#i feel so strongly about this for no reason

[susansontag]

hello, I heard you called.

the word ‘lazy’, you will find, is in quotation marks, because I personally do not think audiobook listeners are lazy, but there are many other posts and discussions about this latest thinkpiece topic on the internet, including some in which these people trying to redefine literacy jokingly allude to themselves as lazy. but you knew this, because you know what quotation marks mean, and you would never accuse someone quoting an argument in a book with necessarily sharing the view quoted, because you know how basic punctuation functions—you even used quotation marks in your own latest response, so you absolutely know what they mean! so you can stop lying now.

you can also, for that matter, cease your blatant lying about other things. let me walk you through.

I did indeed say reading is a more psychologically sophisticated process than listening. this is true, because decoding written language must be taught to someone, and is called gaining literacy. I never said that people lack psychological complexity if they can’t read, though you falsely claimed I did (and I quote)—‘you just think they have less “psychological complexity,” an argument used to support aristocracy and colonialism’. I never assigned ‘psychological complexity’ (your words) to individual human beings anywhere in my response, I simply said one process out of the many processes our brains can undertake requires deeper and more sophisticated processing whilst said process is taking place (the process: reading, or the decoding of written language made by possible by written/typed/etc symbols). again, this is about the sophistication of a particular process, not about the relative sophistication (or your word, ‘complexity’) of the brains of different individuals or groups! but again, this was quite obvious if you read my response in good faith, fully willing to engage with the argument being made on its own terms (that redefining reading is a bad thing).

I can accept it may have been accidental, but considering you went on to transpose my viewpoint onto someone else who very considerately tried to explain this view to you—someone in education, no less, who clearly has great reason to feel strongly about this topic—I’d think you really should have brushed up on your cursory glance at my reply. especially seeing as you responded again and again, digging your heels into this imaginary thing no one has said.

your point about colonialism isn’t worth dignifying with more response, you’ve attached a meaningful concept onto your fabrications to lend them more weight somehow. no one fell for it.

it seems you even agree with us, that reading and listening are different skills. why you then continued on this tirade it’s difficult to ascertain. regardless, as per your last response there’s no reason to hand-wring about my believing your given definition of reading as ‘understanding the words and sentences and meanings that the text serves the function of conveying’, because that is not a definition that takes into account the decoding of symbols and thus is not an adequate definition of reading. this one will suffice:

so, let’s review. you have lied (deliberately or accidentally) that I believe audiobook listeners are lazy, you have lied (deliberately or accidentally) that I believe individuals who lack literacy are not psychologically complex, and you have complained about people believing a definition of reading that you yourself have introduced that is not, as it happens, the definition that the two people you were arguing with believe anyway.

one wonders what’s been accomplished here.

This conversation is so fucking funny to me

[darnell-la]

Love your work! it’s so good, i was wondering if i could request another darkpervy!Logan and reader, She’s sleeping and he sneaks into her room and does whatever, you can decide if she wakes up or not and what they do, thank you!

note: we’ve been gone for a little, but we could never not come back with a dirty, dark, and pervy Logan Howlett post.

———

Logan wasn’t the type to think about secrets the group exposes on themselves on their drunk Friday nights, but what y/n had said earlier had been in his head for the last hour.

“Is it normal to, like, pass out after you finish? I’m not joking- Shop laughing!”

Everyone took what she said as a normal dirty secret, but Logan? God, he got hard within seconds of hearing her secret.

Now the man is outside of her room, listing through the thick door for her moans. He could tell she was close.

“F-Fuck,” y/n whined as her legs began to shake. Logan did his best to keep himself back from cumming right then. Her voice was enough to make a mess in his pants.

After Logan heard a few whines that sounded low and dead, he knocked on her door. He prayed she wouldn’t answer, and thank god she didn’t.

Logan quickly entered her room, closing and locking the door before anyone saw him in the hallway.

The man slowly turned around and met y/n’s sleeping body. She really wasn’t lying.

Logan was excited, heart pounding as his cock twitched. He knew tonight would be the best night he’s ever had.

“Can smell that pussy from over here…” Logan spoke low as he came up to her bed. He thought about taking his time, maybe eating her out or jerking off over her face, but he decided he needed to be in her.

Logan quickly undressed himself before hovering over her, getting in between her loose legs to spread them apart. “So perfect,” was all he could say.

Y/n isn’t too much of a heavy sleeper after she goes out after an orgasm, but for some reason, she hasn’t woken up yet. That orgasm had been one of the top bests.

“Gonna get this done quick and easy, okay, princes?” Logan spoke as he began pushing at her entrance, instantly feeling her tighten around his shaft. Logan groaned loudly as y/n whined, slowly waking up.

Y/n spoke, but Logan couldn’t understand her. She hadn’t even known what she said. She was out of it, and that only made her look better to the man.

“Keep it down, baby,” Logan said as y/n’s head slowly began to move, but she wasn’t fully awakened. She knew something was going on, but she felt pressure in her lower stomach and head. She felt a good kind of dizzy.

“So fuckin’ wet, Bub. You weren’t gonna tell me this? I thought we were close friends?” Logan said as his hands grabbed her lower body, pulling her into his now hard and deep thrust.

Y/n’s eyes squeezed before she tried opening them. She had failed a few times until they finally opened. That meant nothing though, as they were rolling to the back of her head from the sudden pleasure.

“Feels good, sweetheart? Tell me. Tell me you feel good, y/n”, Logan growled as he looked down at her smaller girl, watching her struggle to stay awake and take him.

“Lo?” Y/n asked, which came out as a whine. “Ah huh, I’m right here, baby. It’s me,” the man assured as her hands touched anywhere to grasp what was happening to her.

“L-Lo,” y/n whined, feeling his cock slip into her with ease as she grew more wet. Now she knew she was being fucked, but her brain still couldn’t comprehend the situation.

“Don’t worry — I’m close,” Logan spoke, confusing y/n as she slowly lifted her head. The young lady focused on what was thrust in and out of her cunt, and when she realized it, she couldn’t help but moan.

“Logan,” y/n whined, eyes still on the way his cock pushed into her. “You like it?” Logan asked again as one hand rested on the back of her head, keeping her up to see the view as the other strongly gripped her waist.

“I-I don’t know,” y/n said, but lord knew she loved this. “C’mon, Bub — Tell me you like it. You take me too good not to like it,” Logan said, feeling himself near. “I-I like it,” Y/n’s low voice echoed through his brain.

“Fuck yeah — You fuckin’ like it, baby? Like me having my way with your half-unconscious body?” Logan couldn’t stop thinking about how much he loved her being this way. He never knew this was a kink until earlier today.

“I-I do,” y/n replied right before a pool of cum gushed out of her. “Oh yeah, baby — That’s what I like to see,” Logan picked his pace up, feeling his cock goat h uncontrollably.

“Once I fill you up, I won’t be able to stop,”

[amethystfairy1]

Regarding the Iskall Situation...

I've received a lot of asks wondering about what my take is on it, and since I'd prefer to have it all taken care of in one swoop so we don't have to continue to focus on it, here's my stance on the subject.

A: Yes, I have seen the credible evidence from Kasszki, I read the doc they posted, and I feel awful for them and the other victims that they had to deal with this. I'm glad to hear that the Hermits and others were supportive of them and helped them handle this situation in as professional a manner as possible. I have also seen the credible information from False that Stress left for her own separate reasons.

B: I strongly denounce Iskall's behavior, and I have absolutely zero intention of supporting him as a creator ever again.

C: Please don't pester the creators or the victims. I said it in my initial response to this situation before we knew what had happened, but my opinion remains the same here. Any information we get from the Hermits is a privilege, not a right. Hermitcraft and it's associated fandoms are well known for being healthy, good spaces, and I'm proud to be a member of this community. Now our money is where our mouths are. Please don't feed into the rumor mill, please continue to support the Hermits as you always would and don't pry or demand more details from them. This is a very difficult situation for all of us, and I'm certain it's even worse for all of them. Please keep in mind the Hermits are all grown adults, many of them had professional careers before they joined Hermitcraft, and they are handling this in as professional a manner as they are able. I applaud them for that. As their fans, we need to do the same.

What are my plans for Iskall and Stress in TTSBC?

Understandably, I've received several asks about what I plan to do about Iskall and Stress's characters in TTSBC. I've answered them individually, but I just want to put this here as a one-stop spot for what my stance is so it's clear.

I've always been a 'character not content creator' author. My characters are just that, characters. Does that mean I can completely remove them from the creators upon which they are based? No, of course not. That's not how this works, either. So here's my plan moving forward.

The two stories that heavily feature Iskall in TTSBC, "Run with It' and "Carry me Home Tonight" will remain up. They are timestamped with their dates of posting which was long before any of this came out, and again, they are very clearly meant to be characters, not the creators.

Iskall will be removed from the TTSBC: Wiki, and I will not be writing any new content for his character.

Does that affect the plot of TTSBC? Yes, it does. I'm not going to pretend it doesn't, and those of you who have followed the series at length can likely see where the issues arise...but I'm an author, and I can pivot. I also have an awesome little team behind me of @silver-sunray, @boo-the-ahh, and @khoirkid who are helping me to make sure TTSBC carries on smoothly despite this unforeseen struggle.

Stress will not be removed from the TTSBC: Wiki. As I mentioned in an ask earlier, her role in the story is very minor, and I hadn't planned for her to have any other pieces to herself outside of Hermit-a-Day May anyway...so aside from specific instances where it might be necessary to mention her, she will not be making any more major appearances. This is mainly because I'm a Hermit/Traffic/Empires writer, and I plan to stick to that notion unless future events cause me to pivot otherwise.

Lastly, I would appreciate if we could avoid anymore asks about the situation. If there are any further updates I'm sure I'll find that out on my own, I'm very active in this fandom and I see things pretty quickly when they spread, so if any new things related to this situation spring up, while I greatly appreciate your concern for me and my work, please don't send it to my inbox or in DM.

I'm very saddened by this, as I'm sure many of you are. Hermitcraft and it's associated fandoms have been my safe space for many years, through some of the hardest moments of my life, and with the mess that MCYT has proven itself to be at times, it felt like we were untouchable here. But like Doc said, the Hermits are good, and they are strong. And as their fans and supporters, we need to be the same.

Be good, be strong, and let's make sure our lovely community continues to be the positive space it always has been.

-Amethyst

[bloatedandalone04]

Bets & Bargains - Part 14

Series Masterlist

➪in which you and bradley go on your seventh date, this one at a fair, and both end up winning more than once.

PSA: strongly suggested to read the warnings before proceeding.

WC; 5k | Do not repost this anywhere, reblogs are fine ♡

Bradley felt like he was on cloud nine. 

It took him another hour to get out of bed when you let him fuck you bare yesterday morning. He still couldn’t believe he had managed to save his relationship with you, and now it seemed like it was stronger than ever. 

Thank fuck for that, because as of right now, you were the only good thing he had in his life, and he didn’t know what he would’ve done if he had lost you for good. 

Since going on impulsive dates was kinda yours and his thing, Bradley remembered this pop up fair that always came to town this time of year, and it only runs for two weeks. This weekend would be the last chance to go, and he knew for a fact that you’d have fun there, so he decided to ask you if you wanted to go with him. 

His arm was draped around your shoulders as he walked you to your second class of the day. “I wanna do something this weekend,” he started off casually, not wanting to sound like he had been thinking of this idea since last night when you fell asleep in his arms. 

You looked up at him with your pretty smile and a raise of your brow. “Another date? What is this, like, our sixth one?”

“Seventh,” he corrected and smirked at the quiet laugh he pulled from you. “And going on random dates is our thing, so don’t act so surprised.”

You laughed again and shook your head, leaning up to press a kiss to his cheek as you walked with him. “I love going on dates with you,” you murmured, kissing him again before pulling away. “So what are you thinking about for this weekend?”

“How about something new?” he suggested, giving you a side glance as he guided you along the campus. Bradley knew your schedule pretty fucking well now, so he knew where your classes were, when they started and when they ended, which was a good thing, since he liked walking you to them. “There’s a fair that’s happening in town. I’ve heard that it’s pretty fun and the tickets aren’t super fucking expensive either.”

Your eyes lit up and you stopped walking, making him stop as well. “A fair?” you echoed, jumping slightly when he nodded. “I love fairs! Oh, they’re so fun, I’ve never been to one that wasn’t fun.”

Bradley lifted a brow, his lips curving upwards as he looked down at your excited expression. “Yeah? You’ve been to a lot?”

You shrugged, giving him a teasing smile. “A few here and there,” you answered, “This is so fun. When are we going?”

“So you want to go then? It’s not even a question anymore?” he teased, laughing at your eye roll. 

“Of course it’s not a question,” you replied, taking his hand and lacing your fingers together. “Fairs are so romantic, Bradley. Especially when you’re with the right person.”

Bradley lifted a brow again, following after you as you started to pull him along the sidewalk. “You better be talking about me, babes,”

The look over your shoulder you gave him told him all he needed to know, but your words helped too. “Of course I’m talking about you, flyboy,” you laughed, turning to face him once you were outside the doors of the creative arts building. “Everything feels right with you.”

For some reason, that had Bradley blushing like a fucking teenager. That was probably one of the sweetest things anyone had ever said to him, and it just made him adore you even more. So he didn’t respond with words, instead he just leaned down and kissed you, his hand coming up to hold your jaw. “Have a good class,” he murmured in between soft kisses before he finally stepped away from you. “Think of me.”

The smile you gave him brought that blush back to his face. “I always am,”

-

Bradley wanted to take you to the fair, and you weren’t sure he was even aware of just how perfect of a date that sounded to you.

And while you were a bit lost on just how many dates you’ve gone on with him up until this point, Bradley knew the exact number, and you were definitely sure he wasn’t aware of how attractive that is. 

Then there was the whole no condom thing, and that had your smile growing. Sure, it was kind of an irresponsible decision, but you really needed to be as close as humanly possible with Bradley yesterday, especially since you had discovered that the whole Briana thing was just a massive misunderstanding. You were so relieved that you had been wrong about him being like every other guy, and he had proved it to you so sweetly, you needed to feel him all over you. 

And it felt fucking amazing, and you’re on the pill, so was it really a bad decision? It sure didn’t feel like one. 

You were all giddy when you went into your class, your happy smile definitely not directed at Clarke personally, but he gave you one back as if it was, which was just fine by you. After having such a terrible start to the week, you would gladly smile at everyone you saw since things had only gotten a lot better since Monday morning.

You sat down in your usual seat, smiling at the girl already sitting in the one beside yours. She was pretty, had long blonde hair and hazel eyes, and for some reason, you had never shared more than a few conversations with her. She seemed nice enough, and you were seriously lacking in the friend department at the moment, so maybe you’d try to talk to her more often. 

Really, anyone was better than Sam at this point. 

So when she smiled at you and held up the bag of plain chips she was snacking on before the class started, you grinned back and took one. 

When the class was over, you packed up your things and got Delia’s, your table partner, number saved as a contact on your phone. You ended up talking to her quite a bit during class, and you were right, she is really nice and seems like a great friend to have. And you were in no position to turn down what could be a pretty awesome friendship. 

She offered to hang out for a bit after class, and you agreed, so you followed after her when she began walking towards the door. You had a few hours to kill before you had to go to your yoga class, and usually you would be spending it with Bradley, but hanging out with Delia would give you more time to get to know her better, and you could already tell that you and her have a lot in common. 

Before you could leave, Clarke called out to you, making you pause. “Can you stay for a second?” he asked, and you furrowed your brows, giving Delia an apologetic look and a gesture that told her that you’d meet her out in the hall in a minute. 

“Sure,” you answer, walking back into the room. You weren’t sure why he wanted to talk to you; you hadn’t handed in any assignments this week since he hadn’t given out any, and you made sure to always pay attention (or at least pretend to if your mind was elsewhere - like on your boyfriend) in class, so you knew you weren’t in trouble or anything. 

Clarke smiled at you, leaning back in his chair and folding his arms behind his head. “How are you doing?” he asked, his brows coming together in what looked like mock concern, but then again, you didn’t know him well enough to assume that. 

“I’m…fine,” you replied, giving him a confused smile back as you shifted on your feet. That was it? That’s all he wanted? To know how you were doing?

“You sure?” he pressed, crossing his arms as he looked down at the papers that were scattered on the surface of his desk. “In Tuesday’s class you seemed off. Quieter…less talkative. I just wanted to make sure everything’s okay.”

Oh. Well that was kinda fucking embarrassing. Monday and Tuesday were really bad days for you since you weren’t sure where you stood with Bradley at the time, but you had thought you hid it pretty well. Clearly not. And now your teacher was asking about you as if you were back in high school. “Oh,” you laughed, either out of nerves of pure embarrassment, or both. “Yeah, no, I’m fine. I was just…I had a really bad start to the week. I’m totally fine now.”

You thought he’d laugh it off too and leave it at that, but then he leaned forward in his chair, bracing his elbows on his knees. “Are you sure?” he asked again, his thighs spread a bit and making his slacks look two sizes too small. 

Okay, this was getting weird now, and you were definitely beginning to feel uncomfortable. While you appreciated his concern, you had already told him three times now that you were fine, but he was still pushing it. And you didn’t think you had bonded with him enough for him to feel the need to be this persistent. You wanted to just nod at him and quickly turn and leave, the need to just get out of this classroom the only thing on your mind right now.

But he continued before you could make your escape. “Because I’m here for you if you’re not,” he said, giving you another smile that was more of a sly smirk compared to the other ones. “You can always come to me if something’s bothering you or anything like that.”

Not that he was very high up on the list of the people you’d go to if something was bothering you, but now he wasn’t even in the vicinity of said list. You were so on edge and it happened so quickly, you physically couldn’t relax your tense shoulders as you nodded slowly and gripped the strap of your bag. “Right,” you mumbled, forcing out a tight smile and a nod as you stepped away from his desk. “That’s…nice, Clarke…I appreciate that.”

You didn’t know what else to say. You couldn’t exactly go off on your teacher because he hadn’t done anything wrong except express his concern about you. But still, why you felt so fucking awkward and…gross was beyond you. 

“No problem,” he said, and the look he gave you had you holding back a cringe as you turned and headed for the door without saying goodbye.

In the hall, Delia was waiting for you with a kind yet confused smile. “What did he want?” 

You debated on whether or not to tell her, but didn’t know if you were making a big deal out of nothing at all. Really, all Clarke did was voice his concern, there was nothing wrong with that, and you were already feeling better now that you were out of that classroom. 

So you decided to brush it off for now, and you also decided to not tell Bradley since you were sure he’d make a big deal out of it too, and the last thing you needed right now was more drama. 

-

Bradley hadn’t seen you since he walked you to class yesterday.

You texted him and said that you were going to hang out with a girl from your class before you had to go to yoga, so he didn’t get the chance to see you for the rest of the day. 

It was Friday evening now, and he was waiting in the Jeep as you got ready for your fair date. Bradley still couldn’t believe how much you had changed him and his life in so little time. He had never considered himself to be one of those boyfriends who wanted to go out on dates all the time, let alone be the one to suggest most of them (and keep track of them), but here he is; about to go on his seventh date with you in three weeks. 

His seventh. 

Who the fuck was he?

When he turned his head and saw you walk out of your building, his jaw dropped just a bit as he took in your, for lack of better words, fucking hot outfit. You were wearing black jeans, a white crop top and ankle boots, and his blue flannel was draped over your shoulders, your hands barely visible as the shirt was way bigger on you than it was on him, and he felt his mouth go dry.

You looked absolutely stunning, like you always did, and Bradley was quickly coming to the realization after seeing you in his jersey, then his sweats and shirt earlier this week, and now his flannel, that he fucking loved it when you wore his clothes.

And you were going to wear his shirt on your date? Fuck, he wanted to pick you up and carry you right back to your bedroom.

He had meant to be a gentleman and open the door for you, but by the time he picked his jaw up off the floor, you were already sliding onto the seat next to him with a pretty smile on your lips, and a floral scent filled his senses. “Hi,” you greeted as you shut the door and leaned back, grinning as you looked at the seat warmer button that was switched on.

At least he remembered to turn that on before he was completely floored by how hot his girlfriend is. 

“Hey,” he said back, looking you up and down. You looked even better up close, and his teeth sunk into his bottom lip before he let out a low whistle. “Damn. You look fucking hot.”

You laughed, a mix of surprise and appreciation as you put on your seatbelt. “Thanks. You do too,” you blushed, leaning over to kiss him on the cheek. When he made no move to start driving, you gave him a confused look as your gaze flickering between his eyes and the windshield. “What’s wrong?”

“You missed,” he answered as if you had asked him the easiest question he’d ever heard. When your brows furrowed even more, Bradley pointed to his mouth, and you rolled your eyes before leaning in and kissing him on the lips. 

His hand cradled the back of your head as he deepened the kiss, making you smile against his lips before you pulled away. “There. Better?” 

“Much,” he nodded before shifting the Jeep into drive and pulling away from your building. 

It was still light out when Bradley managed to find a spot to park in the very back of the parking lot, which was really just a massive field of gravel and dirt he couldn’t wait to pick out of his tires later.

The fair was also really big, so compared to all the cars you and he passed on the way to the front gate, the fair ground itself didn’t seem too packed since there were countless places and attractions around that ensured there wasn’t just a big crowd. 

Bradley’s fingers were loosely laced with yours as he gave you free rein of deciding where the two of you were going or what you were going to do. He honestly didn’t care what you did, his attention mainly on how gorgeous you looked in his flannel - which was so obviously his, he could see a few jealous stares from guys who seemed to think they had any chance with you as you pulled him along. 

When you suddenly turned and started tugging him with you towards the arcade, he laughed, because you were probably the only person he’d ever met that would start with the indoor arcade instead of the ferris wheel or the dart game.

A few minutes later, his forearm was braced on the top of some coin machine, his other hand holding a rather heavy bag of arcade coins that you were currently inserting into the machine over and over again. For every coin you knocked off the pile, you got five prize tickets, and you seemed to be having a blast doing just that while Bradley watched you. 

He was content doing anything you wanted to, and if you wanted to blow the entire bag on just this ‘game’, he wouldn’t stop you, especially since you looked absolutely adorable every time the machine printed out a stack of tickets for you. 

“So, flyboy,” you said, bringing his focus away from your pretty face as he gave you his full attention. “Have you decided on what your call sign is going to be once you become a pilot?” 

Bradley grinned, because you were the first person who had brought this topic back up since he told you about it. Eli and Wes and even Briana just listened with fake interest when he told them what he wanted to do for a career in the future, and then they never asked about it again. 

This was just another thing that made you a hundred times better than all three of them combined. You actually listened, and you actually wanted to hear about his plans for the future. “I thought we both decided on that together,” he answered, smirking at the way you quickly looked over at him with wide eyes. 

“Rooster?” you asked for clarification, and he was immediately brought back to his fourth date with you, when you and he had gotten each other off fully clothed in the front seat of his Jeep in the back of a parking garage after being way too distracted to get even halfway through the movie. “Seriously? Your call sign is going to be Rooster?”

“Yeah,” he nodded, taking it upon himself to insert another coin into the machine since you were completely focused on him now. “One, because it has the double O like my dad’s did, and two, because you came up with it.” 

Once the coin had fallen into the machine, Bradley turned to face you but was immediately gifted the sweet feeling of your mouth on his as you kissed him hard, right there in the middle of the arcade. “That is one of the sweetest, most sexiest fucking things anyone has ever said to me,” you mumbled, looking so serious as you caressed his jaw in both hands. “And I’m not even joking.”

Bradley smirked again, because he knew he had another thing to hold above your piece of shit ex. Even though he’d never met Luke, he still was going to call him that, because he was a piece of shit. And he let you go. What a fucking idiot.

Before Bradley could reply, the machine lit up from beside him, flashing yellow a few times before a bucket load of tickets began pouring out. He was so distracted by your surprise kiss, he didn’t realize that the coin he had put in ended up knocking over the pile and rewarding him with what looked like a never ending string of tickets. 

“Woah, baby, I think you won,” you laughed, stepping away from the machine as it continued to spurt out tickets onto the carpeted floor of the arcade. “I didn’t even know you could win this game.”

Bradley shrugged, leaning down to pick up the copious amount of tickets in one hand. “Guess I’m just that good,” he teased, trying to give them to you as he added, “Or maybe it’s because you’re my good luck charm.”

You blushed then shook your head when he tried to hand them to you again. “No, they’re yours. You won those,” you protested, and Bradley laughed. 

“Babes, I put one coin in this thing,” he pointed out, “You put in, like, thirty. They’re yours.”

Your smile was poorly hidden as you finally took them from him before leaning in and giving him another chaste kiss. “Well, thank you,” you mumbled, taking his hand in your free one. “Now we can move on from this game.”

-

Bradley was so fucking sweet, you wanted to kiss him every second of every hour. 

How could you not have realized that this is what a normal, healthy relationship feels like? Why had you put so much of your life into your relationship with your ex when he really didn’t treat you right?

Whatever the reason, you were more than happy to have found Bradley, because he was replacing all your bad experiences with amazing ones, and he had quickly become your favorite person. 

After you had used up all of the arcade coins and won a fuckton of tickets, you kept two and traded the rest of them in for a bunch of random prizes, like a t-shirt with the fair’s name on it, one of those tall cups that come with a weird straw that made it take forever to actually sip anything out of, and a few other small things Bradley had picked out that neither of you would ever need.

He offered to run everything back to the Jeep, so you stayed by the game booths and browsed them until he got back, and once he did, you pulled him over to the target game after a certain prize caught your eye. “Are you any good?” You ask, nodding towards the plastic gun set on the counter of the booth. 

“At this?” Bradley asked, looking at the various targets along the back wall. “I guess now is the time to admit that I’m kind of a bad shot.” 

His words surprised you, since he wanted to be an aviator and fly missions in a fighter jet, and that definitely required him to be a good shot, especially in the air. And you could tell that he was also embarrassed as his neck turned a bit red at his revelation. “Really? I mean, I might be wrong, but don’t you want to join the military? Or are you just a really good liar and only said that to impress me?”

Your words were playful and teasing as you took it upon yourself to pick up the gun. Bradley rolled his eyes as he nodded, “Yeah, yeah, I’m working on it, I just-” he was promptly cut off when you aimed and fired one shot at the center of each target without batting an eye. 

When you turned to face him again, you nearly cackled at the look of complete shock on your boyfriend’s face. “You just what?” You asked, casually setting the gun down as he gaped at you. 

“How did you…” he trailed off, his eyes flickering between your own and the targets. “You just…I’m sorry, but at the risk of sounding like a complete jackass, how the fuck did you do that?”

You laughed, leaning up to press a kiss to his scarred cheek as he stared at you with a mix of surprise and something else, something stronger, and you weren’t sure if it was what you thought it was. “That? That was easy, flyboy,” you grinned, taking the stuffed goose from the teenaged boy that was running the game booth (who also looked equally as surprised as Bradley did). “Here, I won this for you.”

His gaze flickered down to the stuffed animal, and that same look was in his eyes when he looked back up at you and took it. “You’re perfect,” he mumbled, wrapping his arms around you as he kissed you, subtly guiding you away from the booth so the next person could shoot their shot. Bradley kissed you over and over again, the stuffed goose you won him pressed against your back as he held you close to him, his other hand cradling the back of your neck. “You’re absolutely perfect, and I think I’m gonna marry you one day.”

You laughed against his mouth, pulling away as you blushed, his words doing a real number on you. “You think?” You teased, lacing your fingers with his as you snuggled into his side. Before he could say anything, your eyes caught sight of the cotton candy cart, and you were tugging him along with you as he clutched the goose like it was porcelain. 

A few minutes later, you were standing in line for the ferris wheel, a pink cotton candy cone in your hand as you fed handfuls of it to Bradley, who had what seemed to be a permanent love-struck expression on his face. “You’re pretty,” he mumbled suddenly and you snorted.

“What has gotten into you? I won a stuffed animal for you and now you’re all clingy and smiley,” you observe, tossing the cardboard cone into the trashcan as you moved further up the line. “It’s sexy, don’t get me wrong, but what did I do to deserve it?”

Bradley raised his brow at you as he answered, “You won me a goose,”

It didn’t make much sense to you - the only reason you wanted to play that game was to win him the goose because of his dad, but if it made him happy, then you would stop questioning it. 

When you got to the front of the line, the guy operating the ferris wheel had to confiscate Bradley’s goose in case he dropped it or something, and you had never seen him glare so hard at a total stranger before. 

You were holding back a laugh as you got strapped in, and had to bury your face against his arm. “That guy’s just trying to do his job and keep us safe and you’re glaring at him,” 

Bradley turned to look at you with an unimpressed expression on his face, and you laughed harder at the way his lips curved downwards. “He took my goose,”

“He had to,” you pointed out once the wheel started moving. “And you’ll get it back. Jesus, I didn’t think you’d like it this much.” 

“Are you kidding?” he asked, draping his arm around you as the ferris wheel moved even more. “Babes, you make me so fucking happy with everything you do. You listen, you actually care about me, and you remember things that most wouldn’t think twice about. I’m crazy about you.”

Well, now you wish you weren’t sixty feet in the air, because all you wanted to do was crawl on his lap and kiss him senseless. He was so fucking sweet. 

You couldn’t exactly crawl onto his lip right now, but you could definitely kiss him, so that’s what you did. 

Leaning over, you pressed your lips to his in a searing kiss, taking him by surprise this time as you gripped his jaw with your fingers. You weren’t sure how many kisses you’ve shared with him since he picked you up, and you didn’t care. Kissing him felt so good, so right, and you never wanted to stop doing it.

And from the way Bradley kissed you right back, you could tell that he didn’t want to stop doing it either. 

Once you were back on the ground, and after Bradley promptly grabbed his goose back from the ferris wheel operator, he guided you over to the ring toss game, then shoved the stuffed animal into your hand. “You got to show off earlier,” he said, twirling the rings around his finger before smirking over at you. “It’s my turn.”

You raised your brow, holding back a laugh as you turned and watched him toss the rings onto the bottles with very little effort. And he won. “Okay,” you started, turning to face him again with squinted eyes. “You tell me you have bad aim, but you managed to win this? How does that make any sense?” 

Bradley shrugged, keeping his eyes on you as he was handed his prize. “I don’t know,” he answered. “I have no idea how I just did that. And I still want to know why you’re such a good shot.” 

You laughed, then looked at what he was holding, and laughed again. “Wow, you won a fish,” 

He looked down at the bag in his hand, a dumb grin on his face when he handed it to you and took back his goose. “You won a fish, actually,” he corrected, “I won a goose.”

You narrowed your eyes as you shook your head. “That’s not at all what actually happened, but you’re hot so I’ll let it slide,” you mumbled, then looked at the bag with a small little red fish inside of it. “Poor thing. It’s cute though.”

Bradley raised a brow as he looked at the fish as well. “I mean, I guess so,”

You gave him an unimpressed look. “That’s not very nice, especially since we’re it’s parents now,” you say, and both his brows shot up as he let out a surprised laugh. 

“Oh, are we?” he grunted, draping his arm around your shoulders as he started leading you to the exit. You were joking, and were also kind of serious, but also didn’t want to weird him out. But before you could say anything else, he continued, “Well, if that’s the case, it needs a name then.”

Your smile grew a few sizes at that, because not only had he not been weirded out, but he played along. “Well,” you trailed off, looking at the fish as he walked you through the dark parking lot. When your eyes caught sight of the ‘F’ written in sharpie on the side of the bag, you grinned. “Her name will be…BB.”

“BB?” Bradley laughed, his free hand fumbling around in his pocket for his keys. 

“Yep,” you nodded, “BB Bradshaw.”

“Alright,” Bradley mumbled once you were right next to the red Jeep. “What does that stand for?” 

You leaned against the passenger side door, a teasing smirk on your face. “Bad Bitch Bradshaw,” you answered, trying to ignore the jolt of heat that shot through your body when he braced his forearm against the window above your head. He was so hot, and he didn’t even know it. “Obviously.” 

Bradley hummed, “Obviously,” before leaning down and giving you what felt like your hundredth kiss of the night. “Come on, babes. I’m taking you home.” He mumbled, then his lips found yours in another deep kiss, this one much longer.

[hyperfixies]

My thoughts on why JayVik should have kissed

I strongly disagree with the "let them be platonic soulmates & not everything needs to be romantic" argument I keep seeing. While I do agree that depictions of platonic love are important and I'm usually the first person to groan at forced romantic subplots in media, in their case it wasn't about a win for the ship, it was much bigger.

Cishet ships are not underrepresented in popular media so feel free to use them for platonic love any time. The queercoded mlm ship, however, shouldn't yet again be the ship shrouded in ambiguity, because that strategy usually isn't a representation of platonic love—it's cowardice.

I'm glad CaitVi exists and I'm happy for the Jinx and Ekko supporters, but at the end of the day both of those ships are SAFE SHIPS. Jinx and Ekko presents itself as a hetero ship and CaitVi is two attractive women making out on screen, which most cishet men have no issue with. Riot want to make money and I doubt that male champions who are canonically gay for each other would be very popular with a predominantly cishet male gamer base (fragile toxic masculinity etc.)

Sure, love doesn't need a visible exchange of bodily fluids in order to exist, but I strongly believe they should have gotten a kiss scene or a suitable alternative that left no doubts about the fact that they actually love love each other.

Didn't Fortiche themselves (?) encourage people to read into their body language because they put those details there for a reason? Correct me if I'm wrong but I can't think of another close pair of men on the show whose scenes were framed so obviously to parallel heteronormative romantic scenes, like... if Viktor was a woman in any of those scenes, no one would even question it.

Fortiche probably went as far as they could without getting canceled, but for me (and this is ofc subjective) Jayce and Viktor had the most natural and believable foundation for a romantic connection.

So yeah, next to a superfluous and badly placed CaitVi jail sex scene (love the sapphics but... cmon your sister just told you she was gonna kill herself?) and Ekko/Jinx suddenly sharing a whole romance when they'd barely interacted on screen, the fact that Jayce and Viktor did ALL THAT and still got hit with the corporate plausible deniability hammer (no pun intended) is bullshit and just sends the wrong message, especially in this day and age.

[deadboydetectives-confessions]

Maybe this'll be really unpopular (guess that's what this blog is for lmao), but with all the new spoilers dropping I'm starting to get a little glad we didn't get season 2. I'm sure they'd do everything really well, and I'd love to see the gay bar episode, but bringing back Esther and the Cat King? I had such a visceral negative reaction to both those pieces of news.

To explain myself: I think there is a massive problem in series', across a lot of different types of media, of having recurring villains, people who come back just because no one can be bothered to think up a new villain, and it ruins a lot of things for me. Imo Esther was really well dealt with in season 1; considering she'd technically immortal, I think they got rid of her really neatly and in such a beautifully appropriate way. She's being punished by the goddess whose gift she used to feed hundreds of little girls to her giant snake. That's such a wonderful ending. It's fanfiction's job to bring her back over and over, just like it's fanfiction's job to put Edwin in Hell over and over; it's the show's job to come up with a new villain.

I very much don't ship Catwin - I like the Cat King as a character but I am very strongly against the ship for reasons I have given before (the Cat King's loneliness means he needs friends, not a boyfriend, and I don't think it would set a good precedent for Edwin's future relationships to sleep with the guy who tried to coerce him into sex) - so that might be colouring my thoughts against his reappearance in season 2, but I just... I think he's served his purpose with the Agency. Maybe a spin-off or something about him, Monty, and Tragic Mick making friends and dealing with the fall-out from Esther's end would work, but I don't want him becoming part of the Agency or even really interacting with them much because, to me at least, it would just feel forced.

And also, it just feels like both Esther and the Cat King are very rooted in Port Townsend. They've been there for centuries. And now that Niko has 'died' and Jenny's considering moving to London, there's no reason for the Agency to ever go back there. I know a lot of people are attached to Port Townsend as a location because that's most of what we see in the show, but I'd love to see the Agency in London, where they've been already for years. They must have quite a large network of supernatural acquaintances, if not friends, in the UK and I think it would be a shame for the show not to properly explore all the potential that has.

Overall, I don't know. I think Dead Boy Detectives is an amazing show that deserves to have loads of seasons exploring lots of different characters and locations, and the number of characters that feel like they should have been a one-off in the first season but were apparently going to come back in season 2 suggests to me that it was only going to get one or two seasons anyway.

.

[certifiedsexed]

i dont know if this is the right place to go but im so lost why do i have crying meltdowns when my boyfriend turns down sex? it makes me feel disgusting and like im pressuring him to sleep with me, but i would never and thats not my intention. I just get filled with an overwhelming feeling of rejection and disappointment that it hurts physically

I know this may sound hurtful. That's not my intention. I mean this genuinely, in the kindest way possible but it may be that one of the main reasons you have crying meltdowns when your boyfriend turns down sex is that you are not in a space where you should currently be having sex.

It sounds like you have a very strong reaction to what you view as a rejection. I don't know if that's a general thing or just a sex thing but clearly, it's an issue you need to work on. It's not an unheard of issue-What you're describing is word-for-word something that plenty of people who have RSD [Rejection Sensitive Dysphoria] deal with regularly.

But if it's causing you to have meltdowns when your boyfriend turns down sex, it might be a good idea to stop putting yourself in that situation until you've got a better handle on all of it.

That should definitely start with sitting down with your boyfriend and thoroughly discussing with him, "Hey, I have this issue but it's not me trying to pressure you," and listening to his feelings about it and seeing where to go from there.

But from there, you have a lot of options. Therapy, generally exposing yourself to rejection to build yourself up, learning more about how to manage your reactions, etc, that's up to you.

I can't tell you exactly why you have those meltdowns but I can tell you that some people feel things very intensely. And sometimes we can't control our exact reaction to those feelings.

That's not something that makes you evil. Often, there's nothing wrong with feeling things strongly, even if you express them in ways other people view as "inappropriate" or "strange."

But sometimes, it's something you need help with! Like when it's so intense you're feeling physical pain because of something repeatedly! Or when it might interfere with your boyfriend's ability to consent properly. That's definitely an issue you need help with. But it doesn't make you evil.

Not sure how helpful this is, Anon. But let me know if you have any other questions. <3

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[diamondkat]

Regarding Alastor being redeemed, I have been seeing some posts regarding how it can happen that trigger an instant ick reaction from me. I have taken time to think about why I keep having such a strongly negative reaction to it. The first thing I took into consideration is that I really do not want my current favourite bad boy to become good. I am first and foremost a villain fan and his becoming good has a high chance of ruining the character for me. This means that there is a chance that I would dislike any theory that ends with Alastor redeemed. A lot of time you see people making arguments for why a ship or character should not be liked when the real reason is they personally don't like it and the reasons are merely support. I try to make sure I am aware of my personal bias.

Regardless of my personal bias, I have decided that there is one particular theory regarding how Alastor can be redeemed that I hate from the bottom of my heart. It is the theory where Alastor after being humiliated, degraded and losing everything including his pride has no choice but to accept Charlie's care and change for the better. Sometimes it involves betraying the hotel first, but generally involves him being unable to deal with the challenges that he faces. I am sure how this works in the minds of those who like this theory makes perfect sense. He can no longer rely on himself, he sees that he isn't capable of anything and now has no choice but to become what Charle wants him to be. I hate it so much. I have kept turning it over in my mind and I think I have figured out all the reasons why separate from my bias.

First, suffering doesn't make people better. It just doesn't. The theory seems to require enough suffering to rewrite Alastor's personality and make him Charlie's puppet. It also reminds me of William Shakespeare's The Taming of the Shrew. The story of how the proud woman was broken down to make her obedient. She might be "better" but it also felt to me like she died and became a puppet. He would be "redeemed" but that wouldn't be Alastor. It would just be something that looks like him. I just feel like fans of Alastor who like this theory don't realise that he would lose everything that pulled them to him in the first place if this happened. Some could not deal with him being less energetic in the main show than the pilot due to him being bored. How would they deal with what would essentially be a hollow creature wearing his face trying to become good because there is nothing left in him?

Second, with a proud character you can't brute force them into letting people in. Part of the idea of the theory is that after he is humiliated and suffers in front of them, he will drop his smile and be forced to let others in. That doesn't make sense to me. We have already seen in S1E8, how Alastor deals with things not going his way. He holds onto what little control he has by refusing to drop his smile and holding onto his pride while going through a breakdown. The best way to get someone like Alastor as far as I am concerned is to deal with him the same way you would deal with a wild animal. Slowly lower their guard. I think Charlie is already doing that whether Alastor knows it or not. Besides, pride is an important part of the character. Pride is part of what drew me to the character in the first place. The kind of pride that makes a person think it is okay to say, "If I wanted to hurt anyone here I would have done so already" in front of the Princess of Hell, is part of what drew me to Alastor. If he lost it, the character would likely immediately lose all appeal to me. So, there is some personal bias there.

It would make sense to me if the theory was more about Alastor learning that he can rely on others and doesn't have to depend solely on himself which leads to him opening up and letting others in. However, the theory leans very heavily into suffering as a way to make him a better person and a complete erasure of everything that makes up the character through suffering to make him into someone who wants and is worthy of redemption. That's fine for fanfiction but I hope it never becomes canon.

[desultory-novice]

What were Adeleine and Noir’s parents like

Sorry to hold onto this ask for so long! I've had trouble shaking this weird self-conscious streak that's made it tricky to share my non-art but today seemed like the right day for it.

-

So, I feel like there are two types of parents in OC land: bad abusive parents the OC has to get away from and good parents who die tragically early in the OC's life.

Neichel Fontaine, songstress of the New World, and Rim de la Ride, peregrine Prince of Ripple Star, are definitely the later.

Though, thinking about their personalities, they were probably not like, fairy-tale perfect parents! ^^; Neichel came from a rough background on Shiver Star to start, and due to her career as an agent of government propaganda, had a lot of her empathy stomped on and ground up in order to survive under strict regulations... Till she met Rim, who taught her there was soooo much more to the world–to the galaxy–than just humanity in their darkest days. This didn't lead to Neichel rejecting humanity though! She learned to see the beauty of what her own species had to offer through him.

Rim, meanwhile, is positively filled to the brim with heart (and attuned strongly to Heart Matter, as all fairies are) and almost can't help himself from caring for literally everyone! However, he's perpetually clumsy (like his sister, the Queen of Ripple Star) and a hu~ge cloud cuckoo lander. Fairies are almost identical to humans externally, but they're without a doubt an alien species and there was a lot he did not know about humans (especially raising two little ones >w>) in his job masquerading as a lab technician.

Rim and Neichel were probably the kind of first-time parents who would slip into a minor panic attempting to do some VERY basic baby-rearing task, and (after a bunch of frightening machine noises) finally emerge from the dust and fire with a single (!) bottle of baby formula, smiling at each other with that wonderful new parent glow~ before one thinks to ask, "...Wait. Which one of us has Noir?" "...Oh. I thought you...?" and, screaming, run back inside the smoking kitchen because they realized they left him in the chaos omg!!

...It's a bit of a miracle little Noir survived childhood, honestly! They got much better at the parenting thing by the time Adeleine was born. Not to mention that Noir was -instantly- won over by his adorable baby sister, so his constant questions to them on how he could best take care of little Adeleine helped train his parents to be a little less ditzy and more on the ball about child-rearing as well!

TF when you are born into the role of being the sibling-parent XD

Neichel was the most actively protective of the children, having all the reason in the world (rightly so...) to think that they were pretty constantly in danger: from the New World government, from the agents of Lab Discovera, from the seedy underbelly of Shiver Star...

She never forgot the haunting words of the scientists that day toward her children and kept a close eye on Noir especially (who even the lab had consigned to leave solely in her care from very early on) which in turn lead Noir to becoming a bit of a mama's boy. Her death devastated him in the kind of way that there simply is no words for... The fact that Noir grew up in a world where his mother was considered a traitor and a pariah and he had to play along with the popular opinion of "Neichel" for their safety hurt him a lot...

Neichel sang to both children, frequently, and gave them lots of motherly affection. Noir's habit of letting Adeleine sleep on his lap while he brushes her hair is his mimicking something she used to do for the two of them...

He took his interest in the stars from his father though! While Noir was a mama's boy, Adeleine was absolutely papa's little girl~

(Coincidentally - or anime genetics - each sibling resemble the parent they were closest with: Noir has his mother's warmer skin tone and thicker, faintly brownish hair while Adeleine has her father's straight dark hair and paler complexion. They both have their father's distinct violet eyes, a hint to their heritage as Ripple Star royalty.)

Apologies Adeleine is on the autism spectrum (the reason why she was soo gullible to Noir's kinda painfully obvious lies; why she took his words about "forgetting their past" overly literally; how she could live for years focused on her art without realizing that she wasn't getting any -older- during that time...) so her father's alien-spaciness had a strong appeal for her! He adored her too because they had that shared "Isn't humanity weird and fun?!" (autism + alien = handshake) and she absolutely ate up all his stories about fairies and magic and other planets! She especially loved his stories of what it was like on the fairy home world of Ripple Star and she dreamed of seeing it and all the other fairies one day!

As such, Adeleine is basically having the time of her life in the present, getting to see fun planets similar to the ones her father spoke of and even winding up with a fairy as a best friend!

Clumsy and spacey as Rim was, as much of a total devoted malewife (1) as he was (even with his perpetual clumsiness, he was simply better suited to certain household chores) as mild and polite to everyone as he was, Rim was a strong papa bear figure too!

As much as it hurt to have to make the worst call a parent can make to their children, that being the one he made as he lay dying (Neichel was killed first... Arguably, Rim's fairy constitution kept him alive a little longer) his last act was to call Noir and warn him what was coming, giving the young Noir enough time to trash his father's research, shut down the house, and make it appear like the kids had ran while hiding himself and Adeleine till the first wave of danger was over.

(It was enough time to hide, but enough for Noir to properly grieve? ...Alas, no.)

As mentioned above, present-day Adeleine no longer remembers her parents that well thanks to Noir's insistence, as well as the shock-inducing trauma of their death, and the scary things that followed. Noir does recall them (though he doesn't remember the more...magical aspects of their family) but he doesn't like to talk or think about them.

Even with odd quirks like him spending his first few years growing up in a highly controlled lab environment (which he didn't seem to mind?! Making friends with his fellow the lab animals) Noir and Adeleine did have a happy childhood with them. Which is what makes the way everything came crashing down all the more traumatic....

-

(1) Rim and Neichel were very much in love btw. Neichel's life was quite dark when she met Rim, and he gave her, well, everything she simply could not see in the world. He restored her faith in all of it and kept her grounded, despite his fairy wings fufu~ For Rim, it was love at first sight, and the more Neichel bloomed around him, the more he found himself unable to draw away, despite the fact that he was in the Earth system for a valuable mission. (O-Oops...!)

[freaky-flawless]

Hot take: Rochelle should have been in Jinafire's place in Freaky Fusion.

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[diurnalvl]

seven years ago, they used to be friends. almost.

1 / 2 / ?

[arttsuka]

Based on somewhat real events

I spent way too much time drawing this...

But yeah, Ford finally saying thank you

A continuation (kinda)

[bonefall]

⭕️Hey Bones! Is it ok if you explain and/or elaborate how Crowfeather is abusive to Breezepelt if please?⭕️

I do KNOW that crowfeather is indeed, abusive to Breezepelt, due to the fact that he emotionally and/or physically neglected him - with child neglect being known to BE a form of child abuse - and I also heard that he slashed and/or hit him within one of the books, which I believe is in the book Outcast, in chapter 16.

But I also wish people would talk and be informed about it more within the fandom, because in the parts of the fandom I’ve known portrayed Crowfeather’s neglect on Breezepelt as negative and bad, but not in a way that made me think and/or feel: “Wow, that’s pretty bad. That’s…actually abusive.” I suppose? So I hope more people will talk about it more in that type of way.

Also, please be aware that I have NOT read PoT, OoTS, etc. or barely any warrior cats books, since the majority of the information I got from the series is from the wiki and the fandom, so that probably explains why I didn’t know this part of Crowfeather’s character is as bad as it actually is until now. Also, feel free to talk about Crowfeather’s abuse on Breezepelt I haven’t mentioned and/or don’t know right now as well if you want.

I’m SO sorry that if this ask is unintentionally quite long, and feel free to make sure to take all the time you need to answer it. Thank you!

OH LET'S GOOOO

Breezepelt is both physically and emotionally abused by Crowfeather. I'm not talking about only child neglect; he is screamed at, belittled, and even once hit on-screen.

The fact that Crowfeather both neglected and abused him is very important to the canonical story of Breezepaw. There's actually a lot more to this character than people remember! Even from his first appearances he displays good qualities, a strained relationship with his father and adult clanmates, and is clearly shown to be troubled before we understand why.

As many problems as I have with the direction of Breezepelt's arc (especially Crowfeather's Trial), his setup is legitimately a praiseworthy bit of writing from Po3 which carries over into OotS. To say that Breezepelt was not abused is to completely miss two arcs worth of books SCREAMING it.

BIG POST. Glossary;

INTRO TO BREEZEPELT: The Sight and Dark River

ABUSE: Outcast, Social Alienation, the Tribe Journey.

DARK FOREST: How these factors push him towards radicalization.

For "brevity," I'm not getting into anything post-OotS. I'm just showing that Breezepelt was abused, the narrative wants you to know that he was abused, and that his status as a victim of child abuse is CENTRAL to understanding why he is training in the Dark Forest.

INTRO TO BREEZEPELT: The Sight and Dark River

Our very first introduction to Breeze is when Jaypaw walks off a cliff in the first book of Po3 and is rescued by a WindClan patrol. He's making snarky remarks, and Whitetail and Crowfeather are not happy about it. Whitetail snaps for Crow to teach his son some manners, and Crow growls for Breezepaw to be quiet.

But our proper introduction to him is at his announcement gathering, when Heatherpaw playfully introduces him as a friend,

From the offset something's not entirely right here between Breezepaw and his father. He's cut off by Heatherpaw here, but he's touchy whenever his father is involved, and we're not entirely sure why.

Throughout Book 1, he's just rude, with a notable xenophobic streak. He's a bit of a mean rival character for Lionpaw, as they're both interested in the affections of Heatherpaw and make bids to get her attention, but nothing particularly violent yet.

He participates in the beloved Kitty Olympics and gets buried in liquid dirt with Lionpaw, basically a rite of passage for any arc.

(And Nightcloud has a cute moment where she watches over them until they fall asleep)

As the books progress, the relationship between Crow and Breeze visibly deteriorates. They start from being simply tense with each other in The Sight, to the open shouting and hitting we see in Outcast.

In the very first chapter of Dark River, we learn where his behavioral issues are really coming from;

Crowfeather.

Breezepelt is getting xenophobia from his father. Occasionally he says something bigoted and his dad will agree and chime in, and those are the only positive moments they have together.

(Note: In contrast, Nightcloud explicitly pushes back against xenophobia, chiding Breezepelt for his rudeness to Lionpaw in back in The Sight, Chapter 21. The Sight is the book where a lot of "evidence" that the Evil Overbearing Woman is actually responsible for the rift between father and son but. No. She's not. Though she can be overprotective; Crow and Breeze have a bad relationship when she's not even around in Breeze's first appearance and even his Crowfeather's Trial Epiphany refutes it. Anyway this post isn't about Nightcloud.)

So he starts acting on his bigotry, accusing cats in other Clans of stealing, running really close to the border. What's interesting though, is that this is not entirely his doing. The first time we get physical trouble from Breezepaw, DUSTPELT aggressed it. Breezepaw and Harepaw were just chasing a squirrel and hadn't yet gone over the border at all.

We learn that WindClan is teaching its apprentices how to hunt in woodland, and tensions between the two Clans is starting to escalate as ThunderClan isn't entirely trusting of their intentions.

The second time, fighting breaks out over him and Harepaw actually crossing the border and catching a squirrel. WindClan is adamant that because it came from their land, it's their squirrel. So it's as if Breezepaw is modelling the aggression around him, learning how to behave from the older warriors and his father.

When he joins Heatherpaw and The Three to go find Gorsetail's kits in the tunnels, he's grouchy towards the ThunderClan cats, but very gentle with the kittens. Notably so. When Thistlekit is dangerously cold, he cuddles up next to her, and even assures Swallowkit when she's scared,

Through this entire excursion, he's the one in the comforting roles for the kittens. Breezepaw is the one who is taking time to tell the kits they'll be okay, that he'll protect them, and physically supporting them when they're weak, even when he's terrified.

And it's always contrasted to Heatherpaw who's way more 'disciplined,' as a side note. It's a detail I'm just fond of.

All this to point out,

Breezepelt displays his best qualities when he's away from the older warriors of WindClan, and he's at his worst whenever he's near Crowfeather. Even while he's essentially just a bully character for The Three to deal with. He's gruff but cooperative when it's just him and Heatherpaw interacting with The Three, but mean when there is an adult to please.

We're getting to the on-screen abuse now, but Po3 actually sets up Breezepaw's troubles and dynamics well before it's finally confirmed that he is a victim of child abuse.

ABUSE: Outcast, the Tribe Journey.

In Outcast, Breezepaw's problems have escalated into open aggression towards cats of other Clans, and is now a legitimate concern for his own safety. Yet, he's spoken over by older warriors, and reprimanded at nearly every opportunity, right in front of the warrior of another Clan.

Squilf just asked the poor kid how his training was going, and then Whitetail JUMPS to talk over him so she can complain, RIGHT in front of his face.

They can't even wait until they're alone to grumble something rude about Breezepaw, who is still just a teenager here;

They taught him already that a bit of prey that runs off their own territory still belongs to WindClan, encourage him to blow past borders in pursuit, and started a battle with ThunderClan over this. And then they're pissed off at him for being aggressive, thinking it's deserved to scold him in public.

When Onestar announces that he wants Breezepaw to go on the Tribe Journey, he's devastated by it...

Because he thinks WindClan doesn't like him, and he's right. He's gossiped about, torn into in front of a ThunderClan warrior, and even his own dad doesn't want to be around him. It's clear that Breezepaw's impulsive "codebreaking" behaviors are a desire to prove himself, and once you realize that, the way that he's being alienated is heartbreaking.

But Wait!! Hold on a minute! Where did he get a "patrol of apprentices" from to confront the dogs with, exactly?

Simple. Breezepaw CAN make friends! He actually values them a lot! So much that it's the first thing Crowfeather snaps at him over, out of frustration that his son is also being forced on this journey with him. It's an angry response to his child having emotional and physical needs, resentment that will continue all journey long.

Note that it's plural, friends. Breezepelt has multiple friends, at least one who is not Heatherpaw, and she promises to say goodbye to them.

Up next, they state over and over, Crowfeather and Breezepaw do not like each other. Crowfeather resents being around him and dealing with his rudeness, embarrassed and angry, and Breezepaw is absolutely miserable being sent on a journey to the mountains with a man who hates his guts.

The whole while, Crowfeather is brooding longingly about Feathertail, already thinking about her as soon as he kitty-kisses Nightcloud goodbye, his eyes looking somewhere distant. He makes a jab about loyalty when Breezepaw doesn't understand why they're helping the Tribe.

Breezepaw gets smacked after he's "shoved" at Purdy and acts rude to him, while the other three manage to be polite (while still having internal dialogue about how stinky he is).

Without so much as a, "cut that out," Crowfeather raises his paw and hits him. Breeze is quiet after that.

I don't give a shit how rude your teenager is being. Do not hit kids. Being throttled on the head is not okay.

In spite of the Three not liking Breezepaw, or even Crowfeather, they're constantly noting that their arguments are not normal, and that Crow is a cold, unsupportive father who digs into his kid constantly, and the only time he ever DOES "discipline" his child it's through immediately smacking him.

At one point, the apprentices get hungry, and decide to foolishly hunt in a barn that they know has dogs in it against Purdy's warnings. Once again, JUST like the first two books, Breezepaw is more friendly when Crowfeather is not around.

EVERY time he is alone with cats his own age, he's grumpy but cooperative. Even enthusiastic at times! The minute Crowfeather is in the picture, he's nasty.

Naturally, the dogs show up, but Purdy rescues them. Though Brambleclaw also chews his kids out (and i have strong opinions about bramble's parenting style for another time), Hollypaw is taken aback by the contrast of what a scolding from Brambleclaw looks like vs how Crowfeather reacts.

The narrative is desperately trying to tell you that the way Crowfeather treats his son is not normal.

And then Crowfeather is pissed off that Breezepaw is exhausted from running for his life from hungry dogs,

And he's constantly losing his shit whenever Breezepaw says something as innocuous as "dad im hungry"

Then, Breezepaw is made to watch his dad pine over the grave of a woman who died long before Crowfeather was even considering his mother for a mate. What he feels is jealousy, because he knows his own father doesn't love him anywhere near as much as he loves the memory of Feathertail.

This really goes on and on and on. The ENTIRE trip is like this, with Crowfeather treating Breezepelt poorly, giving him a smack before even verbally warning him, pushing him past his limits and blowing up on him when he asks simple questions about eating or resting.

It all comes to a head in this one exchange, towards the end. Hollypaw ends up snapping at Breezepaw for his rudeness, before having an epiphany.

It's explicit. Crowfeather's emotional abuse, his "scorn" for Breezepelt, is what is driving a wedge between him and all of his older Clanmates. Between EVERYONE in Breezepelt's life who wasn't already his friend. This awful treatment is only making him worse and worse.

Realizing this, she has more sympathy for him, but it's too late. He continues to be rude to her because he feels insulted, and her patience completely runs out. She's just a kid. They're both just kids. She's not responsible for fixing him when he's pushing everyone away at this point.

That's the end of Breezepelt in Outcast. It can't be helped anymore. Any spark of friendship they had together in the barn, or in the tunnels, is gone.

As the series progresses, Crowfeather continues to refuse any personal responsibility for the mistreatment of his son, even pinning all of Breezepelt's behavioral problems on Nightcloud. He is a cold, selfish father who only ever thinks about his own pain and reputation.

DARK FOREST: How these factors push him towards radicalization.

Everyone talks about the Attack on Poppyfrost, which happens in the first book of OotS, in oversimplified terms. YES he is going after a nun and a pregnant woman. I've never said that's not Bad.

But no one talks about "WHY", and that reason is NOT just that he desires power like so many other WC villains. Breezepelt makes his motivation very clear on the page.

Escalating to violence was about making Jayfeather feel the way that he does.

When Breezepelt says that he wants Jay to be surrounded by "lies, hatred, and things that should never have happened," he's talking about the way HE grew up, knowing his father never wanted him, and that his Clan HATES him as a result. Killing Poppyfrost is about trying to frame Jayfeather for her murder, so ThunderClan won't trust him anymore.

When Jayfeather points out the simple truth that what Breezepelt is saying doesn't make any goddamn sense, his hatred "falters." He's blaming his half-clan half-brother for his own treatment because of the reveal, but totally failed to consider that JAYFEATHER'S ALREADY GOING THROUGH IT... so his response is just this pitiful, "s-shut up, man."

Then the ghost of Brokenstar and Breezepelt bounce him back and forth between them like a beach ball for a bit until Honeyfern's spirit shows up.

Breezepelt's childhood abuse and social alienation was a hook that the Dark Forest latched onto, to reel him in. His anger at his half-brother is so obviously misplaced that its absurdity was something Jayfeather pointed out.

We soon learn that it's the Dark Forest who's planting that ridiculous idea in his head;

The narration is SCREAMING, "The Dark Forest is validating the anger he feels towards his father, and redirecting it towards The Three." He's described as 'kitlike,' Tigerstar's eyes are compared to a hypnotizing snake.

This prose could not make it more obvious if it drove to your house, beat you with it, and then spoon fed you the point while you were hospitalized.

At the end of this scene, Tigerstar sends Hawkfrost to recruit Ivypaw. This scene where Breezepelt is being lovebombed, and the command to start grooming Ivypaw, ARE LINKED. That was a choice.

A VERY GOOD choice! Again, as many issues as I have with OotS, its handling of indoctrination is unironically fantastic, and it owes a good amount of that to the outstanding setup of Breezepelt that was done back in Po3. And that setup doesn't work if Crowfeather was merely distant.

Breezepelt was abused by his father, both verbally and physically. It drove him to be more aggressive to prove himself, modeling the battle culture around him. The adults of WindClan judged him based off Crowfeather's responses, shunning and belittling the 'problem' teenager, which eventually drove Breezepelt to the only group that he felt "understood" him.

In a book series that is RIFE with abuse apologia, this is one of the few times that there's any behavioral consequences for abuse and the narrative holds the perpetrator accountable for it.

But people hear Crowfeather's deflective excuse in The Last Hope where he says he never hated him, blames Nightcloud for everything, and just lick it up uncritically.

Gee whiz, I wonder why the guy who never blames himself for any of his problems would suddenly say it was his ex-wife's fault. Real headscratcher!

(Crowfeather's Trial then goes onto, for all my own problems with it, also hold Crow accountable as the reason why Breezepelt turned out like he did. But that's a topic for another day.)

[dykedvonte]

Honestly I see Jimmy's refusal to put Curly out of his misery less about his weird feelings of envy or his delusions but the fact Curly is all but stated to be a shield to Jimmy from his actions and people seeing the worst in him.

The only characters that Jimmy really interacts with one on one before the crash are Curly and Anya, two individuals he has wildly different relationships with. It's likely that Curly really did most of the talking between them as the pilots and the rest of the crew as staff. They didn't know of Jimmy's more reprehensible behaviors cause they never really had the chance to and Jimmy is subconsciously aware. If they had disliked him more than Anya would have told Swansea earlier or even Daisuke when things got really bad.

It's why he takes the immediate opportunity to blame Curly; He's the shield. He's saved Jimmy's ass more times than he can count and more times than Jimmy would ever admit. Even when he can't really do it anymore, he mentally shields himself from his own faults by putting Curly between them. Letting Curly die puts too much on him because he doesn't know how to function without a safety net.

In the end Curly only lives because Jimmy needs the idea that Curly will inevitably make things better to stay alive, meaning Curly has to live, no matter how much it pains him to do so.