's is written in kanji ( with furigana written in hiragana. )

kuroba's first name comes from クローバー ( kurōbā ) meaning clover. when the dakuten from バ ( ba ) is removed, it becomes ハ ( ha. ) the equivalent of ハ in hiragana is は, which is used in the furigana for kuroha's name. the kanji used for kuroha is 黒 ( kuro ) meaning black and 葉 ( ha ) meaning leaf.

yotsubana / 四つ花 ( ヨツバナ ) -> shinigusa / 死に草 ( しにグサ )

yotsubana comes from 四つ葉 ( yotsuba ) meaning four-leaved, notably used in the japanese for four-leaved clover / 四つ葉のクローバー ( yotsuba no kurōbā. ) the kanji for ba in youtsuba is swapped for 花 ( hana, ) which can be read has bana like in the surname tachibana. as a result, their surname can be read as " four flowers. "

the 四 ( yo ) from yotsubana, which can also be read as shi, becomes 死 ( shi, ) meaning death. the adverbializer に ( ni ) replaces つ ( tsu. ) the kanji for hana is replaced with 花 ( kusa, ) which is lifted from a synonym for clover, 詰草 ( tsumekusa. ) kusa becomes gusa as an instance of rendaku. their surname can be roughly read as " dead(ly) grass. "

[hohoholyshititschristmas]

ok so i used to be a fanfic writer back in the golden ages and im so serious, do yall want fanfic? cuz i can do fanfic LMAO

[shikai-the-storyteller]

Me after lightly burning myself: Ow that sucked but whatever

The burn: *is a second degree burn*

[clownery-and-fuckery]

The homoerotic nature of Kim and Jean smoking together my beloved.

Kim jostled, caught off guard when Vicquemare sat beside him. Off balance, Kim slumped a little, their shoulders bumping until he rightened himself sharply. He gave Vicquemare an odd look, confusion startling his hands, returning their previous tremble.

"Raise your hands." Vicquemare ordered shortly.

Kim blinked. "Pardon?"

Vicquemare dug through his pockets. "I said raise your hands." He repeated in a mutter, and when Kim did, raising his lighter instinctively and cupping his hand with the other to mask their shake, he noticed the cigarette that waited, stuck between Vicquemare's front teeth.

"Light me." He said around the cigarette.

Kim blinked hard, and fumbled. Between the two, Vicquemare's cigarette began to smoulder until he pulled away, taking a long drag, inhaling slowly.

Then, he produced a second cigarette, and held it towards Kim.

The Lieutenant sucked in the cold air, a wanting breath. "I had my one," He fell back on the reliable lie, because he wasn't sure what else to say. "I shouldn't."

"Do I look like I care?" Vicquemare asked with a raised brow. "Today was shit. Take the damn cigarette."

Kim squirmed until the outstretched offering was shaken in warning. He took the cigarette, rolling it between his fingers slowly until he caught the end with his teeth. His fingers rose to cup his lighter again.

He stumbled over himself like a schoolboy, his nerves fried, his composure lost, slipped. Kim blinked hard as he willed away the wish for certain company.

He felt his thumb flick dumbly against the lighter, but no spark caught. Kim huffed in annoyance, because of the lighter, because he had wasted a smoke he hadn't wanted anyway, because he almost killed a man all because he had an itchy trigger finger—

"Stop," Vicquemare interrupted, surprisingly gentle as he swiped the lighter from Kim's hand. "Come here."

With a jerk of his head, the Lieutenant leaned into the sparked flame, and looked pointedly to the crackling fire as his cigarette lit, and smoke filled his lungs.

Kim leaned back, sighing contently as he blew out a puff of smoke, flicking the ash from his bud into the mud below. He glanced to Vicquemare, who examined his lighter with mild interest before he tossed it back.

"I won't tell Shitkid you broke your special one-a-day rule," Vicquemare promised as Kim took another lungful. "Even if it's a dumbass rule."

Kim huffed what might have been a tired laugh, not noticing the way Vicquemare stopped to look at him as his gaze turned back to the muck. He stared down, taking slow, even drags, enjoying the now calmer, softer silence as his hands stilled.

Kim took a slow breath. "Thank you, Mr. Vicquemare." He said quietly.

"It's Jean," Vicquemare muttered. Kim froze in surprise. "We've been working together for over seven months, I think you've earned that right."

Kim paused, humming as he looked across to where Judit was talking to Trant.

[polysyndetonaddictsupportgroup]

Hey there! As always, I have Sea Glass Gardens on the brain, and I was wondering if there are any moments or details you've written that you really like, but people haven't noticed/pointed out yet? Or that they have, but you still have a lot of thoughts on. (this is free license to ramble about anything you want!)

I think I probably would have to say the Maki/Tsumiki confrontation in chapter 5.

Writing that was really fun because it was like an iceberg to me. There was so much buried in both of them that just sort of lingered outside where Yuuta could see.

I have a sort of love hate relationship with limited povs. On one hand, I love making up lore for shit. I love having a bunch of silly little details that don’t exactly feed into the story but build the world.

(As a total aside, I wrote pez dispenser debris while in a burnout fueled feverish haze while studying for the bar exam and 90% of what enthralled me with it was giving myself permission to just fucking. Let loose on cramming in all the little backstories. It was my fun silly story I was allowed to make technical mistakes on just to make something that made me happy. It was like splatter paint art to me. Probably half of that fic is scenes that are completely irrelevant to the plot or but that was the fun of it).

On the other hand, I love having to sort of climb around inside a story that has the inherently skewed view that comes from having a limited POV. It feels like stained glass in my head. I don’t know how to explain it better. The entire story is just colored by the glass of the character perspective. It makes for a very pretty and fractured story, even if it comes at the cost of a lot of the background.

Whenever I’m working with limited POV, I just sort of bury details that I feel like it would make me go nuts if I saw it.

A lot of my fic writing is just sort of playing connect the dots with stuff canon leaves behind? A lot of the conflict in sea glass gardens comes from one line in the second Toji v Gojo throw down. Gojo has some throw away line about how the good thing about inheriting a technique was that you got a playbook, but the bad thing was that so did everyone else. Toji was Zenin, so he knew Gojo’s technique, but the gojo clan had kept hollow purple as a carefully guarded secret.

That led to:

The initial conflict, with Megumi having partial custody with the Zenin. If clans have secrets they keep with their techniques, then it’s a tactical disadvantage to not have access to that information. It’s a huge selling point for letting the Zenin have partial custody. It’s an actual advantage the Zenin could give him.

The primary conflict, which is that the Zenin are keeping secrets around megumis technique which means 1) that they don’t know what the Zenin did to megumi 2) why they did it or 3) how to fix it.

The fact that gojos teaching megumi from the gojo playbook on his technique, which is incomplete, which lends to his own lack of understanding of the capacity of his own technique.

Some of Maki’s uncertainty around her own clan’s technique. When talking with gojo, she seemed uncertain of whether some of the details were legend or fact. She’s mentioned before that she only knows the basics, and everything else is kept in a guarded book that only the ten shadows and the clan head can access. She didn’t know what Megumi’s domain expansion would manifest as, if he was able to use it at all, and seemed surprised to know gojo knew the details. The clans are keeping secrets from their own members about these techniques to maintain tactical advantages the way the gojo did with hollow purple.

A lot of the underlying atmospheric tension around Megumi’s adoption and the motive that everyone else has read into it. Taking Megumi in childhood allows Gojo to 1) cut off the user of the Zenin clan’s most powerful technique from his knowledge base and 2) observe his technique as it develops and get a chance to uncover its secrets. He’s seemingly crippling megumis knowledge around his own abilities while cementing the gojo’s understanding of it. Of course no one thinks it was a genuine adoption. It has all the makings of a tactical move.

The future difficulty in resolving the conflict. It’s not as simple as “well at the end of the day no one wants megumi dead, just tell Shoko how to fix this.” The clans gain a discernible tactical advantage from keeping secrets from each other. They aren’t going to give up secrets if they think it’s going to go straight into the Gojo clan archives. Especially considering he’s already got unprecedented access to information on the ten shadows simply by watching megumi grow up.

A few other plot points we haven’t gotten to yet so I won’t discuss them.

It’s stuff like that. A lot of my fanfic is just kicking around what canon already gives and having fun with it. So I like just implanting the details that I know I’d have fun playing with, and tsumiki and maki’s conversation was loaded with that.

A lot of the conflict in Tsumiki and Maki's conversation is sourced in the fact that they start it off playing an unknowing game of verbal whackamole. They keep stumbling straight into each other's biggest insecurities and touchy points and not realizing it.

To start off, they both have pretty ample reason to be off kilter and high on emotion. Maki was picked up out of a pool of her own blood a couple days ago. Out of all of them, it was only her and Yuuta that Geto was actually going to kill. Geto himself said that Gojo knew he wouldn't have killed Inumaki and Panda, and that Gojo sent them to set off Yuuta. But maki was the monkey. She was wounded the worst. And she was the only one who fought Geto alone. She's still shaken and doesn't want to admit it.

Tsumiki, meanwhile, has been on the brink for days. The last time she saw her family, she was being told by gojo that a genocial maniac that wants her specific demographic dead had just declared war. Then, her fourteen year old brother disappeared. She then immediately lost contact with every single person in her life and social network.

Is Megumi dead? Did he do exactly what she thought he was going to do and camp outside her school to watch for genocidal cultists? Did he get himself killed because she wouldn't skip school? What about everyone else? Are they okay? Why has she lost contact with her entire family?

She didn't have any working phone numbers. She didn't have any way of finding them. It's directly stated in canon that Tengen's barriers are directed to deterring and concealing it from non-sorcerers, so she's not even sure if she'll be able to get into the school without Megumi or Gojo. And then all of her worst fears were confirmed, and Megumi was actively bleeding out and visibly terrified when she finally got him back. He just died in front of her. She had to personally pump his heart to try and get him back.

As a result, they've both got a shorter fuse and are a little bit more reactive than they'd normally be going into the conversation.

So of course the absolute first thing they do is ram straight into sensitive points.

Maki is the first one to do it. She calls Megumi the "Ten Shadows" instead of his name. And that sets off Tsumiki, who is willing to rip out throats over this at the best of times, and who is sitting there with her brother's blood still on her.

The thing is, Maki genuinely meant no wrong by it. It's just what they always call him in the clan. She didn't know he hated it. She barely remembered him, and the clan leadership wasn't exactly advertising how much megumi hated everything they did. And it had never had a negative connotation for her growing up--fuck, it was the biggest term of respect you could get from her shithole family.

Except Tsumiki didn't have the context of "it's basically a title and also a bigger honor than Clan Head." All she knew was 1) that they refused to call Megumi anything else 2) no one else was called by their technique instead of their name and 3) (to her knowledge) there's nothing special about being the Ten Shadows that would cast this in a more positive light. I've discussed this in another post, but Megumi thinks of being called the Ten Shadows like being called "Excel spreadsheet" by a boss who hired you for being microsoft proficient. To his knowledge, the Zenin bought him because he was a sorcerer who inherited a technique, and there's nothing deeper to it. They're just calling him that to constantly throw in his face that he's just a technique to them.

And Tsumiki knows her brother well enough to be able to say when something legitimately got under his skin. This was dehumanizing. It was another way the Zenin abused him. Without the context of "it's an ancient honor in my clan to be called that," she thought that a member of the family that abused her little brother didn't even have the decency to lay off now, when he's still struggling to keep his heart beating in his chest.

Of course, she didn't realize the mere fact that pointing out that Maki was Zenin and looked Zenin was a sore spot, because she had always sort of worried she'd never escape being the Zenin clan reject when everyone can see the Zenin in her appearance.

What Tsumiki doesn't know is a huge driving source of the continued misunderstandings in the dialogue--namely, the fact that she doesn't know the true importance of the Ten Shadows technique to the Zenin clan. But I tried to imply throughout that she had really, really good reason to think that she did.

I feel like it's a trope to sort of have the non-magic/superpowered member of the family to be sort of clueless about the inner workings of the magic world or whatever, but I didn't want that for Tsumiki. It didn't fit with the version living in my head. This a world her brother's hurtling towards joining fully. It's her family's world. She doesn't want to be locked out of it.

And the thing is? She exhibits a pretty good command over knowledge of the jujutsu world--and, specifically, the Zenin clan. She had glasses imbued with cursed energy like Maki's. She knew enough about cursed energy to come up with a theory about why Megumi seized--and Shoko later confirmed that she was probably right.

I also tried to have her display understanding of Zenin custom and action that an outsider wouldn't have.

She knows enough about them to know that they're a tradition-obsessed, ancestor-obsessed group of weirdos obsessed with maintaining lineage. She knows they prefer inherited techniques. She knows they've got a pretty large population size. She even knows that they practice incest, because she takes a crack at Maki with it and calls them inbred.

And that's one of the details that I think can be really fun to play with, as a reader-- why does she know that? Yuuta's been living fully in the jujutsu world for months, and he doesn't know that. That's a really random, specific detail to know about a family she doesn't spend any personal time with. How did Tsumiki learn about it?

Did someone bitch about it one day and she found out about it in passing? Or was there a deeper story behind why she learned that? It was meant to sort of dovetail with something Maki said later in the same conversation--Gojo had kept the Zenin from marrying Megumi off. Not "Your brother's a literal child and too young to be married, no one would have even considered it"--no, she was relying solely on the fact that Gojo was protecting Megumi, which implies that the Zenin would have at least considered it.

And it's one of those things where there's no single "correct" meaning to it. It's open to a lot of reader interpretation and it makes it fun to play with. Maybe she did only learn about it in passing, and the two comments were unrelated. Or maybe the Zenin already broached the topic of when Megumi would be procreating and with which of his cousins, and Tsumiki found out from that.

The Zenin are bloodline obsessed, and I personally headcanon that all major sorcerer clans are because their techniques are basically trade secrets to them. They're specific to each clan and they are practically the currency their world runs on. If a member of the Gojo clan runs off and marries someone from the Kamo clan and joins the Kamo in the process, and their child is born with the six eyes and limitless, they've basically lost their most valuable asset to their rival. If someone leaves the clan and that child is born with, say, the most powerful technique in their bloodline--well, then you've basically set your most valuable asset off into the crapshoot that is the wider world's genetic lottery.

Say Megumi stays outside the clan, has a kid with someone not affiliated with any clan, and keeps that kid outside the clan. That kid has a kid. That kid has three kids. Those three kids have eleven kids total. So on and so forth, until a few centuries have passed and the ten shadows is being inherited again and there's some random nobody out there from a family who doesn't even remember having jujutsu sorcery in their bloodline but who is, technically, of Zenin blood, and descended from the last ten shadows. What happens if they get it?

Megumi's proof of concept--call it fate, call it destiny, call it random chance, but his existence suggests that whatever designates who's going to inherit the shadows next doesn't care about actual clan membership. Megumi has Zenin blood, but he had no contact whatsoever with his family before this. The Ten shadows technique is something that can be lost.

Yuuta, too, is oddly a proof of concept as well, now that the jujutsu world knows he exists. He's a random descendant from a major sorcerer line, connected distantly to the Gojo clan no less, so far attenuated that there's no one in his family that even remembers their connection. But he's one of the most powerful people on the planet. The Ten Shadows could be inherited by a distant, attenuated member of the Zenin line.

I included those lines as a detail that really could be stretched as far as the reader wanted to take it. Maybe it doesn't mean anything of importance. Maybe it means that the Zenin tried to negotiate some kind of advance rights to any kids that Megumi had. Maybe it means they took it farther, and tried to negotiate for an arranged marriage and a schedule for when he'd be expected to reproduce. his bloodlines important to maintain, after all. Maybe it was something else entirely.

Tsumiki also has a laundry list of examples that suggests she's had a front row seat to them disrespecting Megumi's boundaries over the years. They kept trying to take custody. They tried to force him to change his name. They did something so terrible to him when they had visitation that he wanted to go no contact. She's got a body of experiences eating at her that make her view the Zenin as a threat that megumi needs to be protected from, and he needs protection now more than ever, which is a lot of what feeds the tension behind the discussion with Maki.

With all of that knowledge in mind, Tsumiki has great reason to think she knows what she's talking about when it comes to Megumi and the Zenin clan. Like, this isn't her talking out her ass or condescending to people who know better--she has more reason to think she knows what's going on with the Zenin than Maki. Maki actually grew up with the clan, but Tsumiki grew up with Megumi. She knows this world. she knows what the zenin are like. And unlike Maki, she actually knows what the Zenin did to him all those years ago. The only thing she doesn't know is what Gojo purposefully hid from her, which is the truth of what the Ten Shadows really is.

And it's pretty reasonable to think that your guardian would have mentioned "by the way megumi is like magic jesus reborn to his psychotic relatives" at least once in ten years, right? Like Tsumiki isn't a character who knows nothing and just talks down to someone actually in the loop--she's a character who's spent the past decade of her life in the loop, who exhibits independent knowledge of the facts, and who has every reason to think she knows all the relevant information, being blindsided by a very important detail that gojo didn't even tell Megumi. Even Maki initially assumed that Tsumiki had the information and was blindsided by the fact that she didn't. And it's that gap in knowledge that sows the seeds of their initial conflict--and eventually brought them together.

For the first part of the conversation, I really wanted a lot of the conflict to be actually "they're having two different conversations and neither are technically wrong."

Maki's conversation was centered around what the Zenin would do. She was talking about how they're absolutely obsessed with Megumi and will never give up. And that fits within her world of experience, that's what she knows--she's not wrong about anything she says.

But Tsumiki's talking about Megumi, who's in her realm of experience, and she's saying that Megumi's never gonna want to be in their family Christmas card. Neither are wrong. Maki is totally correct in saying that the Zenin aren't just going to give up and wait for another Ten Shadows to be born. But Tsumiki wasn't saying that they would--she was saying that Megumi was never going to love them or want to be with them. The misunderstanding isn't in what either are saying, it's what the actual conversation is about.

The next time they accidentally ram into each other's sore points is when Maki says Tsumiki's the reason why he refused to join the clan.

Tsumiki's the unwanted kid in the world's most aggressive custody battle. She remembers the Zenin and Gojo were at each other's throats over custody, but nobody was fighting over her. It was her brother who the Zenin wanted. And we know from her later conversations with Yuuta that the Zenin have gone so far as offered to have her boarded at a school on the other side of the planet to get her away from Megumi.

"You're the reason why Megumi won't be with his family" was an accusation that was constantly lobbed at her as a kid. The Zenin fully blamed her for Megumi not coming near them (when they weren't blaming gojo), and I imagine Tsumiki was always very defensive about it. Because the thing is, at her core, she could have been completely uninvolved and megumi would want nothing to do with them. They were fucking insane. why would he ever want to be near them?

Tsumiki was a very little girl who was all alone in the world, and then she had her megumi, and she finally had a real family. And he was all alone too. They got to save each other. They got to give each other someone in the world to hold onto. They were each other's safe harbors and lighthouses and there was no one in the world who took care of her brother before she did.

It was incredibly hard for her to learn that there was this clan of people who had money and power and actual blood tying them to him, and they wanted to take him and leave her behind. Giving him a family was something she counted as almost a source of pride, and suddenly she was turned on her head and the selfish brat keeping him from having a family.

She didn't want to be alone again. She didn't want to let him go. And she spent a long time thinking she was selfish and just keeping him from having more family, until they found out just how bad the zenin were.

It's also an unfair accusation to say that Tsumiki's trying to keep Megumi from his family. The second she finds out that Maki left the Zenin clan, she tries to get her to form a familial relationship with Megumi. She wants megumi to have other family than her--and then Maki immediately hit back with "oh so you're the reason he's not with his family." It was like a slap in the face.

Except Maki didn't mean it like "so you're the one who took him from the clan the way the rest of the Zenin did, she meant it like "so you're the one who saved him from the clan."

Maki didn't even know Tsumiki existed. The clan leadership wasn't advertising that the ten shadows picked his non-sorcerer step sister over them. The entire jujutsu world thinks that Gojo snatched him away as a child, borderline brainwashed him to keep him from joining his clan and realizing his true power, and did it all as a power play against his enemies.

Except Maki's spent the last year with Gojo. And she's been wondering what the fuck actually happened, because what everyone says about him didn't match up at all with the man who welcomed her with open arms and who had done nothing but support her and the other students. He was fucking annoying, but he wasn't someone who seemed like he would do what people said he did all those years ago.

Every single time she thought about truly trusting Gojo for this past year, she thought about Megumi. She thought about the little boy who never had any time to play but still found the time to protect her sister. She thought about how they played together and how Megumi said they could be friends when Mai begged him and how they all got beat like hell for it, but it still made Mai happier than she had been in a long time.

Megumi was safer wherever the zenin weren't, but Gojo wasn't supposed to be doing it to protect Megumi. He supposedly had been manipulating Megumi for the past decade, keeping him weak and under his thumb so he could be a pet on a leash that Gojo could parade around.

She didn't want to believe that Gojo would do that to megumi. But she also didn't want to fall for someone who was just manipulating her. If he had really done that to Megumi, she wasn't ever going to trust or forgive him.

Tsumiki's existence made it all click for her.

Tsumiki would have never, ever been safe in the Zenin clan. Maki knows what it means to not be safe there, to have a sibling who isn't safe there, to watch them suffer underneath her family's thumb. If megumi had a sister he didn't want to be separated from, a sister who couldn't ever be near her family safely, then what Gojo did wasn't a powerplay--it was a rescue. He was keeping the ten shadows with a sister he could never stay with otherwise. Tsumiki is the reason why Megumi refused to join the clan, and the reason why Gojo helped him do it. It actually was Megumi's genuine refusal all this time. Maki wasn't blaming her--she was just struck by the fact that she really, genuinely could trust Gojo all this time. that it hadn't been a power play--Gojo was just saving Megumi and Tsumiki the way no one saved her and Mai.

Of course, Tsumiki didn't know any of that. She only knew the Zenin clan that had blamed her for years. So she didn't understand that Maki was saying it out of relief, not anger.

To shift a bit farther in the conversation, in my mind, the reason why Tsumiki got in a blow out fight with Megumi about going to school is because she wants him to have a life outside of the jujutsu world.

The jujutsu world purposefully tries to take away options from you as a manner of control. That was a big part of Yuuta's conversation with the higher ups--they didn't want him doing anything that could give him options outside of jujutsu sorcery. The terms of his binding vow were ludicrously strict about how he spent his time and education. And Tsumiki has actually seen this first hand, because she watched how the higher ups went after the teen parenting squad during their adoption.

She cares if Megumi goes to school because she desperately wants him to have the option to one day leave the jujutsu world. The higher ups and the Zenin don't even want him to have a modern middle school education--if they had their way, he'd be in full time jujutsu training, and she knows that because she and megumi were both in the loop when Gojo was fighting them over it.

Megumi's going to be going to high school soon. That means he's going to lose his main connection to a world outside of jujutsu sorcery. She wants him to have friends. She wants him to go to school and have favorite subjects and hobbies and passions. She wants him to have ties other than a profession that eats its workers alive. Megumi leaving middle school is a ticking time bomb in her mind--she didn't want him to lose a single day of normal life, especially not for her sake. The fact that he's in this stupid deal to work off his debt to the school as a sorcerer for her sake has been eating her alive for years. She just wanted him to go to school and have another day of being a normal kid.

She regrets it, later. If he has to be in this world, she wants to be in it with him. She wishes she was with him when the Zenin came.

For the most part, I'm not going to discuss the undertones of the conversation about the phone, because we actually will get into that in the fic. But the last part in the story she tells about her and megumi as kids, about how she had to hold on tight to his hand as a child because he would always try to wiggle free and she would lose him if he did? That's supposed to be their entire relationship dynamic in this: Megumi keeps trying to wiggle free, and she keeps trying to hang on to him as tightly as she can.

There's a lot of little "iceberg" details after that in quick succession.

(And, to be clear, I don't consider these details explicit or "canon" within the fic itself. It's a bit like method acting, I guess?

Yuuta finding out every single detail isn't realistic. It would drown the fic in way too much detail and be a little off if he found out that much. But having this sort of hidden base in what the character's experiences and desires and motives are helps me write them more consistently throughout, and it enhances my own understanding of the story. Yuuta will never find out that Tsumiki got in the fight with Megumi because she wanted him to have a life outside of jujutsu sorcery, but it can feed into her actions throughout the story if I understand that. Only the tip of the iceberg is visible, but the rest is still beneath the surface and affecting the flow of the story's currents. But, since it isn't explicit, members of the audience are free to have their own interpretations and experiences with the art and it makes the art much more changeable? I like the idea that no story is the same for any two people. What I read as their motives doesn't necessarily have to be everyone's reading. It's a different story through the lens of every person. I dunno. It's just cool to me.)

Some of the iceberg details that follow in the conversation, in short form:

Megumi kept trying to take off the kimono when Tsumiki found him because he was convinced he was dying and didn't want to die in the clothes the Zenin dressed him in

I talked about this in another post so I won't break it down in detail here, but when Maki's talking about how her father used to always take her to see the ten shadows kimono, it's because he wanted her to inherit the technique, once upon a time. The clan had been waiting for the Ten Shadows technique to return to the bloodline since Gojo was born. Her father was important in the clan, close to the clan head, from a powerful bloodline, and she was only a year older than Megumi. In my mind, the Ten shadows is the antithesis of the Six eyes and Limitless, so while you can clock the six eyes from birth, the Ten Shadows is notoriously hard to spot until they summon the dogs. Maki went from the clan's biggest hope to its biggest shame, and the Ten Shadows is a source of a lot of bitter memories. It wasn't until she saw the state of Megumi that night that she fully appreciated how lucky she was to not get the technique.

Then, the conversation takes a total tonal shift, and it's the definitive shift in Maki and Tsumiki's relationship. Because it's when Maki overrides Nanami to tell Tsumiki the full truth of her brother's technique.

Tsumiki has rapidly become a slightly painful person for Maki in the span of this conversation, because she's maki's foil, and Maki is realizing that. Maki had to let go of Mai to become who she is today. that was one of the hardest choices of her life, but she had to do it. The Zenin would have killed her if she stayed. She knew how big she could grow if she just had the space to do it.

Tsumiki is someone who's braving her family to not let go of her sibling. She made the opposite decision as maki, and Maki knows that, and she respects the shit out of Tsumiki for it. Telling Tsumiki the truth of the ten shadows is both a sign of respect for her and an acknowledgement of her as her brother's protector. Tsumiki can't help her brother fully if she doesn't know what the hell is going on. Maki's trying to arm her so she can keep making the decision that Maki didn't, because she knows just how painful her family is going to make this for them all. They didn't even care about Maki, but they still destroyed mai when she left. Megumi? He's the most valuable person in the world to them. They'll make everyone bleed. And she thinks Tsumiki deserves to know that if she's going to stay by megumi's side.

The last little iceberg moment is Tsumiki tearing the robe. And that was meant to be a reflection of tsumiki's entire outlook on life.

At the end of the day, Tsumiki is someone I've decided is selective about what she cares about. I've talked about it more in other posts, but I don't see Tsumiki's entire "I'd rather think about the people I love than curse people" schtick as a sign she's a perfect good person who doesn't succumb to bad thoughts--I read it more as she's someone who knows she only has so much she can devote her time and energy to. Tsumiki has very specific priorities that she will actually devote labor towards, and Megumi is her biggest. She doesn't get tangled up in things like appearances, or blood, or tradition, or politics, or revenge--she has the people she won't let go of, and she will let go of absolutely everything else.

The kimono is symbolic of centuries of tradition and a borderline religious obsession for the Zenin. Megumi himself is secondary to what the Ten Shadows represents, and the Zenin show that by disregarding his desires and safety again and again for the sake of their traditions around his technique. Tsumiki figuratively (and literally) tears through that because Megumi himself is paramount to her. It's an irreplaceable, priceless, centuries-old heirloom to the zenin. Most people would be wary of damaging it even if they didn't have any personal attachment to it, but Tsumiki just fucking rips it, because it legitimately means nothing to her.

She doesn't care if Megumi's borderline a figure of legend to them. He's her little brother. So they can wait another five hundred years for the next ten shadows. And they can get a new fucking robe.

[butcharyastark]

went to my first pride event today. honestly kinda disappointing. being able to say i went and say i saw a drag show is nice but the whole time i was kinda like "this is it?" in terms of both like... this is what conservatives are mad about??? a restaurant tent event w extra rainbows and mediocre live performances?? and in terms of like. this is just the regular social events i hate 😭. i assume itd be more showy if i was not. in regular kentucky. but yknow

[waywardsalt]

While Ganondorf is busy as king of the Gerudo and Linebeck is often out at sea, they hardly manage to find time to spend together- but with the right timing and allowances, find time for a bit of desert exploration.

-

ganonbeck fic complete!!

here's a new link to chapter 1, and chapter 2 is finally up as well.

FanFiction.net version: X

[not-brionnnne]

hey has anyone ever considered doing shinjiro smut for after the fade to black but he lays you across his lap, like has anyone ever considered the canon praise kink with him more—shinjiro who scolds you, calls you trouble and tells you to stay close to him like a "good girl", shinjiro who acts tough, pretends to be fed up with you pushing him around (he loves it, but that doesn't mean you're not gonna hear about it), ignoring what he wants, so two can play that game, and you think, god, he's not holding back anymore, he's going to kiss me, finally, we're going to— but no, he settles on his bed and pats his lap and tells you that you need to "take responsibility" for teasing him like that, messing with his feelings — "be a good girl." remember, you started this.

[hrh-prince-butt]

got struck by inspiration at the randomest time so now i guess i may be posting a multichapter rwrb fic in… the future at some point

[mcalhenwrites]

Reminder I'm single and incredibly talented

Someone please hit on me for the sake of my wounded ego hahaha

[its-short-for-jackalope]

TGWDLM deleted/alternate scene starring Charlotte, who is Having A Rough Day™

click for quality! + a few close-ups under the cut

reblogs are amazing, please don't repost <3

one of my friends named Charlotte's sweater kitty Albert so that's his name btw. <3