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🦀🦀🦀 PLIS
Hey, can y’all rb this if it’s okay to send you messages asking about your ocs, cause on god I wanna interact with y’all but I am terrified of being annoying lol
#i LOVE talk about my oc's#i don't actually post about them to much#(cause the support)#zer0 dearcoupse#Kazami Mikazume#Jaxel Mikazume#Heren bloody soul#Darek Mikazume#Neomy Mikazume#my art#original character art#original characters#Zer0 BS proyect (OC'S)#Zer0 My oc's
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
#thebibliosphere i apologize for tagging u when we don't know each other at all i just want u to get credit for the initial discussion#given that it is so much more thoughtful and clear than anything i'd think to write.#i did NOT mean to spend multiple hours on this but once i started writing i was like#oh god i actually do have like a lot i can tell monogamous people about writing poly people & the poly perspective#anyway. i mention it in the post but people can send me (respectful. obviously) asks if they have questions#i cant promise to answer all of them bc i am bad at this. but if i'm well enough then i'll try#polyamory#non-monogamy#ethical non-monogamy#writing#my writing#writing advice#relationships
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putting my prediction on record now that the coming decade is going to see the rise of viral-marketed fancy at-home water filtration systems, driving and driven by a drastic reduction in the quality of U.S. tap water (given that we are in a 'replacement era' where our current infrastructure is reaching the end of its lifespan--but isn't being replaced). also guessing that by the 2030s access to drinkable tap water will be a mainstream class issue, with low-income & unstably housed people increasingly forced to rely on expensive bottled water when they can't afford the up-front cost of at-home filtration--and with this being portrayed in media as a "moral failing" and short-sighted "choice," rather than a basic failure of our political & economic systems. really hope i'm just being alarmist, but plenty of this already happens in other countries, and the U.S. is in a state of decline, so. here's praying this post ages into irrelevance. timestamped April 2023
#apollo don't fucking touch this one#serious post#not a shitpost#hope i forget about this post and have no reason to ever look back on it one day#fyi i'm aware that access to potable water is already a major issue in parts of the U.S. yes i know flint michigan exists#i'm saying that this issue is going to GROW unless local & federal governments work together to fix it.#so it's a matter of if we trust them to fix it. And well--do you?#what are the chances the government just denies there's a problem until the water actually turns brown#at which point it's already been common knowledge for years and people have just become resigned and that's our new normal#i'm mean come on. how many of us already believe that we're being exposed to dangerous pollutants we don't know about and can't avoid#like that's pretty much just part of being a modern consumer. accepting that companies will happily endanger your life for a few pennies#and the most you'll get is like a $50 gift card as part of a class action rebate 20 years down the line#probably the history books will look back on Flint as a warning and a harbinger that went ignored#luxury condos will advertise their built-in top-of-the-line filtration systems--live here and you can drink water straight from your tap!#watch the elite professional class putting $700 dyson water filtration systems on their wedding registry#while the rest of us figure out how to fit water delivery into our grocery budget while putting 90% of our paycheck towards rent#also eggs are $15
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You ever think about how neither of them got to say goodbye?
#TSAMS#Sun and Moon Show#The Sun and Moon Show#TSAMS Lunar#SAMS Lunar#Sun#SAMS Sun#FNAF Sun#FNAF#Five Nights At Freddy's#MeaganCanDraw#I love New Moon a lot don't get me wrong but Old Moon's and Sun's relationship wasn't black and white (as much as NM wants to insist it was#YES Old Moon treated Sun horribly YES he wasn't the best person but#their relationship was also complicated and messy and they both genuinely loved each other despite everything#So much of what they did was for each other and that adds even more to the tragedy of their relationship and Moon's death#Sun and Old Moon's final conversation was them fighting#Moon's final in-person words to him were “I love you and I'm sorry”#to which Sun didn't say anything bc he was mad at him (which I don't blame him for given everything that happened in that episode)#Do you think Sun has realized this? How often does he go back to that moment#How often has he imagined himself saying or doing something different? Something that would've resulted in them leaving that bunker togethe#Meanwhile Lunar lost the person who gave him a new life and a family that actually cares about him#And he was in Moon's head for months and saw first hand how much his regrets and trauma affected him#Both of which would eventually destroy him due to the cycle of self-loathing he was trapped in#How much does HE think about that?#Anyway sorry for not posting for nearly (checks watch) two years??#It'll likely happen again#1k
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On average, what is the total MONTHLY amount that you spend on dining out*?
*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)
*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)
(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )
(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)
#polls#tumblr polls#I'm mostly in the 0/1 - 25$ category. Maybe the rare month is a bit over $25 if there's something specific going on like birthday.#Which I'm NEVER eating in an actual restaurant (erm... covid... plus I just hate restaurant environments. i would rather pickup#the food and bring it home to a peaceful quiet environment that I control lol). But more typically like stopping by a grocery store deli#section or something. I don't have coffee that much. And I can't eat fast food much due to my health issues/diet restriction stuff#so if I'm out like coming back from an appointment and I start feeling really sick and weak. I know that a hamburger will just#blow up my system and cause nausea or something. So I try to pick the breadiest most#neutral looking turkey sandwich at the safeway deli to eat during the hour ride home or whatever lol#I actually kind of wish I could do stuff like get food more often vecause it would take the burden of cooking everything off of me#but.. alas... Money... and Health Things... T o T#I still wouldn't do it ALL the time but like... once a week instead of once a month or something.. or maybe turning into a coffee#person.. I do love drinks A LOT .. i am a drink person who will have 5 different drinks sipping on at all times#But i just have to make them all myself mostly lol#And I cant really have too much coffee since it will make me sick. so like.. teas and juice mostly#When I inevitably become a millionaire by never using social media never networking and only finishing one#sculpture every 5 months which I dont even post about or sell - then I shall... get more drinks..#I will somehow wean my body onto coffee and drink one a day solely for the ritual of it#Though even then... I would still probably just like.. buy the mateirals to make it at home or something#Like if you had a million dollars you could just buy a kitchen grade ice cream machine and other stuff to make your own milkshakes and#coffees and smoothies and bubble teas. Genuinely I think even if I were a BILLIONAIRE I would still look at playing likr $8 for a single#coffee and go .. uh.... I could just buy the equipment to make this and then save that money. PLUS. its in my house now so no need to#have to leave. I can make my own drinks in the comfort of home. .. ideal..#Like no matter how rich I ever got I would still have the lingering scroogey stinginess. like i am NOT paying for that. I will jus#make it myself. Especially if it was an Everyday thing. Anythign thats part of my routine I try to optimize and make as efficient as#possible... ANYWAY.. In an IDEAL world I would get treats. but probably not that much. as on a daily basis it would start to get#to me and I would just save up to buy kitchen machinery if I was rich lol
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Where can you play ride kamens? It looks fun looking at your blog but idk where to play
it'll doesn't start until the 30th, but there's some pre-release episodes/character bits that are scattered around the website and twitter! (the links to pre-reg/download are also on the website :D)
honestly I'm really enjoying it just based off of the pre-release stuff, these characters look like they're going to be exactly that blend of ridiculous and emotionally constipated that hits me so right.
#art#ride kamens#no no i get it though water tastes DIFFERENT#anyway i'm trying not to read too much into the zangetsu/ryuugen meta but also#whenever takato opens his mouth i'm like 'this man would absolutely steal a baby'#man i almost don't even care about the actual game i'm having enough fun with the marketing#these morons are already important to me and i don't even know what their deal is#(this is very off-topic but i've always thought it would be fun to someday do one of those things)#(where the story is told entirely through an outside framework)#(like fake game manuals or posts about shows that don't exist and things like that)#(i think it's commonly used for horror but i just! like it in general!)#(an exercise in minimalism! this character has three sentences of canon and three thousand fanfics about them)#(what i'm saying is that ride kamens is proving that i can get invested based on absolutely nothing okay)
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I find it interesting how Roxas is often described as the “angry one” or “short-tempered one” when compared to Sora or Ventus, mostly because I always felt Sora and Ven have a shorter fuse than Roxas.
The association between Roxas and anger is understandable, because many of Roxas’ most poignant moments in the series happen when he is very (and understandably) angry, but I also feel like it’s a disservice to his character to only reduce him to his anger, especially when it’s far from who he is in normal circumstances.
For example, during Days, many Organization members treat him poorly and insult him to his face and, for the most part, Roxas doesn’t react at all. In Halloween Town, Lock, Shock, and Barrel throw bombs in his face multiple times before Roxas finally snaps at them. He senses that many people around him are keeping things from him, but it takes him months before he confronts someone about it. That’s far from someone I’d consider short-tempered or easy to anger.
The only situation I can think of when we see him get upset quickly is if anyone does or says something bad to Xion and, even then, the most of his reaction is verbally snapping at Saix to make him stop disrespecting her. In Axel’s case (when Roxas is upset with him for attacking Xion), Roxas doesn’t confront him at all, he just avoids him altogether. Also, I think it’s important to note that every moment in which Roxas is very angry happens when his entire life is falling apart, which is a situation in which, I believe, everyone would be upset.
Roxas seems the kind of person who bottles everything up without much reaction until it becomes too much and he explodes, and that’s when he has a hard time controlling his anger/emotions. Having spent most of his life in the organization probably plays a part in it as, every time he brings up any emotion, his feelings are invalidated and suppressed. That’s not an environment that gave him the tools to process strong emotions in a healthy way.
Let’s compare that to Ventus. Ven is the definition of short-tempered in BBS. He’s ready to throw hands with Vanitas the moment he says something remotely bad about Terra, which was minutes after he met him for the first time. He fought the dwarves without a second thought just because they refused to talk with him. His first reaction when he becomes small and is trapped in a mousetrap is to shout. These are just some examples from the top of my head, but it’s clear Ven has a shorter fuse than Roxas.
Ventus usually expresses how he feels in any given situation and has a short fuse. On the flip side, he doesn’t seem to hold on to these feelings at all. He externalises them the moment he feels them, but then he lets it go and it doesn’t bother him anymore. Out of the three of them, Ventus seems the most open about his emotions and, from what I remember, when he opens up about feeling a certain way with his friends, his feelings are usually not invalidated nor brushed aside. In UX, Ventus seems calmer and doesn’t have much anger in him, but he’s still open to expressing his feelings of low self-worth and sadness with the other union leaders.
Sora, I think he falls in the middle? He seems to have a shorter temper compared to Roxas, which was especially clear in KH2, where he snaps at the Organization multiple times, but he also bottles up his emotions more than Ven, especially around his friends. This happens mostly with his sadness, which he always tries to hide or brush aside, but in KH3 we can also see, for example, how much he’s bothered by everyone constantly bringing up him not passing the Mark of Mastery, even if he tries not to show it.
I think Sora feels like he should always be happy for his friends’ sake, and even during the rare moments when he tries to express his sadness, his feelings are not truly welcomed (“No frowning. No sad faces. This boat runs on happy faces”), so he just tries to brush it off as a joke. He’s loud in expressing any kind of positive emotion, and he openly expresses his anger against his enemies (and to his friends too, sometimes), but he also doesn’t hold on to that anger and is pretty forgiving. However, he usually bottles up his sadness, low self-esteem and other negative feelings, and then explodes when he can’t hold it together any longer (like it happened at the Keyblade Graveyard when he thought all his friends were gone forever).
#roxas#ventus#sora#kingdom hearts#kh#i wonder if this misconception about roxas happens because most of his personality is shown in days#like in the actual game not in the movie#and maybe people who didn't play days don't know his characterization during the game#even if i would argue sora and especially ventus suffer from the same problem but opposite#where they're often described as always happy and sunshine when there's much more to their characterization#anyway i just wanted to talk about them#sorry for any mistakes#long post
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For those who are unfamiliar with Deltarune
This is Kris, they're the main character of nutdealer 2
(their skin's not usually blue. it just does that sometimes)
we know almost nothing about them. However, we do know this:
They are nonbinary
They like (most of) their friends
They do NOT like us
They enjoy eating moss
They are going to touch the cheese
that's it that's all we know
Other additions:
They play piano (probably) courteousy or @/mystykmarigold
They are "normal" courteousy of many people
They like to flush bath bombs down the toilet. Their mom doesn't like that courteousy of @/sacrificialcat
They are a knife enjoyer, as well as a chocolate enjoyer
They like(d) to mess with their childhood friend both courteousy of @/the-beasts-have-arrived
They use apple shampoo, and apparently smell enough like apples that a friend associates it with them courteousy of @/spyret-the-shitposter
#also they DON'T NEED DOG TREATS TO BE OBEDIENT (howling noises)#nutdealer posting#legit this is most of what we know of this kid#touching the cheese is important to them#they enjoy moss#and they hate us#also we're possessing them. did i mention that. we are unwilling controlling their every move and decision#unwillingly*#neither of us are happy about this but they prolly don't know that#oh and they like most of their friends#so yea thats what we're working with here#deltarune#utdr#also they can cheat death. or maybe it's us that can. who knows#regarding the probably: it's unclear. might not be them as they don't actually...have a piano#and seem to go in a trance every time they play#so it might be some third guy doing it eould would make things MUCH more complicated
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the best part of the mark of gideon was the entire crew ready and willing to go fist fight the federation, starfleet and planet representatives if they tried to stop them from getting jim kirk back
bones literally materializes on the bridge the second jim disappears
scotty is about to throw hands with the gideon representatives
bureaucracy is being annoying about it so spock decides 'fuck this, I'll do what I want' and bones is like '10/10 choice, no notes'
but spock doesn't let him go with him to the jim-fetching mission, so he's angry again
spock couldn't care less about the dire situation of the planet or the dying girl jim wants to help, he's just there to fetch jim and nothing will stop him
also these overcrowded spaces with staring people were insanely terrifying for me and my ocd, absolutely worst planet to date tlt name similarity notwithstanding
#star trek#star trek tos#spock 'I might have risked a lot to be in starfleet but I'm ready to drop them if they don't let me get jim back' episode#spock#s'chn t'gai spock#leonard mccoy#leonard bones mccoy#montgomery scott#jim kirk#james t kirk#hikaru sulu#nyota uhura#pavel chekov#mcspirk#heavy mcspirk in this one actually#the mark of gideon#long post#fuck this planet very much#no thank you#i know it's about the dangers of overpopulation and all that but NOPE
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Okay listen, I'm real tired of seeing that post that's like "actually bell hooks was talking about how we raise boys" and other miscontrusions of what it is that The Will to Change is about.
So directly from the source, from bell hooks herself in the preface:
"The Will to Change: Men, Masculinity, and Love is about our need to live in a world where women and men can belong together. Looking at the reasons patriarchy has maintained its power over men and their lives, I urge us to reclaim feminism for men, showing why feminist thinking and practice are the only way we can truly address the crisis of masculinity today. In these chapters I repeat many points so that each chapter alone will convey the most significant ideas of the whole. Men cannot change if there are no blueprints for change. Men cannot love if they are not taught the art of loving.
It is not true that men are unwilling to change. It is true that many men are afraid to change. It is true that masses of men have not even begun to look at the ways that patriarchy keeps them from knowing themselves, from being in touch with their feelings, from loving. To know love, men must be able to let go the will to dominate. They must be able to choose life over death. They must be willing to change."
I ain't wading headfirst into the discourse here. This isn't to state some opinion, but to correct the record about what bell hooks was talking about.
No one is saying you have to agree with her, but don't misconstrue what it is she wrote about to make it look like she agreed with you. The Will to Change is not solely about how we raise boys; it is also about men and the will of men to change.
#bell hooks#the will to change#ive already made my opinion about this whole thing clear anyway#and also i am just a random person on tumblr#im just#this is currently sitting in my drafts because of how much i don't want to wade into the discourse#also no this isnt me rebutting the post that spurred this and saying actually yes bell hooks was talking about how we should coddle#misogynistic men and ask them politely not to kill us#theres a world of difference between the two conditions presented in that post#ah fuck it im posting this#go read bell hooks#aint i a woman and the will to change are required reading if youre reading feminist literature imo
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“Your hair’s gotten longer.”
It’s conscious effort that keeps him from tucking the strands behind his ear, from taking the knife at his hip and shearing it all off. He keeps his stance focused, attentive, there’s little else he can do when he’s taken so completely after his mother when it comes to his hair. His father scratches his chin, the clouds of his beard snaking about his finger like mist parting for mountain-peaks. Ares’ chin is still child-smooth. He can feel the tickle of his over-long fringe against his soft jaw. There’s no heart in his chest, but still he feels as though a pulse is lodged in his throat.
Father sighs, put-upon, disappointed, and Ares feels a slight tremor start in his calves from holding himself so tense. “Well done, Ares. Go clean yourself up and get some rest. Phoebus will want to look you over later.”
He should be ecstatic to be praised by his father. Over-the-moon with joy. There should be pride emanating from every pore of his body, the blood on his skin should be sweeter than ambrosia.
Instead, he bows, manages a soft ‘thank you, Father’ around the lump in his throat and immediately flees the room. A mild ‘make sure to trim your hair’ hits the back of his head like a spear through the skull. He almost wishes the great door had slammed on his foot so he would have reason to feel this horrid in his retreat.
Phoebus Apollo is waiting for him in his infirmary.
He’s gilded as ever, gold from crown to heel. Perfect like the statues they carve of him in his temples. He has a smile for Ares when he sees him, a crinkle at the edges of his pretty eyes from the weight of his joy. Ares is waiting to see the crack in the marble, to see if that’s the chip that’ll reveal his fangs.
“Brother,” he greets, and his voice is warm - like the arms that embrace him, his voice is so warm, “Welcome back. I’ve heard you’ve done well.”
There’s a tremble in Ares’ fingers he hadn’t noticed before. Strain from carrying his sword for so many days, a throb from wounds he hadn’t noticed he’d accrued. “Heard? There’s already gossip?”
Phoebus blinks, disarming, demure, coquettish, “But of course,” and Phoebus’ voice is honey to Ares’ gravel, the juxtaposition is grating on his skin, “It’s Olympus. The gossip began long before you set your course.” Those warm hands lead him further into the room, bodily sits him on the chaise, pulls his helmet from his head. It’s all one, unbroken motion, “It’s summer alas, so I could not watch your war myself, but I hear it was quite the decisive victory.”
A thousand thoughts run on horseback through his mind then.
Did Father overhear some terrible slander that pre-emptively disappointed him? Was Ares’ victory merely a rumour, a bet his father hadn’t bothered to take? Was the gossip more enticing than the stark truth? That Ares wasn’t some child toddling about in the shadow of his sister, that his sword and spear weren’t merely for show - he’d think such a thing would warrant celebration. Not -
“Oh my,” Phoebus is in front of him, pleasant warmth more sticky heat with how close he’s pressed himself into Ares’ space. From this angle, Ares can see the multi-coloured flecks of his eyes, like shards of golden glass suspended in ichor. From this angle, with his hand so gently holding his hair, were Ares to blink too hard, he’d swear Phoebus looked just like his mother. “Your hair’s grown long again.”
He pushes Phoebus off with such force that he bangs into the wall. It’s Phoebus, it won’t make even the impression of a scratch on him, but Ares wishes it would. Wishes he’d hit his shoulder or crack his neck or hit his head just hard enough for all that perfect, gilded gold to bleed.
“I’m only here for you to heal me,” the tremble in his hand extends to his shoulder now. He flexes and unflexes his palm. Gods what he would give to just have a sword - “Don’t waste time with the pleasant-work.”
Phoebus huffs, adjusts the fit of his himation, “...Only because we’re meant to be celebrating your victory.” He crosses the room in two great strides, his hair a swirling tempest behind him as he gathers his poultices and wraps. “The only reason I’ll not throw you from the window is because we are meant to be celebrating your victory.”
There’s not enough acid in his tone for this to truly be a fight. Ares’ jaw clenches, he bites out a terse, “How benevolent.”
“Aren’t I?” He’s got nectar and his sutures in hand, that focused look falling upon his face when he switches from overbearing busybody to Paeon of the Gods. “Now strip unfaltering Ares, let us see the measure of damage done to your indomitable flesh.”
(Somewhere between the fifth set of stitches and the gentle frown that crosses Phoebus’ face when he notices the persistent tremble in his fingers, Ares pins his eyes to the far wall and asks, “What does it mean when Father says ‘well done’?”
Any other sibling would mock before they gave a true response. Any other sibling would laugh and dismiss it, would say that praise is praise and any lingering ill feeling is just the worst of the war still fogging his mind. Phoebus does not answer immediately. He doesn’t make a single sound. The question settles like fetid water between them, unignorable, the scent right there on the tip of the tongue yet firmly unacknowledged. Ares closes his eyes and tries again to settle his squirming so he does not interfere with Phoebus’ work. The metallic snip of scissors cutting thread breaks the silence. Phoebus bids him to sit up and slides his warm palms up his back until his fingers tangle gently in the ends of his hair. He twists the dark red strands until he’s gathered it all into a neat handful, holding it loosely as he switches his scissors for his shearing blade. “You should know it was not praise,” Phoebus says softly. The first of Ares cut hairs fall like viscera from his head. Phoebus treats each cutting with the sacredness of a blood-sacrifice. If he focused on the moment of tension right before the blade cuts though, Ares thinks he can imagine the agony of his sister’s sacred birth. “It is acknowledgement. Father thinks you’ve done well so he says ‘well done’.”
Gently, Phoebus releases him. Ruffles his head so all the extra hairs fall like red rain to the floor. Ares runs his fingers through the ends now curling against his ear. “Has he ever told you ‘well done’?”
A laugh, warm and gilded, “No, and it would not make you feel better if he had.”
Ares swallows down a thousand different questions. Phoebus wouldn’t answer them, he’s infuriating like that. Instead, he clenches his teeth, the phantom of Father’s dizzying tangle of grey cloud-hairs persistent in the corner of his eyes. “Cut it shorter.”
Phoebus doesn’t protest. He never seems to say a word when it really matters.)
#ginger writes#“Oh I'll post more about Apollo and Zeus!” posts about Ares and Apollo posts about Ares and Apollo posts about Ares--#Admittedly the triad of Zeus Ares Apollo is very interesting to me and it has a very fun place in my work so like#woe Ares/Apollo sibling relations be upon ye#I think Ares and Apollo are such fascinating foil cases btw - both for exploring masculinity and the complexes of the son#Strong masculine Ares with his dread and bloody war-work vs calm effeminate Apollo with his dread but distant archery#Apollo himself is not effeminate by the by but some of the things he's associated with tend to give that impression#I'm thinking specifically of an Achilles/Paris dichotomy between the two almost tbh#Where Achilles lives gloriously and fights gloriously but is ultimately destined for shame and an inglorious end#while Paris lives according to his feelings and desires yet prevails over both the pious and the powerful#That's the kind of relationship they have at this point#It's also very interesting looking at cases where parents (in this case Zeus) don't necessarily deride or shame a child#but certainly don't uplift them either#The distance between Zeus and Ares will never not be a favoured topic of mine#I love that shit so much actually#zeus#ares#apollo#writing#greek mythology#pursuing daybreak posting
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so sorry but that post about "the reason boys and men are being radicalized is bc girls are mean to them" is driving me up the fucking wall. maybe i really am just on a different internet than the rest of you but. this sentiment of "women are being bitches who don't care about men and that's why there's Problems now" is like. such an alpha male podcast classic take. like it's literally "not all men". it doesn't magically become better bc u say stuff with liberal terminology. jesus christ
#mine#caveats i know i KNOW some ppl are annoying about this#but are we really gonna pretend thats whats radicalizing men?#that women aren't nice enough to them anymore?#'but IM a man???? so her post is about me so I'm gonna do violent misogyny'#the way u all can't fucking WAIT to blame women for everything!!!!#like are we really saying kamala lost the election cuz women aren't nice anymore???????#like somehow!!!!! i don't think that's the problem!!!!!#this shit starts young. it often is predicated on the thought#that boys are inherently superior. and that the word of a man matters more than the word of a woman#why do u think so many of these men disrespect their mothers#yet venerate male family figures who aren't around or do as much#sorry the popularity of that post pissed me off SO BAD#ACTUALLY EVERYTHING WRONG IS WOMEN'S FAULT!!!!!!!!!#U JUST HAVE TO CENTER MEN AND THEIR COMFORT IN UR LIFE MORE!!!!!!!!!!!#feminism
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alien emoji
#ts4#simblr#ts4 edit#ts4 render#sims 4#myedits#AUverse#bow#dhestyn#kelly#sue#gaston#good news i didn't forget how to make things#this still isn't the band edit i had planned to do but idk it's kind of fun i guess#i used the blender compositor for some of the effects :-)#looking at it now it kind of ended up being an unintentional remake of that one bandAU edit i did forever ago#i never did like that one#the lighting was. not good.#but anyway! look at me posting my other OCs for once!#stella & marky are not in the band but#stella sells merch for them at their shows & marcus very lovingly tells them how much their music sucks#btw they actually are a band in canon. they perform in their high school talent show & everything#they don't get big at all though & they kind of just... give up on it after a while#kel is the only one out of the 5 of em who actually knows anything about making music#so they were doomed from the start really#this AU is literally the exact same as canon but they get mildly famous#probably played at warped tour or something when that was still a thing lol
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hey you're a good artist and a generally good person but highkey throwing out posts regarding transandrophobia and trans men who may use the term that are really long and inscrutable to anyone not already involved in whatever discourse carousel is not really fun to see. i talk to trans guys in my real life and i've literally never even seen the word "transandrophobia" outside of tumblr. i don't think it needs litigating, and you're more likely just exposing an audience that very likely may not be familiar with whatever is going on there to some random, kinda extreme opinion for which they have just genuinely no reference point.
(that and, like, intersectionality exists and is useful and none of those posts ever use the word intersectionality ever so idk how useful their analyses actually are without that)
i'm pretty sure many transfems who follow me and all happen to be on the same damn site are aware of discussions of transandrophobia and transmisogyny in general, or ""discourse carousel"" as you called it, happening here. i can see my notes, you know. those of them who are uninterested in these posts for whatever reason can simply ignore them. and i genuinely don't give a fuck about trans guys who might find any of this offensive or worth getting defensive over. also, i happen to be a person with opinions and at the end of the day it's up to me if i want to make my position clear by reblogging something (that i know will resonate with a good chunk of my followers too, whom you for some reason decided to paint as ignorant). not sure what you were hoping to accomplish by sending me this, it's not like anyone's forcing you to follow me, nor is it your position to tell me what to put on my own blog
#getting this after a post that explicitly states that “transandrophobia” isn't usually used in irl spaces is fascinating#like yeah i'm sure trans guys you talk to don't use it. they don't need to. and it's not like your experience is universal either way#also like. if someone has the luxury of being completely oblivious then maybe seeing a random post on the topic would push them#to look into it more yeah? whatever. don't send me more asks about this i think i made myself clear and will probably just ignore them#i don't actually enjoy talking here all that much believe it or not#benvey's askbox
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
#polin#colin bridgerton#penelope featherington#Bridgerton#i love them#but honestly? i think i read too deeply into them#this is the only post about them i'll keep up#but after everything i've seen in this fandom and the promos and the synopsis- i don't think these two are friends#and i think i have given them more nuance and depth than they actually will get#and so i guess they're my dream#this version of them#the version of them that loves each other deeply and sees one another and has tenderness for each other#but everyone else in the fandom was right- we won't get this#we will get penelope needing external validation through the ton's opinion and we won't get colin being a full character#we will get a story based on suffering and holding scorecards against each other#we will get groveling and cold shoulders and drama in place of real growth#i suppose it's just sad for me#because i read so much of what i've thought of these two and i *see* the love i have for them#but bton and this fandom don't have that same love#so i have to let go of that dream#and that's for the best#but as a memento: have this#i've written a lot of love letters to this pairing- consider this one of them
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Might be having a little too much fun playing with them like dolls at this point
@silverskye13
#atlas.art#artists on tumblr#mcyt#hermitcraft#redstone and skulk#helsknight#tanguish#zeph#skye i am so sorry for tagging you in three posts in the span of 24 hours I have brain worms about them apparently#also sorry that half of them have just been me putting my silly oc next to your guys anskdhks#i don't even know how i've actually managed to draw this much this quickly it's a little absurd
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