#your loves been a long time coming

[sissylittlefeather]

Your Love's Been a Long Time Coming: Chapter 1

A/N: Ahhhhh a new series!!! This is the one that won the poll, so I hope y'all love it! Also, I decided to play with POV on this one, so I'm telling it from Elvis's perspective. Please let me know your thoughts in the comments!!

ICYMI, this is the Elvis x OC Vivian Choquette series. Want to learn more about her? Here.

PS- I love you @ccab for loving Vivian as much as I do before I even write the story!

Warnings: Not much, this is gonna start slow, but trust me, it'll heat up. Kissing, cussing, alcohol use, smoking

Word count: ~2.4k

By September of '59, Elvis was used to the army. He was used to the routine, used to the work, used to the people, used to the fans, and used to looking for a good time wherever he could find it. On this particular night, he found it at a party at his own house in Bad Nauheim. All his friends were there, along with a plethora of girls to keep everyone interested. Elvis moved through the party easily, making small talk and keeping everyone stocked on drinks, despite the fact that he didn't have any himself. Sometimes he imbibed, but usually he didn't. Although his beloved mama was gone, what he learned from her still lived in the forefront of his memory. That is, unless he found himself at the Moulin Rouge. But that was different. Here at his own house, he preferred to remain in control.

Despite having a girlfriend back at home, he moves through the house looking for a girl to talk to. That's when he notices her in a corner, her dark hair swept into a low ponytail and blue eyes glancing lazily around the room. She almost seems bored. So much so that she turns to the bookshelf that came with the house and pulls a book down. She opens it and begins to read. Elvis is intrigued by the kind of woman who reads at a party. He begins to walk over to her and realizes that the book is in French. He panics for a second and then remembers that the guys taught him a phrase in French. Surely he can figure out how to communicate with her. Besides, most of these French girls speak a little English.

He swaggers up to her, ready to try out his French. He stands there in front of her for a minute before she looks up at him.

"Bonjour."

"Mhmm." She looks down at her book, but he doesn't leave. He's suddenly nervous, but he decides to risk it. She's pretty enough that it might be worth it.

"Uhh, est-ce que tu aimes le sexe?"

She looks up at him suddenly and laughs.

"What? Did I pronounce it wrong?" She laughs even harder. When she finally catches her breath, she holds up a hand.

"First of all, I speak English. Second of all, please don't ever say that to anyone ever again."

"Oh. Why?"

"You just asked me if I like sex."

"What?! Those motherfu- I mean, those jerks. They told me it meant 'how are you'."

"And you believed them? It literally has the word 'sex' in it."

"Well, I don't know! I don't speak French!"

"Obviously." She looks back down at her book. He's not ready to give up, though.

"Hey, if you speak English, why are you reading in French?"

"My mother was French. I speak and read it because of her." She answers without looking up from the page.

"Was?"

"She's been gone for a while now. I live with my stepdad. He's an officer in the army." He feels the pain of having lost his mother too soon and looks at her with even more softness and affection than he did before.

"I'm Elvis." She looks up at him.

"I know." He nods and she notices the look he's giving her. "You know, I'm actually here with someone."

"Oh?"

"Mhmm." She points across the party to Charlie, who's making his way to her with drinks.

"Charlie?!"

"Yes."

"Well, goddamn." Charlie makes it over to them and hands her one of the drinks. He throws his arm around her casually and looks up at Elvis.

"Hey buddy. I see you met my lady."

"Well, not officially..." She holds her hand out to him.

"Vivian Choquette. Nice to meet you, Elvis Presley." He takes her hand and has the strangest urge to kiss it, but he'd never do such a thing with Charlie right there. He's been a good friend to Elvis, so no matter how much he likes her, he won't risk their friendship. Instead, he shakes her hand like he would if she was a man.

"Yeah, likewise." Elvis nods awkwardly and then turns to go back to the party. It's too bad that she's there with Charlie. He wanders around a little more, before he sees a girl that will change the trajectory of his whole life. Still, he never forgets the girl he met first.

******

The next day, Elvis sits at lunch with Charlie.

"So what did you think of my girl?" Elvis chokes a little on his food and tries to think of how he can answer without letting on that he hasn't stopped thinking about her.

"Oh, she's... she's somethin' else."

"Ain't she? I saw you talking to that cute little thing though. She seemed like somethin' else too."

"Priscilla? Oh, yeah."

"Little young, though."

"Yeah..." Elvis tries to focus on Priscilla, but all he can think about is Vivian. If she wasn't with Charlie, she'd be exactly what he's looking for. He's not sure how he knows that based on the half of a conversation they had, but something about her just draws him to her. Maybe it's the fact that she seems deeper than most of the girls he's encountered. Maybe it's because she didn't fall all over herself to talk to him. Maybe it's because she understands the pain of losing a parent. Whatever the reason, he can't stop wishing that she hadn't met Charlie first.

******

About three weeks later, Elvis is walking around town and he passes a cafe. He doesn't think much of it until he sees someone he recognizes sitting at one of the little tables. His heart jumps a bit at the thought of talking to her again. Then, he remembers Charlie with his arm around her. He decides to keep walking, but as he gets a little closer, he notices her shoulders are shaking. She's got her long, dark hair in her face, so he can't see her eyes, but it looks like she might be crying. He can't let her sit there alone if that's the case.

He cautiously approaches the table and realizes he was right. Her sniffling is quiet, but he can hear it. She's got a lit cigarette in one hand, and it looks like she's forgotten it's there. Her other hand fiddles with her coffee cup on its saucer. When he gets to her, he's not exactly sure what to do. He didn't have much of a plan beyond walking to the table. After hesitating for a second, he pulls the chair across from her out to sit in, but it makes a horrible screeching sound and she looks up startled.

"What the f-"

"I'm sorry! I'm sorry. It's just me."

"God, Elvis, you scared me."

"I'm sorry, honey, can I sit down?" She wipes her face and nods.

"Yeah, sure, I guess so." He sits down across from her and watches as she puts out her cigarette and continues trying to wipe her face clean.

"Are you... are you alright?"

"Ha! Yeah, I'm just fine." She pulls out another cigarette and lights it. They sit in silence for a bit while Elvis tries to think of what to say.

"You sure?" Vivian takes a puff of her cigarette and blows it straight up into the air.

"Do I look alright?" Elvis hesitates. He wants to say that she looks beautiful, but it doesn't feel appropriate.

"You seem upset."

"You're very observant." She responds spitefully. He looks down at his hands in his lap. "I'm sorry; that was rude. You're not the one that cheated on me and abandoned me."

"No... Charlie?" She takes a drag and holds her breath, nodding. Finally, she has to exhale, so she does and then starts to cry again. It's killing Elvis to sit there and watch her cry without doing something about it. He stands up and offers her his hand. "Come on."

"What? Where are we going?"

"My house is only a block from here. You can cry in private." She looks up at him and he can tell she's thinking about saying no. "I won't hurt you. Come on."

She puts her cigarette out and grabs her purse, taking the hand he offered her. They walk in silence to his house, but they continue to hold hands. When he finally gets her settled on the sofa, he sits next to her and leans back, spreading his legs wide. He's trying to indicate that she can relax and sit comfortably too. To his utter shock, she slips her shoes off and tucks her feet up under herself, also getting comfortable.

"So, he cheated on you?"

"Well, I guess that's not exactly fair."

"What do you mean?"

"I was the one he cheated with. Turns out he's been writing letters to another girl for a while."

"Ohhhh... and you found out about it." He thinks about the girl he writes letters to at home. What would she think of him here on the couch with this girl.

"Yes. I didn't want to be the other woman. Besides I thought he... well... it's stupid."

"What did you think?"

"I thought he wanted to marry me." Elvis's eyebrows shoot straight up before he can stop them. He never thought of Charlie as the marrying kind. Then again, he can understand not wanting to let Vivian go. "See, even you think I'm stupid."

"No, I don't. I think you just had hope. There's nothing wrong with that."

"There is if you're me." He sits up and looks into her eyes. The sadness rolling off of her is about to kill him.

"Why do you say that?" She looks up trying to keep herself from crying, but it doesn't work and fat teardrops slide down her cheeks.

"Everybody leaves me. My father left me. Then my mother left me. The first boy I loved. And now Charlie. Why does everyone leave? What's wrong with me?"

He scoots close to her and pulls her into his arms, resting her head on his shoulder. She doesn't object. Instead she lets herself be comforted as she continues to cry. He strokes her hair and kisses the top of her head. The pain of loss is something he's all too familiar with. He takes her face in the palm of his hand and looks into her eyes.

"Viv, this is not your fault. There's nothing wrong with you. I know what it's like to lose people too soon and it hurts. But it's not because of you."

"Why does it feel like no one wants me?" This smashes his heart into a thousand pieces. He wants her so badly it hurts.

"That can't possibly be true." Just tell her. Say it. Say 'I want you.' He wills himself to tell her the truth, but he just can't.

"You're sweet, Elvis." He smiles awkwardly and tries to ignore the fact that she pats his thigh. She leans her head on his shoulder again and snuggles into the side of his body. He knows she's just seeking comfort, so he tries to stay focused on being that. But he is a young man and she is a girl with her hand on his thigh and his imagination is running wild with what would happen if he carried her to his bedroom. He swallows deeply and begs his body not to respond physically to what's in his mind.

Still, there's an electric charge in the air that she has to notice too. Almost at the same time, they pull back and look into each other's eyes. He puts his knuckle under her chin and looks down at her lips. When she closes her eyes, he knows he has the green light, so he leans in and softly presses his lips to hers. Something bubbles up inside him and his hands begin to tremble. He backs up slightly and hovers just above her lips. They both smile and he dives back in for a deeper kiss, dipping his tongue into her mouth to slide against hers. She nibbles on his bottom lip a little and he groans. His hands rest on her hips in an attempt to get them to stop shaking and he eventually lifts her into his lap to straddle him. The intensity of their kissing increases as his hands roam over her body.

Suddenly, she pulls back breathlessly.

"Wait. Elvis, do you have a girlfriend back home?" His mouth pops open. He's not sure how to answer. Yes, he has Anita at home, but for the right girl, for her, he'd end that in a heartbeat. "Answer the question."

"Well... I-I-I..."

"That's all I need to hear." She peels herself off of him and stands up, smoothing her hair.

"No, honey, wait-"

"No. You're basically doing the same thing that Charlie just did. All you G.I.s are the same."

"Hon, please-"

"My name is Vivian!"

"Viv, just, don't leave..." she tries to put her heels back on and stumbles to get the second one on. He uses both hands to steady her as she does.

"Elvis, no. Good luck with Priscilla."

"Wait-?"

"You know she's 14."

"She's 14?!"

"So, you know, have fun with that." Vivian stomps towards the door with him close on her heels. He doesn't know how to make her understand that she's all he wants. Priscilla, Anita, none of them compare to her. But he doesn't know how to say that, so instead he watches as she walks out his front door, catches a cab, and disappears from his life.

******

Or so he thinks. In 1961, Elvis is home from the army and back to his film career. In March, he leaves the continental US to get ready to film Blue Hawaii. He arrives and goes to a cast meeting on set where the director is excited to introduce his costar. His first view of her is from behind and his heart skips. Surely it can't be?

"This is Vivian Choquette. She'll be playing your girlfriend, Maile Duval." She turns to face him and smiles awkwardly. Elvis tries to hide his excitement, hoping his trembling hands won't give him away.

"Hello again..."

******

Until chapter 2. Thoughts so far?

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Taglist (let me know if you want to be added or removed):

@ccab @elvisfatass @elvisalltheway101 @aliypop @18lkpeters @dkayfixates @tacozebra051 @your-nanas-house @deniseinmn @joshuntildawn13 @lookingforrainbows @60svintage @littlehoneyposts @epthedream69 @louisejoy86 @rjmartin11 @from-memphis-with-love @deltafalax

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[poorly-drawn-mdzs]

Mushroom body

(for @mikkeneko)

[bobzora]

clock strike 12

[torchstelechos]

I am of the opinion that Isabeau probably wakes Siffrin up at night years after the fact to just whisper I love you to them like he was planning to during the clocktower sleepover and Siffrin promptly bursts into tears, it probably becomes a regular thing when Isabeau wakes up in the middle of the night after the journey is over

[halflifebutawesome]

you used to be such a baby.

[deoidesign]

Thinks about my next series again... I drew the icon for it!

I'm planning to have it launched within a year! I'm hoping for summer 2025. I want to make a prelaunch page before Time and Time Again ends so people can subscribe if they're interested, but I'm worried the series return would be too early...

[luck-of-the-drawings]

!!! FLASHING LIGHTS WARNING!!! [IM NOT FUCKIN AROUND!!]

REACHED THE CUSP OF 'THIS MAY NEVER BE ABSOLUTELY FINISHED N IF I DONT SHOW IT NOW, IT WILL NEVER SEE THE LIGHT OF DAY.' SO HERE, A PROJECT IVE BEEN ORBITING AROUND UHH SINCE 2021 OR SO.

[youdontneedhenry]

Chapter 8 is up! I promise we won't go so many weeks without an update from here on out. In which I attempt to have plot and fluff in one chapter.

[sissylittlefeather]

Your Love's Been A Long Time Coming: Chapter 5

A/N: I'm sorry this took me so long. I've been dealing with a lot of writers block and I'm honestly not even sure this is any good. I have so much for Elvis and Viv that I want to get to. I hope people continue to read it. Or I'll just write it for me. But if you do read it, please please please leave a comment. I live for comments.

Need to catch up? Here is my masterlist.

Warnings: 18+ minors DNI, cussing, oral sex (m receiving), swallowing, teensy bit of angst

Word count: ~2.4k

Oh, Elvis, she thinks. Why won't you come and rescue me from myself?

******

In December of 1962, Elvis brings Priscilla over from Germany in an attempt to stop thinking about Vivian. He hosts a New Year's Eve party and invites everyone, including her. He's hoping that seeing Viv and Priscilla in the same room will help him realize that Viv is not what he's looking for. He's been thinking about it a lot and honestly, she's too independent anyway. She probably wouldn't make a good wife. Priscilla, on the other hand, is young enough to still be molded and she seems ready to do whatever he asks. Isn't that what a wife should be? He repeats it like a mantra: not Vivian. Not Vivian. Not Vivian.

At the party, Priscilla and Viv reconnect briefly. He forgot they had known each other in Germany. Elvis nods and smiles awkwardly and then she turns to move around the party, leaving him with Cilla by his side. For the most part, he's successful in staying focused on Cilla. He catches glimpses of Viv briefly as she walks through the crowd, always with a drink in her hand.

Finally, he finds himself next to her at the table with the food in the dining room with no one else around.

"You're really serious about this thing with Priscilla?" Viv asks with her eyebrows raised.

"Yeah. Why?"

"She's a teenager."

"She makes sense to me, Viv." Vivian shrugs and concedes.

"I can't argue with that. She's not very complicated, so I believe that she makes sense to you." Elvis turns to look at her suddenly. Is she jealous?

"That's not fair, Viv."

"Is it not? I'm sorry. I just think you need someone more like..." She stops short of what she was going to say. He has an idea of how that sentence would've ended, though. "It doesn't matter. You like simplicity."

Something between rage and frustration bubbles up inside him.

"Which one of my friends are you fucking tonight, Viv?" He immediately regrets saying it as her mouth pops open and her eyes get glassy. "I'm sorry-"

"No, that's fair. Maybe Red." She turns and walks away from him quickly.

"Viv!" He calls after her but she doesn't turn around. "Goddamnit."

"You okay?" Elvis hears Cilla and works to recover his facade, turning to face her.

"Oh yeah, it's nothing, baby." She smiles and he is filled with the desire to take the stairs two at a time and go to bed. Alone.

******

Vivian sits in the bathroom trying to compose herself after her conversation with Elvis. She's a joke to him. And this girl, this Priscilla, she's what he wants. She'll never be that. She wasn't that sweet and demure even when she was 17.

Someone knocks on the bathroom door and she wipes her tears, assessing her makeup in the mirror, and opens it. It's Red. But despite what she said earlier, she pushes past him and goes straight to the front door. She has no desire to see Elvis and Priscilla kiss at midnight.

******

Elvis and Vivian avoid each other as much as possible before the spring of '63 when they both pick up the film Fun in Acapulco. Viv still hasn't managed to land another speaking part, but her work as an extra keeps her paid enough to eat. And when it doesn't, Elvis makes sure she's taken care of.

Filming the same movie means being on set together and after their last encounter, it's pretty awkward. Still, when Elvis finds himself in a particular predicament, she's the only one he can find to help.

His least favorite part of this movie is the pair of tiny blue shorts they have him wearing in several scenes. They're a lot like the ones from Blue Hawaii, but for some reason these just won't come off, especially when they're wet.

That's how Elvis finds himself in this situation. He has to go the bathroom. Badly. But they're in the middle of filming. Once the director finally calls cut, he's absolutely ready to burst. He makes his way to his trailer, frantically trying to figure out how to get his shorts off. Thats when he sees Vivian.

"Viv!" She stops dead in her tracks, recognizing his voice. She turns to him.

"What, Elvis?"

"I need your help." His desperation is palpable.

"With what?"

"Just come with me, please." He grabs her hand and practically drags her to his trailer. Once inside, he shuts the door and turns to her. "I have to pee so bad I might die."

"Okay? What does that have to-"

"I can't get these fucking shorts off, Viv."

"Oh, shit."

"I'm going to piss myself."

"Well, they're already wet." He looks at her with panic on his face.

"Are you gonna help me or not?!" She tries to focus and make sure she doesn't laugh.

"Yes, come here." She tries to tug on the shorts, but they don't budge.

"What if I kinda lift them off of me before you pull."

"Yeah, let's try that." Vivian gets on her knees in front of him to pull when he says to. He looks down at her on her knees in front of him and looks at the ceiling. He whispers to himself.

"Don't get hard. Don't get hard. Don't get hard."

"What's that?" Viv asks.

"Oh! Nothing." He takes a deep breath and tries to focus on what's happening.

"Okay, I'm gonna count to three. You lift them and I'll pull down. 1... 2... 3!" She gives his shorts a firm tug and they come down to his thighs. What neither of them realized about their plan is that pulling the shorts down means his dick is going to be right in her face.

"Oh, God, I'm sorry." She tries to look away, but he whimpers, trying really hard not to pee on her. Finally, she gets the shorts down his legs and off and he runs into the bathroom. She sits in the living area with his shorts in her hand, laughing quietly.

He opens the door a little and hollers to her.

"Toss me the shorts. I think I can get them back on." But he can't. After about 12 minutes of struggling, he comes out with them stuck on his thighs, his hands covering himself. "Can you...?"

"Yes, I will. Come here." He waddles over to her with his hand still covering himself. He goes back to praying his body won't respond to the image of Vivian on her knees in front of him. He's doing okay, until she gets the shorts up higher and she puts her hand on him gently to try to stuff him into the shorts. He whimpers at her touch and becomes noticeably hard.

"God, I'm sorry..."

"It's okay; it happens, Elvis." She keeps trying to pull the shorts up despite his massive rock-hard erection.

Just then, there's a sharp knock on the door.

"Elvis, we need you back on set. Now." It's the director.

"Uh, just a second?"

"We don't have any more seconds. Wrap up what you're doing and come out. Now." They can tell by the director's tone that he assumes Elvis must be in there having sex with someone. Elvis is annoyed. That would be a much better excuse than what's actually happening.

He looks at Vivian frantically, his dick still standing at full attention with her on her knees trying to tuck it into the shorts. She whispers.

"It's not gonna fit like this. Can you... fix it?"

"Make it go away, you mean? I don't really have time to use my hand. And I can't think it away. That never works for me." It does work sometimes, but he knows it won't with the image of Viv on her knees.

"That settles it, then."

"Settles wh- OH MY GOD VIVIAN." Elvis falls backwards and braces himself as Vivian wraps her mouth around his cock and starts moving. "What the fuck are you doing?!"

He moans softly as she pulls off of him to explain.

"You need this gone. This'll work and it'll be faster than your hand. You want me to stop?" She looks up at him with his dick in her hand.

"No..."

"This is purely functional." She pulls him deep into her throat and sucks on him. His eyes roll back with the sensation of her warm little mouth on him. He's dreamed of this for so long, but the reality is better than he ever could've imagined. Her mouth moves skillfully up and down, complemented by her hand moving his foreskin back and forth. She licks a circle around the head and then deep throats him again. He grunts as his orgasm begins to build and he knows he won't last much longer.

The director pounds on the door again and hollers something, but Elvis is incapable of listening. Viv is working him with her mouth and hand, pulling out all her tricks to get him off as quickly as possible.

"Oh, god, Viv... that's so good..." He moans as she gets him closer and closer to the edge. He's gripping the counter behind him so tightly that his knuckles are white. She pulls back off of him and looks up at him with her big blue eyes, licking the precum off the tip of him.

"Let go, baby. You have to cum. Now." Something about her telling him what to do pushes him the last little bit and he tumbles into a mind-blowing orgasm, shooting his release down her throat. She swallows it easily, sucking until he relaxes, and then stops.

"Holy fuck, Viv..."

"Ah ha!" She cheers as she's finally able to get his shorts up and tuck his package into the front. Standing up, he looks into her eyes and wants to kiss her so badly. Still, despite what just happened, he's not sure he can.

"We're gonna talk about this later."

"Okay."

Just as the director is about to knock again, Elvis opens the door and walks out.

"What? I had to go to the bathroom."

******

Viv waits about ten minutes and then makes her way back to where she's supposed to be filming, in shock over what just happened. And now he wants to talk about it? What is there to say?

******

Elvis doesn't see Vivian again until the summer after the shorts incident. He can't decide if she's purposefully avoiding him or just busy, but she stays away. Part of him wonders if she's avoiding the conversation they were supposed to have after the blowjob. It never happened.

In July, Elvis is in Memphis just before he leaves for California to meet his costars and start filming his next movie. He comes across Vivian on Beale street.

"Viv!" When she sees him, she looks for an escape and doesn't see one, so she waits for him to catch up to where she is. "Where the hell have you been?"

"I've just been really busy."

"Look, I really need to talk to you. I'm leaving for California at 3. Will you come with me to Graceland? Please?" She looks around again for an exit and then looks back at him.

"Yeah."

"Good!" He grabs her hand and practically drags her to his car. They make small talk about what they've both been doing for the whole drive. Once they get to Graceland, Elvis settles them into the tv room.

"Are we ever going to talk about the head you gave me?" Viv shifts in her seat, obviously uncomfortable.

"What is there to say, Elvis? I sucked your dick to get it back in your shorts. That's it."

"That's it?!" He thinks back to the incredible orgasm he had at her doing. He wouldn't mind it happening again.

"Yeah? That's it." All of a sudden, something else bubbles up inside him and he stands up.

"VIVIAN WHAT THE FUCK IS WRONG WITH YOU?!"

"Wrong with me?!"

"Do I really mean so little to you that you can suck my cock and have absolutely no feelings about it?!"

"It was just to-"

"Get my shorts on. I know. Why am I just a sex object to you? Something to play with when you've been drinking?"

"What?" He's not talking about the blowjob anymore.

"Why do I mean nothing to you?"

"Elvis... I-"

"Why can't you see how much I-"

"Will you let me finish?!" He sits back down on the couch seething. "You don't mean nothing to me. You mean too much to me."

"Too much? What does that mean?" Vivian rolls her eyes and he's somewhere between wanting to slap her and wanting to kiss her.

"Elvis. Do you remember what I told you when you got in the fight with Joe?"

"Which part?"

"The part about how if I let myself, I could fall in love with you?" His heart pounds wildly in his chest.

"Yeah?"

"I've wanted you since the moment I met you. And not just for sex. Sex is like... I don't even know what it means for me but it's not love and you... I..." His stomach turns over and he's overcome with a need to take her in his arms and show her what love can be. Is she finally admitting what he's felt for all these years?

"Viv." He whispers it and cups her cheek in his hand. She leans into his touch. Just then, there's a knock on the door. Elvis curses loudly and then gets up to answer it. It's the Colonel.

"My boy, we need to head to the airport. You need to be in California soon." Elvis nods and then turns to Vivian, who has followed him up to the foyer. He tucks a stray piece of hair behind her ear.

"We will finish this when I get back, okay?"

She nods.

But he doesn't come back. Not this version of him anyway. The costar he goes to California to meet is a woman named Ann Margaret. And when he meets her, Vivian and all her complications become a distant memory.

But Priscilla? Priscilla won't go down so easily. She moved to the United States to marry him and she won't be deterred by the small matter of him being in love with another woman.

Elvis is trapped between three women and Vivian? She's the quietest of the three with what she assumes is the smallest claim on his heart.

She fades into the background easily, watching the feud that happens between Ann Margaret and Priscilla, her love for him never diminishing, but they never finish the conversation that they started.

******

Until next time!

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Taglist:

@ccab @elvisfatass @elvisalltheway101 @aliypop @18lkpeters @dkayfixates @tacozebra051 @your-nanas-house @deniseinmn @joshuntildawn13 @lookingforrainbows @60svintage @littlehoneyposts @epthedream69 @louisejoy86 @rjmartin11 @from-memphis-with-love @deltafalax @jhoneybees @everythingelvispresley @returntopresley

[swordheld]

hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?

hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].

but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.

it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.

and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.

the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.

an emptiness, like you said.

but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.

you're not alone, in this. he's still there, with you, it's just - in the little things.

he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.

but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.

how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.

the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.

think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.

i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.

but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one. wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.

as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛

[killemwithkawaii]

Alright, the kewk classic 'face hole' design it is~ 📊✅

"Ain't he a doll?" 💋💦💕

And now while I fuck with this anatomy sketch 5ever, we gotta decide on a background! I'm thinking Sal would prefer to do his love-sick swooning in the privacy of his bedroom, but where, exactly? 🤔

'The bed'-

Perks: seems more routine, sowft snuggly nest to daydream and swoon in, [darling] collage on the wall, '... okay, what have you been doing with that pillow...?'

Drawbacks: Limited space, have to take stability/sinking into account with props, perspective is Hard and I will make that headboard look good or die trying

'The floor'-

Perks: seems more impulsive, more yan/NEET clutter potential (more room to spread out), a glimpse under his bed (and at all the [darling] stuff he's got shoved under there)

Drawbacks: That carpet is UGLY, I will probably (definitely) bite off more than I can chew trying to fill all that space with props, it hurts my Everything just thinking about lying on the floor like that for too long

'Secret third thing'-

....???? idk you tell me lol

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[bitternace]

WHY ARE YOU SO EVIL!!! /POS. ATTACKING YOU.

Xemnas and Xigbar for 37 if that number hasn't been done? If it has, how about 74?

no puedo pedirle lo eterno a un simple mortal // ay, todo lo que he hecho por ti.

[ID: a mostly black and white drawing with a purple overlay of xigbar and xemnas shown from the hip up on the left side of the image. the background is black and has some diagonal lines with a bit of transparency on the right side. the shadows are harsh, with only a bit of light falling on their faces.

they stand before each other turned to the audience. xigbar, holds the handle and the middle of No Name before him, head tilted down as he looks to the audience. xemnas stands a full head taller behind xigbar, his left hand held some distance below the bladed tip of No Name, his left eye is covered by his fringe.

xemnas visible eye is painted ochre with a white pupil, while xigbar's eye is white and gold. The eyes on no name's handle and the gazing eye on the blade are a vibrant cyan. the caption reads the spanish lyrics "i can't ask a simple mortal for a forever" and "oh, everything i've done for you." /End ID.]

close-up under keep reading.

[grimmweepers]

life comes at you so fast

[maingh0st]

@belabellissima's tags on this post deserve a post of their own, i—