#i do think these so far establish a good timeline for now

[gwenivere]

✰          META  /  HEADCANON     :          TIMELINE.

like most properties in literature and visual medias, we are not given an approximate time / date for most of the events that dictate gwen's past, present and future. therefore, the following will be an attempt to pin down some key points in her story, in order to give some semblant of background when it comes to seasons, school terms, etc. the following is mostly headcanon-based, with elements of reality borrowed such as the date of certain episodes airing. in general, i consider the earliest airing date ( usually canadian for events of season one / book one and two , and australian for season two / book three and four ) to be the date of most events, but there are exceptions, such as the final group of episodes.

•   as stated in a prior post, gwen was born on november 2nd 1988, in toronto, canada. since her birthday and specific birth place were never stated in the series and books , i have decided to give her the same birthday and birth place as her actress .

•   gwen and her mother arrive in griffinvale , australia through a flight from canada to melbourne around late march 2002 . following their arrival , karen starts to completely withdraw herself , hardly speaking and hardly sleeping . during that month, gwen has to stay home to look after her mother , growing worried for her with each passing day .

•   a few days after karen stops to eat , gwen chooses to take her mother to the hospital , in the evening of may 4th 2002 , the canadian premiere of the first episode ( the first episode premiering in australia on may 10th ) . seeing her mother grow so much worse to the point she thinks she may die justifies her decision . karen is then institutionalized in the psychiatric wing , while gwen winds up in children's services' care that night . the sole thing she asks is to be close to her mother , which she'll get .

•   gwen is taken in by the rosens from children' services in the afternoon of may 5th 2002 , meeting harve and louise first , and her foster sister katie dawson once the latter comes home from school . harve and louise also enroll her in griffin secondary , the sister school to griffin primary , which katie attends . louise offers to take her there the following day , which gwen declines as she is allowed to new schools , stating earlier in the book that she had gone through five schools in five years .

•   gwen starts school on the morning of may 6th 2002 . other than history , we have little to no knowledge of her classes on that day . the rest of the events from the first episode unveil : indeed, during her first week at griffin secondary, gwen realises there's something fishy about ms. blatt, the socials teacher. one of her classmates , tasha myers , suspects that ms. blatt is a witch , working a spell to steal youth and beauty from her students . intuiting that gwen has a sensitivity to magic , tasha tries to enlist her to defeat the ever more youthful teacher — but meets with resistance and denial from gwen . gwen also meets tasha's brother josh , as well as the head of the style queens , reine davidson . gwen also has her first encounter with merlin , kickstarting the events of the series .

•   the final three episodes ( what guinevere knew / darkness falls / rebellion ) all take place during the same day , around october 18th 2002 at the earliest .   having used merlin's stone to save karen at that point , gwen attempts to return the crystal to merlin's time through faerie, but o'leary intervenes and gives the crystal to morgana .   in a turn of events that surprises even the man himself , o'leary helps gwen escape when morgana attacks the young girl . gwen and o'leary return to the 21st century to find that morgana has ruled as an immortal for 1500 years . the world, including all of gwen's friends as well as her foster family, suffer under morgana's tyranny — and gwen herself has been declared an outlaw for practicing magic, which in this reality is preserved for morgana alone .

[dreamteamemojis]

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[baeshijima]

u know what would be a cool genshin fic idea? isekai/transmigrated reader, but instead of appearing within the general timeline, you come into the genshin world 500 years prior to the start of the storyline in khaenri'ah.

honestly it could be either a little before the cataclysm, giving enough time to delve into some relationship building + explore some world building with characters like dainsleif, traveller's sibling (which would probably be lumine bc i actually do like her as abyss sibling & aether as traveller), and npcs like halfdan (still crying over him to this day ;w;) and possibly the khaenri'ahn royal guards (assuming you either join them or have a good enough relationship with them), OR it could be you appear during the crisis, completely and utterly lost as to why you were brought amidst the chaos and bloodshed as you watch everything you barely knew about this nation crumble before your very eyes.

either route will still result in reader's existential crises and constant "why am i here? just to suffer?" monologues because really, who would be fine after going through that after coming from /our/ world? and not to mention you've had to endure the next 500 years wandering with no real set path because you don't know this world— this era of teyvat or of genshin. you're merely stuck, unable to die, and forced to live a life of uncertainty with no clear direction for you to go to.

despite it all, you've at least been able to see dain during this course. while your meetings pass far too quickly for your lonesome, and his solemn demeanour is something you're yet to be accustomed to after having been with him before the fall of khaenri'ah (assuming it's the route where you appear before the cataclysm), you're glad to see a familiar face every now and then. after the messy departure with the lumine who left for the abyss order, you've come to appreciate his quiet presence more and more each time.

and then you decide it might be time to settle. you soon realise it's difficult to do so when your lifespan has become far more than that of a human's — of a mortal's — and so you find yourself becoming used to staying in one place for a few years before setting off for the next. rinse and repeat. over and over. it's come to a point where you've witnessed the nations undergo various changes each time you visit. you know change is inevitable, and yet your heart stings each time you witness it; a testament to how the world is ever-changing, yet you're stuck in place as a bystander.

one thing you're grateful for, however, are the bonds you've established amid your back-and-forth over the centuries. from archons like zhongli and venti to long-life beings such as neuvillette and the adepti to regular mortals who have showed you kindness as if one of their own... you've grown to cherish those memories, often reminiscing them when the nights get too long and surroundings too quiet. it was difficult at first, and still is, but you've become used to the inevitable change and the passing of those you once knew.

and after 500 years, you find yourself face-to-face with one you haven't seen since before you appeared in this world; the protagonist of this world, and the one you eventually join in hopes of finally finding a means to an end, aether.

little side notes/extras:

from /our/ world, you would probably know the storyline from up to around current (5.0) or maybe a little after the fontaine aq conclusion. it gives a lot to work with, but you definitely won't remember a lot of the lore after so long other than some main events, especially since most of your knowledge is pretty irrelevant for the next 500 years,,,

i think it would be cool if you had an inteyvat on your person as a little homage of khaenri'ah, which may or may not invoke some opinions from certain characters (*cough* aether immediately being reminded of lumine and having an existential crisis *cough*)

post-cataclysm you would go through a, uhm, long phase of helplessness, wondering why you were even brought to this world so far back if you couldn't even make any contributions. it does eventually morph into a resolution to do what you can to help those you come across if it's within your capabilities, but the nightmares and helplessness come back every now and then as a reminder for what you can't do :D yippee :D

honestly i'm on the fence whether you would have a vision or some other type of abilities (think on the similar lines of aether/lumine's and dain's), but i think having some type of purification mechanic would be a must in your arsenal !! would definitely lead to some moments between you and characters like dain or zhongli who suffer from the erosion as you give them a slight reprieve from what rages within and corrodes them

a little self indulgent, but i'd like to think your first /proper/ meeting with zhongli happens during a lantern rite festival, wherein you're admiring the lanterns in the sky after making a wish of your own and he comes up from behind with "they're beautiful, wouldn't you say so?" and !!

also as for love interests, as much as i would love for human/mortal characters, a part of me feels like this story would be better suited for the immortal/long-life characters as love interests?? idk i feel like considering that 500 years is, well, a long time, the bonds you would have with them compared to characters like, say, alhaitham or diluc would be way too different ?? though i would definitely still add them as love interest bc i am a sucker for so many of the human characters ;w; it would also add to the angst and hurt/comfort ahahha...

anyway thank you for reading this massive brain dump of a fic bc i absolutely would put this as a long term project, and if u made it this far then i would like to say that dain solos—

[idanit]

ok now i need to know about your niche country-specific jeeves AU

"Every valet takes great pride / in cooking what his husband likes" an edit of a makatka by @maidblues

(You've probably forgotten about sending this ask. I almost forgot I had a reply sitting in my drafts.)

This is incredibly niche and very hard to do for numerous reasons, but I've been thinking about a Polish Jeeves AU for a good while now. I'm not the best person to come up with the best way to cut almost all politics out from a story set in the 1920s in a country that has just become sovereign and is about to go through some further enormous transformations, so I'm not going to try very hard. Wodehouse's stories already take place in an idyllic sort of fantasy on the theme of interwar and postwar Britain, so I suppose a Polish AU would have to just lean into that even harder.

(Polish aristocracts lost their legal protections in 1921, but let's not think about it too much. Don't think about how you could possibly make "Comrade Bingo" work in a post-1920 Poland either. Etc., etc.)

So we've established that this would have to be some sort of barely recognisable fairytale Poland. But something in me is compelled by the idea of trying this out anyway because there are not a lot of wodehousian stories in Polish literature of the time. Not a lot of comedy without other genres mixed in in general. And one does wonder what it would look like.

Names are tricky. I want Bertram to be Bartłomiej or Bartosz (Bartek in the diminutive). @maidblues likes to give him the surname of Kogucik (rooster) and I toyed with the idea of giving him the Kur (another word for rooster) crest.

As for Jeeves's name, his case is more complicated because as far as I know servants in Poland were usually called by their masters by their first name, and the most common servant (as well as Polish in general) name would probably be Jan. So I'm tempted to make Reginald Jeeves a Jan Regulski or a Jan Reguła (reguła means "a rule").

This choice has the advantage of turning the "Jeeves?" / "Yes, sir?" exchange into "Janie?" / "Tak, jaśnie panie?". It rhymes. I find this amusing.

Servants at the time were overwhelmingly female, especially those who worked alone and for a single person/household, but we're going to ignore that.

Bertie is an aristocrat living in Warsaw, since it's the capital city, but his family is from some Mazovian dworek (manor house).

Aristocracy was not quite as much of an exclusive club as it was in Britain (some historians say it made up 10% of Polish society). Bertie probably says his ancestors fought at Grunwald, but he would likely bring up the Romanticism and the XVII century a lot as well, because they were as alive in the Polish public consciousness of the time as Middle Ages were in the mind of a certain kind of Englishman. Bertie could lean into something commonly called "the pride of the Sarmatians" (duma sarmacka).

Bertie's school is important. Everything depends on this, I think — Bertie's language, his friends, his club. Wealthy aristocrats did send their children abroad sometimes, so he could even have a typical British public school education even if he'd be unlikely to attend Eton and Oxford, specifically, but this feels like a cop-out, so I'm going to assume he was a student at some Polish university and not think about it too much lest I get caught up in the timelines of what university in what partition of Poland it would make sense for him to attend.

Bertie's way of speaking. My heart wants to make Bertie use some elements from the Warsaw subdialect because it's very fun and it would fit him, but regrettably, I think it's too working-class for him. I am fascinated by the idea of Bertie borrowing words from German and Russian in addition to French, though. He'd probably make use of some form of gwara uczniowska (student slang), too.

And Jeeves could know the Warsaw subdialect well, even if he would probably not use it while speaking to the members of the aristocracy (I'm pretty sure an early version of canon Jeeves spoke with a subtle Cockney accent, calling Bertie "guv’nor"). I wanted to make him a Warsaw local, perhaps with some family in the countryside, perhaps in the former Prussian partition, since I think the level of literacy was higher there and I need a way for Jeeves to have a chance of getting some education.

The Drones. There were no gentlemen's clubs, so I think the Drones would have to be a coffeehouse, a restaurant, or a szynk / pub called "Truteń"/"U Trutnia"/"Pod Trutniem". It's a significant change because they were not exclusive places, but it's the best I can think of. Coffeehouses in particular had a rich tradition as cultural places where people spent hours and hours on discussions. I think a Polish equivalent of a Drones Club could even serve as a tongue-in-cheek satire on artistic groups like Skamandryci. The Polish Drones would just have to take their gambling elsewhere. (@maidblues came up with another name for a Drones-like place that served food: Darmozjad. I love the pun — the word means someone useless, lit. someone who eats for free.)

As for the Junior Ganymede (Ganimedes), I think it would be a stowarzyszenie (club/society) without its own venue. Its members would probably meet at regular conventions. Here, I see an opportunity of some comedic nods to the tradition of "zjazdy", which in the centuries past were politically significant meetings of the aristocracy.

Bertie sings Mieczysław Fogg's songs.

Jeeves knows quotes from Mickiewicz and Słowacki (Polish Romantic poets) by heart.

Bertie is bi/multillingual enough to run off to Paris instead of New York City every now and then. Not quite putting an ocean between you and your aunt, but far enough for Ciotka Agata not to follow him.

I'm unlikely to ever finish writing anything for Jeeves in Polish, so, to finish things off, have this contextless excerpt from some draft of mine:

Mam na myśli tyle tylko, że podczas półtygodniowego pobytu, w którym jaśnie panowi udało si�� wpaść do sadzawki, zaręczyć, zostać pogryzionym, rozsierdzić Spodkowskiego i obrazić trzy stateczne matrony, choć nie dokładnie w tej kolejności, Jan ocalił mój ulubiony garnitur (bez krawata), zgrabnie mnie odręczył, opatrzył i odwiózł do Warszawy, a skroni jego nie zrosiła nawet mgiełka potu. Wspaniały człowiek. Obsypałem go, rzecz jasna, pewną ilością marek, ale wydawało mi się to zgoła niewystarczające. Dusza moja śpiewała, wolna jak ptak bez obrączki, a mój wybawca miał z tego tylko trochę świstków papieru, które i tak natychmiast wyśle rodzinie spoza stolicy — znałem go doskonale.

[rookflower]

"everyone in mapleshade's vengeance (minus the kits and whatever other exceptions whatever person making this point opts to include) is a bad person" is a take that does indeed work to establish that yes, this is a story piloted by every party with any agency acting out of cruelty and hurting others, and is also an attempt at gesturing towards nuance (or at least, thinking outside of black and white morality. it is in itself a kinda inherently un-nuanced take) within the idea of good vs evil in the story. however where i believe the issue with the phrase lies is in the assertion that the reason why these characters are enacting violence on each other is because of some unique inherent nastiness they were born with or that were predisposed into their character writing rather than addressing that their flaws (while still horrible) are specifically systemically driven.

before she kills ravenwing, mapleshade commits no crime that is worth the persecution she faces, and her mistakes are in fear of facing what she inevitably does. she does not obfuscate information about her childrens' parentage or take them into that river out of malice or uncaring, she does it because she lives in a society that will exile her children in a storm once it finds out that they are illegitimate, and see that she leaves. the birchface thing likely exacerbated her punishment, sure, but she still had no safety net. if it could happen under that circumstance it could happen under any, and that is the tragedy of it. (the bridge-she-couldve-crossed thing is clearly not something the authors remembered or considered so is kind of textually irrelevant)

likewise, frecklewish does not display some unique inherent xenophobia to herself that we don't also see across the timeline from dotc to present, that even characters the writers intend as sympathetic like crowfeather and gray wing will display. this doesn't whatsoever absolve her of culpability, cruelty is cruelty regardless of the source, but it isn't her that is the source of her own hatred, it is the clan system, and her own grief that is amplifying it. "frecklewish wasn't sent to the dark forest for the river thing, it was because she yelled at the kids" is a funny take because yeah to us the readers her violent outburst is clearly her "wrong", but in-universe i really don't think starclan would care LMAO.

now, as with a lot of things in warrior cats that are deeper than the text on page i''m not sure the erins are necessarily consciously Trying to write the clan system as an inherently cruel, violent, and bigoted system- they might very well be throwing in antagonistic characters with the intent that their prejudices and toxic patriotism just form naturally and randomly like mutuations- but as i've said before i do find an interesting parallel between the series' necessity to maintain its status quo and flow of conflict for sake of marketability and series continuation, and the fact that the world in-universe has a code with xenophobia baked into its laws and consistently writes conflicts about the cruelty of the warrior code without ever being able to take steps to major to address and remedy the flaws that lead to this conflict lest it Paint The Clans As The Bad Guys or force them to step too far away from their tried and true formula, so the cycle continues. i think that's the tragedy of mapleshade's vengeance to me- it's a story that occurs because of some pointless interclan war about rocks or whatever else and everything that occurs to mapleshade is done to her by cogs and/or perpatrators of this machine that values compliance and order and clan isolationism. she's a minorly selfish and oblivious person, she isn't born evil. the people that hurt her aren't conniving supervillains, they're just people with the capacity for cruelty given the motivation and the chance. and that's worse, in a way, because they come out on the right side of history and like a dozen generations later squirrelflight and leafpool are going to get put on a trial to go to hell for the same crime that got her exiled, because the system is fucked and the system hasn't changed.

[brucewaynehater101]

I come again w/ another Tim Drake au!!

So there's this fanfic "If We Could Only Utter the Words Left Unsaid" by TaintedCure on AO3

And now I wanna share an idea

TW for suicide because of Timothy + death-fueled-time-travel

Basically, whenever somebody kills Tim, they go back in time, and there's no limit to how many times he can die. they go back far enough to prevent his death or not do an attempt on his life

He dies during Titans Tower? Back in time you go Jason!

Cut his line and he broke his neck and died? Damian is now back in time!

Some goon cracked his skull too well? Say hello to the past bucko!

Hell, even accidental murders still register so if you were to accidentally push him off too high a ledge you're getting the Time Travel Treatment

Hey maybe Tim still is aware of his time travel powers, but only when it comes to natural causes (like hypothermia) or suicides, so as a result he thinks he knows it all when he in fact doesn't

So yeah, unless somebody spills, Tim is clueless to the whole truth of his powers

I imagine only old age would do him in at this rate

It'd be like real interesting to see all the POVs, especially if they think they know all the loops

Like there's Tim who's regularly exploited his powers to get perfect results but is trying to convince himself he isn't being too frivolous with his life since he's saving lives or making them better

Then there's the people who did him in and may or may not even be aware that the time travel they experiences was because they killed the Third Robin or got him killed

Then there's the people who've done him in maybe one, twice or multiple times and have clocked into the fact that murdering Tim is an exercise in futility

TW: suicide (powers revolving traveling time by dying), violence/abuse (skip the angst if you don't want the second one), and death.

Now, this is a very interesting concept, and I'm probably gonna get lost in the setup for a bit.

The way that Tim's powers work would have to be defined really well. How far back can he go? In the fic you mentioned, he has a save point, basically. He can die an infinite amount of times, but he'll only return to his save point unless he reaches past the OG time he died. He can play around as much as he wants between the savepoint and his death, but a new savepoint gets set up after he passes his OG death time. It also indicated a decrease in time he went back (or his savepoint was established) so that he'll eventually die for good if he kept using his powers. That solves a lot of continuity issues.

However, the setup for Tim's powers could be like SSS-Class Suicide Hunter. For those who aren't familiar, the MC revives 24 hours in the past. He ends up killing himself thousands of times to end up at least a decade in the past. It's been a while since I've read it, but that's the basics of it.

If we're working off of those rules, anyone who kills Tim is only working with 24 hours in the past. You can add more or less time to fit your AU better.

I have some questions about the setup. You mentioned that the person who kills Tim would get sent back without his knowledge. Therefore, in Tim's mind, has he never been murdered? Or, is it a two for one ride into the past? Does the villain get sent back into the past, but Tim doesn't know the past has been changed? Or does Tim get sent back as well, but he doesn't know the villain is also sent back?

Imma get into the angst in a bit if Tim doesn't get sent back into the past when he gets murdered.

However, the issue with this is fucking with the timestream. If a goon kills Tim, ends up 24 hours in the past, and past Tim kills himself within those 24 hours, what the hell is the timeline? Does the goon still get sent back in time? Does Tim get sent back, and then, when the goon is supposed to, his consciousness gets sent back during that time? Does Tim killing himself wipe out the goon being able to travel back in time?

Continously, I assume if villains found out about the power, they would gun for Red Robin with prejudice because they know they'll get a cheat that way. They get a ticket to the past if they kill the bird. They get a redo.

Alright. Angst time!

~~

Bruce is the first one to find out about Tim's power. He's training with Tim when, as per usual, he takes it a bit too far. The man has a habit of not pulling his punches in a fucked up version of trying to push Tim away from being Robin. This time, when he punches Tim, the kid doesn't get up. It's a wonder he didn't hear the awful crack or notice Tim's neck wasn't quite right. Only not recieving an answer after berating Tim about not getting up causes Bruce to pause. He doesn't hear breathing.

Oh gods. He doesn't hear breathing. Is Tim dead? Did he kill Tim? Did he break his nec-

Bruce snaps to attention mid lecture to Robin. They are both in the cave (not on the training mats not on the mats not on the mats), and it seems the exact same as it was yesterday when he was yelling at Tim about proper batarang maintenance.

Tim, ever the observant Robin, leans forward as if to ask if Batman was okay. Bruce flinches back.

Tim's eyes widen in shock as he takes a step back. In the year or so he's worked with Bruce, he's never gotten that response to initating touch. Tim's eyes flicker down to his hand in recrimination and puzzlement.

Bruce takes a shaky breath in before dismissing Tim for the night. The child is hesitant to flee but follows the request.

Bruce doesn't know what happened and he's not sure he wants to find out.

This cues Bruce being kinder to Tim and less harsh. The detective figures out that Tim has a time traveling power upon death, but it appears as if Tim isn't aware of it (he doesn't know that Tim constantly kills himself for better results in field). Tim never finds out that Bruce's change in behavior to him was born of guilt. He never learns that his dad killed him.

~~

Next angst!

Two concepts with Jason.

One, Jason creates a fucked up timeloop with Titan's Tower where he kills Tim over and over again in fucked up ways until he satiates his desire for bloodlust. If Tim is still aware of the Tower incident, that's because Jason wanted him to be. Whether Jason becomes guilty about this timeloop he created or not could also be explored. There is a fic out there kind of similar to this concept (timeloop Titan's Tower, not the added element of Tim's powers).

Two, Bruce does end up killing Jason in the showdown with the Joker. He batarang slices Jason's neck, the building blows up, and Jason never emerges. There's a few ways to add on top of this angst. If Titan's Tower happened before this (and Tim was left beaten), that means Tim chose to kill himself to save Jason. Jason will never know. That, or Titan's Tower happens afterwards and Jason tortures Tim not knowing the teen saved him from a second death at the hands of his father (ironically Tim also doesn't know that he's been killed by Bruce).

~~

Last Angst!

Damian finds out about Tim's power and abuses it constantly. He's a kid that was raised to be an assassin and found someone he can kill that also gives him the benefit of getting away with anything. As long as the kill goes through, he's golden.

Eventually, Damian starts to slow down on this. He doesn't really want to see Drake choking on blood again.

He one day finds that he hasn't tried to kill Drake in months and he doesn't really want to try to.

Then he finds that list.

Then he cuts Drake's line.

Then he has to relive those 24 hours again knowing he killed someone he was starting to trust.

Bonus angst if Tim finds out, jokingly asks his family members how many times they have killed them, and finds out Dick is the only one who hasn't (Tim killed himself after the 16th birthday incident and he somewhat blames Alfred for that, though he'll never tell him).

[mikimakiboo]

Happier Somewhere Else

It's been a while since I wrote some Nightmare angst :)

Thankfully @somegrumpynerd posted a wonderful thought that gave me a boost of inspiration :D ( surprise surprise hope you enjoy :) )

Tw: some self hatred, mention of past bullying, slight abandonment issue, basically just Nightmare badly needing therapy and having a bad time™

- What would you like to do ?

Nightmare asked as Killer turned to look at him, taken aback by the question. His boss rarely asked him about what he would like to do, surely because the determination dripping skeleton always seemed pleased with everything. He was always so enthusiastic about everything Nightmare asked him to do or anywhere he asked him to go, that Nightmare just didn't think Killer would want something else. But his henchman had looked quite... down, lately, he often found him looking through the window, lost in his thoughts, spacing out during dinner or mid conversation, and so he had been worried that he could be longing for something else that Nightmare didn't think of providing, but now that a truce had been established with his brother, it would be easier to satisfy whatever need he had.

Killer thought for a moment, glancing at the window before looking back at Nightmare. Something he wanted to do ? He didn't want to do anything special, but... he did want to go out... did that count as something to do ?

- I... I want to go in the Omega Timeline... to see Color...

Nightmare didn't respond right away, and Killer saw him frown a little, was his answer not what Nightmare expected ? Should he have asked to watch TV instead ?

Nightmare kept staring at him for a few seconds before realizing that he was waiting for an answer.

- I.. sure, you can.. you can go see him...

He hesitated. Killer smiled, giving him a hug that Nightmare didn't know how to reciprocate, before letting him go and leaving to go to his room.

- I'm gonna pack my bag, I'll be back in five minutes !

Nightmare watched him leave, a feeling that he hadn't felt in years emerged in his soul and he had to take a deep breath to try and suppress it. He looked out the window. It was autumn, his favorite season, he loved watching the trees change color and the leaves falling on the ground, the trees in Dreamtale never did that, his AU had been stucked in a perpetual spring due to the Tree of Feelings. His boys always teased him when he called it autumn instead of fall, they always said he was so fancy and sophisticated.

- Hey, uh.. you're good ?

Nightmare turned, Killer was back with his bag on his shoulder. He looked worried. Nightmare forced a smile.

- Yeah, I'm good, I'll take you to the Omega Timeline.

He wrapped a tentacle around Killer's wrist and the two of them dissappear in a puddle, when the reappeared they were in a white void, a spot in the Omega Timeline that was far enough from the city as to not be seen. Nightmare wasn't welcomed here.

Color was already there, Killer must have sent him a message. He looked at Nightmare with suspicion, as he always did, not trusting him near his friend. The black skeleton let go of Killer, watching him run to his friend to hug him full force, his soul radiating happiness and excitation while Nightmare's soul only clenched in his ribcage. When Killer turned around, Nightmare was already gone.

Nightmare reappeared back in the living room, alone, his whole chest burning from the inside. He felt Dust's presence behind him.

- Hey, uh, I saw Killer running out of his room with a bag, you dropped him somewhere ?

- He's.. in the Omega Timeline..

Nightmare answered without turning around. Dust laughed.

- Off being gay with his rainbow boyfriend again ?

Nightmare forced himself to chuckle but he already felt his lips trembling.

- Yeah.. I'll.. be in my office, I have work to do, do not disturb me..

He said before teleporting, leaving Dust in the living room, confused.

He locked the door and went to sit on his chair. What had he done ? Why did he let him go ? Why did he let Killer leave ? Why did he want to leave in the first place ? Wasn't he happy here with them ? He thought he had been happy, he was always so.. so joyful when they were all together... had he been secretly miserable ? So miserable that now that there was a truce he saw his chance to leave ? To go be happy with his friend, like Dust said, because he wasn't truly happy here ? What did Nightmare do wrong, what did he not see, for Killer to want to leave this soon ?

Nightmare felt terrible, like a giant weight was crushing him and couldn't get up, he could never get up. He had thought that Killer was happy, he truly believed it, but he asked him to leave, and Nightmare hadn't found the strength to tell him no, to keep him away from someone who made him smile more then they could ever had. He didn't find the strength to say no, to lock him here and watch him be miserable and knowing he was the cause of his misery. Not again.

He didn't want to be the cause of anybody's misery, not again, not anymore. He had felt so bad, so guilty, each time a villager accused him of causing harm to them or their family. He didn't want to harm anyone, all he wanted was play under the tree with his brother, his brother was always so happy to be with him. He harmed him too. He harmed him each time there was a storm, Dream didn't like thunder, it always made him cry when it was too loud, he was scared. But where did fear come from ? It came from him. From his apples. He knew that if Dream was scared it was because of him, because he guarded those feelings, each time someone felt fear or sadness or despair it was because of him. He knew it. So if Killer was unhappy, it must have been because of him.

His gaze fell on the picture on his desk, a picture taken by Killer, on which there was everyone. They were smiling, Nightmare was in the back, watching them fondly, his boys, his family. He grabbed the frame carefully, holding it with both hands. He loved them so much... were they happy here ? Did they want to go too ? Should he let them go ? He wanted them to be happy, even if it meant they would be far from him...

He sighed, putting the frame back on his desk, he teleported to his room and fell on his bed. Dinner was almost ready, judging by the time, but he wasn't hungry. Horror wouldn't be pleased with him skipping a meal, but he felt like he would throw up if he ate anything. His chest felt too full, ready to explode, he felt like he had something in his throat making his cheeks tingle. He rolled on the other side of his bed, holding a pillow in his arms as his tentacles curled around him in a protective manner. He was breathing faster, louder, his lips were shaking. He felt pathetic. He didn't have the right to cry. He didn't have the right to feel sad that Killer was happy. He should be happy for him ! He should be happy Killer had someone who cared about him ! He should... he should have seen something was wrong... he should have guessed... it wasn't rocket science, he could never make someone happy, that was his brother's role, not his, it had never been his. His role was to make people miserable, and he was good at this job, so good that he himself felt so miserable at that moment.

He didn't find sleep this night, he just kept rolling over and over and over, listening to the others go to bed too. Horror had knocked at his door, informing him that his plate was in the fridge if he was hungry later. He wasn't hungry. He wanted to throw up. He felt disgusted, disgusted of himself for having neglected Killer so much he didn't notice he wasn't happy.

He got out of bed in the morning, later than usual, he felt heavy. He managed to drag himself to the kitchen and sit at the table where the others, minus Killer, were already having breakfast.

- Mornin' Night, want coffee ?

Horror asked, already making some pancakes. Nightmare nodded, not feeling like talking this morning.

- You look down, bad night ?

Cross asked him, worried, Nightmare was usually the first to get up. He nodded again and gave a small smile to Horror when he gave him his mug, sipping on the hot liquid.

He listened to them as they were having their conversation. Did they want to leave too ? Did they have places to go, people to meet, where they would be happier than here ? Did they know Killer wouldn't come back ? Did he already tell them goodbye ?

- You're sure you're okay ?

Dust asked, pulling him out of his thoughts. His hands were shaking on his empty mug. He looked at the hooded skeleton, and the hooded skeleton looked back at him, squinting. Nightmare looked down.

- I'm fine, just.. just thinking about.. about stuff..

He mumbled, not at all convincing, and he knew it. He got up before any of them could ask anything else and teleported back in his office.

Would they also leave him one day ? He couldn't stop thinking about it. Were they unhappy too ? If Killer was unhappy, were they too ? Would he be strong enough to let them go ? Would he be strong enough to get up after their departure ? Would he be strong enough to keep living without them ? Would he live or just exist ? Would they even want to hang out with him from time to time ? To ask how he was doing ? Who would they ask that ? Dream maybe ? How would Dream know ? They haven't spend time with each other for so long... maybe it was time for Nightmare to catch up with his brother ? Maybe it was time he finally did something right in his life ? Something good, instead of making everyone he met feel like a piece of garbage ? Maybe Dream would stay a little... ? At least out of pity... ? He was always so nice, surely he would accept to keep him company from time to time...

His phone buzzed on his desk. Nightmare looked at it, frowning, he rarely received any messages. He grabbed it, unlocking it quickly to see who wanted to contact him. It was Killer.

" You can come pick me up now :D waiting at the usual spot kiss kiss •3• "

Nightmare stared at his screen for a while, reading the message over and over again, until his phone locked itself on its own after being left untouched for too long. He saw his reflection in the black screen. He felt ridiculous. So ridiculous. He wanted to laugh, and he laughed, he laughed at the absurdity of the situation, he laughed until it turned into crying, until he cried and choked on all those tears he was fighting since he dropped Killer in the Omega Timeline, the tears he was fighting in bed, during breakfast, he let his soul pound faster and harder, his chest burn, his throat hurt, and his eye and cheeks sting.

He thought he had lost him, he thought he was gone forever and that he would lose the others too, he had been so scared, and for what ? For nothing. For nothing at all. Killer wanted to come back home, he didn't want to leave, he wanted to come back. He had been so scared, so scared to be alone again, to be this lonely little child again, this little child with no friends, no one to talk to, to play with... a terrified little child who just wanted to love and loved... he didn't want to go back to that, he wanted to stay with his boys, he wanted them to stay with him, they were so precious to him, his whole reason to live, he didn't bear the thought of losing them...

But Killer wasn't gone, they were all still here, all at home, they were with him, and he would make it last as long as possible...

- Hey you sure he got connection in this old ass castle ?

Color asked Killer. They have been waiting for Nightmare for almost an hour when he would usually show up not one minute after Killer sent a message.

- He probably got his head in a book, he's such a bookworm I swear.

Killer chuckled, sitting on him bag, humming happily. How could he not be happy ? He spent the whole day with his best friend and was now going back home to play with his other besties !

He truly couldn't be happier.

[lunarspiral1127]

So, I watched the first two episodes of X-Men 97 and here are my thoughts.

*SPOILERS*

Pros:

Morph got to do some more cool stuff during the fight scenes.

Gambit in a crop top....what? He's hot and a bad@$$.

Speaking of Gambit, he and Rogue have a lot of scenes together, which is great. I do ship them together, and I just want them to be together already.

I freaking love Storm in this. She's one of my favorite X-Men characters. Her voice after killed it again, we see her leadership and compassion as a team and family member, and she's still a freaking bad@$$. She turned some patches of sand into glass with her lightning!! However, something happens to her which I'll get to in a sec.

Magneto's UN trial. It was well done, and Magneto's speeches were pretty good. Then there's what he did after X-Cutioner tried to shoot him. Like, what the hell, show? Are you trying to make me switch to Team Magneto? Seriously, he was really good so far in the show.

Cons:

Now, I'm never a fan of love triangles unless done right. It was bad enough that we still have that with Jean, Cyclops, and Wolverine (especially since Wolverine and Jean is one-sided), which I thought Logan moved on from that but I guess not, we may get another one with Gambit, Rogue, and MAGNETO! Okay, look, I get the Rogue and Magneto thing was in the comics, but since when was that ever established in the animated series?! I never recalled anything going on between the two in the 90s show nor were there any signs of them used to being an item. If this was to give tension for the Rogue/Gambit romance, there are other ways of doing that. Yeah, it was just confusing and weird to me.

Storm losing her powers. This is gonna be a con for now cause I know she'll get her powers back somehow. But seeing her get shot and losing her powers made me lose my s**t cause how dare you do that to her?! Man, I was hoping Magneto was gonna kill X-Cutioner, and frankly, I wouldn't blame him if he did. Not after what he did to Storm. It sucks even more when you got to see how great she is as coleader, sister, and teammate.

And, now, the questions

Is it gonna be explained why Morph has the changeling look instead of his old one from the previous show?

When did Bishop come back? I like him, but I thought he went back to his timeline.

Was expecting Madeline Pryer to show up, but which one is she? Was there a switcheroo and if so, when did that happen?

Does Magneto have an ulterior motive?

When the hell was Magneto and Rogue a thing in the show?!

Will Logan ever move on from Jean?

Why Sunspot and Jubilee? Cause I wasn't feeling it. Dunno why, maybe it's because of how the Sunspot character acts cause I didn't like him much. Also, was that it from the character?

Why doesn't Rogue take one of those collars to nullify her powers so she can be able to touch someone without harming them?

And, that's all I can think of at the top of my head. Liking the show so far. Hopefully, it doesn't fumble.

[bg-brainrot]

"When He’s all but Forgotten How to Love Again" - Astarion x GN!Reader - Series Masterlist

Pairing: Astarion x GN!Reader (Elf!Tav for plot reasons)

Genre: Reincarnation, Angst, Mystery, Slow burn

Rating: Explicit, 18+

Tags: Gender-Neutral Pronouns, POV Second Person, Canon-Typical Violence, cw: blood, cw: Astarion's entire backstory, cw: sex, Eventual Smut, Eventual Romance, Eventual Fluff, Grief, Mourning, Developing Relationship

Series WC: 113k words and ongoing, 21/?? chapters

Summary: An Elf-Tav reincarnation story where Reincarnated!Tav dreams about Astarion in their nightly reveries and eventually seeks him out once they reach maturity. Things definitely totally go well.

Author’s Notes: I'm bringing over some of my multi-chapter fics from AO3, so if you've already read this, ty!! I love you and appreciate you so much! I will continue to add chapters as I format them, but the full fic is available on AO3 here if you're feeling like a binge.

Heads up-- while there will be explicit moments, this is first and foremost focused on romantic tension and yearning, asking the question: 'Would you still love me if I was someone completely different?’ Explicit scenes will be few and far between and very much focused on their feelings. It’s essentially an established relationship slow burn?

This has unascended Astarion, “good” choices are made in the original timeline, Tav needs to be an elf for this to work, but otherwise no specifics on past Tav. Present day Tav is a magic-user.

Chapters:

Chapter 1: Knifes and Nightmares

At 12 years old, you first dream of the Pale Elf. The encounter scares you and sets you on your path forward.

Chapter 2: The Second Encounter with the Pale Elf

Nearly 19, you think you have a handle of your past lives. However, not all of your past lives are created equal.

Chapter 3: What it Means to Love

Now 29, you're still trying to piece together parts of your past. In particular, what exactly was your relationship with Astarion?

Chapter 4: In this Lifetime

Now 99-years-old, you've managed to ignore your worst impulses to run off to Baldur's Gate. One night's reverie finally breaks you.

Chapter 5: Guidance from a Druid

After finally setting off to find Astarion, you receive a confounding memory from your past life. Ignoring what it might mean, you focus on your task and visiting Halsin, one of your past-self's friends.

Chapter 6: The Man of your Dreams

You make your way toward Astarion, trying your best to prepare for the encounter to come.

Chapter 7: Just One Night

You plead your case to the vampire.

Chapter 8: Who You Have Become

You try to learn more of who Astarion's become, while also trying to convince him of who you were.

Chapter 9: Ghosts of You

After he storms off, you try to track Astarion down only to find yourself on a trip down memory lane. Once you do catch his trail, you’re surprised to see where he’s gone.

Chapter 10: Overheard in the Underdark

You traverse a new landscape, looking for Astarion. What you find might be more than you bargain for, and what you hear might be too much to handle.

Chapter 11: An Interrogation

You spend the night in vampire prison and have a difficult conversation.

Chapter 12: The Source of his Pain

As you aim to leave and never look back, Astarion realizes that perhaps *he's* the one that made the mistake.

Chapter 13: And They Were Roommates

You and Astarion try to find a common ground between you. Things are awkward and tentative, and progress is anything but linear.

Chapter 14: A Blossoming Friendship

Now in your second week of living together, you and Astarion have to get past some of the hurdles your first week introduced, all while getting a bit closer along the way.

Chapter 15: More than Friends Pt. 1

Push finally comes to shove. As fun as living in the present is, Astarion forgets that present dangers are still very, very real. Afterward, emotions run high, and you find yourself in a familiar predicament.

Chapter 16: More than Friends Pt. 2

After talking through the previous night's tryst, emotions are confused, pasts are divulged, and everything comes to a head when your heart and soul want different things.

Chapter 17: What We are Now

When you’re left to your own devices, you find yourself knee-deep in mystery. Despite all of this, Astarion never leaves your mind. And perhaps you never leave his.

Chapter 18: Traveling with a Friend

You and Astarion travel together to Waterdeep. Emotions run high as you reconnect and reestablish your boundaries.

Chapter 19: The Wizard’s Tower

After traveling through Waterdeep, you and Astarion finally arrive at Gale's tower. Introductions are made, tours are had, and the relationship between yourself and Astarion continues to remain complicated.

Chapter 20: Sweets and Shopping

After receiving some advice from Gale, you and Astarion spend the day shopping and talking through your friendship.

Chapter 21: Dansarra’s Delights

Your wizard friend gives you a nigh impossible task, and you spend the day trying to find your opening to complete it.

Chapter 22 - TBA

...

[cursedvibes]

I’m still in shock of that chapter. Gege … why how and why did you think this was a good idea? Also why have one of the last chapters be about some random lore that nobody knew or cared about and be explained by the fandom’s two least favorite characters

I still have some petty hate for Yuuta, which is not helping my feelings of this chapter

I'm still baffled over Gege's time management. The Sukuna fight was already stretched in places were it didn't need to be, using up space with the gauntlet of people throwing themselves at him that could've been used to develop Yuuji, Megumi and Sukuna more, but this is just...so we rushed through Sukuna's end, skipped Hakari's and Uraume's fight and skipped Megumi regaining his body and the entire immediate aftermath of the Shinjuku fight just to spend 2/3 of the next chapter entirely with inconsequential bickering that sounds like Gege is beefing with reddit critics?

Remember the end of Shibuya? The hopelessness, the gravity, people mourned the ones who died, were devastated by the destruction of the city and the many civilians who died and they knew it wasn't even over. Their lives were fundamentally changed and it showed. Here everyone walked this fight off just fine. Megumi tanking 5 Unlimited Voids and having his brain leak out of his eyes merely results in him feeling a bit dizzy now. They do blame themselves at times, lament over what they could've done differently, but it doesn't feel serious, like they really struggle with it. It's just a set-up for a joke. Ui Ui and Kirara carried the corpses and gravely injured bodies of their comrades off the battlefield, being unsure who would survive all this and being powerless to do anything else, but now they make snarky remarks over who was the real MVP...where is this energy coming from? Gojo and Choso are still dead (Kashimo too, but obviously they weren't close), Megumi should be still reeling from his trauma of seeing his sister die and loved ones injured by his hands, and mind you they didn't fight in just some rubble out in the mountains, they destroyed Shinjuku, a district were many of them used to live and were also many other civilians used to live. They destroyed so many people's homes. Sukuna might be gone, but Japan is still fucked because Sukuna has never the real problem. Killing him won't fix up Tokyo again or soothe the international tensions created by the knowledge of sorcerers existing. But all that doesn't seem to matter.

I don't mind the focus on Mei Mei and I think the New Shadow Style school thing is actually very interesting, I love jujutsu politics, we got far too little about it, but this should've been something that was brought up during the Culling Games or shortly before they started preparing for Sukuna's battle. Y'know, then when it actually happened in the timeline. Not 3 chapters before the end, where you establish this massive power house that was never even hinted at and resolve it 2 pages later. Like okay? Why does that matter? Should I be worried? I'm not because I know far too little about this and Mei Mei handled it easily anyway. Should I be relieved? I'm not because I never even know there was a problem to begin with. Yes, we knew you can only teach Simple Domain to specific people, but that could've been resolved way easier than making up this whole issue and it was never treated with such gravity a secret society that drains their students life would deserve.

So this whole chapter was just pointless and a waste of precious space that could've been used for so many more important story threads.

[she-posts-nerdy-stuff]

Okay I was too tired last night for coherent thought but I’m now here with some assorted bullet points after watching dr who e6: Rogue

SPOILERS AHEAD

Overall I really enjoyed this episode! I thought the pacing was good, it was typical Doctor Who style and very enjoyable, I liked that we got time with both Ruby and the Doctor separately as well as together, I have a couple of thoughts but I just really want to say that overall I loved this episode

Theory based on the theory (I’m sorry I don’t know who first said it I’ve seen it a lot) that Devil’s Chord was moved: This was supposed to episode 2 - Flashback to Ruby’s mum when she ‘died’ that we didn’t get when died in Boom, one of her pieces of evidence that it was her was ‘we met space babies’ but no reference to other adventures, it would make the timing match up (she can’t remember whether it’s June or July back home), the stakes are less visibly high, other than Susan Twist there was no real reference to the overarching story arc (no snow, no One Who Waits, no pantheon references, etc) as is common with early episodes, we had more focus on the Doctor himself than we’ve really had so far and we actually got to understand, I felt at least, more about him as a character which again would usually be set up earlier on idk

Do you understand how relieved (and excited) I was when they started actually acknowledging Susan Twist, and of the same vein as I was when I saw the teaser for next week??? Absolutely buzzing, and also I was starting to think I was going mad looking for connections that didn’t exist so whooo

I thought Rogue was a really good character, I thought they were definitely trying to set something up for him to the Captain Jack archetype character (if that makes sense? I hope I’ve worded that right) and although I saw it coming for him to sacrifice himself for Ruby I don’t think that’s going to be the last of him - even if we see him at a different part of his timeline instead of his future. That could also be really interesting if the partner he lost was in fact in a romantic relationship with him and we have to see the Doctor contend with that, I can’t remember whether they stated the nature of their relationship or not but I don’t think they did so that could leave some options open to explore. I did feel that the Doctor and Rogue were a little bit rushed but overall really liked the set up of the relationship, I only found it slightly jarring when 13 was so broken up over the impossibility of letting herself fall in love with Yaz but I also think that different incarnations tend to approach their relationships differently so for me it wasn’t so much an issue as just a noticeable thing I guess

Speaking of noticeable things, IT WAS MODERN MUSIC??? I heard Bad Guy by Billie Eilish and Poker Face by Lady Gaga but there may have been others I didn’t recognise/pick up on. This was very very very suspicious to me, and other than a few episodes I haven’t watched Bridgerton but isn’t that what they do in Bridgerton??? Classical instrumentals of modern music??? Very suspicious

Also, the shapeshifters (chuldrur? Sorry I can’t remember it exactly) referred to themselves as cosplaying and that really caught me out I thought it was odd

I didn’t feel like the the rules of the trap were quite well established enough in that it wasn’t very clear to me how Rogue could so easily throw Ruby out of the trap when she couldn’t move; I assume it was because the capacity remained at 6 but idk I just felt like we could have had a clearer understanding of how it worked for the purpose of that set up

Ruby’s pretence was interesting, it made me think of Clara in Deep Breath a little bit but because of the perspective the stakes felt quite different. I did think it was weird that everyone else stopped cosplaying for the wedding and she was just there looking like herself because it made her stick out and also if the wedding is their finale to the game why wouldn’t they want to be in character?

ALSO it once again all links back to story whenever we are with Ruby and I think that’s fascinating, especially as a character who has died and been brought back, ‘died’, or had her history changed and rewritten in almost every episode so far

On that point -> Dungeons and Dragons!! Effectively what the shapeshifters felt they were doing as their game, and such an interesting link when there are so many questions left unanswered about Rogue ooo I’m excited

Okay I may be back with more but I think that’s all for now, very excited for next week’s episode, thanks for reading my ramblings I hope they were at least vaguely interesting <3

[pinkeoni]

Figuring Out Lonnie’s Whole Deal

(Or, assembling a timeline of pre-show events inspired by a culmination of theories centering around one Lonnie Byers)

After spending much time deliberating and theorizing, I’ve come to what I believe is a solid timeline of events relating to Lonnie Byers grounded in evidence from the show.

Now I don’t have all of the pieces, but also if I had all of the pieces then I wouldn’t need to be theorizing in the first place. Still, I’m fairly confident in my assessment. Maybe it would be wise of me to wait for The First Shadow to come out to give me more information, but for all intents and purposes of this I will only be looking at evidence within the text of the show. So no cast or crew comments, no supplemental materials, and as much as I love it, no speculation regarding TFS. Still, I think the show has enough evidence to support my assertion.

Things to establish:

A lot of what I’m about to talk about comes from a basis of these three things—

1. Will and El’s storylines mirror each other, which I charted out here. Their stories share a lot of differences, and a lot of similarities.

2. Powers are being used in this show to explore themes of sexuality through a sci-fi/supernatural lens. I talk about this in length here, but tl;dr El’s powers are used to explore the exploitation and reclamation of female sexuality, and Will’s powers are being used to show the demonization and repression of homosexuality.

3. Oh yeah, and Will has powers, by the way.

Surface Level Information We Are Given About Lonnie Byers:

It might be best to have a refresher of what we know about Lonnie Byers. Most of this comes from season one and all of it is displayed directly to the audience—

Lonnie is the absentee father of Jonathan and Will and ex-husband of Joyce

He left his family at an unspecified date that led Jonathan and Will to build Castle Byers the night of

He currently lives in Indianapolis

He used to call Will homophobic slurs

Joyce once argued with him about not showing up to a visitation with Will

Jonathan and Joyce do not speak of him fondly. Will’s feelings are unclear but seem positive “It’s fun to go with him sometimes”

Expressed interest in wanting to see Jonathan more

Referred to Joyce as “babe” despite being apart and having another girlfriend

Did not take Joyce’s calls to his house

Doubted Joyce, took down her Christmas lights and tried to repair the hole in the wall

Has unspecified debts

Likes to fix cars

Doesn’t like cops

Tried to use his “dead” son for lawsuit money

Was kicked out by Joyce and hasn’t been seen on screen since

Things to glean from just below the surface:

The following are things that are not stated directly, but can be easily inferred from clues given in show—

Lonnie is likely an alcoholic, shown through an abundance of beer bottles littering his house. Even if he splits it between him and his tiny girlfriend, it’s still an absurd amount of beer for two people. It’s possible he may have other addictions as well.

Lonnie was likely physically abusive towards Jonathan given his “You’ve gotten stronger” comment in the house. It’s possible that the extent of his abuse could stretch far beyond that for both Jon and Will.

Will likely used to hide from his dad. Jonathan and Will built Castle Byers the night he left, which Jonathan remarks that Will likes to hide in. Not to mention the “he’s good at hiding” comment.

The rest of this post is going to be much more speculative, but it’s all speculation that is grounded in what we see on and just below the surface.

Theory #1) Lonnie was involved with MK-ULTRA

This was an idea that I tossed around a while ago, that after spending time with and finding new evidence I’ve now grown more confident in.

Most of this confidence comes from this conversation between Becky and Jopper. Becky tells Hop that him and Terry would have gotten along, as Terry didn’t like authority or the government— “The Man , with a big capital M.” (which is ironic given Hopper is a cop)

When discussing who was involved with MK-ULTRA, Becky mentions “people like [Terry]”

So people like Terry, who maybe don’t like authority as was just mentioned?

It seems as though the Byers have always been down on their luck in terms of finance. Would it be hard to believe that, especially given the close proximity of the lab to the Byers house and Lonnie's willingness to get money in the show, Lonnie might have partaken in a paid study in the past? ("You were in it for the money!")

Above I mentioned the implication that Lonnie is an alcoholic. If he was involved with a study involving hard drugs, could he have developed addiction problems through the program? Furthermore, wouldn't it also make sense for Lonnie to gain a mistrust of authority after being taken advantage of by the government?

In my initial post about it I discuss how this could be foreshadowed through Hopper’s past as well. Hopper was involved with something government related that required chemicals, something that ended up affecting his child.

Theory #2) Lonnie was working with the lab during season one

Another part of proving Lonnie’s MK-ULTRA involvement is his connection with the lab. Everything that I’m about to list could align perfectly with Lonnie simply just being a shitty ex and father, but everything that I’m about to list could also align perfectly with the idea that Lonnie was working with the lab against Joyce the entire season.

1) Lonnie’s fishiness with Joyce’s phone call

I’ve already made an entire post about this here but I’ll recap all of the important bits.

Right before we see Joyce call Lonnie in the first episode, we are shown the lab spying on her conversation explicitly. Joyce is then sent to voicemail, which given the ordering of scenes makes me wonder if the lab purposefully intercepted her call.

Joyce also never actually talks to Lonnie on the phone. Cynthia picks up until their call is disconnected, which could have been Cynthia but also could have been the lab interfering again.

When Jonathan confronts Lonnie about not returning Joyce’s call, he kind of shrugs off his answer.

Why the hesitancy at first, Lonnie?

Lonnie tells Jonathan that he’s talked to police, which is likely, but then adds a comment that makes me question if he talked to any Hawkins cops at all.

Why do you need to ask if Hopper is chief, if Hawkins police came to question you, Lonnie?

2) The timing of Lonnie showing up in Hawkins

Even after being told this his own son is missing, Lonnie does not show up in town until after—

Will’s “body” is found in the quarry

Joyce refuses to sign off on the fake body

Joyce actually speaks to and is able to see Will through the hole in the wall

The next time we see Joyce is when Lonnie pulls up that night at the Byers house. Here is what Lonnie does while he’s there:

Tells Joyce that Will is in her head

Tell Jonathan not to feed into Joyce’s “delusions”

Takes down the Xmas lights that Joyce was using to talk to Will

Covers the hole in the wall that Joyce saw Will through

Unsuccessfully tries to convince Joyce to use Will’s "death" for money

All of these actions align perfectly with Lonnie’s character, do you also see how it also aligns perfectly with Lonnie trying to purposefully cover up the truth?

We don’t see Joyce call Lonnie to come over and I highly doubt that Jonathan asked him to come. Granted, Lonnie was most likely notified by police of Will’s death, why not come right away? Why wait until after Joyce refuses to believe that it’s Will’s body and after she actually sees Will alive in her walls?

Remember that the lab had likely bugged her house as well, given the scene where Hop finds a bug in his cabin.

Think about the timing of when the lab decided to place Will’s body in the quarry and have it found, something that we know for a fact was their doing. This comes after Joyce had discovered the ability to talk to Will through the lights and right after the writing on the wall scene, when Joyce was coming closer to the truth.

If a lab personnel showed up at the Byers, took down the lights and hammered over the wall, that would obviously draw a lot of suspicion towards them. But if the lab could get someone on the inside to do it, perhaps an ex-spouse that can be easily manipulated with cash and already had connections to them, that wouldn’t raise an eyebrow.

That’s also where the lawsuit comes in. If the lab is paying off Lonnie and his family, they can’t just give them the a ton of cash directly, it would likely have to go through a third party under the guise of something else, like a legal suit. I’m willing to bet all my money that the suit Lonnie wanted to file on the Sattlers was just another cover from the lab.

Theory #3) Lonnie was trying to hand Will over to the lab

Another note about Terry, if Will and El are mirrors then Lonnie and Terry may possibly be mirrors, too. If Terry was desperate to get El out of the lab then maybe Lonnie was desperate to get Will into the lab. Also the difference between Terry's daughter being taken from her/Lonnie voluntarily leaving his own son.

Something we know about Lonnie Byers— he was homophobic towards Will and did not want to visit him after he had left.

Something else we know about Lonnie Byers— he likes to fix cars.

We have confirmation that Lonnie was trying to “fix” Will, at least in a less aggressive manner, by taking him to baseball games. Jonathan says explicitly, “He’s trying to force you to like normal things.” This line is so incredibly loaded, what Jonathan is saying below the surface is "He's trying to force you to like girls."

The above scene is in the same episode where Jonathan goes to Lonnie’s Indianapolis house, and we get a line from Lonnie about him fixing up a car.

Yes, Will is being compared to a car. Lonnie wants to fix him.

And remember, Will has powers, and powers are being used as a way to explore sexuality.

So given Lonnie’s connection with the lab from MK-ULTRA as expressed before, along with Lonnie’s hatred of Will and homophobia, along along with powers as a metaphor for Will's queerness, it leads me to believe that Lonnie was trying to cure Will of his powers through the lab. This would essentially be the supernatural version of gay conversion therapy.

I want to talk about the word “mistake”

This word is so potent and really sticks out because we haven’t really seen it used in this way on the show before. The writers could have had Will say “monster” to relate to El's arc, or they could have had him say “freak” which would not only relate to Eddie but is something that Will has called himself in the past. But instead they decide to give him a new word that is different from the labels other characters give themselves.

The word mistake is unique to Will.

What do you do with mistakes? You fix them.

I have a lot of fun with Will-being-a-lab-kid theories, and nothing but absolute love to those who make them, but after doing a lot of my own thinking I’ve since come to the conclusion that Will didn’t grow up in the lab at all, but Lonnie was making an unsuccessful effort to ship Will to the lab. Part of El and Will’s narrative mirroring is Will coming from a normal background while El does not.

Which isn’t to say that the lab didn’t want Will, I think they very much did. I’ve seen the take that Lonnie tried to hand Will to the lab but he didn’t display powers at the time so they wouldn’t take him. But do you really think that that would stop them from wanting him anyway, especially if the boys father was giving him to them willingly? Do you really think that Martin “you wouldn’t stop” Brenner was gonna turn down another child? That someone was willing to give to him?

So then, if Lonnie was willing to give Will to the lab and the lab was willing to take him, what was stopping them?

For starters, I’m guessing that the process involved in receiving a new test subject, especially one that wasn’t born into the lab, would take patience. They can’t just nab Will off the street. They would probably have to surveil things for a while, gain intel from Lonnie, and come up with a strategy.

A strategy that may involve falsifying an accident, a fake body, and the funneling of money via fake lawsuit?

I’m not saying that the lab was the ones behind Will’s disappearance, at least initially. I think the mothergate opening was completely unpredictable from their end and instead necessitated the plan to be accelerated due to sudden unforeseen circumstances, as well as taking advantage of Will’s presence in the Upside Down to try and take him for themselves.

So why wait until now? If they had an airtight plan, why not act sooner?

Could there have been an incident, perhaps, with the lab, which happened prior to Will’s disappearance, that may have delayed this process?

I’m willing to bet that a mass death event of majority of the test subjects and personnel from the place that Lonnie was trying to send Will to, might be enough to put the brakes on this operation, if not on delay for a few years so they can regroup.

While we’re here, I wanna talk about Will’s similarities to Henry Creel

The comparisons between Henry and Will aren’t something hidden under the layers for only die hard theorists to find, this is something that everyone and their mothers were discussing on twitter. The similarities were noticeable even from casual viewing.

Image via Reddit

We know from his monologue that Henry’s mother knew he had powers and wanted to send him away to a doctor, a doctor that we later learn was actual Papa Brenner.

If Will and Henry are similar, is it possible that their parents wanted similar things? The main difference being that Will actually did evade Dr. Brenner.

Furthermore, is it possible that Will has powers similar to One’s and that the lab could have been knowledgeable of this? If that is the case, it may stand to reason that they might be hesitant to bring in someone with similar abilities to the guy who just killed a bunch of people.

I used to think that Will and Henry had to have completely different sets of powers, and while I do think that Will may have abilities unique to himself, given how they are compared I do think that Will may have similar powers to him. In fact, we may have already seen Will display a traveling into the mind ability in season one.

Theory #3.5) Lonnie’s departure correlates with the Hawkins Lab massacre

If Lonnie was desperate to get rid of the son he hates, and then was told that there was an unexpected delay, it would make sense for him to give up and leave town.

There’s been comments from cast and crew in the past regarding when exactly Lonnie left, but it’s never been confirmed in show.

Evidence for why I think it coincides with the massacre actually comes from the shed scene.

Joyce first mentions Will’s eighth birthday, which would have been in March of 1979. The massacre was in September of 1979.

Mentioning his eighth birthday specifically places emphasis on that age. Jonathan then follows Joyce by talking about the night dad left.

We don’t get an exact timeframe or age, but the fact that this follows the story if Will’s eighth birthday does create a correlation with that age. We then switch timeframes when Mike brings up kindergarten.

Think about it, if their dad had left when Will was eight, bringing up his age again would be redundant because Joyce just mentioned it. Mike mentions kindergarten to let us know that this is a different time and age that we’re talking about.

Let’s talk about Lonnie’s debts

What exactly these debts are that Joyce brings up is never specified. And it could be anything. Maybe a loan he took out, drug or gambling debts, since nothing is stated it’s all possible. But here’s my take:

Will is Lonnie’s debt. That’s what he owes.

Remember that the exact way that Lonnie was going to pay back these debts was with Will. He is linked with this debt conversation.

It is Joyce who brings up the debt, but since she doesn’t specify there’s a reasonable doubt that she herself doesn’t know the specifics. She could know that Lonnie is indebted to someone but not know what/could have been lied to.

I’m imagining the lab giving Lonnie some kind of advanced payment for Will, with the promise that they’ll eventually have him. It would be a way for the lab to control Lonnie. He now owes them, and the lab expects to collect their debts. Despite the lab and Lonnie having similar goals, there is definitely a power imbalance.

Lonnie does want a family, just not one with Will in it

More thorough post here, but in season one we get indications in Lonnie's dialogue that he does want to be around his family, like expressing interest in seeing Jonathan more and calling Joyce "babe," which seems to contradict him living in another town, or hell even leaving his family at all.

When Joyce gets mad with Lonnie over the phone about not coming to visit, it was specifically a Will visitation day. It's seeming more and more that Lonnie's departure is centered on Will. (Which doesn't take away from any of the potential abuse he hurled at Jonathan or Joyce. He doesn't care about their interests, only his. Furthermore, I'm not placing blame onto Will for Lonnie's absence. That is all Lonnie's doing)

Am I saying that Lonnie has powers?

Well, maybe.

That is something that I’ve been wondering if Lonnie had powers, which granted is something that relied heavily on speculation regarding TFS which I said I wanted to stay away from for this post. Since I don’t have all the pieces yet, I want to consider as many options as possible.

Option A) Lonnie was born with powers, and MK-ULTRA was simply how he became acquainted with the lab/his powers were repressed and MK-ULTRA activated them

Option B) Lonnie received powers from MK-ULTRA and passed it on to Will

Option C) Lonnie was not born with powers nor received powers from MK-ULTRA but it did give him super-powered sperm

May I remind you of Lonnie's comparison to Terry from earlier in the post, and the fact that Terry herself does have powers.

I oftentimes see the theory that Joyce herself has powers, and I myself even theorized that her Aunt Darlene may have had powers. However I'm more inclined to believe that Joyce is a carrier of this gene rather than having powers herself. Most of the evidence used to suggest that she has powers comes from Joyce reacting to what Will is showing her. There's also no indication that Jonathan has any powers.

If Lonnie participated in MK-ULTRA after Jonathan was born, then it could explain why Will would have powers and not Jonathan. Moreover, having both a mother who is a carrier and a father with powers/nuked balls would likely have a higher chance of having a powered child. (That's how genetics work, right? Please forgive me if my science is wrong.)

Notes on Lonnie's character

You'll note that there are multiple times in this post where I acknowledge that I lot of Lonnie's actions are explainable because of his identity as a shitty guy, and maybe that's all this is. However, I want to explain why having this type of character is actually perfect for a reveal like this.

In order to pull off a successful reveal, you have to hide the truth while also giving enough information so it doesn't come out of nowhere. Lonnie's personality allows for the truth to be hidden in plain sight.

Let's say that Lonnie was actually an upstanding man. Jonathan and Joyce both had fond memories of him, but he left in the past for some unknown reason. Lonnie was always a great husband, but for some reason he's doubting Joyce and taking down her Christmas lights even when she asks him not to.

Do you see how that would create a huge plot hole? How season one would feel incomplete? How it would create a giant unanswered question that needs answering?

Why didn't Joyce know about any of this?

Unfortunately we are told pretty explicitly in season one as to why something like this could have been happening under Joyce's nose. We are told in the first episode that Joyce works long hours, leaving early in the morning and not coming home until later in the night. Jonathan is expected to get Will up, make breakfast, and take him to school. My guess is that Lonnie may have been in charge of such tasks when he was still home.

If Lonnie was, say, taking Will to the lab for some preliminary tests or meetings, he could have easily done this while Joyce was at work or while Jonathan was in school.

We even hear from Joyce herself that she hasn't been keeping up with Jonathan, she isn't in the know how with her sons. (This is not me calling Joyce a bad mother btw, this is definitely a symptom of capitalism rather than bad parenting.)

Why doesn't Will say anything?

If Will was being taken to the lab for appointments in the past, wouldn't he say something about it? Especially to El, who grew up in the lab?

Well, there's a chance that Will doesn't remember this.

Longer post here, but we are given a scene in season four where Will expresses not remembering something from his childhood very well.

Which I could write off as Will being too little to remember this small detail, but this is also coming from the same season where we just got an entire plot line about memories from El's past being erased. (El who, as I stated in the beginning, has a storyline that mirrors Will's)

The Final Timeline

Tl;dr, or, the timeline written out chronologically:

Lonnie marries Joyce and has Jonathan. Jonathan is born without powers

Lonnie becomes involved with MK-ULTRA sometime prior to Will's birth as a way to make money

Joyce and Lonnie have Will, who was born with powers

When Will is very young Lonnie knows that he has powers

Lonnie begins taking Will to the lab in hopes of curing him

Lonnie and the lab strike a deal that involve taking Will in exchange for money

There is a plan to take Will involving a fake accident. Lonnie will file a fake lawsuit in order to exchange the money and avoid suspicion

The Hawkins Lab massacre happens and the plan is delayed

Lonnie leaves

Mothergate is opened by El and Will is taken

Upon realizing that Will is in the Upside Down, the plan moves forward with Lonnie in on it

Things don't go as expected and Joyce is on to Will being alive, so the lab asks Lonnie to come home in order to help with coverup

Joyce is infuriated about the lawsuit and kicks Lonnie out

The rest of the season follows as we see on screen and the labs plan unravels, some of the personnel is killed by El and the demogorgon in the school

[madrone33]

THE WISDOM SAGA IS OUT AHHHH

It was SO much better than I anticipated. Like, I knew it'd be amazing to listen to - 'cause practically all of Jorge's stuff is - but I was less attached to Telemachus as a character than Ody, so while I was settled in for a fun time I wasn't as invested as I had been for the previous sagas.

Little. Did. I. Know.

HOW DO THE SAGAS JUST KEEP BEING SO GOOD LIKE WHAT JORGE DO YOU SLEEP

Anyway, now that it's officially out for everyone, here's 1000+ words worth of excited screeching/rambling/word vomit from my immediate reaction to the audio, when it released at midnight for me! (I'm australian, so I got it 15 hours ahead of the americans lol, but also means I hadn't seen the animatics from the Live at this point)

Also, heads up there's a lot of swearing and I wasn't very coherent, 'cause my brain-to-type filter was non-existent at midnight while in the middle of a HYPE adrenaline rush lol

I feel so awake rn, even though it's midnight lol.

Started smiling as soon as I heard him. He sounds so GOOD!! MICO you're knocking it out of the park!

"Come and give me a sign!" Ayyy the Athena motif!!

Ooh they merged MICO's audition way of saying "if you're dead... or just tooo far"!

"Can I do whatever I takes to keep my mum safe?" aww don't worry bebe Athena's coming!

"Where is the man who'll have to wife?" ooh they really did use the Man of the House lines!

And they dropped that it's been 20 years! That's good, a proper timeline needed to be established at this point or newcomers might get confused.

ohhh shit! That growled "Boy!"

(Also, edit from after I watched the Livestream: HE DID NOT JUST THROW A BOWL AT MY BOY OH HELL NO-)

"Why don't you open her room so we can" oh FUCK OFF ANTINOUS!

oh the LINE! The CHAMP line!

"If I fight this monster" THS MONSTER! It changed from those monsters to this monster, because while he might be having fun thinking of conquering distant monsters out in the world, the real monster is living in his home and he needs his father's strength more than ever and AHHH

(Another edit from post Live: he decided to fight for his mum's honour and thought he'd get a beatdown or DIE in the attempt and STILL put his fists up oh my goddd!! And also, HIM STEPPING INTO THE SPIRIT OF HIS FATHER AHHH)

Ok I hate Antinous already. Like, I really love his voice, it's perfect, Ayron did amazing, but Antinous? What the FUCK! FUCK HIM! And I decided I love Telemachus. He sounds so helpless in that last line 🥺 ATHENA STEP IN!

Listening to Little Wolf now! Oh god I'm scared for Tele

(Edit post Live: YOOO IT'S FULL ON STREET FIGHTER STYLE!)

"Wanna entertain me?" oh EW Antinous!

I just have a permanent stink face on rn lol

"Wanna entertain me?" Still ew, but also aww he didn't do the growl like in the demo

Clock sound effect! ATHENA!!!

she's giving TE/MO type vocal vibes, more than Act 1 Athena lol

"What's going on here??" lmao he's confused about Quick-Thought, like ody wasn't

"Uppercut him. Now." AYYYY FIGHT ADVICE

she's doing the verse melody but for him!

wait what'd she say? "I've no respect for bullies! Those who [something something] will!"

SHE CALLED HIM A DOG HA! What's a dog to a wolf hey antinous >:)

"One young wolf has a larger heart than all these men combined!" awww Athena <3

YES!! SHE'S SINGING THE CHORUS BUT IN HIS FAVOUR!!

the HARMONIES!!

"Oooh, maybe I pushed you a bit too hard..." lol she's too used to ody who is used to her

oh FUCK OFF antinous!

"Tell me, Athena, why you came to my aid..." wait WAIT HE SUNG THE "what keeps you up so late at night myyy friend?" MELODY??? HOLY SHIT!!

Ok that was awesome. We'll Be Fine time!

SHE CALLED ODY HER FRIEND!!

OMG SHE'S DOING THE "MIIIND" RIFF!!

awww she regrets <3

NO THE "SLEEP AT NIGHT" CALLING BACK TO ALL THOSE TIME ODY COULDN'T SLEEP FROM REGRET

omg but her HIGH notes

ooh? 👀 The line changed from "sailed to an island" to "and I didn't die?? What does this mean for HTD's "I heard he's on a diplomatic mission" line?

oh now HIS high notes!!

THEIR HARMONIES!!

awww their motifs mixing! <3 <3

(Edit post Live: lmao him trying to lean on her shoulder and accidentally falling through her instead XD)

Well that was nice! Time for LIP... What am I in for bro

AHA I was RIGHT! The music from the cover art reveal IS here at the start of this song!

OH HOLY HSIT NOT HIS "REMEMBER ME" OMG WAIT GO BACK

The "ohhhh" motif from Remember Them!

TIME DIVE! WITH LYRICS!

oh yo! THESE scenes! We called the Sirens, Scylla, and Thunder Bringer on the discord, but the lines that are being used are INTERESTING

(Edit post Live: the animatics are going CRAZY this saga!)

calypso time...

Ooh calypso's voice is much gentler than the snippets! (I'm determined to not let my bias against her character in the Odyssey colour how I feel about her performance, because Wangui is a lovely person, and her voice is beautiful.)

lmao the awkwardly long pause and then "... ANWAYS!" is always funny XD

the electronic elements when she reveals what she is!

"Time can take a heavy toll." uh oh what's that mean

Damn not the "all I hear are screams"-

...

... holy fuck. Um. My jaw literally dropped what. What. Ok first, her "ody" fuck that. Second, the LEDGE?? Um. UM. I need to rewind please

Oh shit

Oh my goddd JUST LET HIM GO

NOT THE OPEN ARMS NO WHAT THE FUCK NOT POLITES OMG EURYLOCHUS OH FUCK ANTICLEA TOO OH SHIT

no him calling for athena! 😭

the slow clock omgggg

YES GO HELP HIM HE NEEDS HELP

... wait I need to rewind wait shit I'm shaking

ok. Pause. That was.

I guess I called correctly, but it turned out to be a BIT of an understatement when I said there'd be an UNEXPRECTED EMOTIONAL MOMENT! What the FUCK. Oh god that was incredible and I teared up and ah fuck wtf fuck who gave him the RIGHT

TIme for God Games. Shit. Am I ready for Beast Mode Zeus??? No. But I'm doing it anyway! :D

ok that was beautiful. Also her calling him "father" was unexpected but welcome

"... Odysseus." commander motif!!

god I love his voice but I hate him

ok I love how he says "AphroDITE!" I'm smiling, I'm getting into this

also, wait why does he say "or" instead of "and" like the snippets did?

The voice teasers! Ah shit I can't believe I'm going to HEAR THEIR VERSES IN A FEW SECONDS WHAT. Also Hera's voice is VERY interesting!

Apollo? YO?? Wait wait I have to go back and actually listen to the words lmao his voice is cool!

oh the sirens??

Huh. I... don't really get that logic? Athena just said "yeah but they had it coming and now they'll know better" and he replied "understandable have a nice day"?

wow what is that accent? Lemme go back and understand lol

damn those went by quick. Also, not what I'd thought their issues would be. Tho I think someone called the sirens one!

ooh wait I've always loved aphrodite's, this is BEAUTIFUL. I need to go back to the start of the song so I can get her full impact after pausing so much.

ohhh she's the first one to reject athena!

Ares!!

"HOLD YOUR TONGUE NOW! HIS SON'S MY FRIEND!"oop you done fucked up ares

oh I LIKE hera's voice! It's kinda airy but still hella powerful!

damn my jaw hurts from smiling

I hear cheering 👀

ohhh THAT'S what he meant by "or"! Athena was supposed to face either the five gods or Zeus?

"You DARE to defy me!" DAMN Zeus! That growl!

THUNDER BRINGER CHORUS!

lightning bolt to the face lmao

oh? The Wotm motif?

wait. Is the. Is this the "anime character on brink of death thinks of their friends and powers up" moment???

(Edit post Live: shit, zeus. Someone call CPS)

"Let him go..." oh wait that's IT?? NO WHAT SHIT

... lemme hear that end bit again.

WAIT reading through the comments and JORGE'S DAD VOICES HEPHAESTUS?? HOLY SHIT THAT'S EPIC! Now we just need his sister lol.

Oh that's right, I can see the cast now! Brandon McInnis as Apollo, POSEY as Hera, and Mike Rivera as Hephaestus. Nice.

It's 1 am now. Holy shit that was a wild ride. Damn. Hats off to Jorge and all the cast and editors and EVERYONE, that was absolutely incredible!! 💙🙌🏼🎉

... but also JORGE! WHEN I CATCH YOU JORGE-

[earthstellar]

just thinking about how fucked it is in TFP that June is unaware that Jack escaped the attack on the base for a decent period of time

so like for at least a few days, she is fully fighting off the despair of the very real possibility that her only child has been ground into human paté by an evil space robot warlord who is actively (and thus far, mostly successfully) attempting to violently take over the planet

yeah Fowler is there but I cannot imagine the amount of government shit he was buried under the entire time

she would have to cope those few days (longer than a week? can't rewatch atm to establish any rough timeline) of just thinking "my son was the first human casualty of an impossible war against giant mechanical alien invaders"

if she believed him dead, if her hope slipped for just a moment, the mental gymnastics needed to cope, even if just to assist Fowler the best she could, would be devastating-- the hospital is gone, the town has been evacuated, has anyone else been killed? is it just Jack? what about the other kids?

it would be easy to start thinking down a dark path, and I think Fowler kept June around instead of evacuating her because not only is there no way she would go, but because he realises that she very seriously may have just lost her son. she needs distractions, support, someone at least somewhat familiar, a sense that her input is needed and will be genuinely considered in order to gain any semblance of control over a situation that just took her son away from her. either for now, or forever.

realistically, Fowler is military, and could have forced her to leave. but he didn't. there are pros and cons to that approach, but given the circumstances, it was almost certainly the right call. good guy Fowler!!

Fowler knew Jack. Fowler did his best to keep them safe on base. She doesn't blame him. He might struggle with some guilt himself, though.

There's no blame, really; What can anyone do when giants from the sky descend and touch the Earth with pointed metal claws, raking at the ground and the people on it, like pulling weeds to clear the land for purposes beyond them?

the situation in general may have been so overwhelming, and both June and Fowler are fairly stubborn, that combined with their need for proof before mourning all of the general stress may have been enough of an active focus to keep them going

but there is no way June didn't have a complete fucking breakdown over the possibility of Jack's death at some point during all this

which is why I can sort of accept Jack's dumbass move of trying to call her

given how anxious we see her on screen most of the time when it comes to the kids (and not unreasonably so), and how little we know about the Darby family history, we can assume Jack could easily imagine how distraught his mother might be

that's a lot of emotional stress to place on a teenager who almost got extremely killed not too long ago and is currently on the run

so yes, it was a bad call (literally), but one that is totally understandable. I would expect a teenager with a close and generally positive relationship with their parent to want that parent to know they aren't dead, that there's still hope, that they're ok.

it's easy to shit on Jack for making the call when he did, but realistically, he's a teenager and real serious shit is happening and there are emotions and worry and who knows, the deceptions might get him soon anyway. it's hard to stay hopeful. and his mother is really the only relation he's got, in terms of direct family, that we ever see or hear about.

he had the opportunity to risk a final call before things may have gotten even worse no matter what, regardless of anything, and he took that chance to call his mom.

I can understand that, even if it was a dipshit move given the risks. Not a great idea, but a totally understandable one.

they couldn't play up any of this on screen for obvious reasons, not just time constraints, but because this is heavy shit for a show aimed ostensibly at a majority youth demographic, and it's understandable that they didn't focus too much on the darker aspects of this whole arc

but still, it reminds me a lot of what it's like after a bad hurricane. lots of people who are missing family members, no homes to go back to, lots of confusion and injury with no communication, it sucks. the destruction of Jasper definitely has that vibe.

I'm willing to bet June, at some point, was crying in the shower of some military temporary barracks or even shitty FEMA accomodation (I hate those fucking trailers, I've had to deal with them myself) thinking "my son is dead" over and over in a moment of despair, until walking out and thinking to herself, "he's not dead until we know he's dead" (even if she increasingly struggles to hold on to hope) and putting her clothes back on--

--they might be dirty, and Fowler may have offered some spare uniforms for her to wear from whatever soldier gear they might have had peppered around-- but Jack would recognise her scrubs, so she put them back on no matter how gross they felt

and just doing whatever she could to back up Fowler when dealing with his superiors, anything she could think about or do or focus on

either to find her son, or confirm that he had died

just really grim

anyway my break's over! back to work

[andreafmn]

I'm Not Afraid | Chapter 24

Word Count: 3.1K Warnings: mentions of child endangerment and abuse

Story Description: (Y/N) Argent arrived at Beacon Hills to put to rest her father’s sister, Kate Argent. For the first time, her family has decided to settle down and sustain a life in this interesting small town. After 17 years, (Y/N) has the opportunity to establish interpersonal relationships but will she be ready to face the complications that come with relating to her cousin’s, Allison, friends; especially, the infamous Derek Hale. She will face the adventure of being associated with the Derek and McCall pack, as well as being faced with the discovery of certain aspects of her life she never imagined.

A/N: next couple of chapters are gonna delve into Henry's past, so hopefully I can get them out on time since I don't really have to follow a timeline.

<- Previous

“I guess this is as good a time as ever to tell you,” Henry sighed as he sat on their breakfast nook table. “I think it's best if you sit down, kid.”  

“Absolutely not,” Rebecca interjected. “We agreed, Henry. It is not the right time.”  

“Not the right time?” the man exclaimed. “She is begging us for answers. I won't keep lying to her anymore. I've done what you wanted for long enough. (Y/N) knows the truth, and she knows it today.”  

Henry and Rebecca shared a menacing stare. Each was testing to see what lines would be crossed and weighing who would be the one to break the pact they had made close to eighteen years before. The woman could see her husband's resolve strengthening as the seconds passed. He was going to tell their daughter everything, and he was going to do it now.    

Henry Argent had been raised to hate the supernatural. From a young age, he had been trained and conditioned to hunt the dangerous creatures that threatened the existence of humans. And he truly believed it was the right thing to do. Being brought up by a man like Gerard Argent did not give much space to believe it was us against them.  

Months after turning twenty-five, his father sent him on a solo mission to Maine on a covert hunting mission disguised as an arms deal. Gerard had wanted to send Chris, but his recent marriage to Victoria and subsequent hunter training had the younger man's entire focus. It was no secret that the man favored his two younger children, always had. The evidence was in the time he invested, in the trust he bestowed upon them, and in the cases he threw their way. But that didn't stop Henry from trying his hardest to get on his father's good graces, even if the old man did not care for it. Maybe he had known who his son was long before he'd had the chance to figure it out.  

That was the moment he crossed paths with Rebecca Maynard, the oldest daughter of a fellow hunter family. They had seen each other in passing, mostly in group training, but had never gotten close enough to share a word. And since every mission needed a matriarch, and since she was of close age, she had been chosen to lead the assignment.  

On the flight to Maine, his home state, Rebecca sat next to him. She was cordial enough but nothing to write home about. They mostly spoke about their mission. The werewolf pack they were hunting had allegedly been responsible for the deaths of five people so far in the town of Fort Kent, and it was rumored more were to follow. The hunters had been on high alert by the brutality of the murders—people found with their chests slashed deep enough that only one creature would be able to do it. At least, that's what they had been told.  

Henry didn't think much of Rebecca then. She was attractive, smart, and charismatic enough, but simply not for him. She was the kind of girl he could see himself spending the night with, maybe a couple of months of a relationship, but anything past that was a cruel joke. One cosmically cruel joke.  

Stepping foot in Maine felt like coming home. He had spent less than five years there, but something about the place called to him. It had started as a small rumbling in the pit of his stomach when he was across the country but quickly turned into an unrelenting tug that pulled him there, especially to the town of Allagash. Odd, given that he was born almost six hours away in Westbrook and had never stepped foot that far north in the state.  

Yet, he did not speak of this need to go north. Instead, he settled with his team of hunters in the Argent property in Westbrook—a well-equipped and opulent home that kept appearances, just like the Argents knew to do.  

“Alright,” Rebecca said as she laid out a map of Maine on the dinner table. “We are around five hours away from Fort Kent, give or take. As of now, there have been no more reports of attacks. It seems after our little werewolf friends raged six weeks back, they've been satiated. But there have been reports from our sources that a pack has been seen around the area.”  

“How can we be sure it's them?” a rookie hunter asked. “I mean, it's not like they'd be walking around claiming the murders, right?”  

“That's why we're here, Joseph,” she retorted as she rolled her eyes. “Tomorrow, we leave at 0600 hours for Fort Kent. I have a contact that's gotten us a hideout with all the necessary equipment to make them talk. If their information is good, we should find this pack hiding out in the Lonesome Pine Trails. Now, we know they may be violent, so if you see one that you cannot subdue, shoot to kill.”  

The words fell so easily out of her mouth, Henry thought then. She was speaking about another person's life, but she valued it no more than an animal for hunting. He had been raised the same way as her, yet it had always made him uneasy to take someone's life. Maybe that's why his father had never trusted him to be more than the face of Argent weaponry. He was a good businessman but a terrible hunter—morality didn't pair well with murder, it seemed.  

“Ready to go, Argent?” Rebecca asked, breaking him out of the trance he had fallen into since the night before. “I need you on top of your game today. I don't need to remind you that your father is paying real close attention to what happens here.”  

“Don't need the reminder,” he sighed as he gulped the last of what was left of his coffee. “If I didn't know any better, he's hoping everything goes to shit to finally bench me.” 

“Then don't give him a reason to,” she smiled. “Show him you're worth more than he gives you credit for. You're a great hunter, Henry. You just need to get out of your head.”  

“Right,” he said. “It's that easy. Just get out of my head.”  

But it was hard to do when he had a bit over five hours of driving to do by himself. Well, he was fine for the first three hours of the trip. He had popped an audiobook into his radio and had been able to tune out his thoughts for the first half of the book. It had been just what he had needed to clear his mind and focus on the fictitious narrative rather than the strange happenings his brain had concocted.  

Yet, the closer he got to the north, the less he could concentrate on the words being read to him. There was an invisible pull that wanted him to stray off the path. He followed the trail of black SUVs up the highway, but as the minutes passed, the need to veer off track was almost unbearable. They were already so close to Fort Kent, only a few more minutes, and the job could be done. Then, he was just a plane ride away from Washington and the admiration of his father. Just a few minutes and the distraction would stop.  

The cars took the exit to the town, a message appearing on Henry’s phone. They were only two minutes away from their destination. Just a right and a left after taking the exit, and they’d arrive. All he had to do was follow instructions and catch the pack that was causing a disturbance. That’s all. Follow instructions and win his father’s acceptance.  

Follow instructions. Just follow the instructions.  

But as the last SUV in front of him turned, he continued driving when it was his turn. He shouldn’t have; he knew that. But the pull was too strong. It made his muscles tighten, and his joints lock up. Taking the exit like he was supposed to would have been excruciatingly painful. He didn’t know how he knew that, but something deep inside him told him it would.  

His phone flashed with message after message, call after call, but he ignored them all. He pressed his foot on the gas and didn’t look back. That was the moment he noticed his GPS hadn't even been programmed to Fort Kent. Allagash Wilderness Waterway, the screen read. Henry didn't remember ever writing that, but he also didn't remember writing the correct coordinates, either. Hell, he didn't even recall touching the machine at all. Yet, he didn't question why he was driving three more hours to the forest. The man simply kept driving.  

The magnetism grew the less distance that stood between him and the woods. He'd only gone to the Allagash wilderness once when he was younger. His father had taken Chris and him there on a supposed camping trip. He had been fifteen and his brother just shy of twelve—Kate was only a couple of weeks old. The kids had been excited to spend time outdoors with their dad. With a baby at home, everything had come to a standstill with their training, all the focus set on crying Kate. They rarely had any bonding time, given their father's job either way, but it was one of the only moments they thought they could share with the Argent patriarch. But Gerard wasn't planning to spend a weekend with his kids by the campfire, singing and having fun. 

No, he had something else in store. 

The second they had arrived at the site, the man told his children to unpack the car. They each had a backpack they had packed, a tent, a cooler, and their father's own duffel. When they were done, they turned to search for their father, excited to know what he had in store. Instead, they were met with Gerard locking the car doors and lowering his window.  

“It's time you boys learn how to survive on your own,” he had said. “In my bag, you have what you need to survive. All you gotta do is make it these seven days by yourselves.”  

“Dad, you can't be serious,” Henry had chuckled dryly. But the stoic stare in his father's eyes told him all he needed to know. “At least take Chris with you. He's too young.”  

“That boy is old enough because I say he is,” the man spat. “Now, it's your job as the oldest to make sure your brother survives, too. Do you hear me, Henry? If anything happens to Christopher, it'll be on your hands.”  

The older Argent boy wasn’t able to be anything but proactive—not when his brother needed him. He had rummaged through their bags, quickly setting up the tent and making an inventory of the supplies they had. They would be well fed for the night, but it was clear he would have to hunt, fish, and scavenge for other foods. Even with precise rationing, the food they had come with would not keep their energy at a maximum.  

Henry then used what was left of the sunlight to search for branches and tinder to build a fire for the night. The spot they were in wasn’t exactly a designated camping spot, and he couldn’t be sure what surrounded them. He had to work fast, fighting against the rapid decline of natural light. They only had two flashlights and no batteries to replace them. His father had said seven days, but he’d also said they would all spend the weekend together.  

“Come here, Chris,” he called to his terrified brother. “I’m gonna show you how to make a fire, okay? Tomorrow morning, we’ll go in search of water. That’s the most important thing.”  

“I don’t want to,” the younger boy had pouted. “Dad needs to come back. This is useless! We have money, Henry. Why would we ever need this shit?” 

“Whether we ever use this or not after this week doesn’t matter, Chris. Right now, we only have food for tonight, maybe tomorrow if we ration it well,” he explained sternly. “Dad is not coming back, do you hear me? You need to learn this because, like it or not, we have to survive here.”  

“We can get help,” Chris muttered as he crossed his arms in resignation. “Find some campsite near us and ask them to get us out.” 

“You really don’t know dad, huh?” he chuckled. “He probably has made sure there won’t be a soul for miles, Chris. You don’t know him like I do. He told us to survive the week. We won’t go home unless we do.” 

That night, Chris had cried for hours about going home. But by morning, he knew just how serious his father had been. And after two weeks, he learned how evil his father could be. 

During that time, Henry taught his brother how to hunt and fish, his to skin an animal and drain it of its blood, how to conserve meat for longer, how to conceal his tracks, and how to read nature to keep himself safe. In those fourteen days, the older boy learned and taught as he went. His knowledge of survival had been good enough to keep him and his brother safe. But not without casualties.  

When their father had returned, instead of receiving them with open arms and a congratulatory speech, his eyes went to Chris’ wounded arm. “I asked you for one thing, boy,” he spat. “You couldn’t keep your brother safe?”  

“Dad, no. He…” 

“Don’t defend him, Chris.” His eyes were red with fiery anger. He didn’t care that Henry had been hurt as well, a nasty gash from his face down to his upper arm. All he cared was that he had failed. “At least you were useful enough to keep him alive. Next time, he better come back home unharmed. I don’t need your mother’s nagging about him getting hurt. Am I understood?”  

“Whatever,” Henry had muttered under his breath as he walked past his father to the car.  

But Gerard stopped him by taking hold of his arm and squeezing unrelentingly. “What was that, boy?” he seethed. “The words out of your mouth better be “yes, sir,” or you might find yourself alone in these woods for far longer. So, you wanna say that again, boy? Are you going to make sure your brother doesn’t get hurt like he did this time?”  

“Yes,” the boy said through gritted teeth, “sir.”  

Chris had healed in a month, with barely a scratch left over as proof he had ever gotten hurt. Meanwhile, Henry was left with a scar that traveled from his neck to his arm. Thankfully, the cut on his face had healed, but he was left with a reminder of just how unimportant he was to his father. And it wouldn't be the last time the man would confirm it.  

As he neared the wilderness, the memories of that moment flashed in his mind. The scar started to itch, and he began to think maybe it was time to turn around. Still, he remained on the road, no longer following the GPS, but rather the aching in his joints. There was nothing that could guide him better than that invisible thread that pulled him to the woods.  

Henry came to a point where he couldn't drive anymore. It came down to pushing on with his SUV and risking damaging his only method of transportation or canceling it where he would find it if need be. The man was a hunter, and those woods were already second nature to him. Plus, he had the unmistakable inner guidance of whatever was calling him deeper into the forest. Maybe he was walking into a trap, but it was a chance he was willing to make.  

The man strapped his backpack on his back and a rifle on his arms and set off to follow the invisible path that his body was setting. Every step he took was sure, and there was no hesitation in any of his decisions. If he thought right, he turned right. If he thought left, he turned left. He had never walked to somewhere he didn’t know with so much confidence.  

With every foot he put of distance between himself and his car, Henry felt the pull getting stronger. He was going the right way, but he didn’t know why. What was waiting for him at the end of that invisible rope? Maybe someone had cursed him, and he was walking toward his death. Maybe he had finally lost his mind. But the maybes didn’t stop his stride. Henry kept going deep into the forest, following whatever it was that had brought him there. Deeper and deeper he went, forgetting his mission and forgetting his family. Whatever waited for him was his fate, and he would stop at nothing to follow it.  

Suddenly, he entered a remarkably quiet patch of land, and quiet in the woods meant danger. He set his backpack on the ground along with his rifle, pulling out instead his handgun from his belt loop. A branch snapped behind him, and he turned toward the sound. It wasn’t an animal running in fear—it was far too precise and calculated. Whoever was out there had chosen to break that branch to get him turned around.  

Without thinking twice, Henry turned back around in time to feel claws dig into his arms. The force of the person’s jump was enough to throw him to the ground, but not before he raised his arms to protect himself. His gun had been smacked from his hand, and all he had was his own strength to fight against whatever was attacking him.  

The strength and the claws of his attacker could only mean one thing. He was fighting a werewolf with nothing other than his strength, and he wouldn’t survive with that alone. The man knew he needed to get his gun back, one way or another.  

They stumbled on the ground as they fought for dominance, punches, and jabs thrown around blindly. It would be a fight to the death, and Henry had to make sure his prize was his life.  

“Henry?” the attacker said as they pinned him to the ground as though he weighed nothing. “Henry Argent?”   

When he finally looked up, Henry was met with a face he hadn’t seen in over a decade. “Raina,” he breathed. “Is that really you?”   

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[cienie-isengardu]

MK1 rant - Sektor's mother

*Attention, rant not spoiler free*

Keeping in mind it’s easy to criticize a worldbuilding when one was not involved in the creation process of it, I must say this - Netherrealm Studio lately is missing many potential, if not great opportunities to add a weight to connection between characters and in more general sense, layers to Liu Kang’s new Timeline. All, as I suspect, to keep the clear line between “good guys” and the “evil ones”. Which is quite a sad turn of events, as the worldbuilding presented so far is pretty nuanced and worth examining and building on. 

The latest missed opportunity is the choice of Sektor’s mother.

Sektor’s Bio put a great deal on her relationship with parents:

Sektor grew up immersed in Lin Kuei culture. Her mother was a leading warrior, her father was its Master Armorer. Sektor marveled at his flawless work. Apprenticing with him, she eventually surpassed her father's skills. When he retired, she took his place. But Sektor also wanted to honor her mother’s legacy. Now her vast knowledge of weaponry and her formidable martial skills make Sektor a kombatant like no other [...]

The presented intro dialogue between Sektor and Kuai Liang on twitter revealed that Madam Bo is in fact Sektor’s mother

Kuai Liang: You have dishonored Madame Bo. Sektor: Leave my mother out of this!

On one hand, Madam Bo trained Kung Lao and Raiden (and was going to test Raiden’s sister), so there is both connection between Lin Kuei and Liu Kang’s favorite Champions and an emotional impact, as she was forced to choose between duty to Fire Lord (and her “boys”) and her own daughter. Which is fine, surprising but not the worst possible choice. 

But lemme tell you this: imagine Sektor sharing the same mother with Bi-Han & Kuai Liang and the impact on Lin Kuei characters AND added layers to established previously lore.

For one, the original timeline stated Bi-Han had a younger brother (Kuai Liang) and youngest sister. With Sektor being a female now, this could nicely be a callback to ice brothers’ roots.

Secondly, Kuai Liang was established by his BIO as “Revered Lin Kuei Warrior”. The use of strong word as revered was suggesting Scorpion’s high position within the clan and/or him being admired by others members of Lin Kuei. Yet once Bi-Han broke the clan’s ties with Liu Kang/Earthrealm so far there was no mention of any Lin Kuei (beside Madam Bo?) choosing Scorpion over Sub-Zero. And logically thinking, there should be still plenty of people who served Kuai Liang’s father and shared his sense of duty. Sektor being, for lack of better terms, one of the “Lin Kuei Royal Family” would add a lot of weight to Kuai Liang’s statement: "You forget Cyrax and Sektor. Their loyalty to Bi-Han is absolute. They'll sooner abet his corruption than follow me."? As in: explaining why Sektor hold so strong influence over their people, developing more inner politics of the clan and expanding the family matters. Both to the biological siblings and to Tomas, especially his status within said family. If he was adopted into a clan that deeply cares for blood ties, does he have any political role/duties, or is he wholly excluded from the line of succession, leaving it only to Bi-Han and Kuai Liang & Sektor?

Thirdly, as Bi-Han was already implied to have a close bond with Sektor (MK1 Sub-Zero’s ending) and Sektor’s BIO confirms she is Bi-Han’s a “kindred spirit”, we could have a great sibling duo (supportive big brother Bi-Han and his loyal, eager to make him proud younger sister Sektor) and an interesting parallel to relationship of Bi-Han & Tomas or Kuai Liang & Tomas.

Fourthly, Sektor wishing to honor her mother while joining Bi-Han and supporting their clan’s independence would nicely fit Sub-Zero's statement that “mother would applaud [his actions].” Simultaneously, again we could have a better look on Lin Kuei inner matters and how the dislike for duty to Earthrealm/doing Liu Kang’s bidding didn’t come out of nowhere, but was a process already in motion. Sektor and Bi-Han being the product of their mother's ambitions and/or independence streak could add new layers to their characters. The same as Kuai Liang (and presumablyTomas) is the product of his father’s high sense of duty to Earthrealm.

Also, any opportunity to bring Bi-Han’s mother into the story is a bonus point to the lore, because that woman deserves recognition for her desperate attempt to save her children from Lin Kuei. And if NRS is so set to make Lin Kuei so “bloodties” oriented, they could turn Sektor and Bi-Han into siblings to A) spare me any worry about any potential romance between those two characters and B) add hilariously to the Kuai Liang & Sektor’s never ending conflict seen through the majority of old and new lore. 

I guess everything would be better in Mortal Kombat if NRS didn’t catch allergy to nuanced and morally gray characters… because Bi-Han could easily fall into that (and worldbuilding wise, could be seen like that) and so could Sektor, and their potential mother with ambition to cut ties with Liu Kang for good.