#i dig this story

[rosy-crow]

While I’m rewatching this chapter, I actually have to say I felt really bad about Masamune, dude. It’s hard not to see the parallels he has with Sephiroth even though his story is his own.

Alissa frames him as the real monster, saying he was seduced by the sword too…and maybe he was? But initially, after he forged it, it wasn’t his choice to go and start the Robio village conflict.

The villagers lost their minds because the sword is cursed One Ring style, I guess (likely something related to Jenova, considering Masamune was suddenly possessed to forge it).

But still, the conflict started with an act of betrayal. The people Masamune served turned on him and tried to steal his masterwork. They even broke into his home. It sounds like they went animalistic over it, fighting each other and all.

But here, I think Masamune has agency! Bro might even have regret.

It’s like he loses faith in his people and that’s when he starts killing them. Again, paralleling Sephiroth’s story a lil bit…

I like how it sounds like there was a choice here and maybe Masamune took the darker path out of hatred or anger over being swarmed and attacked by his neighbors after serving them and creating the weapons they would need to survive in the creepy environment they were in.

Yeah okay, the sword was maybe stirring up the worst in these people, but their drive to get claim it was greed, right? They wanted more than what Masamune had already given them. They wanted HIS own precious belonging and creation.

It’s like a material parallel to Sephiroth and Shinra, which is pretty damn cool sdjfjdj.

Masamune became a murderer and destroyed his own home after he watched his fellow man sink into animalistic greed and violence, targeting his life’s work and service. He killed them and they killed each other. There was evil on both sides in the Robio tragedy.

Sephiroth’s story is darker because he chooses to go well beyond the destruction of his own home, but knowing the context and build-up, knowing how he came to view humanity as a whole as his enemy, we know why he chose what he did.

It’s twisted and evil, but what I like is how both his story and Masamune’s story have these little hints about why exactly both turned on their fellow man. I won’t be surprised if Jenova is behind the scenes stirring shit up like a demon whispering in people’s ears, but there’s enough room for agency too!!

Masamune also wanted to find someone to inherit the sword last chapter too. Maybe bro just wants peace now or something idk.

[crustaceousfaggot]

Crane Wives songs will be like *folk guitar intro* ooowoahhhhhhhh ooowaoahhhhh. I am a wolf in the river. I am worried that I'm too volatile to ever be in a stable relationship. *guitar interlude with some percussion now* ooowoahhhhhhhh ooowaoahhhhh. There is ash in my hair. I am so tired all the time. I think I'm a bad person.

[alfheimr]

the selkie sea captain and the seashell that sings a song of home.

i started this comic last year before my hand surgery and finally got around to finishing it! whew! i wanted to finish it in may because i intended this as a sort of mermay thing but now im realizing im not sure if selkies count for that. well, they do in My Heart.

[imthursdaysyme]

candace flynn the biggest mamas girl on planet earth

[soranker]

tomorrow :)

[pyralart]

I've always thought he acted like a child...

Also killing him isn't enough, I want to see him break down and cry.

I made a part two!

[howly]

headcanon: the boring perfect self control vampire bella thinks she has is a LIE and at one point she caught human scent mid-hunt and snapped. it made her so wild she had to be restrained to the point where things got ugly

i know edward would never dare to do it and meyer would never dare write it and in canon newborn vamp bella would be far stronger than him...

actually. you know who would be stronger than one young vampire? two old vampires. and who would act practical in a critical situation? emmett

imagine edward and bella heading out for a hunt and emmett being like "do you guys mind if i tag along? i feel like snacking". bella's a little mad at the prospect of suddenly having a third wheel (homegirl wasn't planning on just. hunting) but alice gets a weird hunch and goes "no, no, em should go with you" ok nostradamus. he's going.

fast forward they're in the mountain. bella finds having emmett third-wheeling is not half bad. in emmett's head, lowkey it's bella who's the third wheel after so many decades of him hunting together with edward. but nevertheless, it's so fun with her around. all is good until they catch the scent of an entire group of friends hiking just a couple of miles from here, away from all civilization. emmett and edward stop in their tracks, ready to turn around. bella, her guard down, loses it and stars running towards the group, so they have no choice but to charge at her. while strugging to keep her in place, they try to talk her down but she doesn't listen. she doesn't care, she's strong enough to fight them off, and she fights and claws and hisses and breaks bones of whoever gets in her way because there are so many pulses just a few minutes' run away from her and their scent is so sweet and burning and calling, calling, calling to her

while struggling to restrain her, emmett grunts "we have to disarm her". edward catches the image in his head and shouts "no! you can't literally disarm bella!". well, how the hell do you expect us to stop her from massacring all those hikers? we'll just put her back together afterwards. duh!, emmett thinks, and knows he has to act fast so he goes in while bella's busy yanking away from edward's grip and tears off a limb. or two. all 3 of them may or may not be screaming.

a few moments later edward's pinning bella to the ground, holding her face between his palms, forcing her to look at him. her thrashing is not so effective with limited body parts. part of him wants to yell at emmett but that's kind of low priority. he's holding on to the last of his composure while he looks down at bella's feral expression and chants 'baby. i'm so sorry but i'll give you your leg back after you calm down a bit. i won't be able to outrun you if you go chasing after those people now. please calm down. i love you. hold your breath'

just then she listens, stops breathing and her vision refocuses. for the first time she realizes she was on her way to slaughter a bunch of strangers and she broke the arm of the man she loves at least three times when he tried to stop her. she wants to open her mouth and apologize but that will require her to breathe and possibly go crazy with thirst again. so she stares back at edward's panicked eyes and nods at him, her own red eyes just as full of terror.

then she looks over his shoulder and sees emmett waving her severed leg in the air like it's a baseball bat. "hey, did you know that rose wears the same shoe size?"

[rebouks]

Previous // Next

TEXT: Sorry the more I try the worse it gets

Aster: It’s okay.. we don’t have to talk, we can just… [Robin pursed his lips, making another kissy noise] Aster: Aha-.. yeah.

…

Aster: I kinda thought you were with Alex. [Robin shrugged absently-.. though he added a shake of his head upon noticing Aster’s confusion] Aster: Ah-.. I didn’t know you liked guys.

TEXT: Gender is whatever, I just like people

Aster: Oh, so anyone? [Robin nodded, pointing a finger questioningly toward Aster] Aster: Well… Aster: Erhhh-.. I mean, I don’t really think about girls that way, but sometimes I-.. uh…

TEXT: Gay?

Aster: Well-.. I guess I wouldn’t put it so plainly, like.. I was thinking more like…

Robin couldn’t help but tune out as Aster continued blathering about his sexuality and the fact that he didn’t exactly completely fully like boys-.. even though he most certainly did. Trying not to be judgemental, Robin surmised that not everyone was comfortable with themselves at this age, or blessed with an understanding family-.. but whatever Aster’s stance on the matter, Levi’s master plan had just grown wings and yeeted itself out the window.

[marzimars]

Dinopants for Valentine’s Day 💖 but make it Eros and Psyche inspired

[somewhereincairparavel]

Literally where do people get the idea that Jason was full of himself and that he thought he was better than Percy? This is legit brought up in so many 'why-i-hate-jason-grace" arguments it just screams lack of reading comprehension and obvious Percy bias saltiness. Like just say you are bitter that Jason is written as percy's equal and that you want Percy to have nobody rival him 💀

Never once in his povs did he ever think about how much better he was, on the contrary it's just him not feeling good enough about himself. He and Percy NEVER said anything bad about eachother.

His and Percy's rival is just a joke between two powerful demigods who have rival dads, that's literally it. Even if Jason did indeed think he's better, so what about it? What's the big deal?

he has worked hard and accomplished great things, so he has like, every right to be confident in his power, stop acting like hes all weak and inferior when he canonically killed a titan with like his bare fucking hands till the point Krios swore vengeance on him. No he's not "weak" or morally inferior to Percy as a person. You are merely trying to cope. Not to mention the way people judge a character's worth SOLEY based on their abilities is a huge red flag in itself, but that's a discussion for another time.

he shouldve canonically had more achievments and power than he originally got in the books as a son of jupiter. but rick made Percy too OP and fumbled jason for the sake of keeping percy's spotlight intact. Has it ever dawned on people that Percy is shown to have cool abilities like bending tears but Jason is never shown to have abilities like controlling lungs? Yeah, that's authors privilege for ya.

Y'all put Percy in an obnoxiously high pedestal and that's not a good thing. It diminishes his flaws and makes him appear so saint like and Gary Stu even though he's not. the fact that ppl get so sensitive over their rivalry and try to belittle jason by making up scenarios (like claiming jason thinks he's superior and shit) and go around saying that to ppl to reduce his value DESPITE being well aware that he has like enough hate already, is so insanely petty. BOTH Jason and Percy deserve equal amounts of respect.

God forbid a teenage boy say he's better than the other as a joke, he's such a terrible, stuck up, and shitty person who deserved death for that, isn't he?

[miisfits-toys]

I hardly make fan art but ohhhh Bucky... Bucky my friend......

Part of a series I lovingly called Barrel Beavers. How kind of The Horrors to abide by safety rules :-)!!

[anachronistic-falsehood]

Vash and Femininity: Trigun Stampede and its Themes of Bodily Autonomy, Exploitation, and Vague Gender Fuckery

alright sit the fuck down. we're gonna talk about THEMES

I was on Twitter- terrible idea usually, but a couple people I follow made some tweets that got me thinking about Trigun's overall themes, and here we are. So let's talk about some themes in Tristamp! And I'll take a couple looks at Trimax as well, just for fun :3

Let's look at how the showrunners utilize gender roles and exploitation of feminine characters to show how unhealthy Knives' obsession with his ideal of Vash is, and how horrific his exploitation of Vash and the Plants is.

Vash, from the beginning of Tristamp, is someone who cares about people's choices. When people kill others in front of him, he reiterates that whether someone lives or dies is not another person's choice to make. This is something he learned from Rem (a prominent female figure in his life). He refuses to kill people because that is not his choice to make. To kill someone is the ultimate removal of their bodily autonomy. They can no longer make any choices at all; they're dead.

Vash is also someone who has almost no choice in what path his life takes. He's constantly dragged around by outside forces, namely situations that are caused by Knives (which we'll get into later). Vash doesn't make things happen, things happen to Vash. The majority of events that occur are not his fault. He's pushed and pulled in a thousand different directions. His entire life is completely out of his control.

This can be seen as early on in his life as the Fall, something he had no control over and had no idea he even had a part in. Even later, in the ship with Luida and Brad, after he's been rescued from the desert, he's kept in handcuffs right up until he's shown to be of use to them and the Plant on their ship. After that, he could theoretically say "no, I don't want to go to other ships and heal their plants," but he doesn't. He's Vash. He's helpful and nurturing at his core, and these people have done so much for him just by letting him stay, so he'll do whatever they ask, no question.

This carries over into his adulthood. At Jeneora Rock, he goes to look at their Plant at one simple request, doesn't protest when he's dragged into a duel-- he doesn't take initiative unless someone's life is immediately at stake. He lets people tell him what to do and lets himself get dragged around by the wrist. He doesn't even pretend to have control over his life like Trimax Vash does, which I mean. Fair. Why pretend to have a grip on your existence when it's impossible to do anything without a gun pointed at your head?

Vash is a very passive character. He's nurturing, kind, gentle- he's a guy that fits a lot of very typical feminine character stereotypes. If you wrote this same story but made him a woman, I wouldn't bat an eye (but I would definitely be looking at it a lot more critically, what with the amount of stereotypically nurturing/motherly female characters in media already.)

This contrasts directly with Knives. He makes a decision and carries through no matter what stands in his way. He takes initiative. If Vash is a passive character, Knives is an active character. Wherever he goes, he leaves a lasting imprint. He makes shit happen! If outside forces make things happen to him, he'll go out of his way to make sure that particular force doesn't affect him again.

These two tweets I saw are what got me thinking about this originally. I just feel like here's a good place to put them as a segue into talking about episode 11.

Episode 11 is where a lot of this feminine imagery really just. Explodes in your face. IT'S RIGHT THERE. You can't dance around it if you try. And it kind of reaches a peak when the connection reaches 100%, the gate opens, and. well. THIS happens to the Plants.

Plants, in both Trimax and Tristamp, are almost always typically feminine-looking. Knives and Vash are the only two who are male or even masculine at all. Knives, as the most masculine out of all of them, is the one trying to take charge, and mould the world as he sees fit, to a degree that is detrimental to both him and everyone else. And Vash-- passive, feminine, kind and nurturing, whose Angel Arm in the manga always sprouts decidedly feminine-looking Plant parts-- is the one being exploited for Knives' plans. It's no mistake that they made the giant plant formation at the end of ep 11 look like a giant woman that almost resembles Rem.

Vash wants people to make their own choices and keep their autonomy when it comes to their bodies and lives. Knives is the exact opposite. He wants all Plants to become independent and he uses Vash to achieve that goal, without asking what Vash wants or even knowing what the Plants themselves would prefer. He exploits Vash for the soul purpose of trying to make these Plants have Independent Plant babies. He's completely incapable of seeing that his choices are not for the greater good! He thinks he's saving them, but none of his actions are for the good of anyone but himself. He’s just violating them for his own gain.

They're really leaning into gender roles for these guys, but in a way that screams "HEY, LOOK AT THIS! ISN'T IT FUCKED UP? LOOK AT HOW FUCKED UP THAT IS. LOOK AT THIS, AND BE UNCOMFORTABLE, AND KNOW THAT IT IS FUCKED UP."

Because it is! It's so extremely fucked up. They're using this imagery and these roles, something that makes most of us intrinsically uncomfortable, to drive home how unhealthy Knives relationship with his ideal of Vash is. That's the point. We're supposed to be uncomfortable with this.

Now of course there's some nuance to it. Like, you could see Knives as somewhat of a feminine and/or queer-coded figure as well, ESPECIALLY if you look at some of his panels in the manga, which could in turn lead to themes about infighting and control within marginalized communities, but that might be something for another post. :3

And there's definitely different ways you could take this! Vash, with all this feminine imagery, could be either transfem or transmasc coded, depending on what way you'd rather see it, which could lead into themes of how people outside the norm constantly face a lack of bodily autonomy and are exploited for purposes outside their boundaries. We could also look at Wolfwood and his lack of choice over joining the Eye of Michael and becoming the Punisher, and how masculine men (particularly men of colour) are often forced into violent roles against their will. If we look at Trimax, the exact same could be said for Livio/Razlo and people with disorders such as DID/OSDD.

There are many different ways you could spin these themes, some of which I don't feel personally qualified to discuss. If anyone who is qualified to talk about Wolfwood or Livio/Razlo or even other characters related to these themes, then god PLEASE add onto this post or make a post and tag me or something. I would love to read it!

Anyway, in conclusion: Vash is a feminine figure constantly taken advantage of and exploited and and he's so incredibly trans/nonbinary-coded that it drives me insane. Thank you

[accioepiphany]

UMMMM

[trrenchertrash]

I was thinking about “I am the dirt under your nails” and first of all I don’t think it can be ignored that the title of e9 is derived from this line. Considering that, this line is evidently not meant to be a cutesy throwaway line between Cait and Vi, it has huge thematic weight and implications. If you think about the title “The Dirt Under Your Nails” in this context, it’s clear that it’s meant to refer to the fact that all of our characters have dirt under their nails. As in, their hands aren’t clean. They’ve all committed wrongs, because they’re all human, which is obviously a major theme of this season/show. The second part of this dialogue is “nothing’s gonna clean me out,” which fits with what Caitlyn says about how no amount of good deeds can undo those wrongs. This line is about accountability.

And there’s a reason why it’s Vi who says this line to Cait. The most obvious is that Caitlyn has wronged her, but it goes deeper than that. In e8, Vi asks Caitlyn who gets to decide who gets a second chance. There are multiple ways to interpret how this idea impacts the narrative. I’ve seen it said that Caitlyn allows Vi to free Jinx because in giving Jinx a second chance she also gives herself one, and that’s an important point for Caitlyn’s character, but I think Vi would’ve found a way to free Jinx no matter what. Cait just made it easy for her. What the narrative shows us is that Vi is the one who gets to decide who gets a second chance by having her decide to give one to both Jinx and Cait. I’ve seen people talk about how’s Vi’s role is that of the witness — to be the constant that observes all the change and corruption that happens around her, and to be burdened with the memory of all that has transpired. And that’s true, but there’s more to it as well. Remember this promotional poster? It has 3 different titles/captions associated with it (that I saw):

1) Horrors I’ve Seen

2) Everyone is Guilty, Vi

3) It’s Too Late to Point the Finger Now

The first one obviously reinforces Vi’s position as the witness. But the second two are about accountability. It always struck me that the second caption brings the collective guilt of our cast to Vi’s attention specifically. Now it makes sense: she is both witness and judge. The character with the “good heart,” the only one who remains largely uncorrupted/unchanged by the end. Who is motivated purely by her desire to protect while the vast majority of the characters around her are twisted by revenge and ambition. It’s absolutely intentional that she is the one who says that line.

[dykemagik]

"you can't help it. you are your father's daughter." batman: urban legends (2021-2023) #3, #10, #16 | birds of prey (2023-) #6 | batgirl (2024-) #1, #2

[ijustthinkhesneat]

I genuinely like to believe that Bruce’s natural state is Brucie. His resting persona. I think Bruce is smart don’t get me wrong, but you can be smart and ditzy. My citation is Legally Blonde.

I think the Batman persona for him is ultimately a flexing of the mental muscles. Like he read one article on how to be a serious adult and was like I’m gonna do that at 9000%.

I believe that after Jason died is when Batman stopped being the mask, at least for a while. And yeah trauma, dead kid. But it’s also because Bruce was in the reverse position to when his parents were murdered. He was the parent who outlived his child. So he couldn’t afford to not be on edge, the vulnerability it takes to be silly and mess wasn’t going to keep his other son safe. It wouldn’t keep Dick or Tim or Damian safe.

I think if they steered back to Bruce learning to be vulnerable around his friends and especially around his family the comics could be so much better and set the base for many more stories that weren’t a repeat of the same cycle of abuse. It feels like the comics have been hell bent on breaking these characters for so long. Chipping them down to the worst, darkest parts of themselves. And that’s fine. But the writers don’t know when to stop. They can’t see that there is nothing left to break anymore.