#i could literally do this forever

[manglelieks2party]

if u don’t hear from me ever again, just know i’m staring at this gif while listening to edm

[myrkulitescourge]

the way that one line from the new epilogue in an astarion romance is going to HAUNT me

just. what a profoundly intense thing to confess to someone.

like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.

in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.

how am i supposed to act normal about this.

[ruporas]

please be true

[ID: Digital Trigun Stampede fanart of Vash and Wolfwood cradling each other. Vash is facing the viewer with his face buried in Wolfwood's shoulder, one hand grabbing at Wolfwood's neck and the other grabbing his arm. Wolfwood is facing away from the viewer and is slightly leaned away, one arm wrapping around to Vash's back, but his hand is hovering, not touching. The background is black with white and red confetti-like and petal-like shapes falling around them. ID END] ID CREDIT

[starry-bi-sky]

do yall ever think about bruce/batman!clone danny standing in front of his bathroom mirror after finding out he was a clone and silently tracing his face. The slope of his jaw and point of his chin. The high angle of his cheekbones and the shape of his eyes, the curve of his brow bones and the shape of his nose. The volume of his hair and the way it curls and gets fluffy when it gets too long.

His hair is black the same way a crow's wing is black. His dad's hair is black the same way a black bear's fur is black. His dad's eyes are blue like the ocean is blue. Danny's eyes are blue the same way a glacier is blue.

His dad has a square jaw and straight flat hair, and he tans and gets a face full of freckles when he's out in the sun for too long. Danny burns like a lobster and his face remains untouched. Danny has a sharp jaw and tall cheekbones, and Sam says when he's not smiling there's almost something regal about him. You would never call Jack Fenton "regal" when he's not smiling.

Sam says when he's not smiling he looks scary the same way a stone statue is. Jack Fenton when he's not smiling looks scary the same way that german shepherd staring at you across the street is.

Do you ever think he grew up wondering if he was adopted. Because of course, he has black hair and blue eyes like his dad. But having the same color doesn't make you someone's child.

Or, worse, things he's heard from the other kids and the other parents and even some of his teachers growing up; that he was the product of an affair. And that his dad was just too stupid to notice. And Danny would defend his parents until the day he died, because Jack Fenton wasn't an idiot and Maddie Fenton wasn't a cheater.

But doubt comes in with fickle tongue. his parents swear up and down that he is their child when he asks about either. That Danny just had his grandparents' features, but he was their son and they loved him.

But Danny doesn't look like either of his parents. His mom's eyes are blue like an aquamarine and Jazz's too. And they burn like lobsters in the sun too, but Jazz gets freckles on her face and so does Maddie. And as Danny grows up he doesn't bulk up or get stocky like his dad did, and when he hits puberty he doesn't shoot up like a tree like Jack Fenton did.

He stays small, and they say he's a late bloomer (and he is), or that he just has his mom's height. But he's fast and has good stamina, and some days it feels like he's built entirely different from his family. That the things they went through growing up just didn't apply to him. Jack and Maddie Fenton both had acne and breakouts when they hit puberty, and Jazz inherits it and he's seen the amount of skincare products she keeps on her side of the bathroom.

And then he hits puberty and breaks out maybe once or twice, but his skin stays clear for the most part and the problems and changes his dad went through just don't happen to him.

And the truth is worse than all of the lies.

How horrifying.

[ganondoodle]

did a little sketch yesterday that i really liked and tried to get it done today just so i got literally anything to post- but i fell into the trap of 'making sketches to elaborate and thus really stiff and non fun' (for me), ... soooooo .. im redoing the whole thing

but the idea was a mummy ganondorf for my (yes still existing) totk rewrite; i wanted to make him more scary looking and also emphasize just how horrid it must be to be kept in between life and death by having your heart grabbed by a cold and vengeful magical hand for thousands of years (in this case the ancient queen .. which i also tried to sketch despite not showing up aside from her dissolving hand)

the spell starting to fail and his body being more damaged in some parts (jaw being only the bones left for example) and his chest open from being slowly eaten up by the queens magic, the ribs contorting around it like its a gravitational pull- sounds cooler than it looks bc this sketch did not work out, so im saving the details for the .. hopefully, better version

[flying-cat]

people who undermine the importance of izuku and katsuki's relationship throughout bnha because of "annoying shippers" or because they just don't like katsuki are insane because their relationship is literally so? important??? to the entire story???? katsuki is the deuteragonist of bnha. he was one of the first characters to show up. he was the first other person to know about OFA. so much of the manga is spent showing his development. if you deny his character development and relationship development ("relationship" does not always mean romantic relationship) with izuku, you are quite literally denying a massive part of the series. the manga starts with them and ends with them. you're allowed to dislike him but if you dislike him so much that you, in turn, start hating how izuku is a "punching bag" or a "doormat" for the entire series because he doesn't stay angry and vengeful at people even though a massive part of his character is that he's compassionate and kind even to people who aren't to him or used to not be, and you seriously think that that makes him weak, and you just start to dislike the main two characters of the series, i think you should. idk. stop reading, probably. read the revenge fantasy shit that you obviously want to read. there are like seven million manhwa available to you where the character gets the revenge you so desperately want to see.

[lastofthe20thcenturygirls]

just because he got promoted from being just a gag character does not mean he ever stopped being a gag character

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[anotherpapercut]

the democrats long term plan cannot just be "win every election for the next several decades" without doing literally anything at all to secure votes and protect voting rights. it is shocking to me how many of y'all just play along with this and blame VOTERS instead of the people who have power and refuse to even pretend to use it

[casualavocados]

If anyone allows Zhang Teng to get in again, I'll kill them!

AI DI + talking about & attitude towards death KISEKI: DEAR TO ME (2023)

[icewindandboringhorror]

Little bright colored outfit with a fun vest ~

(shoes from ebay like 10 years ago. everything else is thrifted)

[ricky-mortis]

Howdy hello- guess who made a wings au :)

More to come with this eventually- I’m working on my designs for other characters at the moment, but for now we’ve got Red-Tailed Hawk for Curt and Eagle Owl for Owen.

For DMA I had Barn Owl wings because a) Barn Owls are beautiful and I wanted to draw the wings for them, and more importantly, b) Owen would probably want to disguise his wings, and it would make sense if it was as a different type of owl. I just assume he’d dye his feathers in some way or another. Look- just don’t think about it too much.

[luuxxart]

evil win! the ones plotting for your mysterious death are uncle and nephew!

[deconstructthesoup]

There is no trope in fiction that will hit me harder than “someone who’s immortal and/or undead and has every reason to hate it choosing to embrace it because it means they can stay with their partner who is also immortal/undead forever”

[gomzdrawfr]

I have a question. Who is Raven? Sorry if this seems rude I'm just curious

helo! Not rude at all! Im glad you asked :D She is my main original character for COD! :) I ship her with Price predominantly, but also occasionally ship her with Ghost (and Gaz—but I’ve never mentioned it before JFJSJJF shhh)

I am insane about her and will sneak her into my doodles and aus whenever I can :]

Have some old doodles

[kurthummeldeservesbetter]

To me (because I like making myself suffer) there are 2 other types of universes where Jayce and Viktor make hextech. If Viktor is always the mage, able to go to all universes where Jayce gets stuck in that blizzard with his mom, maybe he doesn't exactly know how that particular universe ends and is just searching for the exact one Jayce (and also Ekko) can save.

Viktor dies before Jayce can save (also doom) him with the hexcore. Maybe it's before the explosion, maybe he dies with Sky, maybe he just goes to bed and doesn't wake up. Jayce deals with this however you interpret. Maybe he goes crazy and destroys universes trying to find a healthy Viktor who won't die before their dream can be fully lived. Maybe he intentionally creates The Machine Herald this time. Maybe he stops inventing and just. Becomes a loner.

They are able to create hextech without any death/damage at all. Maybe Jayce and Viktor (who could find out about it before Jayce's place is robbed) and discover it's potential somewhere else. Maybe they start in Zaun and end up improving the lives of everyone there that Silco and Vander reconnect, Powder and VI stay sisters, everyone stays alive. Maybe Viktor is able to find a cure for his illness (and therefore find no need to experiment, since the fear of death will no longer control him.)