#i do like her as a character

[kizunarae]

a mismatched mess: a fitz and molly essay

In my re-read of ROTE, I am struck again by the profound mismatch between Fitz and Molly. Neither complements the other, and their relationship is fraught with tension and incompatibility. However, what really compels me to write this is what seems to be the prevailing sentiment within the fandom that places the blame squarely on Fitz’s shoulders. I believe that this perspective is an oversimplification and rather unfair to Fitz. The demise of their relationship was not unilaterally caused by Fitz; rather, it was a shared unraveling.

I will be focusing solely on events up to the end of Royal Assassin, avoiding spoilers for subsequent books. I will put it under a read more as it will be long...

I want to disclaimer that while I may appear fairly critical of Molly's behavior, I do not think she did anything particularly wrong and do believe her emotions and reactions are largely justified. It is just precisely because of who she is (and who Fitz is) that I believe they are a bad match. Additionally, I think Fitz's wrongs have been hashed out extensively so I will only briefly touch on points I disagree with and not elaborate overmuch on his failures in their relationship.

I will begin with their first reunion in Royal Assassin. Fitz has just returned to the Keep after being on his deathbed for several months. Each person he encounters barely recognizes him through his wasted and sickly appearance. Fitz, embarrassed by his weakness, pulls a foolish move: he claims to be drunk when a passing serving girl—none other than Molly—crosses his path. His attempt to save face and avoid interaction turns futile. And yet, despite the evidence that Fitz is clearly sickly in appearance, Molly's first reaction is not concern. It is not to hear his side of the story nor to find out how he has been, nor consider anything that he may have gone through. Instead, she is focused only on her own experiences, and her own feelings and thus responds only with pure outrage and begins firing off accusations with misplaced anger.

Without basis, she accuses him of courting her and then abandoning her. I think many take this claim at face value, because "Fitz should have known what he was doing" (as Patience also intoned). However, let's consider the books have established a three-year age gap between Fitz and Molly. Thus, in Assassin's Apprentice, Fitz would have been begun "courting" Molly at around the age of 13-15 while Molly was 16-18. Even without viewing this through a modern lens, this claim feels like a stretch to me. Imagine expecting a young boy, barely schooled in social norms, to understand that strolling through town with a childhood friend equals courtship. No words or actions passed between them that indicated anything more than friendship. I believe Patience's scolding and instructions were fitting and commendable. However, Molly’s internalization of this narrative against Fitz seems misplaced and unfair, given her knowledge of their shared history and relationship.

Then, after he shares his concern for her about what he saw in his dream. She accuses him of purposely scheming and attempting to deceive her; that he must have heard her whole story in the tavern and is just making fun of her. This is again a very unfair characterization for her to place on Fitz; nothing she knows about him should indicate that he would do something like this at her expense.

She has a right to be upset that Fitz kept his true identity from her. But he also had a right to do so. She gave him no grace and despite his apparent weakened state, she did not allow him to give any explanations. Worse, because of how Fitz is, he immediately accepts her view of the situation and berates himself for not realizing the courtship, despite having had no tools of his own to recognize that. This pattern continues throughout their relationship.

And this, in essence, is what makes Fitz and Molly such a toxic pair. She accuses him of things he does not intend or cannot change, and he, like a sponge, absorbs them as truth, eroding his own perspective and identity. And on the other side, I believe Molly deserves someone who will challenge her. Someone to stretch her boundaries, broaden her horizons. A companion who could wholeheartedly dedicate their life to a family and business together in partnership. Because, while not necessarily a flaw, she has blinders on and focuses largely on her personal happiness and fulfillment. She does not want to bother with thinking of the realm, the raiders or the help other families may need. This is a chasm between her and Fitz, whose heart bleeds for his people's misfortune and feels a duty to his station and Kings. Instead of embracing and appreciating Fitz's compassionate heart and will to make the Six Duchies a better place, she frequently berates him and minimizes his feelings by accusing him of only being a mere king's pawn unable to think and choose for himself.

Especially as readers, we know this isn't the whole truth. We’ve witnessed Fitz’s tears for a dead child cradled in his arms, felt the fire of vengeance burning within him against the raiders. Molly has not, and yet, it does not seem she cares to know. To each of Fitz's explanations, she complains and argues. While we only get the taste of a few of these encounters, Fitz comments that it is a frequent topic of contention between them.

Molly wants Fitz to fit into her mold and she wants what makes her happy to be what makes him happy. She longs for the days when Fitz was only Newboy. She says she just doesn't understand the things he tells her, and yet I feel this is the same "not understanding" that Fitz employs with the Fool; in fact, it is very much understood, it is just not what they want to acknowledge as truth. Because Fitz is not Newboy, and because she subconsciously blames Fitz for not being Newboy, she thus does not put in effort to know and accept Fitz for who he is. I do not consider her calling Fitz as Newboy throughout Royal Assassin a simple nickname; to me it speaks of Molly desperately trying to reverse time and put Fitz back in the box she liked him best in.

I think exactly how little Molly knows Fitz is further illustrated by the Nighteyes-as-Fitz scene. It is a weird and, in some ways, humorous scene, but what struck me is how Molly appears to know Fitz so poorly that she did not sense anything amiss about an intimate encounter with a literal wolf in Fitz-clothing.

Returning to Fitz's identity and 'lies' throughout their relationship, I personally do not believe that Fitz owed her the truth of his identity from the beginning. It was a deeply personal matter and I believe it was not wrong for him to keep it private. As a young boy, he felt his status as a bastard was deeply shameful, and it is no wonder he would not share it. In my opinion, he would have a duty to disclose if he had truly begun to court her, however he was never given this chance.

So, did he continue to lie after his identity was revealed to her? I do not believe so. He shares much with her about what he does, and about Verity and King Shrewd. It is not a question to me that he would not be able to disclose every detail of what he knows; his knowledge of his kingdom's affairs and his identity as an assassin are not entirely his secrets to share. There are surely modern equivalents of this as well. It is hardly unusual to be unable to share some portions of one's work with one's partner. However, Molly deems this as unacceptable and unforgiveable, despite her lack of interest in what he does��� a further inherent incompatibility in their relationship. Instead of offering understanding and support for the isolation that Fitz must feel for being in such a position with his Kings, she resents him for things he has no real power to change. Keep in mind if he had left the Kings' protection at the time, his life would surely have been threatened as Chivalry's was lost. Molly should be able to understand this, and yet she cannot see past her current unhappiness.

In her time at the Keep, Molly also puts a large amount of pressure on Fitz. She is out of her element, she has had a traumatic experience, she knows no one at court. And so, she often complains to Fitz that he doesn't spend more time with her. In a very unhealthy way, she attempts to force him to be everything for her at the Keep— her only social outlet, her support, her protector. Due to this, her resentment for Fitz and his choices grows with every moment he is not with her, and she spends much of their time together asking him to turn away from who and what he is to start a life together.

In the end, both hold the other up as idealized versions one could never hope to fulfil; Molly wants Fitz without his royalty or passion for his people. Fitz yearns for Molly, stripped of independence, her self-driven, entrepreneurial nature tucked away. In their relationship, they offer only moments of fleeting comfort punctuated by feelings of sadness and blame. They cannot fulfill each other's expectations. Molly is unable to bolster Fitz's confidence in himself and the peace and acceptance he desperately craves remain elusive. And likewise, Fitz cannot offer Molly purpose or allow her the sense of security she desires under which to prosper her business and family.

And so, these two are ill-matched and ill-fated, clinging through each other to the last vestiges of a childhood they wish they did not have to leave behind. 

[beebfreeb]

[astearisms]

catalysts, protectors

[bastardlybonkers]

i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one

his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.

ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication

ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[chloesimaginationthings]

The FNAF Mikes talk about their extended family..

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[turtletoria]

i wanted to try drawing older Mabel and Dipper !

[clownowo]

been replaying the Portal series I think this is where its heading

[fictionadventurer]

Personally, it's always a bit wild to me to see commentators interact with the Hunger Games franchise as if Collins were writing science fiction stories instead of essays with faces. She's just not that interested in fleshing out side characters or digging into the details of the worldbuilding. These characters are concepts and symbols before they're people. There's an almost mathematical precision to who and what she explores and how deeply she does it. This is a step or two away from pure allegory. If she were writing a couple of centuries ago, she'd have named her characters things like Innocence and Anger and Watch-Carefully-Your-Soul-Lest-Ye-Be-Damned, but since she's writing for modern audiences, she has to settle for puns and allusions. If she has another essay to write, she'll assign some faces to it; she's not going to look into backstories or other eras just for the sake of storytelling, and it's not a failing as a writer that she doesn't.

[technically-human]

Bisexual crisis Crystal edition

[datcravat]

In the name of Hades, I'll punish you!

[yardsards]

someone pointed out that milsiril sniffs the top of kabru's head like parents of newborns do with their babies, and i haven't been able to stop thinking abt it

like. ma'am. that is a wholeass preteen.

[cherrybeez]

the happy smiler

[cracklewink]

hear me out: moose in mlp

[chloesimaginationthings]

The death of Vanessa and the birth of Vanny in FNAF

(Inspired by this art by Yuto Sano)