#i do still need to make my own tags

[groovylittleclown]

Hello Hello!! My name is Mackerel or Mack. I am 19, I use mirror pronouns, and I am using Tumblr as my little corner of the internet to dump my thoughts.

I've got a buncha interests, the top ones are.. Clowns, Puppets, Frogs, Theater/Theatre, aquatic life (especially crustaceans), bones, horror, videography, and bright wild wacky funky fun colors!!

There's also a buncha projects I'm working on!! Some are put on hold while I move out, but they all are dear to me, and I will most likely post about them!

Ollie and Lucky Against the World - Started on May 13th, 2022. A story about two kids who go missing and their siblings who have to communicate through supernatural beings to get them home.

No Flash Photography Please - Started on March 15, 2023. A silly goofy story about a bunch of theater kids making a show, and ignoring the lore of the world. (Spin off/sister series to Against the World)

Poltergust 5000 - ON HOLD!! Started on February 14th, 2023. I am making a Luigi cosplay and Poltergust, based on my favorite Super Mario Bros game, Luigi's Mansion: Dark Moon.

Frogs - NOT BEGUN!! Waiting until I am more financially stable, but I have big dreams for a Fire-Bellied Toad Paludarium. I really like reptiles and amphibians. They're super neat.

I am also in quite a few fandoms!! Although I am a silent member of them. The big ones aaaare.. Teenage Mutant Ninja Turtles, Sonic the Hedgehog, Five Nights at Freddy's, Super Mario Bros, Don't Hug Me I'm Scared, The Muppets/Muppet adjacent, Rick and Morty, Trolls, and Splatoon!!

Last but not least!! I do have a reblog account. I bounce between tagging and not tagging, it is a big jumbled mess. @mackerel-reblogs!!!

My internet persona is a frog

That is them ^

I am what people call a procrastinator and I will do non important things like playing my silly little pony game rather than get things done, despite being projects I want to work on. So posts about my projects will probably be few, unless I'm having a really productive couple of weeks, or am in a very rambley mood.

[starry-bi-sky]

i think i'm hilarious -- aka i made blood blossom danny au memes

all of these come from my DpxDC prompt "i am pushing the batdad agenda--" and it's corresponding additions in the reblogs ksdjlf.

i am. rotating them in my head. forever and always. personally i think there should be more batdad aus in dpxdc, their dynamic could be neat. :)

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[lovelyrotter]

ill probably delete this in a minute but ive just been fuckin boggled by what ive seen across tumblr in the last few days in particular. its why i havent really been around. like holy fucking shit, its really like some of yall just dont want a chunk of the trans community to exist. like some of yall are thisclose to saying it verbatum. way too many already have. 'shut up sit down be quiet and smile for us' type shit, gee where have i heard that before. oh yeah my entire life cause i was forcefully gendered as someones daughter. shock horror i know. you might be surprised to remember and/or learn that very few trans folks know theyre trans before we're 5, or even 10, and that that gendered experience stays with all of us in both/either small or large ways. either bc we literally dont have a solid identity yet (bc we're very small children), dont have the words, we're repressing it out of fear from how others will treat us, we're actually enjoying or enjoyed being another gender in our childhood, or we just genuinely didnt fuckin know until shit lined up later in life. weird isnt it that transmascs dont pop out as 6'1 brick shithouse cis men when we're born so yall know for certain that we're confused lost girls/women oops i mean big dangerous scary men. its almost like we're transgender too. none of yall actually know what intersectionality is or means

[joshuamj]

Linktober Day 8. Tunic

[art-from-the-juice-box]

gen loss dump part 2 :]

i have a gen loss playlist so the last two was me hitting randomize and drawing a pic based on the song before it finished. the second one technically isn’t that cause charlie’s inferno isn’t on apple music cause they hate me so it’s way more of the song out of spite because they wouldn’t give it to me.

[corviiids]

hi rook sorrgy I'm back but I've been thinking about your akeshu as girls genderfuckery tweet for 20 million years. idk if you can share anything in good faith here on the Tumblr corner of the internet (if not then by all means ignore this) but if you did I'd owe you perhaps my entire soul!! thank you very much either way :3

i would LOVE to talk about this thank you so much for asking

[under the cut in case anyone would not like to see genderfuckery stuff]

okay so first of all.

on the topic of boobs

this is important to lead with do you understand. most of the akeshu as girls stuff ive seen around has akc as flat-chested and ren as boobed. and that's valid i support that. but personally. personally to me. i think it's the opposite. tbe reason (well one reason) i think it's the opposite is because i think girlren is a little rat of a creature and akechi who is prim and feminine and perfect is so FUCKING angry about her crush on ren like she's barely surviving it and then this is the nail in the coffin. she's like why can't i stop thinking about that messy unassuming thing. she doesn't even have boobs

my other reasons for tihs are that i think joker is more androgynous charm while akechi is more feminine/masculine duality i think this makes sense to nobody else. i think ren regardless of agab is riding the rail of the gender spectrum 🛹 while akc is collecting extremes of gender presentation like they're pokemon do you understand. are we on the same page here. ren being into drag is important to me for this reason (again regardless of agab). meanwhile akechi having very clear feminine secondary sex characteristics but presenting gradually more and more masculine in terms of clothing/hair/personal style etc. is also extremely important to me. and that includes being biog of tity while her style veers more and more into masc as time goes on

ok

the detective prince

i think girl akechi (at 17-18) presents very femininely because it's what's effective for her. i would call her style................... kawaii corporate chic. does that make sense for everyone. it's like schoolgirl girlboss. she has a bow instead of a tie but it's a very classy one not a kitschy one. smart blazer, uniform pleated skirt, patent leather shoes, u know the drill BUT. people still call her the detective prince. this is VERY IMPORTANT to me. no detective princess. only detective prince. do you understand the importance of the genderfuckery of a super feminine girl being called by masculine terms. to me. we're continuing the legacy set by my hero naoto shirogane bigender queeng. bigender kin. bigender genderneutral non-monarchical ruler

i think by third sem girl akechi is starting to dress more androgynously/masculinely. more pants. i think her third sem outfit is unchanged from canon. just a smart coat, sweater, buttondown, slacks. postcanon she gets a haircut.

just trying to live an honest student life

ren is like so fundamentallyuncomfortable with the fact of his existence at the beginning of canon so to me girlren is like... she dresses like she's trying to hide in her clothes. messy hair. i have no strong feelings about whetehr her hair should be long or short, or whether it's loose or pulled into a tail, but i know it's messsy. untamed curls. and she uses it to hide her face. none of her clothes fit. she's in oversized everything. i have a very clear image in my head of a ren idle animation where she leans down to pull up her leggings because they keep falling down. she also has terrible posture. she's androgynous at this stage not on purpose but because she's too self conscious to like... exist... and present... in any notable way at all

i think as she gets more confident and as the year progresses she starts to dress more distinctively. i like the idea of her getting more comfortable prettying up. maybe working at crossroads helps her with this 🤔 i dont know how to explain this but i think she's still feminine in a gentlemanly chivalrous way rather than a girly cute way. girlren has that same steady calming vibe that guy ren does

joker & crow

crow has a magical girl skirt. i have a drawing of this but im too self conscious about my own lack of drawing skill to show it off so i cropped out the key part and put it into an ms paint void in the distance as my visual aid

there. i hope this is illustrative

i think given girl akechi's use of her feminine charms to gain popularity, her hero complex would be similarly gendered given we have confirmation that robin hood represents not (only) heroics for altruistic reasons but also the theatre of being seen doing good. there's a real drama element to the idea of a magical girl transformation that i honestly wish we got for male crow too. i always am depressed that we don't get to see much theatre for akechi's initial appearance as crow and summoning of robin hood, anyway, girlcrow has ribbons and a capelet that flap in non-existent wind.

black mask's outfit is unchanged from canon. i'd like it to look a little less stupid but that has nothing to do with gender i just want it to look a little less stupid.

joker's outfit is also unchanged from canon. listen. im back on my bullshit. in the metaverse her behaviour gets more feminine and more sly and confident than in reality. she's got that femme fatale shit going on. however, she is still a gentleman thief. she has the long coat. she has the poofy trousers. she has the waistcoat. she's still smirking and fixing her gloves and flipping her knife and doing that thing that canon ren does where he lifts his chin and does the little "come on" thing with her fingers. do you understand? do you understand me

[zeb-z]

I just think Tallulah gets to be upset about this. “It’s not Wilbur’s fault” “He’s not a bad dad” “He loves his daughter so much” yes! These are all true! And it’s not his fault! But he’s still not there. And Tallulah has gone through so much and still hasn’t seen him, the one time he was around was the one time she wasn’t, and all she has are letters and “I’m thinking of you always” and things that used to be theirs together, but he’s still not there. She’s waited and she’s been patient and she’s loved him all the same, and he’s still not there. Like yesterday, and the day before, and the day before, from the happy milestones to the traumatic events, he’s still not there.

She knows that it’s not his fault, but it doesn’t change the fact that he’s absent. That in and of itself just adds to the sorrow, because she knows why he’s gone, and she’s been told time and time again it doesn’t mean he doesn’t care, she knows this - it doesn’t mean it doesn’t sting, that it doesn’t hurt, that she doesn’t yearn for her father to be there more than anything in the world, and he’s just not there.

So yes, she gets to be upset, and be caustic, and stomp her feet and write bitter messages, and be angry and vitriolic, because she’s a little girl missing her father, who feels things with her whole heart and soul - and that means she gets to feel the ugly parts of it, too.

[dungeons-and-dragon-age]

Hiii everyone, say, how do your Hawkes go go about sharing their estate? If they do it at all? Is everyone free to come and go or are they more private? Or do they only invite their LI to stay? I'm curious!! :)

[coquelicoq]

what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.

[dreamsaflame]

nea "i am coming to Destroy(kill) you, my mana" campbell, an exhibition

(aka, tfw clown runs in the family)

what if it's been 35 years since we last saw and held each other and you're crying and even i'm being caught up in the emotion and despite everything i've missed you terribly?

what if you were crying tears of blood and i gently wiped them away?

what if you no longer remembered your name nor your (our) original face and instead of dealing with that feeling, i just smiled the pain away?

what if some black order finder jerks knock you to the ground and it alarmed me so much i cried out your name?

what if you said some bullshit about how you're gone forever, and i remembered you smiling innocently (back when we were still happy), and it pissed me off, but i still smile through the anger?

what if i sensed the ark activating to take you away and i had to run just to see (and threaten) you one last time?

what if i made sure the last image you see of me is me smiling gently and reaching back for you, as though we were still mirrors of each other?

[auriidae]

how it feels to discover a blog that has a tag with a bunch of archived posts of ur favorite characters that you've never seen before

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[teakoodrawz]

" I'm a Psycho, loving it~ "

[colorful-bees]

just went and listened to the usum version of ghetsis’ battle theme and it’s actually got me feeling like this image

like. you mentioned the whips cracking. you didn’t mention the way it sounds like pure bloodlust. i don’t know what it is about it but it sounds like sheer hatred and evil. it doesn’t even sound like a pokémon boss theme. it sounds like the song itself is trying to kill me. and like it could. this is a ghetsis theme with a PUNCH to it. i am viscerally uncomfortable just listening. and i LOVE it. what on earth did they put in it. that is the definitive version of his theme now

IT'S SUCH A GOOD THEME. They somehow manage to make it sound more threatening than the original which is a feat. And it fits so well with the context being that this Ghetsis won in the world he came from. The song itself just sounds cruel, it's perfectly fitting for the version of him who succeeded in conquering Unova.

Just everything about it fills you with this sense of dread that you got from the original but it feels so much more intense here. Every time I listen to it, it makes my skin crawl, it's so great.