#i don't think he was malicious at all

[shepscapades]

I think it’s safe to say Ranchers Win These

(In the silence between the last two panels, there is a 20 page comic in my head filled with flashbacks of every moment Scott teased, scolded, or dismissed Jimmy—and every moment where Tango was instead kind, patient, and proud)

[cosmic-walkers]

Idk if I shared this addition but yes, I agree.

There are so many things pointing to him being gay, and with Thomas' anti-sodomy lie, admitting what he did would be a death sentence. And even if it *wasn't* a death sentence, Gregory would lose everything and i mean everything, from his titles, to his children, to his lands, etc. It would also make thomas look awful. How could you come up with a law to target sodomy, and there is sodomy going on under your own roof?

Like I was talking about to others, a man having a mistress or being unfaithful to his wife, is not enough to have his children taken away, it's not enough to have a marriage dissolved, because he still has the power and the authority. Noble men had their mistresses live with them while their wives were still there, and noble men were able to keep their lands, titles, homes, etc., with a mistress or if they committed forms of adultery. Regardless of what it was. When a man was unfaithful or when he targeted a woman, he was not very affected if he was noble.

Being gay, was the one thing that could undo a man, especially if it was figured out. And especially if there was a law the made sodomy punishable by death.

That was the one thing that could render a noble man powerless, and I do think that was almost Gregory's reality, if Thomas didn't step in.

sometimes, i wanna talk about how Gregory cromwell was probably a closeted gay man, and was charged with buggery for more than likely being caught with a man, and the irony of the buggery act being pushed into parliament/law and more than likely drafted by his own father, thomas cromwell.

but then i'll have to deal with people trying to argue down and claim that, 'actually buggery didn't just mean sodomy, it meant cheating/rape/etc, so gregory wasn't gay he was just a rapist'.

and while cheating on your wife with a man wasn't an ideal thing to do, i do think there is more evidence leaning toward that, than rape/adultery - as rape/adultery would've more than likely been recorded and brought up explicitly, especially during the downfall of the cromwell family. i would go more into this, but i just dont have time.

whereas, it would make a lot more sense if a gay relationship was hidden because a.) this was thomas cromwell's son, and that would shame the family and b.) thomas cromwell, who came up with the buggery act - England's first unofficial anti-sodomy law - would not want anyone to know that his son was actually gay lol.

and the buggery act wasn't officially recognized as an anti-sodomy law until years later, however, it was basically viewed as such as it was drafted, because it did go after gay people in england.

i always thought thomas did it specifically to go after the catholic church, but never actually realized how it could impact his own son because well...he didn't know

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[feroluce]

“-and that's why I ain't allowed in Pier Point no more!” Boothill throws his head back and cackles, somehow completely comfortable on the bare floor of the archives. He's the very picture of ease, his arms behind his head, his legs bent and crossed.

Dan Heng barely looks up from his notebook, not much surprises him anymore after the first few tales of lawless exploits. “So they really have that many laws and restrictions there.” 

“And prob’ly a few more now that I've been through there! Heck, ya think they named any after me? I'm hopin’ so.” There's so much smug cockiness seeping through his voice Dan Heng could bottle it.

Silence settles in, stretches out. Dan Heng doodles pensive circles in the corner of his page.

He shouldn't ask. It's a private matter. It's none of his business. He of all people should know-

Something pokes his shoe, and when he looks up, Boothill has stretched one arm up to tap metallic fingertips against his foot. “Ain't like ya to hesitate.” With his head tipped back on the tiles and gazing at him upside down, Boothill's hair is out of his face and spooling out all over the floor, offering a rare view of his right side. His right eye is sealed over with a pitch-black patch, stark against his skin. Dan Heng wonders what he looks like behind it. “C'mon, then, out with it. Spill the beans, brother, just say it.”

“What does ‘Boothill’ mean?”

The man blinks at him, the crosshair in his cybernetic left eye flickering. Dan Heng shifts, smooths out his long coat. “I tried to look it up once. It's not in any database as a name...other than your wanted posters.” There's a thread beginning to fray near the hem, he should sew it up. “I couldn't find it anywhere.” 

He nearly takes it back, but- “Heh, ya that curious about me, darlin’?”

Dan Heng quickly levels his face into the most impassive, nonplussed expression he can muster, but Boothill has already turned away, head pillowed on his arms and face once again turned to the ceiling.

“But nah, ya wouldn't. Hah, like they'd allow any record of the language, fudgeheads.” One arm sweeps around blindly until it finds the edge of Boothill's hat, sets it back where it belongs on his head. Dan Heng shuffles around, scoots a little closer, but the brim is pulled too low to see his eyes anymore.

“It's ‘cause it's not a name. It's a noun.” All that's visible of his face is a sharp grin, pulled too tight at the edges.

“It's my people's word for a grave.”

Dan Heng's pencil stops.

“It's the kinda grave fer someone who died with their boots on. If ya catch my drift there.” Boothill's foot starts to bounce. “There was a war, and it got reeeeeal intense, yup. Folks started droppin’ like flies, ‘n’ there was bodies faster'n what we could bury ‘em.” A cooling fan kicks on somewhere. Dan Heng is pretty sure it's not any of the Express equipment.

“We lost some real good people there, real good. Mighty shame.” His hidden Vidyadhara ears detect a quiet metallic click, a whir, pressurized gas. Boothill's next words waft steam from his angry circuits into the air. “When I left, I decided to leave my name there, too. Didn't feel right otherwise. The life I lead now is a whole ‘nother existence.” And then Boothill turns his head, raises his hat, and Dan Heng suddenly feels pinned dead center, caught in that crosshair.

“Ya know what I mean, don'tcha?”

Dan Heng swallows.

Does Boothill know? Who he is and who came before him? There had been that moment in the Penacony Grand Theater, after he activated the Jade Abacus… Dan Heng had tried to shoo him out, keep him from seeing anything, but Boothill has the astounding ability to turn up exactly wherever people are trying to keep him away from.

If he did see, does he actually understand it? Does he know what a High Elder is? Does he know about the sedition of Imbibitor Lunae, the transmutation arcanum, everything Dan Feng had done and Dan Heng was punished for?

He doesn't want to explain it all. Not now. Possibly not ever, truth be told.

And it's not the same as Boothill leaving behind his old identity when whatever event happened that caused him to leave home. Not really. But…

But so far, Boothill has slid so easily into Dan Heng’s routine. His presence never feels like an intrusion. He's already figured out what he can push and when to back down. And even Dan Heng finds himself able to roll with whatever punches Boothill throws with baffling ease. They share too much in their methods and ideologies, and sometimes Dan Heng knows what Boothill will do seemingly before even Boothill himself knows.

“...Tell me about Talia and the Nailscrap Town.” Boothill must know he's avoiding the topic. He must. But the man just throws his head back and cackles, melting easily back into what they had been doing before, as he speaks fondly of a planet that Dan Heng has never visited.

Not today. But.

Dan Heng inches just a little closer, just enough to nudge his foot against a metal leg. Boothill doesn't pull away.

Maybe someday.

[yanoharuhito]

im not In Tune with this fandom yet but like. ive looked over both ata 1 and 2 and like...what makes people think wooly is evil... or even remotely antagonistic.... it's not like he's there of his own will or anything, right? his interests differ from amanda's and that's okay i think

[flying-cat]

I'm stealing a tweet but what are your media literacy check characters

[elswing]

not enough has been said about how literally every older character in this show took one (1) look at elrond and his big blue eyes that are perpetually tearing up like he has constant hay fever and said Son!!!!! this is my Son now!!!!!!!!!

like maybe it's because peredhil aging process is weird and even when he was physically a grown man in elven years he was the equivalent of a 2 year old or maybe it's how he's probably the most infamous orphan of all time (countless lays and songs and poems and epics written about his mother killing herself and his dad never been able to see him again) or maybe he just gives off that kind of energy but i do find it funny that he lost four parents in the war and immediately got adopted by everyone in a 5 mile radius

[batsplat]

i will be in permanent agony next year when marc squeezes pecco like a bug, unless it happens aragón 2021 style, where the unstoppable force (marc) meets an immovable object (passing pecco bagnaia), and marc has to really throw everything at it to come out on top. mostly because marc has a twinkle in his eyes when he looks at pecco, like he sees some sort of a challenge he’d enjoy to take on, and pecco just refuses to look at him 💀

also, martin said pecco plays the most amount of mind games, and i need to see that in 2025 before coming to a conclusion, otherwise it’s just jorge writing fanfiction about bagnaia as the ultimate bad guy of his life (i get it, jorge, next time pecco dnf’s i’ll choose to start stanning you, unlike the ducati bosses)

I think pecco does play mind games! admittedly if you're setting the standard at 'valentino', sure, he's pretty harmless, but pretty much every top level athlete will do a little of this! he does put some thought into how to manage expectations, what he's saying about his own chances and his opponents' chances going into weekends, that kind of thing. generally he might not outright attack his rivals, but he's not opposed to dropping the occasional snide remark. that being said, of course it's quite funny and revealing that jorge zeroed in on pecco as the mind games guy. pecco's very much his personal antagonist... such a good figure to externalise all those knotty feelings of being under-valued and under-appreciated and underrated... it's fairly natural that if you're fighting someone for a title, you get a bit of tunnel vision for them, so it's not that surprising a pick from martin. still fun! I absolutely buy martin's built pecco up a bit too much in his mind, is prone to reading malice into stuff where it probably wasn't intended on pecco's part. sometimes you end up playing mind games on yourself and the other guy doesn't really need to contribute

anyway, about the pecco/marc thing - yeah, look, obviously marc is the favourite in that title battle. that being said, if you look at marc's historical record, I wouldn't be all that surprised if aragon 2021 and jerez this year aren't the outliers. it's completely plausible marc wins that teammate battle quite comfortably but continues to lose in their actual one-on-one duels... because that did often happen during his prime. in 2013, sure, he won that early battle in jerez (which was just kinda building throughout to that one overtake), but he lost the rematch at silverstone. 2014 is the one where he was just kinda winning everything - so this one's kinda the exception, where he might lose some scraps like brno and misano but the extended battles in qatar, mugello, silverstone all go his way. from then on, the most memorable one-on-one duels with his big rivals are pretty often not working out in his favour. 2015 obviously a few with valentino, though he also doesn't win the title there so let's skip that, but 2016? the two duels everyone remembers from that year are mugello and catalunya - both go against him, both are defeats inflicted by his two main title rivals in jorge and valentino respectively, but it doesn't matter because afterwards the rest of the season goes his way. 2017 you've got austria and motegi where he takes on dovi and loses both times - but it doesn't change the momentum of the season and marc still wins in the end. 2018 doesn't really have a title fight, but again he's losing austria to jorge (before winning thailand so that's something). 2019, again not really a title fight, but he loses austria and silverstone before winning a couple of duels against rookie fabio at misano and thailand. in both those seasons, he's not really being challenged for the title - but if you looked just at the duels, you'd think the competition was a lot closer than the reality

none of this is to say that marc is bad at wheel-to-wheel racing, because he very obviously is not. (which by the way you can tell the moment you stop looking just at one-on-one's and include dogfights - sure, he's not won all of them, but pi '15 pi '17 assen '18 are all super memorable for a reason.) it's just an interesting pattern in his career: when he gets himself involved in extended duels with a single rival, he loses quite frequently, but it still doesn't hurt his title campaign. that's excellent mental resilience! it does, however, show that he doesn't really build his title campaigns around those big dramatic victories, around inflicting a dramatic and demoralising defeat on his rival in one-to-one combat. in this sense, he is obviously different from valentino: for instance 2004 is a title campaign that was built entirely around that trio of races early in the season (mugello, catalunya, assen) where he reclaims the championship lead and dulls sete's confidence by winning successive tight one-to-one battles. (also of course 2008/09, but those almost feel too obvious to mention.) when you look at marc's title campaigns, what they really rely on more than anything else is... well, consistency. the fact that he's basically always fast - and that generally speaking, he's finding himself in last lap duels at circuits where he shouldn't be able to contend for the victory at the last lap in the first place. (obviously qatar and austria, but also for instance honda was having a rough one at misano 2019, which is traditionally one of his strongest tracks but can be quite quirky.) (just saying, misano's a really good pecco track too... wouldn't that be fun...) it's relentless, intimidating pace that he's using to win all those titles... if you look at the races that changed the momentum in his various title winning seasons, it's not actually ever one-on-one duels, it's races where he won or was even just on the podium where all his rivals for one reason or another weren't there. maybe jorge and dani are injured, or maybe his rivals are having some horror show flag-to-flag races, or maybe ducati's having an off-weekend, or maybe everyone who isn't marc just refuses to stop crashing, or maybe jorge's decided to skittle the field

with the one-on-one battles themselves, sometimes it's kind of like... 'okay, sure, you won, but the fact I was even there probably isn't great news for you'. this is what jerez this year was about, right - of course, that was an important win for pecco, but also the fact that marc is fighting with him this early into his ducati career on a year old bike is certainly... a concern. obviously marc does want to win those duels, but he does also seem pretty capable of bouncing back after losing them. some of them have bothered him, sure - the worst was probably assen 2015, where there was obviously a lot of other stuff going on... and because it was that bit of the year where he was finding his feet again with that honda and they headed to the sachsenring next, his on-track performances didn't take a hit. you can argue that argentina 2015 did negatively affect his results... but that was also just a bit of the panic of 'I need to make up points now' in response to his first real adversity in the premier class - and anyway, everyone knows that wasn't a perfect marc season, the point is he was a lot better at managing this stuff going forwards. in 2016 and 2017 in particular, he really does do an excellent job of taking these close defeats in his stride

this is a long way of saying, look, I could easily imagine a version of 2025 where pecco wins a dramatic duel against marc at catalunya and then another one at mugello, and yet marc still wins that season pretty comfortably. that's basically the season I'm expecting... I'd quite like to have something different, because honestly I do enjoy it when the on-track battles actually affect title fights a bit more substantially! that being said, marc definitely wants to beat pecco in a one-on-one duel (though I'm sure that lovely le mans last lap pass will have gone a long way towards cheering him up) - and hey, interpersonal emotional stakes are a lot of fun too. hopefully even if there isn't much of a title fight they can still snap at each other a bit... as a treat

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[cleradinel]

a friendly reminder asking the cast about byler will never result in anything else but "i don't know-s" and "we'll see-s" and wasting the precious time you have at conventions on byler questions is at best useless and at worst a little awkward for everyone, because you're not going to get the answers you're looking for and you're putting the actors on the spot.

a friendly reminder ndas are very much a Real Thing and they are legally obligated to dismiss it and lie and not to disclose it, you know, as a non disclosure agreement would suggest. it's not a no confirmation agreement. it's a NON DISCLOSURE agreement.

[camellcat]

I can't stop thinking about trans masc spike. I don't know what fucking worms in my brain are causing this but ever since that article I read about genderqueer spike I can't. I can't watch school hard and not think about it. he comes into frame and I can see the article all over again like an afterimage burned onto the screen. ftm spike. drusilla don't gaf she already knew before he did. do you think angelus uses his correct pronouns

[llycaons]

me and a beloved mewtual going LITERALLY and EXACTLYY to each other as we reaffirm a core part of the story being wwx's overall journey in his social dynamics to stability and security as he goes, not without tragedy and loss, but from a contentious and unsupportive main relationship in a hostile social setting that degenerates quickly into dysfunction and instability and violence to end up with a supportive and healthy and happy life partnership with someone whose main life goals involve taking care of him

[memento-morri-writes]

I've been thinking a lot about how Rook's reunion with his former mentor, Zara, is going to go, and since I can't predict what the DM is going to have her do or say, I can only dwell on what I know is going to happen. Which happens to include taking off the illusion ring that's been hiding his injuries from her. So have a snippet of the description I have planned for that moment:

tw for description of (mostly healed) injuries

He hesitates, twisting a ring on his finger. Looking at it more closely, she can tell it’s very finely crafted, and must have been very expensive. A large emerald is set into the band. Rook sighs, and pulls the ring off his finger in one quick motion.  Immediately she’s struck by the difference in his appearance as the illusion melts away. He looks awful. His warm, healthy skin fades to a dull and sickly grey. There’s huge bags under his deeply sunken eyes, and his cheeks are hollowed, as though they have been carved out by an overeager sculptor. He looks like he’s recently risen from the grave.  While he was thin before, now she can see his ribs under the skin, and his collarbones are exaggeratedly pronounce. Thin white lines left by dozens upon dozens of recently healed cuts are scattered across his body. On top of that, faded bruises cover most of his visible skin, a mottled mosaic of purple and yellow. They’re clearly days, maybe weeks old, and she can only begin to imagine what they must have looked like when fresh. Bandages are barely visible under his shirt, wrapping around his back, hinting at even more injuries.

[doux-amer]

One thing that has deeply annoyed me about the response from Americans/Westerners about this week's events in Korea is that a lot of them, including people I like and respect, are like, "The protesting civilians and lawmakers who barged into the National Assembly would've been shot if this were the U.S./this would've never happened in the U.S. because people are too afraid of being shot." There's some truth to that, at least with regard to state violence, but I'm fed up because it doesn't account for how frightening this could have turned out to be had it not been for how much of an inept flop dunce Yoon Sukyeol is. It minimizes the courage of those who showed up.

Sure, it was likely that the military and riot police wouldn't have done much (again, YSY's self-coup wasn't thought out well, and there's more evidence of that as military officials and soldiers are speaking up about the lack of information they received, but I'll refrain from talking about that to avoid making this even longer than it inevitably will be, knowing myself), but let's not pretend there haven't been issues with them in recent years. They pepper sprayed and used water cannons during an anniversary rally for the Sewol ferry victims (x) (x) (if you don't understand how unbelievably cruel that is, look into the horrific Sewol ferry sinking). They tear gassed crowds (Korea has a gruesome history of this) and sprayed water cannons, and citizens have been injured and killed during the 2015 protests and 2016-17 Park Geunhye impeachment protests, notably Baek Namgi, an elderly activist whose death caused global outrage (x) (x). Park Geunhye was going to enforce martial law during those protests according to a leaked document, with hundreds of tanks, thousands of soldiers and special force troops! (x)

Not to mention, there are decades of extreme state violence that have scarred an entire country and are still super fresh for a huge percentage of the population. Again, check out that tear gas history piece. Look up the April Revolution, Gwangju massacre, and June uprising and see just how bloody they were. Thousands of civilians were tortured and killed. Look at how many protests were going on year after year during the 1980s. That isn't that long ago! All those older people who ran to the National Assembly to stop the coup? You bet a lot of them were college students who protested during that time or knew people who did. All the younger people? They may not have experienced what it was like living under martial law, but as I said, state violence still occurs, however much it's dwindled over the years, and you have to account for generational trauma. I don't think I'll ever forget the way I felt when I saw the breaking news alert about the martial law declaration on December 3. I've never experienced that, at least to that degree.

Instead of viewing the response from civilians and elected officials through the framework of police brutality in the U.S., it should be contextualized using Korea's own history. Thankfully most of the serious discussions are doing this, but like I said, even people who are smart about reading up on things have reflected on how this wouldn't fly in the U.S., not because of the difference in protest history, civil movements, and public engagement with both in the two countries but because of the military/police response. There's an insinuation there that Koreans would be more reluctant to do what they did if they knew what it's like to live in fear of violence instead of living in such a safe country like Korea...and I want to yell.

It was monumentally brave of everyone to do what they did to stop the coup. We're all laughing at how stupid the coup was and there's a reason why people were more furious than scared because of the political history of Korea and the laws set in place to protect the democracy and neutralize coup attempts, but this could have easily become a disaster. It's not alarmist of me to say so because there was no way for anyone to be 100% sure of how the military would react—especially when no one knew what the hell was going on.

[sysig]

You’re gonna die if you keep that up (Patreon)

[fudge24-7]

Ok while I do agree what caine did is messed up, I don't see anyone coming to his defense with this point, and I feel like it should be considered more

Tadc spoilers ahead for episode 2 if you don't have the tags filtered:

Caine didn't have any way to know gumigoo was centient, I know it was easy to forget that when we as the audience could clearly see it, I did too for a moment but, when you think about it, he didn't see gumigoo become self aware like we did. Like he's said he only has eyes on the circus, and while I don't 100% trust every word he says, the fact he didn't just close the portal the moment gumigoo approached, or hell intervene the moment pomni mentioned bringing him back, Instead just seeming surprised when he noticed gumigoo there, it shows to me that he really doesn't see what happens there, so he most likely didn't know. from his perspective pomni just got way too attached to a character he created, he had no way to know why she did or that he was more then what he made him now