#i feel so strongly about this for no reason

[stargirl-russo]

Sailor Song (Alessia Russo x Reader)

Summary: Joining Arsenal WFC was supposed to be the best thing for your footballing career, you were the best female footballer in the world after all. You didn't expect the unexpected longing of a certain blonde that came with it. (Hi! I've never written fan fics before but I was inspired by some I read and thought why not?! i hope you like it, i honestly might delete later or return it to drafts if I can? or even a pt 2??? idk lmk if you want more! enjoy. do I need to add warnings>....suggestive? angst? )

Recalling the exact moment when it happened was difficult to comprehend, maybe because you tried to completely erase the moment from your memory. You felt embarrassed, ashamed, and even a little disgraced with yourself. Why did you have to like another girl, a straight girl, who definitely didn't feel the same?!

Joining Arsenal this season was exactly what both parties wanted - you needed a change in scenery, and they wanted - no needed - a more clinical finisher like yourself. Everyone at the team was especially welcoming, considering your intimidating resume of accolades at such a young age - taking the women's football world by storm. You got on with everyone on the team, especially the Aussies, Kyra, Steph and Caitlin - being Australian yourself. But one particular teammate stood out to you the most, for more reasons than one.

You'd never forget the first day you finally saw and met the Alessia Russo in person, after admiring her from afar for about a year. She was absolutely beautiful, incredibly captivating and alluring. Words couldn't explain how you felt when you saw her at training, or heard her laugh or when she would smile - which was always. The way your heart hammered against your chest, it felt like you couldn't breathe, the butterflies in your stomach erupted like crazy. These feelings, they just felt...right. She made you feel so giddy and happy.

Although the thrill of this girl crush was very exciting, a part of you couldn't help but feel extremely ashamed. You were not supposed to like a teammate, let alone girls. You couldn't help but admire her gorgeous blue eyes, her long lashes, her soft voice, and her long blonde hair as you smiled shyly and shook her perfectly manicured hand, introducing yourself. Her southern british accent made you weak in the knees. "I can't wait to share the pitch with you this season."

You were absolutely certain that no one knew about this infatuation, crush or admiration, or how down bad you were - whatever you wanted to call it - with Alessia Russo. It was just so easy to get along with her, your calm natured and laid-back personalities working well together. Both sharing certain things in common, attending the same college in the US for football at different years, your love for fashion, travelling, and similar music tastes. She was just so sweet, genuine, caring, and just a ray of sunshine - you couldn't get enough. The chemistry you both had was clearly evident on the pitch also, as your styles of play complemented each other perfectly; turning arsenal's season around with each match.

It scared you how you strongly you felt about her, as she probably had no idea about the effect she had on you, and above all, probably didn't feel the same. And now you were going to continue to play alongside her and work with her nearly every day this season. You'd eagerly wait to see your cheerful teammate and greet her happily weekly at training. It was a blessing and a curse, but it was something that kept you going.

Hiding your sexuality was something you had no trouble dealing with initially as you just constantly immersed yourself with the football: whether it was with routine season interviews, the sponsorship photoshoots, the constant training or the glamorous award shows - it kept you busy, a distraction which led to you further cementing your place as the best young women's footballer in the world. It's not anything anyone really expected of you anyway, to like girls. Besides, you never spoke about personal matters to the media, so no one really assumed anything at first. Which was a plus.

You'd constantly make excuses to avoid going out with friends away from football, who wanted to enjoy a night on the town, bragging about the boys they'd make out with at clubs, or the crushes they had on them. Not that you could relate though, but a part of you wished you could feel that sense of normalcy. To fit in, to relate. No one had no idea what you were going through or how you felt. It got harder to find excuses to deny random set ups with guys. Your feelings for Alessia were actually driving you to insanity, you were most likely going through an identity crisis - but you were still in denial.

However, the longer you concealed your true feelings and the harder you tried to deny it, you found it harder each and every day hiding how you felt about the certain blonde. It became more difficult to suppress your feelings, you wanted to talk to someone, - anyone - but you were afraid with how they would react if they found out. Besides you weren't going to embarrass yourself if she didn't even feel the same, what would be the point of coming out anyway right?!

But maybe you should've controlled yourself. You should have ignored her, distanced yourself even. It was fine though, you were just acknowledging that fact she was really gorgeous, and you weren't crushing on her - or so you told yourself. But the not-so-subtle glances at her during the training sessions said otherwise.

The glancing became constant, admiring her whenever she'd move with or without the ball or take a drink of water during break. You just couldn't help but admire her longingly. Thinking of believable excuses when being called out by the outspoken Katie McCabe became more difficult to articulate. You were certain Alessia was oblivious to this, and she was - for the time being.

It was supposed to be a post game interview focusing on the team's accomplishments this current season, given the difficulties the team faced at the beginning of the year. You expected to answer questions about your valuable contributions to the match and the squad, not some irrelevant, personal, stupid, phased, feelings that had nothing to do with football.

The lights were brighter than usual in the media room, you were riding a high after your incredible individual and team's performance. You couldn't stop smiling. Sitting in the media room alongside your captain Kim Little, you felt proud and finally content with yourself. You felt as if you were finally contributing to a team, a team that was winning. A distraction for the time being.

That is, until the question was asked.

You will never forget the way your stomach dropped at the question, the silence in the media room, the smirk on the reporters' face. He knew he struck a nerve as the colour drained from your face, you were no longer smiling. You're not sure why the question was asked or what value it had to the match you had just played, or above all - why this reporter was permitted into the the media room anyway asking such inconceivable questions.

You shook your head awaking from the absolute shock and audacity of the reporter. There is no way this is really happening right now. You were media trained - you got this. Totally.

'Could you please repeat the question?' You asked politely into the mic, besides the fact that your was voice now quiet and shaky as you squirmed in your seat, refusing to look at the reporter. He noticed your uneasy reaction, and pressed on, knowing there is more to what your letting on.

"Can you address the rumours within the women's football community that you currently have romantic feelings for your teammate, Alessia Russo?"

"What?! That's ridiculous. Next question."

Maybe you responded to that too quickly, way too quickly for it not to be suspicious as you dismissed him. To your knowledge, and last time you checked, you hadn't come out, you hadn't revealed how you felt about her to anyone - especially not Alessia, and you were certain someone as beautiful as her was taken - surely.....right?

Your throat was going to constrict, no doubt, your breathing becoming heavier and faster, your ears turning a bright red and your leg begins to bounce. Your eyes dart around the room. "How is this football related?" your captain Kim interjects, sensing your uncomfortable state as you fidget on the spot and find it hard to remain composed. She herself looks confused.

Both your heart and mind race. Who told them? How do they know? Where did they even think of something like that? They can't know. Does Alessia know?

You were widely aware that this post-game press conference was currently live. This didn't make the situation better. "Is there really nothing going on? You seem pretty flustered. Besides, you didn't deny it did you?" He smirked, a chorus of chuckles emerging from around the room.

"Stop instigating." The words pour out of your mouth defensively before you can stop them, let alone even comprehend what is going on. You can hear your heart beat in your ears.

"I'm not instigating anything, just trying to get the truth out of you. Why don't you start being honest? Show the world who you really are."

Your body shakes with frustration and panic, you can't do this anymore. You rush out of the media room, holding back tears of frustration. This is absolutely ridiculous you think to yourself, barging open the door of the locker-room, ignoring the looks from your teammates.

Silence fills the room, you look up at the television, seeing Kim still in the media room - the broadcast was indeed live. Shit. Alessia, along with everyone else definitely saw it. Shit. You freeze up.

Steph, your teammate turns to you "Hey, are you okay?" You refuse to say anything - afraid your voice might crack, further revealing your vulnerability. You refuse to make eye contact with anyone, especially Alessia. Steph senses the inner turmoil your enduring, and gestures everyone out of the locker-room.

You sit there with your head in your hands, as tears threaten to fall. You didn't reveal much in the post-match interview, so everything is fine right? But maybe thats the problem. You didn't deny anything technically - further exposing and embarrassing yourself and probably Alessia. You fail to notice she's still in the locker-room.

You look up slowly, locking eyes. Her ocean blue eyes bore into yours, a glimpse of concern and curiosity. "Can we talk?" She questions softly. Shit

"No thank you, I'd rather not." You say stubbornly, packing your wash bag quickly as she sits down next to you. You had to get out, you had to get away from her.

Alessia is surprised by your nonchalant response. "Lets just talk about this, please?" She says softly in a pleading voice, her eyes looking up, trying to lock with yours.

"I'm sorry." You say quietly, packing your bag and making your way towards the exit of the locker-room as fast as you can. You actually couldn't fathom that this was happening. Is this some sick joke?!

Alessia is concerned and saddened by your dismissive tone, she can tell that this whole situation has negatively affected you and is eating away at you. "Don't be sorry." She says softly, standing up. "It can be hard times, but I just want to understand whats going on. You clearly feel something. Something about me."

You stop in your tracks and turn around to face her, she makes her way towards you her eyes never leaving yours. Your heart aches, and she can see the adoration and the longing that you have for her in your eyes, behind internal conflict and self-hate.

"You're not a bad person. You know that I won't look at you differently." She whispers, pleading with you, trying to lock eyes with yours. "Please don't shut me out. I care about you, so much."

Alessia doesn't wait for a response. She steps closer to you now, closer the distance slowly. Your panting heavily, still refusing to look at her in the eyes, petrified you'd get lost in her ocean eyes. Terrified your eyes will reveal more than your words did in the press conference only moments ago. She can't feel the same. She doesn't.

She gently grabs your hand, interlocking your fingers with her ones. You feel as if you're going to have a heart attack, her touch sending bolts of electricity through your body. She can sense you're avoiding eye contact still.

"Hey, look at me" she whispers, staring at your now very flustered face, looking at you intently. Her eyes filled with concern, worry and something else, something you can't quite make out, something you've never seen from her before.

You still avoid her gaze, until she cups your cheek. You lock eyes with hers and you feel like you could die.

"just, look at me" she whispers once more, gently stroking your cheek bone with the pad of her thumb "thats it, just look at me."

Before you can stop yourself, the words fall out of your mouth in a whisper "i am. how can I not?" You let out a shaky breath at that, noticing her lips curl into a small smile, her eyes following your gaze down to her own lips.

"i know, I know you do, I see you" she whispers in response, moving closer to your face now, both your breaths mingling. Your heart continues to pound, her thumb gently traces your jawline, her eyes locked onto yours with an intensity you’ve never seen before.

Its as if time has stopped. Your heart is pounding so hard against your ribcage you might have a heart attack. But her presence, the way shes looking at you, her voice, her touch—it makes sense in ways you never expected.

And then, just as you think you can’t handle the intensity any longer, she leans in. Were you about to kiss the girl you've been in love with for so long now.....

[transgymbro]

While I have thoughts about the election that I haven't quite been able to put into words yet, I've seen a lot of misconceptions that "if DIY HRT is so easy for gymbros to get, it must be easy for trans men too!" and "Just go up to a gymbro and ask for his T!"

As the "trans gym bro" blog, I feel like I have to be the one to say

NO. IT IS NOT THAT SIMPLE.

First of all, because T is a regulated substance, it is hard for gymbros to get as well. That means even if they DID use T, they would NOT be sharing.

Secondly, there's "natty" culture. For those who aren't in the know "natty" is short for "natural". Being "natty" means you got your gains without the use of testosterone or steroids. There are those of the mindset "if you're not natty whatever, just disclose", but there are also those who look down on the idea of not being natty. Not to mention a lot of these gymbros strongly discourage the use of T in their circles because of the negative effects (namely the aromatization of T into E) of too much T. Basically, not every gymbro uses T, many actively discourage it, and those that do use T are likely hiding it.

Third, very few people are going to just bring their T into a locker room. Partially because of the previous point, but also because the locker room is just unsanitary, often don't have a proper disposal bin for sharps, and/or because the gym bans the use of steroids (sometimes needles I think?) entirely (this may not stop everyone but it's at least a deterrent).

Fourth, and very importantly, a large number of gymbros are transphobic. This varies from ignorant to actively malicious, and you never know which one you're going to get. To be fair, not every single gymbro is transphobic, but there is a large enough portion of them that are, such that you would be at substantial risk if you outed yourself to one. No transmasc in their right mind is going to risk outing themselves to someone who hates you AND is jacked as fuck.

There are other things preventing those who want testosterone HRT from accessing it also, such as doctors refusing to prescribe it to an AFAB person because "you'll ruin your body" reasons, those gymbros being a big part of the reason why T is a controlled substance, as well as it just being unsafe to use someone else's vial of T.

The point is though, we DO need resources for DIY T, ESPECIALLY in the current political climate in the US. Do NOT fucking ignore us because you refuse to acknowledge that not every gymbro is going to fit whatever idea of them you have in your head.

Anyway. I have to hit legs now.

[madlori]

Hi Lori! I don't even go here but I've seen your 911 posts and I was wondering, why did Buck and Tommy break up?

You want the Watsonian reason or the Doylist reason?

The in-universe reason is that Buck got a little spooked finding out that Tommy was once engaged to his own ex, Abby, who Tommy was really not being honest with because he knew he was gay the whole time. Buck spirals a bit about it, wondering how Tommy could lie like that, and Josh schools him a bit about the realities of being a fortyish gay man and what it's like to be closeted. Buck overcompensates a bit, realizing the depth of his own feelings, and semi-impulsively asks Tommy to move in with him. Then Tommy has his own spiral, and he tells Buck he can't move in with him because he knows how this ends - he's the shiny new novelty to Buck, he thinks, as the first man he's dated but he won't be the last. Despite Buck insisting that he can be both, Tommy says if he goes in any deeper and moves in, Buck will break his heart and he can't bear it. So he breaks up with him.

Now, it did not feel like a final breakup. Neither wanted it, they both felt strongly about each other. It felt like a very typical roadblock a couple would hit in the 3rd act to overcome and get stronger and most viewers are assuming that's what's coming. But post-episode interviews revealed that Tommy won't be returning. THAT is what sent the fandom into a tailspin.

This breakup made...not a lot of sense in-universe, for a variety of reasons, but whatever.

The external reasons are murkier.

I am of the opinion that they HAD been writing this relationsihp to go a much longer distance, but something changed and they did a last-minute swerve. There's a hard disconnect between some interviews of just a few weeks ago and this episode, although there could be other explanations. None of that is known for sure. Could be this was the plan all along.

But it doesn't feel like it was. It was completely out of left field.

Speculation runs from network interference to cost cutting to cast not wanting to continue it to...well. It doesn't matter.

I don't think it's 100% that Tommy will never return but it's probably at least 98%. And 100% for the near future.

We're all pretty heartbroken about it. And it wasn't even a good episode apart from that, although the breakup scene was well acted and effective.

[markrosewater]

I'm fairly certain the "I have to draft Spiderman even though I don't want to" asker was talking about playing at an LGS or at tournaments. And I highly doubt the person running the store/event is going to forgo drafting that set when it is the latest set. One, because it's the latest set and most stores just run one (maaaybe two) drafts a week of whatever just came out, and two, because that set will no doubt be very popular. I don't think they would switch any of those draft events to an older set that'll certainly perform much worse because a single player doesn't like Universes Beyond. And yeah, I definitely wouldn't if I was in charge of scheduling drafts. So responding to them with a suggestion to play another draft format isn't really all that helpful, and I think their critique of your buffet analogy made a lot of sense in their particular case.

If you want to draft, you're most likely signing up to play the latest set. But there were drafters that didn't like the body horror of Phyrexia: All Will Be One or the cuteness of Bloomburrow or the modernity of Duskmourn. The idea that you're drafting a set that isn't your cup of tea from a flavor standpoint is something that drafters always deal with.

My point was that one of Magic's strengths is that there are many ways to play it. If you feel so strongly about a product (be it Universes Beyond or an in-multiverse Magic set) that you refuse to play with it, there are other ways to play Magic.

I'm not trying to come across as cold to the Universes Beyond dislikers. I do understand why Universes Beyond crosses a line for you. For a long time, I shared that line of where Magic creative should be. I'm really not trying to dismiss it. My issue is my job isn't just to make one subset of Magic players happy, but make all Magic players happy.

The problem is there's low cost to adding things. If there are things that a subset would really enjoy that Magic doesn't do yet, I can explore adding those things. There's a giant cost to subtracting things. Taking them away means no one gets to play with it.

Now, there are things that cross that line because they are upsetting to a high enough percentage of Magic players (ante, strong land destruction, Aftermath sets, etc.). But if I took away every aspect of Magic that a small subset disliked, there wouldn't be a lot left.

Double-faced cards would be gone, horror sets would be gone, cute sets would be gone, planeswalkers would be gone, "activate once per turn" would be gone. The list would go on and on. Anything you adore about the game, odds are there's someone else that hates it.

There's an audience, and a pretty big one (with a lot of enfranchised players in it), that wants Universes Beyond sets and cards. And that group mostly wants to play those cards in the formats they play. (In general, market research shows players want to play the cards they most prefer in the formats they most prefer.)

Yes, our buffet might have a Seafood night, where we focus on seafood, but the reason we do that is there are a lot of customers who will show up and eat the seafood. The buffet will still have other food, and you can eat a meal without seafood if you really don't want to eat seafood, but the banner up on the wall will say "Seafood Night".

[centrally-unplanned]

(Link embed not working? Okay)

Okay a bit surprised at this one! Back during the July Crisis I had a very clear logic in mind. I thought Kamala was a weak candidate, she was a very bad pick in 2020 for all the wrong reasons and being BIden's VP was bad baggage. Biden stepping down and having a process where a strong candidate with none of the Biden stain could emerge seemed ideal to me - US campaigns are way too long anyway, it being "rushed" could be a blessing in disguise.

However, that was impossible - the Democrat's org structure is just too sclerotic to throw that together. If it hasn't been approved by eight committees over the course of two years of debate, it can't be done. So in practice, Kamala was the only bet. She is the VP, that is literally their job and why they exist, so we could all default to Kamala, throw Biden into an early grave, and sail off into the tail end of Brat Summer to go down actually putting up a fight.

(And she did better than I expected! Props to her, pity about that last bit)

What all this means is that my assumption was that Biden endorsing Harris was something everyone was on the same page about! It was the only option, and so who would bother dissenting? But now Nancy Pelosi is out here telling me it was a fait accompli and she was actually discussing having an open primary? Was that really in cards?

So Pelosi is definitely a bit of a schemer, so I wouldn't be shocked if this is a bit of a white lie to burnish her rep. Still, she is also very much a schemer, and so maybe she actually could have pulled off getting the DNC to commit to an open primary? My respect for her would go way up in that case - way to really understand the problem at the critical moment.

And my respect for Biden would go way down. We all know Kamala was a mistake at this point as a VP choice, the entire logic behind it was backwards (Why was the candidate earning the overwhelming support of black voters feeling compelled to choose a black woman to double-represent them? Oh, she didn't, she represented the white vote? Uhhhh). But it was a mistake of the past, and so you had to deal with it. Now, though, it comes off as doubling down on that mistake! Just not acknowledging the political errors of the past four years.

Which is a recurring theme of this year - constant whining from the Biden camp that their record wasn't being "sold hard enough" to a voting public that fucking hated him. I can almost imagine it as a moment of stubborness - fine, you don't want me? Then you get my VP; my choice, *I* get to decide.

I don't want to read too much into one article of course, but it is one more datapoint for my already strongly held prior that the Biden team just completely lost the plot in 2024.

[3liza]

i don't feel strongly enough about this to get into an argument so please don't, but I read in it's entirety the post that purports to refute the "abstract expressionism was funded by the CIA as part of the culture war ("psyop")" claim, and it doesn't actually refute any of the facts, which are that the CIA was spending a lot of money on abstract expressionism during the cold war. because that actually happened. the post just goes on to add that the CIA was spending money on a lot of stuff during the cold war as part of selling American cultural Exceptionalism and supremacy. which is also true and happened. and the huffy tone of the post is clearly aimed at tiresome people attempting to say abex is bad because it was a cultural movement explicitly supported by the CIA, which is completely fair to get annoyed about, but it was just reasonably humorous to me that the position of the post itself, or how I understood it, was that "the CIA interest in and support of abex wasn't exceptional to abex, the CIA just does that kind of thing and here's a list of other things they have potentially invalidated by their meddling". like I think I completely understand what their argument is and I agree with it, it was just a sort of funny example (to me) of a post that is going to convince absolutely no one who does get farther than the headline, and doesnt just make up the rest of the post in their head as (they assume) another addition to the "net zero information" Tumblr post archive. and I know this because I am constantly telling people that Thing They Hate Especially is only exactly as corrupt as all the other stuff they think is still Pure and Normal and let me tell you, it does not get a lot of converts. like I said I just thought it was funny

[alexthebordercollie]

oooo, if you're taking doodle requests for the dad ford au, i'd love to see something with Ford + Tate and or Stan + Tate.

Ford, cause it'd be interesting to see how he handles being a stepdad on top of Newt and Nick. Stan cause while he'd obviously be fiercely protective of the twins, i feel like he'd understand Tate's motivation the most between him, Ford, and Fiddleford

My long-winded thoughts and more context below the cut for people who are just here for the pictures.

Thank you so much for my first proper ask/prompt. So you asked for Tate with Ford or Stan and I decided to give you both. Ford is a genius but he's not a pediatrician and Fiddleford still insisted on finding a real proper doctor to help with the twin's general medical care. But the person they found willing to help them with their alien babies without freaking out is out of town so these trips are a bit time-consuming and Fidds is the best at keeping the beans calm for their shots. Mostly I just needed to come up with an excuse for Tate to be stuck with the Stan twins for the day.

I imagine this to take place while Fidds and Emma are still in the process of getting divorced. Custody arrangments are still being worked out. This is Tates first time coming to stay in Gravity Falls with his dad's new family and he has a lot of complicated feelings.

Fidds generally is very clingy with Tate when he comes to stay with them. Showering his eldest with affection out of a mix of missing him and feeling guilty. As a result Ford and Stan rarely are put in the position of having to look after Tate and Fidds initially doesn't make much of an effort to actively include Ford in his father-son time with Tate. Again Fidds feels guilty and like asking Tate to give Ford a chance is an unfair imposition.

Ford makes genuine attempts however to get to know Tate when the opportunity arises. At first, Tate wants nothing to do with him. He's overheard his mom occasionally talking about the divorce when he's supposed to be in bed and the bits and pieces he has picked up basis him pretty strongly against Ford.

Emma isn't trying to turn Tate against his dad or even really against Ford. Don't get me wrong she really doesn't like Ford for obvious reasons but she doesn't want to expose her son to the adults interpersonal drama. She didn't mean for him to hear her talking about Fiddleford leaving them for Stanford.

I think you're suggestion that Stan would understand Tate in this situation better than the other two is pretty reasonable. Tate feels abandoned, and maybe even replaced by new babies. Stan knows better than anyone how it feels to be abandoned and he knows enough to reassure Tate rather confidently that that isn't what's happening here. Tate also finds it a bit easier to open up to Stan because he's mostly a bystander in all of this.

[warblogs17282]

So, I've been thinking about the stuff that ghostfuckers told us about Millie, and I got curious and wondered if what we learned about her there could be used to put things shown in the first short and unhappy campers into perspective a bit more.

Hell's Belles:

Some comments from Sallie May interested me, mainly the lines "for your fancy job." and "shiny new life", and there's a line in ghostfuckers I think I can tie into Sallie May generally describing Millie's job and life positively.

That being, "Most of my life I bought into the idea that all I could ever be was a simple farm girl. Or best an underpaid goon.", and I suspect that Sallie May is still affected by this stereotype, that she feels like she's also a part of that stereotype, considering that we know that she helps out at her parent's ranch.

Which would explain part of the reason why Sallie May calls it 'fancy' and 'shiny', because she may feel like Millie is a notable exception to the stereotype, which would obviously be something that she would describe positively, especially considering that job and life now also consists of killing humans, something that is very much a one of a kind thing. Considering that Millie bought into the stereotype before joining Blitz, it's very probable that Sally May also bought into the same/similar stereotype.

Obviously this is only part of the reason why she describes Millie's job and life like she does, but I still feel like ghostfuckers adds more depth to that statement.

Another thing that I want to mention is the fact that they did some playfighting at the end of the episode, which I think ties into this line in ghostfuckers: "We're just Wrathians, Blitzo. Muscle. It's all we're good for, all I'm good for."

Another stereotype, that all Wrathians are good for is muscle, and fighting is a good way of building muscle, which would help to explain why they just naturally fell into playfighting at the end of the episode, because it's implied that they had playfights like this a lot with each other, and considering the stereotype of that all Wrathians are good for is muscle, it makes sense why they have such a history of playfighting with each other, because again, if Millie believed that stereotype before meeting Blitz, it's very likely that Sallie May also believed the same/similar stereotype as well.

Unhappy Campers:

Let's just skip to the boiling point of their argument in this episode, we know that Millie felt undermined during this episode, which we can see with the line "And for once, I feel like... like I'm important. Like I'm someone to be proud of...", which quite heavily plays into the line "We're just Wrathians, Blitzo. Muscle. It's all we're good for, all I'm good for.", which probably helps to explain part of the reason why Millie felt so strongly about this, just because you know that the stereotype is false doesn't mean it doesn't effect you anymore, it's clearly something that still resides in the back of Millie's head somewhere.

I use that line in particular, because there's two times in the episode before this where we can see Millie be visibly annoyed at Moxxie, and I believe that part of the reason is because she feels like her other qualities are being undermined, with the main one here being her smarts, which kind of plays into the line in ghostfuckers, that stereotype, because considering how prominent that stereotype was for her until meeting Blitz, it's not unreasonable to assume that this specific stereotype was playing in the back of her mind again, which would help to explain part of the reason why she felt so strongly about it when the argument reaches it's boiling point.

Plus, one of the first things Blitz told Millie right after he moved his business to IMP was 'You're tougher, smarter, and frankly more capable than anyone I've ever met in any ring.', showing even further why Millie feels so strongly about this, she probably feels like what Moxxie is doing is a slap in the face to what Blitz told her when they first moved to IMP for their business.

Plus, there's also other relevant lines like "Most of my life I bought into the idea that all I could ever be was a simple farm girl. Or best an underpaid goon." and "Not exactly a shortage of imp assassins in Wrath. Reputation is everything."

"And what's your reputation, hmm?"

Although these are less directly relevant to this scene, I still think it's worth considering into the big picture of why Millie felt so strongly here.

tbh, this is another reason while I'll defend the unhappy campers Moxxie and Millie conflict, it has quite a bit of depth to it if you consider everything, and I've just shown you all that ghostfuckers has given that conflict a bit more depth.

[suzukiblu]

I love your Kara. I’m so used to her being a one note racist when it comes to Kon-angst. Don’t get me wrong. That’s entertaining for easy angst. But it’s never criticized by anybody. How is she still on the league?

It’s nice to see her be a supportive figure who is worried for him.

Ty! ❤️ I will say I haven't read too much of Kara in the comics (Mae and Linda were my OG Supergirl back in the day and I just vastly preferred them when I was doing most of my reading), so I mostly got her vibe and backstory through the cartoons and fandom osmosis and then extrapolated a few things I hadn't seen explored about her much IN fandom for the takes on her I've written. But like, I've only really seen her be, like, REALLY anti-clone in the New 52, so I don't like to characterize her too strongly by any anti-clone sentiments even if I do sometimes include a bit of them underscoring what she's thinking/doing. Like, more like the kind of low-level ingrained bias you get from growing up in a culture with some shitty beliefs that you haven't ever had a real reason to examine than anything genuinely hateful or anything you actually REALLY believe yourself, if that makes sense.

Also lbr, it's just more interesting to me to make Kara-related issues be things like culture clash and apocalyptic levels of grief and rage that most people around her don't understand and kinda just ignore and, like, an overall frustration with other people not having the cultural context to REALLY understand what she's saying/thinking/doing, a lot of the time. Like, this is a character with a dead planet and a dead SPECIES who if things had gone to plan probably would've been "Superwoman" LONG before Clark grew up enough to even develop powers at all, much less be SuperMAN, and who SHOULD be older and more mature/experienced than all of these superpowered adults that she got dumped in the middle of who historically do NOT do all that well with surprise teenagers while also having the possibility of growing up STRONGER than Clark but simultaneously getting shit on by both the narrative and said superpowered adults, and also she's just never seemed as integrated into the hero community as, like, Dick or Babs or Kon or Tim or whoever else. Like she's just that LITTLE bit disconnected from them all, it tends to feel like to me. So there's a lot to mine there, character-wise! Like way more than just one-note clone-racism!

Anyway tl;dr: I got a lil' carried away there but I love the whole entire concept of Kara and I always wanna write her being MUCH more complicated than I usually see her getting handled. I wanna do our girl some justice!!

[ilikekidsshows]

Have you seen the post from descendant-of-truth analyzing the problem of ML trying to cater to 2 different audiences? I think that it makes the issues with the show make a lot more sense when we pair it together with their decision to center Marinette above all else. Plus the 2 audiences feels like a better explanation of their flaws than the 2 genres others have critiqued.

---

I think it’s both, actually, but also that we need to go deeper on both of these arguments than what I've seen. I do strongly agree that Miraculous is juggling its genres poorly and that’s why the writing is consistently so weak, but I also think there’s three genres being juggled, not two. However, I also strongly agree that some of the worst singular scenes and episodes happened specifically because the writers suddenly decided to write something aimed solely at the teens and young adults in the audience. The controversial retool, in particular, turned the show to try to appeal more to the older audience, because it addresses several of their complaints. A thing can suck for multiple reasons.

The thing about combining genres is that it’s not actually that hard to do when you have specific scenes dedicated for the different genres and stay consistent on what your main genre is, romance scenes, for one, rarely get in the way of the action in an action movie, unless the out-of-place romancing is meant to be a joke because of the mood whiplash. However, Miraculous doesn’t do this. Miraculous’ genres overlap constantly, which makes the writers’ end results clash so terribly with the show itself. The thing about the magical girl warrior and superhero genres is that they have very different conventions from each other, and then we also have the school drama genre slowly rising up to eclipse these other two in importance as the show goes on.

Miraculous is, first and foremost, a superhero show with the aesthetics of a magical girl warrior show. This is what the concept, marketing and merchandise focuses on. We have cute magical creature mascots, the heroes get transformation trinkets, there’s a lot of focus on the transformation sequences, and the heroes’ get signature moves/spells that are triggered most often with some more carefully crafted stock animation. But Miraculous is part of the “Zag Heroes” branding, and our heroes are treated as no different from the heroes who just put on costumes in-universe. The Akuma victims are literally called “villains”, as in, supervillains. There’s a lot of focus on what the public thinks about the heroes and there's a bunch of secret identity hijinks.

However, it’s specifically when Miraculous tries to be more like a magical girl show in terms of storytelling that it ruins Miraculous as a superhero show. I have said, for years, repeatedly, that a superhero franchise relies heavily on having a “rogues gallery”, a collection of different villains, for longevity, but magical girl shows typically have one threat per season/series who turns innocent bystanders into temporary foes, and Miraculous decides to do the latter. Miraculous has the weakest rogues gallery of any superhero franchise I’ve seen and that’s a bad thing. Any toys of Akumas aren’t going to sell very well, because they only show up once per season or have only one appearance period, so toy companies aren’t going to be interested in making many toys of characters with weak marketing, which means kids can’t easily recreate the episodes when they play.

Superhero shows also, like, tend to give top billing to its protagonists. So, it’s the classic: “why is the show called ‘The Adventures of Ladybug and Cat Noir’ if Cat Noir is just a side character?” complaint, but framed in a way where we very clearly see what the issue is. A comic book called ‘Batman and Robin’ is about Batman and Robin, if it’s a Batman solo book, it only has Batman’s name in the title. Superhero series are also really comfortable with sharing the spotlight with other characters. Because even Batman solo series often have storylines where Robin or some other character shows up to be important, sometimes more important than Batman even. Some of the most popular superhero titles are about teams of heroes. In fact, X-Men has often been Marvel’s best-selling book and the same is true for DC with Teen Titans. It is also notable that giving one team member superior status over the others is a sure way to turn the fans on you for favoritism, so equal billing with different stories focusing on different team members is the standard.

Magical girl shows, on the other hand, are far more often about a singular main girl. Even when there’s a whole team of girls who get focus episodes on occasion, you can always spot a “main girl” in the cast, who is the protagonist and will show up in every episode and will often get some kind of purification/healing power to justify that. This relegates the other team members, naturally, but it’s a genre staple. You can see from this description that Miraculous is using a magical girl warrior genre approach to its team building, which will rub any superhero fans in the audience the wrong way, and has only showcased the writers’ favoritism towards Marinette more the more inconsequential teammates we got.

The school drama genre, ala Dork Diaries, however, has been growing into this black hole that’s swallowing both of the conflicting action genres. (Middle) school drama is the genre where petty, inconsequential nonsense like whether or not your classmate’s preschooler brother thinks you’re cringe is worth an entire episode’s plot. School drama is the genre in which “I won’t be able to see my crush for the rest of the school trip, everything is over!” is an acceptable darkest hour moment for a movie. And, if you look at the retooled seasons, you can see how school drama conventions are taking over the show and sidelining both the superhero and magical girl warrior genres.

In seasons 1-3, we got one episode about class presidency, where the whole thing is treated as wacky hijinks, and which was framed together with the villain of the week being involved in a different election, with the superhero conflict getting directly tied into the school conflict in the end by Marinette’s quick thinking in a dangerous situation winning over her classmates’ trust (a trope common for teen superhero shows). In season 5, we get several episodes building up and dealing with the end of the school year, like arranging school parties, class presidency re-elections, and filling out applications for study programs. All of these plots are played far more seriously this time around and with the civilian conflicts resolved in ways that humiliate Marinette’s school rivals (a trope common to school drama stories).

However, as I stated before, most of Miraculous’ most controversial moments are because the writers wanted to address the older audience. ‘Simpleman’, the third most-hated Miraculous episode (used to be second until the S5 finale eclipsed the recap episode in terms of lowest-ranked episode), is about the writers talking about the thought process behind the show to fans that they think just don’t “get it”. The retool that I think ruined the somewhat working system the show had going, raised the rating (slightly) to appeal more to the older fans, and, before the actual release of season 4, there were comments from the creative team about the plot being more linear now with watch order actually mattering. Continuous plots are something that notably appeal to older fans and what the older fans had been asking for online as well.

We also moved focus away from kiddie superhero action to personal drama. Instead of the heroes having fun saving the day and having endless time for wacky hijinks as civilians, Marinette is constantly whining about how being Ladybug is ruining her life. Deconstructing superheroes is something that the industry constantly tries to sell as a more “mature” take on superheroes. Speaking of those wacky hijinks, suddenly none of the classmates have anything silly kids would be interested in going on, everyone is just shipping the main ship so that the older shipper audience can project onto them, because we all know older audiences only care about shipping (sarcasm).

There are also all these deflections directed at the older fans who criticized the original show. Marinette stops “stalking” Adrien, well, most of the time at least. In fact, Marinette’s stalking was caused by Chloé traumatizing her so badly in the past it drove her into mental instability, so it’s totally not her fault and the audience should just let it go. Speaking of Chloé, she was born evil, so stop asking about her redemption arc. Cat Noir apologizes for flirting with Ladybug and just easily stops having feelings for her, despite Astruc earlier going on a several Tweets long ramble about how we can’t help how we feel when people were asking him about Marinette’s tendency to fall for any guy who prioritizes appeasing her emotions, because we gotta address the sexual harassment allegations. We even get Marinette begrudgingly acknowledging that she used to stalk Adrien while falsely insisting she never does that anymore and was more justified than anyone else.

All the classmates turning into Adrinette shippers is also something that’s clearly for the sake of appealing to fans who only care about the romance in the show, whether they exist or not. Let me tell you, preschoolers are not interested in romance stories, they think kissing is funny and makes for a funny show. So the turn into having almost all the characters constantly talk about Marinette and Adrien’s relationship just feels like ship bait written by people who have no idea what ship bait is. Also, the twist that Adrien fell in love with Marinette in the widely ridiculed ‘Puppeteer 2’ episode is absolutely moronic and only happened to be “surprising” as a reaction to so many fans hating the episode to begin with.

All the weird plot developments are just copied from tumblr blogs of older fans of the show too. The whole “love-square reversal” that led to absolutely nothing interesting is a thing the fandom has been bringing up as a way to “develop” the romance arc for years, and would you look how that was their go-to-idea when they started to devote more and more focus to the lovesquare. Similarly, the SentiAdrien concept originated from tumblr fan theories and was implemented in a way that was clearly directed at people who’d read all those same theory posts that the writers had, with everyone else, especially kids, in the audience being confused.

The issue here is, of course, that Miraculous' targeted audience is still small children, the kids who will want the toys, the costumes and the Miraculous themed bedsheets. So the show's general approach to all of this "deeper" stuff is played for laughs, dropped before the audience can dwell on it or to present it as an interpretative theatre performance where the visuals are meant to entertain the kids and none of the characters address the horror of the revelations in the play so that the supposedly deeper elements of the show remain mere implications. And these implications don't really affect anything in the show as-is. They're only there for the older fans to discuss amongst themselves. It's like they writers are doing the narrative equivalent of dangling keys but it's directed at teens and adults instead of the usual small children.

[freaky-flawless]

Hot take: Rochelle should have been in Jinafire's place in Freaky Fusion.

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[diurnalvl]

seven years ago, they used to be friends. almost.

1 / 2 / ?

[arttsuka]

Based on somewhat real events

I spent way too much time drawing this...

But yeah, Ford finally saying thank you

A continuation (kinda)

[bonefall]

⭕️Hey Bones! Is it ok if you explain and/or elaborate how Crowfeather is abusive to Breezepelt if please?⭕️

I do KNOW that crowfeather is indeed, abusive to Breezepelt, due to the fact that he emotionally and/or physically neglected him - with child neglect being known to BE a form of child abuse - and I also heard that he slashed and/or hit him within one of the books, which I believe is in the book Outcast, in chapter 16.

But I also wish people would talk and be informed about it more within the fandom, because in the parts of the fandom I’ve known portrayed Crowfeather’s neglect on Breezepelt as negative and bad, but not in a way that made me think and/or feel: “Wow, that’s pretty bad. That’s…actually abusive.” I suppose? So I hope more people will talk about it more in that type of way.

Also, please be aware that I have NOT read PoT, OoTS, etc. or barely any warrior cats books, since the majority of the information I got from the series is from the wiki and the fandom, so that probably explains why I didn’t know this part of Crowfeather’s character is as bad as it actually is until now. Also, feel free to talk about Crowfeather’s abuse on Breezepelt I haven’t mentioned and/or don’t know right now as well if you want.

I’m SO sorry that if this ask is unintentionally quite long, and feel free to make sure to take all the time you need to answer it. Thank you!

OH LET'S GOOOO

Breezepelt is both physically and emotionally abused by Crowfeather. I'm not talking about only child neglect; he is screamed at, belittled, and even once hit on-screen.

The fact that Crowfeather both neglected and abused him is very important to the canonical story of Breezepaw. There's actually a lot more to this character than people remember! Even from his first appearances he displays good qualities, a strained relationship with his father and adult clanmates, and is clearly shown to be troubled before we understand why.

As many problems as I have with the direction of Breezepelt's arc (especially Crowfeather's Trial), his setup is legitimately a praiseworthy bit of writing from Po3 which carries over into OotS. To say that Breezepelt was not abused is to completely miss two arcs worth of books SCREAMING it.

BIG POST. Glossary;

INTRO TO BREEZEPELT: The Sight and Dark River

ABUSE: Outcast, Social Alienation, the Tribe Journey.

DARK FOREST: How these factors push him towards radicalization.

For "brevity," I'm not getting into anything post-OotS. I'm just showing that Breezepelt was abused, the narrative wants you to know that he was abused, and that his status as a victim of child abuse is CENTRAL to understanding why he is training in the Dark Forest.

INTRO TO BREEZEPELT: The Sight and Dark River

Our very first introduction to Breeze is when Jaypaw walks off a cliff in the first book of Po3 and is rescued by a WindClan patrol. He's making snarky remarks, and Whitetail and Crowfeather are not happy about it. Whitetail snaps for Crow to teach his son some manners, and Crow growls for Breezepaw to be quiet.

But our proper introduction to him is at his announcement gathering, when Heatherpaw playfully introduces him as a friend,

From the offset something's not entirely right here between Breezepaw and his father. He's cut off by Heatherpaw here, but he's touchy whenever his father is involved, and we're not entirely sure why.

Throughout Book 1, he's just rude, with a notable xenophobic streak. He's a bit of a mean rival character for Lionpaw, as they're both interested in the affections of Heatherpaw and make bids to get her attention, but nothing particularly violent yet.

He participates in the beloved Kitty Olympics and gets buried in liquid dirt with Lionpaw, basically a rite of passage for any arc.

(And Nightcloud has a cute moment where she watches over them until they fall asleep)

As the books progress, the relationship between Crow and Breeze visibly deteriorates. They start from being simply tense with each other in The Sight, to the open shouting and hitting we see in Outcast.

In the very first chapter of Dark River, we learn where his behavioral issues are really coming from;

Crowfeather.

Breezepelt is getting xenophobia from his father. Occasionally he says something bigoted and his dad will agree and chime in, and those are the only positive moments they have together.

(Note: In contrast, Nightcloud explicitly pushes back against xenophobia, chiding Breezepelt for his rudeness to Lionpaw in back in The Sight, Chapter 21. The Sight is the book where a lot of "evidence" that the Evil Overbearing Woman is actually responsible for the rift between father and son but. No. She's not. Though she can be overprotective; Crow and Breeze have a bad relationship when she's not even around in Breeze's first appearance and even his Crowfeather's Trial Epiphany refutes it. Anyway this post isn't about Nightcloud.)

So he starts acting on his bigotry, accusing cats in other Clans of stealing, running really close to the border. What's interesting though, is that this is not entirely his doing. The first time we get physical trouble from Breezepaw, DUSTPELT aggressed it. Breezepaw and Harepaw were just chasing a squirrel and hadn't yet gone over the border at all.

We learn that WindClan is teaching its apprentices how to hunt in woodland, and tensions between the two Clans is starting to escalate as ThunderClan isn't entirely trusting of their intentions.

The second time, fighting breaks out over him and Harepaw actually crossing the border and catching a squirrel. WindClan is adamant that because it came from their land, it's their squirrel. So it's as if Breezepaw is modelling the aggression around him, learning how to behave from the older warriors and his father.

When he joins Heatherpaw and The Three to go find Gorsetail's kits in the tunnels, he's grouchy towards the ThunderClan cats, but very gentle with the kittens. Notably so. When Thistlekit is dangerously cold, he cuddles up next to her, and even assures Swallowkit when she's scared,

Through this entire excursion, he's the one in the comforting roles for the kittens. Breezepaw is the one who is taking time to tell the kits they'll be okay, that he'll protect them, and physically supporting them when they're weak, even when he's terrified.

And it's always contrasted to Heatherpaw who's way more 'disciplined,' as a side note. It's a detail I'm just fond of.

All this to point out,

Breezepelt displays his best qualities when he's away from the older warriors of WindClan, and he's at his worst whenever he's near Crowfeather. Even while he's essentially just a bully character for The Three to deal with. He's gruff but cooperative when it's just him and Heatherpaw interacting with The Three, but mean when there is an adult to please.

We're getting to the on-screen abuse now, but Po3 actually sets up Breezepaw's troubles and dynamics well before it's finally confirmed that he is a victim of child abuse.

ABUSE: Outcast, the Tribe Journey.

In Outcast, Breezepaw's problems have escalated into open aggression towards cats of other Clans, and is now a legitimate concern for his own safety. Yet, he's spoken over by older warriors, and reprimanded at nearly every opportunity, right in front of the warrior of another Clan.

Squilf just asked the poor kid how his training was going, and then Whitetail JUMPS to talk over him so she can complain, RIGHT in front of his face.

They can't even wait until they're alone to grumble something rude about Breezepaw, who is still just a teenager here;

They taught him already that a bit of prey that runs off their own territory still belongs to WindClan, encourage him to blow past borders in pursuit, and started a battle with ThunderClan over this. And then they're pissed off at him for being aggressive, thinking it's deserved to scold him in public.

When Onestar announces that he wants Breezepaw to go on the Tribe Journey, he's devastated by it...

Because he thinks WindClan doesn't like him, and he's right. He's gossiped about, torn into in front of a ThunderClan warrior, and even his own dad doesn't want to be around him. It's clear that Breezepaw's impulsive "codebreaking" behaviors are a desire to prove himself, and once you realize that, the way that he's being alienated is heartbreaking.

But Wait!! Hold on a minute! Where did he get a "patrol of apprentices" from to confront the dogs with, exactly?

Simple. Breezepaw CAN make friends! He actually values them a lot! So much that it's the first thing Crowfeather snaps at him over, out of frustration that his son is also being forced on this journey with him. It's an angry response to his child having emotional and physical needs, resentment that will continue all journey long.

Note that it's plural, friends. Breezepelt has multiple friends, at least one who is not Heatherpaw, and she promises to say goodbye to them.

Up next, they state over and over, Crowfeather and Breezepaw do not like each other. Crowfeather resents being around him and dealing with his rudeness, embarrassed and angry, and Breezepaw is absolutely miserable being sent on a journey to the mountains with a man who hates his guts.

The whole while, Crowfeather is brooding longingly about Feathertail, already thinking about her as soon as he kitty-kisses Nightcloud goodbye, his eyes looking somewhere distant. He makes a jab about loyalty when Breezepaw doesn't understand why they're helping the Tribe.

Breezepaw gets smacked after he's "shoved" at Purdy and acts rude to him, while the other three manage to be polite (while still having internal dialogue about how stinky he is).

Without so much as a, "cut that out," Crowfeather raises his paw and hits him. Breeze is quiet after that.

I don't give a shit how rude your teenager is being. Do not hit kids. Being throttled on the head is not okay.

In spite of the Three not liking Breezepaw, or even Crowfeather, they're constantly noting that their arguments are not normal, and that Crow is a cold, unsupportive father who digs into his kid constantly, and the only time he ever DOES "discipline" his child it's through immediately smacking him.

At one point, the apprentices get hungry, and decide to foolishly hunt in a barn that they know has dogs in it against Purdy's warnings. Once again, JUST like the first two books, Breezepaw is more friendly when Crowfeather is not around.

EVERY time he is alone with cats his own age, he's grumpy but cooperative. Even enthusiastic at times! The minute Crowfeather is in the picture, he's nasty.

Naturally, the dogs show up, but Purdy rescues them. Though Brambleclaw also chews his kids out (and i have strong opinions about bramble's parenting style for another time), Hollypaw is taken aback by the contrast of what a scolding from Brambleclaw looks like vs how Crowfeather reacts.

The narrative is desperately trying to tell you that the way Crowfeather treats his son is not normal.

And then Crowfeather is pissed off that Breezepaw is exhausted from running for his life from hungry dogs,

And he's constantly losing his shit whenever Breezepaw says something as innocuous as "dad im hungry"

Then, Breezepaw is made to watch his dad pine over the grave of a woman who died long before Crowfeather was even considering his mother for a mate. What he feels is jealousy, because he knows his own father doesn't love him anywhere near as much as he loves the memory of Feathertail.

This really goes on and on and on. The ENTIRE trip is like this, with Crowfeather treating Breezepelt poorly, giving him a smack before even verbally warning him, pushing him past his limits and blowing up on him when he asks simple questions about eating or resting.

It all comes to a head in this one exchange, towards the end. Hollypaw ends up snapping at Breezepaw for his rudeness, before having an epiphany.

It's explicit. Crowfeather's emotional abuse, his "scorn" for Breezepelt, is what is driving a wedge between him and all of his older Clanmates. Between EVERYONE in Breezepelt's life who wasn't already his friend. This awful treatment is only making him worse and worse.

Realizing this, she has more sympathy for him, but it's too late. He continues to be rude to her because he feels insulted, and her patience completely runs out. She's just a kid. They're both just kids. She's not responsible for fixing him when he's pushing everyone away at this point.

That's the end of Breezepelt in Outcast. It can't be helped anymore. Any spark of friendship they had together in the barn, or in the tunnels, is gone.

As the series progresses, Crowfeather continues to refuse any personal responsibility for the mistreatment of his son, even pinning all of Breezepelt's behavioral problems on Nightcloud. He is a cold, selfish father who only ever thinks about his own pain and reputation.

DARK FOREST: How these factors push him towards radicalization.

Everyone talks about the Attack on Poppyfrost, which happens in the first book of OotS, in oversimplified terms. YES he is going after a nun and a pregnant woman. I've never said that's not Bad.

But no one talks about "WHY", and that reason is NOT just that he desires power like so many other WC villains. Breezepelt makes his motivation very clear on the page.

Escalating to violence was about making Jayfeather feel the way that he does.

When Breezepelt says that he wants Jay to be surrounded by "lies, hatred, and things that should never have happened," he's talking about the way HE grew up, knowing his father never wanted him, and that his Clan HATES him as a result. Killing Poppyfrost is about trying to frame Jayfeather for her murder, so ThunderClan won't trust him anymore.

When Jayfeather points out the simple truth that what Breezepelt is saying doesn't make any goddamn sense, his hatred "falters." He's blaming his half-clan half-brother for his own treatment because of the reveal, but totally failed to consider that JAYFEATHER'S ALREADY GOING THROUGH IT... so his response is just this pitiful, "s-shut up, man."

Then the ghost of Brokenstar and Breezepelt bounce him back and forth between them like a beach ball for a bit until Honeyfern's spirit shows up.

Breezepelt's childhood abuse and social alienation was a hook that the Dark Forest latched onto, to reel him in. His anger at his half-brother is so obviously misplaced that its absurdity was something Jayfeather pointed out.

We soon learn that it's the Dark Forest who's planting that ridiculous idea in his head;

The narration is SCREAMING, "The Dark Forest is validating the anger he feels towards his father, and redirecting it towards The Three." He's described as 'kitlike,' Tigerstar's eyes are compared to a hypnotizing snake.

This prose could not make it more obvious if it drove to your house, beat you with it, and then spoon fed you the point while you were hospitalized.

At the end of this scene, Tigerstar sends Hawkfrost to recruit Ivypaw. This scene where Breezepelt is being lovebombed, and the command to start grooming Ivypaw, ARE LINKED. That was a choice.

A VERY GOOD choice! Again, as many issues as I have with OotS, its handling of indoctrination is unironically fantastic, and it owes a good amount of that to the outstanding setup of Breezepelt that was done back in Po3. And that setup doesn't work if Crowfeather was merely distant.

Breezepelt was abused by his father, both verbally and physically. It drove him to be more aggressive to prove himself, modeling the battle culture around him. The adults of WindClan judged him based off Crowfeather's responses, shunning and belittling the 'problem' teenager, which eventually drove Breezepelt to the only group that he felt "understood" him.

In a book series that is RIFE with abuse apologia, this is one of the few times that there's any behavioral consequences for abuse and the narrative holds the perpetrator accountable for it.

But people hear Crowfeather's deflective excuse in The Last Hope where he says he never hated him, blames Nightcloud for everything, and just lick it up uncritically.

Gee whiz, I wonder why the guy who never blames himself for any of his problems would suddenly say it was his ex-wife's fault. Real headscratcher!

(Crowfeather's Trial then goes onto, for all my own problems with it, also hold Crow accountable as the reason why Breezepelt turned out like he did. But that's a topic for another day.)

[dykedvonte]

Honestly I see Jimmy's refusal to put Curly out of his misery less about his weird feelings of envy or his delusions but the fact Curly is all but stated to be a shield to Jimmy from his actions and people seeing the worst in him.

The only characters that Jimmy really interacts with one on one before the crash are Curly and Anya, two individuals he has wildly different relationships with. It's likely that Curly really did most of the talking between them as the pilots and the rest of the crew as staff. They didn't know of Jimmy's more reprehensible behaviors cause they never really had the chance to and Jimmy is subconsciously aware. If they had disliked him more than Anya would have told Swansea earlier or even Daisuke when things got really bad.

It's why he takes the immediate opportunity to blame Curly; He's the shield. He's saved Jimmy's ass more times than he can count and more times than Jimmy would ever admit. Even when he can't really do it anymore, he mentally shields himself from his own faults by putting Curly between them. Letting Curly die puts too much on him because he doesn't know how to function without a safety net.

In the end Curly only lives because Jimmy needs the idea that Curly will inevitably make things better to stay alive, meaning Curly has to live, no matter how much it pains him to do so.