#i dont know there is just a part of this show that makes me think about my mind

[horrorslvts]

chris doesnt know how to change a tire 🤍

nsfw: car nsfw, no sex, switch chris and reader, female reader, breast play, making out, sweat, cum, fingering.

awful idea.

all of this was an awful idea.

you and chris wanted to celebrate him getting his drivers license by going on a trip to the beach with matt’s car. however, you didn’t think about the chance he would demolish his brothers car on your way back. now? youre wet, hot, almost dehydrated and drenched in your own sweat and salt.

you watch as chris tries repeatedly to turn the engine again and go somewhere, anywhere, but the car is limping more than you after a good fucking on a sunday night. you look over as the brunette goes out of the car, an after a few seconds comes back in the car hitting the door behind him.

“what is it?!”

you tell him loudly, on the verge of choking him with your own hands.

“flat tire!!”

he yells back at you and puts his hands on the wheel, allowing his head to fall between his arms. your eyes trace his salty and glued-together locks, and momentarily you want to grab them and rip them out his head from anger.

“you dont know how to change a t-“

“no y/n i was half asleep when matt was showing me that!”

chris rises his head from its hiding spot between his arms and looks at you with a pissed off expression.

“oh my god chris! how did you even get that damn license anyways-!”

you throw your head back as grunts are exchanged between you two, and you feel the sweat beading on your temples and making a beeline towards the veins on the side of your neck. you fish your phone out your denim booty shorts pocket and send a message to matt to come here asap.

“jesus christ it will take him like half an hour to get here-“ chris whispers beneath his own heavy breath as if you chose the worst possible solution to this mess.

“i know-!”

you officially decided it, your best friend is an absolute idiot and there was no explanation for it, he had been this way even before the almost heat-stroke you two were going through.a few seconds of silence make you sigh loudly.

”you good?” chris asks looking off into the distance of the sunny hill as he turns on the ac.

“just dizzy..”

you say back at him in a low, tired voice. you despise being hot, its your personal nightmare fuel. you lift your hand and place your fingertips in front of the car ac to cool your limbs down.

chris does the same and after half a minute of his hand getting chilly, he places it on your inner thigh in an attempt to cool you down and wake you up by snapping you out of your slumber.

“holy fuck chris-“

you let out with a gasp that was almost leaked out of a porn category, more so to the feeling of a large hand gripping your inner thigh than the temperature of his skin itself.

“shut up, you need to cool down.”

he says and looks ahead at the rocky landscape, his hand still tightly holding your soft salty skin.

you sit back on the car seat and cross your arms as you let him do his thing and look to the other side trying to hide the red blush across your cheeks. at worst case scenario, if asked you could blame it on the heat.

his thumb starts rubbing circular motions on your skin, occasionally playing with the rim of your denim shorts. you slowly creep your eyes from out the window towards chris and your gaze immediately spots the elephant in the room. your best friend had an erection that was visible as day beneath his trunks.

“uh chris-“

”i know. sorry, its tricky having my hand on your thigh and not letting my mind go places-ignore it.” he said completely avoiding to turn his head and look at you.

“places like..?”

god, why would you audibly ask that? some times you really wish you could hold your thoughts INSIDE your head like they are supposed to be.

“you really wanna find out?”

he turns to face you, tired eyes look at you in curiosity as they creep towards your thighs and you feel your parts tingle and your heart skip a beat. your silence was followed by a tiny shrug and nod, you could feel your lower lip trembling in need.after a few seconds his lips fell agape, surprised you didn’t immediately slap the audacity out of him.

he turns his head again to look elsewhere and starts sliding his hand upwards, slowly sliding down the zipper of your shorts. you feel your breathing get heavier, warmer and even though the ac is helping, your own body temperature is now playing tricks on you.

his fingertips fiddle with the fabric of your bikini and eventually slide their way under towards your warm skin. a little gasp makes your body slightly jolt upwards as you see the slight tent on his trunks grow and hear his breathing get heavier and head lower.

you hesitate but eventually let your hand travel towards his own thigh, and slowly touch his bulge. that makes chris immediately look at you and grab your wrist with his free hand.

“y/n dont make me do something we might regret.”

“..we can blame it on the heatstroke.” you say without thinking at all.

a slight silence follows and before you know it  chris frees both his hands to move you on his lap, letting your legs spread and find their way across the car. one on top of the steering wheel and the other stretched towards the passenger seat. his hard on your ass makes your face red and you instinctively move your thighs slightly, making chris groan and place his lips on yours.

you two start kissing like animals that are fighting over raw meat.

his tongue pushes yours, and you can feel his breath on your upper lip tremble. he lets out soft moan and groans as his fingers go under your bikini again, and without hesitation this time play with your clit

“f..fuck..” he mumbles under his breath and places his head to lean on your chest. his tongue then softly runs across the salty skin and he moans softly in pleasure before pulling down your bikini bra. your nipple peaks out just enough for chris to kiss and lick.

his teeth softly play with it as he looks up at you with the neediest eyes ever, like a puppy that is begging for your attention. his lips purse around your pink skin and he smiles while his tongue runs circles on your breast.

this is so overwhelming for you that you cover your mouth and lean back. his free hand holds your neck softly from the side and you can still feel him lick your breasts.

at this point you two were posed like a large instrument and the worlds most delicate musician in the world playing with it. only that the music was coming from your throats.his finger slides inside you and at the feeling of your warm and wet pussy he gasps.

“youre drenched..” he says in pleasure with a tone that reminds you of a whine. he proceeds to continue moving his finger inside you. in and out softly while his thumb is running circles on your clit.

”fuck..chris..”

”y/n i swear to god im gonna burst on my own fucking clothes-“ he says.

you believe him because you can feel his stomach raise and then drop from his breathing, and the hard feeling on your ass is now accompanied by him softly grinding his cock across your body.

you slightly look down to see the tip of his cock try to escape the rim of his waistband, and wet precum dripping from it and sticking to his skin.that view alone was enough to make you get even more wet on his fingers and feel yourself building up.

“chris im gonna-fuck im-“

he covers your mouth with his free hand, snaking it around your neck and shoulders and you feel yourself moving your body and fucking yourself on his fingers. you hold onto his hand and feel your nipple wet from his mouth again.

in between your orgasm, you feel him stop and lean his head on you as his fingertips start losing pace.after a few seconds you feel his hand slowly release of your mouth and you hear him breath heavily.

“..holy..fucking..”

you look down on your best friend only to see his stomach drenched in white, sticky cum. his dick is pulsating letting out the last drops of semen and you both are a salty, cummed on and sweaty mess.

then, the phone rings.chris, looking defeated reaches for the phone and picks it up on speaker, setting it on your thigh.

”yeah?” he says with a shaky breath.

“uh..did you guys..finish with your business so i can change your damn tire?” matt asks in a whispered tone.

you turn your head to see him only a few feet behind your car standing and looking elsewhere.

[the-real-loser-otaku-girl]

Different fashions reddit user say is the same thing and why they are not

i cant believe this is a post i am making lol but ima clear up how these reddit users r wrong lol (pls dont harass anyone this is just for educational purposes)

Dark girly vs Jirai

Dark girly kei is a fashion that predates jirai (jirai is a lifestyle!!!) The only reason Girly kei is associated with jirai is cuz the girly kei style is what was trending when jirai became a thing. i go more in depth about jirai here

with the next sections i do not know as much sadly but i shall use the knowledge i do have and please feel to jump in!

Cutecore vs Jojifuku

cutecore 1 2

jojifuku 1 2

As we can see there is a lot of overlap. Cutecore is a style that emerged around 2020 (🩷) meanwhile jojifuku is from the 2010s (🩷)

Cutecore often has themes of spookier stuff (not always tho!!!)

Jojifuku (女児服) translates to girls clothing. the look of it is to look like youre wearing kids clothes.

(again i dont know much about these styles so feel free to correct me!)

Coquette vs Hime kei

Honestly I dont know what they are really talking about here lol. Hime gyaru? Hime lolita? Himekaji? So ill show how each one is different form one another

Coquette 1 2

Hime gyaru 1 2

Hime lolita 1 2

Himekaji 1 2

Coquette is a style thats super popular on this app (tumblr) and imo its recently gotten pretty popular. meanwhile ive seen styles like himekaji dwindle in popularity (at least from what ive seen) i think its pretty obvious to see the difference with just pictures so i wont go into a lot of detail (unless you would like me to)

yes all styles of similarities but they also have noticeable differences. Some similarities include 1. all being a more feminine style 2. all often having pink colours 3. all are fashions (and more) But some differences include 1. where/when they originate 2. the silhouette/certain parts of the look 3. the popularity (and more)

Kidcore vs Decora

kidcore 1 2

Decora 1 2

Kidcore as the name states is a more "childish" style. Its very colourful and gives off nostalgic vibes.

Decora is a style that is about decorations/accessories. You cant have a decora fit without them.

Cottagecore vs Mori kei

Cottagecore 1 2

Mori kei 1 2

I dont even know where they got the idea these were the same thing lol

Cottagecore is based around wildlife, farming, cottages, nature. it has a "rural and pioneer" vibe

Mori kei is is more earthy. The best way i can think to describe the difference without rambling is cottagecore is the ppl living in the forest and mori kei is the forest? idk lol.

Rococo vs Lolita

if anything its flipped. Rococo inspired lolita. Also there is so many different types of lolita. sigh.

If you take anything from this I hope its to do your research. And not just listen to the voices you agree with. Listen to the history. Listen to the people who know what they are talking about. Pls lmk if I can explain anything better and feel free to add on! have a good day! (also i am just one source pls go do ur own research!!/nf)

[gabberpopsexclusive]

Id love to see u do nsfw alphabet

NSFW ALPHABET TIME!! WAHOO!!

A = Aftercare (what they’re like after sex)

after sex i think hes really gentle with you tbh, he seems like he would be really sweet, cleaning you up and cuddling you after you're done, telling you how good you did.

B = Body part (their favorite body part of theirs and also their partner’s)

his favorite body part is probably his arms. he likes how perfectly you fit in them!! he swears you're just the cutest thing when you're wrapped up in his arms. his favorite body part of yours is probably your chest, doesn't matter what gender you are, the man loves tits. your tits the most!

C = Cum (anything to do with cum, basically)

is it criminal to say i think he would be into creampies? am i projecting? maybe. i think seeing his cum just pump back out of you does something insane to him and makes him absolutely feral.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

hes like unbelievably needy, and has an insane sex drive. that man can barely go a day without jerking off to you or fucking you, and there is NOTHING that can stop him from doing so. you aren't in the mood? its okay! he'll just hump your leg. anything works for him as long as he gets to feel good!

E = Experience (how experienced are they? do they know what they’re doing?)

decently experienced imo. not like hes had an insane amount of sex, but just enough to the point where he knows just how to make you feel good. he knows what hes doing, i feel like especially when hes eating you out, he knows exactly how to make you feel AMAZING while hes down in between your thighs.

F = Favorite position (this goes without saying)

i feel like hes a sucker for doggy style. but also, i feel like he really likes to see your face when you fuck, so missionary is a big hit with him aswell. hear me out on this aswell, 69-ing with him.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

little bit of both imo. like hes not too serious when hes fucking you, but hes also not too goofy when hes doing it. maybe a bit more serious because he's so focused on making you feel good while u fuck.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

i feel like hes decently groomed, not too hairy down there. i feel like his pubes match more with his beard color than his hair color (why is that so hot?) so theyre a bit more ginger-y the way his beard is.

I = Intimacy (how are they during the moment? the romantic aspect)

i feel like hes quite intimate with you when you're fucking, i feel like most of the time hes quite doting about your needs. he's typically praising you about how well you're doing and how good you make him feel.

J = Jack off (masturbation headcanon)

i feel like he jerks off to you alot (as i said) but even more when hes away from you. like when hes away from you for a while on tour, you'll get atleast 4 videos a week of him jerking off to you, telling you how much he misses you and how hard hes gonna fuck you as soon as he gets back.

K = Kink (one or more of their kinks)

i feel like he has a thing for nipple play, idk why exactly. doesn't matter if its him playing with your tits or you playing with his, he absolutely loves it either way. he just can't get enough of the pleasure it brings him.

L = Location (favorite places to do the do)

i feel like he likes more intimate and private spaces, but at the same time he'll totally do it somewhere like backstage in his dressing room after a show. depends on how much he needs you and how riled up he is in the moment.

M = Motivation (what turns them on, gets them going)

you. you get him going. it doesnt matter what you do, literally your presence will turn him on. he loves you so much he just needs you constantly! theres no saving him, hes head over heels

N = No (something they wouldn’t do, turn offs)

he may be a freak, but i dont think he'd be into piss. just doesn't seem like his thing. bodily fulids (beside cum, hear me out maybe a bit of blood but that might be too freaky) turn him off i feel like.

O = Oral (preference in giving or receiving, skill, etc.)

he LOVES giving you head but he also loves when you give him head. he eats you out soooo well, his tongue is perfectly skillful while hes doing so. he makes you cum so effortlessly when hes eating you out, its absolutely mind blowing. i also think he enjoys guiding you when you give him head, telling you exactly how he wants it and telling you how well you're doing.

P = Pace (are they fast and rough? slow and sensual? etc.)

little bit o' both, depends if hes domming or subbing imo. dom!joost seems a bit more rough and hard to me, and sub!joost seems like hes fast but gentle, just because hes so needy for you.

Q = Quickie (their opinions on quickies, how often, etc.)

he likes quickies when he needs you quickly, but i feel like he really likes to have real, slow, intimate sex with you when he can. i think he likes the connection of it better.

R = Risk (are they game to experiment? do they take risks? etc.)

he seems like the type to try anything once, and if he likes it he'll beg you to do it every time yall fuck. like the first time you pegged him, oh god he couldn't stop asking when you'd do it again, he just cant get enough.

S = Stamina (how many rounds can they go for? how long do they last?)

depends on how pent up he is. i feel like he cums like many times, and alot. he lasts a while unless hes needy, and edging him is an amazing experience. you can really see how needy he can get when you edge him.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

if you own toys, he'll use them. he doesn't strike me as the type to have many, maybe like a fleshlight for when he has to leave you for a while. i can totally see him using a vibrator on you, and vice versa on him.

U = Unfair (how much they like to tease)

i feel like he does like to tease you, especially when he's subby. he gives me occasional brat vibes, just because sometimes he enjoys a hard punishment from you.

V = Volume (how loud they are, what sounds they make, etc.)

he's loud. he moans, he whimpers, he whines, the whole nine yards. don't even get me started on the ways he praises you when you're fucking.

W = Wild card (a random headcanon for the character)

i feel like he likes subbing a bit more than he likes domming. he likes to be comforted, and alot of the time he also likes being overstimulated. subspace for him is the perfect place for that to happen.

X = X-ray (let’s see what’s going on under those clothes)

i feel like he's a solid 7.5 inches (19 cm for my international readers). his dick has a bit of girth to it, but it's not unbelievably thick. it's like, the perfect dick. there's no other way to describe it exactly.

Y = Yearning (how high is their sex drive?)

his sex drive is so high. as i've said, he's constantly horny. he'll either jerk off to you or fuck you whenever he can, he just needs you constantly.

Z = Zzz (how quickly they fall asleep afterwards)

he's zonked out as soon as you're done. like, as soon as hes done with aftercare, hes out like a light. (preferably cuddling you)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

gosh this took forever.. hope yall like :D

i am NOT proofreading this. any errors are my fault

[sludgekludge]

what are some of your most minor pet peeves with hellaverse?

this is a funny question. i like it

whining about silly things under the cut

the white on imps sometimes being scars and sometimes not throws me off because i can never tell what's meant to be subtle indications of a characters history (especially fun for bg designs imo) and whats like. a spot

i honestly think the main 3 in helluva have pretty good design synergy with each other and it makes me hate loona's design because she throws off every group shot

niffty being designed so similarly to the morningstars (stark white skin with red cheek spots) bugs me more than it should

it wasn't so bad in his first appearance iirc but ever since then asmodeus consistently gets drawn with a really tiny head and i can't not notice it

i struggle to really articulate why and this is probably dumb and snobbish of me but the form everyone gets where they get bigger and scarier being called 'full demon' just feels oddly juvenile to me. what does that even mean. full demon. are they like, half demon at their basic self? make up a cool word instead. it sounds like something i'd have written into my cool death reaper umbreon oc at age 9. i hate it. i dont even know why. it just sounds so dumb to me. like peak 'a child wrote this lore'. watch out guys im going full human (permanently injuring a muscle in my body because i stretched slightly funny while over the age of 25)

this feels mean to say but cherri's voice actor doesn't do a very good australian accent at all and it's incredibly distracting if you're even remotely familiar with how it should sound. similarly maybe it's just auditory processing issues on my end but i can't even tell what accent valentino is meant to have

his design is otherwise fine comparatively but i hate the eyes on pentious' tail. breaking up his shape and like. you slither on those. floor in your eye. at least 10 floor hairs in your eyes. i dont care if theyre just markings i hate them

remember when viv said vaggie's name wasn't vagina and then canonised her name as vagina (the only lesbian main character across both shows btw) and also instead of changing her name for real after she restarted her life from scratch she just changed the pronunciation instead of just the whole fucking name, so like clearly it bothered her just not enough to change it fully like she for some reason wanted to keep in part the name 'vagina' given to her by a misogynist man she hates-

i'm irrationally irritated that emily and sera's underwhelming. 'full angel' forms i guess turn up for a split second, it felt so weird and useless to reveal them now for nothing

in fact why is every angel we meet personally in heaven in s1 a normal humanoid even though there's a diverse variety of designs in the background. imo adam is the only one who has an excuse to just be some guy. furthermore where are st peters fucking ears. why were ears deliberately ommitted on his design and no one elses. he has no fucking ears viv

saint peter

[elainsgirl]

no cause im tired of everything.

I'm sick of people talking about gwyn like shes the most important character ever. like yall don't actually care about her. they only like her cause shes involved with a batboy which is ridiculous. ("pro gwyneth" like be so fr... we barely know anything about her??? Like I like gwyn but stop making stuff up about her and saying shes saving the world.) that girl didn't show any romantic feelings towards him, so stop forcing it. (not to mention they never talk about emerie... interesting)

why is azriel getting shipped with everyone?? "gwyn is azriel's mate!" "no, its eris" "no, its bryce" "no, its mor" "no, its rhys dead sister" I LAUGH SO HARD AT THESE CAUSE WHERE ARE YOU GETTING THIS FROM???? I bet if azriel breathes next to anyone, they will automatically assume its his mate! leave the guy alone, my gosh.

"his shadows hate elain" just shut up. like fr.

"elain can go to the spring court and be with tamlin while az gets with gwyn and lucien gets with vassa" BAHAHAHAHAH. bro i cant even say anything to this because its ridiculous.

"if az finds his real mate, he will leave elain in a hurry" BRO. why do you guys think this man world revolves around wanting a mate so badly???? yall think so low of him its weird. if he wanted a mate oh so badly... he wouldnt go for elain! get that in your dumb heads!

now with the bonus chapter (elain and az part) im iffy about it. its good at the start but rhys and az argument gave me the ick but I understand what he meant either way. I can see why people didnt like azriel here. but to call him entitled is just WILD! he wasnt wrong questioning the cauldron. like why is he having all these mate behaviors towards elain when she has a mate??? I'd question the cauldron, too. feyre was so real when she said "why not make them mates" because they lowk fit no matter what anyone says.

now this was really irks me. "3 brothers and 3 sisters is so cliche" cliche??? bestie- do you see what we are reading??? the answer to the riddle was "love" out of all things. shut up with that dumb excuse. we have never seen 3 brothers and 3 sisters yet- well I havent. im pretty sure most of you havent either. if you read the BOOKS, you will understand that sjm uses the word 3 a lot. this is just common sense, people love to twist stuff.

Now dont get me wrong, I'll go for elucien or elriel. I dont care. but these gwynriels made me dislike az and gwyn together. like I used to go along with it but now they force it so badly "READ THE BONUS CHAPTER" "DID YOU READ THE BONUS CHAPTER" "maKe suRe yOu rEad iT cArEfuLly" "he chuckled with her" "they glance at eachother" "az and gwyn are going to save the world together" "i hope nesta, emerie, gwyn and az leave and make their own court" < (I fr saw someone say something like this) sister... I literally cringe! just please stop.

btw elriels gwyn isnt evil. stop saying that.

im so sorry for this rant. it just had to be said.

lmfao the need to vent is so real. This fandom TESTS your patience at times.

I think one of my biggest annoyances with Gwynriel is the fact that Gwyn doesn’t even like Azriel that way. Instead of focusing on how far she’s come, her accomplishments etc everything seems to go back to Azriel. If you ever truly look At gwynriel theories and headcanons the focus is always on Az and Gwyn doesn’t have much of a story by herself, she doesn’t lead a story. She is a follower/tag along. I will always say this again and again: If she was that important to the point of having anything to do with the prisons, trove, TT/Gwydion she would have been introduced earlier on in the series. It’s that simple. She has nothing to do w the prison, Koshei or even the daggers/made objects. Everything about gwynriel is forced - from Gwyn and Az having feelings for each other to their plot. Barely anything of that ship makes sense when you truly start to unravel it.

Az is getting shipped with everyone except who he truly wants and thats just comical. I guarantee you, If Az interacted with any other woman - gwynriel shippers would split so fast and some will start shipping him with the new woman.

“His shadows hate elain” … why were they ready to strike Nesta all because she insulted elain? They also speak so can’t they literally just tell Az “hey man, we dont like elain”. Then part of this claim comes from the fact Elain made his shadows skitter which is something Az does himself.

I so want Elain to go to Spring and mention how she finds it stiffling/claustrophobic. Elain going to spring to live there is ignoring everything about her character and only focusing on the fact she likes flowers and by their own logic, Nesta should go to Day and Feyre to a more artistic court.

If Az soley wanted a mate and was so desperate for one - why on earth is he pining for someone WITH A MATE. It literally defeats the purpose of him getting a mate. Also its such a stilt to his character for him to want a mate and then get one. It doesn’t allow character growth and makes the idea of “mates” seem as a prize instead of this romantic connection. If he wanted a mate so badly, this man would be going after women with no mates. Not one that has a mate. The logic behind this arguement is so stupid,

Azriel’s bonus to me parallels Feyre’s whole scene where she questioned the cauldron because of Azriel. It was Sjms way of bringing it back and reminding us of it. Telling us “look! Another character is doubting elucien’s bond! Why is Az questioning the cauldron” etc. The only part of Azriel’s bonus where I got the ick aside from his and gwyns’ awkward conversation- is when he said Lucien doesn’t deserve Elain. I get where that statement was coming from but he isn’t someone to decide who deserves who. This is what doesn’t make sense: antis call Az entitled for simply WONDERING why Elain was given to Lucien, he hs made no move to break elucien up. He hs not forced anything onto Elain. He doesn’t dictate or control her interactions with Lucien, the fact he hadn’t planned a future for them either all show he is far from acting entitled. But eluciens needed a way to make Az seem bad and lucien better hence why latched onto this argument when it doesn’t make sense given what we know about Azriels character, his thoughts, actions and what he said in the bonus.

“3 sisters and 3 brothers is cliche” whilst reading a romantasy series ( a genre filled with repetitive cliches) by an author who claims to be the queen of cliches. Every single fated mates ending up together? Cliche. Omg the trainer and his trainee fell in love? How unique. Its not like that is also a popular trope. I cannot give you any book/s in which 3 sisters end w 3 brothers, I however can pull out multiple books with the fated mates/warriors/trainerxtrainee tropes.

Too bad. Mass loves the IC - There is no reason why Nesta/valkryies and Az would go to another court. Wait - but the night court is Azriels home. Its where he belongs, unlike Elain who has to leave…but now they want Az to leave too? One thing you can trust antis to do is be consistent with their inconsistencies. Honestly, I was open to the idea of gwynriel but genuinely none of their theories or HCs make sense. In a general sense gwynriel is a good ship sure but you can generally ship any two characters together from the series. It doesn’t mean it’s happening & they’ll be endgame.

Gwyn definitely isn’t evil. However I do think she has the potential to become morally grey which im all here for.

[nalyra-dreaming]

Hi, I have some loose thoughts, and I would like your opinion, I know that in the books everything is about Lestat (and that the series will be more about him and Louis) but I really hope that doesn't happen in the series because I always ending up hating the characters where everything is about and for them, and i want to keep liking Lestat! it's simply annoying, I would like the series to explore the history of the four characters, I think it would be much more interesting, I also think that people aren't really analyzing Armand and his relationship with Louis properly, people tend to think that Armand controls Louis 100% of the time and the writers and Jacob himself have said that they wanted Louis to have some agency, for example, when Armand suggested new art for the wall, he suggested colorful art and people insist on saying that Armand keeps him in an prison, controlling everything in the apartment, leaving everything dark, I don't know, when at least for me Louis is doing this, because he is unhappy and in a way, he wants Armand to be unhappy too, they are both not with who they want to be, and I think Louis must have really asked Armand to make him forget the first interview because he was no longer able to deal with the guilt about Claudia and Lestat and he didn't really want to try to commit suicide again, but Armand, in order to keep the lies going, had to keep controlling his mind, so he kept increasing the control until he reached a point where he didn't even wanted (obviously i dont know, just especulating) but he didn't know what to do, because I think Armand loved Louis in some way. I also don't see people talking about the fact that Armand thinks that Marius, who is older and more powerful than him, died at the hands of other vampires (who I think were younger than him, I don't remember) so why not they believe that Armand really thought that the coven could kill him, if they were focused, we know that he could have prevented it but I don't think he knew that...anyway, I think we have to listen to what Armand has to say, because until now we only know about lies and omissions that he told, we don't know what was really happening or what was going on in his head until this moment. Sorry, because it's a lot and english is not my first language!

Hey!

Not everything is about Lestat :), but he is the narrator of a lot of them, and is part of the story in most :) Given the books Rolin said he takes from (already) makes it clear that he focuses on the Loustat/Lestat centric books, which carries obviously repercussions for the show. But that just as a note :)

I do think, and I just said this in another ask again, too, that the show is built on the big four, namely Louis, Lestat, Armand and Daniel. These are the corner stones they chose, and the rest of the relationships and stories will revolve around them I think. But... Lestat will stay, and, well... he will be very prominent in the upcoming seasons, let's put it that way.

I... have an idea for when Louis could have asked for his memories to be erased, but I don't think he would have asked Armand. I mean, this is the guy who keeps the stones in his ankles as a reminder. I don't think he would willingly choose to lose the memories, no way. There might be ways to make that statement true, story-wise, but if it is, there is a LOT more to it.

Armand had to constantly readjust Louis, that is no speculation, that is something Assad has said :), and that is clearly visible in s2, too, especially on rewatch. Louis' behavior shifts, radically, from part to part, depending on what is... needed.

As per Armand and the "coven killing/controlling him"... nonny, that part has been proven a lie. It has been proven by the few pages we got of the trial script as well. Armand was never in any danger from them. He directed the trial. He was their master for centuries.

He killed Claudia and tried to kill Louis.

That said, you are correct, the "current" knowledge of the characters has to be taken into account. And Armand might not know yet that Marius is still alive (though I do think that him hanging art of Marius in the penthouse speaks volumes). I say might, because it depends. In the books he sees someone he thought dead at some point, and ... that must have led to a lot of speculation.

And yes, I would love to "listen" to Armand, as you put it. I would LOVE an adaptation of TVA or maybe a spin-off of him and Daniel in Night Island. I'd love that.

But Armand has been giving a very edited tale, that has already been stated, and he has changed the tale in Louis' head, has implanted and changed memories. Daniel latching onto the fact that Lestat could not have spoken in Louis' mind after turning was supposed to be the clue there.

Next season, Lestat will give his account - and whether this fandom likes it or not, but Lestat is canonically doing so for Louis, to make him understand, and he has no reason to lie and he does not soften much either. And that understanding of Louis being the driving motivation will have the "documentary" result in something quite different than what s1 & 2 were - and Louis will understand.

In the books, that is when they reunite - before other things happen. I... no matter the other stuff they put into s3, but I don't think that will be any different here, since they keep quite close to the books for the big emotional points.

[eah-confessions]

i think people are too harsh on the apple and raven switched at birth theory. sure, people are not allowed to like it and i'm not against pointing out the flaws in it but i sort of think people are overly negative about it's flaws, and i hope that doesn't affect the creator. and i'm saying this as someone who doesn't agree with the theory and also heavily disagrees with it

first of all one of the takes ive seen is switched at birth would "destroy" the destiny themes of the show- to which i heavily disagree. i feel like if the writers added this revelation later on in the series if way too wonderland and dragon games didnt end the destiny arc it would point the flaws in the destiny system and change the relationship's the royals. both raven and apple's moms have one track mind and believe their destiny should be followed. it would be a massive revelation to the characters and affect their relationships. i dont think it would make all the "drama" useless considering how a lot of it stems from the culture of the fairytale world, and it would force the characters to really consider what the destiny system is. one of the biggest revelations it would be if the parents didnt know too somehow, and it was a mistake the doctors made and not intentional. (or even an ordinary citizen of bookend who was mad at the destiny system- just throwing ideas out) if the story suddenly went this way, i wouldnt like it but it doesnt feel impossible to be added to the ever after high story, given cerise and ramona's story being added late in the story or holly and poppy. i mean swapping two different babies compared to twins being born really close together is a huge reach- but still.

another thing i've seen is that because blond hair can be be recessive it disproves the theory. i understand the theory is mostly because of the hair colors of the characters not matching, but i dont really think this disprove it because it's really hard to dispute given how bare bones the theory is. many bad theories are intentionally or not intentionally difficult to disprove. i also thought, as far as i know never seeing both sets of parents even in an illustration for them is kind of suspicious to me. it would be interesting to see them focus on their family tree as well, but they didnt probably because that would kill the suspense of seeing these characters later on.

i do think this is a bad theory (its more of an idea than a theory), but an interesting story concept that could have even be considered for ever after high. i do think that its possible that this was an early idea for ever after high. consider the following: ever after high was in development for several years and wasnt even about fairytales at first, it was about witches. disney was even working on desendants as well. now part of me wonders if the reason that apple doesnt have black hair is because of disney and not wanting to make the characters too similar to disney's despite them having the well known versions of many characters. so they have to call back to the disney version (ex: adding yellow and gold in apple's design) without directly copying them. another thing that strikes me as interesting is that in one of the original versions of snow white she has "hair as black as ebony" yet in her future shown in the mirror we never see snow white in the future with the blonde turning into black hair. in fact its raven who undergoes more of a transformation. knowing how much ever after high uses the original source material of the original it's something to consider. another interesting thing to consider is the possibility if cerise was going to be more relevant this theme would make sense throughout the series, of inheriting a destiny that doesn't belong to you (i believe she was in the stop motion short) so with this i propose that it could have been considered at one point for the story, but didnt use it because it didnt work. another interesting idea is apple and raven not being switched, but being related somehow. like if the good king had a relationship with snow white but left her for evil queen and she had apple because of that. so apple and raven would be half sisters. again, not something i would want in canon but still interesting.

i know the original posters of these takes might disagree with me, but i feel like switched at birth- even though not a well carefully or thought out theory (literally just a "what if") can open up more discussions of the creative decisions on ever after high, and i feel like the community just going at this theory (as well as other communities going after theories that arent just "its not real") to me is sort of unproductive. ive seen too many takes on why it's stupid and i'm tired. i think the original creator, as far as i'm aware is a well read person who made one bad theory so when people say that it "lacks media literacy" i sort of get mad on their behalf, also hating that as a buzzword. so yeah, even though i think switched at birth is a "stupid" theory i think it's overcriticized in the fandom for being bad, when the concepts it has are really interesting outside of this theory. because the fact the ever after high designers made the child of snow white a blonde is very interesting from a design perspective because snow white is well known in many versions of her tale for having black hair. as well as the fact that ever after high was sort of mistreated by mattel and that affected the plot we were shown and how the fandom interacts with eah media. sorry if some people see this confession is just "people are too negative" but i do think people are blowing how bad this theory out of proportion. it's a bad theory with a lot of potential. i think this fandom in general has a lot of problems of overusing negative criticism and certain discussions becoming popular over others, like overfocusing on the selfishness of certain characters and whether or not apple (or raven) is a good or bad person objectively and arguing about it amongst each other instead of like... the larger actual story? i also think switched at birth would make a good AU and seeing what it would mean for their fairytales is so interesting. but not a good theory, no...

-

[astralzeraphias]

“he was mentally ill. this monster was a- was a sick fantasy. a product of his dementia.”

“…i saw it too. does that make me disturbed? demented? does… that make me sick too?”

[oifaaa]

Realising that my idea of what it means to be in a fandom might be a little skewed so help me out here what is your baseline qualification for being part of a fandom

[smytherines]

This is such an interesting like 20-30 seconds to me. We go from this wholesome Sears portrait studio setup where Cynthia asks "is that Owen??" and they both grin like lovesick fools

Then Cynthia insults Curt and praises Owen and tries to recruit him. Owen looks surprised and shuts her down immediately, but Curt is (understandably) not thrilled about it and ends the call in a hurry

Owen says "what are you, jealous? You know I'd never work for the Americans," but Curt is already getting the flask out (hello rsd spiral my old friend)

And then we have Owen seeing the flask and saying "Oh Curt, no, not until we're out of here," and Curt responding defensively by mocking his accent and his concern, and then handing him the flask

Whenever I listen to 54 Below and hear Tessa say "when these two spies are together they are gay and unstoppable" I imagine that first image, and when Lauren says "until Curt's ego gets in the way" I think of the flask

I just find it fascinating because, to me, this is the moment it all starts falling apart. When it was just the two of them, before this call, they seem pretty happy to see each other. You certainly get the sense that they're competitive, and Curt initially seems a bit annoyed or embarrassed about Owen rescuing him, but uhh. I mean just look at them:

It isn't until Cynthia sort of pits them against each other, until the outside world starts to intrude on them, that things start to get tense. Curt starts dismissing Owen's concerns and taking bigger risks to prove himself, lying to Owen to take a bigger risk than Owen agreed to (Owen saying "make it four," and Curt deciding to set the timers for three minutes instead)

Just. Something about how painful it must have been for Curt to believe that he lost Owen not to some grand fateful accident that he never could have seen coming, but over something as small and petty and ultimately temporary as his own insecurity. That he wanted so badly to save face in front of a partner he loved and respected that he ended up getting that partner killed

And how painful it must have been for Owen to love Curt and trust him, only for Curt to lie to him and leave him for dead. How Owen must have thought back to this a thousand times and believed that it happened because Curt cared more about being the best than about him (which I don't think is correct, but is understandable from his perspective)

To have the kind of relationship that seemingly survived being separated by an ocean, and being property of two different governments, and being gay in the 1950s, and they still look at each other like that, and then to lose it all because you're so used to having to maintain this stereotypically masculine role in your hypermasculine profession. That seeing the man you love is dependent on you being the best, and trying to live up to that impossible standard is what ends up destroying the both of you

There's just something so fucking... tragic and futile about it

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[dykedvonte]

Honestly I see Jimmy's refusal to put Curly out of his misery less about his weird feelings of envy or his delusions but the fact Curly is all but stated to be a shield to Jimmy from his actions and people seeing the worst in him.

The only characters that Jimmy really interacts with one on one before the crash are Curly and Anya, two individuals he has wildly different relationships with. It's likely that Curly really did most of the talking between them as the pilots and the rest of the crew as staff. They didn't know of Jimmy's more reprehensible behaviors cause they never really had the chance to and Jimmy is subconsciously aware. If they had disliked him more than Anya would have told Swansea earlier or even Daisuke when things got really bad.

It's why he takes the immediate opportunity to blame Curly; He's the shield. He's saved Jimmy's ass more times than he can count and more times than Jimmy would ever admit. Even when he can't really do it anymore, he mentally shields himself from his own faults by putting Curly between them. Letting Curly die puts too much on him because he doesn't know how to function without a safety net.

In the end Curly only lives because Jimmy needs the idea that Curly will inevitably make things better to stay alive, meaning Curly has to live, no matter how much it pains him to do so.

[harbingersecho]

grif's surgery but just a little more... obvious?

I actually rly rly ADORE frankengrif but I don't have an in-show reason why he'd have extensive long-term allogeneic skingrafts on his face 😔

[starry-bi-sky]

Childhood Friends Au: Danny's in Gotham Again

when the wool is off your eyes you'll stop counting sheep at night cause you'll eat your fill of them during the daytime

A few weeks after Danny’s visit to Gotham, he buys an apartment in the city. It’s this little thing, a studio apartment on the same street he grew up in. In Crime Alley. When he tells his parents, they protest heavily. They don’t think it's safe. They think he should reconsider. There were plenty of apartments and places to live somewhere else. And what about college? 

Danny doesn’t think he’ll go to college. He isn’t sure what he wants to do, now that being an astronaut is off the table. It’d be a waste of money to go without a goal in mind, he thinks. He says he’ll take a gap year and apply at one of the community colleges funded by the Wayne Corporation, possibly. It just wasn’t in the cards right now. 

“If things get tough,” He says at dinner that night, “then I can talk to the Waynes. I’m friends with the family, remember?” He ended up getting Bruce’s number in his phone again before he left, and in the process got Tim’s as well. They don’t talk much, Danny isn’t sure what to say. But he sends Tim memes whenever he comes across one and thinks he’ll like. Tim sends memes back in return.   

His parents do remember. They remember. They also remember the horrified shriek that echoed through the house when Danny learned of Jason’s passing. They remember running up the stairs and bursting into their son’s room and finding him sobbing into his bed, curled up like a little kid, like he was in pain. He lost his voice that day, stuck between screaming out his grief and sobbing it. 

They’re still not sure if they should let him go. 

In the end, Danny wins them out, and he lets them help him search for an apartment. They take a break from their lab work to help search for cheap furniture to buy. They may have more money than when they were in Gotham, but that frugal part of you never fully goes away. They all agree that they don’t want Danny to be seen carrying in nice-looking furniture when he moves in. 

He ends up with a basic furniture set, all mismatched, and in the warm summer of June, his parents rent out a u-haul and drive him down to Gotham to move in. They meet the landlord when they arrive, a skinny and frail old man with wispy white hair and a wrinkled face. He gives Danny the keys and tells him what apartment number he is, and then he leaves. 

His parents help him move in. They help him carry his heavy furniture up to the second floor, where his apartment is. Danny isn’t sure if he wants them to help. His mom and dad are strong, but they are getting old, closer to their fifties now that their children are grown. His dad’s hair is slowly beginning to thin, and rather than the white eating at the sides of his head, it now streaks through his hair like salt-and-pepper. His mom’s hair is graying out too, and there are more lines in their faces than he remembers there being. 

When he voices his concerns, his mom laughs spiritedly and says that they may be getting old, but they are still as spry as when they were in their twenties. Danny isn’t sure if he believes them or not. He can see his dad struggle a bit when they return to get his bed frame, and they have to take a break before they go back down for the rest of their things. 

Five years ago, his dad could do this without breaking a sweat. It forces a heavy thing in the back of Danny’s throat. (He is less afraid of his own death than he is of his loved ones, and while he has always felt rocky with his parents, he still loves them more than anything else.) 

Danny’s apartment is exactly as he would have expected it to be: shabby and worn through. The entire room smells like stale cigarette smoke and weed, nicotine stains the wall with poorly covered bullet holes, and stains in the carpet that are a color he can’t discern. The fridge has a broken light and when he tries to turn on the gas stove, it click-click-clicks before lighting, fire fwooshing out while the smell of gas fills the air. There’s rat droppings in the cupboards and the closet-like bathroom is just as bad. 

The ghostly part of him can sense the heavy stench of death in the room; people have died in this room. People have died in every room of this building, he thinks. They have died on the streets outside and in the alleys squeezed between them. He can feel it like a heavy fog in the air. 

It is painfully nostalgic, a bittersweet feeling in his chest that he grimaces to. 

When the last box is placed in his apartment, his parents offer to help unpack. They are hesitant to leave and Danny knows it, although he doesn’t know if it’s from empty nest syndrome or because it's Gotham. He thinks it might be both. He is their youngest child finally leaving home to a city known for its danger. 

“Are you sure you don’t want us to stay behind, sweetie?” His mother asks, a frown she tries to hide settled in the creases of her face. She fiddles with her hands, a nervous habit Danny has since noticed when she feels truly unsure and doesn’t need to hide it. Hesitancy looms over her like a heavy cloud. 

His dad jumps in hastily, splaying his hands and smiling painfully wide to hide the glistening in his eyes. “You’re mother’s right! We can help you get everything set up, champ. I could probably do something with that stove of yours to make it faster!” He says, his voice still booming like it always does even if there’s a stumble in his words. 

It makes his heart squeeze, knowing just how much they care. It was hard last summer, telling him that he was the Phantom. Terrifying, actually. They couldn’t comprehend it. He hadn’t felt his heart beat that fast in years when he stood in front of them at the kitchen table and told them he was a halfa, begging them to believe that ghosts weren’t inherently evil. 

His parents were people of science, however, and after much, much shock, they slowly came to terms with it. How could they not? The evidence was right in front of them. Their son was dead-alive, alive-dead. Somewhere stuck in the between. The tears they shed that night could fill a river, moving from the kitchen to the living room as Danny explains how he died. 

(When Danny tells them that he died after a week Jason did, his mom and dad look horrified. His mom covers her mouth when he adds that it was his idea to go inside it, his dad looks ashy pale, gripping his pant legs so tight that his knuckles turn white. There is a conclusion coming to their minds that he can tell they don’t like.) 

(“You’ve always hated our inventions, Danny.” Mom says in a hushed voice, and Danny winces at the wording, sinking into the back of the cushions in shame. He never thought that his parents noticed. Mom quickly grabs his arm, “No, no, there’s nothing to be ashamed of Danny. We were… perhaps too careless with our inventions, too enthusiastic. You had every right to hate the things we made when they had a tendency to… to malfunction.”) 

(Malfunction is a delicate way of putting it, when Danny remembers every time they had to evacuate their old apartment complex because whatever half-baked creation his parents made inevitably blew up into ash and smoke. There were soot marks permanently stained into the ceiling.) 

(Her hand slides down and grabs his, and she cups it in both of her hands, squeezing tightly. He forces himself to look up, and there is a look like her heart breaking when he looks into his mother’s eyes. “You’ve always avoided the lab after we moved, Danny. And you had every right to, so why on Earth did you ever think about going into the portal?”)

(Danny struggles to come up with an adequate answer, a way to verbalize what came over him that day five years ago. The answer is there, hanging in the air like a knot in a noose. He opens his mouth, and then closes it.)

(Finally, with a tongue made of lead, he shrugs lamely and looks away. “I didn’t know there was an on button inside it.” He mumbles, and despite being the truth it feels like a lie. But that is the truth. He didn’t know there was an on button inside it. So he didn’t care what happened.)

(Something dulls in mom’s eyes, like she thought of something else that Danny hadn’t said. Her eyes shimmer, and she squeezes them shut, breathing in so deep that it shakes. And then she pulls him into a hug, a hand burying into his hair and pressing him close. “It must have hurt so much, sweetheart. I’m so sorry.”)

(It is something that Danny doesn’t expect her to say, like missing the last step of the stairs. It startles him so much he laughs this short, bark of a thing. He feels his dad press against his back and wrap his big arms around them, his nose pushed into his hair.) 

(Because yeah. Yeah, it did hurt. It hurt more than anything else he’s ever felt before. It had torn him apart and sewn him back together again, only to rinse and repeat. The pain was nothing he ever spoke to Sam or Tucker about, and it was something they never brought up. No, that’s not true. If they ever brought it up, Tucker would call it a zap. As if Danny only experienced a mild static shock. Like it was painless. It’s a pretty lie that Danny lets him and Sam believe.)

(His eyes sting and water immediately wobbles into his vision, coming up with such a force that he doesn’t even need to blink before it spills over. “Yeah.” He forces out, voice unexpectedly rough and cracking. “Yeah, it- it hurt. A lot.”)

He tells them about fighting the Lunch Lady a month later. He tells them about finding Jason. It comes spilling out like a waterfall. “I found him, mom.” He says, holding onto her tight while she keeps him tucked under his chin like a little kid. The secret of Jason being Robin stays hidden under his tongue, it is not his secret to tell. Not his identity to expose. He grips her tighter. “I found him, mom. Right there in the Ghost Zone, and he was my Jason. He wasn’t an echo or a— an imprint of him.”

Mom is silent; quiet and attentive, and so is dad, who rubs his large hands up and down Danny’s spine in an attempt to soothe him. It only works a little. Danny breathes in like a gasp as the urge to cry overcomes him again. He always avoids talking about Jason, his grief is like a never-healing scab that can be picked off at any time. It is ingrained into his core. 

“And then I lost him.” He forces out, a sob layering under his words that he chokes on and swallows. The hand on his back stills, and he can feel mom and dad breathe in like a question. He turns his head and pushes it into mom’s shoulder. “He disappeared, mom. Just— just gone.”

“And he didn’t move on.” He says, voice snarling like teeth biting before his mom can ask, because he knows that’s what she was going to ask. It’s what Sam and Tucker asked when he came to them in tears hours after he found Jason gone. It’s what Jazz said when he finally told her about it. It’s what every one of his ghosts asked when he told them about it and begged for their help. 

Danny grits his teeth and tries not to dig his nails into mom’s clothes as a fresh wave of tears run down his face. “His haunt is still there. If Jason really moved on it would have disappeared with him. That’s how it works. But it’s still in the zone, so Jason’s out there I just don’t know where.” 

(Sam once asks him why Danny didn’t just move on from it a year after Jason’s disappearance. She asked him why he didn’t give it up. Danny nearly saw red, and nearly bit her head off for it. It was incomprehensible to him to just stop looking for Jason, to give up. Not when he was out in the zone somewhere. Because he had to be in the zone.)

(Danny once tried to take Jason through the portal with him, and much like what happened to Kitty, it didn’t work. Jason was too tied to the ghost zone to leave.) 

(Some bonds are just unbreakable, he thinks. Bonds forged through blood and time and trust, and when you’re on the streets of Gotham, you hoard what little trust you have in someone like a dragon with its gold. It is scarcely given and fiercely kept.) 

“I’ve been looking for him.” Danny whispers when talking becomes too hard for him, when it runs the risk of him crying. “When- when I’m not fighting ghosts or, or in school or with my friends, I’ve been looking for him.” He has explored the Ghost Zone in every reach he can. He has met so many people. He’s met the ghosts of aliens from planets in every corner of the galaxy. He has met gods or god-like beings and their disciples. 

He’s met famous scholars and writers (he’s gotten the autographs of all of Jason’s favorite writers). He has found entire cities that have so much life in it that it's been permanently etched into the ghost zone, like a mirror version of itself. 

He’s visited the ghostly vision of Gotham so many times, and he avoids the imprint of Wayne Manor like the plague. There are ghostly newspapers that he reads. There are the ghosts of Martha and Thomas Wayne in many of them. 

Jason’s haunt connects to Wayne Manor, but it is also the street they grew up in. It is a small brick building with a door that leads to Jason’s room. A ghost knows when someone enters their haunt, it alerts them like a doorbell in the back of their mind. A foreign ecto-signature in a place drenched in your own. 

Danny visits it every time he goes into the Ghost Zone. It’s always his first stop. 

He tells his parents all of it. He tells them of the ghosts he’s met, of the places he’s seen. And when he feels brave, he tells them about Rath and the terror that his future self brings him. He keeps some details hidden, the ones that he can afford to keep without muddling up the story. 

(Rath is a tall, spindly thing, like a funhouse mirror version of Danny himself. He has arms that are much too long and legs that are much too tall, with skinny fingers that extend into claws.He wears his suit the same as Danny does, with it partially undone and the sleeves wrapped around his waist.)

(There is a black hole in his chest that is much bigger than Danny’s own. It takes up his chest cavity and drips the same, viscous black liquid as the tears falling from his eyes. Danny never forgets his voice; a scraping, quiet thing like he’s screamed himself hoarse. Rath has a voice like goosebumps, and it haunts Danny like a bump in the night.) 

Danny speaks and speaks and speaks until he can’t think of anything else to speak of. He is tired and sad, and it feels like his heart has been ripped out and rubbed raw again. And yet, he also feels so much better. Like a long heavy weight has been taken off his chest. 

Yeah, last summer was hard. His parents walked on eggshells around him, and they forced themselves to unlearn their bias of ghosts. It was more than Danny could have ever dreamed of, and when they felt ready for it, they asked him more about the ghost zone.

He smiles sadly at his dad, “I think fixing the stove can be a priority another time, dad.” He says, watching him wilt and his smile fall. Jack Fenton was always so good at making himself look like a kicked puppy. “I can handle unpacking by myself, I promise.” 

His parents still look so unsure, like they want to argue. Danny watches his mom purse her lips tightly, confliction running across her face like a datastream. She takes dad’s hand, squeezing their fingers together despite the droop in her shoulders. 

“Oh, alright then, I suppose.” She relents, her hand placing on Jack’s arm. “I guess we could go, we’re just going to miss you so much, Danny.” 

Tears seem to have won over his dad, and Jack Fenton sniffs back before he can cry properly. “Our little boy, all grown up.” He says, voice wobbling. It makes Danny laugh, and it makes his heart pang. His smile grows impossibly wider and so much fonder. “You’ve become such a kind, wonderful young man, Danno. We’re so proud of you.” 

Danny laughs again, and it cracks. “You’re gonna make me cry, dad.” (He feels a welling of guilt in his gut that he ignores — he doesn’t feel like a kind man. He doesn’t feel like a good one either. Not with what he plans to do.) 

His father holds out his arms in hopefulness, “One last hug for your old man before we head out?” He asks, mustering up a smile on his face. 

Danny barrels into him, nearly knocking his dad over with an oomph. He’s as tall as him now, but he still feels little in his bear hugs. With arms wrapping around his middle, Danny hugs his father tight and breathes him in one last time. 

“Careful there, Danno.” He laughs, patting Danny’s back roughly. “You’ll break my ribs with that ghostly strength of yours!” But he holds on just as tight.

Out of spite, Danny bends back and lifts him off his feet, laughing when Jack tenses up and nearly scrambles out of surprise. His mom laughs with him, stepping back to give them room for the few seconds that dad is in the air. 

When it’s his mom’s turn, Danny has to hunch to hug her. Something bittersweet to him as she plants a kiss on his forehead and says that he’ll always be her baby. “Even if you do have that horrid smoking habit.” She adds on with a disapproving eyebrow raise. 

Danny turns red in embarrassment, and walks them back to the GAV. Gothamites of all kinds slow to stop and boggle at the monstrous, road-illegal thing that is parallel-parked next to the curbside. In the past, Danny would have died with mortification to be seen with it. Now it just makes him laugh. Before he goes back into the apartment building, he buys a newspaper from a nearby convenience store.  

The first thing he does when he gets back up to his room is one: make a mental note to buy a bicycle chain lock for the door. The locks jiggle and there are splinters along the side that show signs of it being broken into in the past. The second thing he does is pull his cigarettes out of his pocket and light one. 

Danny starts to unpack with a cigarette hanging from his mouth, placing the newspaper he bought onto the counter. He has a cheap loveseat that he pushes off to the side, and he moves the boxes into the kitchen. It’s a matter of organization that Danny has to think about before he does anything. 

It’s as he’s pushing the sofa up against the wall facing the windows that his phone rings a familiar tune: Sam. The phone is fished out before he can think about it and when he stares down at the screen, he realizes it's a facetime call. 

He presses answer and walks over to prop his phone up onto the counter. The smiling faces of Sam and Tucker greet him, rather than just Sam. Immediately, Danny grins. “Hey Danny.” Sam greets, smiling a dark-painted lazy thing. From the background it looks like they’re in Tucker’s room. Sam is in Tucker’s desk chair, and Tucker is behind her, leaning against it. “Have you moved in yet?” 

Danny pulls the cigarette from his mouth and huffs, a cloud of smoke following his breath. “Yeah! It’s a shithole.” He grins lopsidedly, and his feet carry him off to the side to allow Sam and Tucker view of his apartment. He lets thirty seconds pass, allowing the both of them to really see the rest of the room. And then he steps back into frame. 

Sam and Tucker both look like they’re trying not to look judgemental, like they’re trying to hide a grimace that Danny sees anyway with the small turns at the corner of their mouths. He grins wider, mirth filling his lungs. “I know, it looks awful doesn’t it?”

“It’s— it’s not so bad.” Sam says with a strain in her voice, a forced smile on her face that tries to be reassuring. Tucker nods along readily, and he looks just as unsure as Sam does. Danny stifles laughter behind his teeth. 

“No, no, it looks bad,” He takes a drag of his cigarette, shaking his head. “You can say it, I won’t get offended. It’s a fucking apartment in crime alley. Of course it looks bad.” 

Sam remains silent, a rearing of her stubbornness showing itself. Tucker takes a different approach, and heaves a dramatic sigh of relief, slumping like a weight. “Okay, you’re right. It looks bad.” He frowns, “Sorry, man.” 

While Danny snorts, Sam sighs. “Yeah, it looks bad. What even are those stains?” She asks, and both she and Tucker lean closer in tandem to the screen, eyes squinting at the floor behind him. Danny glances at the floor, and shrugs. 

“Blood, probably.” He says, and while years in Amity Park have accustomed him to a clean environment, the desensitization of Gotham still remains. Tucker and Sam both make faces and lean away, as if the stain itself was capable of passing through to them. “Yeah, there are bullet holes in the walls.” 

“Are you sure it’s safe to be there?” Tucker asks, a furrow appearing between his brows. He adjusts his glasses and leans against the chair. Sam is frowning heavily, and Danny can already see her thinking up of a new way to fix the problem. 

“Oh, I never said this place was safe.” Danny tells him cheerily, taking a last hit of his cigarette before placing the dead stick onto the counter. He itches for another one. Instead he walks over to the shelf his parents brought in and starts moving it. “It’s Crime Alley, Tuck. Safe isn’t even in its vocabulary.” 

Tucker and Sam look like they’ve both swallowed a lemon.

“But it’s where I want to be right now.” He says, grunting quietly when the shelf is against the wall he wants it to be, near the short hallway leading to the front door. He can push it in front of it if someone tries to break in. “And Crime Alley’s apartments are the only ones I can really afford right now without mooching off my parents, and I’d rather not depend on them.” 

He can hear the disapproving hesitance from where he stands. And he ignores it. 

Danny walks back into frame, lifting up a box onto the counter. He hums lightly, fingers run over the tape keeping it shut. “Why do you even want to be in Gotham, Danny?” Sam asks, and she sounds genuinely perplexed. Danny stills. “I thought this place only had bad memories for you.” 

His blood turns cold, and like a dime being flipped his slow heartbeat fills his ears. “It does.” He replies automatically, before he can think. Shit, shit. He knows that Sam or Tucker would ask that question, and yet he still feels unprepared for it. His heart pulses quickly against his ribcage, knocking, asking him what he’s going to tell them that isn’t the truth. 

Danny stammers, “I mean— I just— I guess I felt nostalgic.” He says, and it sounds like a weak defense. He looks away, finding himself instinctively scratching his jaw. A new tick of his when he’s nervous. From the corner of his eye, he sees Sam and Tucker both narrow their eyes at him. 

He cannot tell them the real reason why he’s moved back to Gotham. He can’t tell them of the little secret and vow he told himself five years ago, the one that’s been left to fester and burn like an open wound close to his core. The one that, if he thinks too much about it, sends a searing hot electricity through him, filling him from crown to toe top-full of direst wrath.  

(Danny was always the angrier one in the duo of Jason and Danny. He was always the one with glass in his mouth, cutting his teeth and tongue so that he could spit blood at the world around them. His knuckles had more blood and bruises on it than skin, once upon a time. All because he couldn’t keep his mouth shut. He has grown from it, that fury has turned to a small simmering candle.) (But sometimes, sometimes it rears its head, and electricity will buzz under Danny’s skin. There is lightning before the thunder, the second before a fist pulled to punch lands, the spark before it becomes a blaze.) 

He stumbles over his words, and then sighs long and low, drooping his head. “I… was thinking that I can’t avoid this place forever.” He says, and the best lies always have the truth in it. Because it’s not a lie, not completely. But it’s not close enough to the truth either. “And that maybe if I came back, I’d be able to do something about those bad memories. Make them better or make it hurt less.” 

Like wool over their eyes, it fools Sam and Tucker. Their narrowed eyes soften, and Danny feels like a snake is in his lungs as they both adopt their own versions of gentleness on their faces. “Oh, Danny.” Sam breathes out, and the snake squeezes, “Of course, we understand.”

Tucker nods, smiling at him. “Yeah, bro, that’s really brave of you. I know it can’t be easy coming back.” He says, “Maybe you can reconnect with the Waynes again, you always thought well of Mister Wayne whenever you came back from visiting.”

Danny smiles weakly, the gesture cutting into his cheeks like a knife. Perhaps he could. He was still upset with Bruce for hiding Jason’s killer from him. But he doesn’t hate him. Maybe five years ago, he did, when the death of Jason was still fresh in his mind and freshly bleeding in his heart. Now he just doesn’t know what to think of him. He was Batman. Jason was Robin, and the Joker killed Robin. 

It would need to be something he’d have to speak to Bruce about in person, he thinks, in order to resolve it. To hear his judgment on it and make an opinion from there. Danny has learned in the last five years, much to Jazz’s smug delight, that talking to people about something he was upset about did make him feel better. 

The conversation slips on from there into something more light, more breathable. And while they talk, Danny unpacks. He sets up his bed in the corner of the room, adjacent to the windows, and unpacks his cheap TV and table stand. It’s directly across from the couch, in front of the windows. He puts up knicks and knacks he’s collected over the years on the shelves.

When he puts up the curtains, he notices that more than one frame jiggles loosely. Sam makes a comment on the musty stains permanently dyed into the glass, and Danny talks about getting something to fix the cracks. Gotham winters can get brutal, and even if he can withstand the cold, doesn’t mean everything else in his apartment can. 

“Oh, watch this.” He says halfway through unpacking, and pulls out a stick of thick white chalk from a box. “This is something I learned from Clockwork a while back; I think he knew I was going to move to Gotham.” He grins sillily, popping into the camera frame to show them. “I wonder how?” 

Sam rolls her eyes, smiling while Tucker huffs. “It’s not like he’s the Master of Time and can see all past, present, and future.” Tucker snarks. 

Danny hums lightly, curt like he isn’t sure he believes Tucker, and walks to a piece of bare wall not yet blocked by furniture. He starts to draw on it. The chalk shimmers with faint ectoplasm on the wall. 

“Uhh…” Tucker’s voice cuts through, “Are you sure you should be doing that? Won’t you get in trouble for that?”

“There are bullet holes in the plaster, Tucker.” Danny retorts dryly, arching his hand to make a big circle. “I don’t think the landlord is gonna care if I get washable chalk on his walls.” Inside the circle, he inscribes the symbols of the Infinite Realms. “I don’t think he’d be able to see it anyways, he was really old.” 

When he is done, Danny steps back to admire his work. It’s not bad, he thinks, for a lack of practice. He tosses the chalk off to the side, it lands on the couch and rolls back into the cushions. Ectoplasm heats under his hand, slowly glowing from his fingertips before stretching down the rest of his palm. 

Danny’s fingers press against the wall, into the center of the circle. The result is immediate, ectoplasm is siphoned off his hand and into the circle. It glows, and then swirls. He steps off to the side for Sam and Tucker to watch its transformation. The circle fills with a swirling pool of ectoplasm, like a smaller version of the basement portal, and then it warps and stretches. 

It fills out a rectangular shape, shifting like taffy being pulled this way and that, before settling into a solid shape. It solidifies, and instead of a wall there is a glowing purple door, warped in nature and seemingly shifting like a trick of the eyes. He can hear the gentle hum of the zone standing next to it, and can see the carving of the circle in the wood. 

He gestures dramatically, grinning from ear to ear. “Ta-da~” He sings, “A door to my haunt! For whenever I feel like visiting it.” He pats the wood, making a strange thunk-thunk sound. “And then watch this.” 

Danny touches the circle again, and the door twists and recedes like water going down a drain. The circle flashes bright green, and then fades into nothing on the wall, invisible to the naked eye. “I can hide it whenever I want! So if I ever invite someone over—” which he doubts, “—I won’t have to worry about them asking, ‘Hey Danny? Why is there a creepy fucking door in your studio apartment?’”

He gets a pair of laughs for his efforts, and Danny grins wider. 

Sam and Tucker have to end the call when Danny is nearly done unpacking, leaving him alone with only his thoughts and the Gotham ambience outside. There were only a few boxes left, and they promise to call him tomorrow. He tells them that they better keep that promise. 

The silence that follows after they leave feels somberly, as if the reality of moving in has finally set in and filled the air with its loneliness. With its change. Finally, Danny lets the strangeness of moving back to Gotham hit him when he reaches the last box, and he stops to take another smoke break to let it settle. 

It feels so strange to be back in Gotham, he thinks. He’s all grown up, or almost grown up. He can vote and pay taxes, but he doesn’t feel much older than he was at fourteen. There’s a disconnect that makes him feel sad. 

There are cars running outside, driving by. He can only catch glimpses of them, his apartment faces an alleyway. There are dogs barking in the distance, strays he bets. It’s already dark out, and he wonders if he looks out the window he would see the bat-signal shining through the night and staining the permanent cloud that hangs over Gotham. 

Bruce would be so disappointed if he learned the reason for Danny’s return to Gotham. But Danny’s not here for him. He’s here for someone far more important. And like that, the simmering anger that has tucked itself into the furthest corners of his heart starts slipping through. His heart has teeth, ready to strike and snarl and bite. 

He crushes the cigarette in his hand and throws it away. When he opens the last box, it is with hands that tremble and with a face of stone. With a delicateness he does not feel, he reaches in and pulls a corkboard from the box. On the corner frame is a small, near inconspicuous carving of another ghost rune. 

Danny hangs it up on an empty space on the wall, out of sight from the window. It’s plain, and he has nothing to pin to it. He presses the small rune on the corner, pushing ectoplasm into it. Unlike the door, it does not twist and warp and shape itself into something new. Instead it bursts into green flame, eating away at the board and revealing the same thing underneath it, just in dark blue-black-purple. 

Now this board, this board Danny has something to pin to it. The newspaper he bought earlier sits abandoned on the counter, and Danny unrolls it with something like viciousness in his chest. On the front page is an image of a damaged street, and above it is titled: “JOKER STRIKES AGAIN, 3 DEAD AND 27 INJURED”

Danny rips out the first page, he rips out every mention of him. His hands shake and threaten to crumple the paper as he turns back to the board, there is hot blood pounding in his ears. There is an impending sense of finally in his chest, like a setting sun giving the stage to a starless night. There is a stern set in his jaw, five years of festering rage rushing forth like a tidal wave, threatening to make his vision swim. 

It would be so easy, he thinks, to go out as Phantom right now and hunt the clown down. It would only take a night. All it would take is a night, and then he could sink his hands into the Joker’s chest and rip out his heart where he stood. It would be so easy. 

The thought alone forces Danny to stop as he is hit with another rush of fury, really making his head and vision swim. Thorny vines wrap around his throat, making it hard to breathe. He stares at a spot on the wall until the shaking passes. 

If he wants to be discreet about this, then he can’t do it now. Even if he wants to. He doesn’t want witnesses. He doesn’t want an audience. He made a mistake, telling Red Hood about his plan. He wasn’t sure what he was thinking. Perhaps he wasn’t thinking at all. But he can only hope that the Hood hasn’t mentioned it to Bruce. He knows it hasn’t been long since they started working together. He hopes that the Hood has already forgotten about it. 

He pins the newspaper clippings onto the black-blue-board, and stands back. It’s bare now, but it won’t be forever. 

He presses the circle again, and the pinboard reverts back to its original blank state. 

-----

Was I expecting to make a third part?? No. No I was not. I was also not expecting to make an entire google doc filled with summaries for short story ideas about this au that all tie into each other so that way if i DO continue this i have a skeleton pathway to follow rather than making everything up from scratch and potentially cornering myself

you can find this on ao3 or on tumblr 1 2 :)

[spiralsublime]

you ever just think about Dan Fucks asking a court room of people "when was the last time you saw the sun?" because every day it is raining or gloomy overhead.

i know it was probably a throw away line, based around TROPES (which I love), but Elias lives like this. His mind is constantly in a state of overcast or down pour. When was the last time his mind was at peace? With the sun shining? Was it before oxytocin was literally banned in the city because they haven't been physically touched, except by a barber, in who knows how long? Or has it been so long that no one, even generationally, can remember what it felt like?

you know, i'm with the farmer, fuck the second marshmallow

[a-whole-lot-of-things]

i love dead boy detectives to death, and hope with all my being that we can Somehow pull off getting it back (through netflix or otherwise)

but honestly if we cant? if we get stuck at where we are now forever? i honestly think ill miss the potential s2 soundtrack the most