#i get that many people in the fandom do overlook the potential of powers of characters like tam and marella and DEX

[clarissaweasley-10]

reblog if you love both Keefe and the other characters equally (or to an extent equally).

[rmwb-fanfics]

How to remake Harry Potter:

(A step by step guide)

We’ve already had one god-awful adaptation that way too many people think is good. This is our one chance to have the book characters represented correctly, along with the plot they support.

I’ve put YEARS of thought into this. I’ve written scripts for episodes of a hypothetical tv show. I’ve drawn concept art. I’ve done shit. So I figured I’d share my thoughts.

1. Stick to the books*.

Stick to the books has a massive asterisk next to it because I mean the plot and characters. Some stuff (as you’ll see later) should be changed.

Nothing in this show should feel out of character. Harry should be closer with Ron than he is to Hermione. Snape should be a real d*ckhead. Hermione should be judgmental of those who don’t think like her, etc etc. The way these characters navigate their relationships is why the fandom is still relevant. It’s why canon-compliant fic is popular in the first place. We like their dynamics. SHOW THEM APPROPRIATELY.

Plot is a sticky thing because I’d say there’s wiggle room, but not too much. Certain characters have to die. Certain events must happen. You cant change that stuff.

2. Use the Medium.

You’re using film as a format to tell your story. Ideally you’d us animation, but I know Warner Bros has less creativity than Disney’s remake department, so I won’t even try and pitch that.

Use colour and saturation. It can help contextualize emotion. It can make us subconsciously recognize things. For instance, the scene growing more saturated when Ron walks into the room when Hermione is wearing the horcrux, or any multitude of other uses this could bring.

Bring in costume design that (actually fits the world) but also helps show how that character is feeling. What they’re thinking, their personality, their future, etc.

Make magic fun™️. The books sort of sidelined magic in 5-7. Don’t do that. Divert from the books. Magic should feel alive. Colour-code them so we as an audience can recognize spells and what they might do before we see it. Implement sound design to make each spell unique and vibrant. Make this world subtly bursting with magic like it was in the first few books. Have it weave around characters, wrap them up. Be creative with action scenes. Force transfiguration into battle scenes. Choreograph your duels. Show don’t tell us that a wizard/witch is powerful. Turn people into portraits. Lock them up as mice. USE MAGIC.

Your set design should reflect this. Everything should be bursting with personality. Don’t just use the shitty movie sets. Inject some colour, have the surroundings aid you in telling the story. Get weird with the camera. Use these tools to their fullest potential.

Actually fucking try.

3. Utilize Music.

Music is just… such a massive part of film. It’s frustrating how often even the best filmmakers overlook its use. Characters should have themes that mature and develop as the series goes on. Have action arrangements of the themes to play with heroic moments. As the series progresses, we grow attached to these themes. When they appear, the audience FEELS something. Don’t reuse great pieces to force emotion. (Dumbledore’s Farewell in The Prince’s Tale. Are you fucking kidding me?)

For example: Have a theme for Neville that starts out timid and uses very shy instrumentals, but we first hear a change when he stands up to the trio at the end of PS. Then it gains more instruments until OotP, when it grows again. Once we get to DH, it can be used in this heroic swell as he chops the head off the snake in front of Voldemort and everyone watching. The audience, consciously or not, will feel that moment even more.

Have a theme for Ron and Hermione that might not even be romantic until HBP when it gains that element. PLAY WITH MUSIC.

Themes for mystery, adventure, loss, love, friendship, LOCATION. Let them come back throughout the series to highlight various moments. See Lord of the Rings and The Hunger Games, as well as (surprisingly) the Fantastic Beasts films.

Let music affect the visuals. Magic can bend and swivel with the music. Use it to tell the story. Use it to show emotion. Use it to progress a character’s arc. USE CONSISTENT MUSIC.

4 . Be Bold.

This is the big one and it may seem like I’m contradicting myself but I’m not. Rowling’s work hasn’t aged crazily well to modern fiction standards. This is your chance to rectify that. Fill plot holes, actually think through the politics. Introduce world-building elements that enhance the story/characters. (The house system, and how Slytherin fits in. The logic behind avada kedavra???) Get creative with solutions. Contradict the original work when it comes to description of location. If it doesn’t work for the film format, don’t force it to work here.

Spend more time with characters we know are relevant, but maybe not to the plot. These are your Ginny Weasleys, your Seamus and Deans, Nevilles, etc. Really fill them in. Give them more scenes. Ginny has two phenomenal arcs that play completely off-screen, explore them. Show us her friendship with Hermione. Show us her insecurities and her faults. Give us more of her and Harry’s friendship. We know they get married, so maybe fix the whole “Rowling wrote the epilogue first, but didn’t realize she was waiting too long to introduce these characters until HBP”.

Add scenes. Add jokes. Add smiles and covert looks. You have more time, which means you have a chance to focus on friendships, and romance, and world building.

Tell multiple storylines. Give Remus and Tonks a cool spy/thriller subplot interjected with the main story in OotP. Show us more of Fleur staying in England. Give us more of Harry and Sirius bonding. All of this stuff can fit loosely into canon, and be welcome creative additions.

BE BOLD.

And finally,

5. This is your chance to not only retell the story, but to do it better.

RECOGNIZE THIS. Take advantage of this opportunity and enhance canon, don’t fight it.

Don’t add Hermione and Harry dancing because *YOU* don’t like where the romantic pairings went. Don’t add Draco sympathy because you want him to have a redemption arc. Don’t dumb Ron down because you don’t like the fact that he’s just like the teenage boys you dated in High School, and he was a bit immature.

Make changes, be bold, use music, stick to the books*, use the medium, but take this as the opportunity that it is to enhance what came before.

Thank you.

[dw-humps-n-snarkives]

My two cents at the Johnto discourse since "complexity" is at play here:

1. The audio has explicitly called back on the imagery of mirrors representing the fact that the events that took place in this particular audio is an alternate timeline. Everything in this audio did not happen in TV Torchwood's canon.

(Although, I'm one of the people that don't believe in canon when it comes to the Whoniverse, but we're speaking in narratives here. You can argue that TV John is still capable of doing such things considering what transpired in the episodes involving him, but there's still a particular part of his character that we tend to overlook which I will be picking up at #5).

2. You are ALLOWED to be uncomfortable with the contents of this audio as you can with many other forms of media and many types of fandom. This audio was an experimental approach to Torchwood as a whole, John is Jack's narrative foil and his character is supposed to show that "this is what would happen if Captain Jack Harkness never attempted to be the better person in any chance he gets."

Jack is not a good person, but he's not inherently evil either. John is definitely not a good person, you could say he's Jack's evil counterpart, but you can still see a sense of humanity in John's character especially when you see him interact with Jack.

(See: The latter portion of TDOCJ when Jack realized that John went back to him because he wanted to stop the universe from collapsing, the entirety of Peach Blossom Heights in The Sins of Captain John, and smidges of dialogue between the two where John's behavior can be easily labelled as "a crazy and clingy ex.")

3. Ianto wasn't the only one who suffered in John's reign in the audio (I know that sounds horrible since I'm putting him aside but bear with me here, he'll have the whole portion after this).

Gwen was coerced to have sex with John and it immediately moves to the part of the timeline where John deliberately killed Gwen, John killing Rhys when he was (understandably) upset with not being informed that his girlfriend died, Tosh was literally treated as a disposable, and you could barely get anything from Owen since he was only mentioned once.

What Ianto went through is undoubtably SA. The way John toyed with Ianto is completely unacceptable and it should not be glorified, romanticized, or repeated in any way, shape, or form. That being said, as a fellow polycule Ianto, Jack, and John enjoyer, this audio is definitely NOT the sole reason why people ship Johnto, or conjure ship content involving John.

I'd like to refer you to this post involving Ianto's many horrible non-consensual happenings in his relationships throughout every Torchwood timeline out there (with Ianto ALWAYS being the victim). John and Ianto's relationship in this audio is also the potential outcome of "if Jack and Ianto's relationship were to be more toxic and unethical in the workplace" (and their relationship in TV Torchwood was hardly on equal grounding, too).

A VERY IMPORTANT ADDITIONAL NOTE:

I'm not stating that Jack and Ianto's relationship should be seen in a negative light, pointing out the flaws and toxic traits of a relationship doesn't make their love for each other and entire relationship any less valid. Their relationship is complicated and that's normal, I'm only pointing out the power imbalance in Jack and Ianto's relationship when viewing it in a workplace setting (being Torchwood).

Said power imbalance doesn't mean I'm ignoring the choice of both Jack and Ianto to start and keep the relationship going as they are both consenting adults, whatever problems that may cause between and outside them will follow (it's just unfortunate that in Ianto's story, he always gets involved in fucked up arrangements in his relationships because of Torchwood, whether platonic, familial, or romantic).

4. Creating ships and pairs that could potentially be toxic for either or both parties is not a new concept. If done right, liking complicated ships and pairs only means you find the dynamic, the narrative, and/or the reaction between each persons interesting, it could even be used as a study for people who are interested in making a story because stories cannot exist without conflict. This also means you don't actively support the good or bad things about a ship or a narrative, that's the point of having an audience in the first place: members of fandoms are meant to criticize the source, whether it's in a positive or negative way, because people find a way to make something new out of it in the most creative way possible. That's what fandom is.

5. Captain John Hart as a character was never meant to be taken too seriously in the first place. His behavior in The Sins of Captain John proves as such, and using him at TDOCJ was a perfect way of presenting the exaggerated "what-if" situation as he perfectly thrives in parodies and he thrives in the purest form of pettiness and unfiltered, somewhat childishly edgy entertainment. No doubt, he's a murderous, selfish asshole, but liking a villain character doesn't reflect your character as the viewer and consumer of the character's content (See: The Master).

Remember that this is Torchwood, the show where everyone is capable of doing the most unethical and immoral thing to get to their objective, and Captain John Hart and Ianto Jones are not exempted from such influence.

Most importantly, always handle discourse in a civilized manner. Coming after people while making a point will become futile as there will be no discussion made when someone gets hurt.

You're allowed to critcize the content, but don't judge the people who enjoy it. Appreciating a supposedly problematic ship does not reflect on their overall humanity.

[valleynix]

your mother miranda vid was so good!! she's one of the most interesting resi characters period, and seeing her get mishandled - and as a result overlooked or misinterpreted by the fandom - is super frustrating!!

out of all the things they cribbed from re4 the one thing they didn't was making the game like 20 hours long while juggling 5 villains (8 if you count the dimidaughters)......... hell, they could've had an entire game in castle dimitrescu. imo re7 is the best written re and playing these two back-to-back was so jarring lmao, so much potential absolutely wiffed.

i do wonder, has your fic writing ever been motivated by like, spite-fueled creativity? when i think about things i love but wish were better like this it makes me want to write or create something as like, a better version of that thing, and one of the funnest parts of your fics is how you expand on the lore/characters in the base material.

AAA THANK YOU <33 she's literally such an interesting character and she's been through so much, it's really not fair that someone like her is just... sidelined and written so poorly. the fact that so many people misunderstand her or just plain hate her is so UGH i love the mama bird dearly and it hurts seeing her mistreated </3

I WISH IT WAS LONGER- like even when i didn't know much about it (early stages of hyperfixation), it didn't take me that long to get through?? whereas 7 was HARD to get through and took me like... actually idk but it was LONG. seeing all the concept art, all the things they skipped and we missed out on... capcom you COWARDS

biohazard was genuinely so fun and so well-written, Ethan was just Some Guy stuck in a bad situation and that in itself was incredibly interesting. the mold, the mind control, their powers??? and then it's like they hired a new team of people who'd only been told the bare minimum about biohazard and went from there and it SUCKS

but also yes, absolutely LMAO. i've definitely said or written things purely out of spite, and given my knowledge of re8, i like incorporating what i know as much as possible and making it as... "canon"?? as possible. which just means having characters talk about things, even if it's brief, including subtle hints, even having the readers speculate about things based on what they know in the moment (like TPtM Reader pondering the Megamycete and the mold, stuff like that)

i would joke and say that capcom should hire me to write for them but i feel like plenty of people wouldn't like that LMFAO, i'd be adding all kinds of hints about the characters and demanding they're handled with care

[artsofmetamoor]

Oh gosh girl what a deep and fascinating analysis of our boy!!!❤️❤️

Caleb is one of those characters who gets overlooked in an already niche fandom yet in my eyes he was always so full of wasted potential! He's perfect as the tragic hero in a dark/high fantasy story! Just his basic backstory from the comics! Created as a mindless slave, yet somehow gaining sentience, escaping to fight for his freedom and his right to simply exist, and ultimately leading a revolution against the very master who made him. The implications of this! His struggles with identity, the pressure of leadership, and the countless challenges he’d face! It's all insanely good material for a proper story!!

And as such we adopted him 😆 to fully develop him from scratch and to try to give him the depth and complex story he deserves! Honestly, at this point, I consider our version of him practically an original character! We made sure to keep him recognizable, but he has also strayed from his canon version in a few of ways. I know some people might wonder why we didn’t just create a totally original concept and story, but 1) this is simply what we love to do, and 2) I’d argue that we’ve already crafted something original by filling in the gaps and connecting the dots with our own ideas! This isn’t meant to diminish the original in any way, it's just our own world inspired by it ❤️

To parallel Caleb and the legendary Diomedes is quite an intriguing thought, but both were indeed forged in the fires of conflict weren't they? And as mentioned above the idea of Caleb as a Whisperer, a creation of Phobos intended to be a soulless servant, opens up so many possibilities to explore themes of identity, free will, and rebellion!

And with this comes the question: What does it mean for a being created for servitude to seek its own path? This becomes Caleb's whole life's search! From a lost child found with no real parents, to a boy raised in war and finally a man plagued with many traumas that eventually finds his healing... As his story progresses I think it's both tragic and touching how he finds meaning for everything that he is!

It's too much fun to incorporate things from the series, like Julian as his adopted father in this version, mixed with our ideas of the life cycle of whisperers!

It was also fun to try diving into Caleb’s strategic mind and you definitively pointed this very well here! The way Julian saw that potential and raised him not just as a son (after so tragically losing his biological one) but as a future leader, adds so much to his character, especially considering the weight of those expectations from such a young age. Even in the original canon Caleb’s ability to unite such diverse groups and cross social and racial boundaries is so powerful, making the rebellion a true movement for all of Metamoor!

It’s undeniably one of the most tragic aspects of Caleb’s story that he never had a proper childhood, forced instead to face the harsh realities of war... And yet it’s so touching to think about how he gets to raise his own son in a time of peace, giving him the happy, carefree childhood he never had! It shows his and other rebels' sacrifices were for the next generation! But regardless him and Diego really were children of war and tragedy indeed, and it shaped them in profound ways... Thank you so much for the wink to the title and my drawing of the lads!! ❤️❤️❤️

I cannot hide how the Tribal Galhots are one of my favorite aspects of out story!!! It's not like I draw them all the time!! 😆 The way Caleb identifies with them and bonds and learns with Dilla in a place that’s meant to become his home is everything! It’s like this turning point that shapes every big decision he makes moving forward!

Dilla leaving, even if just temporarily, is such a heartbreaking twist in the story. It really allows us to explore how Caleb’s well-intentioned choices can sometimes lead him down the wrong path, and how guilt can distort his understanding of his true needs and wants. While the complicated dynamic between Caleb and Cornelia has its own intricate reasons, Caleb’s guilt undeniably plays a significant role in his choice.

Oh gosh there’s no betrayal that could cut deeper for Caleb than Diego’s. Being imprisoned for years by someone he loved and considered family is an incredibly visceral and painful concept. It’s such a raw and challenging theme to dive into right at the beginning of the story we’re crafting! Especially since Diego is a very complicated character himself! All of this leaves lasting marks which hurt deeply even while Caleb heals...

And here’s another hard moment to dive into! 😢 Caleb hitting his absolute lowest, even worse than his imprisonment... His body might be free, but his mind is still haunted by all the horrors and traumas. Dilla’s return and their reconnection mean so much here especially when Caleb feels like the world has just moved on without him!

Aww, I’m so in love with this!! ❤️ And it happened without planning! It’s funny how a lot of stories, even in canon, have Caleb and the ex-rebels ending up in roles like joining the Queen’s army or something similar. While that might work for some, Caleb’s ultimate dream in our story is different: he wants his peace, his family and his home! After years of war and commanding men to battle he just wishes to raise his son, wake up snuggled in his wife's arms with kisses, take care of their beloved home, and to relish the most simple pleasures! And no one would believe that the fearless rebel leader ends up as a happy house husband, but here he is!! 😆❤️ Tho yes another struggle will come with the arrival of Corny and it definitely is not what one might expect!

Oh gosh I really love how this character has turned out and I can't get tired of drawing him among others! That's so true, Caleb’s journey, including his quest for personal growth and his ultimate self-redemption, really points out that that being a hero isn’t just about saving the day. It’s also about seeking help when needed and striving to not only be better, but to inspire others to be better as well. I love how you finished this analyses with this note, Caleb’s story is indeed in many ways a reminder that there’s more than one way to be heroic. He's not perfect, he's quite flawed and thus very human, giving in to feelings of pain, guilt, rage and even giving in to his boldness and arrogance at times, but he doesn't get crushed. Sometimes the hardest achievement is saving yourself while still being there for others.

Really amazing perspective on him girl! this is awesome!!! ❤️✨❤️✨❤️ ✨

An Analysis of a Hero (based on the projects I am working with @artsofmetamoor )

So speaking on Diomedes with several friends so far gave me immense inspiration (which is also why I include the name to the tags). And so, I took the courage of speaking of another technically war-raised child. Caleb. Caleb is one of the deuteragonists to the comic series W.I.T.C.H released in early 2000s and later on property of Disney, and protagonist on the series of the same name that is a Disney property and aired by Jetix in the early 2000s.

W.I.T.C.H is a high fantasy teen story that has the acronym of the 5 protagonists Will, Irma, Taranee, Cornelia and Hay Lin who posess the powers of the 5 elements of nature (Aether, Water, Fire, Earth and Air) respectfully who have as mission to protect a veil that is separating earth from the opressed kingdom/planet of Meridian (also known as Metamoor) while combating the forces of Prince Phobos who snatched the throne from his sister, the rightful heir and rules the kingdom as a tyrant. Caleb, the character in question is the young man who has taken the role of the leader of a rebellion against the prince and who served many years for the best interest of his people.

Born in War

Just like our beloved Diomedes, Caleb seems to have been raised at war. His origins differ depending on media; the TV series has him as the son of the previous Rebel Leader and a witch but the comic origins seem to be much deeper than that. In the comic series Caleb is a Whisperer. A Whisperer is a magical creature in the form of a plant that is supposed to serve the will of the master who created them. Plot twist; his creator is Phobos himself! Caleb was supposed to be a soulless servant who careied the wish of his master. This part was actually used for the story I am working with my friend @artsofmetamoor

Broke the shacles

Caleb, somehow, managed to gain his free will and intelligence. In the comics or rather an extra issue that came later, it is hinted that Caleb gained his final shape immediately. In our story with my friend, he is coming as a child. But even as a child he realizes that the environment he was in was not good for him so he ran away. He was eventually discovered and rescued by his adopted father Julian (his biological father in the cartoon) who takes him in.

A Promising Genius

Caleb was proven highly intelligent from very early age. For example in the TV series we see him coming up with plans in a second even if he is officially 15-16-17 years of age in the series. This is actually the concept we follow in our story. Caleb was taken in by Julian as a baby named after Julian's own son who was violently killed by Phobos's regime (headcanon). From day one he was raised to be his father's son. He was raised to protect himself not only from the regime but also from the terrifying creatures at war. That happened because of his mind showing such potential, finding clever solutions in every corner. Julian knew he would be not only a worthy heir but also surpassing him (which does happen). Caleb brings the rebellion to its full potential, adding more people to the cause, including other races and sub-races of Meridian and the entirety of Metamoor including Raio, a noble-born who was inspired enough to follow him.

Born in the fire of War, Raised to its Art

As mentioned above, from very early on, Caleb was introduced to the art of war and the several ways to survive. That meant that he had very small childhood or very faintly enjoyed. Caleb was taught martial arts, sword and combact tactics ever since he was a kid. He would also use these in everyday life not only to avoid war but also predators in the forests. He and his adopted brother, Diego were basically children of war and tragedy

What is more Julian dissappeared after a dramatic battle and Caleb had to technically take over as the leader of the rebellion to the tender age of 14 years of age. Despite his young age, under the careful guidance of some of the older and more experienced members of the Rebellion, Caleb grew into a marvelous leader making him already known to the surroundings by the age of 15.

Caleb received an aditional training coicidentally while still running for his life, by one of the many different Galhot races that exist in Meridian, called Tribes. A society of enormous warriors and blacksmiths who mostly live by hunting, gathering and exchanging goods with each other or other Meridian cities. He was trained by a woman by the name of Dilla, who later on becomes his partner and bodyguard during the Rebellion.

A difficult and probably ultimately a bad decision

Caleb begins having strange dreams about a young woman that was later to become the Earth Guardian. Perplexed by his emotions as well as his concern about hurting Dilla with them, he breaks up their relationship and Dilla is to return to her village. Caleb ultimately would regret that decision for the rest of his life.

Betrayed and Imprisoned

For those who followed my friend's work, know that Caleb was betrayed and imrisoned by the very brother he would protect with his life at all occasions; Diego. Diego, the Shapeshifter, someone capable of taking someone's form by absorbing their life essence, imprisons him and uses him as a battery to recharge himself thus stealing his life. Caleb suffered an eternity during his captivity with the knife o betrayal cutting the worst

Hitting Rock Bottom

After his release (details to be shown in the upcoming comic) Caleb hits rock bottom, roaming about Meridian not knowing what to do, using booze which hopes it will end his life. Rescued as if by a miracle by Dilla who helps to nurse him back to health.

Desire for a quiet life

Unlike many examplesof heroes @artsofmetamoor and I worked a lot on the ideas behind Caleb's future. However we realized that what Caleb truly would have wanted was to settle and have a quiet life; settle down be peaceful and have a family!

He finds this stability to Dilla with whom he also finally after so long time gets to have a son with called Kai.

However difficulties will rise once more when tragedy brings Cornelia back into his life just with a different context!

What makes Caleb the Hero;

Caleb is deeply flawed character; he makes crucial mistakes on his way to achieving peace and some of them are due to his ignorance while others due to his harsh life. However what makes him the hero is that he tries his best for those he loves; he goes through trials and ordeals and he has to come out of them as strong as possible to protect others and succeed in his mission at war. He also survives these ordeals not because he never bended but because he learns to get back up again even after hitting the worst way possible rock bottom.

In our stories we do aim to give him the same if not more screentime to open his wings as in the series but with the complexity of the origins of his comic counterpart and we hope to inspire other people follow the example of aiming to become better and better, aiming to overcome your difficulties and that it is never too late to do so.

We also kinda wanna inspire people that the "dream big" doesn't need to be some successful career or some sort of a loud bang in your life. Despite the fact that our Caleb in our story receives the same amount of love and recognition by the people he helped and that he is satisfied with that as well up to one point, ultimately Caleb's goal was to be calm and have a good life; his ultimate destination according to his dream is to be a house-husband who wants to live in his village and take care of his son instead of some sort of successful businessman or warrior however we do not aim to say he loses his masculinity either; he is deeply concerned for his family and protects them and provides for them as well in his own way. His motivations are clearly out of love and caring for his family, for which he has worked so much for . Having a family and protecting it is for him one of the most important things.

Caleb is also a person with deep concern for people around him and society he lives into. In one way we aim to show there is more than oe way one can be successful in their lives and that is something that comes out of nowhere sometimes.

Hero of a story is not just the person who saves the day (which is already important enough that's for sure) but someone that can potentially inspire other people do something or be better versions of themselves and that there is more than one way to achieve that. Plus that its okay to ask for help. Sometimes that is the hardest part of all.

Caleb reached for help and saved himself the same as he saved many people before. Saving himself was probably the most difficult and greatest achievement he ever did in my opinion despite his already heroic course in his life.

[undertale-data]

[Image Description: an Undertale chat box with the name "PAPYRUS", in all caps and Papyrus font, in its center. On its left is a talksprite of Papyrus sweating anxiously, and on its right is a talksprite of Papyrus wearing sunglasses. End I.D.]

The Great Papyrus is the most popular Undertale character among the fans surveyed here. 19.6% of responders chose him as their favorite. That’s a total of 519 fans! (Wowie!!)

Not all Papyrus fans are unified on his characterization, however. The most obvious divide was between fans who call him a “cinnamon roll” or “precious baby,” and those who find these takes infantilizing. A lot of people like the friendliness and optimism of this character, while others recognize this but highlight his maturity too. Fans who worry about his infantilization seem most concerned with how he can be portrayed as naive or dumb by the fandom. A portion of fans specifically mentioned this naivety as a point in his favor, though the marginally more popular take seems to be that he is not naive, regardless of how he first appears. This fandom divide seems to relate to Papyrus’s autistic or ADHD coding. Many fans relate to him as ADHD and autistic themselves.

Fans also related to him in his desire for friends. Many responders think of him as a friend and a comfort character, so at least in one way his wish has been fulfilled.

The phone calls were a major reason that fans said they felt connected to Papyrus. Thanks to these calls, he has the most dialogue of any character in the game. His humor and dialogue were often highlighted as favorite qualities.

While fans may disagree on some aspects of Papyrus’s personality, it is clear that his fans all value his optimism and kindness. His fans do not see his kindness as weakness. Many talked about the complexity of his character and the strength it took for him to show mercy to the player character, even when the player doesn’t show it in return. He believes in himself, and he believes in you! This kindness and trust has inspired his fans to be kinder themselves.

Papyrus fans were also drawn to his mysteriousness. Several responses pointed out that he is a more mysterious character than Sans, who is also often loved for his mystery. As shown in the phone calls, Papyrus will put on fronts depending on who he is around, making it even more difficult for fans to uncover his secrets. Some people in other sections of the survey found this frustrating, but Papyrus fans tend to see it as another point in his favor.

Among the greatest proportion of responses were from fans who couldn’t choose a favorite trait, or who just love everything about Papyrus. While these responses may be less lengthy, they are still as full of love as the essay-length answers. These responses tended to say phrases like “cool dude” or “Papyrus my beloved” or “THE GREAT PAPYRUS.”

(You were overcome by writing about such a handsome skeleton. He understands.)

Highlights: (under the cut)

Honestly Papyrus just feels like joy. Funny, incredibly kind, with a few mysteries/weird quirks about him that are fun to ponder over. I especially love how he often acts proud and self aggrandizing without putting others down, and in fact sometimes uses that to lift his friends up alongside him. You don't see this take on proud characters often.

Papyrus is strong. Strong in body, but also morally strong. He knows what is right, what it means to be merciful and kind, even in the face of danger or death. Some think him naive. And yet, even facing death and seeing the dust of those he knew, he did not falter or turn from his ideals of mercy and change for the better.

BECAUSE HE IS THE GREAT PAPYRUS

His optimism and his overall personality is endearing! You're always having fun with him :D

He's meeting all of my standards.

Papyrus is very under appreciated, and overlooked, and it's very frustrating to me—he's a complex character but people treat him like he's a baby!!! I like him because he's kind of goofy with how he talks and he's just very charming and kind.

He's weirder than Sans, and it wasn't acknowledged for years because he acts oblivious and dumb, even when he's clearly not. Quite frankly, I find it iconic. Also, his entire personality helps a lot.

I'm ND, trans, and projecting!

OK SO he's just a friendly guy!! A dude who likes cooking for his friends!! We love a hype man!! Also smart as hell and I feel like fanon majorly overlooks this. Making good, fun puzzles is HARD and setting up a flamethrower to go off wirelessly is complicated. Like even if that bridge puzzle didn't go off the components were complicated. Love that cool dude!!!!

I heavily relate to Papyrus as a character and consider him my favorite fictional character of all time. He is a very well-written and thought out character with several quirks and layers in his personality. It is headcanoned by some (myself included) that Papyrus may possibly be on the Autism Spectrum due to his nature, his interactions with others, and overall how he displays himself to the world we see.

I could talk about Papyrus forever, and you have made a grave mistake in allowing me to do so. He is a charming, strong spirited, well intentioned, complex character that is often wildly misinterpreted, and I think originally this is why I was drawn to him. He is presented as one thing and in fact acts as one thing (though not the same way as presented by fandom), and in reality when you look closer than you are meant to he is not, in fact, any of these things. It was intriguing to me. Secondly, and rather contradictorily, another thing that drew me to him is that he is very true to himself, when it comes to idiosyncrasies and moral values. It's true that he does not offer much in the way of personal backstory and feelings, but he offers very much indeed in the way of personality. What a guy! He wears silly crop tops and bright colors, he speaks in a manner specific to him that sometimes doesn't make sense, he cares about something or someone and goes whole hog with it -- he's passionate, damn it! I love him and his weirdo, goofy self with all my heart. He cares about other people to a fault, too. He would sacrifice everything to help someone, and his belief in the potential of both others and himself is indomitable. When faced with the responsibility of a kingdom, his friends gone, his brother lying to him, and himself all alone without a reliable support system, he recognized what he was facing and still bucked up and became determined to get through it. When faced with a murderous, over powerful enemy, someone who had killed many of his friends and fellow monsters, someone who had repeatedly been rude and borderline aggressive and showed no signs of stopping, he saw that they were having difficulty and offered to help and to care for them, and didn't regret his decision or change his opinion on what they needed and their potential for change, even when quite literally killed by them a moment after. Even in death, even directly after a betrayal like that, he never stops believing that they can get better, that anyone can be a good person if they want to be. That's important, I think; that concept of giving people the chances they need to grow and to change. I have a tattoo of that moment on my thigh, it's that important to me. I guess I really like Papyrus because even though he is fictional, watching him out there makes it easy to believe in people, in our inherent goodness and desire to love each other. He makes it easy to see that we can change, that no matter what you've done in the past or who you currently are, no one is inherently a bad person, and no one is incapable of learning how to be a good one. It is just a step by step process that we have to take day by day.

[Image Description: A wordcloud shaped like Papyrus. His gloves, boots, and cape are red; his Battle Body is blue, yellow, and white; and his bones are white. Some of the most visible words are: Kind, Love, Good, Cool, Relate, Funny, Friend, Mystery, and Papyrus. These are the words that responders mentioned most in their essays about him. End I.D.]

Read the full list of responses shared with permission by clicking this link! (The document is 25 pages long, so you may want to make a copy to prevent lagging.)

[sepublic]

Now a part of me does feel pity and grief for the Nowhere King/Elk/General, but on the other hand I see the Mysterious Woman kill him and I’m like;

This lady didn’t ask for this. She was only ever kind to the Elktaur and his components, but then had to deal with the fallout of them fighting over her without much, if any, regards to what the Woman wanted. A part of me is sad for the Elk, but a part of me notes that it’s kind of possessive how he mostly throws a pity party for himself and doesn’t seem to care that his beloved is happy. And the General... Well? He speaks for himself.

The Mysterious Woman saw two worlds get ravaged, countless people died, because these two men couldn’t agree over her. And she no doubt blamed herself, shouldered the burden for their immaturity, hence why her final song evokes the ‘poison’ they’d fed her. She had little to no agency in this mess, yet was the centerpiece of it as a trophy the Nowhere King and General were fighting over; Civilizations were ravaged by the Nowhere King, while the General let people die so he could be with the Woman when she clearly didn’t want to prioritize their relationship over lives.

So to see the Mysterious Woman acknowledge her pain so she can absolve herself of that unfair guilt placed upon her... Realize it’s not her fault, the Elktaur and his halves made their decision? Genuinely cathartic. The Mysterious Woman can finally be free of the burden of their possessive love that killed and destroyed, and not treat this tragedy as her responsibility, but simply a problem to be dealt with. She would’ve loved him regardless, it really is just HIS fault.

From a meta standpoint, I have to wonder if this is Megan Nicole Dong’s discussion of how women are treated in media. How in stories like these, the women’s feelings and agency in these back and forth conflict between their potential lovers is often overlooked, swept aside, because the pain and angst of the men is more important. What about the woman, what does she think and feel and want?

Not to mention the sexist tendency of writers and web fandom to put the onus on the woman for the man’s mistakes- To act like she’s responsible for him/them, she’s supposed to take care of and do everything in her power to make him okay, to ‘fix’ him. It’s her fault for not taking care of this grown man and her fault that the man caused this damage, and not... The man’s fault for choosing to do all this because she doesn’t owe him anything. If anything he owes HER, we see how the Mysterious Woman went out of her way to be kind to this dude and give him recognition!

So the Woman mourns the Elktaur, the love they could’ve had... But ultimately, she finally absolves herself and recognizes that this is his fault. She’s not beholden to him, she doesn’t owe him love. And while she wishes he hadn’t been like this... In the end, HE was, and she and so many others had to deal with the fallout of it. And the Mysterious Woman blamed herself, because if only she’d done more or been kinder...!

So yeah, I think this whole arc was a bit of a meta commentary on sexism and how women are tossed around as trophies to be won with no agency, while simultaneously given the onus of being responsible for the feelings and thus actions of the men who yearn for them. This backstory is possibly a discussion on how these messages in media can harm and damage women watching them, who feel like it’s up to them to ‘fix’ toxic people, because who else will?

And then that applies to just about any toxic and possessive relationship... Like there’s something rather victim-blaming and gaslighting when the Nowhere King tells the Woman that he forgives her, as if she caused this! Maybe it was in reference to sealing him away, but she only did that because HE tried to kill everyone; “I did this for you,” he claims. But did she ask for it? Is it her fault that he chose to do this when she never asked, and is it her fault for choosing to reject it, when such humble gifts are meant to be unconditional and prepared for rejection?

It almost implies as if it’s the Woman’s fault for making things more difficult and bloody than they need to be, by not accepting this ‘gift’, and rendering the Nowhere King’s efforts and sacrifices ‘meaningless’. As if this violence only became senseless because the Woman didn’t justify it by accepting the gift. As if these deaths that could’ve been a necessary loss by accomplishing something were instead wasted by her, because the Woman didn’t want to go through with it and take the final step.

All in all, she did the right thing. The Mysterious Woman practiced some self-care by smashing Elktaur’s head in, taking a moment to mourn and pity but also take out some much-deserved anger; I’d argue it’s a very progressive, feminist storyline and victory for her! And honestly, I look forward to her friendship with the Beartaur, of all people- Yeah they sass one another but they’re actually relatively honest and open with each other. There’s more communication with these two over their issues than there’s ever been between the Woman and Elktaur, and I think about that a lot.

It’s funny, because I was wondering what their relationship was like, if the Beartaur moved into the Woman’s cave and she had to sneak back in to make additions to the mural, but no! It’s a totally open and relatively mutual arrangement between these two, and I love that weird yet human dynamic where these two bicker as roommates in Season 2.

Weird take incoming, but the Beartaur is already proving himself to be a better romantic candidate than the Elktaur, and if the Mysterious Woman ever makes room for romance in her heart again, he’s arguably the best and maybe only option she has! And yet the Beartaur would never act entitled to her love, all he asks is for the Mysterious Woman to be a cleaner roommate which is... A totally fair demand let’s be real. This might be just HIS cave and he lets her live there in exchange for lore.

And it’s kind of ironic but really fitting that this shlubby nerd of a dude who is a borderline basement dweller is like. A better companion to the Mysterious Woman, romantically or platonically. Simply because he never acts entitled to her love and just talks and communicates with her on the same level, while the Elktaur doesn’t.

Yeah the Beartaur is willing to glue live people but it’s because he knows what he wants and isn’t indecisive about it. He’s not a Nice Guy like Elktaur who is swimming in self-doubt, dude chooses to glue people because they make the best figurines, what about it? It’s not like this is because of some self-loathing or personal pity party, he is who he is, and that self-acceptance and communication is kind of why ‘jerks’ like him are preferred by women. The Beartaur owns who he is and will actually talk to the Mysterious Woman, and complain not over love he’s owed but just hygiene.

TL;DR There’s something very feminist, both in a meta and in-universe standpoint, about the Mysterious Woman reclaiming her agency and absolving herself to kill the Elktaur, and finally be rid of his possessive and destructive love that she blamed herself for. She’s finally free now, to live and breathe and love -herself and others- without guilt. And while it’s so tragic and unfair that it’s up to her to finish this and kill the Elktaur, even if it’s not her fault, at least the Woman finally got over if.

(And ftr I don’t hate Elktaur or his components. Well except maybe the General. I’m very emo over him/them too.)

[redrobin-detective]

I am going to regret asking this and giving you another chance to drag me in this fandom... but what's the problem with Danny's parents? Is there something else than the fact they really really want to dissect a ghost?

For me, the issues with the Fenton parents boils down to two main issues: 1. their complete and dangerous obsession with ghosts and destroying them and 2. the negligence to their children. I think Jack and Maddie are good people who love their children and can be good parents. But the problem is their ghost hunting work was always the priority in the family which Jazz and Danny clearly suffer from.

Point 1. The Ghost Obsession

I don’t know what happened to Jack and Maddie that caused them to develop an all consuming obsession with ghosts and, moreover, the need to destroy them. Fandom has pointed out that while they claim to be scientists, they clearly are more interested in weapons to hurt and destroy ghosts than anything even resembling normal scientific study. Amity Park has a high number of violent ghosts (mostly there to play fight Danny) but most ghosts everywhere else are just vibing. The ghost obsession hurt Danny long before he became part ghost (but I’ll save that for Point Two) but it went from an annoyance to an actual threat to his life.

First off, as many others have pointed out, having a dangerous lab in the basement with untested equipment/weaponry that your kids not only have ready access to BUT also have to go down there for assigned chores? Not great, Jan. I’ll give the Fentons the benefit of the doubt, we see clearly that Danny/Jazz know how to work the equipment in their house so they obviously have been drilled in usage and safety. Danny gets his ghost powers by being dumb and 14 and messing around with his friends like any normal kid would. Danny is now the very thing his parents want to hunt and destroy and a mainstay of the series is he is so scared of their reaction that he hides his powers/identity from his parents but not his ghostly enemies. Can you imagine being that uncertain that your parents love for you outweighs their obsession that you hide such a fundamental part of your life? What a miserable reality for a young kid.

Jack and Maddie spend the entire series going off about their hatred of ghosts. Danny has to sit there and listen to them talk in extreme detail how they’ll dissect and obliterate any ghost they come across. They’ll be making deadly weaponry made to kill beings like him at the kitchen table, weapons that do respond to his ghostly signature. They especially hate Danny’s alter ego, Phantom, because of his supposed trickery by pretending to be a hero. The canon things said in the show would certainly make me nervous about sleeping in the room next to them. They are capable of working with Phantom when push comes to shove but it never lasts long and they go back with guns blazing. Danny and the show mostly play these threats off for laughs but the fact that Danny straight up doesn’t tell them is telling enough on how it effects him. 

Point 2. The Negligence

‘Hur Dur parents are bad’ is a well known cartoon trope but the Fentons take it to an extreme. Jack and Maddie are obsessive with their work, absentminded and reckless, none of which create a safe and stable home for children. I love Jazz and Danny but they clearly are not entirely normal children (even before the whole ghost thing) from growing up in such a home. Jazz develops a reactionary personality, delving into psychology and being right as a way to kind of understand/get back at her parents (source? I do this exact thing with my mom) and Danny was quiet, overlooked and not given the attention to really flourish, instead being a sort of ghost in that house before he ever became one. 

Jack and Maddie 110% love their kids but do they encourage them in a meaningful way? Support their interests? Be available to help? Not really. I hate The Fright Before Christmas bc Danny gets blamed for being a “scrooge” instead of acknowledging he hates the holiday for his parents destructive fighting every year. (source? Again fucking me. I hate Xmas bc mom and I scream every year)

This issue only exacerbates once Danny gets ghost powers. His whole life is affected by his ghost fighting: he’s getting injured in fights from human bullies and ghosts, his grades are dropping from lack of studying/sleep, he’s absent from the house more often than not, he’s sullen and depressed and scared and anxious all the time. It’s a radical change and yet Jack and Maddie kind of brush over it, focusing instead how Danny’s changes affect them (IE Danny not being around to do his chores). This boy comes home, beaten from fights, stressed and feeling alone only to get yelled at because his parents miss all the signs he’s practically radiating that he is Not Okay. He eventually becomes a good enough fighter and actor to skip over but it’s truly heartbreaking that he can’t confide in the people supposed to support him the most. But it’s not just the ghost obsession, even without all the powers like if Danny was doing drugs or in a gang, his parents barely notice and, when they do, they don’t really do anything other than blame him. 

Now I’m going to end this long rant by saying that I love Jack and Maddie, I think they are fascinating people and want to see them developed. The situation as it is for most of the series is not okay in the least but I do believe they have the potential to be good, supportive parents. There’s a couple of eps where they DO find out about danny’s powers and instantly all the negligence and hostility is gone, its all acceptance of his powers and apologies for their behavior. Its not a perfect situation and could be borderline abuse apologism if done wrong. But I’d like to think that once they got over the shock and did some serious priority and soul searching, they would learn to correct themselves. Growth isn’t just saved for the teen protagonists, everyone has the chance to be better. Danny clearly doesn’t hold his parents behavior against them and would be nothing but ecstatic if they loved and accepted him. I do believe in a happy, functional if abnormal, Fenton family dynamic and I’m all for it.

[timothy-kaplans]

Yeah he struggled with his Luthor side, it’s super interesting and a huge reason why I enjoy him. But he only became evil/brainwashed ONCE. Titans did it EVERY SEASON, and one of them was all for someone he’s never met who’s a villain. That’s what I’m saying.

All I’m asking for is

Don’t make him a villain

Don’t kill him off

Don’t age up/down so he can be with his actual friends I want to see him interact with

Personal preference for 00’s era inspiration, which fyi lasted longer/is more prolific than the 90’s. It was fine for Reign of the Supermen, but I only brought it up cause he wasn’t given the chance to grow up.

But do not ever patronise me or fucking accuse me of not liking my own favourite character. I like him more than a year of content, I just prefer a decade of him being a generally more appealing character that keeps getting overlooked and misrepresented by these crappy adaptations and fandom trends.

I love him as a character, his relationships, his interactions, his stories, his development, his power, and his potential. Even if the comics aren’t implementing it as much as I’d like. But I have fan content to fill the void. What I don’t like, is backpedaling completely on what I liked for stuff that I don’t.

But for arbitrary reasons people don’t like a laid-back, handsome cool country guy with an adult beefy bod, more power and character development. And they let me know, every day, which you are but one of many. So forgive me if I’m not keen to be ok with others if they don’t meet me in the middle. And don’t blame me for not liking an adaptation that does him dirty.

Someday I’ll get a good Conner Kent adaptation…

[makeste]

BnHA Chapter 305: Worst Intervention Ever

Previously on BnHA: Shinomori, whose name took me an entire week to memorize, was all, “nice to meet you Deku, I’m ten feet tall, do you want to know how I died?” and without waiting for an answer explained that he kicked it from old age at forty thanks to good ol’ OFA. Deku was all “wait a minute, then how come All Might, who’s fifty-five and is definitely dyeing his gray hair, is still alive?” First and Shino were all, “we really have no fucking clue but we think it’s cuz he’s quirkless, JUST LIKE YOU!” So basically, since quirkless people don’t exactly grow on trees these days, Deku is probably going to be the last user of OFA. The chapter ended with Nana being all, “psst, Deku, about my grandson. Uh, can you kill him?” which is sure to lead to a very interesting conversation this week.

Today on BnHA: Nana And The Gang are all “so, Deku, how can we put this delicately. The thing is, we’re pretty sure that AFO really fucked my grandson up, so on the off chance you can’t save him, how would you feel about, you know... [throat slitting gesture].” Deku is all “idk you guys, I kinda feel like he’s really just a traumatized child at heart and he’s in a lot of pain and stuff and so I should try to help him.” The Vestiges are all “BUT WHAT IF YOU CAN’T” and Deku is all “BUT I WANT TO TRY, DAMMIT” and the Vestiges are all “well when you put it that way, we, uh, were just testing you, so congrats, you passed!” The chapter ends with First being all, “ANYWAY SO WHY DON’T YOU TWO SHY BOYS STANDING OVER THERE IN THE SHADOWS COME SAY HELLO” before we CUT AWAY FOR ANOTHER WEEK, goddammit.

seriously, Nana

just... have you met Deku?? look, if you really want Tomura dead, just sic him on the U.A. first years and tell Shouto and Honenuki that it’s a training exercise

oh my god lmao

we’re too far away to see Nana’s face here so I will just assume that she turned and is staring DIRECTLY INTO THE CAMERA for this one line lmao. “I just wanted to clarify in case anyone felt inclined to take my dialogue out of context and spend an entire week complaining about it”

oh my god?! are you all purposely trying to make me sad??

someone stop me before I launch into an impromptu rant about all my Tomura feels. WHY IS NOBODY STOPPING ME. oh my god but yes, exactly. he’s just in pain all the time. this is exactly why I think Tomura has such high redemption potential even though so far he seems to lack so many of the redemption arc essentials such as feeling remorse, wanting to change, and taking responsibility for his actions. the reason why I’m willing to overlook all that in his case is because Tomura has essentially had zero agency his entire life. AFO molded him into a killer by making sure he was in constant mental agony, and making it so that the only thing that even slightly relieved that agony was killing peeps. like, please don’t think I’m making excuses for him or anything, but if you take a child and manipulate their existence to make it virtually impossible for that child to grow up as anything other than a killer, and basically never give him the chance to be anything else, then no shit he’s gonna be a killer?? he’s basically never had the choice not to be. it’s never been an option for him. anyways I feel like I am EXPLAINING MYSELF SO BADLY but nonetheless I am prepared to die on this hill

anyway so now Nana is all “that’s a rhetorical question btw because Our Hearts And Minds Are One so we can feel everything you feel bro.” so yeah, that’s interesting

now Banjou is getting started on the “let’s try and talk Deku out of wanting to save Tomura because it’s insane” part of their OFA Mystical Space Void Reunion agenda

look, Banjou, I feel you, I really do. you guys don’t think it’s realistic that Deku can defeat Tomura without killing him. so if it’s a choice between killing Tomura vs letting Deku and everyone else in the entire world die, then duh, you think Deku should kill him. I get it! and if this were a real life mass murderer I’d totally agree with you. but the problem is that this isn’t real life, this is a sympathetic shounen villain with a tragic past who might as well have FUTURE REDEMPTION ARC RECEIPIENT stamped on his forehead at this point

so First is all “look, there’s absolutely no doubt my brother has fucked this kid up good and proper by now”, which, again, fair

though, that’s kind of exactly my point though. everything that Tomura is, everything he’s done, he’s done because of AFO. AFO has so effectively shaped his personality and his worldview by this point that it’s all but impossible to penetrate that. he’s AFO’s puppet. but the problem is that rather than treating him like a victim, you all are treating him like a casualty. like he’s already a lost cause. but good luck trying to convince Deku of that

WHOA WHAT, RANDOM SUPER-IMPORTANT AND BIZARRELY UNRELATED EXPOSITION DROPPED IN JUST LIKE THAT??

way to still not reveal Sixth’s name, btw. THE PEOPLE WANT TO KNOW, DAMMIT. but also so this confirms something we basically already knew already, which is that not even AFO can steal OFA. it literally can’t be taken away by anyone unless the owner wills it. SO SUCK ON THAT AFO YOU EGG

(ETA: so I have no idea why this was omitted from this translation, but apparently the Sixth’s name was revealed as “En”, which is obviously not his full name but at least it’s something. also he most likely has a fire or smoke-related quirk based on the kanji used, 煙.)

so Banjou is saying that Deku’s “lack of an iron will” could be a disadvantage against AFO. hahaha what?? Midoriya “I’ll break all of my bones without blinking an eye just to protect someone” Izuku lacks an iron will? do tell

he says this is going to be a test of Deku’s determination. well yeah, no shit. but just not in the way you guys think

OH HELLO AGAIN

darker hair again here! but I don’t trust the contrast in these scans at all after last week. his coveralls are way darker than they looked before too, and you can clearly see he’s standing in the shadows now

(ETA: yep, once again the raw shows that his hair is considerably lighter than what’s shown in these scans here. although there’s no mistaking now that his hair is consistently being colored in this slightly darker shade, and it’s not just the lighting.)

anyways lol First was saying something about how AFO can’t steal OFA, and they’ve spent all this time cultivating it as the ultimate weapon against AFO, and blah blah blah. go on then, keep lecturing

NANA GODDAMMIT NONE OF THIS IS YOUR FAULT

girl what?? you did everything in your power to protect your family, and AFO, fucked up man that he is, targeted them anyway. there is one person and one person only to blame for what’s happened to Tomura, and that potato-faced asshole needs a good kick in the balls

NANA GODDAMMIT DON’T MAKE ME COME OVER THERE

SO HELP ME GOD!! I WILL GIVE YOU THE BIGGEST HUG YOU’VE EVER HAD!! THAT IS A THREAT

so now Nana is all “I’m just going to call my grandson a Thing to ensure that fandom has only the freshest, grass-fed no-hormones-added discourse this week”

I don’t even need to drop into the tags to know exactly which specific people are going to respond to this, and what kind of posts they are going to write lmao. everyone’s all caught up in the “that thing”, and meanwhile I’m over here completely hung up on this “nay” that’s appeared out of NOWHERE you guys. look at that. she really said “NAY”

Nana, my love, my dearest, I feel you girl I really do. but he’s not an unforgivable manifestation of pure evil, Deku is exactly right actually, he’s a boy in pain. you guys need to stop questioning Deku’s shounen protagonist instincts here and just let him work his sparkly magic. “let’s try and convince Midoriya Fucking Izuku that he can’t save someone” is a plan that is NEVER going to turn out well you guys

“DEKU GODDAMMIT WHAT IF WE CAN’T SAVE HIM” lmao it’s like an intervention

“DAMMIT DEKU JUST ADMIT YOU HAVE A SAVING PEOPLE PROBLEM!”

RED ALERT IT’S ANOTHER CLOSE-UP OF THE BACK OF MISTER TWO BON CLAY’S HEAD OMG

(ETA: I was too distracted with freaking out about Two and Three to really appreciate how ridiculously handsome First looks in this panel. but on my second readthrough it stood out so much that I had to go back and add an extra bullet point just to talk about how hot he is. look at him. wtf.)

THAT IS DEFINITELY AN UNDERCUT. THE PLOT THICKENSSSS. also those are fucking exhaust vents on Mister Three’s neck. MISTER THREE COULD YOU POSSIBLY BE RELATED TO THE IIDAS, PLEASE TELL ME YOUR SECRETS I’M DYING OVER HERE

so now Deku is launching into what will undoubtedly be a “saving people problems require SAVING PEOPLE SOLUTIONS” heroic counter-speech!

I mean, they can already feel the “lol nah I’m gonna try and save him” feelings running through him lol. ~OuR hEaRtS aNd MiNdS aRe CoNnEcTeD~ and all that. this is just a formality, but that doesn’t mean I don’t love a good shounen protag speech

oh wait hold up, do you mean to tell me that the whole “hearts and minds are connected” thing I was just mocking just a paragraph ago actually allowed Deku to feel what Tomura was feeling?? like literally feel it??

YET AGAIN these Tomura feels are pounding on my front door you guys?? they just will not quit?? people my house is already full of feels, does it look like I need you to sell me any more of them?? -- what do you mean, they’re free??

AW YISS THAT’S IT DEKU. THAT’S SOME GOOD SPEECH RIGHT THERE

I appreciate the contrast here between the Douchebag Triumvirate of Overhaul, Muscular, and Stain versus the Misguided Twosome of Gentle and La Brava. never let it be said that Deku doesn’t know the difference between a redeemable villain and an unredeemable one

OH NO -- OH MY GOD

someone please help me I need directions to the OFA Spooky Galactic Nebula Realm in this fictional Japanese manga land. it’s not on google maps. I need to give these two babies a big hug and wrap them up in a blanket and treat them to some McDonalds Happy Meals please help

other things: (1) ENDEAVOR CHILLING OUT IN DEKU’S “PEOPLE I HOLD DEAR” PANEL LMAO NEON DISCOURSE EXTRAVAGANZA, (2) “ONE FOR ALL IS A POWER TO SAVE, NOT TO KILL” I’M ABOUT TO CRY DEKU I LOVE YOU SO MUCH HOW IS IT EVEN POSSIBLE TO FEEL ALL THIS LOVE, (3) [SLAMS HANDS ON TABLE] THERE’S YOUR MOTHERFUCKING IRON WILL!!!!!!!! -- I’m sorry, please don’t call security, I’ll be good

I just randomly remembered that Deku is still saying all of this in his muffled “FMMPHHMMPHMM” voice and I’m somehow cracking up lol. so actually it’s a very good thing Their Hearts And Minds Are Connected, otherwise they’d no doubt be all, “...what?”

(ETA: so I completely missed this on account of it literally not being visible in the scan at all, but in the raw you can clearly see Baby Kacchan and Baby Shouto fanboying over All Might in two of these panels, and excuse me, ma’am??

thank you very much Deku for including them in your montage, particularly since you’ve never seen Baby Shouto before lol. amazingly accurate image you managed to conjure up, all things considered.)

SDKFJLSKHG -- AS IF ON CUE???

HE’S SO ADORABLE HELP?? Trippy Space All Might looks like he’s about to cry, and First is all “don’t crack a smile... you have to be Firm and Serious here... dammit, don’t smile” omg

anyways! YOU GO DEKU. “MY QUIRK MY RULES, BITCHES” damn, son

KLJLKKHLG TRIPPY SPACE ALL MIGHT LITERALLY ACTUALLY IS CRYING ALL MIGHT HOW COULD YOU DO THIS TO ME

“I JUST... [CLENCHES FIST] REALLY LOVE SAVING PEOPLE” FUCKING HELL LMAO THIS IS THE WORST INTERVENTION OF ALL TIME

Deku is literally all “sure, maybe I’ll have to kill him, but have you guys also considered, MAYBE NOT??” it’s no use Nana he’s too powerful

LMAO FIRST

“like I’ve been saying this whole time, you should definitely try saving Shigaraki Tomura.” “but, uh... First, didn’t you just -- ” “shut up”

(ETA: clearly it’s not just his brother who inherited those smooth-talking genes.)

so now Deku has turned back into a sixteen year old and his clothes have gone missing again. just OFA things

dskljdlsklgk

yes... sure... “testing” you...

HEY

FIRST OF ALL, DAMN YOU HORIKOSHI YOU MADE NANA CRY. even if I’m pretty sure they’re actually tears of happiness/relief. and SECOND OF ALL, “TELL MY BOYFRIEND I SAID HI” DJSKDLKJJL ANYWAY MAYBE GRAN, NANA, AND MR. SHIMURA WERE IN A THROUPLE

[SCREAMS]

WHY WOULD YOU END IT THERE?? WHY WOULD YOU END IT THERE!!!!!

(ETA: and two-to-one odds that we cut away to some other scene once they finally start to turn around next week. I’M CALLING IT NOW. giving myself a week to brace myself for the rage.)

fucking hell. well if anyone needs me I will be adding Horikoshi fucking Kouhei to the list of irredeemable villains, peace

[gimme-mor]

BETWEEN THE LINES: NIGHT COURT ELAIN & SPRING COURT FEYRE

*DISCLAIMER*

This is a really long post and based on my interpretation of the text.

This is strictly an analysis of Elain as a character because, in my opinion, there isn’t a lot of talk about Elain outside of ships and conversations about her character arc typically revolve around to whom she is paired, especially if that person is Azriel. She is her own character and gets the short end of the stick in the fandom because everyone is more concerned about who she’s shipped with rather than her as a character.

Also, anyone who is rude/condescending will automatically be blocked.

In ACOSF, SJM went out of her way on two occasions to highlight Elain not looking good in black. While it may be minor or insignificant to some, I think those instances were meant to show something about Elain specifically and what she may be going through in the Night Court. Elain has been a passive character for the most part, contributing to things in her own way earlier in the series. But after she was taken by the Cauldron, her safety has become everyone’s main concern and the other characters have slowly excluded her from courtly matters. In ACOWAR, this was understandable because she was traumatized and not fully present. However, as of ACOSF, Elain was still excluded from courtly matters with the other characters heavily relying upon Nesta, who made her reservations known, because they were on a time constraint and couldn’t afford to wait for Elain to reacquaint herself with her powers.

The fact that the other characters use the kidnapping situation to excuse their current actions toward Elain is eerily similar to the way Tamlin and Lucien used the Under the Mountain events to excuse Tamlin’s actions toward Feyre in ACOMAF. And the characters use Elain and Feyre’s safety to justify why neither of them should be involved. In my opinion, Elain in the Night Court resembles Feyre in the Spring Court because not only do they experience similar things, but both of them are (or were in Feyre’s case) in places that stunt their growth. Even though Night Court Elain isn’t exposed to all of the things that Spring Court Feyre was exposed to, the similarities in their experiences (and how those similarities might potentially impact Elain similarly to the way they impacted Feyre) shouldn’t be overlooked.

Being monitored

Feyre

I was too watched－too monitored and judged. Why should the bride of the High Lord learn to fight if peace had returned? That had been Ianthe’s reasoning when I’d made the mistake of mentioning it at dinner. Tamlin, to his credit, had seen both sides: I’d learn to protect myself...but the rumors would spread. (ACOMAF)

“Tamlin－Tamlin, I can’t...I can’t live my life with guards around me day and night. I can’t live with that...suffocation. Just let me help you－let me work with you.” (. . .) “I’m drowning,” I managed to say. “I am drowning. And the more you do this, the more guards...You might as well be shoving my head under the water.” (ACOMAF)

Elain

Nesta said, “The Trove. And what happened the last time I scried.” Feyre said, “We won’t allow any harm to come to Elain. Rhys warded her this morning, and we have eyes on her at all times.” “Eyes can be blinded,” Nesta said. “Not the ones under my command,” Azriel said with soft menace. Nesta met his stare, knowing he was the only one aside from Feyre who could truly understand her hesitation. He’d gone with Feyre into the heart of Hybern’s camp to save Elain－he knew the risk. “We won’t make the same mistake twice.” She believed him. “All right.” (ACOSF)

Trying to fit in

Feyre

I hated the bright dresses that had become my daily uniform, but didn’t have the heart to tell Tamlin－not when he’d bought so many, not when he looked so happy to see me wear them. Not when his words weren’t far from the truth. The day I put on my pants and tunics, the day I strapped weapons to myself like fine jewelry, it would send a message far and clear across the lands. So I wore the gowns, and let Alis arrange my hair－if only so it would buy these people a measure of peace and comfort. (ACOMAF)

I sometimes debated asking her to pray for me as well. To pray that I’d one day learn to love the dresses, and the parties, and my role as a blushing, pretty bride. (ACOMAF)

Elain

And he knew the cruelty of the Hewn City troubled her. But she hadn’t hesitated to come. When Feyre had offered to let her remain home, Elain had squared her shoulders and declared that she was a part of this court－and would do whatever she needed. (ACOSF)

So Elain had let her golden-brown hair down tonight, and pinned it back with twin combs of pearl. He’d never once in the two years he’d known her found Elain to be plain, but wearing black, no matter how much she claimed to be part of this court...It sucked the life from her. (ACOSF)

Pretending everything’s all right

Feyre

“Fine,” I breathed. I made myself look him in the eye, made myself smile. (ACOMAF)

Elain

“And you?” I made myself say. “Are you－all right?” Elain looked over a shoulder at me as we entered the foyer, then turned left－to the dining room. In the sitting room across the way, all conversation halted at the smell of food. “Why wouldn’t I be all right?” she asked, a smile lighting up her face. I’d seen those smiles before. On my own damn face. (ACOFAS)

Clothes not looking right on them

Feyre

I really, truly hated my wedding gown. It was a monstrosity of tulle and chiffon and gossamer, so unlike the loose gowns I usually wore: the bodice fitted, the neckline curved to plump my breasts, and the skirts...The skirts were a sparkling tent, practically floating in the balmy spring air (. . .) I might have dealt with it all if it weren’t for the puffy capped sleeves, so big I could almost see them glinting from the periphery of my vision. My hair had been curled, half up, half down, entwined with pearls and jewels and the Cauldron knew what, and it had taken all my self-control to keep from cringing at the mirror before descending the sweeping stairs into the main hall. (ACOMAF)

I again surveyed the room, my wedding gown hissing on the warm marble floors. I peered down at myself. You look ridiculous. (ACOMAF)

Elain

Elain in black was ridiculous. Yes, she was beautiful, but the color of her long-sleeved, modest gown leeched the brightness from her face. It wore her, rather than the other way around. (ACOSF)

Looking good in clothes that suit them and that fact being pointed out

Feyre

My high-waisted peach pants were loose and billowing, gathered at the ankles with velvet cuffs of bright gold. The long sleeves of the matching top were made of gossamer, also gathered at the wrists, and the top itself hung just to my navel, revealing a sliver of skin as I walked. Comfortable, easy to move in－to run. Feminine. Exotic. (ACOMAF)

But those claws now dug in－and my entire body, my heart, my lungs, my blood yielded to his grip, utterly at his command as he said, The fashion of the Night Court suits you. (ACOMAF)

Elain

Gone was the ill-suited black dress from the ball, replaced by a gown of amethyst velvet, her hair half-up and curling down to her waist. She glowed with good health. (ACOSF)

People not wanting them to be involved in things

Feyre

“I want to go.” “No.” I crossed my arms, tucking my tattooed hand under my right bicep, and spread my feet slightly further apart on the dirt floor of the stables. “It’s been three months. Nothing’s happened, and the village isn’t even five miles－” “No.” (ACOMAF)

“I could use my powers against Hybern.” “That’s out of the question,” Tamlin said, “especially as there will be no war against Hybern.” “Rhys says war is inevitable, and we’ll be hit hard.” Lucien said drily, “And Rhys knows everything?” “No－but...He was concerned. He thinks I can make a difference in any upcoming conflict.” Tamlin flexed his fingers－keeping those claws contained. “You have no training in battle or weaponry. And even if I started training you today, it’d be years before you could hold your own on an immortal battlefield.” He took a tight breath. “So despite what he thinks you might be able to do, Feyre, I’m not going to have you anywhere near a battlefield. Especially if it means revealing whatever powers you have to our enemies. You’d be fighting Hybern at your front, and have foes with friendly faces at your back.” “I don’t care－” “I care,” Tamlin snarled. Lucien whooshed out a breath. “I care if you die, if you’re hurt, if you will be in danger every moment for the rest of our lives. So there will be no training, and we’re going to keep this between us.” (ACOMAF)

Elain

“Nesta’s spine straightened. No one spoke, but their attention lingered on her like a film on her skin. ‘You will not go looking for it.’” (ACOSF)

“Then go off on adventures,” Nesta said. “Go drink and fuck strangers. But stay away from the Cauldron.” (. . .) “Keep out of this,” she hissed at her youngest sister. “I have no doubt you put these thoughts in her head, probably encouraging her to throw herself into harm’s way－” (ACOSF)

Amren said, “We do not have the time to wait for Nesta to decide. I say we approach Elain tomorrow. Better to have both of them working on it.” Azriel stiffened, an outright sign of temper from him as he said quietly, “There is an innate darkness to the Dread Trove that Elain should not be exposed to.” “But Nesta should?” Cassian growled. Everyone stared at him. He swallowed, offering an apologetic glance to Az, who shrugged it off. Amren drained her wine and said to Cassian, “Nesta has a week. One more week to find the Trove with her own methods. Then we seek out other routes.” She threw a nod toward Azriel. “Including Elain, who is more than capable of defending herself against the darkness of the Trove, if she chooses to. Don’t underestimate her.” (ACOSF)

“I think Eris is our ally, and will expect to dance with a lady of this court at the ball no matter what. I won’t let Feyre within five feet of him, Mor might kill him, and Amren is more likely to scare him off than win him over, so you and Elain are the only options.” “Elain doesn’t go near him,” Feyre said. (ACOSF)

Their safety being brought up when they want to be involved

Feyre

“Please. The recovery efforts are so slow. I could hunt for the villagers, get them food－” “It’s not safe,” Tamlin said, again nudging his stallion into a walk. The horse’s coat shone like a dark mirror, even in the shade of the stables. “Especially not for you.” He’d said that every time we had this argument; every time I begged him to let me go to the nearby village of High Fae to help rebuild what Amarantha had burned years ago (. . .) “People want to come back, they want a place to live－” “Those same people see you as a blessing－a marker of stability. If something happened to you…” (. . .)Tamlin said softly, “I can’t do what I need to if I’m worrying about whether you’re safe.” (ACOMAF)

“I’m sorry about earlier,” he murmured. “It’s fine,” I breathed. “I understand.” Not a lie, but not quite the truth. His fingers grazed lower, circling my belly button. “You are－you’re everything to me,” he said thickly. “I need...I need you to be all right. To know they can’t get to you－can’t hurt you anymore.” (ACOMAF)

“Tamlin got what I didn’t,” Lucien said softly, his breathing ragged. “We all heard your neck break. But you got to come back. And I doubt that he will ever forget that sound, either. And he will do everything in his power to protect you from that danger again, even if it means keeping secrets, even if it means sticking to rules you don’t like. In this, he will not bend. So don’t ask him to－not yet.” (ACOMAF)

“Did he let you take me today,” I said hoarsely, “so that I’d stop asking to help rebuild?” “No. I decided to take you myself. For that exact reason. They don’t want or need your help. Your presence is a distraction and a reminder of what they went through.” (. . .) “I know you wanted to help,” Lucien offered. “I’m sorry.” So was I. (ACOMAF)

Elain

“The last time we involved ourselves with the Cauldron, it abducted you,” Nesta countered, fighting her shaking. (ACOSF)

“Like calls to like,” Amren countered. “You were Made by the Cauldron. You may track other objects Made by it as well, as Briallyn can. And because you are Made by it, you are immune to the influence and power of the Trove. You might use them, yes, but they cannot be used upon you.” A glance to Elain. “Either of you.” Nesta swallowed. “I can’t.” But to let Elain involve herself, jeopardize her safety－ (ACOSF)

Nesta’s pulse pounded throughout her body. “Do you not remember the war? What we encountered? Do you not remember the Cauldron kidnapping you, bringing you into the heart of Hybern’s camp?” “I do,” Elain said coldly. (ACOSF)

If it was between her and Elain, there was no choice at all. She would always go first if it meant keeping Elain from harm. Even if she’d just hurt her sister more than she could stomach. (ACOSF)

Pushing back against what others want

Feyre

He hissed, “You have no idea how hard it is for him to even let you off the estate grounds. He’s under more pressure than you realize.” “I know exactly how much pressure he endures. And I didn’t realize I’d become a prisoner.” “You’re not－” He clenched his jaw. “That’s not how it is and you know it.” “He didn’t have any trouble letting me hunt and wander on my own when I was a mere human. When the borders were far less safe.” “He didn’t care for you the way he does now. And after what happened Under the Mountain…” The words clanged in my head, along my too-tense muscles. “He’s terrified. Terrified of seeing you in his enemies’ hands. And they know it, too－they know all they have to do to own him would be to get ahold of you.” “You think I don’t know that? But does he honestly expect me to spend the rest of my life in that manor, overseeing servants and wearing pretty clothes?” (ACOMAF)

Elain

Cassian shifted in his seat. “So we track down the Dread Trove－how?” Elain spoke from the doorway, having appeared so silently that they all twisted toward her, “Using me.” Nesta’s head went silent as Elain’s words finished sounding in the room. Feyre had twisted in her seat, face white with alarm. Nesta shot to her feet. “No.” Elain remained in the doorway, her face pale but her expression harder than Nesta had ever seen it. “You do not decide what I can and cannot do, Nesta.” (ACOSF)

“It nearly killed me. It trapped me like a bird in a cage.” Elain said, “Then I will find it. I might require some time to...reacquaint myself with my powers, but I could start today.” “Absolutely not,” Nesta spat, fingers curling at her sides. “Absolutely not.” “Why?” Elain demanded. “Shall I tend to my little garden forever?” When Nesta flinched, Elain said, “You can’t have it both ways. You cannot resent my decision to lead a small, quiet life while also refusing to let me do anything greater.” (ACOSF)

Being used as pawns against others

Feyre

“We need you to tell us everything,” Tamlin said. “The layout of the Night Court, who you saw, what weapons and powers they bore, what Rhys did, who he spoke to, any and every detail you can recall.” “I didn’t realize I was a spy.” Lucien shifted in his seat, but Tamlin said, “As much as I hate your bargain, you’ve been granted access into the Night Court. Outsiders rarely get to go in－and if they do, they rarely come out in one piece. And if they can function, their memories are usually...scrambled. Whatever Rhysand is hiding in there, he doesn’t want us knowing about it.” (ACOMAF)

Elain

Rhys angled his head at the not-quite question. “I trust in the fact that we currently have possession of the one thing he wants above all else. And as long as that remains, he’ll try to stay on our good side. But if that changes...His talent was wasted in the Spring Court. There was a reason he had that fox mask, you know.” His mouth tugged to the side. “If he got Elain away, back to Spring or wherever...do you believe, deep down, that he wouldn’t sell what he knows? Either for gain, or to ensure she stays safe?” “You let him hear everything tonight, though.” (. . .) I considered his question: Did I trust Lucien? “I don’t know, either,” I admitted, and sighed. “I don’t like that Elain is a pawn in this.” “I know. It’s never easy.” (ACOWAR)

Cassian glowered at Amren. “It’s not right to wield Elain as a threat to manipulate Nesta into scrying.” “There are harsher ways to convince Nesta, boy.” (ACOSF)

Although Elain and Feyre are surrounded by two different groups of people with varying levels of care for their wellbeing, they’re treated similarly which is hard to overlook. In Elain’s situation, Nesta, Azriel, and Feyre take on the “Tamlin role” (either undermining Elain’s attempts to contribute to things or preventing Elain from helping altogether) while everyone else takes on the “Lucien role” (validating the concerns of others while also enabling their behaviors, which doesn’t support Elain’s desire to be involved).

[hanzajesthanza]

No one asked about Regis? So here: Emiel Regis Rohellec Terzieff-Godefroy

this bingo card is more awash with red than the north when he was arounddddd. ok ok

"they are so cool looking": i'll split this part up into three parts:

his fashion. i'm happy to have a fave character that dresses all in black, because i dress in all black. i have realized that there is a lot of creativity to be explored in all-black outfits, because you can do so much with silhouette, textures, patterns... and how he dresses. aprons? thank you. capes? thank you. velvet jacket? thank you again. i love regis' fashion because it's well done yet not begging for attention - because there was once a time in which he was begging for attention - he's happy to exist without trying to appeal to others...

his looks. i'm happy that he appears middle-aged because - and i have said this before, but will reiterate my theory and opinion - that vampires appear how they feel they exist, and regis coming back from his youth and now appearing as an adult demonstrates what he has learned, how he has changed, and that he has symbolically, personally aged, and that age, learning, and humanness is beautiful.

his powers. come on. he can disappear and hypnotize and fly as a bat... these are insanely cool. emerging from the shadows is sick as fuck. and it looks cooler when you're wearing a cape.

"everyone but me is wrong about them" + "they got done dirty by the fans": i made @burnfalka to address two evils: firstly, n*tflix, as it is everybody's enemy. but secondly, regis' treatment in the games and by the fandom. people who are h*rny about regis because they think drinking blood is hot are my enemies. or people who focus on regis' horrible drama-filled pain from blood & wine... i have most of the fandom blocked i think just because that type of content is insufferable to me. it's confusing, it's not who regis is...???

"not as deep as they seem": regis is very funny and a comic relief character but he is not seen like this by the fandom because of misperceptions that vampires are dramatic and not funny. to the contrary, read baptism of fire, he's very funny. his entire backstory is not that deep, it's just dark comedy and a parody of a human story of alcoholism, there's parody like "fly drunk" instead of "drive drunk," "didn't return to the crypt for three nights" instead of "didn't return home for three nights." he's just a comic relief character in so many circumstances but it's overlooked.

"wasted potential" + "they're deeper than they seem" + "they work better as part of a dynamic": related to how the hansa needs their relationships explored, regis' character arc is completed by existing in the hansa and learning what a family is, because humanity = family, to be part of a human family makes him human. his relationships in the hansa aren't just funny and for fun, they change his character for the better. i don't think this is necessarily "wasted potential," because i do believe it's canon, but it's just something i've decuded from the text and added some imagination to, which isn't apparent upon a first read of the books

i think the entire thing about toussaint being a dream they want to dream but in the end must wake up from is integral to the plot of lady of the lake and all of their characters - toussaint is really deeper than it seems, or how it gets treated - because it's symbolically the dreamland, the fairytale land, the perfect land where everything is ok and they can pretend to be whoever they want and forget about the harsh world of reality and their dark pasts. and i think regis' connection to this is that dreaming a dream and being in a drunken state are symbolically the same thing (which is why toussaint is not only the fairytale land, but the wine land) so he is no stranger to this kind of temptation. i think that part is really interesting, and it's much more deep than him showing a silver fork to the high nobility.

i can't answer this part of the bingo without talking about regis and angouleme but instead of writing an entire new post i will link to the masterpost found in my previous pinned post which is here...

but the sparknotes of it is that angouleme is wild, crazy, young, and fucked up with so many problems, and regis was once exactly like her. because they are like these kindred spirits, he could guide her into discovering peace and humanity, but also, he doesn't fully understand humanity because he's still learning about it, so angouleme could also guide him into humanity by teaching him what it is like to care about a child, which is a very human feature (because human immortality is achieved through raising children which will outlive their parents). basically, they could lift each other's character development up like the troll physics forklift meme. the blind leading the blind, the "never knew humanity" leading the "lost humanity". and also since they are both funny characters they can be funny together and get into hijinks and trouble and regis can get his cape caught in a doorframe . and he's like her dad if dads were not your dads but your teachers and guardian angels and bartenders instead.

"got too much screen time": it's a challenge because he's talkative and thus needs more page space to speak, but in lady of the lake, i feel his page time needs to be balanced with milva's page time, since they balance one another. for example, in baptism of fire, his page time is well-balanced with milva's, milva gets the first and second chapters, regis gets the third and fourth chapters, they unite in the fifth chapter, and divide the seventh chapter between them.

in lady of the lake, regis has too much time that becomes unbalanced by milva due to her physical and emotional injuries taking her out of scenes, i need to have scenes with milva speaking to regis or geralt about her injured ribs and about her turned-down relationship with amadis.

"they are literally me!": i, too, must explain things at length to people and act like an insufferable know-it-all or else i'll die.

regis talks soooo much and what i love about his talking is that most of the time he is talking about his own thoughts or assessments, which ultimately do not matter and have little effect. in dandelion's words, "He had the unnerving habit of announcing allegations and truths with the tone and air of a prophet, to which we soon stopped responding, because the announced allegations either actually were true, or at least seemed to be sound, or they were unable to be verified, which amounted to the same thing."

"i like them enough to project my own issues onto them": the reason i started to like regis in the first place was because i projected my internalized homophobia onto him and worked through some issues... everybody say thank you regis.

now i project my issues onto both him and angouleme so if you add them together, you'd get me.

"i'm mentally ill about them" + "they are like a blorbo to me" + "i want to carry them in a handbag like a tiny dog": i constantly think about regis and angouleme's mentorship-friendship, so for that reason i am mentally ill (or maybe they help me with my mental illness... it's like a chicken or the egg question, which came first?). regis is blorbo from my shows books because i will talk about him incessantly and extrapolate information from passages of the text you had forgotten about or thought were irrelevant. and i do sometimes carry a regis keychain-necklace (i broke the necklace chain last week. yeah that sucked so now i have to get a new one) that i feel like functions as a talisman of protection. you don't have to believe me but read the prelude to chapter 3 in baptism of fire about mandrakes. like the mandrakes, he helps with trials. thank you sir surgeon

send me character opinion bingo now that i'm off hiatus (bingo post)

[letteredlettered]

Hello! You already told us what you think about Ron, but what are your thoughts on Ginny Weasley? Pretty controversial figure in drarry fandom, yet you have a fanfic about her

That's one of the fics I'm prouder of! You can read it here.

This got long, so here you go:

When I first started reading HP I loved Ginny and wanted her to hook up with Harry. I really identify with youngest-girl-lots-of-brothers, so I could see the attention she wanted and the way Ron dismissed her was familiar to me. In the second book, I was a bit disappointed that she ended up mostly being a victim, but after I processed it I was happy she would have to face the darkness of being used in such a way. Ginny murdered chickens and wrote on walls in blood and was responsible for kids getting petrified; even if she was being possessed, she can remember her hands doing those things. I assumed at some point Harry would have to face a darkness within himself, and I felt like CoS positioned Ginny to understand and identify with him in a way others--who had not been possessed--could not.

Ginny wasn't a big feature in PoA or GoF, which was disappointing In OotP, I was disappointed at first that Ginny seemed to be growing up without much "screen-time", as it were, and seemed to have her own interest in guys other than Harry. I was a shipper! I'm ashamed! Once I had time to process, again, I realized I far preferred a Ginny who had moved on from Harry and could be her own person. That way, they could be more like equals when they eventually got together.

In HBP, I really rooted for her going her own way--but also began to feel pretty confused. I didn't understand how she could be Harry's love interest with so little attention paid to her. And then the romance did start, and it felt--completely out of the blue for me? Especially when it happened right after a very powerful scene in which Harry almost made someone bleed to death, and especially when it seemed to have more to do with Quidditch and Dean Thomas than Ginny herself. And then Ginny was barely in DH, which made me wonder why the romance even existed in the first place.

I think a big part of the problem for me is the love interests I enjoy in fiction share goals and are an important and equal part of both the characters' lives. Harry going camping to fight Voldemort while Ginny stays at Hogwarts feels a little to me like the fantasy of the wife you come home to, the one who waits. By DH, Ginny shouldn't join in the adventure; she has no place there. Furthermore, we all hope that Harry gets to move on and have a life after Hogwarts; Ginny can become central to him then in a way she wasn't earlier in life. People you end up with don't have to be the people who were the centers of our young lives--and in most cases, they probably shouldn't be!

But it doesn't make for a good story, and frankly, I have difficulty identifying with it. I have trouble understanding couples who seem to live in separate worlds. I don't mean that a person can't have their own friends and interests; having some aspects of your life that don't belong to your partner is good and healthy. But Harry starting a romance with Ginny when Ginny is never involved in anything he does is as weird to me as if I were to have a relationship with someone and never ever share my fandoms with them. That's just the way I am.

I do think this is a classic problem in Hero's Journey stories, in that the most important person to the hero is the villain they're trying to defeat. See Star Wars. Luke's most important relationship is with Vader, which is why it makes sense to discard Leia as his love interest by writing her as his sister. Aang's most important relationship is with Zuko and then Ozai, which is one reason Katara/Aang falls flat. I think a lot of this has to do with the propensity for creators (generally male) to make both the central hero and the central villain male, and an unwillingness to really tackle the homoeroticism inherent in the central relationships. The narratives I can think of with central female protagonists, like Buffy, are give male counterparts who function as both villains and love interests.

I'm making some sweeping statements here; it's not true for all heroes journey stories, but I think it's why you see Hermione and Ron paired off. Harry's central relationship is Voldemort, and if you scale that down, you can make Draco Harry's central relationship, because Draco is a pawn of Voldemort. Now, I have argued quite stridently that Draco is only peripheral to Harry's life, and I stand by that statement most fervently--but that is according to Harry. According to the structure of the narrative, you can replace Voldemort with Draco under and umbrella of "evil/Death Eater/foe." By doing so, you can deal with issues that are very central to Harry's story.

As for Ginny herself, in the end, she suffers from the exact same problem as Ron, and so many other characters in HP. In other words, the set-up is there, but the execution is not. Ginny is the youngest of seven in a loving, magical family. In that way, she is a perfect counterpoint to the loneliness and negligence and Muggleness Harry experiences growing up. Yet, in such a large family, Ginny has to understand what it feels like to be overlooked and ignored--in that way, she's in a perfect position to understand and identify with some of Harry's isolation.

Ginny is the only other person in the book besides Harry to be possessed by Voldemort. (The only classmate to come close to having a similar experience is Draco, and his mind and body are not possessed at all, not like Ginny's or Harry's.) As such, she's also perfectly positioned to identify with a lot of Harry's trauma. She's also perfectly positioned to hate Voldemort with a very personal passion that's different from Ron or Hermione--Voldemort befriended her in the journal, and then violated her; it's very different than hating Voldemort on principle.

But in the end these aspects of Ginny just aren't utilized. We never see what she suffers in CoS really resonate. We never really learn the effect her family has on her, or even really who she is, other than that she is sporty, tough, and pretty. It's difficult to dislike Ginny Weasley, because the way she's written does her such a disservice, and she could have been such a brilliant character. She's just a lot of wasted potential, in my opinion, but those last two books certainly killed my whole Harry/Ginny shipper heart.

[serpenteve]

So I ship Darklina, but I actually...don't hate Mal? Sure, he was a dick sometimes (so is the Darkling, in different ways), but he was also like 17 or 18 right? And, to me, he'd changed by Ruin and Rising. He went through a lot of character growth. He's not my favorite character by any means. He's probably one of my least favorite, simply because of how boring he is, and I think him and Alina would have been better off as friends or siblings for a platonic familial type thing. But he's also a teenager. That doesn't give him an excuse for being a dick but I feel like from what I've seen from Darklina stans (and what I myself have done in the past) is we hold him to such a high standard but we excuse everything the Darkling does. Yes, he's the villain, but he's also a love interest, which means he does need to be somewhat held accountable. I love the Darkling, he's my boy, and he makes Mal look like a piece of cardboard in comparison, but if we're able to love a centuries old villain and forgive his mistakes, shouldn't Mal at least get some grace? Heroes are allowed to mess up, especially teenage ones. Hell, when I was 17 I was a wreck. It just feels weird to write off everything a centuries old man does but tear apart everything a teenager does, you know?

But I also understand the Mal hate and I don't expect people to love him (I don't even love him lmao). I just wanted to see if some Darklinas are more open towards Mal because I understand most Darklinas hate his guts (understandably so).

Sorry for the long ask. What are your thoughts on Mal?

I don't think all Darklinas hate Mal but a lot of people who hated a number of things in the books happen to be Darklinas. If you hate the book romance, then you're more likely to criticize other aspects of the storytelling like the plot and writing choices.

I definitely think people's perception of Mal hinges on whether they feel like he redeemed himself in Ruin & Rising and/or whether or not they were exposed to the fandom discourse and reactions surrounding the characters. For example, if you read the Grisha trilogy after seeing people endlessly simp for the Darkling and talk about Mal like he's the Worst Character Ever™️, then probably you will think book!Mal really isn't that bad and people excuse the Darkling's actions despite him like.........destroying an entire town for funsies and terrorizing Alina across the country 😂

The whole Mal vs Darkling debate originally arose out of audience expectations. Mal was presented as a heroic love interest while the Darkling was basically a false romantic lead turned villain who Alina kinda still had the hots for but had to heroically resist lest she become seduced to the dark side. The Darkling wants to control and exploit Alina and will stop at nothing to do so. Therefore, we expect Mal to embody the opposite of this: support Alina in doing what she wants and not treat her like a trophy he's entitled to. Instead, Bardugo---perhaps unintentionally---set the opposite in motion.

I actually really don't mind Mal in Shadow & Bone. Yeah, he was kind of an ass to Alina at parts, but he apologized and helped her get the stag and most of his faults can be overlooked as dumb teenage boy things. The problem arose in Siege & Storm when Mal grew entitled, possessive and emasculated because Alina had this power he did not and Alina had this great destiny that didn't revolve around him. Regardless of what Bardugo intended with this lover's quarrel, many readers interpreted this as Mal wanting Alina to be weak and dependent on him. And now, when readers look back at his more annoying traits in Shadow & Bone that initially didn't bother us that much, it holds more sinister implications. It wasn't that Mal and Alina were drifting apart, it was that Mal doesn't care about Alina until someone else cares about her and then he realizes "oh shit! my biggest fangirl that i took for granted has been taken away and has a life of her own??? unacceptable!!11". This combined with the Grisha being coded as any marginalized group and Mal's bigotry towards Alina and then her ending where she lost her powers so the author could pair her with Mal also left some.................IMPLICATIONS 👀

And listen, it would be one thing if I was the *only* reader who was whining about how Mal's character drives me up the wall......but like literally 3/4 of the fandom hated his ass because Bardugo accidentally made him toxic in a very *familiar* way that the Darkling's toxicity is not---at least for that part of the fandom. And this clash between reader expectations and what was actually on the page is what gave rise to a lot of Mal hate. You mentioned that readers hold Mal to a higher standard than the Darkling and that's true. But it's also because Mal is supposed to be a hero, not a villain. The expectations we had for the Darkling were literally on the floor after he decided to randomly massacre Novokribrisk. Whereas Mal being toxic in exactly the same way a chauvinistic garbage IRL man would be toxic was way too much for some readers and we just ended up shipping Alina with the Darkling out of pure spite. Especially when said villain is saying things like "I've seen what you truly are and I've never turned away? Can he stay the same?" or "He’s otkazat’sya. He can never hope to understand your power, and if he did, he’d only come to fear you."

ALSO, I'm a big believer that the reason the Darklina shippers grew in number is directly because the Darkling and Alina are never in a romantic relationship. The failed and wasted potential was indeed a huge draw, but the fact that we never got to see what their canon relationship would be like allowed us to fantasize about an ideal situation in which the Darkling comes to the error of his ways and learns to treat Alina as an equal. The quotes I mentioned above are up for interpretation. He says he will never turn away and that he would be able to understand Alina's power...........but he also proved that he isn't above using her as a weapon without regard for what she wants. Because we never get to see the Darkling and Alina in a real romantic relationship, we can now choose to interpret that line seriously in fanworks, regardless of whatever the hell Bardugo intended with it.

[princeescaluswords]

No but what if Laura Hale didn't return alone to Beacon Hills? She calls up her contacts within the werewolf authorities, who took in her and Derek, and informs them there's a new potential lead. Peter is expecting his niece to be by herself and attacks, only for an extremely skilled group of werewolf agents to lay the smack down on him. Caught red handed, quite literally. It's easy to deduce his murderous intentions. Peter doesn't have a leg to stand on during interrogation and trial.

I am going to have to disagree with you on this. If there was a werewolf authority that Laura could contact, Peter Hale would never attack in the same manner he did in the show. There are two reasons for this.

First, Peter Hale wasn't out of his mind. His betrayal and murder of Laura was done with malice aforethought. There is no reason to believe that Peter Hale managed to luck into waking up in front of the one nurse in that hospital who had sufficient lack of ethics not only to not tell a single other member of the staff that a six-year coma patient was showing signs of consciousness but also consent to helping said coma patient lure one of that patient's relatives from across the country so they could be killed for the alpha power in such a way that no one had any clue who it had been. Peter bided his time, selected the right assistant, and planned it out carefully, which is why he didn't attack one of the deputies in the woods that night or didn't start killing Kate's minions immediately when he woke up. His lure of the deer with the symbol for revenge in its side would immediately summon any 'werewolf authorities' and he couldn't risk that.

Second, Peter was a coward. He ambushed Laura, and that makes sense -- he needed every advantage he could get over the alpha. But he ambushed every one of those human minions even when he was a full-bore alpha werewolf. Even an middle-aged insurance investigator. He attacked a not-physically impressive video store clerk from behind while the man stood on a ladder. He caught the janitor from behind. He stabbed Derek in the back. Took Unger and Riddick one at a time. Ran away from Derek and the police when trying to kill Harris. And that was only season one. How many times did he beg off being helpful because he was 'weak' in Season 2 and 3. (I count 4.) You didn't see that stopping Stiles did you?

Quite simply, he would have had to work harder if there was a werewolf authority. Could he have accomplished it? Perhaps, but he would have needed to have been far more patient.

Recently people have been crawling onto my feed with arguments about how it's completely okay to like villains like Peter Hale and to dislike heroes like Scott McCall. And it is! The problem is that they don't actually do either of these things.

The Peter Hale they like is a brave if ruthless fighter for his family's legacy, protective of the people they love and an upholder of werewolf tradition, and an admirer of Stiles Stilinski. Except he's not. He doesn't care about Laura (he murdered her on purpose), he cares about Derek when it's convenient (he hurt him, lied to him, manipulated him, and left him to die at La Iglesias), and uses Malia as a weapon (the same way he wanted to use Scott). He's not 100% shit, of course, as The Overlooked and some episodes of Season 6 showed, but for most of the series he's earns exactly how the rest of the cast treats him. It's only in the fandom that his flaws are excused with creation of the Left Hand, which justifies his killing of anyone he cares to, and manufacture fanon werewolf traditions, which justifies his lust for Scott's powers.

Meanwhile, they magnify Scott's faults into unrecognizable sins in order to make him the bad guy. They turn Scott romance with Allison into an obsession where he supposedly endangers other people's lives, except he doesn't actually endanger people's lives, but Peter can literally shove his claw into Derek's back and throw him against the wall, leaving him there to maybe heal or maybe not heal so he can run around the school trying to get Scott to kill Stiles. They turn Scott's decision to stop Jackson ahead of finding Stiles as a deed worthy of killing their friendship, but simply pretend that Peter holding the key to freeing Stiles from the nogitsune possession hostage in order to force Lydia to tell him what he wanted as good business. They say that Scott violating Corey in Ouroboros is enough reason not to like Scott, but Peter doing the same thing to Scott and Meredith is no big deal. What's the difference?

Peter Hale is white.

BUT IT'S NOT RACISM.

[thedragonemperess]

What's your personal opinion on why Elite Force was so bad? Since I've ranted about that a lot and started the 'elite discourse' tag.

Introduction

I don’t think it was really bad. Yes, it was terrible compared to Lab Rats and Mighty Med (of which both deserved more seasons since they both set up so much and than threw it all away), but it wasn’t too bad. Why it was bad, though? They undid all character development, overlooked some of the best characters, and so much more!

Chase

There’s a lot wrong with Chase. First of all, they undid all of his character development and reduced him to a self-centered smart guy. (I’m not gonna say a mini version of Donald because he’s really more like Douglas, but they really just threw away his character.) And for character archs. When AJ made his list, he put Chase at the bottom. A good thing to point out is that this list was based off of the number of powers each person has and the number of powers each person has alone. So lets count how many powers they all have:

Kaz: Pyrokinesis and Flight Oliver: Cryokinesis, Flight, and Super Strength Bree: Super Speed, Vocal Manipulation, Invisibility, and Super Agillity Chase: Molecular Kinesis, Force Fields, Super Intelligence, Super Senses, Laser Bo Generation, and the Commando App (technically Super Strength as well, but that’s only Spike) Skylar: Flight, Super Strength, Super Speed, Acid Spit, Regeneration, and 21 other abilities (10 after the whole thing with Bree, but that still leaves her with the most) CHASE SHOULD BE #2 ON THAT LIST!!

And even if this wasn’t based on only their powers, he’d still be at #2!!

Then we have the Arcturian. The Arcturian Space Rock will kill you if you make direct contact with it, key word being direct. So Bree, being NUMBER #3 on the list (did I mention they overlooked her abilities, too, with the exception of one throw away line?), decided to touch it. After a series of events, she gets superpowers from it.

Bree got superpowers.

Because she was insecure about her bionic powers.

THIS WAS CHASE’S ENTIRE ARCH FROM THE BEGINNING!

And he wasn’t only insecure about his powers, he was insecure about his appearance, self-worth, and a ton of other things.

This arch was engineered for Chase, and they threw it away in favor of Bree.

Skoliver

Skylar and Oliver was the main romance of Mighty Med. Oliver had a crush on Skylar and Skylar was a lesbian didn’t reciprocate. This didn’t stop Oliver from trying to get with her, though. But the difference between Oliver persevering in Mighty Med and Olvier persevering in Elite Force is that in Mighty Med, he did it in a healthy, respectful way. In Elite Force, he became a stalker!

He watched her in her sleep, recorded her without permission, had a pretend version of her that he was dating, and more.

They turned a really nice thing from Mighty Med into something terrible just so that they could put less time into coming up with actual jokes. (The writers of these shows never really handled healthy relationships and comedy well, if Adam and Chase’s relationship says anything, but you would think [I’m only saying this because its Disney] they would put more effort into a romantic relationship.) The worst part about this is that they got together somewhat in the end of Elite Force.

Reese

Reese existed as a way to lead us to the finale of the show. She also existed as a love interest for Chase. She had the potential to be Elite Force’s Marcus or Experion, but they just didn’t do it right.

The Lab Rats’ relationship with Marcus was built over the course of two seasons, which let both the audience and the characters get to know him. Sure, we knew he was evil before everyone else, but how evil he truly was changed up until Douglas’ plan was finally revealed. He was also really close to a lot of the characters, so that makes it really painful.

Experion was one of Skylar’s close friends, almost like a brother, and we saw that play out on screen. He was only there for a short amount of time, just as Reese was, but he was already in a predetermined relationship with him. Reese had literally only met Chase that day, meaning that connection just wasn’t there.

(Also, was Reese just there to degay Chase? Because that’s what it seems like.)

Representation And Other Things Of The Sort

Lab Rats was a show that had a family in which half of it was married into. Shows have done this before, yes, but this showed the kids really just excepting it and not getting mad at their respective family. This was also a mixed family, which watching now that I’m older and really understand the importance of it, is really nice. Especially as a mixed person myself.

As for Mighty Med, and I’m starting with family again, it had a father figure who, more or less, actually cared about his kid(s) and was active in their life. It also showed him, a person of color, in a position of power. Skylar, who is a woman of color, was a badass who wasn’t boy crazy. She didn’t care about boys and the one time she did chase after someone, it was an introverted girl whom she wanted to be friends with which is pretty gay but whatever Disney. She was pretty freaking powerful, too, even without her powers.

Now for Oliver and Kaz, they were geeks. That’s a recurring fact in the show. It’s also something that is constantly saving all of their butts and was the main thing that got them their jobs. They weren’t picked on or made fun of for it, that was just who they were.

And unlike Lab Rats, Mighty Med showed a healthy relationship between brothers. Additionally, Gus was a really weird kid, but no one ever made fun of him, either. They treated him like they treated everyone else. He even ends up as one of the popular kids a few times.

Elite Force really just threw that all away in favor of (what became) a bunch of bratty kids in a pent house together.

Backstory

Mighty Med ended off on a cliffhanger, with Mr. Terror escaping, Oliver and Kaz obtaining superpowers, Alan meeting his father for the first time, and Horace using his last revival. Not to mention, Mr. Terror is Oliver’s mother and was supposed to be Horace’s wife.

And then they completely forgot about all of that and destroyed Mighty Med, killing all of the people in it in the process while also forgetting about Mr. Terror completely?

As for Lab Rats’ ending, it was actually pretty fitting and satisfying, all things considered. Adam, Bree, Leo, and Chase split up after defeating Giselle, Adam and Leo going back to the island to help the students with the big change (an update that let them control their abilities, hence no need for them to be teachers anymore) while Bree and Chase joined the Elite Force.

But why Chase and Bree? Sure, I guess the fandom Chase, but we did care about Leo more than Bree if we’re looking at it from that stand point. Now if we’re looking at it from a logical, in-universe stand-point, it makes no sense. Bree and Chase were the smarter, more experienced of the four, so they should have gone back to the island, while letting Chase and Adam join the Elite force.

Also, Leo has just become a mentor, which was what he was striving for since the start of the season. He was always being overlooked, and now, when he finally gets his moment in the spot light, its taken away from. That just really bothers me.

What Was Good About Lab Rats: Elite Force?

Quite honestly, not a lot. But considering the target audience, it was pretty good. Having two well received shows come together into an, albeit poorly set up and attempted, spin-off where they can have their own battles and story lines together is pretty cool and different. There are some flaws, like how Mighty Med logic and Lab Rats logic really don’t intertwine, but you have to keep in mind that this is a kids show.

It also showed Douglas being a pretty good father, which is really nice. Sure, he’s their birth father and/or creator, but it also shows them mending their relationship.

There were some smaller things, too. AJ’s introduction, Skylar and Bree slowly become sisters, and Chase and Kaz becoming friends were all really fun to watch. (The characters growing relationships with each other, period, were fun to watch.) The villains had good motives, and the small cameos from other shows (Bob and Crossbow [she’s more of a piece of what Mighty Med used to be, but I’m counting it]) were really fun to see. The plot could definitely be better, but it was still pretty good. And, as much as I hate to admit it, the show was genuinely funny. The amount of times I’ve spit out my water while watching this show is surprising.

Conclusion

Was Lab Rats: Elite Force as great a show as the source material? No. Was it all we thought it would be at the time? That depends on how old you were when it came out. It was, and still is, a fun show to watch, though. Yes, it would have been better if it never happened and the shows continued separately, but I’m glad that we at least have an answer to what Mighty Med and Lab Rats alluded to in their finales. Am I upset about Elite Force’s finale? Yes, and I will probably die mad about it, but we didn’t have as much time to get to know the characters and connect to them, so is it really that much of a loss? That’s up to you. Is it a fun show to watch? Absolutely.