#i do love books but movies ultimately have my heart

[dichromaniac]

Tagged by @mxmoth

barbie or oppenheimer // ketchup or mustard // crinkled fries or curly fries // robots or dinosaurs // silly hats or silly socks // spring or autumn // harry potter or lord of the rings // vacation or staycation // day or night // board games or video games // books or movies // money or love // milkshake or iced coffee // waffles or pancakes // chocolate or candy // beach or pool // laundry or dishes // take-out or dine-out // fantasy or sci-fi // lays or pringles

Ok @themcgeek and @bixbiboom y'all's turn!!

[marthawrites]

Between the Covers

Modern Aemond Targaryen x girlfriend reader

Word count: 3.4k+

Can be read as a one shot but reads best as part two to Summer's End, Autumn's Beginning

About: During a cozy night in at your place, Aemond discovers your new taste for “literature”. Upon confronting you about it he makes a deal. Part of you wants to say no… but, you ultimately agree to his terms.

Includes: Established relationship, fluff, teasing, banter, and smut featuring breast play (reader is implied to have sensitive breasts), minor vampire play, pussy eating, vaginal fingering, Aemond loses his mind at the mention of blood sucking, dirty talk, vaginal sex, and reader and Aemond say 'I love you'

Note: Hello lovely reader! This might be ooc for Aemond but it's ic for the Aemond in my heart! My heart and pussy wrote this so if you have a problem with it up take it up with them!! Reader is non-descript! As always, I hope you enjoy this fic ♥

Autumn turned to winter, then winter to spring, and things with you and Aemond were better than ever. According to Aegon the two of you were “disgustingly cute”, and Helaena, on more than one occasion, admitted how she’d never seen her little brother so happy. 

Alys, despite her best efforts, had been fully removed from the picture after the last big fight that had you and Aemond taking a long self-reflecting break. 

Perhaps the universe really did do you a favor by making you face an ugly side of yourself–jealousy, distrustfulness, suspicion. Was it fun to look at in the eyes? No. Absolutely not. But, it made you realize things about yourself which ultimately lead you and Aemond to give the relationship another chance: a real honest chance. 

He too was far from perfect and had his own baggage and scores to settle. But at the end of the day you two were fucking wild for each other. And that’s all that mattered.

While your third floor apartment wasn’t anything compared to the sprawling Targaryen estate, it was cozy and located in one of the nicer neighborhoods in King’s Landing. Any city had its slums and dark underbellies, but thankfully you didn’t have to deal with either of those. Inwardly you were convinced that if you did live in one of those shady places that Aemond would swoop you away to his own private quarter in his family’s mansion. The idea of moving in together had been hinted at a couple times and each time your belly–and heart–did flips. One day, sure, maybe. But, now? You hadn’t even been together for a year yet. Moving in together was a huge commitment.

Perhaps something to consider for your three-year plan. 

Or, one-year plan.

You both had a free day tomorrow, so Aemond took advantage of it and stayed the night. After dinner you took a shower and he waited in your bedroom, searching for something to watch. 

There were so many choices. Why was there always so many choices? It made it such a challenge to actually decide on something!

When you came out with damp hair and your favorite pajamas–a big shirt and cute underwear–you proclaimed, “I saw an A24 movie last night I think we’d both like!”

He looked over at you from where he lay lounging on your bed in black sweats and a white tee, barely contained amusement plastered on his face. “As much as I love those, I’m less interested in movies now that I’ve found this,” he said, holding up the latest book you’ve been reading. 

Oh. 

Oh no. 

Did you forget to put it back on your shelf? Warmth flooded your face. “Baela was talking about it and she talked it up so much I had to check it out!” You admitted a little too quickly, hiding an embarrassed smile behind a hand.

“Uh-huh,” he smirked. “Vampire smut? If you’re so bored by The Two Towers all you had to do was say something.”

Your eyes–no, your whole face–brightened with shared amusement. “What! No, it’s not smut. There’s plot!” You said defensively (perhaps not convincingly, though, with the giggle), as you hopped on the bed and straddled him. His slim hips fit so easily between your bare, soft thighs, it was almost criminal. Mischief sent his eye twinkling. You took the book from him and cleared your throat, preparing to read the synopsis on the back. “Listen, ‘kay? This explains it really well.”

“Already read the back,” he said, sly. “And comments on goodreads. Seems to be extremely popular with women. There were… lots of caps, exclamation points, sweaty face and fire emojis… rave reviews.” Sometimes when he smiled–really smiled–he had little dimples; they were out on full display, now. He ran his wide, warm palms up your thighs, thumbs skimming dangerously close to that delicate space between your thighs he loved so, so fucking much. “Do you want to know what my favorite part is though?” He asked as if it were a secret.

Goosebumps tickled your skin as he teased you. You didn’t bother to put a bra on and you suddenly became acutely aware of your t-shirt’s texture as your sensitive nipples tightened beneath it. How easily your body reacted to his. “What’s your favorite part?”

He took the book from you and opened it. Smirking, he read Baela’s note she left for you on a post-it sticky, his voice an octave or two higher: “‘chapter 32 might be the hottest thing I’ve ever read in a book. It will change your life.’” He peered up at you with an arched brow. “Have you got to chapter 32 yet?”

You were blushing and giggling and trying so hard to not rip the book from his hands and smother his taunting face with one of your many pillows. “Oh my gosh shut up you are terrible!”

He laughed. “You’re the one reading vampire smut!”

“There’s plot!”

Aemond flexed beneath you and the next thing you knew you were on your back beneath him. His long silver-blonde hair was pulled back into a ponytail and it hung over his shoulder threatening to tickle your face. “My pretty girl still hasn’t answered me,” he said as he pinned you down, lowering to nip your earlobe. “Or will I have to use compulsion to get it out of you, hm?”

You felt his grin against your neck, heard it in his question, and before you could stop yourself a little moan escaped your mouth because he bit you. Really bit you. His teeth, clean and sharp, clamped around a mouthful of your neck. He drew it into his mouth, sucking, and–fuck it was hot–you then understood why women in silly vampire books gave in so easily to the predator. You knew your pulse had to be jumping right there in the flesh he held between his teeth. All those giggles from before vanished and were replaced with small gasps. You squeezed your hands over his shirt-covered shoulders, answering, “n-no… I haven’t read that far yet.”

He relaxed his mouth and licked up the same bit of skin he’d been biting, kissing it softly. “Good,” he replied. “You can read it out loud to me now.”

That perked you right up. “Oh my god Aem! No!” 

“But I’m sooo curious to know what happens when she goes inside the castle. I skimmed the last chapter you were on. Something about him loving the smell of her blood, barely able to control himself around her, and she’s stuck there with him now?”

You were laughing again. “You’re such an ass!”

“Those are very important plot points,” he said smoothly, matter-of-factly. “And it’s chapter 31. So all the tension will lead up to the famous chapter 32.” He kissed you as he spoke; your mouth, jaw, neck, collarbone, whatever he could reach.

You were still laughing, but his kisses relaxed you, too. You pushed your hands up beneath the front of his shirt and gently scraped your fingernails over his abdomen. His chest. You felt his muscles quiver slightly beneath your touch. You loved how his body reacted to you. While stroking between the patch of hair at the center of his chest, and the trail of hair below his navel, you asked, sheepishly, “what if I get embarrassed?”

It was his turn to perk up. Pulling back, he looked down at you with a mixture of deviousness and softness that had your heart flipping. “Let’s make a deal.”

“Why am I have scared to hear this deal? But… okay, let’s hear it,” you replied, smiling and biting your lip.

“As long as you keep reading, I’ll keep eating your pussy.”

Yet another wave of heat rushed to your face and along your spine. You really, really hoped Aemond couldn’t see the blush of your features. Knowing him, however, he probably did… or at least saw the spark of desire, excitement, and embarrassment in your eyes. “You really wanna hear me read this stupid book?”

He nodded. “Yeah. And I wanna eat you too. So, why not both?”

“Well, when you put it that way…,” you mumbled in agreement, grabbing your book and opening to where you last left off.

Aemond shuffled triumphantly and smiled one of those smiles that if he did indeed have fangs they’d certainly be showing. He kissed your throat as he pushed the bottom of your shirt up, grazing his fingertips along your belly as he did so, not stopping until the softness of your breasts melted against his palms. Squeezing the sensitive mounds, he gave your neck one last little nip before lowering to your bared tits. He made a noise in his throat at the sight of them–your pretty nipples peaked with need–and he held each in a hand. Looking up at you he asked, "how long do you think you’ll last reading?” He squished your tits together so your nipples were as close together as they could be. Hot mouth wrapped around one and he sucked, greedily drawing it into his mouth. He relished the sensation as well as your gasp of surprise. He relaxed his mouth and let your tit free only to repeat the motion to the other one.

Fuck. He’d barely started, you hadn’t even begun reading, and you already felt warm tension pull in your belly. Your breasts have always been sensitive. Sometimes when you were feeling especially needy, and Aemond especially wicked, he’d suck your tits until you came. Part of you wondered if he meant to do that now with how he lavished them. “Shit–Aem! Not long if you keep this up…!” You moaned, biting your lip again as your eyelids trembled closed. “Haven’t even let me start yet..!”

A laugh rumbled in his chest. “You’re right…,” he said, slowly circling his tongue around and between your nipples. “Go ahead and start reading then, baby. I’ll get nice and comfortable between these thighs.” 

True to his word, he did. Your boyfriend meant to murder you. Without a fucking doubt. Straight up murder.

With a shuddering breath you began to read aloud.

Aemond kissed over your covered pussy, not yet bothering to move your underwear aside or take them off. He wasn’t trying to be especially distracting yet, but he loved knowing you were wet and eager for him. He kissed the insides of your thighs–that impossibly soft dip where your thigh met your pelvis–and even the underswell of your asscheeks as your legs spilled open. He knew right where your clit was. He licked over it through your panties. Teasing. Coaxing. Hoping to hear your voice warble with want.

It did. There was no way you’d be able to keep this up for the rest of the chapter as well as the next chapter. The main female character, a human, had just re-dressed into something suitable for dinner. In this case, a gown that complimented the color of her skin and shape of her body. And the main male character, a vampire, was waiting for her to finish. Before this, the tension had indeed been all over the place. Blood, desire, lust, everything sinful about the undying charisma of vampires. At the end of the chapter she walked downstairs only to make him utterly darken with lust. And, at the end of the chapter, Aemond pulled the front of your panties aside to finally give the full length of your pussy a hot, slow lick. You gasped in time with the main female character’s gasp.

“Think he sinks his teeth into her pretty neck and finally takes what he wants?” Aemond asked, low and somewhat muffled, as he turned his gaze up to your heated face.

You couldn’t believe this was happening. You half thought he was joking about the whole thing! But… then again, you knew Aemond pretty damn well by now and knew he wasn’t the prankster type. You moaned softly at the slow, wonderful feeling of his tongue on your clit. Then, you answered in a shaky breath, “it’s the temptation. He worships her. Or… at least her blood. He won’t tear her apart. He needs her.”

He made one of his classic little ‘mmm’s in thought. “Keep reading, baby. I’m dying to see what happens.” Another lick, another kiss to your most sensitive bud, and a gentle suck. 

Fuck–if he kept this up?! Pleasure rippled up your body in goosebumps and your voice shook as you read into the new chapter.

Somehow the book tension intensified even further. Between that, and how Aemond continued to slowly eat you, your head felt dizzy. Really, honest to God, you didn’t know how much more you could take. Then, the next line started to crumble some of that tension: “The vampire lord kissed the top of the lady’s hand, and when he did his fingers grazed the delicate webbing of veins on the underside of her wrist. Her scent bloomed beneath him. A perfume. His jaw ached with the need to consume. To consume her.”

Aemond picked up pace, too, as did your pulse. He balanced you on the edge of bliss and wouldn’t yet let you go. 

You began to stammer over words. You even left some unfinished. Because now you read a scene that was strikingly similar to your current situation. The vampire had his lady laid back and sprawled on the staircase, her skirts bunched high, his starved tongue feasting between her thighs.

Aemond groaned appreciatively. He worked you higher and higher, selfishly making it harder for you to read out loud, and savored each and every little dip and rise of your voice. His good girl. So fun, and playful, and willing to entertain his silly ideas. God, he loved you. He memorized all the signs of orgasm in your body. He could hear them. Feel them. He knew you were getting close, but he didn’t want you to come yet. There was still more to be read. Right before climax could claim you, he stopped.

“Aemond!” You squealed, near breathless. You looked down at him, accusatory, blissful eyes glaring. “Not fair!”

“Did I forget to mention I’ll only let you come when I want you to? Sorry, love, my bad.”

“How convenient of you,” you retorted.

“Do keep going though? I have a feeling he’ll need a taste of her blood now that he’s tasted her cunt.”

Begrudgingly, you did. And, as luck would have it… (did he read ahead while you were in the shower!?): “The vampire lord’s cock strained in his breeches, throbbing with a pulsing need that sent his mind to delirium. He never craved anything so badly as he did her.”

Aemond made more of those ‘mmm’s in agreement as he started to slowly work you up again. He pressed his tongue into you and let his nose rub against your clit. His hands rubbed and squeezed over any part of your body he could. Waist, belly, hips, thighs, anything; he loved all of it. He could lay here and do this all fucking night–vampire smut or no.

It became harder and harder to keep reading. Between little moans, whimpers, and firm bites to your lip, you kept trying. By now, the chapter progressed to both of them in various stages of undress on the staircase. “The vampire lord claimed her body with his hot, rigid manhood. At the same time he filled her with his cock, he sunk his teeth into her neck.”

After that you were no longer able to make words. A finger replaced Aemond’s tongue as his mouth lavished your clit. You dropped the book and neither of you seemed to care anymore. One of your hands gripped into his hair–more than likely making the sleek pull back of his ponytail a mess–while your other hand played with your breasts. Seemingly effortlessly, a second finger joined the first and your hips rolled in a desperate need for more. “A-ah yes!”

A soft dark laugh rumbled from him as he watched you from below. “You’re so fucking wet your pussy just sucked my finger in. I barely had to move it. Getting close again, my love?” He asked as those two deft, long fingers worked your inner walls with blinding precision. “I love how you were blushing and fumbling with your words when you read. Fuck–you’re so pretty with my fingers in you.”

A familiar tightness began to build in your legs. The inside of your thighs started to tremble. Your head, fuzzy as it already was, buzzed with your body’s anticipation. Pleasure. So much pleasure. Your fingers tweaked your nipples for that extra little push, and apparently that’s exactly what you needed.

Aemond’s tongue was on your clit again, quick and light compared to the harsh way he fingerfucked you. This time he didn’t edge you along.

Orgasm, beautiful and consuming, swallowed you into a starless dark. When you came back to yourself your head was heavy. The tips of your fingers tingled. Everything felt light. Like you weren’t quite inside your own body yet. “What the fuck Aems…,” you whispered, smiling like a dork.

That was one of the best orgasms and he fucking knew it. He had to know it. 

He carefully rolled away from you to let you catch your breath. “Better than the book?”

“Without question.”

He grinned as he watched you regain yourself. Once he was sure you were okay he pulled you on top of his naked form. When did he take his clothes off? “Always so sweet to me,” he said with that same grin. “I can still taste you on my tongue and need to feel you on my cock. Now.”

You didn't need to be told twice. Your body was ready for him as soon as he moved you atop him. He looked so good, so handsome, so devastatingly perfect as he sat there against your headboard, your bodies meshing together so well. His lean arms wrapped around you, nails scratching down your back, as you lined up with him.

The stretch was unfuckingbelievable. 

Moaning in unison, he rolled his hips up into you with one hand gripped on your waist. Your breasts squished against the firm planes of his. Your scent, your skin, your lust all around him. The squeeze of your cunt around his entire length had him half crazy. There wouldn't be any more teasing. 

You ground onto him, desperate to fuck him as silly as he had fingered you. 

One of his hands gripped the hair at the back of your head and tugged downwards, exposing the fullness of your throat to him. Your neck. He bit you again–all but sinking his teeth into your flesh–and fucked up into you with added fervor. 

“God!” You squeaked, whimpering through your surprise. “Yes, yes, yes, keep biting me..!” You pleaded, bouncing on him in time with his upward rolls.

That's how you both stayed–his teeth on your neck, your fingernails leaving pink scratches on his pale skin, grinding and fucking each other with raw desire–until climax washed over both of you.

You were both panting, a little sweaty, and intoxicated by each other.

A couple minutes later, amidst pillow talk and teasing one another, Aemond asked, “would you read more to me another time?”

You looked at him cheekily. “Seriously?”

“Yes. I’m very interested in the plot,” he said with obvious innuendo. “And I don’t think you quite understand what you saying words like ‘cock’ ‘cunt’ and ‘blood sucking’ does to me.”

That sent you into another fit of giggles. “You’re insane!”

He rolled on top of you and smirked down at you. “Well?” He asked, grazing the tip of his nose against yours.

“Okay, okay. Yeah, I will.”

Pulling the blankets up around your bodies, you turned on the movie you mentioned earlier. Aemond laid on his back and scooped you against him, legs immediately intertwining with one another. Sated. Happy; even as your skin pleasantly burned where he left dark hickies behind.

“Thanks for that. It was a lot of fun,” he whispered against the crown of your head.

“Yeah it was,” you agreed. “I love you, Aem.”

“I love you too.”

-

Thank you so much for reading! If you enjoyed, please consider a follow, and/or reblog, and/or letting me know as it all makes me vvvery happy! ♥

Masterlist

See comment section for my main taglist and Aemond taglist! To be added or removed from either, please hit me up!

[thalfbloodloser]

i wish we had alloaro representation in media. a charming character who fucks - both literally AND aesthetically. one that makes other characters go "wow! they're so cool and good in bed, but ultimately un-datable, because as soon as they sense any romantic intention on you, they flee" (kinda like lucifer morningstar from "lucifer". he's aroallo in my heart)

a character who's funny and has a horrifyingly 80's sense of fashion (they have a curly combed-out mullet and mismatched earrings. you'll find them at pride wearing a corn costume because it "matches the aroallo flag" and they're "being subtle") or one who's the embodiment of a 60's greaser (their motorcycle helmet is themed after the aro flag and the back of their leather jacket says "LOVELESS / LOVE LOSES") or one who's a girly fanfiction writer that has more ships than a star wars movie (their fics are muntifandom-ly famous and most their stuff is covered in yaoi/yuri patches and stickers. everyone thinks they're a hopeless romantic because of it, but that's exactly why they're so big on the fiction ≠ reality discourse) or...

anyone else, really. just ultimately a HUMAN who's casually aromantic. one who doesn't make it a parade but isn't subtle about it, either. will they hold other character's hands? maybe. kiss their cheek? perhaps. hang out with them, on picnics and walks along the river? can't see why not! but platonically. or maybe have them be genuinely romance-repulsed & not so eager to participate in anything socially perceived as romantic. that would also be amazing.

let them express themselves sexually! let them fuck. give them a..."fuckbuddy", if you must. or a best friend who's sexually involved with them - classic romcom material, i know - but without it being "complicated"; because there's no romance involved to complicate it.

give them funny scenes. another character tries to kiss their lips or ask them on a date? they laugh nervously, the scene cuts and we get a hilarious shot of them escaping through the bathroom window. or audibly saying "ew" and then regretting it. another character is struggling to write a romcom/romance book without it being corny? we get a scene where our character casually describes the most romantical (and, to them, unappealing) plot ever - because, much like aces acing the smut department, they're far from misunderstanding what is or isn't heartstopping for alloromantics - only to have the other character stare at them like "?????????? HELLO????". give us a scene of them being confused as to why their hookup is yelling at them for acting "so casual" and responding with a quotable shitty line ("just because we had sex last night i can't call you "bro"? / "what? expected me to marry you or something? get off my bed, it's 9AM" / "would you rather have me mad? sad? what's happening here. give me a hint")

but give them complicated scenes too. scenes portraying the loneliness that comes with being aromantic but not asexual, the lack of community. them talking about how hard it is to maintain sexual relationships just sexual. the painful "breakups" because one of their friends declared their undying love for them but they cannot possibly match that energy, even if they wanted to. have them weep because somehow that keeps happening. the unfairness in being accused of heartlessness and selfishness by other queers. the shame on being told they're fetishistic and the reason why queer men/women/people are seen as sex-crazed or impure.

...anyways, i'm rambling- do y'all have any aroallo ocs? or ideas for alloaro characters? maybe aroallo headcanons? i'd love to know what you think! :)

(don't tag as #ace / #asexual / #asexuality)

[fallenrocket]

Some Random Galinda/Elphaba/Fiyero Thoughts

Note: This is mostly based on the musical, looking at the movie in particular--while I love the book, Fiyero is so different between the two versions that he needs to be viewed as two separate characters. Also, my shipping thoughts go hand in hand with my neurodivergent headcanons. For the purposes of this post, we have Elphaba (autistic,) Galinda (high-masking autistic/ADHD,) and Fiyero (ADHD.)

For as long as there have been love triangles and shipper wars, there have been fans who've pointed out the obvious solution of "So-and-So has two hands!" I've certainly seen the appeal of various OT3 ships in the past, but after watching Wicked: Part 1, I'm not sure if I've ever seen a love triangle as much in need of an OT3 resolution as Galinda/Elphaba/Fiyero.

Any way you look at it, it's clear that Elphaba is the apex of this triangle/polycule, so let's start there. The Elphaba/Galinda and Elphaba/Fiyero ships are both rock solid. Both have certain similarities, the popular hottie paired with the gorgeous outcast whose beauty can only be seen by them. But the road to how they get there in each case is a little different, so we'll take them one at a time.

Elphaba/Galinda

We have to talk about them first, obviously. That's why we're all here, right? The relationship so iconic, you can build a whole marketing campaign purely off the colors green and pink. These two have a classic love/hate setup, the old I Hate My Roommate, Oh No I Love Them! routine. But with both characters, it goes so deep. Being seen as a good person is crucial to Galinda's sense of self, and from the moment she meets Elphaba, who sees through her self-aggrandizing vow to use her not-yet-developed sorcery skills to "help" her, that sense of self is challenged. The image Galinda presents to the world is so carefully controlled and precise--her popularity is thanks in part to the fact that she's constantly performing "personhood" for those around her. But Elphaba immediately sees through her performance, calling her out in front of everybody.

That, I think, is at the heart of their early conflicts. It's not just that Galinda is pretty and popular and Elphaba is green and weird. It's that Elphaba has no issue pointing out that Galinda isn't what she pretends to be, and that rattles her. At the same time, it probably burns her up that Elphaba refuses to give in to what other people think about her, at least giving the impression that she doesn't care about their opinions. That isn't true, of course, as Galinda rightly recognizes at the Ozdust Ballroom.

When Galinda steps forward to dance with Elphaba, it's a revolutionary moment for her character. It's an unspoken acknowledgment that she had been cruel in giving Elphaba the hat, willingly admitting that she's not as "good" as she likes to think she is. But at the same time, this dance is the first truly kind thing Galinda does in the story. Like Elphaba, she hasn't stopped caring what people think about her, but for the first time, doing something right means more to her than just giving the appearance of it. So she stands with Elphaba among the stares and whispers, following her lead and doing her dance regardless of how it looks.

"Popular" is more than just a recompense, a genuine way to try and help Elphaba after tricking her earlier with the hat. Even as Galinda tries to make Elphaba more like her--ultimately giving up when she realizes how lovely Elphaba already is as herself--this is Galinda at her most unmasked, which actually makes her a little more like Elphaba. She is extra as hell throughout this whole song, delightfully goofy and hyper and excited. It's in stark contrast with Elphaba, who doesn't know what to think here, but this is who Galinda is when she's not performing for everyone around her. Elphaba is always 100% herself and never lets anyone take that away from her, and in "Popular," Galinda lets Elphaba see her.

When the break happens between them in "Defying Gravity," it has nothing to do with how they feel about each other. Their angry/frustrated accusations of "I hope you're happy" give way to their sad/wistful farewells of "I hope you're happy." Their essential breakdown is about, not who they are but how they are. Elphaba doesn't know how to go along to get along, even for the sake of playing a long game, so she immediately blows everything up with the Wizard and Madame Morrible because she knows how wrong this all is. She shows her hand without a second thought and is instantly prepared to throw everything else away for her ideals. Galinda, meanwhile, has spent her life being who other people expect her to be, and she doesn't really know how to give all that up--including her dreams of becoming a sorcerer and her chance for real power and influence--to take what feels like a shortsighted stand. Elphaba has no plan beyond "I won't do this" and "We have to get out," and as much as Galinda loves her, she's not ready or able to take that leap. They're both caught on diverging paths, reaching out for each other even as they're being pulled apart. Gaaaaah!!!

Elphaba/Fiyero

Even though Elphaba/Fiyero plays with similar archetypes and some similar themes as Elphaba/Galinda, their interactions and relationship are different, which is valuable. This isn't just a case where the canon M/F ship gets to "go there" while copying the F/F ship Because Compulsive Heterosexuality. I will say, the movie in particular gives me lots of Fiyero feels that I don't necessarily have with the stage show, so my thoughts on both Elphaba/Fiyero and Galinda/Fiyero rely heavily on Jonathan Bailey's interpretation of the character. In this version of the story, Fiyero does feel important to me, not just a shoehorned-in love interest for the sake of it.

Like Galinda, Fiyero is a character who masks/performs a lot. A key difference between them, I think, is that Fiyero has much more self-awareness about his. He knows what he's doing when he plays the role of the shallow party prince, essentially "giving the people what they want." But as hard as Galinda works to maintain the image she projects, I'm not sure if she entirely realizes that it isn't the real her. Both characters are trapped behind the masks they've made, but Fiyero definitely knows it, and I'm not sure if Galinda does.

At any rate, that's what we're working with when Fiyero meets Elphaba. In this instance, he clocks her before she clocks him--Fiyero easily defies her expectations when she rattles through her standard "no, I'm not seasick" list, and he immediately treats her like a person, something that not many people in her life do.

Elphaba quite can't see that at first, though. I don't know if she initially buys the performance Fiyero sells everyone else, but she's pointedly unimpressed by it. While everybody else is tripping over themselves falling for his charms in "Dancing Through Life," Elphaba huffs and rolls her eyes, even when Fiyero specifically meets her gaze in the middle of the number and gives her a little "hey, I know you!" wave.

So even though we get a bit of a love/hate trajectory again, it's not mutual this time. Fiyero is intrigued by Elphaba from the start, though not particularly because of her greenness--rather, he finds it interesting that she's immune to his charm. He likes that she speaks her mind and causes "commotion," and post-"Popular," he tells her she doesn't need to change herself. The unspoken implication? He likes who she already is. Elphaba is the one who holds back here.

It's not clear exactly where and how the change happens for her. Obviously, the rescue of the Lion cub marks the moment where Elphaba realizes her feelings for Fiyero, voiced in "I'm Not that Girl." But her opinion--and understanding--of him had already shifted. As he points out, some part of her chooses not to knock him out with the poppy spell, recognizing him as a potential ally to help the Lion. And it's in that scene where she acknowledges that he just pretends to be shallow and self-absorbed, adding that he's unhappy within that performance. So she's already made those observations about him. But when did it happen? For me, that's the part I'm not seeing on the screen, and it's an interesting question to wonder what causes Elphaba to reevaluate Fiyero in the first place.

With both Galinda and Fiyero, I think it's important to note that loving Elphaba doesn't change who they fundamentally are. This isn't character growth via The Love of a Good Woman. Both of them already are the people Elphaba comes to know and love, but the parts of them that she values are the parts that they tend to hide. Loving Elphaba makes them want to let themselves be seen, at least by her. By the end of the movie, Fiyero's feelings about how he wants to show himself are already changing, while Galinda is torn, breaking her own heart as she's dragged back into other people's expectations.

Galinda/Fiyero

Mileage on this one varies, I know. Plenty of fans will argue that this "triangle" really only has two sides, that it's Elphaba/Galinda and Elphaba/Fiyero. That Galinda/Fiyero is purely fake performative comphet. If that's your interpretation, that's cool.

For me, though, I do think there are real feelings there, on both sides. Galinda lamenting, "I don't even think he's perfect anymore, and I still want him!" feels major for her character, and I see Fiyero's care in how gently he responds when Galinda is knocked out by the poppies. And it's just more interesting to me if they both care about each other. I'm not saying their feelings for each other are the same as what they feel for Elphaba, or as intense. But in a hypothetical OT3 resolution for this story, I think their relationship would add up to more than just passing each other coming and going from Elphaba's bedroom.

I find Galinda/Fiyero very interesting because, even though they're the only "official" couple within the triangle by the end of the movie, there's far more potential in what their relationship could be than what it actually is at this point. In an OT3 scenario, I feel like their dynamic requires the most speculation or imagination. It's very clear what Elphaba/Galinda or Elphaba/Fiyero would be like romantically. But what would Galinda/Fiyero be to each other?

The way I see it, their canon relationship is hampered by two chief points: masking and outside expectations of monogamy.

Because both of them are performing most of the time, that extends to their relationship. Fiyero and Galinda start dating because each is very much The Sort of Person I'm Supposed to Date. When they flirt with each other, it feels like you're watching a play, two master performers "yes and-ing" their way through a relationship that's far more about the image they want to present than what they themselves really want.

Again, they're both drawn to Elphaba in part because she sees them for who they are and makes them want to be who they are. Fiyero's mask makes him actively unhappy, and at minimum, Galinda's puts her under a lot of pressure to maintain it and forces her into heartwrenching choices. So as they date one another--largely because other people expect it of them, because they're "perfect together"--their relationship is tied up in this thing that brings them misery and stress.

Furthermore, they're not really dating one another, they're dating one another's masks. We know that the real Galinda and the real Fiyero are both great--Elphaba wouldn't like them if they weren't! But in in their relationship, they don't really get to see the parts of each other that Elphaba loves.

That brings me to their other main hindrance. If Galinda and Fiyero are artificially forced into monogamy, then of course it's not gonna happen for them. They're just not it. Neither of them would choose the other over Elphaba, and if only one of them can be with her, than one person's happily-ever-after is the other one's loss.

In that way, I think a real Galinda/Fiyero relationship could only be possible inside an OT3. If both of them were free to date Elphaba, free to love and be loved by her, that could give them space to love each other, in whatever form that would take. Maybe it'd be romantic, maybe not (Lesbian!Galinda truthers, I see you!)--maybe they'd both have a romantic/sexual relationship with Elphaba and be platonic partners for each other. I'm not sure. But I do think they genuinely care about each other, and I think they'd be able to figure out what that looks like for them if they were both comfortable and secure in their relationship with Elphaba. If they didn't 1) feel forced to compete for her or 2) feel that, not being with her, they were one another's "consolation prize." And since I also think being with Elphaba would help them both feel more comfortable in dropping their masks and being their authentic selves, they'd have a much better opportunities to actually get to know one another.

[filmmakerdreamst]

P.J.Hogan's 'Peter Pan' is still an underrated masterpiece 20 years later

Peter Pan is a live-action fantasy adventure film directed by P. J. Hogan that reimagines the classic story of Peter and Wendy. The screenplay was written by P. J. Hogan and Michael Goldenberg and was released in cinemas in December 2003. The screenplay is based on the 1904 play Peter Pan, or The Boy Who Wouldn’t Grow Upand the classic novel Peter Pan by J.M.Barrie, which was originally published under the title Peter and Wendy.

The film tells the story of a young Edwardian girl, Wendy Darling (Rachel Hurd-Wood) and her two younger brothers John and Michael. On the night she is told she must grow up, a wild, fairy-like boy called Peter Pan (Jeremy Sumpter) flies into her room with his high-maintenance fairy Tinkerbell. When he learns that she tells stories, he whisks Wendy and her two brothers away to a magical Island called Neverland — where you supposedly don’t “grow up” — so that she can mother his henchmen, the Lost Boys. There she fights pirates led by the evil Captain Hook (Jason Isaacs), meets mermaids, dances with fairies, falls in love and grows up.

I have strong family connections tied to Peter and Wendy and J.M.Barrie. My great, great uncle Nico was one of the sons of Sylvia Llewelyn Davies'. He and his other brothers "the Lost Boys" were adopted by J.M.Barrie; which ultimately inspired him to write Peter Pan. Nico’s daughter Laura — my cousin — who I met for the first time a few years ago, told me that she was flown to Australia for the filming of P.J. Hogan’s Peter Pan because she was J.M.Barrie’s goddaughter. She told me that she was thrilled with the cast, especially Jason Isaacs, who played Captain Hook and Mr Darling. She also mentioned that Jeremy Sumpter, who played Peter Pan, was a lovely boy. However, she said she was very surprised and sad that the film wasn’t a big success as she really liked what they did with the story. I have loved the fairytale of Peter Pan from a young age, and learning that I am literally part of the family that inspired the story was very exciting and I’ve only begun to internalise it more as I’ve grown older.

When I was in my mid-twenties, I was diagnosed with a high level of Autism. One of my main symptoms was labelled “ageless”, which in simple terms means that one half of me is still a child that I can’t mentally leave behind. I can’t do many things that most adults can do, such as pay bills, drive a car, look after my own well being etc. I flap my hands when I get excited. I bounce. I sometimes speak in a baby voice. I overcommit to things I enjoy. I admit that it was hard to come to terms with the diagnosis when I first received it. But over time, I’ve come to believe that the two can coexist in a healthy way. I believe that I am an adult who is able to develop and grow while still carrying the child within me, and that this is not seen as a bad thing. I think Peter and Wendy can be seen as a reflection of that.

I was first introduced to P.J. Hogan’s Peter Pan a few years after it was released (I was maybe nine or ten years old), and I absolutely loved it. It wasn’t only one of my favourite film adaptations, but one of my favourite movies of all time. What surprised me most about the film at that age was how dark and gruesome it was, and full of this underlying sexual tension that I hadn’t expected at all from Peter Pan. Even today, this film still has a special place in my heart. It is made with so much passion and love for the original text that I can automatically put myself back into the story. After watching the film again as an adult, I almost immediately opened my copy of Peter and Wendy and started reading. I would even go so far as to say that I prefer the film to the book. However, part of me wishes that the age rating had been set much higher, as the dark and gruesome moments were some of the strongest parts of the film adaptation. This is possibly why some critics and viewers had difficulty categorising the film at the time.

However, I often consider P.J.Hogan’s Peter Pan to be the same equivalent as Joe Wright’s Pride and Prejudice. (which came out a few years later in 2005, starring Keira Knightley and Matthew Macfadyen). The film moves at the same dreamlike pace. It is light, dark, colourful and deeply romantic.

I also often prefer P.J.Hogan’s Peter Pan to the 1953 Disney Animation of the same name, even though it’s the version I grew up with and liked. I find it much less straightforward and innocent. Also, the 2003 film is much closer to the original source material, which I loved reading as a teenager, and to J.M.Barrie’s original vision. The film manages to reflect the same intellectual subtext and depth of the novel while retaining the whimsy and magic.

Magical Realism

Peter Pan was a perfect blend of fantasy and realism. A lot of media these days focus too much on “realism” and make their sets and CGI look bland and washed out. It’s a common myth these days that no one likes whimsy anymore; it’s somehow seen as too childish. As a result, much of the magic of fantasy is lost. But in this Peter Pan, a lot of colour was used in the set design and cinematography. Everything was so brightly and colourfully lit. Most fantasy films these days, including the new live-action adaptation of Peter Pan and Wendy on Disney+, are all so gloomy and dark. You almost have to light up the screen to make out the actors’ facial expressions or what’s happening in the scene. But this film understands that a viewer who watches fantasy wants to be swept away, but also wants a certain amount of believability. Although the film contained a good amount of darkness, it did not shy away from being cartoonish either (which I think was partly inspired by the Disney animation), i.e. characters blushing or bouncing on the clouds.

The design of Neverland was breathtaking. I think the CGI, although criticised by some, made the island and creatures look more dreamy and fairytale-like. It was a good combination of CGI for the landscapes and real backdrops for the jungle, so there was enough magic and believability to transport the viewer into the story. A bright colour palette was used for the landscapes, while down-to-earth colours such as browns and greens were used on the ground, such as in “The Lost Boys Hide” under the tree, to give a sense of realism. The costume department also reflected this, from the majestic reds and blacks of the pirates, to the earthly colours of blue and red for the Native Americans, to the natural greens and browns of the Lost boys. I noticed that the colours in Neverland were used as a contrast to the Edwardian London back home, which is realistic but dull compared to the island.

One aspect I liked was that the lighting on Neverland always changed depending on the mood of the scene- unlike the naturalistic lighting on Earth. It was almost as if the island was a living being. For example, when there was a fight on the ship, the lighting was red. When Peter took Wendy to the mermaids, who were scary and frightening, the lighting was dark and blue. This created a surrealistic atmosphere, almost like a fever dream or a kind of nightmare.

Sometimes the environment changed depending on Peter Pan’s mood in the respective scene. I particularly liked how Peter Pan influenced the weather on Neverland. Just his mere presence when he flew to the island changed the entire atmosphere in an instant. His feelings also determined whether it was summer or winter. In other words, its suggested in the film that the longer he has been there, the more the island has become a part of him, so that he can no longer leave it. It’s almost as if the island has transformed him into a magical being.

The exuberant musical score by James Newton Howard: I’ll never forget that. I think that was one of the first movies I saw where I actively noticed the music because it was so brilliant. Even today, the “Flying” soundtrack still gives me goosebumps. It perfectly encapsulates the whimsy, joy and imagination of Peter and Wendy. I loved that there were always different variations. One of my favourite pieces from the movie is ‘Fairy Dance’, which starts off cheerfully and moves up and down depending on the characters’ conflict/what they’re saying in the scene.

Cast

The cast of this film adaptation was magnificent. The look of all the actors not only matched the book description, but also the mood, especially with the Darling family. One of the standouts was Olivia Williams as Mrs Darling. She captured the gentleness of the character perfectly. I also loved the new addition of Aunt Millicent, played by Lynn Redgrave. She fitted into the story so well that I was surprised not to find her in the novel. She had the perfect amount of ridiculousness and hilarity that suited J.M.Barrie’s style.

One particular member of the cast we can probably all agree on that was perfect, was Jason Isaacs, who played both Wendy’s father Mr Darling and Captain Hook. He was certainly a star in this film for sure. I just can not think of anyone who could play him better, especially in a live-action film adaptation. He was particularly good in the role of Captain Hook. When I first saw the film as a child, I did not know that Captain Hook and Mr Darling were played by the same person until my dad pointed it out to me because he was so good. I loved how they portrayed Wendy’s dad as shy and reserved, as opposed to Captain Hook who was flamboyant and sinister. Mirror versions of each other in different realities — that’s a common theme throughout the film. As Captain Hook, Jason Isaacs perfectly captured the essence of viciousness, deviousness and brutality that was necessary for the character. But also the deep loneliness and frustration behind it all. I have seen a quote that was supposedly cut from the film (and never should have been) that provides so much context for his hatred of Peter Pan:

“Imagine a lion in a cage and into that cage flies a butterfly. If the lion was free, it would pay no heed to such creature. But the lion is not free…and so the butterfly drives him slowly insane.” — Captain Hook

They did a really good job of showing how Peter Pan and Captain Hook are mirror images of each other. Peter Pan is a child who secretly wants to be an adult, while Captain Hook is an adult who secretly wants to be a child. Both fight each other for different reasons, but the goal is the same. For example, there is a great scene towards the end where Captain Hook uses his wits to defeat Peter in a fight. Here it becomes clear that there is deep symbolism for the inevitability of adulthood and the loss of childhood. Jason Isaacs really showed off his acting talent here. I liked that he wasn’t portrayed as a “dumb villain”, which he easily could have been.

There were also some great performances among the adults. Most notable was Richard Briers as the ‘pirate’’ Smee. But the child actors, especially the lost boys, really held the movie together. Their solid performances made it so believable that the island was ruled by children. I loved Theodore Chester as Slightly. He was very charming and funny in that role.

Another member of the cast I thought was brilliant was Carsen Grey, an indigenous actress of Haida descent, who played Princess Tiger Lily. I liked that they let her speak her ancestral language, Mohican, in this film. Although this film came out in the early 2000s, it is the only version of Peter and Wendy in which Native Americans are neither erased nor white-washed even though the representation is far from great. Considering how they’re treated in the novel, it’s perhaps for the best overall that they limited some of their scenes. However, I liked how firey she was in this adaptation and not the damsel in distress she was portrayed as in the Disney animation. I think it was a wise decision to cut the infatuation she had with Peter Pan, as it was really just one line in the book that would have added unnecessary drama, and all in all, it would have fallen short if all the female characters were jealous of each other.

They also downplayed Tinkerbell’s jealousy in this regard, portraying it more as her trying to protect Peter Pan’s youth from romantic advances, as hinted at in the novel, and also being sad that Wendy is attracting all of Peter Pan’s attention. Ludivine Sagnier has, in my opinion, succeeded well in making Tinkerbell equally repulsive and endearing, as befits the character.

Wendy Darling

Rachel Hurd-Wood was the perfect cast for the role of Wendy Darling.I was actually surprised to learn that this was her first film role ever, because she was a natural. She effortlessly possessed the same caring nature and charm that makes Wendy so endearing. She is exactly how I imagine the character when I read the story. When people talk about Peter and Wendy, they always mention Tinkerbell, Pan or Hook, but personally I am always drawn to Wendy. She is the real heroine of the story. After all, she was the main reason for Peter to bring her and her brothers to Neverland.

What always amazes me about Wendy’s role in the story is the fact that Wendy literally doesn’t spend much time being a “child” in the time she spends in Neverland. When she’s not escaping death at the hands of mermaids or pirates, she acts as a mother to the ‘lost boys’ and her brothers. She asks herself what she really wants from life. In comparison, she was allowed to behave more like a child at home in Edwardian London. Neverland is not a place where you never grow up. It’s the place where she chooses to grow up. Many people have described Neverland as a manifestation of Wendy’s subconscious as a result of trauma, and I’ve never found that to be more true in this adaptation.

One of the reasons why I think P.J. Hogan’s Peter Pan is the best adaptation of the novel is the fact that the film revolves around Wendy’s coming of age. I loved that they expanded on her love of storytelling and also gave her a tomboyish streak. Instead of just being on the sidelines, she’s able to get involved and fight pirates while retaining many of her feminine traits such as her maternal instincts and romantic feelings for Peter. She makes mistakes and sometimes gets dragged into things she knows she shouldn’t do. But in the end, she triumphs.

In many film adaptations of Peter and Wendy that I have seen, Wendy is either only present in passing or not at all. Characters like Peter Pan, Captain Hook and Tinkerbell always take centre stage, which I think is a strange decision as they are part of Wendy’s story and not the other way around. Peter Pan is meant to metaphorically represent the childhood she does not want to give up (which is why the character is always played by a woman in the original play, as he is a mirror image of Wendy). And Captain Hook (J.M.Barrie also wanted him to be played by the same actor as Mr Darling) represents the dark side of her father, or rather what she imagines adulthood to be. This is particularly emphasised in this film adaptation because he is an important factor in her being told to grow up. The father, the concept of adulthood, and Peter Pan, her childhood, are at constant war with each other.

“You’re not supposed to be like Peter, who kept every good and bad aspect of being a child and can’t tell right from wrong. You’re not supposed to be Hook, either. He let go of everything childish and loving about him and became bitter and evil..You’re supposed to fall in the middle, to hold onto the things about childhood that make it beautiful — the wonder, the imagination, the innocence — while still growing up and learning morality and responsibility. You’re not supposed to be Hook. You’re not supposed to be Peter Pan. You’re supposed to be Wendy Darling.” — @maybe-this-time

The 2023 film Peter Pan and Wendy took a different approach, by making Wendy a kind of powerhouse who always saved the day and outshone Peter Pan overall. In my opinion, the 2003 film adaptation emphasised very well that Wendy really is the yin and yang. She's allowed to be romantic, be rescued by others and at the same time determine her own destiny and stand up for herself. Because that’s what her journey in the adaptation is all about. She is pressured by all the adults in her life to grow up. She allows herself to be seduced with the prospect of an eternal childhood by Peter Pan. Then she realises that it is not self-fulfilling. She is tempted by Captain Hook with the concept of adulthood. And finally, she finds a balance between these two extremes on her own terms. By the end of the film, Wendy has made her peace with growing up while still remaining a child at heart. That requires a certain mental strength that we should all strive for.

Peter Pan and Wendy Darling

In most adaptations of Peter and Wendy, such as Hook and Syfy’s Neverland, the focus is on the title character Peter. In the more recent film adaptation Peter Pan and Wendy, the focus is on Wendy. This film adaptation of Peter and Wendy, on the other hand, sticks more closely to the original source material, as the story focuses on Peter and Wendy’s relationship. This is perhaps the reason why I always hesitate when I watch other adaptations, because these two characters are supposed to go together. It’s definitely a relationship that can be portrayed in all sorts of ways because they are symbolically the same person.

Although there is no romance between Peter and Wendy in either the original novel or the play, Wendy quickly develops romantic feelings for Peter which, as a prepubescent child, he does not consciously reciprocate as he has no concept of love other than that of a mother’s. Although Peter cares deeply for her, he ultimately only longs for her to be the maternal figure that is missing in his life. One could go into the symbolism that Peter and Wendy are one and the same, and that this is an expression of Wendy learning to love herself. But in a literal sense, J.M.Barrie had unintentionally created this very strong potential between the two characters. And I personally feel if your'e going to make an adaptation of Peter and Wendy that potential needs to be explored in some way, even if it’s not necessarily romantic.

Hogan recognised this potential and developed the romantic elements, e.g. ‘the “thimble” from the novel, into a very real and tangible plot. In other adaptations, Peter and Wendy’s relationship is rather one-sided. But in P.J. Hogan’s film adaptation, however, it is not at all. Over the course of the film, Peter and Wendy fall deeply in love with each other.

Rachel Hurd-Wood and Jeremy Sumpter had a remarkable on-screen chemistry for young actors, which helped give the adaptation its own identity. Whenever they interacted on screen as Peter and Wendy, it was — like the glittering pixie dust of Tinkerbell — simply magical. The off-screen chemistry between the two definitely helped make the romance so believable as well. When I was younger, I didn’t like romantic subplots in family films. I personally found that they clogged up the main plot because the “romance” tended to be very one-dimensional- but Peter and Wendy in the 2003 film version were simply enchanting.

In the original novel, J.M.Barrie alludes to the possibility of a romance between the two. In the film adaptation, they go all out. Their love story was written so beautifully and profoundly, while staying true to the original text and J.M.Barrie’s themes. This made the conflict hinted at in the novel of “staying in Neverland with Peter or growing up on Earth with Wendy” even more poignant and relevant, because in reality there was only ever one option. They couldn’t find a way to have both. That made the ending even more “heartbreaking” for me as a child, because even though they had the chance to be happy together, she couldn’t give up on growing up to stay. And he couldn’t give up being a child to leave, even though it was a natural progression for him.

Peter Pan

Jeremy Sumpter delivered a fantastic performance as Peter Pan. Not only did he perfectly match the illustrations, but he also managed to perfectly capture the essence of the charismatic, mischievous little boy from the novel. What’s more, of all the versions I have seen so far, he is by far the most accurate, right down to the clothes made of skeleton leaves, the dirty fingernails, the feral mannerisms, the traumatised soul behind the charm and the downright creepy insinuations. By today’s standards, you could almost take Peter Pan for a grown man who consciously decides not to behave like this.

However, when I watch the film again as an adult, I can now understand why he has reservations about growing up in Edwardian England and would rather remain a “child” in Neverland forever. As Peter says in the film, “Would they send me to school? And then to an office?” I feel like most of us today have so many choices as we get older, but back then it was much more limited. The choices were very restricted in that “heterosexist” environment. You could only be a certain thing, and it was much harder to hold on to the pleasures of life. I can now also understand the initial reactions of Michael and John to Peter: He must have seemed scandalous to people at the time. His bright colours, his inappropriate clothing and his behaviour are repulsive to the boys, but Wendy is immediately fascinated and attracted.  I think it was a deliberate choice that he is the only character with an American accent to set him apart from the rest of the cast; to emphasise the wildness of the character and his non-conformity to the people of Edwardian London.

Another small aspect I liked was the suggestion that the Lost Boys, although they lived with Peter and obeyed his commands, lived in constant fear of him and did not worship him as in other adaptations. (A fear that is justified as Peter tries to kill them more than once in the film). What the 2003 film adaptation captured perfectly about Peter's character was: how terrible of a person he really is. Peter Pan is a hero when he goes on adventures and fights pirates. You could argue — via the quote “Leave Hook to me” (which Peter says to her in the film) — that Peter is Wendy’s split self who can fight her father (Captain Hook) for her, just like antibodies do with germs when we can’t handle them ourselves.

However, when it comes to understanding emotions, caring about others, even his henchmen, the Lost Boys, and doing anything that inconveniences him, Peter Pan is possibly as bad as Captain Hook. This makes Wendy’s decision to leave him all the more powerful. Although she was initially seduced by his adventurous life, she soon realises that his “life” of joy and adventure is not fulfilling at all. Because in reality, there is no real joy. There is no real adventure. In reality, his life is empty because it is not earned. In addition, she realises that she is gradually losing her memory of the outside world, including her parents - a sign that she is “slowly awakening from the dream”. This leads Wendy to realise that she wants more than what he can give her in Neverland (e.g. romantic love) and decides to leave. Being alive means feeling, accepting and growing. However, as long as Peter remains a boy, he can never truly be alive. Peter Pan conveyed this important message, whereas earlier film adaptations, including the Disney animation, did not.

One of the reasons why good adaptations of Peter and Wendy are so hard to come by, especially in this day and age, is not only because they adapt a performative story that exists in layers of subtext. They also work with a protagonist who doesn’t change. Who doesn’t develop in any way, neither negatively nor positively. Not even just physically, but also mentally. (Even Eli from Let the Right One In, the child vampire, changes in the course of the story). At the end of day, Peter Pan is ultimately there to serve someone else’s story. It works in a fairy tale format. But it doesn’t usually translate very well to the screen because it often leads to one-dimensional storytelling. Even if it seems so natural, it doesn’t come naturally.

However, this adaptation allows Peter Pan to grow. The writers expanded on the small aspect from the book, which is the moment when Wendy enters Peter’s life; he begins to feel emotions. Not just love. But anger. Fear. Sadness. Pain. Disgust. And above all: self-awareness. Almost like a version of puberty in condensed time, as if the change suddenly caught up with his body. When Wendy brings this up, Peter immediately rejects it out of fear. I think most of us can all relate to this when we were in the midst of growing into a young adult. We experience feelings that are scary and new, that we can’t yet fully understand or even want to. For Peter Pan, falling in love is exactly what he is afraid of: growing up and no longer being a child. This adds to an interesting conflict that arises between the two when she asks him to leave with her.

“The thing about Peter Pan is, he’s a coward. Had the chance of a lifetime and he bottled it. Just fucked off back to Neverland. All alone, forever he was, by his own hand. Poor old Wendy, she had to grow old without him.” — Skins, 6x07 “Alo”

In the original novel, the reason Wendy can’t take Peter Pan with her (apart from the fact that he refuses to grow up) is the same reason Lyra in His Dark Materials can’t take Pan — the animal manifestation of her soul — on the boat to the land of the dead. She has to split in order to grow up and leave a part of herself behind. She can’t keep both in order to move on. But that does not mean I always agree with the ending either. In which Peter remains a child and takes Wendy’s future descendants to Neverland and back to look after him. It leaves an icky aftertaste, but at least it fits in with the story J.M. Barrie wanted to tell.

Even though the adaptation conveys the same message, that Peter Pan is the manifestation of Wendy’s youth, even to the end. In this version of Peter Pan, that is no longer the case. By the end of the film, the way he holds himself is different. The way he looks wistfully through the open window and solemnly says, “To live would be an awfully big adventure,” : a sign of self-awareness, while Wendy happily reunites with her family. So much so that Tinkerbell has to pull him by the hair to stop him from joining them and reconsidering his decision. Peter is now old enough to know that he loves Wendy. Maybe he’s also mature enough to know what he’s missing, but he knows he can’t have her the way he wants, so he does the most selfless thing he’s ever done in the whole film by letting her go.

There is no such conflict at the end of the 1953 Disney animated film. Peter Pan is described by Wendy as “wonderful”. In reality, everyone else gets their happy ending, except him, because he deliberately chooses not to. Peter Pan very much turns himself into a tragic figure because he is afraid of the most natural thing in the world. He is afraid of life. And I feel like this version of the story knew that and expressed it strongly, which makes me conflicted now as an adult. I’ve seen endings like this before, where two people fall in love but do not end up together because they grow apart or they are both interested in different things, and it’s very important to reach those points in different ways. It very much reflects real life and is also reminiscent of first love. How that love never really fades. It reminds you of simple times, even when you’ve grown up and moved on. That a part of you is still at that age when you look back on it. These endings happen because people grow — which Peter Pan does not.

“Peter in the books lives in oblivious tragedy. He may suspect that he’s not fully happy, but he tends to forget about it… yet this Peter doesn’t… Wendy leaving him and growing up to be a wife of another man is his unhappy thought…It’s the loss of innocence since Peter could not forget this…It’s the process of growing up…all but confirms that Peter’s character arc in the film is one of accepting the fact he too must grow up to be happy.” —  @rex-shadao

And I think that’s the real reason why his character is both the strongest and the weakest part of the adaptation. The writers didn’t make it clear enough that Peter Pan forgets in their version of the character. In the novel, Peter Pan forgets everything automatically, which is why he can exist in this limbo of childhood and not go mad. However, as mentioned earlier, this version of Peter Pan is old enough to remember and, more importantly, to feel. Even though he is the closest to J.M. Barrie’s original vision, unlike his counterpart in the book, he is capable of evolving. That’s why the ending sometimes feels strange to me as an adult.

It was hard to say why I had a strange feeling at first, but I realised that a lot of my mixed feelings stemmed from having seen the film adaptation fresh after reading the novel. Since Peter Pan fully reciprocates Wendy’s love in this version, he ends up being a different character than in the book, which is why I now disagree with them keeping the original ending instead of having him grow up with Wendy. It would symbolise that childhood can co-exist with adulthood, that you don’t have to leave a part of yourself behind. That you can be your true and complete self if you find the balance between the two extremes.

The original ending still works however, in all its bittersweetness. I know what it means and understand what it stands for. Wendy basically says goodbye to her childhood and promises never to forget it. There’s a reason it made such an impression on me when I was younger. It could just be because I’m trying to pick up all the pieces of my broken heart from the floor. But personally, as an adult, I just find it weaker compared to the novel. Sometimes I like to imagine an ending to this version of the story where Peter Pan comes back, having quickly realised that he has outgrown Neverland, but doesn’t meet Wendy again until they are both much older, at a time when Wendy is coming to terms with womanhood and the idea of marriage. Or she even meets his real earth counterpart (if we were to delve into the psychology of Neverland being Wendy’s dream). And their relationship is subjected to the natural test of time and growth.

Peter Pan is an almost perfect adaptation. It matches the humour, the tone and the vision of J.M.Barrie. But I can certainly understand why the film didn’t do so well at the box office. In the month it was released, there was an unfair amount of competition, namely the film Lord of the Rings — The Return of the King. And as an adult, I can now understand why it’s not the film people think of or remember when it comes to Peter Pan adaptations. And it’s not just because it doesn’t fit the elfish, jolly trickster persona that Disney has created.

The film adaptation suffers more from what it doesn’t do — such as maintaining a stable tone and consistent editing — than from what it does. It’s one of those films that would have benefited from being much longer. That way, the inconsistent tone and some of the rushed parts of the adaptation would be much more balanced. It feels like it was missing an extra twenty minutes. For example, the film is narrated by an older version of Wendy, but without the deleted ending where it becomes properly clear that it’s her telling the story to tie everything together, the ending feels a little abrupt. Say what you will about Tim Burton’s adaptation of the Series of Unfortunate Events, but the audience could see where the film’s narration was coming from the whole time. I think if they knew the alternate ending wasn’t going to work (that scene is a classic example of something working well in the novel but not in the film), they should have removed the narrator altogether with the deleted ending and adjusted the film accordingly. They should have extended some scenes so that parts of the film weren’t rushed, such as the introduction, and the story would have been left more up to interpretation as there was no voiceover throughout.

Despite its weaknesses, P.J.Hogan’s Peter Pan is still an underrated masterpiece 20 years later. It is an irresistible film that captivates and warms the heart. The film adaptation has certainly stood the test of time, staying true to the original while adding its own flavour to the story. It is full of magic, wonder and heart. It was clearly made by people who loved the origins of the story and explored where they came from, while also digging deep into the text to reshape the character arcs in a fresh and meaningful way. They succeed in capturing J.M.Barrie’s original message, which is that growing up is a natural progression of life, but that doesn’t mean leaving childhood behind entirely. That it is important to maintain a healthy balance between the two: Taking responsibility while appreciating the joys of life. From the vibrant colour palette to the goosebump-inducing music to the solid performances and gorgeous chemistry between Jeremy Sumpter and Rachel Hurd-Wood, my love for this adaptation will never end, no matter how old I am.

[juniperdugong]

Couple Costumes Maknae Line ver.

What you guys would wear as a couple on Halloween and how they react!! || 95s || 96s || 97s || Maknae line || A/N: I tried to make these examples as inclusive as possible, if you don't like that THEN GET OUT! Also, the characters or costumes I mention DO NOT correlate to the boys' personalities and this is all just for some silly Halloween fun! I DO NOT OWN ANY OF THE ART, all credit goes to their respective artists!

Seungkwan Sun & Moon/Doraemon

He's another one who thinks it's silly at first but puts up with it because it's you! Really, for such an extrovert who loves being a comedian, he tends to get embarrassed a bunch. But as it goes, he is willing to do anything for love—of course with his own "professional input."

He runs the show in terms of what y'all are picking. He needs it to be a good mix of funny but cute ALWAYS. I see a small argument as you guys go back and forth on what to wear and how it should look. But ultimately, if you really pushed for it... he would go with what you want because he's above fighting over costumes (sometimes)

He could settle for a simple sun and moon costume, he is after all the brightest sunshine boy to exist. But it's fairer to say that y'all would end up going with a childhood favorite comedic character and who better than Doraemon! He would adore this idea up and down and out! Of course, he's gonna be Doraemon and you're going to be Mii-chan or Noramyako... let's be real he wouldn't let you get the chance to steal the Doraemon spotlight from under him.

Vernon Sarah & Wirt/Adventure Time

Go with the flow all the way~ Which is to say he'd love to dress up with you and go with whatever ideas you have for him in terms of costume. He doesn't play into it as enthusiastically as others would but definitely is supportive through and through, constantly pushing you to challenge your ideas of what the costume should be. Very much the type to be like "What were you originally thinking?" if he notices you trying to tone it down - because despite what people may think he is very expressive, especially through fashion (as we know)

If he did give any sort of input or inspiration forward I definitely think he would be going for some sort of cartoon or comics, he's mentioned Hellboy before so I feel like that's a good route, I can also see X-men being a thing. But I'm a cartoon nerd at heart and OG carats know he used to rave about Adventure Time so I can definitely see him bring Simon & Betty to the table, maybe Marshal & Gary, perhaps a Fin & Flame Princess, or Jake & Lady. I'm a sucker for the idea of y'all as Wirt and Sarah from Over the Garden Wall though, like would die to see him in the vicinity of that show.

Dino Morticia & Gomez/Scream

He is 100% the type to vehemently refuse, but as soon as you give him even an ounce of that sulky attitude, he changes his tune and is in for whatever you want. Such a lover boy, honestly. It's getting on my nerves how fast I see him change his mind for you tbh. If you actually get mad I feel like he would go off the rails and in a frenzy get a bunch of costumes as revenge/malicious compliance? In short, he gets mad at you for being mad but does what you want anyway... Yeah.

He's so Gomez Addams coded, I'm sick! Also you guys as the power couple of the Addams family? Yes, puhhhlease!! It's insane how much y'all would rock that shit. Down and out winning the costume contest, for sure! But I also see him turning down the idea if he doesn't know the movie... In that case, I feel like even if he hasn't seen Scream he would be down to do Ghostface. Not only would you guys look hot but he doesn't have to wear different makeup and I feel like that's a win for him in his book.

A/N: A day late but it's better than nothing! The jjk fiends will have to wait till tmrw for the official end to the Halloween event with a Gojo fic lmao

Please Reblog and Comment if you enjoyed ! (They act as power-ups for me)

Taglist (OPEN): @bemybabiibish @bath1lda @porridgesblog

[gilly-moon]

Your fave Pitch moments when he's sympathetic and when he's villainous? Your fave Jack moments when he's heroic and when he's mischievous?

ohhhhhhmygod ok. ok *cracks knuckles* lets go

Sympathetic Pitch - the moment in the Jack Frost book when he's begging for the Guardians to kill him. This quote in particular RUINS me:

With wild panic, Pitch looked to North. He pounded his chest. "Please! I have failed every being I have ever held dear! Use your sword! I cannot bear this goodness that still lives in my heart."

As for the movie, it's the moment of despair he has when one of kids runs through him at the end. The look on his face gets to me every time, and I love the Guardians (Jack especially) looking at him almost with concern or pity.

Villainous Pitch - his introduction scene in the movie is DELICIOUS. The laugh. The playful way he corrupts the dream into a Nightmare. He's having so much fun (WINK WINK 👀) with the whole thing and augh I just love him so much ♡♡♡

Also his whole thing in the books about turning Katherine into his Nightmare Princess was *chef kiss*

Heroic Jack - does the scene where Jamie first believes in him count? Well I say it counts. Because it is heroic - Jack can't do much, being invisible, but he finds a way and saves the last light of belief from going out. What really makes it heroic to me, though, is that he's only doing it for Jamie's belief in the other Guardians. He doesn't expect Jamie to find belief for him, too, and he could've backed off and left the Guardians to save Jamie's belief on their own. But he didn't! And he got the ultimate reward for his selfless act ♡

Mischeivous Jack - the sledding scene in the movie! it's such a perfect showcase of how reckless his fun can be. The kids have a blast with it, but there's a string of car accidents left in his wake that he doesn't even acknowledge. Not only is it a fun scene, it adds a complexity to Jack's character that I love!

[rwrbficrecs]

Here's our October recs ❤️ also, look at our new banner !! 🥰 Happy reading !! I’m just too soft for all of it by @bellamysgriffinprincess (book/movie-verse)

@dot524: This is a sweet one shot where Henry is struggling with depression, Alex drops everything to be with him, and they comfort each other. Very well done.

Confidential Memorandum by @sherryvalli (book-verse)

@wilmonsfolklore: this is such a sweet kidfic. Henry is Alex's boss, and Alex keeps getting calls from Henry's daughter when Henry is busy. It's heartwarming and comforting and the dialogue is wonderfully written, especially their love confessions.

@babiemonk: the perfect lighthearted kidfic! The child dynamic is perfect and the humor is spot-on. If you’re looking for a fun, feel good, story with some domestic fluffiness this is it.

@rmd-writes: a sweet, funny fic with excellent banter, and a stellar supporting cast of OCs. It quite literally made my face do this: 🥰 I saved it with the note "read when you need to feel better about the universe).

Aged Like a Fine Wine by @three-drink-amy (book-verse)

@babiemonk: Alex and Henry are older now and cakegate never happened. There’s lots of emotions and angst and growth and it’s really quite beautiful but also tragic at times. It hurt my heart and my feelings before putting them back together again.

In my dreams (In your dreams) by @lizzie-bennetdarcy (book-verse)

@babiemonk: very cute drunken love confessions— absolutely precious friends to lovers

all of our love filling all of our room by @kill8a (book-verse)

@inexplicablymine: this is so incredibly soft and childhood friends to lovers I have reread this more times than I’m willing to admit

Help Me Hold On To You by @affectionatelyrs (book-verse)

@read-and-write-: A one- shot, a very cathartic one about the aftermath of a fight between Alex and Henry. This is one to cry from beginning to end, it's beautifully written and you will be left speechless.

flatline by rizcriz (book-verse)

@wilmonsfolklore: exes to lovers is one of my favourite tropes and this work shows perfectly how naturally and fully Henry and Alex love each other. it's sad and heartbreaking but it has a happy ending that makes the crying all worth it.

What I Need Tonight by @sparklepocalypse (book-verse)

@zwiazdziarka: This fic was written for Kinktober's prompt "selfcest", which for some might be sound a little too weird, but that's exactly why I picked this one as my monthly fave. If you like reading smut, give this a chance. Yes, it's hot but also emotional and it has Oxford-time slutty Henry!

heartbeats under coats by @hypnostheory (book-verse)

@heybuddy-drabbles: one of my favorite works to come out of FirstPrince week. It's really sweet and sexy. There was only one bed at its finest.

All Booked Up by @three-drink-amy (book-verse)

@heybuddy-drabbles: another FirstPrince week gem. This was just so beautiful. Alex and Henry meet during a vacation, spend three perfect days together and then loose contact until June and Nora force Alex to read a book they both love and something about it makes Alex think of Henry. I absolutely fell in love with it.

@rmd-writes: it's no secret that I'm an allmylovesatonce fan and this is one of my ultimate favourites of hers. A very cleverly told love story, with some wonderful June and Nora content as a bonus!

praying our bridges don’t make waves by @anincompletelist (book-verse)

@rhubarb1210: This fic is such a cool take on soulmates. Henry agrees to pretend to be Alex’s soulmate to get June health insurance. Lots of universe building. And I can’t give away more! Inspired by Fractured by @clottedcreamfudge

everything's growing in our garden by matherine (book-verse with a few movie elements)

@indomitable-love: Absolutely loved this hanahaki fic – the pacing and tension are so good, the relevance of all the different flowers is just beautiful

It's Nice to Have a Friend by @mainstreamelectricalparade (book-verse)

@read-and-write-: Childhood Best Friends to lovers AU, where Henry, the prince of england meets another boy during a holiday, they send each other letters and they fall in love, it's soft and it's beautiful, a love that tascends the page and is reflected on all the characters actions.

I feel the beating of your heart, I see the shadows on your face by @anincompletelist (book-verse)

@daisymae-12: This fic has such an interesting premise, and although I’ve never been into the bodyswap trope I’m so glad I gave this one a chance. It was done so incredibly well and was such a fun, wholesome fic.

Henry Fox, All-American Hero by @tintagel-or-cockleshells (book-verse)

@daisymae-12: This is a fic inspired by Meg Cabot’s All American Girl (which I am a huge fan of) and everything about this fic had me screaming in delight. Loved this so much, I’m obsessed.

maybe take me into your room by @smc-27 (book-verse)

@thesleepyskipper: Alex and Henry are both the children of ambassadors to Canada from their respective countries in this lovely AU. Friends-to-lovers perfection, this was so, so good.

a degree of fate by @softlofty (book/movie-verse)

@dot524: In this AU, Alex and Henry meet as university students. This is a sweet get-together fic with depth and heart.

It's Tradition by @f-ing-ruthless-baz (book-verse)

@zwiazdziarka: Alex and Henry's soulmate bond revealed itself publicly and now they have to act like they're in love, even though they hate each other. This fic is such an excellent use of soulmate trope and looks into so many possiblities in a world were soulmate bonds exsist. It's also super funny, a little angsty and Alex is even more oblivious than usually.

I’d be smart to walk away (but you’re quicksand) by @littlemisskittentoes (book/movie-verse)

@dot524: Such a wonderful, heartfelt 5+1 based on canon events when Henry walked away and one where he stayed.

Catalyst of Change by @uglygreenjacket (book-verse)

@myheartalivewrites: an AU that’s pretty close to canon in some ways: Alex (still a well known child of politicians) and Henry (still a prince) meet as students in Edinburgh. This story is sweet and gentle and heart wrenching at points, but also incredibly uplifting in Henry and Alex’s determination to be together no matter the obstacles. And the Scottish setting is gorgeous and really evocative.

Ghosted by @tintagel-or-cockleshells (book-verse)

@suseagull04: Twists and turns abound in this story that borders the line between life and death. I love the depth of the plot and just how deeply and quickly Alex and Henry fall for each other- and the fantasy aspect immediately put this high on my list of faves! Not to mention all the great references to my favorite things throughout the fic. This fic is amazing!

Such a Burden, This Flame on My Chest by @three-drink-amy (book-verse)

@heybuddy-drabbles: a 911 Lone Star!AU very angsty but with a happy ending. Alex going through grief felt really fucking relatable. It's also spicy in contrast with the angst.

But I love him, whether or no. by @leaves-of-laurelin (book-verse)

@dot524: This firefighter AU is one of my favorite RWRB fics ever, and I’m glad I was able to follow it from WIP status to complete this month. Alex as a firefighter is irresistible (Henry thinks so too) and somehow these two feel so true to character even in a completely different context. There are so many fun scenes here - riding a bull, an airport scene, shenanigans at a fire station, sentimental piano playing - but none of them are forced. Truly a wonderful fic that I know I’ll be returning to again and again.

@wilmonsfolklore: seconding this one so so so much!! read it in one sitting and have been thinking about it ever since then. there are so many heartfelt and sweet conversations in it. everyone's so true to their character in such a different situation. can not recommend it enough

[zepskies]

Hey Zepskies! I'm a small writer but I'm starting on my ficlet about an oc x ben (soldier boy). I've read so much of your work and just think you are a very talented writer. Do you have any tips on writing ben? it can be vague and I know you're busy so I don't expect a response. :)

Hey there!

First off, welcome and thank you for reading my stories (and for that lovely compliment). 💕

As for your question, writing Soldier Boy (Ben) can be very tricky. It took me a while to fully figure out how to write the character, and I will say, it's a challenge every time I do dive back into this (loveable) asshole.

😂 That said, here are 3 main tips I have for writing his character:

1. Comparable archetypes:

When I started trying to do a character analysis of this guy, I started with who he would've likely looked up to and tried to emulate: Frank Sinatra, Humphrey Bogart, Cary Grant, John Wayne, Indiana Jones, John Winchester, and even Dean Winchester to an extent -- the strong, stoic, man of action archetype.

AKA: The Big Swinging Dick™️ in the Room.

These men are leaders, a "man's man," show no pain, weakness, or vulnerability. (So shove those "soft" emotions down your gullet as much as humanly possible. Real men don't cry, amirite? 🙄)

But the fun thing I find about guys like this is, even though they have a hard shell, being able to pierce the armor somehow and get to the creamy center of their heart can be a very rewarding story indeed.

2. The balance of SB's personality:

Based on what we got in season 3 of The Boys, I find that Soldier Boy's personality is a delicate balance of a few key things:

Arrogant Narcissist: He's a massive ego, selfish with a conflated sense of his own importance. Especially before his capture, he's reached the pinnacle of fame. He's bought into his own hype and the backstory Vought created for him, and he assumes that everyone in his life loves him for it.

As Jensen said of his character in Supes Ain't Always Heroes (check out my review of the book here if you like):

“He’s so fragile and his ego is fragile. Just like Homelander. These bigger-than-life powerful heroes really have a glass jaw… “And everyone walks on eggshells around him [Soldier Boy], and they tell him that they love him, and it’s the same with Homelander. Then when all of a sudden he faces his old team and Crimson Countess says we never loved you, we hated you—that’s a gut punch for him. Because even though on some level he may have known that, he never thought he would hear it. “And he probably propped himself up around trying to believe otherwise, because how can you walk around knowing everyone you’ve ever cared about hates you? It’s too painful.” (191)

Womanizing Misogynist: That entire scene with SB and Grace in Nicaragua tells you all you need to know about how Soldier Boy talks to, treats, and views women. 🙄 Again, he's a narcissist, so he assumes women are going to be into him because he's the world's biggest superhero, because he's handsome, because he's that guy.

The problem is, he is devastatingly handsome and impressive as a superhero. And my headcanon is he can be very charming when he wants to be. Again, using his skills as an actor and channelling that old-world debonair charm to get what he wants. (i.e. Cary Grant, etc.)

Violent and Indifferent to Collateral Damage: This is a key one, because this is part of what makes him different from Homelander. SB is not a psychopath. He doesn't necessarily enjoy hurting people. He just doesn't care about the collateral damage.

He also can't tolerate a perceived slight to his masculinity or status, like when Black Noir tried to rise up in the ranks and come into his own as a movie star. Soldier Boy, in his selfishness, saw that as Noir trying to come for his crown, in a sense, which is why he ultimately showed his mean streak through violence.

When he gets back to the U.S. after escaping Russia, he's on a warpath of vengeance against his team who sold him out, and anyone who gets in his way.

"If they have it coming," he tells Hughie.

3. Soldier Boy is both less and more than what he represents: (AKA: His insecurities)

As we know, Soldier Boy didn't really storm Normandy or fight the Nazis. He falls short of every definition of a hero. However, he's also not just a caricature of toxic masculinity.

Ben has deep-seated insecurities that he buries under all the bravado and the Soldier Boy persona. He was also emotionally abused by his father, who set exacting standards for what it meant to be a man.

It drives Ben to try and prove his worth to his father, though he’s never able to. It fosters the lack of self-worth he feels as he seeks validation through fame and what he believes power to be.

He won’t be one to easily admit he’s wrong, or need help, or express emotions he deems are “soft.” He doesn’t want to look weak or demean himself, let alone be genuinely vulnerable, despite likely wanting that connection with someone.

He uses coping mechanisms like drugs to mask and dull his PTSD, but even in his heyday, I think he drugs and parties hard just to pass the time, and to mask how actually empty he is inside. He has no real love in his life, and no family. It's why he admits to Hughie that he wanted kids. Deep down, he wants a family to fill that void that fame, booze, drugs, and meaningless sex can't fill in his life.

So with all of that flawed, internal mess that is Soldier Boy, the biggest challenge I find as a romance writer is trying to keep all of these aspects of his character, while trying to show the glimmers of the humanity in Ben -- the chink in his armor showing just enough softness to the one person who's brave enough to "try" with him.

That said, I hope all of this helps! 💚

[retiredkat]

Great interview with Eric Bogosian

Vulture article

Eric Bogosian Would Get Naked for Interview With the Vampire 10:31 A.M.

Daniel Molloy is a fictional two-time Pulitzer Prize winner, bullshitometer, and sass-kitten, an aging journalist holding his own among monsters while conducting the titular Q&A at the heart of Interview With the Vampire. With clear-eyed wit and a dash of human vulnerability, Eric Bogosian gives Molloy a distinctly Anthony Bourdain–ish edge infused with notes of his own acerbic Talk Radio character Barry Champlain. In Anne Rice’s book and the movie that followed, Daniel Molloy is a cub reporter trembling over his tape deck. But in Rolin Jones’s brilliant AMC adaptation, which just wrapped up its second season, this isn’t Molloy’s first twirl around the vampire hoedown. The conversation takes place 50 years after that first interview ended in blood, gore, and sexual frustration (Luke Brandon Field plays the younger Molloy in flashbacks, including this season’s standout episode five). Now Molloy’s seen it all, has a loaded past with these vamps, and when he trembles, it’s from Parkinson’s, rarely nerves. Molloy’s the audience surrogate, cutting through Louis (Jacob Anderson) and Armand’s (Assad Zaman) competing narratives while ultimately shipping Loustat just like the rest of us.

This delicate dynamic got slammed into a concrete wall and lit on fire (complimentary) in the final minutes of the season-two finale, when Molloy was revealed to have been turned into a vampire by Armand, breaking the ancient vampire’s centuries-long incel streak. And boy, is it a reveal, with a cocky Molloy, riding high on his best-selling book, whipping off his sunglasses at night to reveal color-changing eyes while doing mental walkie-talkie with Louis. He’s even got a sick leather jacket to really hammer home that he’s a cool bad-boy vampire now. It’s an incredibly fun beat to leave this character on and opens up a world of season-three possibilities for Bogosian as a performer who, at 71, has always wanted to play a vampire.

Do you know how weird it is to be hitting record on my MacBook right now to interview you about playing a character who’s always hitting record on his MacBook to interview people?

It’s all weird to me. I’m from another century, so all these things are new to me.

This is suspiciously sounding more and more like an interview with a vampire by the minute! Which makes sense, considering where we last saw Daniel in the finale.

Since we have multiple narratives and jump around in time already, I don’t know where things are going. Personally, I’d love to see more of young Daniel, Luke Brandon Field. I think he’s terrific. I’d love to see more Claudia. I wonder whether vampires can time travel. I think they can move around in time. I’m not sure how much Anne Rice you’ve read, but Merrick can actually bring people back from the dead, so you never know.

What was your relationship to the books when you signed on to this show?

In the mid-’70s, when Interview With the Vampire came out, I was 20-something and reading that stuff and I loved it. Then I got distracted by life. When we started doing the show, I was going to read the first one again, but then I realized that the script and my character were quite different, so I thought, I better stick to the script.

However, I needed to know what happened next, so I started plowing through the books and it was amazing. The Vampire Lestat was a trip — that’s what they’ll be hitting next — and they just got trippier and trippier. I just finished the seventh, which puts all the stories together. I love Anne Rice because her imagination is completely unfettered and she plays with really deep themes in a way that’s not heavy. It’s not like you’re reading Ayn Rand; it’s more like Stephen King. She explores death in the guise of these vampires by asking, Oh yeah, you wanna be immortal? Here’s what immortal looks like.

I’ve always been a big fan of vamps. I lobbied Francis Ford Coppola to get a part in his Dracula in the ’90s. I guess I wasn’t a big star, so I couldn’t get a part in it, but he was nice about it and invited me to set. I’ve told this story in other interviews, but my wife was directing a play in Chicago, which, totally by coincidence, was written by one of our first-year writers. On the plane there, I was thinking about life, thinking, I’ve done so many things. What’s left? And I thought, Man, I still really want to play a vampire. And when I landed, I got a phone call: “Do you want to be on Interview With the Vampire?” At the time, it wasn’t like, “You’re going to be a vampire,” but I figured vampire-adjacent was good enough. And of course, it evolved, and as I got on set, Assad was explaining all of these things that were going to happen with my character. Sometimes I didn’t even want to hear about it because we never know what’s going to happen. There have been slight detours off the main story, particularly with my character.

What were those things you didn’t want to hear about your character that Assad was talking about?

I become, you know, under his spell in later stories, and there’s a whole relationship that goes on between us. I’m not entirely clear at this point how that’s going to shake out or if it’s going to shake out. I didn’t necessarily want to go waltzing into something where they were making me do anything weird or awkward or embarrassing to no particular end. I’ve done nudity and stuff like that a long time ago, and at 71, I’m not really big on getting naked and sexy onscreen.

However, having been around the genius of Rolin Jones for two years, whatever he wants to do, I’ll do it. When you’re around a master like this, it becomes a process of discovery. When I’m learning my lines it’s like, Oh, this is 3-D chess. There’s a lot going on here that I didn’t see the first time I read it. When I first got this job, I thought I was just going to be doing bookends every episode, like, “So, tell me the story,” and then it would be vampires the whole time, and at the end I’d be like, “Hmmm!” And then, “stay tuned for the next episode!” But Rolin had this idea from the beginning and it went deeper and deeper until it was insane by the end of the second season.

I would prefer not to be playing cliché. Sometimes I’m playing something that feels like a lot of other things I’ve done. Even in the service of a show that is terrific, like Succession or Billions, the things I’m doing on those shows are not things I’ve never done before. As a friend of mine said when I was doing Under Siege 2 with Steven Seagal 1,000 years ago, “They just want you to do that Eric thing you do.” My stage stuff is about being very big and very loud, and a lot of the stuff I do on-camera is like in Uncut Gems, being very angry and very broad. But this thing, particularly in the fifth episode, and going into the end — I have to go places that I’ve never gone as an actor before. The subtlety of episode five, where I am brought to tears, that’s new stuff for me, and I was really happy to do it. Not only working with Rolin and the directors but with everybody. The writers bring a lot of sensitivity, a lot of nuance to every scene.

I need to ask if you’ve seen this: Someone from the writers’ room tweeted a picture of a note card that was on the wall for episode five and it just says, “MOLLOY ASKS ABOUT 1973: DID WE FUCK?”

I love that beat. As much as I’m known for my verbosity, I love reaction stuff, too. Jacob and I are very in sync, and we’ve developed a good relationship. He’s not holding back, he’s not being cagey, and that allows you to trust the other person a lot. You’d be amazed how some actors … are actually not good actors. They’re thinking about what they look like and all this crap. Jacob can’t be thinking about what he looks like because sometimes he looks really nasty. He’s letting the emotions build out of him. And yet he’s always very adept at sculpting what he’s doing. It’s a great company. I never work with Sam, I just see him all the time on set, but that scene in the courtroom, and the scene in New Orleans … where’s that shit coming from? The emotion is wild.

You all have incredible chemistry with each other, too. Knowing where your character might go with Armand, or what other buried history may or may not also be between them, how do you play that dynamic?

In scripted narratives, you’ve just got to play what the script is doing and let the audience try to figure out the rest of it. On Succession, I worked with Sarah Snook, and her character was never clear until the end. They were making it very hard to figure out what she was thinking. And I don’t know that she always knew herself what she was thinking. She was playing the script.

There are a lot of ways to look at it, and ask, What’s really going on here? Much of it is the audience putting it together. They hear the lines, they see my face, and an older actor’s face kind of has a narrative built into it. All of it gets put together, and what you don’t know becomes fodder for your imagination.

And this audience has quite the imagination.

I’ve never been through this experience before, exploring where the audience is at. I’m reading a lot of the blogs, and they make a science out of it. Rolin gives them all they can eat in terms of details and Easter eggs that are blended into the story. I think like 30 percent of our audience is really familiar with the books, so they’re constantly checking back and forth between Anne Rice’s story and ours. So far, Rolin’s been scoring pretty well in terms of being consistent with the original material.

But again, Daniel is a whole different ball of wax. The Armand thing is interesting, because it goes into all kinds of fascinating realms far away and weird. I had to get out history books and start reading about ancient Kyiv.

The fans aren’t even just pulling from the books; I’ve seen some draw comparisons from your work like Sex, Drugs, Rock & Roll. They’re finding all these crazy parallels.

That I haven’t seen. The character in this show and me in real life have a lot of parallels. Just imagine young Daniel in the show, that was my life. The funny thing is when I used to write and perform these monologues, in my mind they didn’t have anything to do with me. And then last year, Andre Royo, who played Bubs on The Wire, did one of my shows, Drinking in America, onstage. This was the first time that I’ve watched my own solo show, and he did a great job. I started to understand the biographical aspects of these monologues. It isn’t until afterward that I can look at it and go, Oh right, this is about that. Rolin told me that they were always thinking of me for this role. He didn’t know me, so this was coming out of his enthusiasm for a movie I did 700 years ago, Talk Radio with Oliver Stone. That was based on a play I wrote for myself. What I write about has to do with a certain kind of narcissistic personality, which seems to be the theme of this TV show — they’re all narcissists in one way or another.

I’m fascinated by my character. In episode five, when he’s in San Francisco, he’s kind of a loser. That’s what Armand says: “You might as well die right now. Where’s your life going?” And yet Daniel has two Pulitzer Prizes by the time he’s an older guy. What is that about? I would almost not believe it except that it happened to me. I was leading a really dissolute life in the late ’70s into the early ’80s. I didn’t win a Pulitzer, but I was nominated in 1987 and continued to be, I guess, “successful.” So it makes sense that it happens to Daniel. But you can also ask, What motivates this? It’s a way of fighting against the world or maintaining your sanity.

I think I’ll continue to play with the push-pull of this guy if I continue with the show. In San Francisco, he says, “Make me a vampire.” Later in Dubai, he says, “No, I don’t want it, because I’ll outlive my children.” He’s going back and forth. Of course, what we don’t see in the last episode is how did he become a vamp? Did he say, “Yeah, I want to do it?” Or did he get drunk with Armand one night and when he wasn’t looking, he became a vampire? I guess we’ll find out.

I’m sure it’s the subject of dozens of fan fictions already.

I’ve gotten so close with Assad. We’ve enjoyed spending a lot of time with each other. But when he gets on set, he turns into a different person. That’s some evil shit going on there. The way he ends up in that last episode, kind of smashed, he put everything into that. It’s a lot of fun. I never got into this business to do anything other than make believe and pretend. I feel more whole when I’m being somebody else than when I’m my own self, so the more deeply we can pretend when we’re making the show, the more deeply we can get into all of this, the higher I get from it. And when you’ve got guys like this who are ready to fly, I want to go flying with them.

I know you said you don’t really know what’s happening next season, but I look forward to your vampire adventures.

Rolin keeps sending me notes saying we’re gonna have an amazing time when we start shooting again. I can’t wait. It’s just that there’s a whole formal process of how this goes, and I’m waiting for my engraved invitation from the King of AMC to say “welcome back.”

[iinariah]

If you don't mind me asking, who are your favorite romantic relationship's couples in books/ manga/ anime/movies/tv series (can be canon or non-canon)? And why do you love them? Sorry if you've answered this question before......Thanks....

HI OMG IM SO SORRY FOR THE VERY LATE REPLY, IVE BEEN VERY BUSY BUT SURE! And since I'm a multishipper, I'll just list my top 5 ships out of fandoms I've been in

FengCui: Feng Xiao x Cui Buqu (Wushuang/Peerless) - The reason I love this ship so much and is my top 1 out of all the shows and books ive read and watched is because I'm so in love with their dynamic, development, and interactions with each other. They first start of as rivals then gradually start to fall for each other with each case they work and time they spent togther. I also loved the fact that the author didn't use stereotypical tropes with the main cp. While its enemies to lovers, to me, it's enemies AND lovers because when they do get together, their dynamic didn't change and they still remained the same. And that's one of the reasons why I love this pair so much.

2. Cezhou: Shen Zechuan x Xiao Chiye (Qiang Jin Jiu/Ballad of Sword and Wine) - I honestly debated if this should be my top 1 but I ultimately decided this would be my top 2 mainly bc I prefer fengcui's dynamic more, But of course, that doesn't make this ship any less great and amazing! In my opinion, this is enemies to lovers with sexual tension done right. I used to hate the trope enemies to lovers because of experience and personal things... But this ship changed my perspective on it a lot. Even though they got together early in the novel, they're still the ship that has the most amazing development and growth I've seen in such as a long time.

3. Hualian: Xie Lian x Hua Cheng (Heaven Official's Blessing) - Ah yes... the classic. I had to put them at my top 3 because TGCF and hualian is what mainly got me into danmei and to this day, I still adore them with all my heart and I'll never ever forget how they made such a huge impact on me... They're like romeo and juliet but done right. They're also the couple that made my standards so unrealistic to the point that I think I'll never ever be able to find someone to love as much as how much they love each other... As much as they're unrealistic, they also made an impact on how I view love in general. I also relate to hua cheng when it comes to appearances because dawg... I am also so insecure of that as well... and when Hua Cheng is insecure about it and Xie Lian is just telling him that he's gorgeous and not ugly like he thinks he is just makes me want to cry because that validation and comforting words is what all of us insecure people need. Just having the reassurance that we're perfect just the way we are...

4. Lucathy: Lucas x Athanasia De Alger Obelia/Athy (Who Made Me a Princess) - I LOVE THEM SO MUCH! Athy is so precious to me and I will protect her at all cost! And I love how their relationship just naturally progresses on the time the spent together and isn't just immediate love at first sight. And I also love how lucas went from "I'm going to watch this bc this is entertaining" to "If you ever hurt her, I'll destroy all of obelia" and bro... LUCAS IS SO WHIPPED FOR ATHY ITS SO FUNNY AHAHAH (Also reminds me on how Xiao Chiye is so whipped for Shen Zechuan but that's another time). And not only that, but I love how Lucas got back from his quest, heard about how Athy got humiliated, bro was like: "Should I kill him?" like bro did not care if it was her father, if someone did shit to her, he would deal with them.

5. LoidYor: Loid Forger x Yor Forger (Spy x Family) - BRO I IMMEDIATELY FELL IN LOVE WITH THIS SHIP!! Assassin x Spy? OH HELL YEA! I've honestly been waiting for this kind of trope for such a long time lol. Not only that, but I low how yor is such a girlboss and protects her family even if it isn't real. I honestly really like their progression so far and I hope that they honestly become a family in the end... I have nothing really much to say about this ship because I haven't been keeping up with SXF but I really love them and they're trope because I haven't seen Assassin x Spy trope in fandoms I've been in.

So here are my ships! There are a lot more than these but I just decided to pick which ones that I really love the most and rank them by that. Anyways, thanks for reading this blog!

[bevy-obeyme]

*

-cutely walks over to you-

I heard your cries and please for a male/non binary mc ideas. So although I am not a man, or a they/them, what about a transgender mc?

Sure!! I can do that! :3

I’ll make both FTM and MTF!!

Brothers with a Female to Male MC

And for those out there who struggle with body image, I want you to know you’re all so beautiful/handsome. Gender is a social construct and that means YOU have the right to change it however you want!

Trans people, you all have my respect and keep being you because ultimately, this is your life, don’t change it just because someone’s cranky about what you have between your legs!! 🫶

Lucifer

- He respected you whole heartedly - you were his handsome human. Any demon who dare say otherwise may get punished. Horribly.

- For such a sadistic and prideful man, he made sure to be soft for you during this topic. This was important after all. He always conveyed that he loved you no matter what, gender was not even a doubt in his mind.

- As an always professionally dressed person, he’d offer guidance on how to bring out the sharp edge of your eyes or what clothes to layer with what to give off an impression of masculinity.

- Whenever you stood in front of your mirror - feeling so out of place and feminine he would be right there behind you, words gently reassuring that you were his handsome little lamb, his pretty boy and that he wouldn’t have you any other way.

Mammon

- Whilst he wouldn’t go out of his way to become soft- ( he already is anyway ), he always made sure to refer to you with the correct pronouns and nicknames.

- Things like ‘’my man’’, ‘’my bro’’ or even ‘’hot stuff’’.

- For a forgetful and scummy demon, he would never dare misgender you. He knew just how much you struggled transitioning anyway.

- He always made sure to flex you around too - puffing his chest out and bragging about how he had a hot man to himself.

- Whenever some lower class demon even tried to misgender you however, he went ballistic - spewing all kinds of insults and petty comments.

- He truly didn’t mind your gender. He was still your first demon and that’s all that mattered. If you wanted to be a man, then go ahead. At least he wouldn’t have to be ‘the man’ during horror movies.

Leviathan

- Out of all the brothers, he’s the most attentive to this sort of thing. He understands your body dysmorphia end envy - he got it a lot when he cosplayed or watched people feel so comfortable in their gender.

- He’ll always ask you which pronouns you’d prefer, what nicknames you’re fine with, how you want to be complimented and etc. He doesn’t want to mess up with you.

- He took solace in the fact you too struggled with your body image, yet the fact that you were trying made him want to try too. He would support you no matter what. You were his normie.

Satan

- He too is rather attentive. He understands of being born in a circumstance you did not ask for.

- He made sure to compliment you all the time, hell, he’d even read up on this kind of thing to help you.

- He offered to go shopping with you - looking for binders and things to help you look more masculine. Maybe even buy a few self help books to make you feel at ease.

- Satan truly didn’t care for who you were. Externally, you might’ve changed. But you would always be his in his heart and that’s all that mattered.

Asmodeus

- He is super supportive. He will overwhelm you with compliments.

- Asmo himself isn’t the most masculine man. None of his brothers are tip top rough, burly men. Hell, he’s trained to walk in high heels!

- So, he’d always go out shopping with you, he had the best judgement to fashion. He respected you wanting to dress in masculine clothing yet he would always reassure you that clothes didn’t determine anything and he’d still see you as his Prince Charming.

- Secretly, he appreciated the new you. Adored it even. The switch of you possibly being the dominant one made it tantalising.

Beelzebub

- Beelzebub cared very little about how you presented yourself. Man, woman, nonbinary? At the end of the day, you were still his soft human.

- But, he’d make sure to convey his appreciation for your transition. He could admire your bravery to finally come out and confess who you really wanted to be.

- Beelzebub was a lot bigger than you, and noticing how you wanted to cover your curves as much as possible, he’d leave his closet door open anytime. Just to see that smile on your face.

Belphegor

- He too didn’t care much. It didn’t take away how nice you were to cuddle with. You did what you wanted to do.

- He always made sure to show his acknowledgment however, reminding you that you were handsome for a human and how happy it made him to see you smile much more than you did before your transition.

[lottiette]

Hi honey, I've been following you for a while, I love your fics, spending hours reading them. I wanted to ask you, if it's okay with you and you have time, if you would like to write another fanfiction about hort, it's so underrated, I love you, have a good day<3

Hort X Ever! Reader

Authors note: Hi Libraia thank you so much for your request! I love Hort so much I’d die for him. I hope this writing is to your liking. I know that I’m super irregular with my writing it’s because I’m lazy and never have any ideas. But hope you enjoy. I love you to have a wonderful day/night. ❤️

Warning: Book Hort/Movie Hort, swearing. Not proofread. I think that’s it.

- He first saw you at that bullshit Ever/Never meeting thing. Where the Ever boys performed and stuff.

- He saw you and a spark lit his Never heart.

- He didn’t think an Ever would ever capture his eye, but you…you were so sweet and pure. You had a genuine smile on your face.

- Of course that was only a fantasy to Hort. You would never even notice him. He was a weasel Never boy, and you were an Ever, a princess/prince who would find a perfect prince/princess.

- That was until one day at lunch. He was getting picked on for being a weasel boy who couldn’t do more than sprout two hairs of a wolf.

“What a loser.” “Sad excuse for a Never. You couldn’t scare a fly-“ The hog boy who was spouting bullshit of insults in the weasel boy’s face got hit with something. He turns around to see you standing there. “Did you throw something at me?” He growls in hatred. You throw another rock at him. “Why you-“ and another. “HEY STO-“ oh. That one got him right in his third eye. He is bleeding. “THAT’S WHAT YOU GET FOR BEING NOTHING BUT A BIG BULLY!” You scream. The hog boy doesn’t like that. He starts charging at you. You scream naturally, and start running. Right as the hog boy is about to grab you Hort punches him right in his big borish face. Now you’re both running. Eventually you find yourselves hiding under a bridge like hide. You stick out your hand with a smile, “I’m (Name)”

- Hort sees the nicest Ever, ever.

- He couldn’t believe that you had did that for him. You could’ve gotten yourself killed, but you stood up for him.

- From that point on Hort is even more hopelessly devoted to you. He is going to protect you from everything he can.

- He’s the big bad wolf to your riding hood (Ever After High Red)

- You eat lunch with him from that point forward.

- Of course the hog boy did come back for a round two. You guys run each time to the same spot. Until it just gets old and you punch hog boy so hard he sees star. He leaves y’all alone after that.

- Hort does the little things for you. Opens your drinks/snacks. Get you anything you want. Helps you study, does your homework. All that stuff.

- He has an ANYTHING for you mindset. And “ANYTHING” means ANYTHING! From cookie to murder. He’ll do it.

- Being in a relationship with him is very loving.

- He looks at you like you put the moon in the sky.

- He’ll support anything you do. Any hobbies, traits, or anything whatever you do.

- He likes to give you feather kisses. Like little pepper flakes.

- And LOVES cuddles. Doesn’t matter where or when he wants to be touching you. He’ll pull you into him whenever.

- Not until later into the relationship will he touch your ass. He’s not going to smack it. He has the ultimate high respect for you. He will NOT be touching without your permission.

- And even if he does get your permission he’ll be reluctant to touch you that way. He’ll be a blushing boy

- If anyone else touches you they won’t have hands to touch you with anymore.

- He will not play around when it comes to your safety.

- All the Ever boys/girls trying to flirt with you, he hates it.

- He already thinks you’re too good for him but he knows that anyone else isn’t good enough for you.

- He might get a bit insecure sometimes because he will get in his head and start thinking that maybe you should be with an Ever. That maybe they can treat you better. (They can’t)

- He’s possessive. He wants you to himself because he doesn’t trust anyone else and he isn’t losing you.

- He’s not leaving you. No matter how sad or mad you are.

- He’s not going to be the best at comforting you when sad because he’s never really experienced that but he’ll try. He wants to punch and kill your problems and he will if he can but if not he’ll cuddle you and sniff your hair.

- I think that he likes to bring you trinkets like “oh a pretty rock” or “oh a butterfly wing” just little things he finds he wants to give to you.

- I think he likes to have his hair played with.

- You two have to sneak out to meet each other.

- Most nights under the moon in the forest are more magical than the one before it. You two lay in the grass just holding onto each other and telling the other about all the things they’ve missed and whatever else

- Just let him sniff your hair, hold you, steal your items occasionally, and he’ll be just fine.

- He promises you that one day he’ll get you out of the bullshit school and give you everything you’ve ever wanted and more.

[rekino2114]

Blind date with Veronika grebenshchikova

Pairing:Veronika grebenshchikova x male reader

A/n: episode 12 was great, Charles was the mvp and it ended on a pretty big cliffhanger. We also got to see this Veronika quote:

(I love her so much)

Anyway I have an announcement to make starting today I will be doing a weekly drdt post every Saturday until chapter 2 is finished (I know the episodes come out on Friday but they actually come out at 1 am where I live) next Saturday will actually be the first genderbent post about this fandom (you can probably guess who it's gonna be)

This is kinda inspired by red flags by Tom Cardy and montaigne (with a twist), I put it here if you wanna listen to it, i know i'm not the first person to say this but that song is just Veronika (sorry for the really long note)

Veronika got set up on a blind date by her classmates ,mostly because they were tired of her creeping them out and wanted to pass that burden on someone else, so they asked whit to match her with someone and he chose you.

You waited at the table that you booked for you and the girl you were supposed to meet, you were slightly nervous about the date, mostly because you were scared your date would be put off by you as it's not the first time that happened but the ultimate matchmaker matched you together so you had hope.

You saw a red haired girl enter the restaurant and approach your table

"Hey, are you y/n l/n by any chance?"

"Yeah are you Veronika?"

She smiled and sat down across from you

"Yep, it's great to meet you"

"You too, I really dig your look, those fake eyeballs look amazing"

"Oh thanks so much, you're actually the first person to say that"

"Really? That's a shame, they're great"

"I think it kinda spooks people"

"Well I don't get spooked easily"

"*giggle* well then I think this date might go better than I thought"

You started talking for a bit until a waiter arrived to take your orders

"Oh I'll take a stake,very rare,I want to see the blood"

"I was about to order the same thing"

"Oh really?"

"Yes I love seeing blood in what I eat"

"Same!!"

Your waiter got very freaked out and left as you continued talking

"So what's your favorite movie?"

"Oh......it's human centipede"

"Huh? Really?"

"Yes I know it's weird but-"

"That's my favorite movie too"

"........what?"

"Yes I love seeing all the body horror and the fear on the actors faces its amazing"

"...do you like scream too?"

"I have a Ghostface mask in my closet so I can prank my friends"

"Saw?"

"I also have a Billy the puppet doll there"

"Halloween?"

"Micheal Myers is my lock screen"

".......marry me"

".....what?"

"Sorry if I'm too forward, but I think we might be soulmates. You know how I said I go to Hope's peak"

"Yeah I was wondering what ultimate you were"

"Weeeeel let me introduce myself formally, I am Veronika grebenshchikova the ultimate horror fanatic"

"....really?"

"Yes I adore all things horror and I see that I have found a kindred spirit"

"Absolutely, I love horror too, I didn't know Hope's peak considered that a talent if I did I would have probably asked to join"

"This is amazing, you're the only person I know who has a love for horror other than me, now I see why paired us together"

You continued to talk about horror movies and eat, and after eating dessert(feeding each other the red jam in the cake to make it seem like blood) you walked Veronika home, who very happily accepted another date.

[Timeskip]

Some time after your date Veronika is talking with her classmates in the cafeteria

"Y/n is the sweetest guy ever, do you know what he did for me yesterday? He carved my name with a heart on a tree in a graveyard so romantic"

"....how is that romantic?"

"That's just disgusting and unsanitary"

"Soooooo I did well matching you together didn't I?"

"100%, we've been dating for only a few days but I already feel soooo happy and in love"

"Well at least she won't bother me anymore"

"Says the guy who can't leave j alone for more than 5 minutes"

"Shut up"

Everyone got distracted by the door opening, and you coming out of it, especially Veronika who immediately tackled you into a hug

"Darling, what are you doing here? Don't get me wrong, I love that you visited me, but you're not a student"

"Well now I am actually, I asked if I could "share" your talent since I love horror as much as you and they said yes"

Veronika squealed happily and peppered your face in kisses

"That's amazing now we can spend even more time together, I have to show you my dorm it's full of horror stuff I know you'll love"

"I can't wait to see it"

As you two walked away happily a look of horror appeared on teruko and Arturo's faces

"Awww how cute, seeing happy couples like these is why I love thi- ow! What was that for?"

"You idiot, do you understand what you did, now there's two horror psychopaths in this school"

"All of the heart attacks Veronika gives us daily are gonna be doubled"

"Weeeeel, she didn't really do anything scary to me before. In fact, you two seem to be the ones she likes pranking the most, so I suggest you prepare yourselves"

".........fuck......."

[sissylittlefeather]

Your Love's Been a Long Time Coming: The End

A/N: My heart, y'all. I can't believe this is over. Anyway, I hope you all enjoy this last chapter for Elvis and Vivian. If there's enough demand, I'll write more of them happily ever after, but otherwise, here it is: the end. Please let me know your thoughts in the comments. I love to hear from you!

Need to read the rest? Masterlist here.

Warnings: 18+ minors DNI! Kissing, cussing, fingering, oral sex (m&f receiving), p in v penetrative sex, unprotected sex, creampie

Word count: ~3k

"Are you?!"

"Yes."

******

Sonny's shoulders slump as he sinks into a chair. Vivian's heart breaks for him, but she just couldn't lie to him anymore. It's not fair to anyone involved for her to keep pretending like there's nothing between her and Elvis.

"I knew it. Jerry told me about the wedding and I just kept hoping it was him being, well, him. But no, this has been going on for a lot longer than just that time, hasn't it?"

"No, we've never really been anything-"

"But that's what you've wanted. You love him and you always have." He pinches the bridge of his nose and Vivian swallows deeply. He's right. "I can't fight him. I won't win. Not if you're in love with him."

Sonny looks up at her with his eyes glossy and wet. He takes her hand and kisses the back of it.

"Sonny, I-"

"No. It's okay, sugar. I love you too much to keep you miserable. If you want him, you should be with him." She sits on the floor in front of him and leans on his knee.

"I'm not miserable."

"No, but you would be eventually. Especially if his marriage is over. It's cruel for me to make you stay, knowing what I know now."

"Sonny... I'm so sorry."

"Don't be. You can't help who you love. Can I ask one thing, though?"

"Anything." Vivian looks up at him sadly. Some part of her does care for him. Just not enough. Not more than she loves Elvis.

"I'm gonna go for a drive for a few hours. When I get back here, please be gone." She nods slowly.

"Okay. I can do that."

"Thank you." He whispers and then leans forward, kissing her forehead. Then, he stands up and walks towards the door. When he gets there he turns. "I don't want you to feel bad for me. I'll be alright. Just go be happy."

She nods again as he walks through the door. The tears come hot and fast for a while as she sits there in the rubble of her ruined marriage. After a while, she stops, though, and there's only one thing on her mind.

Elvis.

She jumps up and starts to pack.

******

Elvis is sitting in the dark in the TV room. All three TVs are going, but he has no idea what's on any of them. His mind is racing. How did he get here? He's alone, his own wife gone to another man as his heart longs for a married woman. What a mess.

His mind drifts back to the night he met Vivian. She was so beautiful reading the book of French poetry in the corner at his party. He should've whisked her away from Charlie that night. He should've broken up with Anita the second he met her and taken her in his arms to be his forever that afternoon when he found her crying at the cafe.

And all the movie years. How stupid was he to value his string of flings over her? How easy it would've been to leave them all in the dust and marry her in 1962.

And the conversation they started should've finished with them together. Why did he abandon her for Ann? Yes, he loved Ann, but what was she compared to his future with Viv?

And WHY, WHY did he choose Priscilla?! He looks at the corner of the couch where Viv had laid that night they made love for the first time. It's like a movie with the scene of her on his porch, arms full of liquor bottles, a soft smile on her lips. Then it cuts to her gently shaving his face, an ultimate gesture of love and service. And the kiss, his mouth on her body, carrying her upstairs and pulling off clothing. The flashbacks wash over him and he lets himself weep. His tongue pushing into her as she moans, her mouth wrapped around him, him pumping into her overcome with passion and love and a need to be hers forever. The gentle and affectionate touches when they finished and held each other like they'd do it every day until they died.

"Oh God, Vivian." He holds his head in his hands as the tears stream down his face. He should've married her. His heart aches thinking of her coming to see him when he was so hurt and needed her so badly, only to be turned away. How could he have spent all those years angry? How could he let her fall into Sonny's arms?

And now she's gone forever. She'll have a baby soon and then he will have truly lost her. He'll only ever-

There's a knock at the door. Whoever it is can wait. Elvis is too lost in his grief to answer the door right now.

He wraps his arms around himself and lets his shoulders shake with sobs.

Another knock, this time a little more urgent. He listens carefully and realizes it's raining. Briefly, he feels for the person who is soaking wet on his porch, but not enough to get up and answer the door.

He's always taking care of everyone else. In this moment, he needs to just be and feel and nurse his broken heart.

More knocking, almost frantic.

Fine. He gets up off the couch and goes to the door.

******

Vivian sits on the front steps in the rain, crying. She's knocked and knocked, but either he's not here or he doesn't want to see her. She has nowhere else to go and even if she did, this is the only place she wants to be. Why won't he answer?

She gets up to walk back to her car.

******

"Viv?" He says it softly, not believing what he sees in front of him. Then, he realizes she's walking away and runs out to her in the driveway. "Vivian!"

She stops dead and turns to face him.

"What are you doing here?"

"Sonny left."

"He did? Why?"

"Because I'm in love with you." His heart skips.

"You... what?"

"I'm in love with you, Elvis. I always have been. I love you with every fiber of my being. It's like you're a part of me that I can't dig out. You're in me. You are me. I love you. God, I love you." She stands there, chest heaving, trying not to be a cliched crying mess in the rain. Elvis's heart has stopped with her words. His hands shake and he wants to pinch himself to make sure he isn't dreaming.

"Am I- am I too late?" She asks, almost panicked. Finally, he finds his voice.

"Never."

He takes two steps and has her in his arms, his mouth pressed to hers in a desperate kiss. The years of yearning pour out of them into the way their tongues mix in an ardent dance of need. He grabs the back of her thighs and she jumps to wrap her legs around him. Then, he turns and carries her up the steps into the house, slamming the door behind them with his foot.

She moans into his kiss as they make their way up the staircase to the bedroom, her still wrapped around him. In the room, he sets her down gently and begins peeling off her wet clothes, one layer at a time, dropping his lips to every new exposed inch of skin. He makes a trail of hot kisses along her body, finally dragging down her pants and underwear until she's fully naked in front of him. But when he goes to dive face first into her center, she stops him.

"No. I want to feel your skin." She unbuttons his shirt and pushes it off of his shoulders, going to the buttons on his pants next. He kicks off his shoes while she undoes the zipper and pulls, exposing him to her fully. They stand for a second, just taking each other in with nothing in between them, finally.

He caresses the side of her face and steps closer to her so that their bodies touch softly. She looks up at him in anticipation as he runs his thumb over her cheek.

"I have loved you from the moment I saw you. I should've said it then and every day since. It's always been you, Viv." He leans in and kisses her gently again, his hand moving down her body tenderly. When he gets to her lower back, he pulls her in close to press against him and kisses down her neck. She whimpers at the feel of his length pushing into her hip, reaching down to stroke him with her hand. He grunts at the sensation and slowly walks her backwards to the edge of the bed. She sits down, her hand still pumping him, but he stops her and gets on his knees.

"You're the love of my life, Vivian. I want to give you the world." He leans forward and kisses her thigh, pushing her legs open further to get to her center. "Let me give you everything I have, baby."

With that, he lowers his mouth to her and presses his tongue into her slit, dragging it up to the hardened bud, licking over and around it vigorously. She inhales sharply and throws her head back.

"Oh, God, Elvis." She runs her hand in his hair. He groans, but doesn't stop working his mouth on her. He moves his tongue in circles and then in a hard line over the top of her clit, keeping a steady rhythm. Her hips buck forward into his face and he slides a finger into her, tickling the spot that makes her moan out loud.

"Fuck!" Her back arches as her orgasm builds quickly. She feels herself on the edge, ready to spill over into an ocean of pleasure.

"Come on, baby. You're right there. Let go for me." He goes back to licking her with a fervor he's never expressed before. He's never been so invested in a woman's pleasure but he wants to give Vivian more than she's ever experienced. And he does. In that moment the dam breaks and she cries out as the waves of ecstasy crest and break inside her over and over again.

"Yes! Fuck! Yessssss!" She moans with her teeth gritted, her body quaking with the aftershock of the most unbelievable orgasm.

When she finally comes down, she sits up and grabs him, pulling him into a deep kiss, her tongue diving into his mouth feverishly.

"I'm so... in love... with you..." She whispers in between kisses, her hands running down his chest. She stands him up and he looks down at her, cupping her chin in his hand.

"No, baby. I'm in love with you." She smiles and leans forward, holding his cock in one hand, pulling his foreskin back and running her tongue around the tip. He leans back, his lips parted slightly and his eyes closed. "God, that feels good."

She tries not to smile as she pulls him fully into her mouth, letting him hit the back of her throat. She buries her nose in the hair at the base of him, swallowing around him. Then, she begins to move up and down as he thrusts slowly. She puts her hands on his hips and works him gently, moaning. He grunts and takes a handful of her hair.

"Viv, baby, you have to stop. I'm not finished making love to you."

She pulls back off of him and looks up, crawling backwards onto the bed. He climbs on top of her, kissing her neck and chest up to her mouth.

"I am yours, Vivian. Body and soul." He lines his cock up with her dripping entrance and teases her clit for a second. "I want to love you like this forever."

"Please, Elvis. Never stop." He nods and pushes into her.

"I won't, baby." He whispers as he slides in as deep as he'll go, grunting when he feels her tightness around him. "You were made for me."

She whimpers as he fills her, pulling back and pushing into her again. Neither of them will ever get enough of the way it feels to be connected like this. They fit together like a lock and key and the pleasure hits them both at the same time.

"Yes, Elvis..." Her back arches as he continues his sensual rhythm of sliding out and filling her, his hips rolling into her over and over and over. Their sweat begins to mix as their bodies meet in burning kisses, breast to chest, stomach to stomach, hip to hip, and thigh to thigh. His hand runs up and down her, squeezing and pinching softly where it pleases them both until it settles on her hip, holding her in place as his thrusting picks up. He's still moving slowly, pounding her deeply, slamming her with his cock both passionately and lovingly.

"Oh, God, Viv, I love the way you feel." He sets his head on her shoulder, knowing his climax is coming fast. "I don't want this to be over."

She takes his face in her hands and kisses the tip of his nose.

"This will never be over. I'm yours until the end. Let go, baby. I'm not going anywhere." He whimpers softly and peppers her face with kisses as he goes back to pumping into her. His pace increases and her breasts bounce as he moves inside her harder and harder. He feels his orgasm building in his cock and he knows he's ready to explode. He slams into her two more times and then cries out as he shudders.

"Fuck, yes, Viv!" He feels his release wash over him as he cums hard inside her, emptying himself as the tsunami-force ecstasy crashes through him. He's frozen inside her, cock throbbing until he's completely spent. She whines through her own orgasm as he collapses on top of her, careful not to crush her with his weight. He slides out of her gently and lays next to her, pulling her into the crook of his arm where she fits perfectly. She reaches up and pushes his sweaty hair back off of his forehead and then runs her fingertips down the side of his face. He grabs her fingers and kisses them, looking down at her. She smiles up at him and whispers. "Je t'aimes toujours avec tout mon coeur."

"You know I don't speak French, baby." He chuckles.

"It means 'I love you always with all of my heart.' It's something I was saving to say to the man that set me on fire. And it's you. I burn for you, Elvis. I always have and I always will." He smiles, his eyes brimming with tears.

"I will make you mine forever as soon as I can. You are the one who my soul loves. Viv, tell me this is us, from now on."

"Always and forever, Elvis."

"Always and forever."

******

A lot happens for Elvis and Vivian through 1972 and 1973. Vivian moves into Graceland and they christen every room in the house. Then, Elvis films Elvis on Tour in April and Vivian is there. He plays at Madison Square Garden in June and Vivian is there. He goes on tour again and still, Viv is there. Then, he does the Aloha show in Hawaii and she is there for that too. Both of their divorces are finalized in 1973 and they're there for each other. By Thanksgiving, Elvis has a 10-carat ring on her finger and by Christmas they're married.

He records an album at Stax that won't be released until 1975, but there's a song on it that makes him think of Vivian so much he almost cries. He saves it for the right moment, though.

So when she comes to him on New Year's Eve with a note from the doctor confirming her pregnancy, he knows exactly what to do. He pulls her into a warm embrace, kissing the top of her head. Slowly they begin to sway and he sings:

The first time I saw you I knew I was hooked on somebody other than me

And the first time I held you, your soft lips and blue eyes

Were as far as my eyes could see

Yes, here in my arms I knew I had found the reason that I'm livin' for

And I felt the feeling, such a wonderful feeling

That I'd never felt before

Baby, you're love's been a long time comin'

Baby your love's got a hold on me

Baby your love's sure got me hummin'

Baby your love's been a long time comin'

******

Fin

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Taglist:

@ccab @elvisfatass @elvisalltheway101 @aliypop @18lkpeters @dkayfixates @tacozebra051 @your-nanas-house @deniseinmn @joshuntildawn13 @lookingforrainbows @60svintage @littlehoneyposts @epthedream69 @louisejoy86 @rjmartin11 @from-memphis-with-love @deltafalax @jhoneybees @everythingelvispresley @returntopresley @atleastpleasetelephone @burnthheparaphilia @cinnamoroll-things

[rywritess]

So, what are the Hogwarts houses of the dps boys? (And my case for them)

Neil Perry (Gryiffindor) - Gryiffindor, duh doy. Not afraid to bend the rules and examples are: he defies his father's expectations by going against his wishes to be in the play (literally forges a letter of acceptance) and the one to suggest to start the dps club and sneak out late at night. Also a natural born leader, the group follows him and hes almost like an anchor for the group, which makes it even more heartbreaking after his death. Sorry it's short, not much to say.

Note: He's arguably Hufflepuff coded too

Todd Anderson (Gryiffindor) - Neville Longbottom situation. At first glance, he might be timid, shy, (hey don't stereotype hufflepuffs!) and even lacks gryiffindors defining trait (bravery) at first.. But he grows his character overtime as we watch and progress through the movie.

• Loyalty: His loyalty lies with Neil (the only time he really spoke out about something is saying what neil truly wanted to become; an actor)

•Courage: Being the first one to stand on his desk as keating leaves for good at Welton.

• Chivalrous: The way he acts, treats everyone with respect and genuine appreciation.

Knox Overstreet (Hufflepuff) - Hufflepuffs traits: hard work, patience, and loyalty. This can be shown by him courting Chris to be his girlfriend. He was persistent, writing her a poem, convincing her out in the cold to watch neils play with him, and loyal to her with her being the only girl in his eyes. Im not enthusiastic about writing for him or his character because of what he does in the books, so this is a bit short sorry knox fans :’)

Charlie Dalton (Gryffindor) - This man is like.. if you combined the Weasley twins together = a headache for teachers and students alike. His defining trait is definitely bravery, especially with his stunt on gale nolan with the telephone. Not much to defend about this stance, other than the fact this would be a house he would want to be in. And canonically, the sorting hat does take in your preferences.

Richard Cameron (Slytherin) - This one is definitely very agreeable in the fandom. Slytherin.. to whose surprise? Ambition, resourcefulness, and cunning are the values of the snake's house. Aside from that, also insanely misunderstood and overhated imo!! We can see how his ambition shines to be one of the best or at least top in grades with his studious nature, resourceful (im sure he had found several ways to deal with Charlie being his roomate otherwise he would've went insane), and cunning by achieving an escape out of expulsion to snitch on keating.

Note: This also fits relationship wise with the otherpoets, slytherin having beef with every house

Gerard Pitts (Hufflepuff) - A gentle giant!! (Pitts lolm i love his smile) He can be socially awkward at times if hes not close with someone with his introverted nature, but he is loyal and kind (even with his sarcastic comments, it his love language promise) loyal to his friends and keating, being one of the people to stand on their desk to pay respect.

Note: | want meeks and pitts to be in the same house ok dont judge me

Steven Meeks (Hufflepuff) - Warm hearted, dedicated to studies, and showcases hard work.. (mostly from doing charlies assignments). We can see he uses his coat for the other members to put their food on the ground in one of their meetings and hes always ready to help others out academically or not. He is a sweetheart and incredibly underrated i love him <3

Note: While he could be ravenclaw, l believe hed value kindness more.

Probably controversial:

Mr. Keating (Gryffindor) - Yes, not ravenclaw.. Just- hear me out. I believe he would've had a hat-stall, just like mcgonagall where it couldn't choose between ravenclaw and gryiffindor. However, ultimately getting the house of the lion!! I think he is incredibly wise and smart (a great fit for ravenclaw), but he also has defining griffindor traits such as bravery, loyalty, and chivalry. He does talk back to gale nolan quite a bit when defending his teachings, i can argue he showcases loyalty to the boys in his class by giving constant support, and he knows how to conduct himself in certain situations (when gently scolding charlie of his stunt). But I can definitely see him in Ravenclaw too and its totally fine if you hc that!!

This is referencing my defense off two characters who are incredibly witty (mcgonagall and hermione), however still sorted into gryiffindor.

NOTE: !!! This took me an hour to write and i still love ravenclaws sorry theres no rep here:") but these are just my hcs for these characters