#i didnt i REALLY TRULY DIDNT

[foolsocracy]

they barge into justice league meetings saying they have something very important to show them. and do stuff like this

[makofinz]

us. who said anything about US. OUUUUHHHHHHH ITS GETTING TEENSE.

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[merverelli]

"you just feel yourself let go."

still thinking about this episode. man. 💪💥

[fresanita]

Angel Dust turns Human

Part 7

Pt1 Pt2 Pt3 Pt4 Pt5 Pt6

This one is a bit short, sorry😓🙏!! I just thought that the last drawing was a good way to end this segment; I really enjoyed drawing these parts. Idk why🤔! I know the quality is a bit low, but if I make the canvas bigger, then my laptop will glitch and probably delete the whole drawing💔. If I make the drawings bigger and just make them as separate images, then my storage will run out and glitch! Nothing ever satisfies my old laptop😮‍💨...it's 6 years old as of now, I think!

Anyways, Angel (or Antoní🤔) gets a new hairstyle bc it was rlly messy in the first place, and GOD DAMN I hated drawing his old hair, I'm sorry😓😔🙏! I hope you guys noticed that Alastor hoped Angel was referring to him when talking about his father's business🙂🤫 (HE MISSED HIS SON). I rlly liked drawing them hug for once🫡🫶

Husk was truly no help at all (can't blame him), and Angel just truly wants to cry since he missed Alastor but also is terrified BECAUSE he's Alastor🫥. Charlie and Vaggie are back, YAYA!😁 This time, I don't know what else to add, sorry; my brain is super tired today😓!

Taglist: @diffidentphantom @cloversnstrawberries @birthrightversemain @dawn-sky-collective

[izuizzy]

excuse me, the little one requires your attention

part 2 is here

[flambo19]

Stellaron Hunter Game Night 🎮

[hayaku14]

pushing daisies kaishin au #2

pushing daisies au where shinichi has been able to revive dead animals, plants, even people since he was a child.

kudou "i can literally talk to the dead" shinichi

shinichi's parents didn’t exactly encouraged him to use this power. especially not in public. they’ve seen him revive and re-kill dead plants and animals in the same breath, it doesn’t take a detective to figure out what could happen near a human corpse.

but a young shinichi is curious, a young shinichi admired his father, and a young shinichi wanted to prove himself a detective. but most of all, a young shinichi wanted to help.

so when he saw his father struggle in solving a particular case, a young shinichi figured that maybe asking straight from the source would help give them a hint.

the complete horror in yusaku's eyes shinichi saw that day made him promise himself to never do it again.

shinichi realizes later on that reviving someone just for a clue on the whos, hows, and whys of their death only to touch them again, to basically kill them again, is sick and twisted and the realization leaves him feeling raw and dirty.

he then decides that if he’s gonna find out the truth, if he’s gonna bring justice, it’s not by making the victims suffer a second death. he will unravel the mystery not by magic but by logic.

the curious case of kuroba kaito

hakuba immediately contacts shinichi.

“he was...a friend. if i have to gather all the best detectives to catch his murderer then so be it.”

hakuba goes on to explain.

it was a kid heist. shots were fired. snipers. kaitou kid was caught on camera falling, as if he’d been shot, but he appears a minute later flying away on his glider with not a speck of blood on his suit. all should be well however, a few buildings away in an alleyway, the body of kuroba kaito is found dead. gunshots through the heart and chest.

a simple explanation would’ve been that the glider was a fake activated by kid’s assistant as a last ditch effort to save his legacy and this kuroba kaito was kaitou kid himself. he would’ve said it out loud but by the look on hakuba’s face, he can tell that he already connected those dots long before shinichi even stepped foot in the morgue. that wasn’t what hakuba called him for.

“can i...take a look at the body alone?”

hakuba raises an eye at him but moves to leave without questioning. "alright then. i have to check on another friend anyway. she's been...distraught ever since she heard the news and..." hakuba's words trail away as his eyes unconsciously drifted towards kuroba kaito's covered body. shinichi patiently waits through the quiet pain that he sees on hakuba. the pinch in his brows, the tenseness of his body. he must've been a really good friend.

hakuba shakes his head and turns his attention back to shinichi. "sorry, i...its been a long day. i'll leave you here then. call me if you find anything."

left alone, shinichi carefully zips open the body bag covering kaitou kid's upper body. he looked eerily similar to himself and imagining his own body cold and dead in the morgue sent a shiver down his spine. shaking his head, he pulls a chair close and reads through the file hakuba brought him.

"no witnesses. no camera. not a trace nor lead to anything. just some reports on mysterious gunshots in previous heists that lead to nowhere." they were professionals, whoever did this, shinichi thought. it was not going to be an easy case.

he takes another peek at the body. so this was kaitou kid, huh. too young to be the same as the one before his hiatus. perhaps a successor? motive could be related to his predecessor. his mother hasn't said anything of interest. does she really not know or is she protecting him? he runs his hand through his hair. there's too little information to go on...unless...

temptation rears its head. the source of information is right there in front of him. one touch and it could open up new leads to the case. an immediate disgust twists deep into his gut. he promised himself to never use it on people. to never kill. his father's haunted eyes embedded in his mind. he shouldn't. he really shouldn't. but he remembers the anguished look on hakuba's face. if he was going to do it, this might be the only good time. any longer and his touch would not revive kid. and gone along with him would be vital information to catch his murderer.

shinichi heaves a deep sigh. he has never used his abilities on dead people since that one incident as a child but he couldn't shake off the look on hakuba's face. it was now or never. shinichi reaches for kid's hand.

---

pushing daisies au #1

[stromblessed]

Mizu's spectacles, and the levels of her disguise

In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.

Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.

I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!

Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.

In my view, this was pointed out in episode 1:

I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."

Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.

I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.

This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.

There's the little girl who looks at Mizu and then hides on the way into Kyoto:

When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!

By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.

It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:

(Zatoichi reference, anyone?)

If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.

Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:

Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:

No wonder Mizu gets mad after this, lol

So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.

And yet no one spots that she's female.

Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.

Let me explain.

She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.

But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:

I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."

Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.

Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.

One detail that proved this to me is after the Four Fangs fight:

Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)

And Taigen is right there, but he doesn't give a shit:

Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.

Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol

There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:

After all, Swordfather can't bear to listen to Mizu confess to being a woman.

So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.

May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.

Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."

[kingjasnah]

still somewhat baffled by both moash and el's place in this book. both of their impact being so fully confined to the shattered plains felt so weird like at the end of the book when dalinar is facing odium's champion and he's like "dude what the fuck is this. let me fight moash or someone i thought you were bringing out moash" i was also like. yeah hold on where did moash go

[orangechickenpillow]

Not to be parasocial but I am glad that the watcher boys seem to be handling everything well. Obviously with their response and listening to the fans, but I'm also glad that the severity of the backlash hasn't completely killed their excitement for their projects and the future of watcher.

This whole situation was a lot for everyone, and I know it's left a bad taste in some people's mouths, but I'm happy that Shane, Ryan and Steven have had level-headed responses to it (at least, public responses)

[aherosoup]

High school is killing me!!!!!!

a friend and I cooked up a SaSi NPMD au a month ago and I thought tumblr would enjoy it so here's my designs!

I'm hoping the designs are self-explanatory enough, but if not, here's who everyone is:

Janus is Steph (transfem jan for the WIN!)

Roman is Pete

Patton is Grace

Remus is Max

Logan is Richie (had so much fun making him obsessed w/anime)

Virgil is Ruth

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[dredgesnails]

wild life is almost over so here are my placement predictions for everyone left (yes, half of these are my own personal desires and the other half are because i think they would be funny):

gem

joel

etho

lizzie

impulse

jimmy

grian

cleo

scar

pearl

bdubs

ren

bigb

scott

tango

if i have to justify any of these i will and i can but some of those justifications do just come down to "i just want it to happen"

[skitskatdacat63]

Please take my low effort shitpost of our two Aston flopboys

Basically:

[lillyorlyracat]

Y'know how one of the seven archangels is named Raphael........ y-yknow how one of the ninja turtles is also named that.........

Y'know how there's multiple versions/reboots/iterations of tmnt........

Do you see my vision