#i dont like heroes

[tackletofset]

People acting like Will isn’t Sarcean and is simply corrupted by his spirit clearly don’t understand these books 🤣 the moral is about how mistreatment of someone can turn them into a monster, and how historical revisionism can morph the perception of someone who may be otherwise innocent. All of Will’s goodness comes from Sarcean and I think people are missing that in their “Sarcean is the devil” idea of the story. Will being good and Sarcean being bad are two concepts that cannot coexist.

👆👆👆

Perfectly worded, thank you!!!!

People who view Sarcean as "the devil" corrupting the innocent Will always emphasize Sarcean's "crimes," which have yet to be proven, while whitewashing Will's clearly self-serving agenda that we see on screen, claiming it's all "for the sake of good." But how can they be so sure that Sarcean's actions were never, in any way, "for the sake of good," especially when the narrative has always been shaped by the propaganda of his enemies?

Then, they twist our words into "making Sarcean a morally good hero," because they can't fathom that anyone would root for a villain.

Which is why I really don't need Sarcean's motivations to be altruistic. A self-indulgent revenge is good enough for me. 🤣 Pacat did say it's empowering for queer people to embrace the monster role assigned to us by society, and I'm all for it.

However, if there indeed was a devil, it should be the Lady. The name Lucifer means "lightbringer." 🤣

[aphel1on]

i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good

[clawz-loopz]

They haven't even kissed yet. Somebody save them

[ganondoodle]

then perish.

[massiveladycat]

leo shouldve learned how to cope with his trauma and his need for validation instead of rick slapping a girlfriend on him and calling it a day. in this essay i will-

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[vriskan8or]

let her go

[uncharted-constellations]

The entire ALBW team

Links about to become Lorules #1 hytopian fabric exporter

[cottelini]

tiny bkdk doodles💚🧡

[evelynpr]

Congratulations My Hero Academia for providing, possibly, the biggest and longest legit straightbaiting yet in shonen history.

Bonus points that their final chapter was released on yaoi day.

[inbabylontheywept]

Soviet Birds.

The secret facility that I work in has holes in the ceiling. We don't know how to get them fixed.

We tried asking the government to fix it, once. We told them that the holes in the older parts of the facility had gotten large enough to fit birds through, and that birds were getting through, and that, perhaps, a Soviet Spy could fit through as well.

After all, it is well known that Soviet Spies and pigeons are approximately the same diameter.

Our hope was that that this vague and nonsensical threat would put a little fire under Uncle Sam's feet. If the fed couldn't be bothered to give a shit about the giant gaping holes in the roof of our facility, perhaps they could be persuaded to give a shit about... Soviet Spies.

This attempt at manipulation 100% blew up in our faces.

See, the government does not need to be persuaded to give a shit about Soviet Spies. It still wakes up most nights, drenched in cold sweat, terrified and confident that a Soviet Spy is hiding in their nightstand. If it sees a rock on the ground, it flips it over, pistol drawn, ready to shoot the Soviet Spy it fully expects to slither out from underneath. Which is to say: The government is crazy. So when we dropped those two words - inflitration risk - in the repair request, they came in guns-a-blazin'.

Does that mean that they fixed the roof? Of course not. Don't be stupid. No, instead of performing basic maintenance, they installed a state of the art alarm system throughout the facility - lasers, sonar, the works - and told us to always be on the guard. Because of the roof holes.

Then they left.

So now we had an extremely good alarm system... and birds. Which have combined in incredibly obvious and predictable ways to produce an unending fountain of problems.

For Example: About once a month, someone gets called in by the local airforce dispatch because AAAAAAAAAAA a Spy is in the Rad Lab! We're all gonna die! Except every time, it's a bird. And I get why we have to check, but every time, the dispatcher is panicked and the person going out has to be like listen, listen: It's a bird. It's always a bird. It's been a bird every month for the last fifteen years. It will be a bird next month. All this stress? Bad for your heart.

Second Example: Sometimes, birds get in while we're actually working. And when it's in the morning, you know, it's a nuisance, and it stops testing (we are not going to risk irradiating a bird) but it's not an all-hands-on-deck situation because it doesn't take ten hours to get a bird out. But surprisingly often, the bird gets in riiiiight at closing time, and in that situation, everyone goes feral because nobody can leave until the alarm is set, and we cannot set the alarm while the bird is there, because the bird would immediately trigger it and then we'd have to stay another 4 hours to confirm that it was not a Soviet Bird.

So in order to go home, everyone's top priority is Get That Bird. And we have a system for it.

Step 1: The test stands tend to be located in rooms with 30+ foot ceilings. We can't catch birds in places like that - so we have to lure the bird into the relatively low ceilinged (8 feet only) upper offices.

We do this by turning all the lights off in the test rooms, then putting floodlights by the exits. I don't know why this works - some kind of evolutionary brain fragment shared by both Bugs and Birds - but work it does. The birds almost always follow after the lights. From there, it’s just two guys moving the floodlight and a third guy to turn off the lights.

Step 2: Everyone else has been waiting for this step. There is this long stairway up from the basement level into the offices, and in the final stage, the floodlights are brought to the base of the stairwell to bring the bird up. At the top of the steps there will be a group of tennish people, waiting for the signal. The light guys will set up the final transfer, everyone will tense, and then, swish...a bird will flit up the stairs and into the offices.

It's like watching werewolves on a full moon. Before the bird cometh, we are engineers. Nerds. Pale and skinny things, trembling under the fluorescent lights. After the bird, we are beasts. Feral, gnawing things, glowing under the orange sunrise of the 70's halogen floodlights.

And like all beasts, we cannot help but give chase.

Step 3: The were-engineers begin the hunt. The goal at the start is not really to catch the bird - just exhaust it. So the pack simply does not relent. Because the stakes are going home on time, the group is basically given free reign to go anywhere in the building. If someone's door is open, and the bird goes inside, they're going to have to deal with ten sweaty panting maniacs leaping around their office. They don't get to say that they're busy, or remark on how all this movement is a terrible distraction. They are allowed to sit in silence during the chaos, and perhaps thank the war party for chasing the bird while they sat comfortably on their ass. This has been explained several times, and it will continue to be explained until cooperation is achieved.

Anyway.

The chase can go on for quite some time. Sometimes, the bird will get tired and find a crevice to hide in, where it can then be reached through standard cornered-bird catching techniques.

Other times, it will slow down enough that someone can actually yoink it out of the air. But this will go on until someone catches the bird and triggers Step 4.

Step 4: The Finale. This is the get-the-bird-out-of-the-building stage, and it requires someone to adopt a specific role: To Become the Sacrificial Vessel of Bird Removal.

This job is both coveted and feared. It's coveted, because holding a wild bird in one's hands is a precious thing. To feel how small, and fragile, and scared it is, only to free it from the building? That is what it's like to be a benevolent God. But the cost! Oh, the cost. The entire time the Vessel is in motion, the bird will be biting the hell out of their fingers. And I cannot emphasize enough just how painful bird bites are. Their entire face is a set of needle posed pliers, and they know tricks the even the cartels haven't figured out yet. So there's always a little hubbub about who shall be The Vessel while onlookers, stranded outside The Office of Bird Capture, can only look on. Quiet arguments and pleas are heard, little fragments of fear and pride and glory trickling out of room like the silver dust left behind in a bag of well shook quarters. The sound of concensus is silence, and the argument will go on until that's all that's left. And then, from the darkness of the final office, the chosen sacrifice will step forward: Hands gently cupped, tears streaming down their face, fingers trembling from the pain of the ongoing bird chomps.

And this scene is what organizes people. Not leadership, not truly. No one can think and coordinate a crowd while their fingers are being attacked with a combination nutcracker/ear piercer. But the crowd sees the suffering of their annointed, and it is driven to do everything poossible to make the process flow. People instinctively flair out, finding the fastest path outside. Doors are held open. Paths are cleared. Someone, somehow, always knows the way forward and can describe it to the sufferer. Left, left, forward. Corner closet. Yep, there's a hall in there. Forward. Two-hundred more feet man, you're doing great. Just hold it together a little longer. You're killing it.

Then the final door swings open, and the bird flees out into what remains of daylight. And yet, even here, the deed is not yet done. I cannot explain it in words, but the crowd that helped is never content until they can see and speak on the Bird Vessel's wounds. They all have to pull the fingers back and see what was given. Estimate the price: One day to get better - No, three - No, a week! Are you blind? Do you see that blood blister? -Yeah, that's not going away anytime soon - Damn, can you believe how feisty those things are? Like wolves without teeth.

(They cannot help but touch as they go. It has always been this way. Even Thomas was not content until he felt the wounds in Christ's hands.)

Only when the last of the helpers has seen, and commented, and commended, will the engineers scatter. It is their return from the underworld that announces to the sun living surface dwellers that they too can go home. (@somerunner tolja it needed to be a post.)

[drawnfamiliarfaces]

Heroes of Millennium (HoM) AU

Act 1, Omake 1 (Extra): Master of Time - (here)

Act 1, Omake 2 (Extra): Barrier Team. - read here

Act 1: What was left behind. - read here

[corruptimles]

nooo venture dont investigate the enigma of amigara fault nooooo

original version:

[attractthecrows]

let it also be said that I love the Mahariel + Lavellan worldstate. It's so haunted. You are Dalish, you are not a part of human culture, but by happenstance you're dragged into it and to the forefront of hell to save a world that hates and fears your people. You have no choice. You can never return to your home, to the familiar, to anything you've ever known. You will be an echo; Mahariel echoing Garahel, Lavellan echoing Mahariel. You're so proud of your Dalish heritage, but your identity doesn't matter at all. Doomed to be a martyr for a people that do not respect you and cannot understand you, while your clan mourns, lamenting that they cannot bury you, no life-tree to stand as your memory. You're a hero. You're already dead. You died the moment you left your clan.

[irinangels]

✧ dabi x reader

⋆ content: bf dabi, domestic kinda, suggestive, fluff?, basically just dialogue, smoking

the sunlight seeps through the sheer curtains in the apartment and the clock ticks every second quietly. it's late morning.

yawning, you open your bedroom door and step out into the living room.

dabi's already awake, standing outside on the veranda with a cigarette between his lips. "g' morning," you mutter, peeking your head out to talk to him. "ah, finally awake, sleeping beauty?" he replies, exhaling a puff of smoke and taking the cigarette in between his fingers.

"yeah. did you eat breakfast?"

he turns his head to look at you, "i'm havin' it right now.'

you scrunch your eyebrows, "you can't have cigarettes for breakfast."

"i can."

"you need to eat real food."

"nah."

"dabi," you deadpan, running a hand through your hair.

"fine, then i'll just pour myself a cup of coffee." dabi responds, shrugging. you watch in exasperation as he puts out the cigarette and reaches for a new one, lighting it again.

"you can't have cigarettes and coffee for breakfast," you say, frustrated.

he chuckles, "oh, but i can."

you click your tongue, "why are you so stubborn? i'm gonna make us breakfast and you're going to eat it."

"nah."

"dabi--"

"fine, you really want me to eat something?" he asks, dropping his cigarette to the ground and stepping on it.

"yes, i do. you need to stop skipping meals," you chide.

dabi chuckles, stepping back indoors and closing the veranda door. "you're so sweet n' cute, looking out for me."

"alright, fine, if you insist.." he trails off, approaching you with impending steps and a smug grin. "--then there's only one thing i have an appetite for."

you falter at his sudden close proximity. you open your mouth to speak, but a sharp gasp escapes instead when his hand suddenly reaches forward and cups your clothed pussy.

"if ya really want me to eat a proper meal for breakfast, then spread your legs for me, girl."

[sea-buns]

it wasn't that long ago that i was in a high school math class and yet my eyes have never glazed over faster. i was good at math. i enjoy math. you want the fucking train question? in two minutes? omg i didn't know you were so funny haha