#i feel like that's within the realm of possibility. like it might not be common but if you go too hard you experience consequences

[fireheartedpup]

🙃 What’s a weird fact that you know? (ask game)

I think most of the things I've learned from the internet would seem strange to people. Like the fact that the US ran a misinformation campaign about the effectiveness of masks, or the fact that some ethnicities are just lactose intolerant.

I don't know if the guy who went to the hospital because he sucked dick too hard was telling the truth, but I used it to divert the conversation with a group of strangers at a bar one time and at least one person didn't believe it was real

[loudn-mcyt]

The Kingdom of Fools Hierarchy

Tina suggested that the Kingdom needed a hierarchy with proper ranks, and that got me thinking...so here's my take at the different noble titles of the Kingdom of Fools, as based upon the most common titles in historic (medieval to early modern) Europe!

King Foolish: Obviously, Foolish is the King of the Kingdom. No real surprise here. I would say more, but everyone generally understands the whole idea/deal of a king, so I won't go into much detail.

Duchess Roscumber, Royal Architect of the Realm: When the king was out of commission (dead), Ros was the person put in charge. As much as I love Knight Ros, that suggests that she either held a significant title beforehand or was elevated to title as that happened; either way, it makes sense to me that she would be a duchess, which is the highest noble title below royalty in many systems, and often related to the royal family in some way. Given how feudalism works, it's entirely possible that the others' holdings are within her duchy, hence why she was chosen as the leader in the king's absence.

Marquess Clownpierce, Royal Archmage: A Marquis/marquess is, generally speaking in terms of the size of their holdings, roughly equivalent to an earl or count. However, they were traditionally privileged above counts/earls because their holdings were near borders, meaning they were often charged with defending those borders from attackers. This feels fitting for Clownpierce, whose reputation as a warrior and enchanter serves as a significant deterrent for those that threaten the Kingdom, at least in theory.

Marquess Sneegsnag, Royal Smith: Like Clownpierce, Sneeg fills a similar role for the Kingdom, ensuring that their equipment is strong and serving as another dangerous member to threaten other factions. He also has shown off his prowess as a hunter. Taken together, this suggests to me he should be Clown's equal in rank, as he serves a very similar role within the kingdom.

Count Tangofrags: Our favorite cursed hot dog feels fitting for a Count. He's an important member of the kingdom, but I always have trouble really pinpointing a distinct role for him. However, he is undeniably loyal, and supports his fellow kingdom members wholeheartedly. As a result, I've chosen to place him as a count; counts/earls generally had comparable holdings to Marquesses, though in less tactically important locations. I like the idea that Tango's earldom might be a breadbasket for the kingdom.

Countess Tinakitten: I love Tina with all my heart, but it's still pretty early to say where she will land in the grand scheme of things amongst the kingdom. So, as a new arrival, I've made her a countess; she holds a fair amount of power, but she is less influential than long-standing advisors to the king like Ros, Clown, and Sneeg. Also I would feel bad making her any less important.

Viscount Owen: As the royal jester, Owen would likely have forsaken any title, but I wanted to give him one anyway. Viscounts served as the second in command to an earl or count, which isn't really Owen's role - as the jester, he has the privilege to mock whoever he so chooses, and I like the idea of a lesser nobleman taking advantage of that power to mock the powerful and influential Clownpierce.

Friar Fit: As a member of the clergy, Fit would of course be banned from holding title. However, that doesn't mean he's powerless; quite the opposite, in fact. The church held a very significant amount of power. While, strictly speaking, they were intended to avoid politics, that was very much not the case, and while they were considered subservient to the king, they were able to interact with any other member of the nobility on their own terms.

So, yeah! There's my takes on it. I didn't make anyone a baron, which is another common title below Viscount. It just made sense to me that, interpreting the kingdom into a slightly more historical framework, everyone working closely with the king would be of relatively significant rank - either outright powerful like Duchess Roscumber or Marquesses Clown and Sneeg, or politically influential like Count Tango or Countess Tina. And also Fit is here.

[lunarlianna]

Planets in the 8th house

I know a lot of you may don’t really like this house but trust me it’s more lovely than it seems and as with any other house it has it’s ups and downs. Now let’s understand what it’s up with this house, first it’s where Scorpio and Pluto rules, also as a side note Mars feels pretty comfortable here as well, in traditional astrology Mars was the ruler of Scorpio. It dives deep into subjects such as intimacy, sex, secrets, fears, death, rebirth, shared money and possession. It’s the house of transformation and occult, deep psychology inside as well. It’s also a pretty karmic house. Here is how each planet behaves in the house.

The Sun: an individual with the Sun in the 8th house seeks deep, intimate relationships but may face challenges as they tend to give excessively. They might experience ups and downs due to others' casual approach to relationships. Healing often involves addressing a father's emotional impact and seeking fulfilment through connections. The path to growth lies in balancing self-reliance with meaningful, committed partnerships, allowing for personal shine and transformation through shared resources. A curiosity for mysticism and the occult converges with a aspiration for financial stability, potentially influenced by inheritance.

The Moon: drives a deep desire for security, sometimes leading to seeking it through others' resources. This can evoke self-doubt, possessiveness, and psychic sensitivity. Transformative partnerships or marriages might bring financial gain. They approach relationships seriously, often overextending, leading to turmoil; finding balance through self-sufficiency brings happiness. Sensitive to unspoken nuances, they find peace by releasing expectations, channelling probing curiosity into worldly understanding, seeking connection through intimate relationships and a quest for broader meaning. Gains or inheritances linked to women are common, yet a sense of connection remains elusive.

Mercury: in the 8th House gifts you with analytical powers, suited for research, detective work, and understanding complex matters like taxes or insurance. Your inquisitive nature drives you to unravel the depths of life's mysteries, though this may lead to concerns over finances and a tendency to gossip. Your mind dwells on profound subjects like death, healing, and psychic phenomena. Mercury's presence here offers a valuable perspective, helping you discuss and process intense emotions, easing the pain associated with this house. It enhances rational clarity within the realm of misunderstood emotions, serving as a valve for emotional release and facilitating conscious understanding.

Venus: in the 8th House grants you access to material comforts and potential prosperity, often through a partner's contributions or inheritance. While you enjoy sensual pleasures, be mindful of avoiding overindulgence or laziness. Your attraction to healing, metaphysical pursuits, and magic might thrive. This placement bestows a harmonious touch to intimate connections, making give-and-take feel natural, appreciating the sensual without burdening the relationship. Challenges, such as losses and responsibilities, are handled with understanding, adding a sense of kindness to your relationships.

Mars: in the 8th House fuels your drive for research, uncovering secrets, and intense pursuits, but challenges arise as desires clash with the give-and-take nature of relationships. Financial issues, possibly through a partner, highlight the need to diminish money's importance. Struggles may emerge in sharing resources and emotions within partnerships, causing emotional outbursts. Learning to channel Mars' willpower constructively, alongside exploring healing or surgery interests, can lead to personal growth despite these challenges. Understanding and managing the intensity of your desires and their impact on relationships becomes key.

Jupiter: in the 8th House blesses you with optimism and faith in humanity. Financial gains through partnerships, marriage, or inheritance are possible. Your strong emotional depth can be harnessed for psychic abilities, enabling you to bring upliftment and healing to others. Jupiter's presence in this house facilitates an effortless give-and-take dynamic, aided by your universal outlook, allowing you to avoid getting entangled in overly emotional relationship issues. Your emphasis on genuine, giving connections attracts reciprocal generosity.

Saturn: in the 8th House endows you with diligent work ethic and patience, yet your pursuit of financial security might lead to self-imposed social and sexual restrictions. Transform this drive into soul growth via wisdom gained through partnership relationships. Issues around abuse, power, and past hurts may arise. Challenges involving inheritances, shared finances, and intimacy emerge due to Saturn's hesitance to let go. This position can make relationships tough, leading to commitment issues. Overcoming Saturn's grip fosters eventual happiness and harmony, teaching valuable lessons of release and trust.

Uranus: with this placement, your intuition and psychic senses are heightened, drawing you to the mysteries of life and the occult. Nervous tension may arise, and unexpected gains or losses in shared resources are possible. Balancing your need for freedom with emotional connection is key, as Uranus' resistance to commitment can challenge relationships. Remember to stay open to intimacy while navigating life's uncertainties.

Neptune: in the 8th House enhances your intuition and empathy, but it's important to set clear boundaries to avoid relationship challenges. Embrace healing and afterlife interests while ensuring honesty in financial matters. Remember to balance selflessness with self-care, fostering healthier and more fulfilling connections. Your compassionate nature is a strength in navigating these dynamics.

Pluto: In the 8th House, your intuition and business sense thrive, drawing you to metaphysical realms. While inheritance and clairvoyant potential shine, be cautious of financial complexities in partnerships. Transformative experiences spark a fascination with life's mysteries. Pluto's influence urges open communication to ease power struggles, offering healing through release and growth. Embrace vulnerability for stronger, more compassionate relationships.

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[honeyhotteoks]

Okay I'm 5'7 too so thank you for your detailed description of the members and I'm not surprised but kinda am at the same time about their appearance??

Low-key love seeing all the live content but also feel left out as an Aussie atiny BUT I'm seeing skz in October so I'm excited for that!!

Speaking of their appearance, the members of skz are a lot more muscular in person than how they look.

I was expecting them to be skinny and boney but they all look incredibly strong and fit-even Han and Felix-

Han actually looks slightly more buff and muscly then Felix which surprised me and Lee Know is just as defined and muscular as Changbin which no one talks about.

Anyway- yunho brain rot.

I was listening to the audiobook of haunting Adeline because I finally caved in from the TikTok influence and my friend telling me how sexy the novel is.

Idk if it's because I'm going to therapy or I'm too old but I thought it was over-hyped-

I did love how the author described the themes of fear and stalking because when I did get tense when she'd leave the room, come back and there would be a 🌹 on the counter.

BUT I did get delulu and I was reading some scenes where zade is just consumed with Adeline and I was gasping 'like omg yunho could be like this' because his natal chart indicates if he was psychotic and unhealed enough- could delve into stalking territory.

And yes okay- this shit is toxic and scary and awful in real life BUT LET ME FANTASISE FOR A SECOND!

What if yunho was that borderline toxic boyfriend that just CANT leave you alone??

Watches you from afar, sends you messages all day-

Somnophilia thought here-

You don't live with yunho but have given him a key and go to bed with no panties on b/c it's a common occurrence he'll drive over in the middle of the night b/c it's been too long since he's felt you under him and he has to ravish you.

You wake up to his tongue on you clit as he moans and breathes your scent in which eventually leads to you making love with him as he virtually suffocates you with his body and words?

You're mine, you're not leaving me, I'm destined to be with you, on top of you, inside you, I can't breathe w/o you.

EMOTIONAL DAMAGE!!

MY FRIEND THE WAY YOU ALWAYS SERVE UP THE GREATEST IMAGERY OF ALL TIME TO RUIN ME!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

first of all........ love that you're seeing skz!!! i'm hoping if and when they announce tour dates for north america next year there's a chance for me to see them

as far as your yunho brainrot goes................. IM DIZZY. i love your natal chart content, and i've been so obsessed with the idea of yunho being like perfect boyfriend great guy................but................there's that part of him that just can't help being possessive and having this sense of ownership over his partner.

i was just actually reading a fic for another fandom along the lines of what you're describing and i was like YUNHO YUNHO YUNHO the whole time. i might write my own version but......... brainrot under the cut

so i think there's two yunho possibilities that i love within this like possessive/stalker/dubcon realm, and one is straight up like suuuuuper healthy relationship but they play with CNC in intense ways and do full on like roleplay OR my current favorite brainrot which aligns with your idea and the fic i was just reading which is like...... desperately obsessed desperately in love fully fixated on reader not leaving him because he just has to consume her fully at all times.

he and reader have been dating for a while and he's honestly the 10/10 perfect boyfriend (she thinks) only.... she knows he gets a little funny about certain things. when other guys talk to her he just has to have his hands on her, and when he worries about her he really worries, almost too much. he gets jealous about the funniest little things, and he's always nervous about change, he just doesn't want anything to burst their little bubble so much so that he's controlling the situation a little too much. but.... she also loves him, and he hasn't really stepped over the line of toxic.......... until she catches him stealing a pair of her panties and realizes his phone is full of pictures of her.

and it starts off like an argument, until he starts to confess his real fantasies. and he knows it might be too much, but she makes him so insane it's like he can't help himself. and the longer he talks about all of those fantasies, confessing how fucked he knows it is and how she really could do better, she just keeps getting more and more turned on. and it's shocking to her too, but she really fucking likes it. she's never had someone take care of her, really and truly take care of everything and just let her exist without having to make all the decisions or take control, and he's just offering it all to her on a platter she just has to let him take it.

and so while he thinks revealing his desires is about to break them up, and he's losing his fucking mind about it, she's ready to double down hard on the relationship and on what they do behind closed doors. so she shocks him when she not only agrees for more but asks for more.

and so that's when she gives him the key, that's when she tells him that he's allowed to come in whenever he wants. to touch her whenever he wants. she wants it all, but all she asks in exchange is that he stops hiding his desires from her, because that's what was driving the wedge between them. he's patient about using the new found control though, because he doesn't know what that will do for their relationship and she doesn't necessarily know what she's allowing him to do..... he can't smother her ALL at once.

but that changes when she falls asleep one night before texting him goodnight, she's been stressed and worn thin and he's not had the opportunity to see her let alone take care of her..... and he's feeling a little neglected too. and he waits a couple of hours for a response, but finally he decides it's time to use the key. so he drives over, slips in quietly, and finds her sound asleep, phone still clutched in her fingers and a video looping on repeat.

he's hard in a second, desperate in a second, and he has to do something about it. so he starts off slow, peeing off her clothes and gently teasing her nipples, getting a blush in her cheeks and making her perfectly hot and receptive to his tongue teasing her sweet clit.

she’s been so tired lately that she’s well and truly out, and she doesn’t really wake up until he’s teasing her wet cunt with his cock, not quite fucking her yet but everything in between. and when she wakes it’s mid-orgasm and desperate for more, and she's aware that something feels different but she just woke up and she's caught between realizing yunho is actually here and pushing himself inside her and thinking it might be a dream.

but he's whispering to her, clutching her close and begging her to just let him have this.... and of course she will, she agreed, but as she comes more and more into consciousness the feeling of him and his words start to make sense. he’s not wearing a condom for the first time ever, and that's not something they've ever agreed on going without before. she's just trying to figure out what is going on but he's fucking into her harder and deeper than before, with a whimpering need on his lips that makes her body curl up in pleasure and she knows she should stop him but truthfully she doesn't want to.

and while she clings to him, yunho's delirious. the feeling of having her completely, of knowing he's the only person who's ever been inside her fully with nothing between them, of knowing that the risk might be worth it. his mind starts to spin until he's a babbling mess, telling her he's going to leave a piece of himself behind for her, make them whole, make sure she can never ever leave.

and even though she knows it's a terrible idea, a decision only made in the middle of sex because it feels good, she finds herself clutching him closer, goading him on. no one has ever wanted her quite like he does and it makes her want to throw everything she's ever cared about right out the window if it means he'll look at her like this forever.

ANYWAYS now i have to write full lowkey toxic possessive yunho with a reader who is down to be fully consumed by him like AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

[undertale-fic-librarby]

Any error x nightmare fluff? Preferably cannon personalitys 🩷

Howdy, thanks for asking! Here are some fics that might fit what you're looking for!

I'll hate you as you hold me by Casual_Spectatee (Mature, Incomplete)

Nightmare has always had an interest in Error. From the moment he saw the Destroyer in action, he wanted that kind of power on his side. He imagined the terror he could bring if forced the Destroyer himself into submission and to assist him. Error does not give two fucks about Nightmare's dreams, he isn't fucking going to help that prick until God himself walks down and threatens him with eternal hell, and even then, he'd still prefer hell for the rest of his existence than to spend a single minute with Nightmare. Unfortunately for Error, Nightmare is set on getting the Destroyer to work with him one way or another. If that means helping Error for nothing in return, so be it. Error just wishes that it wasn't all such a common thing to wake up in the beds of his two worst enemies, because they all have shitty fucking blankets and he's getting sick of it.

To Trust A Nightmare by Otletes (Mature, Incomplete)

Error has been alone longer than he cares to think about. He's been insane longer than he likes to think about as well, but now he's come back from that insanity. He knows that he has to continue destroying, for the sake of the multiverse, so he's accepted that he will always be alone, in his cold white space. One day though he finds himself watching Nightmare and his gang, it becomes his new favorite pass time. He can't remember much of the dark skeleton, but watching him now, he can't help, but wonder… could this be a group that he'd be accepted in? A place where he could have a family? … Find love? Or will he fall back into insanity and remain alone?

Working through issues with a shunned diety by Hellian_Eden, Jesus_fox (General Audiences, Incomplete)

The Multiverse is vast and nigh infinite, possibilities, concepts, the very function of a world's reality only limited by sheer creativity. Within this realm, Dreamtale exists as an enigma, plucked from another Multiverse entirely. The tragedy of it's Story forced to continue beyond it's Endings, for it forced the concept of Balance into the Multiverse's rules. Now open-ended, the only two Characters wanders throughout the Multiverse as one of it's Outcodes. Dream broke out of stone to one colorful and curious Inkblot, so much to comprehend for someone so small. But alive nonetheless. Nightmare woke up freshly dead. Au: Get it? Cuzhe died lmao

Your memory has faded [BEING REWRITTEN] by unalivedcow (Not Rated, Incomplete)

Nightmare doesn’t remember anything after his transformation, leaving Error devastated. [BEING REWRITTEN] ! spoilers below ! (By the way this is based off a real life scenario of a man with Alzheimer’s forgetting he was married and falling back in love with his wife but I just tweaked it a bit)

Eclipsed by You by BadOmen (Mature, Incomplete)

A gentle breeze drapes the landscape like a soft blanket, with a lone figure standing atop a grassy hill. Feeling disconnected from the world and neglected by his busy brother, he’s on the brink of losing himself. His hopelessness drives him to the edge of fleeing from his own despair. But a planned encounter in the snowy expanse of a fading universe brings an unexpected twist. There, amidst the winter wonderland, he meets a warm and friendly face who gradually draws him out of his shell. Caught between the desire to retreat from this newfound kindness and the urge to let his walls crumble, he faces a profound choice. The story follows Geno and Night, two monsters from separate AUs—Who eventually turn to Error and Nightmare. Geno, struggling with his own emotional barriers, meets Nightmare in his gentler form. Together, they recognize their shared scars—both physical and emotional. Nightmare, self-conscious about his shattered eye socket, finds solace in Geno, whose own eye is also damaged. Through companionship, they agree to keep each other at arms length, perhaps sharing more than just laughter.

Here's a few more fics that are similar to what you're asking for!

[scrubbinn]

Slime HRT: 12 months “Nice meeting you”

“Well hello there. I don’t know who’ll be listening to these recordings. That odd doctor perhaps? Well… Hello! I am Mayday Mulberry. I think. I don’t actually remember. It's a long story. Perhaps we should start at the beginning. I woke up one morning in a hospital bed with a nice doctor looking over me with a sorrowful face. There were a few people crying by my side, and some tried hugging me. I really didn’t like the feeling of being hugged, but I felt like they needed it. They gave me so many interesting items and told me they belonged to me. They practically shoved them into my hands, and each time they asked me to remember anything about it. I never did remember, all it did was make my head hurt and gave me an awful sense of guilt. I suppose a lot of people liked the person I used to be. But I'm not exactly sure how I can become this person again. I don't feel like Mayday, perhaps I shouldn't try to be. Perhaps I should avoid referring to myself as Mayday for the moment.”

“The doctor said I would need to make these recordings of my journey every month in order to continue my transition. I was told I was originally human, and slowly became a slime. I can’t say I really understand it, but every time I see myself in a mirror, I become so happy, yet so sad. I asked the people here to remove the mirror after a while. Seeing the human bits of me still clinging on like ragged clothing. It hurts in a way I don’t think I’ll ever understand. Becoming a slime is the only way to fix that pain. That is simply something I know for a fact. Maybe the previous me knew why, I truly wish I had the chance to ask her.”

“Forgive me, I'm a bit beside myself. I know I should be marking down the changes I've been experiencing, but it's not exactly easy to spot the changes of a body I don't know. All I've ever known is change. Am I going to notice when this heart isn't human anymore? Well, I guess it never was. It's not in a slime’s nature to reflect on the past. We simply drag ourselves forward, perpetually stuck in the simple present. Perhaps I'll start acting like that as time goes on. I think it would be rather nice not to worry so much about the past. Right, physical changes, that is what this recording is about, another thing slimes are not good at is focusing, haha… I was given some photos of mysel- Ms. Mulberry from a month ago. Most of this body's skin has been covered in goo since then. Some of the cloudy sections have cleared up, and muscle fibers are visible underneath. It would seem the skin underneath has dissolved or transformed to the slime biomass. The only parts not covered are the upper neck and face, with the chest area still clouded as I wait for the skin to fully disappear. I am able to poke through this layer and touch the muscles underneath. A thoroughly unpleasant experience that I do not wish to do again. My fingers and part of the hand now have a new layer of “skin” over the slime. This new layer is waxy and smooth. It bubbles up like bar soap and can be stretched like taffy. Though putting it back into place is, rather difficult. Perhaps I'll be able to control it one day, being able to stretch into all manner of shapes is a pleasant thought. The new layer is certainly living tissue, or the equivalent of such a thing for a slime, so moving it is within the realm of possibilities. I'm able to feel things through it, and with skin this smooth, almost every surface feels like silk, but changing the texture of my fingers is currently impossible. Perhaps one day, mimicking the textures of nearby objects will be possible as well, and with color changing, I would be able to camouflage anywhere I went. But sadly, it seems that is a mere pipe dream for now.”

I might have also done something rather, well, mostly… almost definitely… completely rash. Curiosity, another trait common among slimes, got the better of me and had me take a knife and whittle a small piece off the new skin. Just to see its composition of course!! But, well, it certainly hurt that's for sure. But, this is a brand new medication, and science stops for nothing, therefore it's in everyones’ best interests to gain as much knowledge as possible about it! So now, I have a small piece of waxy skin, and I'm currently waiting to deliver it to Dr. Erian tomorrow. It's only in hindsight that I realize, perhaps this hair would have been a better sample. Then again, I'd prefer to not think about this mess on my head any longer than I need to.

This hair can only be called a handful. Based on the journals I've read, it would seem I- er, Ms. Mulberry! Didn't see much of a point in proper hair care, nor chose to describe it in great detail either. Every morning I find myself spending half an hour reshaping the entire thing. Sleeping on a pillow seems to compress it to the point where it's completely flattened to one side. I've become a ball of clay, slapped down on a table. It moves like small strands of sand but removing it hurts just like plucking a human hair. I guess the best description of it would be something similar to soap shavings. It used to be much more gel-like but has hardened to solid bits, and unfortunately it most likely will not be controllable like the rest of me. There's no feeling to it besides the connection to the scalp. If anything I’m finding it more a pain than euphoric, but removal at this point wouldn't help all that much. At least it's better than shedding human hair everywhere.

“There have been, other, changes too. Less pleasant ones. I was told before I first woke up that I experienced debilitating headaches nearly everyday, even to the point of fading from consciousness. This fading, soon passed as my new core had fully formed. A stomach-like organ that sends its roots through this body in order to better control it. Organic matter is siphoned through it like a funnel, then spitting out new biomass to rebuild the body. However, the dreadful problem of these pulsating headaches has persisted. It would seem this problem will no longer dissipate on its own. Consultations with the doctor of this care facility or Dr. Erian has proved unhelpful in resolving this. Any pain medicine no longer works and has only caused more problems. It feels as though my perception is loosening nearly everyday. I wonder in fear and excitement what my mind will become in the coming months.

“Now then back to the physical changes. Let’s see here, Ah yes, let’s talk about-

“Hey, are you free right now?”

“Oh, hello Sweetie. I’m recording right now for the doctor. I’ll set it aside for now. Do you need something?”

“How are you feeling? Is… your memory back? I found some more pictures of us to see if it helps.”

“No, I still don’t remember anything, I apologize for not being able to recognize your face, but I’d rather not look at old photos, I can’t stand seeing those old faces. We'll just have to be patient and wait for these memories to come back. So please… Please just be patient.”

“I don't know how much longer I can wait. I basically watched you die. I, I... I miss you hun.”

“I'm sure she misses you too. Now then, I have a recording to finish. Goodbye...”

“...Resuming recording in 3, 2… Other changes, other changes... Ugh. My memory is completely shot now! Great, absolutely fantastic. Sigh, perhaps lunch is in order. Recording over for now. I’ll finish the rest later. Maybe. If I remember.”

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Mention list: @a-shramp, @calliecwrites, @be702

[221bluescarf]

You know what's really not helpful sometimes?

Minimizing someone's symptoms

"I heard voices" ⁠—don't say oh it was probably the TV or, you know, the walls are really thin. Maybe you heard someone...

"I thought invisible people watched me in the shower, so I showered with clothes on" ⁠—don't say well that's normal, I used to be uncomfortable changing in front of photos because it feels like they can see me. I just started telling myself "whatever" and got over it

There's 2 reasons for this (probably more, but I'm focusing on 2)

1. It can make it even harder to distinguish reality.

Could it be the radio? Yes it's within the realm of possibility. But if I tell you I'm hearing voices and you dismiss it as a real sound... Now when I hear voices I think: Well, is it real? Is there someone there? There must be a real sound or someone in the house. He said it's not a hallucination. Are they real? Are the demons here? It might even encourage a delusion

2. A lot of us are already have imposter syndrome or are in denial of our illness

We are either inclined to believe we're not sick at all, or we are afraid we're faking or exaggerating. If you try to normalize our experiences... maybe it's not really psychosis? Maybe I wasn't having an episode? Maybe I'm not sick at all!

Is it possible someone could mistake a common or "normal" thought/fear for psychosis or paranoia? Yeah maybe. But those people aren't getting diagnosed with schizophrenia.

Anyway. That's just my thoughts.

[eriochromatic]

I am in love with the wha cross guild designs. Can you say something more about them? Like the thought process behind them and stuff.

sure! What I focused on first is how Mihawk, Buggy, and Crocodile's motives and personality would translate into the WHA world (I need a loose story first to be motivated before delving into the design!)

tbh I think with one piece's characters so focused on freedom and living without constraint, all pirate characters would technically be brimhats LOL (and Coco's arc of realizing the flaws of the current insitution is quite similar to Koby and the marines).

Devil fruit powers are easy to translate into seals tattooed on the skin (hence wha!Buggy's seal on his chest letting him split his body and wha!Crocodile's on his hand giving him sand manipulation). Mihawk is more interesting since he doesn't have a devil fruit, so naturally wha!Mihawk also doesn't have tattooed seals. Another way for a witch to become a brimhat is dabbling in forbidden seals, so wha!Mihawk has cursed seals on Yoru instead (which makes him a brimhat without modifying his body)

As for cornerstone character traits in the original: Mihawk is the greatest swordsman, Buggy is… just vibing LMFAO, and Crocodile is ambitous/power hungry/looking to rule his own kingdom. Obviously the greatest swordsman title means nothing in WHA, so wha!Mihawk instead is a great artificer, with Yoru being the strongest magic imbued weapon in existence. I'd like to think Yoru's seals were initially within guidelines, but Mihawk felt those rules were suffocating Yoru's potential, which is when he started using cursed and forbidden seals instead, all for the sake of Yoru becoming stronger.

Buggy I'd imagine is kind of like how Iguin is introduced in Coco's past- as a solo traveling witch mingling amongst common folk rather than being in a community of fellow witches. I think he'd be addicted to that feeling of superiority he'd get from being a revered witch in the eyes of the common people, so he's probably the head of a traveling circus troupe (where he's the only witch) touring the countryside (keeping a relatively low profile in the realm of witches, never staying in one place too long so the Knights Moralis don't go after him). Buggy's definitely not as altruistic or eager to help those in need as witches are supposed to be in WHA society, but of course he'd put on a good show to entertain the masses.

Eolio mentioned something interesting in chpt 53 ("We can be as in the tales of yore. King and witch, side by side"). There might've been more references to this concept of a monarch/person in power with a witch as their advisor (I just can't find it at the moment a;sldkfs) but I'd imagine that's what Crocodile would be doing. Like Buggy, I think he also gets a sense of superiority by being alongside commonfolk (vs Mihawk who's goal is to genuinely just make the strongest weapon possible and not interested in mingling with others). But instead of Buggy's route of mingling with commoners, Crocodile would definitely go the more sinister route- find some easily manipulated king or high lord and get into his good graces, eventually becoming the witch operating in the shadows and whispering machinations in his liege's ears. We don't know much about the pennisula yet and how far the witches' institution reaches so I don't know the exact position of power Crocodile feels safe aiming for without the Knights Moralis coming for his ass (a ruler might be too obvious lol but then again Crocodile tried to take over Alabasta right underneath the World Government's noses so who knows).

As for the designs themselves: Mihawk's fluffy plume being reminiscient of a brushbug is what started this entire idea for me, so I knew I had to add that in somehow. For each character I picked an overarching motif/theme I wanted in the character design, as well as adding in WHA design elements. WHA characters all tend to have large cloaks to cover their body while writing seals, and even though Cross Guild is all brimhats, nobody starts out as a brimhat so I'd imagine a large cloak or something top heavy would still be familiar to them even if they don't care about covering seals anymore.

For Mihawk I leaned a bit more into the vampire theme than his usual (cloak silhouette is bat like, plus the additional crosses everwhere. His sleeves aren't exactly attached to his jacket (like OPLA) and I also added that detail in the pants haha. I think Yoru is the real star here with all the seals on it, the two big ones are actually modified seals from the Ars Goetia (since they're supposed to be cursed after all); the top one is Glasya-Labolas (manslaughter and bloodshed) and the bottom one is Ronove (taker of old souls). The flower pattern on his sleeves is also not as paisley looking since it doesn't fit with the WHA artstyle, but there's so much hatching that at the end of the day I don't think it mattered lol. His cloak is the least cloak like since he needs to be able to swing that sword HAHA also he's not interacting with normal humans much anyways, usually he only interacts with witches that try to challenge him. Personally I think wha!Mihawk is quite bad at drawing seals on the fly- his specialty is being able to carve complex ones on metal perfectly so they'd be suitable in a fight later.

Buggy I went full medieval jester mode (I always tend to lean toward that aesthetic for Buggy rather than Joker Batman anyways haha). A couple of star motifs here and there, as well as slashed sleeves to reinforce the slicing and dicing of his body. Overall there's just a lot of vertical and horizontal lines on his body for that purpose. I really wanted to let Buggy's beautiful hair down since WHA's style is lovely with that kind of flowing hair. Oh all three of them are also wearing slyph shoes!

Crocodile's coat is directly inspired from Iguin's (esp for that scale motif); overall I wanted to incorporate flowy ornaments for him since I'd be drawing a lot of flowing sand; hence all the tassels on his cloak and sleeves. Cutouts are there for him to use sand manipulation more effectively. I know in canon both for him and Buggy the clothes also are affected by devil fruit powers but I don't think that would be the case here- Buggy's clothes also probably have seals in them and no one would be able to see if he's on stage but I think for Crocodile, since he'd be working with normal humans more he does have to be more cautious about things (hence why he also has a more traditional cloak compared to the others). Sand hat for coolness also for convenience bc he can just dissipate the sand if he's trying to disguise himself (like how Ininia's ribbons can appear normal instead of brim shaped). I also gave him a smoking pipe instead of a cigar because the pipe can be used as a red herring of sorts- to outsiders it might appear the pipe being the source of power (like for Mihawk's sword) but Crocodile's sand manipulation ability has the same scope as canon.

ANYWAYS that's probably a way more detailed response than you expected but hopefully that was interesting to read my thought process behind things! even though i captioned it Cross Guild I guess it ended up being more East Blue/Alabasta saga personalities than actual post Wano Cross Guild dynamics haha

[open-hearth-rpg]

Journeys: Great RPG Mechanics #RPGMechanics: Week Five

In Playing at the World Jon Peterson mentions the impact of the board game Outdoor Survival (1972). It influenced early D&D– framing the act of crossing wild distances as an adventure unto itself, with perils beyond monsters. This theme appeared in several early board games– traveling out into a blank map, filling it in, and dealing with random events (Source of the Nile, Magic Realm, The Mystic Wood). The third booklet of original Dungeons & Dragons, “The Underworld & Wilderness Adventures,” specifically references Outdoor Survival and using it in play. 

So, while dungeons have always captured the imagination, travelling through great spans has always been a close-run second. The popularity of hex-crawls and point-crawls, moving through unknown space, illustrates something basic. There’s no functional difference between different spaces and locations within a game. A dungeon, in terms of motion through it, mechanically operates like a forest or a city. The party moves through a space and arrives at an event. There’s some description possibly of the passage, but functionally it is the same. 

The difference lies in the trappings and mechanics: time, obstacles, physicality, travel resources, etc. There are some meta-considerations as well. I remember running a city-based campaign which had a set of maps I’d drawn of different neighborhoods and areas. I had a player complain that he wanted a traveling campaign, to see different things. I explained that the city was varied and interesting– going to other places and neighborhoods could be just as cool. We went back and forth as I tried to drill down on what he wanted. 

It eventually came out that he wanted a game where his character could loot, destroy, and shit on folks and then move on. Having a game in a city meant he’d have to deal with people and potentially suffer consequences. 

In any case, if time and distance function mechanically the same across different sizes and instances (dungeon, wilderness, city), how does a game differentiate? The most common tool has been random encounters– with chances varying based on the terrain. Different environments have different appearance rates. That’s an approach ubiquitous to early FRPGs. That might then be elaborated with guidelines for speed, exhaustion, weather, supply, and encumbrance. The level depends on how crunchy the game is. In fact these kinds of systems have been a hallmark of trad approaches. 

So it was interesting to see a more modern, story-driven game take a swing at travel and work to integrate it into play. The One Ring (with the original subtitle of Adventures over the Edge of the Wild) aims for this. TOR has some trappings of the trad game, like Encumbrance but handled simply. It has the need for a map and the calculation of possible distance and travel time. Resolution here goes through setting route, judging distance, multiplying by terrain, and comparing that to speed. That generally determines the number of fatigue tests being made. 

Those tests are made by the traveling companions, with each having a different role. We have the Guide (making decisions), Scout (setting up camp), Huntsman (finding food), Look-out Man (keeping watch). Journeys have a set procedure beyond fatigue tests with players carrying out their role and comparing it to a hazard target, with different events possible.   

Forbidden Lands takes a page from TOR, echoing this procedure. It falls somewhere between Mutant: Year Zero’s zone exploration and TOR’s role system. In practice it feels a little more mechanical and wearing than a Tolkien-esque journey. Forbidden Land’s travel can be brutal– that’s a feature of the base game system. The land is supposed to be harsh, newly opened after a post-apocalyptic calamity. In that sense it works, but in play it can seem absolutely punishing for players who don’t expect it. I definitely want to explore travel in play– with something more than just an Undertake a Perilous Journey move. In theory I love the idea of a deep journey procedure, but neither TOR or FL exactly hit what I want. The former feels like too much calculation and too many rolls potentially and the latter like a procedure for beating down the player’s resources. I love the idea of Journey mechanics, but I want something which falls in the middle of those– offers interesting play, adds to the story, and feels like the sweeping grandeur of crossing great distances.

[tolkiens-middleearth]

Topics & Themes in Tolkien’s Legendarium

The Perilous Realm

“Stories that are actually concerned primarily with ‘fairies,’ that is with creatures that might also in modern English be called ‘elves,’ are relatively rare, and as a rule not very interesting. Most good ‘fairy-stories’ are about the adventures of men in the Perilous Realm or upon its shadowy marches.” – J. R. R. Tolkien. On Fairy Stories.

Tolkien called it the Perilous Realm, Faery or Faërie, and for me these words represent one of the most fascinating theme in Tolkien’s Legendarium. It is both a narrative and a world-building element that can be found in all his major Middle-earth stories and is in a way essential for understanding Tolkien’s approach to his own created world.

Yet I feel it rarely gets talked about, so I want to briefly highlight what it is, how it functions in the narrative, and give a few examples from various stories. Unfortunately can’t go into a deep analysis because doing so would require me to write a book – which I would love to, but I don’t have the time or qualification). Quote sources and further reading recommendations are given at the end.

WANDERING INTO FAERY

 “It is common in Fairy tales for the entrance to the fairy world to be presented as a journey underground, into a hill or mountain or the like. [...] My symbol is not the underground, whether necrological and Orphic or pseudo-scientific in jargon, but the Forest […].” – J. R. R. Tolkien. “Smith of Wooton Major” essay.

The core of this theme is the mortal wanderer who comes to or crosses the borders of Faërie, the land of fairies or elves. This idea has been part of legends and myths for a long time, one of the most prominent examples probably being the island of Avalon in the Arthurian legend. Depending on the story, Faërie can occupy a different time and space than our own world, or share the same space or time “in different modes”. Getting into Faërie is not always possible and many things can stop someone from entering: it may be completely inaccessible, it may be hidden and people have to find it, or it may be accessible only to those who know the secret on how to enter it. Once you are there, it may be difficult to leave, or it may take some time. Being there could turn out to be dangerous, but it also doesn’t necessarily have to be. Tolkien wrote that “in it are pitfalls for the unwary and dungeons for the overbold”.

In The Lord of the Rings, there are many examples of such a realm, some barely noticeable and some very clear and detailed.

It starts subtle when Frodo, Sam and Pippin meet Gildor and his Elves near Woodhall. It is no specific realm that they enter, but just wandering with the Elves already lets the Hobbits experience something they are not used to. They have trouble finding words for it afterwards or remembering it clearly, with Tolkien describing it that for Pippin it felt like he was in a waking dream. The next example is then already more direct: the four Hobbits enter the Old Forest. This time it really is perilous for them, they get lost and cannot find a way out. Tolkien describes it as follows:

“They began to feel that all this country was unreal, and that they were stumbling through an ominous dream that led to no awakening.”

Frodo almost falls asleep near an enchanting river, Merry and Pippin almost die. Without the help of an unexpected inhabitant of this forest, they never would have gotten out.

Reaching Rivendell is another less clear example. Rivendell itself is easier accessible than the Old Forest and less perilous for the Hobbits. But reaching it also includes a river, a river that is under Elrond’s command and that rises “in anger when [Elrond] has great need to bar the Ford”.  And within Rivendell, Frodo experiences another kind of “Faërian Drama” as Tolkien calls it: the stories and songs told in Rivendell hold him “in a spell”, and “the enchantment became more and more dreamlike” until in the end Frodo falls asleep once more. Bilbo comments that it’s difficult to stay awake “until you get used to it”.

The most prominent example is of course Lothlórien, a land of Elves that is rarely visited by mortal beings and where the flow of time is indeed different than that in the outside world. It’s also well defended against wanderers, and both in the world and the narrative the fellowship has to pass through: there are guards at the boarders that have to be convinced, there is a river that has to be crossed, a hidden path that has to be taken blindfolded. Tolkien is in no rush to get the fellowship to Galadriel – the reader, together with the wanderers, have to experience this journey.

The purest form of this theme in The Lord of the Rings is, of course, Frodo and Bilbo leaving for the island Tol Eressëa at the end of the story. It is the longest journey into Faërie, a journey that only a few are allowed to take and that you won’t come back from. Tol Eressëa is no longer in the space of the human world, and it’s very telling that Tolkien named the haven on the eastern shore on the island Avallónë.

More examples can be found in Tolkien’s other stories, and I will mention them less detailed when talking about the actual centre of the theme:

THE MORTAL VISITOR

„It seemed to [Frodo] that he had stepped through a high window that looked on a vanished world. A light was upon it for which his language had no name. All that he saw was shapely, but the shapes seemed at once clear cut, as if they had been first conceived and drawn at the uncovering of his eyes, and ancient as if they had endured forever.” – J. R. R. Tolkien. The Lord of the Rings.

All of Tolkien’s major stories have one thing in common: they have someone human at the core who is unfamiliar with Faërie and able to experience it as new and from an outside perspective.

In The Hobbit it is Bilbo who stumbles into a world he is not prepared for at all, and while it is less clearly shown in the narrative of a children’s book, the journey of Bilbo and the Dwarves clearly show signs of this theme – a dangerous forest, an enchanted river, a white deer, and Elven fires that suddenly vanish.

For The Lord of the Rings I have shown above that all four Hobbits experience this in one way or another, although Frodo is probably the one given the most focus.

“This is a history in brief drawn from many older tales; for all the matters that it contains were of old, and still are among the Eldar of the West, recounted more fully in other histories and songs. But many of these were not recalled by Eriol, or men have again lost them since his day. This Account was composed first by Pengolod of Gondolin, and Aelfwine turned it into our speech as it was in his time, adding nothing, he said, save explanations of some few names.” – J. R. R. Tolkien. Quenta Silmarillion.

The Quenta Silmarillion is a different type of story, so here the theme also takes a different form: it’s not a narrative as The Hobbit or The Lord of the Rings and more a historical chronicle in style. It’s written as such, but also given the corresponding context: when Tolkien was first writing the Book of Lost Tales and later the Quenta Silmarillion, the framework he had built for it was that of a mortal men coming to Tol Eressëa and learning of these past events. The one wandering into the Perilous Realm is Eriol or Ælfwine, listening to the stories of the Elves and writing them down for other humans to read. When Tolkien eventually started writing The Lord of the Rings, he was able to change his framing story. There was no longer a need for Ælfwine to reach Tol Eressëa to learn about these tales – now it’s Bilbo who wrote it down in three volumes called “Translations from the Elvish” that he had added to his private diary when he handed it over to Frodo.

This concept applies to the Quenta Silmarillion as a whole, but the main three stories within the Quenta Silmarillion still have a similar mortal visitor as The Hobbit or The Lord of the Rings. In Beren and Lúthien, it’s the mortal Beren who wanders into the Elven Kingdom Doriath and gets enchanted when he sees Lúthien dancing and singing. In the Children of Húrin, it’s Túrin who enters Doriath as well, but also the Elven Kingdom Nargothrond. Both times, Túrin is unable to find the entrance himself; he is lead there by Elven guides – first Beleg, then Gwindor. And in the Fall of Gondolin, Tuor is led by an Elven guide to through many gates under a mountain to the Elven Kingdom Gondolin – one of the rarer cases of a "journey underground, into a hill or mountain".

And even the Akallabêth incorporates this theme, although in a different way than the previous stories. The story of the Fall of Númenor is about wanting to go to Faërie, and not being allowed to. There are other aspects to this as well of course, but looking at it with this theme in mind, that is the core of the story. Ar-Pharazôn is the mortal man who desires to reach Faërie, but when he tries to get there by force it ends in his death.

The mortal visitor as the protagonist in their story is essential for this theme to work. To experience Faërie as a visitor, to enter a “dream that some other mind is weaving” in such a way, it is a uniquely mortal experience that the reader could imagine to have, but that the immortal Elves can almost never share – after all they create their realms, they are the creator of a dream that the mortal wanderer, Tolkien as the writer, and we as the reader are dreaming.

THE CREATOR OF THE DREAM

“Faërie contains many things besides elves and fays, and besides dwarfs, witches, trolls, giants, or dragons: it holds the seas, the sun, the moon, the sky; and the earth, and all things that are in it: tree and bird, water and stone, wine and bread, and ourselves, mortal men, when we are enchanted.” – J. R. R. Tolkien. On Fairy Stories.

The immortal creators are not irrelevant of course, although they cannot be the centre of any story about wandering into the Perilous Realm. The outsider experience, essential for this theme, cannot come from the one living inside the Perilous Realm. The inhabitants in Tolkien’s stories are Elves most of the time – near Woodhall, in Rivendell, Lóthlorien, Mirkwood, Gondolin, Doriath and Nargothrond. But they are of course not the only creators of such realms. Dwarves come in and out of these stories, and in the case of the Old Forest the implication is that Old Man Willow is the main force behind the spell:

“His grey thirsty spirit drew power out of the earth and spread like fine root-threads in the ground, and invisible twig-fingers in the air, till it had under its dominion nearly all the trees of the Forest from the Hedge to the Downs.”

And of course the Valar and Maiar have their part in the story. Especially Tol Eressëa and Valinor are mainly built by the Valar, and in Middle-eath the magical boundaries of Doriath were set by Melian. In moments where Fëarie is not solely or not at all made by the Elves, they may enter the dream of another mind as well. It happened when the Elves first came to Valinor, and a more personal example is Thingol meeting Melian for the first time, where “an enchantment fell on him” in which he was caught for years without moving. This is only possible, however, when Elves meet someone with a creative power far greater than them – one of the Maia or above is required.  

However, this was never Tolkien’s focus. In Tolkien’s stories, the Perilous Realm is often a place inhabited by the Fair Folk – but I have also mentioned that sometimes Faërie exists in another mode. Throughout the examples given, dreams have been an important element of the experience of Faërie, and it’s one that Tolkien also thought a lot about. In our own world, we cannot reach Faërie in our space, but it may be approachable in another mode – through dreams. This becomes especially apparent in his texts The Lost Road and The Notion Club Papers, and it was also a part of how Tolkien saw his own relationship with his work: a mortal entering a dream of Faërie.  

ENDING THOUGHTS

There are many aspects of this that I haven’t touched on, and that I would love to explore or discuss. There is for example the case of Frodo, a mortal who has been in touch with something that belongs into the world of Faërie, that he cannot properly come back: when coming back to the Shire, Marry comments on how it feels like a dream is slowly fading, like he is waking up. Frodo however says: “To me it feels more like falling asleep again.” Already, it is clear he can never fully return.

Then there is the case of reversing the idea of Faërie in the case of Túrin – he is trying to bring Nargothrond closer to the outside world so that he can use its force in war. In return, he makes it accessible and the kingdom falls. In general, it’s a fascinating thing to see Túrin’s relationships with the Perilous Realms.  

Or if we talk about dreams, what about the nightmares? Is Mordor basically an anti-Faërie, inhabited by Orcs instead of Elves, where the path leads through a spider lair instead of over a river, and where any mortal being can only end up as a corrupted slave if they stay there for too long?

What about including such an essential theme in adaptations? In Peter Jackson’s The Lord of the Rings movies, flawed as they may be at times, the experience of Faërie through the eyes of the Hobbits is notable – especially in Rivendell and Lóthlorien. Meanwhile in Amazon’s The Rings of Power, this theme is completely absent and the Elven realms in Middle-earth have no more mystery than a Harfoot camp or a random human village in the South.  

I hope I get to explore this theme more, I’ve been eager for month to write at least a tiny bit about it and it’s already way too long for tumblr again. But there are other themes that are also very interesting, so we’ll see how it’ll go…

If you have read up to here to the end I would like to thank you for your time and attention – both is much appreciated!

READ MORE ON THIS TOPIC

On Fairy Stories, an essay by J. R. R. Tolkien.

Smith of Wootton Major, by J. R. R. Tolkien.

The Lost Road, fragments by J. R. R. Tolkien.

The Notion Club Papers, fragments by J. R. R. Tolkien.

Faërie: Tolkien’s Perilous Land, an essay by Verlyn Flieger.

A Question of Time, by Verlyn Flieger.

QUOTE SOURCES

J. R. R. Tolkien. On Fairy Stories.

J. R. R. Tolkien. The Lord of the Rings.

J. R. R. Tolkien, edited by Christopher Tolkien. The Silmarillion.

J. R. R. Tolkien; edited by Veflyn Flieger. Smith of Wootton Major ‘Extended Edition’, Smith of Wootton Major essay.

J. R. R. Tolkien, edited by Christopher Tolkien. The Lost Road and other Writings, Quenta Silmarillion.

[conkers-thecosy]

Ohh, they all sound so good, could you share about "The Prince and the Botonist" please?

Hullo! 💛

Okay, so The Prince and The Botanist is a murder mystery/romance! I started writing it last January as an original story. Here's a snippet!

“Tea?” Dante asked after a long moment.  “Thank you,” Lucien nodded. “Was that all you wished to say to me before we begin?”  “Actually, there was something else,” he admitted, organising the cups and saucers with slightly shaking hands. “There’s something I’d like to ask of you, if I may.”  “You may ask,” he said noncommittally.   “My students are all commoners, you understand. They come from poor homes and poor families,” Dante explained, lifting up the teapot and starting to pour, but missing the cup and splashing into the saucer slightly.   Concerned he might scald himself, Lucien nudged the tea tray a little so that the tea was squarely in the cup. Dante’s eyes went wide in surprise, and he stared at the now cleanly pouring tea like it was somehow extraordinary.  “Yes, I understand,” Lucien said, when no further comment followed. “Local families from the lower city, I’m told?”  Dante poured the second cup without saying anything, this time without spilling any. He then replaced the teapot, and picked up the cleaner of the two cups, offering it to Lucien politely.   “It’s important that they feel comfortable here,” he continued, then offering Lucien milk and sugar, which he silently refused by holding up his hand. “Which is why I ask to be called by my first name only.”  “Lord Dante,” Lucien began, picking up a teaspoon and gently stirring the fragrant, hot liquid he had been served. “I can’t possibly…”  “Your Highness, I really must insist,” the younger man said firmly, some of his original energy returning. “At least within the confines of my home and gardens, I would ask that you call me Dante. We’ve all worked very hard here, and overcoming the fear they had of me simply for our various backgrounds has sometimes seemed insurmountable. I will happily answer any questions you have, I will cooperate with you and your enquiries of course, but I will not have my students and apprentices disrupted.”  Lucien turned this over in his mind, slowly considering his words. It would be a breach of protocol, certainly, and to him it felt hugely disrespectful, especially to a young noble of his standing. Still, he had to admit that what Dante said made a certain amount of sense, and to request it only within his own home was a fair compromise.   “Very well,” Lucien agreed at length. “However, I must stress that you continue to address me as a Prince of the realm, no matter where we are.”  “Oh of course!” he agreed readily, as though that hadn’t even crossed his mind. “I wouldn’t dare suggest otherwise, your Highness.”  Lucien nodded. There was a moment of silence again, and Dante offered him the plate of biscuits without a word. He maintained the quietness, and accepted one graciously.  “That was all I wanted to say,” Dante told him, taking a biscuit for himself and sitting back in the wide, winged chair. “Thank you for hearing me out.”  Lucien sipped his tea and was immediately intrigued by the delicious, floral taste. The tea was a pretty, bright yellow, and somehow tasted of sunshine. 

Thank you for asking about it! It's a little over 50k words right now, and I'm toying with the idea of rewriting the plot as a bagginshield fic! (I deliberately chose this passage because it reminded me of Them a little!)

Thanks so much for asking about the project! I hope you enjoyed my answer!

Conkers 🌰

WIP List Here

[henrysglock]

Mothergate: Time For Some More Horrifying Science Facts

Because all love my horrible science facts <3

We’ve discussed the history of uterine transplants, and pinned down that it’s 100% possible with zero suspension of disbelief. Uterine transplants were attempted in 1931 most notably with Lili Elbe, who died of immune complications, not complications of the surgery. The first successful kidney transplant, however, happened in 1954, which puts us perfectly in the realm of reality (again, without any suspension of disbelief).

However, something that had been stumping me for a bit was the fact that egg freezing and IVF didn’t really show up in the medical community until the ‘80s. So, I decided to look a little deeper into the history of the subjects. Here’s what I found.

IVF:

Though the first successful human IVF procedure happened in 1978 with the birth of Louise Brown, experimentation with IVF dates back to the mid 1930s.

(x)

However, there was success in rabbits in 1959.

This has been confirmed by multiple sources (x)

Rabbits. 1959.

(and in Brenner’s Encyclopedia of Genetics, no less 💀)

Here’s why I care more about early success in animals than I do about the first successful human cases:

1. Brenner has no code of ethics, which is integral to the medical community at large. That’s why procedures takes so long to get put into practice. Brenner’s whole thing is no-ethics fringe science. He cares about what is possible, not what’s right or safe.

2. Henward directly refers to both himself and El as being “animals” in Brenner’s eyes. Thus, animal trials are on the board.

3. The rabbit scene, 1959.

Not just the fact that it’s a trapped rabbit in 1959 associated with Henward, but that Virginia (removed/from a distance) and Alice (directly) are associated with that particular rabbit.

In fact, the gutted rabbit is most heavily associated with Alice, which feels like a tie to Mother Alice being described as being cut open in the Indianapolis Gazette (she was compared to a deer, but the “torn open” part remains the same).

So organ/uterine transplants and IVF? ✅ In the realm of possibility both in reality and within the bounds of Stranger Things.

SEX CELL FREEZING:

Sex cell freezing began in 1949 with the discovery of glycerol as a cryoprotectant. In 1950, scientists began freezing various sperm samples and found success in the process. Egg freezing, however, wasn’t successful until 1972, when Whittingham/Leibo/Mazur perfected the slow-freeze method in mouse eggs.

Now you might be going “but James, that means it can’t have happened back in 1959, and that dismantles your whole theory”…Not necessarily.

Bear with me for a second. We’re talking about Hawkins National Lab, a lab on a TV show about a fictional town with kids who have superpowers. We’re talking about the lab that developed NINA, the lab that developed Soteria. 1972 is just 13 years after Henward was stolen. That’s when it happened in real life. We’re in a fictional universe. IVF and egg preservation were dreamed up by Huxley in 1934 with the release of A Brave New World. Suspend your disbelief for a moment.

Could it happen? Abso-fucking-lutely.

Hell, Henward directly equates both himself and El with lab rats in Brenner’s eyes:

Rats -> Mice? Same difference.

All this to say…the science of it?

Henward’s monologue also uses scientific terminology associated with breeding programs:

In which backcrossing with parents is a common practice:

As is performance testing of offspring to determine the best new reproductive candidates.

Paired with the in-universe references…This is all within the realm of possibility.

[kovacs-of-courage]

Odd Company

There will be a day, that despite all of Legend’s groveling and pseudo frustration, in which he’ll come to terms with the odd quirks, and frankly bizarre habits of brothers.

Today was not that day.

They were deep within the bowels of a temple, what Legend assumed used to be a place of religious reverence. The crumbling statues, chiseled with their hands clasped together in prayer, which were placed around certain sigils of the golden goddesses gave him that guess, and the biblical-esque commandments that littered the floor. 

They’d decided to split up at the entrance, to cover more ground. The temple was built into the side of a mountain, its entrance made in the bust of a mighty warrior ages past, or maybe ages future?  Legend gave up on trying to tell what timezone they were the moment that Valor tried explaining to him the common history of his era. 

Once inside, Legend offered to handle the higher floors, which got a raised eyebrow from more than a few of his brothers. He typically liked to be in the front seat of whatever danger they might be facing, so the idea that he wanted to head topside, where there’d be less traps and less monsters, stuck out to them. Legend had his reasons, like how most of the locked doors and sealed chambers that these types of temples contained tended to be on lower levels, and the keys to access them tended to be located as far and as annoyingly away as the architects thought possible.

Before he’d gone up the stairs, Traveler volunteered to go with him, if only so he had someone to watch his back. 

Legend appreciated that.

What Legend did not appreciate, was what Traveler was doing now.

“Y’know I’ve heard people say that licking these things lets you commune with the gods, but you have to boil them first.”

Legend, arm deep in a rusty, dusted chest, froze for a moment, if to contemplate what in the golden realms was Traveler talking about. He sprung up from the chest, and turned to see Traveler holding--

Was that a frog?

A luminescent, red spotted frog was held in his friend’s hands. It glowed brighter and hotter than any lantern, Legend could feel the heat radiating off of it’s bumped, textured skin like it was coming from a campfire. He didn’t know how Traveler was holding it, visibly excited no less.

“Let’s not do that, and seco-wait, wait, who says this? Who are you talking about?” Legend asked, more confused than irritated.

Traveler made a pondering hum, thinking over his experiences. He put the frog under his armpit, much like how a student might carry their book bag, counting on both his hands.

“Well there was that old man selling potions outside North Castle, and he told me that right before Zel--Dawn had to detain him on charges of alchemy without a license. That was a shame too, because they were good potio-”. “Oh so the illegal chemist told you, and now licking random animals is fine.” Legend said, cutting him off.

“Don’t get on your high horse here, you catch bees as a hobby, beekeeper boy.” Traveler retorted. “Oh?!? And that’s weirder than the animal licking? Name one other person who says licking frogs is a thing you should do.” Legend exclaimed.

“Fine, I will! There was a pastor in Saria that had them as home medicine for common diseases, and they worked fine.” Traveler said. “So that's a weird pastor, and the illegal potion dealer- fantastic track record.” Legend said.

“So when you meet old men in caves and woods, what they say is “advice” and “tips”, but when I take advice from strangers, it’s bad?” Traveler inquired, a hand on his hip. At this point, Legend’s head was in hands, in disbelief he was having this argument. “Oh Nayr-YES, YES, because I don’t just go with every random hint I’m told! I think critically about it.”

Traveler shook his head, still holding the frog under his other arm, who was strangely content in watching them fight.

“Nope, no, nado pal. You told me that the magic powder in your pouch was from gathering mushrooms in lost woods for a witch, how is that any different from the potion seller, and the frog.” Traveler said.

“Well she didn’t get arrested for one.” Legend shot back.

“How is she going to get arrested if Ganon had driven the royal family, and the actual government, into hiding?” “That’s semantics!” Legend said, crossing his arms.

Traveler didn’t respond, as a set of stomping footfalls up the stairs at the room’s entrance grabbed their attention, they both readied their swords in an instant, preparing for whatever monster had come to check on the noise.

“What are you two TALKING ABOUT”

It wasn’t a monster, and for some reason, Legend wished it was.

Wind stood in the doorway, a scowl painted on his face. 

“We can hear you from the basement, you keep screwing up Twi and Wild’s timing on a puzzle.”

“We thought you two were in danger.”

Legend was unabashed, not turned away by Wind’s anger. He wasn’t leaving this without proving his point, so help him Din.

“Oh Traveler’s is going to be, REAL soon if he goes through with what he was doing.”

Wind whipped to face Traveler, and noticed the frog, and his expression changed to one of sudden realization.

“Oh were you going to lick that? You know you’re supposed to boil them first?” “For the LOVE O-”

[shiftingdiariesofophelia]

I see people saying you can't teach a character that's fictional in this reality to shift here. Is that true? Like I wouldn't be able to go to a marvel dr and teach Thor to shift to this reality. Is this true?

Well- see, it’s complicated. (sorry.)

So- shifting realities. Your current reality/the sort of “timeline” that this one is in is theoretically constantly changing. However, it is always cohesively changing. Small changes occur and create branching realities. But our universe, or infinite set of universes this current version of reality resides in, has pre-established rules within the realms of what’s possible. We shift all the time. But only to places our subconscious seems “possible,” aka a set of i fire universes that will always follow the same rules and where we live the same lives.

So- for example, humans will not miraculously be able to fly tomorrow in this current reality. Because this universe has laws of physics that prevent that. But, an entirely different reality within a different set of universes- humans flying is already possible.

Our consciousness knows familiarity and typically only shifts us to adjacent realities with minor, insignificant changes every moment. Giving the appearance that we’ve never left our “original” reality. Taking us to reality after reality where it feels as though nothing has ever changed. Because that’s what the human consciousness does.

But the act of Shifting is changing the rules in a sense. Reaching out to farther, much different realities than our own, and connecting to our consciousness there.

So, could you bring Thor back to “this” reality, for example? No. Because he does not exist in this reality. There’s a common misconception that infinite reality = every reality. There are infinite realities where Thor exists. But this does not make up EVERY reality, including our own concurrent adjacent stretch of realities. He exists an infinite amount of times, but he is not everywhere, if that makes sense. The whole idea of infinity is truly too hard for us humans to comprehend.

YOU do not exist in EVERY reality. But you DO exist in INFINITE realities. Because there are, literally, infinite realities. There is no cap, no end. You might not exist in one specific one- but you exist in infinite others.

But- you could in theory teach Thor to shift to a similar adjacent reality that’s exactly the same as this one, one where he just simply does exist. It will not be your “original reality” by any means, since you’ve gone and “scripted” him into the reality. But it will have the same people, same problems, and will be extremely similar to how you perceive this one.

Shifting as far as infinite reality theory goes is very, VERY complicated to explain. Basically- anything is possible in the infinite, but not everything is possible in every instance. I’m sorry if this is more confusing than informational. I’m really trying here lol.

[fideidefenswhore]

8, 6 & 22 ;*

common fandom opinion that everyone is wrong about (8)

hmmm, AB as heartless and/or 'petty' (she could be petty, tbf), and/or her ruthless acts deriving from 'pettiness', specifically. if anything, too much heart, if such a thing were possible. she might well have threatened cromwell even before that sermon (as, according to chapuys, she did), but in all likelihood this was to prevent 'strong thieves of the realm' from being the primary beneficiaries/ enjoying the windfall of the reformation. most (not all) of her ruthlessness was tied up/from heart&soul, not 'pettiness'. even her least-sympathized, least-excusable ruthlessness, towards catherine and mary, can, as elizabeth norton argues, be attributed to/as an extenstion of/ the protection of her daughter.

also, the tudors (showtime) in general. people seem to have either had a collective eternal-sunshine moment or they watched some version of the show not available to the general public (coa never acknowledged henry's interest in anne? the more you know.)

and becoming elizabeth, lol, 'abuse of thomas seymour aside' when that was almost the entire show. you cannot 'set it aside'.

which ship fans are the most annoying? (6)

mary/chapuys. like the petyr/sansa of the tudor fandom, except at least petyr/sansa enjoyers acknowledge the ship is dark, rather than the achingly tooth-rotting fluff they put out.

also the historic aspect just seems very...wishful-thinking, i guess? chapuys as the white knight, protector, when all chapuys really was, in the end, was someone that gave her false hope and promises/ed (escape, reinstatement) what was ultimately not within his power, and/or diplomatic skill/pull, to grant. she does seem to have really relied on him 1533-36 but shortly thereafter she didn't speak with him much anymore, which is always a choice that is attributed to henry to infantilize her (she can never make an independent choice, it must always come from fear, this woman that was by all accounts, quite brave and didn't suffer fools) and conveniently, as always, villainize her father, to never acknowledge the possibility she might simply have just been disappointed/become disillusioned with/by chapuys; or it's attributed to the exeter conspiracy, ignoring that mary distancing herself from chapuys happened beforehand.

according to his own account, his last conversation with mary was brief, she said what she was expected to say, typical of the by-the-book political niceties (thanked charles v for his good wishes towards her, said she had no power to repay charles v for the same—if not humble equivocation, this sounds more bitter and biting than affectionate—and would pray for her cousin's health and prosperity), and she excused herself early into their farewell by saying she didnt want to detain her fifth stepmother ("appeared unwilling to prolong the interview"). certainly nothing that suggets the wistfulness, nostalgia they feel was 'due', nor the fervent affection and gratitude they assume, nay, insist, was there, but denied, for mary as much in the 1540s as it was in the early to mid 1530s. all considered, mark this as a self-insert ship of sorts, an AU that is not acknowledged as AU.

your favorite part of canon that everyone else ignores (22)

what is 'canon' in this context, lol.....

nothing is my 'favorite' but there are certainly commonly ignored home truths about this era:

either that there was never an english uprising against AB as consort (despite the constant dire predictions), but was for philip ii as consort, or that the house of commons took the oath of succession (1534) without dissent.

[materialistvampire]

for the system hc ask game: 3 7 8 10 18 21 & 23 with kudan <3

Wow beloved mutual I wonder how you got the impression this is a thing I have thought about in depth?

Answers below the cut because this is long.

3. Do they have a collective system name? If so is there a meaning behind it?

I feel like that would probably be a point of contention for them, honestly. I think that's something Kudan would be adamantly against, because she's very concerned with public perception and she strikes me as the type to view that sort of thing as... For lack of a better word, kind of cringe-inducing. I think she'd prefer to be subtle about it in general. Yu seems like the type to come up with one, but to be honest I don't think she really cares much either way and wouldn't wanna fight Kudan over the matter.

7. Is there a particular topic they disagree on a lot? (Ie what to eat, what to wear, what music to listen to, ect)?

A lot of things. I think, as a system, they generally try to intentionally distinguish themselves as individuals from one another, because all of the headmates share in common the fact they're extremely willful people who would hate being seen as anything less than distinct people so, they tend to have very different preferences.

That being said, I think there's a certain mutual understanding between them because of this to let whoever is fronting basically do what they want as long as it's, not actively against the interests of the system. If they're doing something together they usually have to talk it through first.

8. What is their headspace like?

I think they have separate rooms, but no real "interim" space - they go between each other's if they wanna visit. I feel like Yu Ushizawa read a lot of fantasy novels as a child and internalized that heavily so she'd have a sort of like, dreamy castle type area. Kudan might have her own separate study room that's more Victorian inspired, has a lot of books, not actually super high tech despite what you might assume from her outward interests.

10. Do they have a collective gender or sexuality? Are there any alters who’s identities contradict this?

Staying closer to canon stuff? Yeah. I view Kudan as like, lesbians tbh who are IRL closeted about it due to familial pressure reasons, and I'd say that's true for Yu as well. Straying further into headcanon territory... I think while they may have other alters who wouldn't share that, since they're stealth about it, they wouldn't really discuss it openly unless explicitly asked. Think Yu having a male alter is well within the realm of possibility though.

18. Do they have any other disabilities?

Hilarious thing for you to ask me about the canonically disabled character.

Besides that, I feel like she's got some type of neurodivergence going on, but besides a fairly obvious case of C-PTSD, it's hard to say. I don't think any of them are the type to self-diagnose, as Kudan's scared about stigma and Yu dislikes the medical/psychiatric framework too much.

21. What are their protector(s) like? How do they protect the system?

*staring at the camera* Kudan social protector vibes. No I am not elaborating on that because I would be here all day but ANYWAYs it's real to me sorry.

23. Have they ever had a host change? What was that like for them?

I think Kudan probably became the primary host when they were around 12-13 after Yu went through All That. Kind of in my mind Kudan existed for sometime before that but after all of the trauma surrounding her Dad, Yu sort of, withdrew from the outside world and Kudan took over essentially in order to "fix" things for her, and then steadily over time became dominant to the point where she's in extreme denial.

(Side note: I think the name Kudan is something she comes to associate herself with later on, after being forced to confront all of the System Stuff, and also to put some distant between herself and Yu because she has... Issues)

Anyways yeah TLDR I am Insane about them and also Protector Kudan is so real to me sorry <3