#i consider this to be spoiler-free (especially the first 2 points) so it could work as a primer lol
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fullmetal-scar-simping · 3 months ago
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Handing out a pamphlet to any mangahood fans giving the 2003 anime a shot:
Ed and Al (and Hohenheim) are not Xerxian. In fact there is no Xerxes. Don't interpret these characters through that lens. Similarly, Xing has no relevance here (it's a single line in a discussion of Amestrian geopolitics, and that's it)
Ed does not metaphysically supply Al's body with energy and nutrients. That's not how the Gate works here
Alchemy itself is handled differently from the manga and Brotherhood
This version of the story will not coddle or spoonfeed you. You will have to deal with complex themes and upsetting scenes, and you will have to pay attention to what's going on in order to understand and interpret the story and characters
In fact, if you're so inclined, repeat watches will absolutely reveal new layers to the pathos, mysteries, and themes presented, and answer questions you will still have after your first watch
I am begging you not to take everything at face value. The characters are not treated as infallible encyclopedias nor are they dispensers of morality lessons. They are treated like people. In that they are flawed, they are not omniscient therefore they do not have Complete Objective Knowledge over their own lives and the world, and the world/other characters will contradict and challenge them regularly
To put a finer point on the above: Don't take Ed and Al's perspectives as gospel. They are not the arbiters of righteousness who shine the light of Goodness and Reason onto the rest of the cast, they are orphaned teens scraping by in world that, by its nature, looms larger than themselves
Romance is not a big element here. You will not be eating well from the Edwin and Royai troughs this go-around
In mangahood Scar was right in killing state alchemists, but prepare yourself for: Scar was right in killing state alchemists, AND he never relents in being anti-military, AND he escalates that fight to magnificent proportions. Your fears about the "scary racialized radical who doesn't reform to your side nor assuages your guilt for the gains of imperialism you enjoy" are made real in 03
No doubt you've already heard that homunculi work differently in the 2003 anime. But to emphasize one of those major differences: the homunculi are not split aspects of one guy. They are all separate, unrelated, individuals
The characters shared between mangahood and the 2003 anime are, ultimately, not the same characters. Character design and some basal core traits link them to the manga, but their backstories, choices, character growth, and even their perspectives end up completely different from the source material
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flicklikesstuff · 9 months ago
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Hazbin Hotel Ep 8 Ramble and Theory
⚠️ SPOILERS!! ⚠️
Surprisingly, the show’s first season really got me hooked with its storyline and I can’t wait what’s in store for the upcoming season 2.
I’ve had my suspicions with Alastor since the pilot, and it just keeps growing with every episode. Even then, his real motivations are just hard to really see and it’s what makes his character intriguing. One moment, he’s lurking in the shadows like some sort of villain, and then the next, we see him maaaybe caring for his friends?? If he even considers them that. Idk 🤷
I’ve always thought that maybe he’s sticking around and playing nice to get Charlie’s guard down in the long run. Waiting for her to get desperate so he can strike a deal with her. So he could ask her for any favour in the future. And guess what? That’s what he exactly does in Ep 7.
And if I’m recalling correctly, Alastor helped Charlie with the war, but Charlie is yet to grant her own end of the deal. Alastor STILL is owed a favour from her.
(Where am I going with this theory and analysis? I’m getting there-)
At one point, maybe he did genuinely care for the hotel and the people in it. Regardless what his motives were. He even admits it’s a “surprising thrill” to watch them form connections. But the word choices he uses in this scene are just sooo…weird?
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“Almost??” “Could get accustomed??”
It sounds like he admits feeling attached to the other characters but at the same time, doesn’t want to commit to it. Does he have far more nefarious intentions in mind for them and that’s why he’s so distant?
Alastor probably noticed this in the ending of Ep 8 too. His altruistic self almost got control of him. He almost risked his life to help his “friends.” And he didn’t like that one bit. Perhaps, he sees this trait as a weakness.
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It really sounds like the verse“Great Alastor Altruist died” is equal to him stating that “there’s no more Mr. Nice Guy” from now on. He’s disconnecting and staying firm to whatever his highly vague motives are. And it’s highly likely that whatever’s holding him back from his full power is the deal he made itself. And he’s going to try anything to get out of it. Maybe that’s the reason why he approached Charlie in the first place.
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And I’m going back to Charlie’s deal with him here. The only condition she has is that she won’t harm anyone for him. But knowing Alastor, he’s going to twist the words a bit there. Maybe he won’t harm them physically. But maybe in some other way. Indirectly. One that Charlie won’t see in the long run. Maybe he uses this one favour to help him break free of this deal or loosen it in some way.
And Charlie already has so much trust in him after the battle, she most likely won’t see it coming. It’s perfect.
(Not exactly sure how these soul contracts work buuut, she’s the princess right? Maybe she’s powerful enough to do smth about it? Maybe that’s why Alastor was so interested to gain her trust and potentially free himself?)
…….
But anyway! Onto the second part of my theory!
Alastor’s probably going to optimise his one chance of freedom through Charlie’s owed favour. But I have a feeling he’s not only going to use just Charlie.
Who else is at the hotel that the other main cast members trust? Who he could freely command under his control? To show up at his will? Answer his beck and call? Whose souls that Alastor owns?
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I swear. It is NO ACCIDENT that these two were standing side by side. NEXT TO ALASTOR. In the ending. (Or maybe I’m overanalysing, but whatever. This is MY ramble)
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When Alastor comes back from the “dead”, everyone was happy to see him. Especially Charlie. And surprisingly Vaggie? I guess she’s warming up to him. Idk if that’s good or not.
Everyone except Lucifer and Husk. Lucifer’s still bitter on the whole ‘dad’ thing. But I just really felt sooo bad for Husk here. 😂 My guy had maybe a few happy hours of what he thought was freedom. Then he sees this guy come back and he’s just: “Ahhhh… SHT-!”
Now I’m just saying, I don’t think Alastor can just casually go up to Charlie and just easily demand that favour. Especially now that Lucifer might be staying around(?) Also, Alastor sounds like someone who would strategically play the long run if it means benefits. Albeit, less truly altruistic than before since that approach almost costed him highly.
He’s maybe going to have to pull some strings to really make Charlie feel like she HAS to do him a favour. To better solidify his chances and so she’s less likely to be hesitant/reluctant/suspicious. After all, Alastor is only owed ONE FAVOUR. Maybe he’ll pull some strings to win over Lucifer’s own trust too so he won’t be stopping Charlie? (I’m not sure, these two are not in good terms.)
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(Look me in the eyes and tell me this is the face of someone who’s definitely not going to use this hotel for his own personal gain. Things are going to start getting ugly with Alastor’s new approach. I’m also still like 80% sure these 3 characters are placed together for a reason. It CANNOT be a complete coincidence, right?)
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Now I’m really curious how Husk and Niffty would react under this sudden new approach. The angst potential here is smelling strong. It’s obvious that they’re starting to get highly attached to the hotel and really consider the others as friends. Something Alastor didn’t allow himself to.
And it’s not like they have a voice in the matter either. No matter what Alastor tells them to do to secretly manipulate things around the place so he’ll appear like he’s “helping out more.”
Who knows really? What kind of errands he’ll force them to do? “Mr. Nice Guy” is really no longer an option here. That guy is dead. Adam killed him.
And all at the same time, Alastor wouldn’t be breaking Charlie’s condition. He’s not making her hurt anyone at all. Just helping a good old pal, who’s done so much for her, to maybe loosen the constraints his deal has. Or whatever else he wants, I don’t fcking know-
(But Srsly though. The angst??? Niffty and Alastor are fond with each other, but Niffty is also starting to like her new friends too. Will that create some sort of rift? Niffty actually being hesitant??
And don’t even get me STARTED on Huskerdust. Like wtf-? Husk has already stepped out of line before and it left him completely shaken. What else could he do? And a heartbroken Angel finding out he’s behind all this when Husk is the first person to truly reach out to him? Husk not being able to meet his gaze out of guilt?? THE FCK-???)
Yeaaaahhh, can’t wait what Season 2 has for us all….
Remember fellas, this is just a theory. A Hazbin theory! :))
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longbobmckenzie · 2 years ago
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Tips for writing a villa fic
If you pay attention to Love Island the Game fanfiction at all, you've probably read a villa fic or two, or a hundred. They can be a lot of fun, and the nature of the game lends itself really well to the concept. Which is why so many people have started writing villa fics of their own... and yet, so few finish them, or even come close.
Well, I’ve written more than my fair share of villa fics, ranging from a 3k word oneshot (yes, really) to a 230k word start-to-finish Season 2 Bobby fic, and I’ve read a whole lot more, so I've learned a thing or two about the genre.
So, I figured I’d share some of my tips, and ask some of my writer friends for their input (thanks @queen-of-boops, @rebelrayne, and @thoracic-orchid), and here we are!
Buckle in, because this gets long (much like my fics!)
Tip #1: Recognize that it’s a lot of work
It takes a long, long time to write a full villa fic, especially if it’s Season 2 and you’re starting on Day 1 and going right up to the final (and beyond?). We’re talking months of work, maybe even years depending on how much time you have to dedicate to it. My first fic (230k words) took me 9-10 months to write, and that was during COVID lockdown when I didn’t really have much else to do.
This isn’t meant to discourage you at all, but I’ve seen so, so many villa fics get published and never get past the first few chapters. Sometimes they even get 20-30 chapters in before the author loses interest or just plain runs out of free time. It’s a commitment, but it can definitely be done!
This especially applies to “All Star” villa fics or season crossovers. Kudos to those who attempt it and especially those who finish (I know of only one person who’s managed this off the top of my head), but trust me, it’s hard enough writing a villa fic, writing a crossover is putting it on evil mode.
Also consider if you’re writing from a male character’s POV (the LI, perhaps, or a male MC) that you’ll probably need to write more “boys only” scenes, so a little extra creativity is required (I could never, honestly).
Tip #2: Have a plan
I cannot stress this enough. Easy for me to say since I’m an outliner at heart anyway, but I’m in the middle of writing a villa fic and even with an outline, I’m still going back and tweaking early chapters (tip within a tip: write a few chapters before publishing anything!) when my plan changes slightly.
But having a clear direction of where you want to take the fic and planning out plot points, recouplings, dumpings, etc. is extremely important. Especially when you start going off-canon (more on that in a bit) or when you get to days where literally nothing happens in the villa.
The nice thing about villa fics is that you’ve already got a structure to work with, you just have to plan how you want your characters’ relationship(s) to develop and how to drive the plot.
Tip #3: You don’t always have to stick to the plan
That said, characters sometimes do things you didn’t plan for. And that’s okay! Sometimes. There are times you need to assert your will, but other times, things will change and you just need to re-evaluate your outline. And that’s okay… within reason.
For example, in Whiskey & Scotch, my plan was always for Bobby to be the endgame LI. Somewhere along the line, I fell in love with Henrik, and people really liked him and my OC together (mild spoiler: they were coupled up for a time). I was extremely tempted to blow up my outline to make it work for them, but the groundwork was laid for Bobby to be endgame, and I had scenes planned that had been living in my head for months by that point that I was excited for. It just didn’t make sense to make Henrik the LI (which is why I’m now working on a rewrite/alternate ending, because I still love them together even years later).
On the other side, at the post-Casa Amor dumping, Noah was single and I’d planned for him to save Hope. She was already a bit of a villain, they had history, it just made sense. But when I was writing the scene, I was completely stuck on his speech. I got a crazy/evil idea and had him save someone else instead. It changed a lot and I had to rework my outline a bit, but it worked out so well that I can’t imagine doing it the way I’d intended.
Tip #4: Watch the show
This is optional (technically, they all are), but it really is helpful on so many levels. It can give you an idea of the villa layout (Seasons 3-5 and 7 of the show all use the same villa), give you ideas for challenges, dialogue, plot ideas, etc. The show uses a host instead of the opening scene and some of the dumpings being done through text, generally it’s the boys picking the girls on day 1 instead of the girls, etc.
There are also more rules on the show that don’t make it into the game. Again, totally optional, but to make it a bit more realistic you could limit the islanders’ alcohol consumption (or let them get completely shit-faced if that works for your plot), take away all clocks, refer to their microphones occasionally, etc.
Also, like… I’ve never seen anyone on the show have sex on the terrace, but it happens in the game. You want your characters getting it on out in the open like that? By all means. But if you prefer a bit more realism, stick to the bedroom and hideaway. The bathroom is communal, but hey, the shower works too.
If you want to add challenges to your fic, I like to use this website for ideas. It lists most of the challenges from season 3 onwards, including results and video. It’s a great resource.
Tip #5: Kiss canon goodbye
There are definitely readers out there who prefer fics that follow canon, and to each their own. Personally, I’ve played the game over and over, read a whole bunch of fics, and written a bunch of fics, so I’m kinda sick of canon. Plus, sometimes canon just sucks or doesn’t make sense. So don’t be afraid to stray from canon, toss it into a ball and throw it out the window, or stomp all over it.
First, the dialogue. We’ve all read it over and over, got it practically memorized. Feel free to change it! In fact, please do! You can keep some lines and change the responses to completely alter a conversation, or make slight adjustments, or just… not include it at all, if you want. You can take out canon scenes and replace them with your own. Or keep them and just change who-did-what. Etc, etc. Make it your own!
Second, individual scenes. It’s okay to cut them. We don’t need to see Noah singing Toto on the daybed with Hope and Rocco walking by singing Wonderwall. Cutting it will not negatively impact your fic in any way.
What about challenges? Well… they can be cut too. Ask yourself, do they drive the plot? Is it necessary? For example, the day 4 slime challenge. Priya grinds on Noah despite not needing his colour, Lottie gets mad, blah blah blah. We know. The reader most likely knows. But unless you’re making MC’s drama the primary focus, you can cut it and just write a paragraph of narration telling us why the girls are fighting. The reader will understand and most likely appreciate that they didn’t have to skim through it.
Hell, you can skip recouplings, dumpings, even whole days. Trust me, I’ve done it. If you’re primarily sticking to a timeline that generally follows canon and not really messing with what’s going on with the other islanders, you can absolutely skip over that stuff and keep the focus solely on your MC and their LI. You can even still make slight changes to canon and just narrate what happened.
Basically, what you keep depends on what you’re trying to do with your fic. If you want to do the whole villa experience thing, keep as much as you want. If you just want to write a love story between two people who happen to be in the villa, you can cut out anything and everything that doesn’t in some way develop their relationship.
Also, you don’t have to start on day 1. Or if you do, you don’t have to start with the MC arriving at the villa. Be creative! And along the same veins, you don’t have to end it with the final. Heck, your characters don’t have to even make the final!
Tip #6: Read other fics
Again, you don’t have to do this. Plenty of villa fic writers don’t read other people’s villa fics. But I do think it’s a good idea, especially if you want to write a Bobby or Lucas fic (picking on the most popular characters because they have the most fics written for them).
You’ll be able to get some ideas of how other people did it – how much canon they kept in, how much they cut, how they made the story their own – but you’ll also get a good idea of what’s been done before. MC and Bobby are immediately attracted to each other right from the start? Great… but how are you going to make yours different from the other hundred fics that do that? Lucas switches to Blake? Okay yes, that’s canon – but are you going to keep it? What motivations are you going to give him? Maybe MC switches too?
And this isn’t to say that if someone else has an idea for something, you can’t do the same thing. Especially for people who watch the show, there have been a number of situations where people will have the same ideas. I’ve had it where I’ve had scenes planned or written only to read someone else’s fic and seen almost the exact same thing. It happens! Obviously don’t plagiarize, but it’s okay to have the same idea. And if anyone accuses you of stealing ideas, have them send their hate mail to me (don’t actually do that).
Tip #7: Write what you want to read
The reason I got into fanfiction and wrote my first villa fic in the first place was because I had an idea that I thought would be really interesting to read. I didn’t think anyone else was gonna come up with the same idea, though, so I wrote it myself.
I don’t know what sort of motivations other writers have when they start writing their fics, but if you have an idea, you just might be the best candidate to write it.
Tip #8: Don’t do it alone
Find a beta reader if you can (note: it’s not always easy, especially since villa fics are a huge commitment), but even if you can’t get someone to edit for you, getting someone who can give constructive criticism is extremely helpful – if you’re open to listening. They can help you figure out what works, what doesn’t, and what to work on.
Most importantly, though, find someone you can bounce ideas off of. If you’re struggling writing a scene, or need some ideas to help with a character’s motivation or dialogue, or you have a crazy idea and need some validation or advice… having someone you can go to is the best. All of my fics are better thanks to the people who helped, whether it was in big ways or little.
Tip #9: Develop your main character
Okay this is the tip that I don’t actually listen to myself 🤣 I’m a storyteller, so my fics tend to be more about the plot than the character arc, but having more well-rounded, developed characters is something I wish I were better at. If you know who your character is – their voice, their habits, their likes and dislikes, their family and relationship histories – it’ll be easier to write them. And the same goes for the canon characters as well! Give them more of a backstory! Give them siblings and heartbreaks! Especially with a villa fic where, unless they’re doing a challenge, they do nothing but sit around all day and have chats, you need stuff for them to talk about. This goes for group conversations, too – sometimes you just need to have some ideas of things they can talk about.
Now, I will say that I don’t think every MC needs to have heartbreak in their past (maybe they’re the heartbreaker?) or some sort of sob story. Those are common tropes in your regular run-of-the-mill romance story, and there’s nothing wrong with it, but it all goes hand-in-hand with your character’s motivations and how you want their relationship with the LI to develop. You can go that direction, but don’t feel you have to. If the story you have planned doesn’t need a character with a tragic past, then just have them be an average Joe.
Also, just a minor pet peeve of mine… your MC doesn’t have to be this super perceptive person who gets everyone’s answers right in Two Truths and a Lie. It’s day 2, c’mon. And they don't need to be the girl that all the guys in the villa are falling all over themselves to be with – is it more interesting for 4-5 guys to be into MC or for MC to be interested in someone only to be turned down? Just food for thought.
Tip #10: Choose the right POV
There’s no right or wrong POV, so choose whatever’s comfortable for you and your fic. But just note that readers do have their preferences (some people are strongly opposed to 1st and/or 2nd POV, for example). For a chaptered villa fic, it doesn’t really make sense to use 2nd person POV (“you” pronouns) because you’re telling the story of a main character who isn’t really generic. For oneshots/series where you’re writing snapshots of the villa, that might be what works for you, though.
As for 1st and 3rd, there are pros and cons to both. I chose to write my first villa fic in 1st because I really wanted the focus to be on my MC and seeing the villa through her eyes. Basically, if she didn’t see it or hear about it, I wasn’t going to include it. Other than that fic, though, I’ve primarily written in 3rd and it’s made me a better writer.
If you want to alternate POV between your MC and the LI (and maybe some of the side characters as well, as there are some people who do that), I recommend sticking to 3rd POV, because it can be a little confusing for the reader to remember whose POV they’re reading when it’s in 1st.
And there you have it! Ten tips to think about before (or during) embarking on your own villa fic. Good luck!
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the-kipsabian · 1 year ago
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just throwing together some misc alan wake 2 thoughts now that ive slept and had coffee after finishing the game. mostly talking end game, obviously spoilers
alice. alice intrigues me so much. that final stinger is incredible, for multiple reasons. that reveal following the series of photos of her seemingly killing herself is just.. yeah. i think that was not only her way of trying to getting back to alan, who she knew was trapped in the dark place at the bottom of the lake, but it was also to throw scratch off, to think that he won by tormenting her to her death. theres no light flickers in the background of that final video. she is free of scratch, but still clearly safe. maybe back in the dark place, but tbh im not sure if she ever actually escaped it in the first place. shes going to leave the place with alan. she has to, because they are each others rocks. they sink or swim together (it would also explain why she was able to contact saga while she was in the dark place)
speaking of saga, her mind place version of the dark place was just *chefs kiss*. it was an incredible, worked really well to demonstrate not only the power the dark place has on people, but also what kind of a character she really is. strong and independent, but so good to those around her. i really wish we got deeper into her friend and partnership with casey tbh, after hearing about his divorce (which, btw, loved the extremely casual drop about him and estevez just "bonding over their ex wives". amazing job remedy) and especially seeing the birthday photo in the mind place just. my heart. i really wish we got more casey in general, but i guess him being included in the story beats and echo visions as a hardboiled detective just needs to be enough. for now i say knowing full well im gonna dive super deep into fanfics when my brain fog lifts a little ough
my one big question was door. and maybe tim to that extent, considering the last page we read and we never fully got an explanation about doors involvement (im hoping ng+ explains this further?) but it refers to tim as his "unwilling disciple" - obviously tim was moved to the dark place against his will, but at the same time, why exactly and what is he doing? hes been trying to get out, to figure it out, he has a whole whiteboard of theories and yet. it all leads to door. and idk maybe i missed it somehow, but i never fully made that connection as to why and what doors game here is. which leaves me with questions for the next game/sequel/dlc. intriguing, but throwing that in last minute just felt kinda. idk remedy dont do this to me lmao
one thing im admittedly a bit disappointed about was them choosing to sacrifice alan for the ending. i mean i get it, at the point where we think alice is dead and saga makes it very clear that neither casey nor logan can be hurt and that they are both the heroes of the story, theres not much options left. like alan said, the horror story needs a victim. but also idk, i wish we could. have had a choice? multiple endings?? which i guess ng+ teased but we'll see. also it being left unanswered whether we were free from the darkness now or not, which i understand was intentional but idk im still a bit miffed about that one lol. logan not answering the phone. however saga did have a wedding ring on her finger (i did not observe this detail before so idk if it was just always there but it felt very significant in this scene as they didnt show her being lefthanded before so) which makes me think everything did get fixed, considering how badly david hated her during points in the story, so why would she still wear her wedding ring after all those years after what happened if this wasnt the good reality again. just saying
ALSO IM JUST SO GLAD CASEY IS ALIVE. STUPID BASTARD MAN I LOVE HIM SO
"its not a loop, its a spiral" has interesting implications, but i miss "its not a lake, its an ocean" tbh. i feel like that ending revelation held more power to it than this one, it just feels like a rehash for the sake of copying the original. like i get what they mean about this one (its not a constant changing loop, its a developing story moving forward that keeps expanding as it goes even tho it feels like its going in circles), but just as a saying it doesnt stand up to the original. thats all
the way, even if they are sharing a skin, alan and scratch are two different characters (im excluding zane from this equation for reasons as i dont think he was real [im fairly convinced it was scratch playing games with alan just pretending to be zane], but i wanna give special props to ilkka villi for his portrayal. immaculate job) and are written that way. the way they talk, the lines they have, there is a significant difference when you pay attention to it - i think its partially alans way of trying to dodge the blame and put it all on scratch, whereas scratch doesnt do that for himself, hes just trying to play into the emotional manipulation angle with the constant rush instead to get what he wants and to get people on his side and to trust him. which is a really good take, considering that hes using all common scammer tactics to try to fool people into giving him what he wants (also just god the transformation scene when this is revealed? permanently tattooed in my brain that was so goddamn good)
its also a very interesting take that the cult is actually the good guys. i also just love ilmos explanation for it; "what kind of a cult calls themselves a cult" like. yeah. yeah man you got a point there. but that being just a cover and a scare tactic to keep people safe? love that shit that was good (kinda high key mad we didnt get more of them after that. only that one last sad tv commercial, would have loved to give them a good ending too)
also the parallel of alan waking up from getting shot to the head vs earlier zane doing to same thing at the second meeting in the hotel. i havent stopped thinking about it tbh
just. a few thoughts. all in all idk i felt like the ending was missing something tbh. maybe i just missed something, but it feels like it was more of a setup for something in the future with everything than an ending to a full game and a sequel 13 years after the original. i have too many questions left, more than i entered into this mess with. that being said, absolutely loved the game itself, the story is insane and incredible, this has once again rewired the way my brain thinks about stories (plot board my beloved......), theres so much underneath the surface of a survival horror game that cant be explained, it needs to be experienced. there are sequences here that im unable to convey in words and feelings, you need to see them for yourself ("we sing" and the movie theater. iykyk)
just in general that cliffhanger like. why you do me like this remedy. why. i cant wait for 13 years for another sequel. goddamn
the ending tho, im. i dont know. in the first game we knew things were still kinda wrong, but it showed that everyone outside of alan seemingly got out of the things unscathed for the most part (i mean we lost nightingale, rose went kinda loopy, there were signs that not everything and everyone was right but for the most part the town and people in it were safe), but here we dont see any of it. the happy deerfest is nothing but scratch's illusion. so idk if im meant to believe that shooting alan was the fix and everything went back to normal, like normal normal before this man was pulled into the lake, or since he was still seemingly alive after that, are we still living in the happy deerfest illusion forever while the darkness spreads to the land outside of it? i have so many questions and this ending didnt answer a lot of them tbh lmao
theres so much here i cant fit here my brains still very rattled from all of this and i keep getting more questions the longer i think about it so im gonna leave it here. i'll probably see you later with more when ng+ and/or dlc releases, as hopefully those will explain more
10/10, absolutely my game of the year ngl
..one thing to leave you with. fuck the boss fights in this game lmao
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bambirex · 2 years ago
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Jaskier and Jesse Pinkman are kind of the same person: Part 1
(Part 1 because I wanted to put pictures for each bulletpoint and the 10 pics per post limit whacked me over the head and stopped me from making one giant post)
I know I'm a bit late to the party, but I've seen Breaking Bad only recently and I couldn't help but notice my blorbo from this show is a bit similar to my blorbo from another show.
I've started looking for parallels on purpose after a while, and I've found quite a lot of them, so to take a break from sobbing over contract law, I've made this list comparing my two faves to entertain no one but myself.
Obviously, I did take into consideration that Jaskier is (unfortunately) only a side character, while Jesse is a main character, and that Breaking Bad has gone on for 5 seasons (and there was also a 2 hours long movie focusing on just him), while The Witcher has only had two seasons so far. I'm also only focusing on show Jaskier, not the books/game counterparts of him. So obviously this little analysis suffers from some disadvantages but oh well!
Feel free to add on and express your opinion if your interests in these characters overlap, but I'm absolutely not looking for any arguments (unless it's over something funny like whose pants are the baggiest)!
Contains many spoilers for both shows of course.
Part 2 Part 3
First of all, they both have a lot of empathy and are generally one of the kindest characters on their shows with the biggest heart. Specific example: Jaskier's entire Sandpiper storyline where he's smuggling the elves to safety to save them from persecution, and his kindness and understanding shown towards a magic-less Yennefer when they reunite in Season 2., despite the fact they haven't exactly been on good terms before; also how he's willing to give her the benefit of doubt after she betrays Geralt.
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Similarly, Jesse has a special love for kids, so much so that his need to protect them is often used against him. He's also the character who tries to find ways to avoid violence, even when the rest of the characters are already planning murder. He's also the most torn up when he eventually has to hurt someone.
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Both can be a little childish/immature (see specifically Jaskier's tug of war with Geralt over the djinn amphora, and Jesse entertaining himself in the lab when Walt cannot come in to work with him), as well as impulsive.
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They both have artistic tendencies: Jaskier being the most renowned bard and poet of the Continent, while Jesse draws beautifully and is also passionate about woodworking. We also hear Jesse sing and he has a drumkit in his house.
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Kind of going back to my point about their empathy, they always seem to see the best in people, which leads to a certain sense of naivety; especially prevalent in Jesse constantly standing up for Walt and often refusing to even consider he could be harmful, up until the very end.
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Point could also stand for the fact that Jaskier has stuck by Geralt's side over twenty years, despite not necessarily being treated the way he deserved, and how he approached him without fear when they first met, not leaving even after he found out he's a witcher (and again, him trying to find reasons to justify Yennefer's choice of giving Ciri over). Also relevant to this point: their extreme loyalty to the people mentioned above, and in general.
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Both characters are pretty emotional; Jesse explicitly expresses his feelings by crying quite often throughout the show, while Jaskier's emotions are most prominently shown through his songs (and in some cases, his near-crying, such as the reunion with Geralt and his face after finishing his performance of Burn Butcher Burn).
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(to be continued)
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thejacksmit · 2 years ago
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First Take: Guardians of the Galaxy Vol. 3 - James Gunn finishes the story on his terms
Spoiler free as usual. Because ‘swole Groot’ would tear me apart if it wasn’t.
SYNOPSIS: Still reeling from the loss of Gamora, Peter Quill rallies his team to defend the universe and one of their own - a mission that could mean the end of the Guardians if not successful.
For the last 8 years a group of outlaws known as the Guardians of the freakin' Galaxy (only he didn't say freakin') have captivated cinemagoers since their unlikely debut and surprise success- but like all good comics, the story has to end at some point. What James Gunn has done with this entire trilogy is nothing short of extraordinary, and with this final chapter, emotions are turned up to 11 in his final project for Marvel Studios before taking up his new role as DC’s Kevin Feige figure.
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Gunn is once again writer/director (mostly thanks to fan and cast demand after he was initially fired) in this concluding part of the Guardians saga, picking up roughly where the Holiday Special on Disney+ left off to create a 2 and a half hour culmination of every possible storyline you could think of across the franchise - every character gets their rightful emotional payoff, with some interesting seeds planted for the rest of Phase 5 and beyond. While this runtime might be a little excessive, considering what this film has to do it is understandable why it has to be this long- and it flies by. Henry Braham does a brilliant job as DOP, and replacing Tyler Bates on the score is long-term Gunn collaborator John Murphy, who takes a while to adapt his signature sound to fit the already established style that Bates set on 1 and 2. I also have to mention Marvel's long time music supervisor Dave Jordan, as he ultimately has a major role securing one of the most important bits of these films: Awesome Mixtape Vol. 3. And there are some stunning choices on there, that are more than suitable for the highs and lows of this plot.
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At its core, this cast knew this would be a powerful film. Chris Pratt, Dave Bautista, Pom Klementieff, Sean Gunn, Karen Gillan and Zoe Saldana once again deliver the goods, with Pratt truly getting into the groove as Star-Lord as this film plays out, but this is supplemented by Sean Gunn, Maria Bakalova, Elizabeth Debicki, and of course Vin Diesel as Groot and Bradley Cooper's voice work as Rocket, which is some of his best in the franchise. This film *is* Rocket's film, simple as that. Joining the MCU is Will Poulter and Chukwudi Iwuji, who are great additions if a little shoehorned in to certain sequences. One thing to mention before the verdict - cinemas have been sent both conventional and variable aspect ratio versions of the film regardless of whether they have an IMAX screen or not (IMAX will get the film in the usual manner by the way). So if you get the variable aspect ratio version, you're gonna get 45 minutes of the film shown in flat widescreen, and the rest letterboxed. Bare this in mind when booking the bigger screens.
THE VERDICT
The third film always ends up being the darkest film for a lot of these franchises - and a very creatively free James Gunn gave these characters (and his career working with Marvel) the ending they deserved. By no means is it perfect, especially with some brutal scenes that warrant me saying leave the kids at home for this one, but that's what we needed from Marvel.
RATING: 4.5/5
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mothandpidgeon · 2 years ago
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Helter Skelter (cult leader!Ezra x f!reader) - Chapter 6 [the end]
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MASTERLIST - TAG LIST
Chapter 1 - Chapter 2 - Chapter 3 - Chapter 4 - Chapter 5 
Pairing: cult leader!Ezra x f reader, dark!Ezra x f reader
Series summary: When you meet a mysterious thinker named Ezra, you join up with his followers and become a part of their family. Your new life is full of psychedelics, sex, and mind bending experiences. But there’s something dark lurking in Ezra’s philosophy. Will you discover it before it’s too late?
Words: ~3.7k
Rating: E 18+!
Warnings: SPOILERS dark!Ezra, elements of dubcon (this is a cult so there is psychological manipulation), cults (obviously), pregnancy, p in v sex, oral sex, pregnancy loss, violence, blood (feel free to let me know anbout anything ive missed)
a/n: This is the end of the story. I hope you’ve enjoyed the ride. I can’t believe that it took me this long to get this fic completed. I remember messaging @wordsandwhiskey​ about an acid trip to the Green and it feels like ages ago. My personal life has been a journey. I’m working on publishing a fucking book. But I’ve wanted to come back and finish this out. I pretty much never get into drama or get personal but here’s some tea. Before I even posted the first chapter of this fic, there was a lot of negative shit being said about its content. I was blocked by people who I’d never interacted with. I saw conversations about me bleed over to twitter. I got nasty asks (not even on anon) that I simply deleted because I knew replying would just get them off. I actually considered not posting this fic at all and when my amazing friends convinced me that was silly, I still felt so much anxiety about the asks I might get. I remember posting the first chapter not because I was excited to share a story but as evidence, to prove that whatever had been assumed about what I wrote wasn’t true. Anyway, to get to the point, I know this isn’t one of the more popular things that I’ve written but thank you for reading it. Thank you for reblogging it. Thanks for just giving it a chance. I actually love this fic for all of the reasons other people hate it. I love hearing that I’ve given readers goosebumps and that they feel the pull of Ezra’s charm despite knowing how dangerous he is. I’m really proud of this. All of that being said, I warned you from the very beginning, there is no happy ending. This story gets darker still if you can believe it. I hope it thrills you.
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That night there was a bonfire. Everyone was giddy, especially Cee who’d laid her hand gently on your belly, her eyes as big as saucers. She threw her arms around your neck and your tears had come even harder.
You sat in the grass by the fire soaking in its warmth, your body deliciously exhausted from emotion. Your face hurt from smiling. Ezra was behind you, his knees outside of your own, fingers tracing the skin of your bicep. On the opposite side, Clo and Rieve had already started making out. Tracy situated herself beside Ezra but you hardly noticed. When she tried passing a joint to Ezra he waved her away.
“You’re not going to leave now, are you?” Cee asked. She perched in front of you with her knees folded under. Her cheeks glowed in the warm light of the flames.
You cupped her face in your palm.
“Of course not, birdie” Ezra’s voice came as he wrapped his arm around your middle and rocked you side to side. 
You laughed and Cee let out a whoop as she stood and started spinning around. She looked beautiful and delicate like a magical woodland creature. Her silhouette was dark against the thin fabric of her dress, illuminated by orange. You could feel Tracy watching you until Cee pulled her to her feet with a bubble of laughter.
Ezra pinned you in closer to his chest, pressing a lump in the denim of his jeans at the small of your back. “I want you so desperately,” he purred against your ear. A shiver of pleasure spread over your skin. His eyes looked black as they slid across you, deep enough to fall into.
He got up and took you by the hand, leading you back to the house. It was dark inside, everything covered in shadow but you could find your way up to the bedroom blind. The bon fire shone through the bedroom windows and you could hear the far away sounds of the others singing.
Ezra laid you out on the big bed. It wasn’t Muriel’s bed anymore. This place was yours now. They’d claimed this house, your family, made a place for you, for this. You slid out of the dress, your dress, and you could barely breathe as you felt Ezra’s glinting eyes drinking you in.
“My beautiful starlight queen,” he rasped. He cupped your breast and found your nipple, sucking furiously. You moaned deeply and he made a noise of approval that set you on fire.
When he was finished, his lips were glistening and he kissed you. The sour taste from retching earlier still lingered in your mouth but Ezra didn’t seem to care. His tongue burrowed against yours eagerly as if he wanted to devour you from the inside out. He wanted all of you, even the vile parts. And you would take him the same way. Whatever had revolted you, whatever you’d feared, none of it compared to the feeling of Ezra wanting you, needing you. He’d become a part of you, one that you couldn’t cut out. 
You grasped his standing cock and tugged. Ezra let out a throaty groan but his hand encircled your wrist.
“Patience, Star,” he whispered, guiding your touch away. “My most precious jewel.”
Ezra put his lips to your fingertips and then slunk down your body, his nose trailing a heated path across your belly. His hand slid up your leg towards your center and you gasped. He knelt between your legs and inhaled deeply. The feeling of his stubble against the sensitive skin of your thigh lit up your entire body.
“I want to taste you. You’re already sweet as honey,” he said as he parted your thighs. “Soon you’ll be ripe as a peach.” His mouth surrounded you, tongue coaxing more release from you. He growled into you, vibrating up your spine and making your back arch away from the mattress. “Delicious.”
His palm splayed out on your belly as his tongue swirled over you, drinking you in. Ezra continued on noisily, drowning out the sounds of the celebrations outside. Your eyes screwed shut, overwhelmed by the mounting sensation, dizzy and glorious. He edged you closer and closer with his long strokes. A tingle burned up from Ezra’s mouth to your throat and it burst out in a feral grunt through gritted teeth.
“That’s right,” he cooed as you came down from your high. He crawled up beside you, held your chin in his big hand and put his slick lips to yours.
You were still reeling, pulsing at your core, and breathless as Ezra rolled you over him. His eyes darted over your body, greedily trying to take all of you in at once. You felt needy, desperate for more of him so you rocked up on your knees and slid down onto him. The long, straining sound he made was delicious.
You threw your head back, rolling your hips over him. Ezra’s hand found places to touch and grab– the curve of your hip, the muscles in your calf. It felt like you were floating, like you could take him up to the Green with your ecstasy alone.
Ezra’s hips stuttered against you, brows twisted, lost in pleasure. You pressed your chest against his, skin sticky with perspiration. He buried his face in your hair, snarling, and you felt his nose against the sweat on your temple. 
“Let me defile you once again,” he said. 
His ragged voice made you come apart and, just as you crested, your body quivering and plummeting like you were sliding downhill, you felt him leave you. You clenched around nothing, a cry escaping you as you panted. Ezra put your limp body onto your back and you opened your eyes to see him up on his knees, pulling at himself. Soon he was marking your stomach with his hot release, swearing and grunting.
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Ezra was still sleeping when you slid out of bed. He’d pulled you into his chest before he dozed off, a heavy arm draped across your middle. 
“It’ll be a girl,” he told you. “We’ll call her Ruby.” He brushed his lips against your shoulder, the stubble on his face rough and wet. “Stay with me.”
You wouldn’t dream of being separated from him now.
Dawn was breaking, painting the room in a dull purple glow. The house was quiet and you assumed the others had gone to sleep just a few hours earlier. There was a full length mirror on the door to the armoire in the corner. You crept over and studied the reflection of your naked body.
How had you missed it? You spent so much time in your own skin and yet you hadn’t paid any attention to the swell that was growing. It wasn’t a dramatic change, a little fullness in the belly like you’d feasted on a Thanksgiving dinner. You realized now that your breasts had swollen like a balloon threatening to pop. No wonder Ezra had spent all night clutching them in his sleep.
You smoothed your open hand across your stomach. What would she look like? You hoped she had Ezra’s eyes, his thick, dark hair. A smile bloomed on your lips as you pictured him with a soft little child in the crook of his arm. You had to bite down on your bottom lip to keep from letting out a laugh. 
Ezra wouldn’t let you out of bed once the mid-morning came. When you told him it was your turn to make coffee, he chuckled. “Cee can attend to that,” he said and began kissing your neck again. 
You arched your back, wiggling closer to him. It could always be like this and, still, it would never be enough of him. 
When you sighed you heard his deep purr in your ear. “Mhmm.”
His fingers had just began to tease between your legs when you heard the door squeak open. Tracy appeared with her hands behind her back and Ezra unwrapped himself, sitting up against the wooden headboard.
“Harmony,” Ezra said. 
Irritation prickled at you as she sat herself down on the corner of the bed. You rested your head on Ezra’s shoulder, tangled your fingers into his.
“I can’t believe I didn’t realize,” Tracy said. “Star, you’re like, totally glowing.”
“She is,” Ezra agreed. “Yet Star has always been incandescent.” 
“What’s it feel like?” she tried.
She looked at Ezra skittishly trying to see if he was listening. You noticed it, though she hid it well. For a moment, you felt bad for her.
“I don’t know,” you told her. “It’s special.”
“Far out,” she responded. “I’ve never held a baby before.”
The image that popped into your head made you feel nauseated again. You had the urge to snatch away a child that wasn’t there. Suddenly, you grasped at your stomach and whined, curling into yourself. Ezra was immediately attentive, concern cutting his brow. You breathed in a hiss of air and buried your face into him. 
“Star,” he said.
“Hurts,” you replied.
“I’ll get her some water,” Tracy said and rushed out. 
Ezra rubbed your back gently, murmuring reassurances. After a moment you sighed and wiped sweat off of your brow. 
“What’s troubling you?” Ezra asked. 
“It’s nothing,” you told him. Your voice sounded weak. “I feel better.”
“It appears to be a wealth of something,” he said. 
You sighed. “I don’t know. I just felt this…vibration.”
You could see Ezra’s eyes harden just slightly. Tracy was in the room again. 
“Drink this, Star,” she said. 
You winced when she handed you the glass and when she put her palm on your shoulder you shivered. 
“Harmony, allow her to rest,” Ezra said. 
Tracy flushed and nodded, quickly retreating from the room. Ezra got up and slid into his jeans. He tilted your chin up for a kiss.
“Sleep,” he whispered and then he left, closing the door softly behind him.  
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You never saw Tracy again. 
You didn’t know what Ezra said to her but she was gone the next morning. There was a part of you, the part that had wondered about old Muriel, that questioned whether she’d actually left of her own free will. But you’d been able to ignore that voice before so just enjoyed the fact that she was gone and you were here with Ezra and the family and Ruby. 
You were happier than you could ever remember. Every morning you woke up with your legs tangled around Ezra’s– hot, naked skin cooled by the breeze from the open window. Occasionally Cee would sleep next to you but Ezra, he was all yours. He didn’t want anyone else, never spent the night in another bed, would leave you breathless and spent over and over again. During the day, he touched you carefully and watched you with an intense desire that made you feel dizzy. Ezra whispered in your ear about how exceptional you were, how beautiful you’d become, how he couldn’t keep his hands off of you. 
The others took extra care of you, never asking you to volunteer for chores. Cee would pick flowers for you and write poems with words that rhymed with ‘Ruby.’ Even Clo was sweet to you and brought a pint of ice cream back when she and Rieve drove into town. 
It was the best week of your life. If only you’d known how quickly it would all change. 
You were on the porch that afternoon. The sky was the most perfect shade of blue, warm sun bathing the yard. It was autumn and the only leaves that still held onto the trees were red and purple. Cee braided Clo’s hair on the front steps. Rieve had just finished chopping wood. He laid against the painted floor of the porch, occasionally plucking a string on his guitar.
Ezra was happy that day. He had you in his lap, moving lazily in the rocking chair as his fingers slid your skirt up inch by inch with excruciating patience. Usually he’d be rambling on with one of his stories but he hadn’t spoken in a long time. Instead, he hummed a tune that was only loud enough for the two of you to hear.
“What song is that?” you asked him in a whisper.
He looked up at you with shining eyes and a mischievous smile. Your skirt wandered further up your thigh. Ezra opened his mouth to answer but he was distracted by the sound of crunching gravel. You turned to see a car pulling up the driveway.
“Who could that be, Birdie?” Ezra asked.
In the corner of your eye you saw Cee go rigid. Rieve sat up on his elbows.
The station wagon pulled to a stop close to the house. Its plates said Wisconsin or Washington, you never could quite remember. A woman in the passenger seat got out like a spring. She was somewhere in her 50s or 60s and the sour look on her face did little to make her look youthful. Her strawberry blonde perm was covered by a plastic kerchief and a little handbag bounced off of her arm.
Ezra slid you off of his lap and stood, stretching like a cat that had just woken up from a nap in the sun. “Afternoon,” he said. 
The woman ignored him. Her little eyes looked over the property and you noticed how thickly she’d coated her lashes in mascara. “Harold, look at this place,” she said in disgust. 
Harold unfolded himself out of the driver’s seat and had just managed to put his hat on as she berated him. He was balding and looked tired. 
“How can I be of service to you?” Ezra inquired.
“Now, what’s going on here?” Harold asked. 
“Where’s Muriel?” the woman demanded.
You swallowed. Ezra had dispatched with the old ladies easily but this woman was raring to fight.
Ezra looked between them he answered, “I’m afraid she isn’t at home.”
“Oh, don’t give us that malarkey,” Harold groaned.
Clo giggled quietly and you shot her a look. Cee’s body seemed to shrink on the other end of the steps.
“Aunt Muriel!” the woman began to call, craning her neck towards the windows on the second floor. “Aunt Muriel! It’s me, Rita!”
“Rita,” Ezra said, his voice as steady as ever. “You’ll have to forgive me but I have some tragic news.”
“I’ve heard all about it,” Rita snapped. She thrust a hand into her purse and pulled out a folded page. “A letter of condolence from her Rotary Club.”
Rieve started to gnaw at the corner of his fingernail.
“That’s right,” Ezra told her.
“And who the hell are you people?” Her face was blotchy with righteous anger as she peered at the letter. “Her granddaughter?” she scoffed. “She never had any children.”
“We live here,” you said. You weren’t sure how the words had come out so easily, so defiantly but you were standing tall with your arms crossed. 
“Why in God’s name would a bunch of hooligans be living in my aunt’s house?” she snarled. “Where is she? What have you done with her?”
“She is deceased,” Ezra said, some of the cold irritation edging into his voice.
“What is this?” she went on. “You’ve turned the place into some kind of whorehouse?” 
You could see Ezra’s shoulders rising and falling as he tried to keep his breath steady. Your jaw clenched so tightly you thought your teeth might shatter.
“Harold, get back in the car. We’re going to the police!” Rita said. 
Just as you’d spoken so easily, everything that happened next came like an avalanche. Your vision tunneled. Rita turned towards the station wagon. You grabbed up the axe that had been left resting by the steps. Its wooden handle was still warm from Rieve’s grip. 
THWACK. 
It was kind of funny. The noise of blunt side of the axe connecting with Rita’s head was a lot quieter than you would have expected. And she didn’t immediately crash to the ground either. Instead, she reeled around, stepped towards you on wobbly feet, all while making a guttural groan. 
Harold cried out and lunged for you and Clo tackled him to the ground. You hardly noticed, still incensed, smashing the axe into Rita’s skull again until she’d finally gone down.
All the while, your mind flashed hot. You weren’t going to lose Ezra because of this cunt. You hadn’t let anything come between you. You weren’t going to give up this life, not when you were finally happy, not when Ruby was on the way. You weren’t going to see your family threatened. Not by this bitch who hadn’t even noticed her aunt was six feet under. Fuck her. Fuck anybody that would keep you from what was yours. 
Harold was screaming his head off, begging and scraping his fingers at the dirt. Somehow he managed to wriggle away and scramble onto his feet. You were so caught up in your fury that you didn’t see him approach, didn’t brace yourself when he leapt at you, circling you around the middle and pulling you to the ground. You landed hard on your side and you heard Cee call out your name but you didn’t feel anything at all even as the wind was knocked out of your lungs. Reive pulled Harold off you easily and Clo started kicking him in the stomach. 
When Rita was finally down in the dirt, she flopped around twitching like a fish out of water until she stopped moving altogether. There was so much blood. A pool of between her matted hair and the clear plastic kerchief, smeared up the handle of the axe, staining your dress all up your belly. There was blood on your legs, too hot and sticky on your thighs. 
You were breathing hard and you struggled to stand, the axe suddenly so heavy. You felt your heart beating fast in your chest, too fast. No, it was beating lower. Two heartbeats out of rhythm. You were shaking and you turned back to the porch, an eerie silence taking hold as Harold stopped whimpering. The axe handle slid from your grip and it fell with a thud against the earth. Cee was staring, a look of terror over her features. It made you laugh. There was nothing to worry about now. You’d done what you had to do but you were all safe now. 
Your vision was going blurry. 
Ezra was on the steps, motionless, his dark eyes on you, brows raised, lips parted. His expression was hard to read but he looked so handsome like that. He was a yard away but somehow he caught you before you fell to your knees. Everything was getting dark and you were so dizzy. Now there was yet another heartbeat pounding in your ears. You felt Ezra’s palm on your belly and the last thing you heard before you passed out was his voice saying your name.
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“Star.”
You sit in the hard metal chair. How many times has he said your name?
“Where are they?” one of the doctors asks. 
You begin to shake, your whole body shivering, tears budding in your eyes. The beige cinderblocks of the room seem to radiate cold, all the walls bare except for a clock. On the other side of the white table are three men, one with glasses, another taking notes. 
“Where are the others?” the doctor asks. 
You take a shuddering breath.
“On the Green,” you say, plastering a smile on your face but your lips twitch and quiver.
You know that’s not true. But you want it to be, desperately. You close your eyes every night before you fall asleep on the thin mattress and you see Ezra there, waiting for you. He has to be waiting for you.
“Come on, Star,” one of them says. His voice is tender but the words are cruel. “They left you there, didn’t they? They took you to the hospital but they didn’t stick around. They got out of dodge.”
Your head begins to shake back and forth uncontrollably and the tears fall down onto your cheeks. Your chest is so tight it burns.
“Ezra abandoned you.”
You nearly double over. This doctor doesn’t know anything. He’s lying to you. Ezra loves you. You and Ruby. But Ruby’s just an ache in the pit of your stomach, a punch in the fucking gut. You cry and tremble. 
“Stop fooling yourself. They left you behind. Don’t you think you deserve better than that?” he asks and has the audacity to sound concerned. 
You want to tell him to fuck off. He doesn’t know shit about it. But you just close your eyes. 
“We’re trying to help you, Star.”
The words to one of Cee’s poems come to mind and you recite it silently over and over until you can’t hear what anyone’s telling you. 
“I think we’ve put her through enough today,” someone says. 
Once you settle down and stop hearing your pulse in your ears, after instructions to take deep breaths, they secure the cold cuffs around your wrists before escorting you back down the hall. You can’t be sure how long it’s been since you came here. And where here is, you’re not certain of either. They give you medicine that dulls your memories, makes you sluggish and puts the edges of things out of focus. Sometimes you wonder if this isn’t just a bad trip, a wrong turn on the way to the Green. If that’s the case it’ll end, that’s what you tell yourself. 
They take you back to your room. Or is it a cell? You wait. 
You close your eyes and remember the feeling of Ezra’s touch, the softness of Cee’s lips. It’s lonely here but they’re still with you.
Tonight, when you fall asleep on the threadbare cot, wrapped in the itchy smock you always seem to be wearing, you wake up again on the Green. 
It’s dark and there's a chill in the air and you can hear the bugs chirping. You’re not wearing your suit but the air smells clean and moist. You make your way through the tall ferns, foliage tickling your shins, the ground plush beneath your bare feet. A glow outlines the rust colored trunks— a lantern hung outside of a tent. And you know what’s waiting inside. 
THE END
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everseeking · 4 years ago
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Hi! Is it okay to ask for a Levi smutxfluff where he's benched from injuring his leg but it's getting a lot better. His fem! S/o is part of his squad and he gets the report that she was in a life threatening situation but she made it safe and he's waiting for the scouts to return. He waits for them and doesn't know what to feel fjejfjs im sorry this is hella long!!! Also no manga spoilers/references please
 - hello !! thank you so much for requesting ! that’s totally okay and don’t apologize for the length, it helped me out having details :) there aren’t any manga spoilers or references, but there are season 2 spoilers in case anyone hasn’t finished it yet. i hope you enjoy and thank you again for requesting <3
relief
- levi ackerman x reader
- warnings: season two spoilers, nsfw contains smut; hand job, oral (giving), fingering, cream pie, slight overstimulation but not much, AFAB!reader
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once again, levi injured his damn leg.
after being temporarily handicapped from his leg injury when he initially fought the female titan, he made a personal vow to never let an injury like that happen to him again. it was a major setback and seriously hindered his abilities. but unfortunately, titans makes no promises.
it was during an expedition, of course, and things were taking a turn for the worst. levi was unaware that his squad would be needed on an expedition the next day, so he kept them up late the night before to polish their skills as much as possible. during the mission, it was clear they could barely keep their eyes open.
levi was extremely stressed out, worrying about his team as well as what he was going to say to erwin later when he yelled at the commander for such a late notice on the mission. for now, the captain had to make up for much of his team's slack. as much as the kids wanted to put up an argument when he flew in and stole their prey, they kept their mouths shut. there was no way they could’ve finished the job on their own and knew their protests weren't worth it, as it felt kind of wrong to argue with someone who was saving their lives.
it was brutal work since he too was bordering onto exhaustion, but levi pushed through and helped his team clean up the last hoard of titans. just when he thought he was in the clear, a titan came up on sasha and tried to grab her. if he had gone any slower to finding her, he wouldn’t have been able to save her. but thankfully, levi was able to use the last bit of his gas all at once to throw himself forward and push her out of the way.
he seriously couldn’t catch a break as this resulted in him getting himself caught in the titan's grip. his blades weren't drawn prior to being grabbed so cutting himself out was impossible. the giant had levi's entire lower half engulfed in its hand. if his second in command hadn’t been there he would have for sure been a goner.
it was y/n’s turn to play hero, as she flew in and swiftly sliced the titan's nape, freeing not only her captain but also her partner from definite doom.
levi wished he could say it was a clean save, but he couldn't deny the bone crunching he heard below him. they arrived back home in one piece with only levi's broken leg to report.
so not only had he injured his leg again, but it was worse than his sprained ankle from the forest. the captain was even more upset when the medics informed him that he had to be benched for six weeks. that meant no physical activity for six weeks. yes, that includes sex.
over the course of his healing, there were many times when he claimed to be okay so he could accompany his team on expeditions, only to be rushed back to bed by his colleagues. many people even urged y/n to nail down the door to her and levi’s shared room in order to keep him trapped in there. y/n laughed off the idea, not even considering it because she knew levi would only feel more tempted to break out. a few nails wouldn’t stop him. the only thing he could say he enjoyed about his time off was having y/n as his "personal nurse," when she wasn’t off with the rest of the team. she still had to stop things from getting too heated every now and then.
“doctor’s orders !” she’d always say as she stopped a heated make out session or after he had tried to pull her into his lap.
when it came to more domestic care, levi hated having her watch after him. he definitely appreciated it, but the last thing he wanted was to be a burden to her. he wasn’t just burdening her with his personal care, but also the burden of the entire team since she would be his replacement for the time being. many times he tried to wave off his partner and tell her he could manage on his own before he finally told her he didn’t want to have to rely on her. he was surprised when she brushed back the hair in front of his forehead to kiss his forehead, whispering that she wanted to take care of him and help him. 
finally, he had reached the sixth week and was ready to hit the sky again. the morning of the latest mission, y/n noticed levi had a bit of a pep in his step as he prepared to venture outside the walls for the first time in a few weeks. she giggled at his poor attempts to get excited since he wasn't the best at expressing his emotions, but she felt a little guilty since she didn't have the heart to tell him that he was once again sitting this one out.
hanji had pulled y/n aside the night before and broken the news to her. she explained that although his road to recovery had been going well, he needed to take one more week to ensure that he was completely healed. it hurt y/n’s heart a little bit to hear this. over the last few weeks she watched her partner practically counting down the days until his return, so she made sure to tell hanji that she wouldn't be the one breaking the news to him.
hanji also knew how restless her friend was and wasn't sure if she would comeback alive after telling him the news, so she waited until the last possible second to tell him. literally, word got around that it was time to make the final preparations before heading off when she pulled him aside and told him.
he was enraged to say the least. he grabbed the front of hanji's shirt and pulled her down to his level as he began to chew her out in front of everyone. the soldiers awkwardly shuffled past the two, definitely not wanting to get involved. it wasn't until y/n came and informed the two of them that it was time to go when he finally let go of her. hanji laughed nervously and decided to give the couple one last minute of alone time as she headed back to her squad.
there was a lot they wanted to say to each other, levi wanting to tell y/n to be careful and y/n wanting to apologize for not telling him sooner, but they both knew this wasn't the time for a conversation. y/n put on a determined face and told him that she would do her best to lead the team in his place, offering him a salute, then headed over to join the others.
levi was super bummed. he waited behind and watched as the horses left to make their way towards the outer walls before he sulked to himself and retreated back to his quarters to finish the less exciting side of his job; paperwork.
it had been a few hours since the cadets had left that morning, so the golden sunlight that was now pouring through levi's windows notified him that they should be back any minute now. he stood up from his small desk and stretched his back that had started to stiffen up from sitting in his chair for the last few hours. many nights had been spent sleeping in the same chair, but he swore it was more comfortable sleeping in it than doing paperwork it in.
he took a look around the room and saw the rays of sun illuminated the dust particles floating through the air. it annoyed him to say the least, as he had yet to find a way to clean the air. for now, he would settle for sweeping the room one last time. just as he was pulling a broom out of the closet, a hard knock came from his door.
"captain levi ?" a young soldier called from the other side. levi was slightly annoyed that he was being interrupted, but he managed to keep the ‘this better be important,’ thoughts to himself.
he placed the broom back in the closet and made his way to the door. upon opening it, he saw the distressed look on the soldier's face.
"what is it ?" levi pryed, not really sure what to expect at this point.
the soldier straightened up and cleared his throat. "the first group from today's expedition has arrived with a report. the rest of the scouts are on their way back now, but i was told to hand you the part of the report that regards the condition of your team." the boy held out the paper in his hand for his superior to take.
levi practically ripped the paper out of the soldier’s hand, causing him to flinch a little, but it was understandable. a million scenarios were playing through levi’s mind about what could have happened. he feared that once again he had lost his entire squad and had to start all over again. it was a pain he never wanted to live through again, especially since his lover was apart of his team this time.
his eyes quickly scanned the clearly hastily scribbled words, searching for words like death, killed, and eaten. the was almost at the end of the page when he realized he hadn’t heard anything terrible yet. eren ended up not needing the use his titan form, mikasa had another impressive kill streak, armin and connie were in a bit of a predicament but got out fine, and jean and sasha were safe too. the only one that had been yet to mentioned was y/n.
in an attempt to distract a group of titans from one of her fellow soldiers whose ODM gear was malfunctioning, y/n l/n used herself as bait. she was successful in saving the soldiers life, but one of the titans caught ahold of one of her gear’s cables and she was thrown to the ground. l/n was found unconscious by armin arlert and she is currently being watched until the group arrives and she can be transported to the infirmary for a full check up.
levi’s heart sank deeper and deeper into his stomach with every word he read. y/n was always putting others first regardless of how dangerous a situation was. she was selfless to a fault. he warned her many times that something like this would happen, but she never listened. her heart would never let her not help someone in need. it was one of the things he loved about her the most.
the awkward shuffling of the messenger soldier’s feet brought levi back to reality. before waving him off, levi asked if there was any more information than what was shared in the report, but he shook his head.
the soldier finally left, leaving levi frozen in the middle of his room. the report was too vague for him to know what to think or do. 
how high was she from the ground when she fell ? did she just get knocked out ? or did she hit her head hard enough to cause internal bleeding ? 
the thought that her current condition could be much different from the report also crossed his mind. y/n was stated to only be unconscious, but she could have gotten worse since. 
there’s no point in pondering the what-ifs, he reminded himself, but it was easier said than done. he moved over to his neatly tucked bed and sat down on the edge of it, resting his elbows on his knees and holding his head in his hands.
he didn’t know what he would do if he lost her. what the team would do if they lost her. before he could fall back into his dark thoughts about his partner’s condition, a large commotion came from outside alerting him that the cadets were back.
with a small stumble as he jumped up from his bed, levi sprinted out of his room to go outside. there were already a lot of people crowding around the carts and horses, so he did his best to slip past them all. the people in the way that had managed to see his face instantly moved aside, not wanting to anger the captain after seeing the intense look on his face.
after making his way to the front of the crowd, levi scanned the area in search of y/n, having no luck until he heard a familiar voice yelling ‘captain.’
his eyes met with eren’s who was waving frantically in order to flag down his captain who was now quickly making his way over to the group.
“she’s alright,” the titan shifter called out over the other voices in the crowd. levi didn’t want to get his hopes up as he wasn’t sure how accurate eren’s words were, but regardless, a wave of relief came over him.
as he pulled up next to the cart they were sitting in, levi also met armin, who nodded in agreement with what eren was saying. the blond opened his mouth to add onto what his friend had said, when he was interrupted.
“where’s levi ?”
hearing his partner’s voice almost brought levi to his knees. the weight of not knowing her condition finally fell off his shoulders. he peered over the side of the cart to see y/n laying on the ground on her back with a white bandage wrapped around her entire head. her face instantly lit up when she saw him.
the girl jumped up and threw herself onto the captain, wrapping her arms around his neck in a tight hug. if this were any other situation he would’ve told her to get off of him, but right now he allowed himself to wrap one arm around her back and placed his free hand on the back of her head, pulling her closer to him.
levi couldnt bring himself to scold her for being too rough while she was injured. instead, he sighed and hugged her tighter.
“thank god you’re okay,” he breathed out against her hair. he felt her smile widen as she nuzzled her head deeper into the crook of his neck.
after the two finally pulled apart from each other, levi immediately took y/n to the infirmary where they confirmed she only had a minor concussion.
the moment they entered their shared room for the night, levi pulled y/n in for another hug. she graciously accepted, wrapping her tired arms around his middle.
he pulled back and brought up a hand to brush her hair away from her face so he could place a soft kiss on her forehead where her bandages previously were.
y/n placed her hands on levi’s cheeks and gently pulled his face down so she could plant a kiss on his lips. levi eagerly kissed back and began taking careful steps backwards to lead her onto the bed.
they now sat on the edge of the bed and kiss turned more passionate, with y/n opening her mouth to swipe her tongue across levi's lower lip asking for entrance into his mouth. he eagerly accepted, greeting her tongue with his own as they made out.
without breaking the kiss, y/n carefully straddled herself onto levi's lap taking extra care to not put too much pressure on his healing leg. however, her plans became a lost cause when he grabbed her hips to meet his. her eyes widened as she felt his bulge between her legs. tension built up in her core as she instinctively rolled her hips forward to grind herself against his clothed crotch.
it was levi's turn for his eyes to widen as a wave of pleasure swept across his body. he broke the kiss to meet his partner's lustful eyes as she recoiled her hips back once again to bring herself more pleasure. he sharply inhaled before kissing her deeply one last time before throwing her off his lap.
y/n flopped down on the bed next to him, laughing, but she took the hint and started undressing herself like he did. once their clothes were in a messy heap on the floor, levi took a moment to pull her head close to him so he could kiss the side of it, worried he had only made her concussion worse when he threw her off of him moments ago.
“are you okay ?” he pressed, lips still against her head.
y/n laughed and placed her hand on top of his that was on the side of her head. “i told you a million times that im okay, my love.”
“and i’ll ask you a million more times just to be sure,” he replied, pulling back.
as he moved away, y/n grabbed the sides of his face and pulled him in for another deep kiss. one of the captain's hands placed itself on the small of her back to pull her closer while the other felt around behind her looking for the bed. once he gripped the sheets, he brought the hand up to the other side of her back and took a step to turn his own back towards the bed, then fell onto it, pulling y/n down with him so she would land on top of him.
he cringed as he remembered her concussion and quickly asked if she was okay, only for her to laugh once again and reassure him she was fine. before levi could ask anymore questions or make anymore quips, she returned her lips to his. their tongues explored each other’s mouths, searching every inch of each other’s caverns.
she pulled her lips away from his to smile at him while she slowed her breathing. the sight alone was enough to make levi fall in love all over again. her messy h/c hair fell perfectly, combined with her eyes filled with pure adoration from looking at him and the goofy smile that was on her lips. no one had ever looked at him the way she had. his eyes tore apart from hers and trailed down to see the rest of her body.
"you're absolutely perfect," he whispered, just loud enough for y/n to hear as he took in every curve on her body. levi thanked the stars that the moon was bright enough tonight to let him see the soft pink hue that spread across her cheeks as he complimented her.
she leaned in close to his ear and whispered "as are you," back to him. each movement of her lips tickled against his earlobe. it sent a shiver down his spine. y/n shifted her body weight so that she was now sitting up and straddling his lap once again. her right hand met his strong chest, then dragging down to his toned abdomen followed by his lower stomach.
y/n scooted back so she could get a full view of  his hardened cock. her index finger traced a straight line from the base of his member to the tip. it took a lot of self control for levi keep himself from shuddering as her nail softly grazed the side of his cock.
levi propped himself up with his elbows. to get a good look at what she was doing. he watched as her hand went back to the base of his shaft and her fingers wrapped around it. she started slowly pumping him, resulting in his breaths becoming deeper. he closed his eyes for a mere second when a new wave of pleasure swept across him that made his eyes roll back in his head.
y/n had lowered her face and began sucking on just the head of his cock while her hand's pace quickened. her cheeks hollowed out from the pressure of sucking his tip and he fisted one of his hands into her hair. he didn't push her head down, rather, he gripped it to stimulate pleasure for her as well as to let her know he was enjoying what she was doing.
she hummed against him and started to incorporate her tongue as she swirled it around his head, which sent yet another wave of pleasure throughout his body. when y/n added her free hand to the mix, using it to fondle his balls, the stimulation almost became too much for levi to stand. he used the fist in her hair to pull her off him and up to his face.
a small dribble of spit leaked out of the corner of her mouth. before y/n had a chance to wipe it, levi was pulling her forward and swiping his tongue against her mouth to lick it off, then planted open mouth kisses down her face and up her jawline until he reached her neck where began to suck her skin and create a few hickeys. she slowly leaned her head back to give him better access to her neck.
she said a silent thank you when she realized the marks were placed just low enough to be hidden by the collar of her white shirt so no one would know a thing the next day. everyone already freaked out enough when they found out y/n and levi were a couple.
without removing his lips from her neck, levi lifted y/n from her hips then moved one of his hands to feel the folds of her pussy. she was soaking wet, so all her had to do was cover his index and middle fingers with his slick before he slowly slid them both inside of her. a low moan came from y/n’s parted lips as levi’s fingers went deeper inside of her. 
he pumped them slowly, reaching deeper each time until he was knuckles deep into her core. when he curled his fingers to hit her g-spot, she had had enough.
“inside of me...i need you inside of me levi,” y/n moaned, digging her nails into his back. levi laughed to himself at how desperate his lover had become from just his fingers. it was clear to him that he needed to avoid any injuries that could put a halt to his sex life at all costs from now on. 
he pulled his wet fingers out of her and gripped his cock, making sure to cover it with her juices that were still on his fingers so it would be easier to push inside of her, then positioned himself with her entrance. y/n moaned once again as his tip rubbed against her folds before sliding into her. she sharply inhaled as his head entered her. levi gave her a moment to signal that she was ready before thrusting deeper inside of her. after a few weeks of abstinence, y/n needed a bit longer to get adjusted.
after about a minute, levi was able to thrust his hips up and push his full length inside of her as she dug her nails deeper into his back. he knew it was payback for him marking up her neck when she broke her hazy gaze to give him a smirk. just for that, he pulled himself almost completely out of her, then thrusted balls deep back into her, hard.
y/n’s hand flew off her partner’s back and onto her mouth to stifle the loud moan that almost escaped. she shot him a fake glare and he returned the smirk she had given him earlier. levi wanted nothing more than to hear her call out his name loudly, but it wasn’t worth the harassment he’d face from his colleagues the next day.
after she had composed herself, y/n removed her hand from her mouth and placed it on her partner’s bicep. he stopped thrusting into her, knowing she wanted to take over. just like he had thought, y/n started to rock her hips so she was grinding on him much like she had done whilst they were still clothed.
the pleasure was much more enjoyable now that he was inside her. each time she rolled her hips forward, his cock hit her cervix. now it was levi’s turn to stifle a moan, as y/n road him into ecstasy. his grip on her hips increased which most definitely left yet another mark on her skin.
the fact that y/n was biting her lower lip also didn’t go unnoticed by the captain. whenever she did this it was a sure fire way of telling him she was close to her release. he wrapped one arm around her back and in a swift motion flippped both of them over so that y/n was on her back and he was hovering over her.
she let out a small squeal at his sudden shift and wanted to scold him for not being careful with his leg, but her words were lost as he snapped his hips against hers. she once again went to cover her mouth to avoid her moans escaping, but levi’s hands interlocking with her own prevented her from doing so. he gave both her hands a quick squeeze before going back to thrusting himself into her. her eyes stayed trained on his, while his watched the way she engulfed his cock. it drove him so crazy she could feel him twitch inside of her. he high was near, but there was no way he was going to let himself finish before his partner.
he focused more on his thrusts, moving his hips better so he would hit her g-spot harder with each thrust. the way he rolled his hips to meet her core finally sent her over the edge. he kissed her deeply as she moaned against his lips while he continued to ride out her climax. even after she had come down from her high, levi kept thrusting into her, chasing his own release.
the overstimulation was enough to send her over the edge again, this time being joined by his own release. he let out a low grunt as he finished inside of her painting her inner walls with his cum.
levi pumped into y/n three more times before he stopped and fell onto her chest, not even bothering to pull out. after six weeks of no sex, their orgasms were both super intense.
“maybe we should wait another six weeks before our next round if it’s gonna be that good again,” y/n teased.
levi’s head shot up so he could see her face. y/n bust out laughing when he finally realized she was kidding. levi rolled his eyes and pushed himself off her so he could slide out of her.
the mix of their juices that escaped her as he unsheathed his cock from her made his member twitch back to life, becoming hard again.
“or i guess we could go again right now,” y/n added after sitting up herself and seeing his hard on.
levi smiled and pushed her back down gently then hovered over top of her once again.
“that’s more like it.”
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irons-enough · 3 years ago
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“And He Soon Put Many Older Guns to Shame”: Lenny Summers, American Idealism, and the Death of the Folk Hero Outlaw
The ensemble cast of characters in Red Dead Redemption 2 enrich the story of Arthur Morgan immensely, each with complex stories and personalities of their own, and the character of Lenny Summers is no exception. A 19-year-old outlaw phenom, Lenny has an important role to play in the story despite his lack of development compared to other characters. He is a vital part of the overall plot as well as developing the overarching themes of freedom, redemption, the idealism of the American West, and the folk legend of the American outlaw. This post contains spoilers for the entire story of Read Dead Redemption 2.
Lenny Summers is described as a relatively recent addition to the gang, but he proves his mettle quickly within the first few chapters. He is well liked by the other gang members and frequently praised: he is eager, competent, ambitious, ready, enthusiastic, bright, good-natured, confident. He participates in the necessary work of robbing and killing, and executes necessary violence unflinchingly without relishing it or crossing into unnecessary cruelty. His confidence can escalate to cockiness, especially when combined with his lack of life experience, but he is generally a young man of quick action and sound judgment. His character development is undeniably insufficient, especially considering his youth, but the overall impression of his personality is overwhelmingly positive. 
Lenny is distinguished in the gang by his intelligence: he is bright and keen, capable of debating Dutch on the finer points of Evelyn Miller’s writings. His intelligence was fostered and cultivated by his father, born into slavery and emancipated, himself an educated man with excellent written composition. The concept of freedom, both physical and ideological, is very important to Lenny. A descendant of enslaved African Americans, he takes immense pride in maintaining the absolute freedom that outlaw life offers: “Before me, at least six generations were born in chains, and for the last three years I’ve been running from every lawman and bounty hunter west of the Lannahechee River…so yeah, I feel lucky!” 
Lenny’s father expresses high aspirations and ardent dedication to his son’s future as a lawyer, and echoes the significance of Lenny’s potential and achievements in light of their enslaved ancestors. He writes in a letter to Lenny, “You have redeemed more than you know, or can know, or should ever be expected to bear.” This phrase could be interpreted as highly personal, a distant father’s thanks to his son; or more broadly, an acknowledgement that Lenny carries on his shoulders the legacy of generations of enslaved men who were not educated, and could not hope for such a future. His father acknowledges this as a burden even as he expresses his immense pride.
As a character, Lenny represents American idealism–his youth, his enthusiasm, his wholehearted ascription to the concept of freedom as the “American dream”, and the concept of outlaw life as the ultimate expression of that freedom. Not only is he the first Free-Born man of his lineage, he has further removed himself from the constraints of a still heavily prejudiced society that limits his potential on the basis of his race. Outlaw life means that he no longer has to participate in a society where the game is rigged against him, where he was never a contender to win, where no matter how good he is he will never gain the kind of success or respect due to him. This is the mindset at the crux of the romanticization of outlaw life: a rejection of institutional prejudice, a corrupt legal system, a flawed ideology that preaches equality but allows racism to run rampant. In the isolated society of the gang, Lenny’s race is incidental–for perhaps the only time in his life.
Lenny’s arrival into the outlaw life has much in common with other heroes of American folklore: morally gray enough to be against the status quo of the establishment, but pure-hearted and good enough to capture the imagination and affections of the people. Lenny’s past is an excellent example of this: at the age of fifteen, he murdered the white men who killed his father. A murder motivated by justice and vengeance, steeped in righteousness, with the balance of power securely out of Lenny’s favor (outnumbered, a Black child barely on the cusp of manhood): few circumstances would make the killing more justified and beyond reproach. Ironically, avenging his father is also the act that makes it impossible for Lenny to achieve his father’s aspirations for him: now outlawed, he must envision a new future for himself. The success promised by his education would now have to be found elsewhere. To Lenny, the outlaw life is a pure and absolute version of that same social, political and economic freedom.
It would seem, however, that Lenny Summers was simply born too late to achieve his true potential. The story of Red Dead Redemption 2 is set in the twilight years of “the era of outlaws and gunslingers”; this is a fact that many of the characters have to contend with (“We’re thieves in a world that don’t want us no more,” Arthur laments.) Facing the turn of the 20th century means leaving behind the era of the “folk hero” outlaws such as Jesse James, Cole Younger, and Doc Holliday– in the fiction of Red Dead Redemption, Otis Miller and Jack Hall are also among the celebrated names. The morality of the outlaw was no longer ambiguous; in an American society that was taming and industrializing the Wild West, the lines between legal and illegal, hero and villain, were becoming well-defined. There was no longer room for moral ambiguity in a world increasingly defined by strict cultural ethics.
There is something about Lenny’s character in the story that inherently smacks of tragedy: he is a young man in a dying profession. The tragedy of Lenny’s character and his story is that he represents the death of a dream. His death, like the others in the story, signifies the end of the gunslinger era: there is no future for young men in this life. Lenny is an arguable paragon of the young up-and-comer folk hero outlaw: skilled with the promise of becoming even better, smart enough to best his enemies, a keen sense of justice but ruthlessly dealing death to those who deserve it, free from the constraints of society, law, and civilization. Unfortunately, the only thing he lacked was more time. In a world that had already begun to turn away from the dream of the Wild West, Lenny could never achieve the greatness he was projected for.
It is significant too, then, that Lenny is buried side-by-side with Hosea Matthews: bookends to the era of outlaws, the oldest to the youngest, first to last. Both were intelligent and undeniably skilled; Hosea was allowed the wisdom of experience and age to jade him about the drawbacks of a life on the run. Perhaps Lenny’s untimely death serves to crystallize him in eternal hope and optimism, forever a symbol of the golden age of gunslingers and all that they represented.
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alexiethymia · 3 years ago
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A Case Study on Vanitas’ Character: On Vanitas’ Two Conditions
Since they’re animating the What is Love? episode next (episode 7), I couldn’t help but want to talk about that chapter. [spoilers for anime-only watchers!]
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Vanitas has two conditions for Jeanne: 
1) She mustn’t drink blood from anyone else but him.
I admit that like Jeanne, it’s easy for me to fall into the trap of thinking Vanitas is a better guy than he is because of certain biases. Let’s admit it, this part was plain blackmail, and yet for some reason, with what we know of Vanitas now, there are also different ways of seeing this scene. 
Vanitas is ‘blackmailing’ Jeanne, but at the same time that blackmail is actually him also offering a solution to Jeanne’s problem. AND YET, HE DOES IT IN SUCH A WAY SO THAT JEANNE NEVER HAS TO FEEL LIKE SHE OWES HIM. More to the point, he does it in such a way to ensure that Jeanne continues hating him. In other words he, in his own twisted way, is doing a nice thing for Jeanne, while ensuring that she never likes him for it. Now I’m not saying it’s a purely altruistic thing, but I still think that Vanitas is drawn to Jeanne because she reminds him of himself back then. If so he knows precisely how to get her to receive help albeit through manipulative means. 
It’s not a purely altruistic thing. He states it so himself, what he gets out of it is the ‘divine feeling’ Jeanne sucking his blood gives to him again purposefully painting himself as a pervert so that Jeanne wouldn’t like him for helping her. But if we are to believe some theories that it’s not actually as enjoyable as he himself paints it out to be (I digress, but I think he’s being honest here. He strikes me as having a bit of a masochistic streak in him) (I digress from my digression, but theory time, what’s his bases of comparison?? Who besides Luna and Jeanne have drunk from him??), then there’s another dimension to his condition of ‘you must drink blood, only from me’. If he’s just in this for the feeling it gives him, then why word the condition that way? He’s never stricken me as possessive of Jeanne despite his words of ‘I want to possess all of you’, and as he’s stated, he doesn’t want Jeanne to love him back. I think this is just another case of his ‘use me’ mindset rearing its head again. He’s said it to Count Orlock, and we know that it started since his time with Dr. Moreau. It is definitely, definitely, unhealthy, and I believe it’s also coupled with his slight suicidal tendencies. If worst comes to worst and Jeanne ends up going out of control and killing him, he seems not to care. 
Going off tangent here, but another one of his contradictions is how ruthless he is at surviving and yet how careless he is with his life, especially when it comes to people caring for him. He’d rather be left in the snow than have Jeanne take care of him as repayment for him protecting her, or when he got angry at Noe for protecting him from Ruthven.
But at his core and as Luna stated, Vanitas is a kind child. It’s developed in an unhealthy way, but he’s quite self-sacrificial. It’s fine for Jeanne to use him so that Jeanne has a focus or outlet. At least when the craving for blood gets to be too much, Jeanne knows there’s someone she can drink from, which helps her so that she doesn’t lose control and lash out against Luca for example. And on Vanitas’ side, it seems like it’s fine for him to be put at risk so other people don’t have to be, and on Jeanne’s part too, it also helps her from further hating herself if she ends up hurting other people. 
In other words, his condition is both a selfish and selfless one, yet he paints it to be blackmail. It’s not an entirely good thing for him to do, because there’s definitely power play involved, but it’s also not as scummy as it is initially presented out to be with what we now know of his past. 
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2) For Jeanne to call him by ‘name’. 
There are so many things going on here that I just can’t help but ramble about it. Firstly, I’m really interested in how this’ll be translated in the anime. Did Vanitas say call me by ‘Vanitas’, or call me by ‘my name’? Because if it’s the latter, then couldn’t Vanitas also mean (although not fully consciously) that he wants someone to call him by his true name like Luna did before he inherited the name ‘Vanitas’? (And I will just die if in a future chapter, Jeanne and Noe do end up getting to call him by his original name).  
Second, there are slight parallels and contrasts with this arrangement he has with Jeanne and with the one he had back then with Moreau. Obviously Moreau is trash and took full advantage of ‘No. 69′. He exercised all the power. In this case, Jeanne is hesitant about hurting Vanitas despite how aggravating he is towards her. She doesn’t want to drink his blood at all. Moreau was a human. Jeanne is a vampire, and despite physically being superior towards Vanitas she changes her demand into a plea or request for Vanitas to keep her secret. (And whelp that’s when she sealed her fate, because she apparently triggered Vanitas. Don’t worry though Jeanne, you’ll get your payback soon enough). Vanitas was completely without power before, so faced with a similar situation this time around, I think part of him let the power get to his head, causing him to partly take advantage of Jeanne (he’s a complete sadist AND a masochist). He has complete agency this time around. Sure he’s once again offering himself with the expectation of pain and at the risk of his life, and he’s also doing this for another person, like with Misha, but unlike with Dr. Moreau, the power is on his side this time around. 
Going off tangent, that’s one thing that Vanitas and Jeanne have to work on. Balancing power and agency. I get where Vanitas is coming from, surrounded by vampires as he is, and with his past too, but he has to realize that caring about and loving someone isn’t a matter of power. You don’t lose when you love and care. You don’t surrender power. You don’t have to take away someone’s agency or exercise your own power for you to manage to do good things for the people you care about. He has to manage that balance - likewise with Jeanne, Noe, and Domi as well. 
Going back. Since he has full agency in this case, it’s his decision to offer himself to Jeanne in this way, he doesn’t want to be dehumanized while doing so. He’s had enough trauma about that already. Despite how he words it, it’s actually a somewhat equivalent exchange between Vanitas and Jeanne. He offers her blood as a way for her to keep her sanity, but she can’t be removed from it, she has to look at him properly and consider him a person with full agency and choices, and not just as ‘that human’. 
And looking at their faces - Jeanne’s is an incredulous one as if to say, ‘that’s it?’ It’s both an easy and difficult thing for her to do. Meanwhile, for Vanitas, I’d expected him to look goading, but he just looks patient and soft. At least in this instance, I don’t see it as him forcing Jeanne to do something she doesn’t want to do - just an unexpected moment of wanting to be known and treated as himself. 
LISTEN HE IS FULL OF CONTRADICTIONS OK. We’re led to believe that all of his interactions with Jeanne until the moment he realized he fell in love with her was just him teasing her, but I believe he was already in the process of falling in love with her slowly. I’ll go so far as to say that he was the one who fell in love first, but he just interpreted it as his being ‘excited’ by her. In other words, the words he said (’I love you’) which we thought was a lie was actually the truth, albeit a truth he didn’t realize much later. 
Why do I think so? It’s because he revealed certain moments of vulnerability or sincerity with her or about her without any of the teasing, as represented by the italicized dialogue. It’s the same case for when he said he didn’t want to trod on her foot with Noe, or when he happily grinned and he said forthright Jeanne was the side of her he liked best (or when he promised he’d kill her). 
This is just an example of his contradiction. He never wanted or expected Jeanne to fall in love with him, and sure this could just be his wanting to push boundaries or test limits, being the chaotic person that he is, and yet, wanting to be called by name is a desire to form a genuine connection. 
He could have just remained as ‘that human’ to Jeanne while interacting with her. After all, what could stop him? He also had the first condition in place to make sure they’d continue to interact. And yet, he refused (like how Noe refuses to be ‘that vampire’ to him). 
Like Luna said, as long as he didn’t close his heart, he wouldn’t be alone. Even if Vanitas thinks it burdensome or wants to be ‘free’, it seems that he still does long for connection - romantic, platonic, or otherwise. 
And this is why I ship them, even in this instance so early on in the manga when arguably the dynamic wasn’t at its healthiest. It’s because of their background that draws them to each other and allows them an understanding of one another. It’s because of that desire to know more about each other. It’s because of that genuine care and wanting to form a connection with each other, despite part of them rejecting it because of their issues.
Do I think they’re good for each other? Yes. Admittedly, they have so much to work on, but I believe that they push (Vanitas with regards to Jeanne’s blood addiction, and Jeanne with Vanitas in his moment of vulnerability) because the both of them tend to be self-destructive if left to their own devices. It’s just that their version of care for each other is aggressive. They’ll have to find that balance though eventually. On Vanitas’ part he also has to be inspired by Noe that the kind of salvation a person wants may not be the best possible outcome, especially for those left behind. I’m not sure what Mochizuki sensei’s end message is suppose to be, but death I don’t believe is salvation.   
tldr: Vanitas is a self-sacrificial idiot who longs for connections under layers of self-loathing (but he’s still an asshole), and VaniJeanne is a good ship which had the foundations laid down from the beginning. 
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kcatta-wodahs · 4 years ago
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Making Lore Out of the Angel Event
Im the definition of 'its not that deep but I'm going to dig a hole to make it that deep'
In this case its me making it that deep because otherwise this event is upsetting so I'm making some dark lore theories to make it make sense to me.
I'll have a lot of spoilers below. For the event and everything I know, which is up to like lesson 32 I think.
Basically, TLDR; this was an attack by Michael/their Father on Devildom. Simeon and Diavolo have successfully negated the threat by turning it into a game.
TLDR Thesis; The Celestial Realm is governed through careful mind control. The Demon Bros are not "avatars" because of being demons- they have been cursed by their Father to suffer as no other demon nor angel has to.
First we hear direct from Michael, and he's giving these bangles that appear to brainwash the main cast.
This was an attempt by their Father to bring them back under his control. By control, I mean this literally.
I've felt for a long time that the way the Celestial Realm seems to be run is... shady. It's a utopia to outside appearances only, and those who have been most deeply embroiled in the Great Celestial War know this.
The Great Celestial War was over free will, rather than the specifics of Lilith's situation. She was the catalyst for a long-time-coming revolt against the rulers of the Celestial Realm.
My logic for this:
The reason for Lilith's expulsion goes against the current action plan of the Celestial Realm. Peace between the realms? Sure, but their Father is bound to realize that you put angels, humans, and demons together you're going to end up with more angels like Lilith, who fall for other races. Why would he accept this truce if he lost his favored children over an issue that is very similar? Did he have a change of heart? Heavens no.
Luke's behaviour towards the demon's seems case-and-point. Luke is not the strange one out of the angelic transfer students- Simeon is. Not only that, Simeon is chosen not in an attempt to promote peace, but to protect Luke from being influenced. (Which is, again, the whole point\of the exchange program.)
That time we went to the Celestial Realm for real - Lucifer was worried. Scared, even. This can be explained by, you know, the War and Lilith.. but I wonder if it may be more sinister. Like perhaps being brainwashed.
Diavolo and Barbatos weren’t required to wear bangles to become less “demon-like” for the “party”. This is because the bangles were a ploy to get the brothers back.
My theory is that when an angel begins to show signs of rebellion or questioning the divine order, they are forcibly stopped. Michael is that enforcer, and these 'gifts' are a method of stopping them.
The bangles cause a person to act *perfectly angelic* against their free will. The people affected become all smiles and sunshine, so clearly nothing could be wrong with it, right? They’re happy, right?
No. Very not right, and we can see that through Satan.
Poor Satan is always the exception to the rule of the Brothers, as his circumstances are different from everyone else's.
In this case though, he's the one who provides insight on this mind control. 
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Let me remind you of the quotes Satan gives us during this time:
“I feel worked up.” “I don’t feel like myself at all.”
“It feels like something foreign is forcing my heart to be calm.” “Like my heart... becoming tranquil.”
Satan has never been an angel. He has never experienced this before. He has something the other brothers don’t: self-reflection. Satan can tell the difference between his feelings and feelings that are being imposed upon him. He tells you what he feels - “worked up” and “not like himself” and he is not smiling during this. He’s clearly unhappy, even though an angel might say he should feel unburdened by losing his anger.
He even mentions this.
“Normally, that wouldn’t seem like something bad, right?” “Something isn’t right.” “Maybe you shouldn’t come near me when I’m in this state.”
Satan is under the effects of the bangle, being forced to act angelic, but he can tell something “isn’t right.” He clearly shows that he thinks this is a “bad” thing, not because being calm is bad, but because it’s not “normal”. And can I remind you that he’s the Avatar of Wrath? The Sin that is most likely to be dangerous to be around - and yet it’s only when his anger is forcibly quelled that he thinks you should stay away from him. He knows that this is not something to desire. He knows that it is not happiness.
“I can’t concentrate on reading today.”
I mean, he’s obviously going through a lot, so that’s fair. But I have the theory that if he were to try and research this condition he wouldn’t be able to either. I have a theory about the Garden of Eden. My theory is about Paradise.
Remember when Eve ate the fruit? Do you know what that fruit was? Sin?
No. That fruit was knowledge.
Specifically, knowledge of good and evil. Now, why would this knowledge be something to keep from those under the control of the Celestial Realm? It sounds rather like they might be able to then make their own decisions of what is right and wrong.
Satan has known this from the beginning. Knowledge is power. The Ruler of the Celestial Realm, the other demons’ Father, knows this, too.
Why are there no other Avatars?
Sin was not something inherent to Devildom. Sin is a judgement sent from the Celestial Realm. There are no other Avatars because they are a wholly angelic creation. There are other posts that have examined the Sins as outlets, and how each of the brothers are attempting to find ways to allow themselves to express their sin so it does not overtake them.
From the get-go, we are shown that these Sins are a defining point for the brothers, but we’re also shown that they cause more trouble than anything else. Again, part-and-parcel of being a demon, right?
So why aren’t other demons like this?
Look at Diavolo and Barbatos, or even just the background demons who work across Devildom. Look at No. 2. They are all far more complex, and could even be considered normal. No. 2 is specifically meant to be based off of Mammon and his greed, but is much more rounded when we interact with it.
If Diavolo is meant to be the ruler of demonkind -- the paragon of what a demon should be -- then why would he not be the epitome of all of these Sins in one? What is Diavolo, instead?
Diavolo is accepting.
Hold up a moment here. What? Sorry y’all but it sounds to me like Mr. Demon Daddy King trusts his son enough to pass the kingdom on to him... so that must mean that Diavolo is behaving as a demon should.
Barbatos doesn’t question Diavolo’s choices. Nobody does. He’s an all around popular ruler. Devildom seems to be quite.. the opposite of what we’ve been trained to expect, huh? Trained by who exactly?
What are the Demon Brothers?
Cursed. They don’t act like other demons because they’re not like other demons. When they rebelled against their Father, they were punished for this act, but I posit that the punishment and the exile were two different acts. Their Father knew that leaving the Celestial Realm was not punishment to those who desired free will. So instead, he gave them Sin. Something that Demons are not normally bound to.
But how would the brothers know this? They only know what they’ve been taught by angels about demons. Surely these new, pressing desires come from turning into demons..? 
So, why was this not taken seriously?
Short answer: it was. But in the way that aligns with Diavolo’s ultimate goals.
Diavolo wants peace. 
Let’s Talk About Simeon
Simeon is an enigma and a half isn’t he?
Simeon is close with Michael, closer than Luke in any case. Now, I’ll be honest, I can’t remember if it was a fanfiction I read that said this or if it was canon so uh - forgive me. But Simeon was chosen to accompany Luke as an exchange student so that Luke would get some education. Simeon says this is to help relations, as Diavolo wants, but of course that’s what you would say as a sleeper agent?
Now, don’t get sad. Because we love Simeon here and we support him.
Simeon is wise and neutral. He seems to support the brothers, and even still wishes to foster a relationship with them. This could be seen as an attempt to bring them back, or some such, but I like to think that Simeon knows what’s wrong with the Celestial Realm.
Simeon, however, doesn’t think that a revolt can solve it. Simeon is working with Diavolo to create a form of peace - and has been transparent about the fact that Michael chose him to prevent Luke from being corrupted. I like to think he’s also been transparent with Diavolo about Michael’s actual goal. 
Simeon believes that the races should co-exist and love freely. How could love be evil, after all? Whether or not this is a new concept to him (because of his falling for you) or if this is just who he is, I’ll leave up to you and your preferences, but since he is now no longer undateable, it is established that he does not believe love between angels and humans to be bad - as his Father did with Lilith.
What happened, then?
My theory is that Simeon told Diavolo that Michael had given him a task - to give these bangles to the brothers to remind them of the joy they were missing by disobeying the Divine Order. Either that, or to brainwash them into coming back home. 
Simeon’s position would be revealed to Michael if he didn’t give the brothers the bangles, but he does not want to instigate another war either. So he told Diavolo Michael’s plan. 
Diavolo wants peace, and he knows that with time, the brothers can overcome this mind control as they had in the past - especially with his help. 
So thus comes the “party”. 
An excuse to make the bangles seem like a “harmless” gift, that had only gone wrong because of strange magical interference, when really they had done exactly what they were supposed to.
And a wonderful way to maintain peace while leaving the Celestial Realm to stew in their own pots. 
Simeon gets to maintain his facade for everyone - and put on a show for Michael as being loyal. He also gets to show Luke that perhaps being wholly angelic isn’t the way for some people, letting him learn a little more about peaceful coexistence. Nothing happens to ruin Diavolo’s grand plan for peace, and he gets to learn more about the curse that is set upon his friends - One that he hopes to be able to break someday, so they can live their lives unfettered by their Father.
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softrozene · 4 years ago
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Sacrifice
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@luna-hatake-uchiha​ requested: Hi. First of all, I want to wish you a happy new year. I read on Archiv of your Own that your request box is open... Soo could you please write a scenario where Law and his s/o are having a daughter and after a few years their daughter shows symptoms of the Amber Lead poisoning? And Law doing everything he can to heal her? (This is my first time doing this and I'm sorry if I sound rude somewhere.)
You were perfect in requesting Hon! Apologies for how late this is (I hope you had a good start to the new year!) but omg- That would be so heartbreaking ahhhhh. This came out pretty angsty but I tried to give it a neutral ending! I hope you enjoy it!
This turned into a one-shot oops.
Trafalgar Law x Female Reader
Warnings: Fluff/Angst- Spoilers of Law’s past. Can be considered a good or sad ending! Uhh Post-Pirating au? Law is retired from the pirate life lol, grammar
*Instead of 2nd pov I wrote this in 3rd pov for a change. : )
Also, yeah- I am pretty sure that Law would be able to cure his daughter of this because of his Devil Fruit and it’s “Miraculous” abilities but I went for the more angsty side, so I made it more complicated than that lol. I just love the idea of protective dad Law.
Words: 1983
-
The smell of coffee is usually a scent that brings the pregnant woman, (Name), a comfort since that means she can sneak a sip from her husband’s cup but right now… It is too early for coffee. He should be in bed with her, but the sun is not even up. With exhaustion evident on her face and the goal of finding Law and bringing him back to bed- She regretfully leaves the warm bed.
The house they have is a decent-sized home. Two bedrooms- The one they share together, and the guest room, a nursery that Law and (Name) have been working on and of course, Law’s office to store his medical books and journals, a kitchen, a bathroom, and a small cozy living room.
It felt like bliss living here.
Even more so with the bun in the oven. Law was in shock when he realized his wife was indeed pregnant, but it made the joy of retiring from piracy to enjoy a domestic life with her all the better. It most certainly eases his thoughts that most of his crew also retired here on this peaceful island.
Things could not have turned out more perfect for them.
Though… That was about to change as (Name) walks into his office- The light from it leaking out into the hallway. The smell of coffee gets stronger, and she smiles upon seeing how serious her husband is looking through some of his books.
No matter what he is doing, he looks so handsome.
Something he got used to arguing with her saying how she is crazy for thinking his eyebags are attractive. It was all jokes sure but (Name) was serious and proud to say he was handsome. His personality definitely that too. She can rely on him and him on her and that is something hard to do for the both of them.
Law is too in the zone in the book so (Name) uses that to her advantage. She sneaks up behind him and is quick to wrap her arms around his neck, planting a kiss on his cheek. His tense body immediately relaxes within her hold and he turns to offer her a tired smile.
“Did I wake you?” He asks softly as a hand comes up to meet her swollen belly.
(Name) laughs and holds his hand to her stomach. “Yes, but it is fine. I just got cold without your warmth. That and the beautiful smell of coffee. I think our daughter wants a sip.”
Law’s face turns into a scolding one immediately making his wife laugh as she continues, “Hey! You said I could have some in moderation! I think a tiny sip is less than that and yes, I know we do not know if our child will be a girl, but I just have this feeling…”
Law sighs but… Then smiles as he just shakes his head. He gives in knowing full well that his wife’s point was mainly about getting her daily sip of coffee in. He pulls away from his wife’s loving hand to reach for his mug of coffee. Being careful of the still-hot contents in it. He hands it to her and watches as she smiles and takes her desired sip. Handing it back to him he puts it on the desk and immediately pulls the pregnant woman onto his lap earning himself a giggle from her.
“Anyway, what are you doing up, my love?” She asks as she nuzzles her face into his neck the best she can.
At this question, Law turns tense. His sigh comes out stressed as he hesitates to speak. He thinks it would be better now to share his concern, especially when it is such a valid one.
“I… Fear that our child may get Amber Lead Poising. It is a hereditary disease,” Law mumbles.
This makes his wife freeze up. She knows his pain with that. The fear of it. He must have been bottling it up until he just could not ignore the possibility. With a gentle sigh, (Name) places a tender kiss on his lips, momentarily distracting him from his painful thoughts.
“My love, please come back to bed. After a few more hours of sleep, you can come back in here… And no matter what happens with our child- I have faith that you will find a cure. Until then, try not to worry. Otherwise, you are going to send yourself into an early grave by putting all that stress on your heart,” (Name) says as a yawn escapes her.
Law can only smile now. She truly is his best friend. His other half. She knows how to ease his worries even if it is temporarily, but what she said… It also rings true. He vows to find a cure in the case that their child will get that stupid disease.
~*~
The rest of the pregnancy goes by quickly and as soon as the baby, a girl, is in their arms it feels like total bliss for them. It is everything they never imagined having but makes their lives totally complete. Her middle name is in memory of Law’s younger sister. The full name being Trafalgar Lami Lin.
“She looks like you already- Look at those wide (eye color) eyes,” Law says with a gentle smile on his face.
He never imagined he could allow himself to be this soft and vulnerable. To share it with (Name). His wife laughs as she leans against his arm as he holds their little girl in his arms. Both (Name) and the baby are exhausted.
“Thank the gods she does not look like a mini sleep-deprived version of you. Well, if she takes my looks, I only hope she gains your intelligence,” (Name) jokes.
Law smirks at the playful tone and as if he remembers sighs- “I forgot to tell you. What is left of the crew will be coming here tomorrow. They were even more excited than us combined.”
“Looks like we got a couple of free babysitters… I trust Bepo with her. Sachi and Penguin might drop her.”
Law sweatdrops at this and wishes he could argue back but… His wife is right. He makes a mental note to have Bepo be their go-to babysitter.
~*~
Days pass by fast when you feel joy and they pass even faster when you feel like the world suddenly has a time limit on it. Law promised his wife to enjoy the days with them and he did, but he spent countless nights trying to find a cure- Getting so close to finding something that can help in the case his daughter gets the disease.
The baby grows quickly into a child, but it was the age of five when Law realizes that she has those stupid white spots on her skin- Meaning she has Amber Lead Poisoning. He felt like he was suffocating. She was not supposed to get it. He paid his dues during his piracy. His loss of Rosinante. His loss of family. He paid whatever the hell life thought he owed it, so she was supposed to be in the clear.
She was not.
He knows that is just wishful thinking. His whole family got it and Amber Lead is a hereditary disease. He was supposed to die at age thirteen. He did not all because he ate a fruit thanks to Rosinante. Just because he ate a fruit and cured himself does not mean he could actually cure Amber Lead with his fruit.
He could try and cure Lin as he did himself. Using the fruit’s "miraculous" properties which is having the ability to cure any kind of illness. However, this requires some extent of medical knowledge in order to be utilized effectively. He has that knowledge, but he does not have the full knowledge to cure others of this disease. He cured himself because he ate the fruit.
He needs a real cure. One to ensure that this disease does not follow into the genes anymore. He wants to ensure that if his daughter wants a family of her own- If she makes it to that age, he wants her to be able to not have to think about her own children having the disease.
He estimated she would only have a few years left. Until those white spots grow big enough to almost devour her. His blissful life turned into a nightmare for him. He always could not stand the thought of losing (Name) and the feeling was deeper with their daughter Lin since she was only a child.
She deserved a long and happy life.
He was going to sacrifice his time to ensure that.
It was during one of these nights when he cursed out life for being cruel that Law had an epiphany. Something in his research began to make sense for a cure- It was uncertain, but it was something and it was this night that his wife was woken up when he got up out of excitement to begin writing on a large board he put together. He accidentally dropped a book nothing too alarming, so he was surprised to see his wife checking on him.
Her large eyes watching the board- Trying to decipher his valid obsession of finding a cure. He could not contain his excitement as he pauses briefly to place a kiss on his wife’s lips.
“Whoa. You are super cheery for once,” She notes.
Law can only smile. “I think I am close to finding something. A cure. It would still be a while before I have something solid but… This is it. It has to be it.”
Hearing this fills (Name) up with excitement too. Only to see Law experience a crash. He is at his limit for tonight since he spent all day shopping with his daughter and wife to go to Penguin’s birthday (definitely an alcohol) party. He should be totally spent after today.
(Name) only hugs him feeling his body immediately relax into hers and he freezes upon remembering something. Pulling back slightly he looks at his darling wife and places a kiss on her forehead.
“Hey… I do need to tell you something. If this lead goes nowhere. I am going to use the Ope Ope no Mi fruit on her,” Law states.
(Name) freezes in his grip. Understanding these words. That means he is going to sacrifice his life for their daughter if he can’t make a cure. He is willing to use the fruit’s powers for what others have wanted it for. Immortality.
He is willing to grant their daughter “eternal youth” if it means she can experience life without the disease affecting her.
His mind is dead set on that backup plan so all (Name) Can do is nod. He smiles at her though as to reassure her.
“That is just a backup plan. We still have a few years left but as of now, I do believe it is time to get in contact with that crazy pirate- Luffy. I need him to bring Chopper here. With Chopper’s help this should work,” Law murmurs more to himself.
He is exhausted.
“Alright Love- I will go get in contact with them. I will send a letter. Though… I think you should head to bed. You did well. You are such a good father,” (Name) murmurs.
Hearing this… Law really feels like he might break. All of these restless nights are going to be worth something. He is going to do what his dad almost did for his younger sister. He will cure his daughter and be able to watch her grow.
“Law… You are getting my hair wet with your snot and tears.”
“Shut up,” He mumbles as he holds his partner.
She laughs and the two stay like that- Content that there is hope for their daughter.
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elonaackerman · 4 years ago
Note
In a few hour's the spoiler leaks are going to be released for the final chapter of Attack on titan manga and the official translation on April 9th so before all that happens what are you're thoughts and predictions between the character's and the end of the storyline?
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https://ww7.readsnk.com/chapter/shingeki-no-kyojin-spoilers-raw-chapter-139/.
Hello Kian ! I see several of your questions about the ending and I must say I was lost myself with everything happening. However, I think I elaborated a good theory now !
Theory number 1: Eren is alive
This is the theory I acknowledge the most. Many people say that Eren not dying would be too strange after he already survived so much times to his expected deaths, but I don’t think so. Isayama loves to take some clichés and to twist them:
Here is a brief list:
- The MC not dying in the first episodes
- The power of will and friendship (which is shown to be useless in the Trost arc)
- The guy protecting the girl (Mikasa is Eren’s bodyguard, not the contrary)
- The main trio sticking together until the end
- The MC being « special »/being the « chosen one » (Eren is an usurpator)
Something very used in films/books is to use the absence of body as a way to cancel the absolute truth of a death. By showing us a body, Isayama can fool us by transgressing this common rule of « body=dead ».
Also Eren’s death in chapter 138 was just serving Mikasa’s development arc climax. It didn’t solve any matter of their world.
You know I feel like Eren was very relaxed when he saw Mikasa approaching to kill him. He probably already knew what she was going to do and even closed his eyes when she did it (you can see it since on the last panel, Eren has his eyes closed). I feel like if Eren acted this way, it’s because he transferred his consciousness to his body (all this time his head was controlling the titan so he may have regenerated a head on his body). It would explain why this concept was introduced to us with Reiner in season 3 and then never used again.
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Plus, Grisha said everything would go along to Eren’s plan, but if Eren didn’t succeed, the Rumbling is stopped and hell awaits eldians: they will be killed after what happened, considered too dangerous, more than they already were. And even if the titan power is removed, there will still be a large part of hate and of revenge in the Rumbling survivors’ hearts. I don’t believe the « Code Geass theory » which says that Eren did the rumbling so the world could see Eldians defending it, and stand united with Mahrs against him (in the role of the bad guy), especially since some Eldians sided with Eren and that he exposed them in Revelio or even in Paradise with his devoted Yeagerists. It’s not realistic at all and it doesn’t fit nor Eren’s character, nor SNK spirit.
Eren had defined goals: « exterminate them all », and that’s what he did, he doesn’t seem to want to stop the rumbling on this panel:
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Isayama said he didn’t like characters who weren’t true to their goals, that let the story change their plans and motivations too easily. He wouldn’t give to his MC the traits of a writing he despise.
Another reason why I believe the guy is alive is because his POV was hidden all this time. What’s the point of not giving to us Eren’s perspective while his final battle, when it would have been more powerful, if you did not have a big secret/plot twist generator to hide ? I think Eren and Ymir, who smiles like a creep in 138, manipulated everyone: the way Armin came with all the titan shifters in 137 with the help of Ymir was already really suspicious. Kruger, for example, had no reason to stand against Eren.
Chapter 137 was Armin, 138 was Mikasa so we will surely get Eren perspective for 139. And it will be weird if we have it while the guy is dead. Of course we’ll see what happened in chapter 130 between Eren and Historia (I can’t wait for their POVs) and Historia’s baby. The final panel makes me even more sure that Eren is still alive otherwise who on earth would say « You are free » to a new born child ? Eren x Freedom is canon.
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• The Attack Titan
We know the path is a place out of time. It’s in this place that titans are sculpted by Ymir, and that’s why I think it makes sense for Eren to be the first owner of that titan: the attack titan is the only one who ascends in the past instead of descending in the future. If physically it seems to be passed down following the classical timeline, all of it is actually playing in the paths. The Attack Titan was only possessed by rebels, directly influenced by Eren’s mindset. It disappeared at a time, and it was also a part of Ymir’s titan: it’s her rebellious part designed to « attack » the world 2000 years later. I think Isayama might add depth again to the title of the story in 139.
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• Major deaths
I can’t help but think: why did Eren let Mikasa cut his head and even indicated his location with titan marks ? I think that it’s possible he wants his last friends to fly away from the battle, thinking they have won when they didn’t, so that he can restart the Rumbling without killing them. The survivors would be Levi, Mikasa, Armin and probably Annie. I think Reiner will die to let Gaby eat him, so that Falco and Gaby, representing the future, can be saved.
It makes sense for Reiner to sacrifice himself for his little cousin: he lived for the ones he loved even if he didn’t wish to live himself, and since Gaby represents the new generation, hope, and that she was the potential inheritor of the Armored Titan, I am convinced she is the one who will eat him.
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After that the most probable thing is that Levi and Mikasa, who grew incredibly closer, will live together, same for Annie and Armin. Eren will achieve the Rumbling then go back to Historia and we will have that Akatsuki no Requiem ending.
However, a darker possibility is that everyone except Falco and Gaby might die. I am in denial 😄✌🏻
But, I ask myself how Eren will make titans disappear. I think he might have plotted something with Ymir, after all isn’t she free from King Fritz now ? Or maybe Falco will eradicate the worm (bird vs worm is kinda obvious). However I do not think the people transformed into titans will turn back to normal, it’s not Isayama’s style to « bring back » dead characters, it would make Jean’s and Connie’s deaths less tragic. I think that only shifters will loose their ability and the 13 years thing.
Theory 2: if Eren is dead
• Ymir’s manipulation
I don’t wanna believe it but what if all of this was Ymir’s plan ? If he IS dead, it’s Ymir who is the mastermind and manipulated him so that the parasite would die and that she could get out off the paths. « I took the world’s freedom to gain mine » what if it’s YMIR TALKING in 133 ? She could even had sent the dream to Mikasa in 138 so that she would know WHERE Eren was and kill him, all of this after Ymir took revenge on the world. Remember, the titan who protected Zeke came from earth, and Ymir entered in contact with « the source of all organic life », which means she could be the one behind the birds we keep seeing, including the one on Mikasa dream. She could be smiling because her plan WORKED.
Also remember in the paths where Eren was talking to the Alliance ? He was in his kid Eren form, like Ymir, we didn’t see his eyes, showing his slavery and a strange alike-look. Ymir was standing right next to him, in the exact same position, mirroring him as if he was a sort of reflection/puppet of hers. Everybody thought the contrary until now, that Ymir followed Eren. While she was here, Eren was saying that the only way to end all of this was to take his life: what if Ymir made him say that ?
It makes even more sense when Ymir helped Armin with summoning shifters and that they also had their mouths don’t moving.
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• Eldian Society ?
The only way to resolve  everything if Eren is dead is to create an Eldian empire domination with the rest of the world being weak and wiped out. Everybody would live on Paradise and would be teached about the cycle of hate and the heroes who stopped the Rumbling as new Helos, giving us an explanation of that picture in the opening (it could also be Eren’s society as well meant to not repeat the same mistakes as well)
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I hope you liked it ! Let’s not suffer too much during the waiting and organize cottagecore RM and EH weddings with the beach Aruannie one instead of crying 💁🏻‍♀️
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rivalsforlife · 3 years ago
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AA7 Speculation Post: One Year Later
here we go again.
A year and a day ago, I made a speculation post about if/when we’d ever be seeing AA7. Obviously, my claim that AA7 would be announced in September 2020 did not turn out to be true, but later that year we did get a leaked calendar containing information on the new ports for Chronicles, and also plans for a new aa7, which I summarized in this post.
Now that we have Chronicles we can verify that the leaks contained legitimate information (as if a statement from Capcom saying they were hacked wasn’t legitimate enough). So that leaves us with one key question: is AA7 still happening? If so, when can we expect it? As well, what other information from the leaked calendar can we consider, especially with early sales data on Chronicles? In addition, what are the implications of this new survey on Chronicles from Capcom?
All of that will be discussed under the cut so that this doesn’t take up too much space.
Revisiting The Calendar
Once again, here is a rough translation of the calendar that was present in the leaks:
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As a note, in this post, I’ll be referring to our new games as “Chronicles” to prevent this from being blocked by people avoiding spoilers.
So: this original calendar, generated before the pandemic, had Chronicles releasing in Q1 of FY2021 - and it’s also important to note that in Japan, each fiscal year starts in April 1st, so FY2021 is actually April-June 2021. This shows that Chronicles was pushed back about a quarter from their expected release date. However, Chronicles was a port of already existing games, therefore somewhat less work was needed on them - upscaling models and textures, adding in some new features like autoplay and story mode, and of course, the English translation and voicework were needed, which is still a lot of course, but less compared to development on an entirely new game. In addition to that, the pandemic hit AA7 in its early development stage, assuming this schedule was still being followed by the time the pandemic hit. That could cause more delays than expected.
So the original plan was for AA7 to be released in Q3 of 2021, which corresponds to October-December, aligning with the 20th anniversary of the series in October. While it’s a desirable goal, it’s quite likely the pandemic pushed it back at least a quarter, if not more, if not cancelled it entirely. ... haha.
We’ll only know the fate of AA7 for certain when it’s announced. Which it is possible it may never be. However, I have two theories for, if AA7 is getting an announcement, when it will be:
1) Sometime during September 2021, either in the leadup to or during Tokyo Game Show this year. These are for the same reasons as I outlined in my initial speculation post. It’s a popular time for Ace Attorney game announcements, after all. TGS, according to what I can find, will be held online this year from September 30th to October 3rd. If Capcom announces AA7 earlier in September through Famitsu, like they did with AA6 for example, then we can expect to get some information during TGS... 
2) Sometime during a 20th Anniversary Event, possibly in October 2021. I’m assuming AA is planning something for the 20th anniversary - Chronicles wasn’t really marketed as a 20th anniversary release, for instance. If they can’t release a new game for the 20th anniversary (which at this rate, seems unlikely, as we’re about two months out from that with no word about it) then an announcement would be just as good at generating hype for it.
Naturally, if we reach this time next year with absolutely no news on AA7, it’s probably safe to say it’s been cancelled or at least delayed so severely that anything we currently know about it isn’t worth much.
There’s one more point of interest on the calendar: reconsidering the porting of 456. I feel that this depends heavily on how well the Chronicles ports are doing; if it’s not financially viable to keep porting games, then why bother? So, let’s take a look at that.
The Success of Chronicles
As I write this, it’s about two and a half weeks since the release of Chronicles worldwide. So... how did the games do? It’s a bit hard to tell, especially as I am not a game marketer and don’t know the expectations for Chronicles. What is obvious is that, if Chronicles does much better than expected, porting 456 and possibly even the investigations games seems likely. (If Chronicles, indeed, does especially well in the West, than a porting of the investigations games and localization of investigations 2 after ten years could very well be possible.) If Chronicles does absolutely terribly, it damages the chances of porting, and possibly of continuing the series. If it does terribly especially in the West, where the games are essentially new, it could damage the chances of any new games being localized at all.
So, a lot is riding on this, and I don’t know enough to tell how well it did. Here’s what I have found, however:
Nintendo Enthusiast reports on Famitsu sales of Switch games, and overall thinks it’s not doing so great. Chronicles ranks third on the list of Switch sales in its first week, with 14,460 units sold, over 4000 less than NEO: The World Ends With You, which was released on July 27th. Keep in mind that Chronicles was released in Japan on July 29th, which is two days later, and that these are only Japanese sales (where they’ve had Chronicles for years on both mobile and 3DS) and only Switch sales, where NEO:TWEWY is currently only available on Switch and PS4 (Chronicles has the additional platform of Steam, where there could be many more sales). In the next week, Chronicles ranked 22 overall, with NEO:TWEWY at 23, though of course they’re still a little less than 4000 units behind NEO:TWEWY overall. Slightly closing the gap, I guess.  
How about overseas data, then? ... It’s hard to tell. I can find this report from gamespot which discusses the top 20 games sold in the US in July, and Chronicles is not on the list, while NEO:TWEWY is at 16. However, they don’t give any number for the units sold, and it seems that they aren’t considering digital sales for a lot of them, so it’s hard to tell how much of a hit that is.
However, let’s go back to Japanese sales for a bit, and look at the 2019 Trilogy re-release for a comparison against Chronicles. Allegedly, combined Switch and PS4 sales in the first week of the trilogy’s release only amounted to about 8000 units, a little more than half that of Chronicles’ Switch sales. It’s also important to note that the 2019 trilogy ended up being the only ace attorney game to sell over a million copies. Ace Attorney is not a big series; I’m sure Capcom takes this into account when considering sales data, especially for ports. If Chronicles does end up doing better than the trilogy overall, it’s definitely looking good for ports and especially so for Chronicles.
However, there’s more to this than just sales data.
The Survey
Capcom now has a user survey for Chronicles, which you can answer even if you’re partway through the first game. I believe it’s only open until September 30 2021, so if you think you can finish the game before then, I’d recommend filling it out once you’re done so that you can give the best feedback.
It asks you a bunch of questions like what platform you bought it on, why you bought it, your expectations, and all sorts of detailed questions on the various mechanics, difficulty and enjoyment of the trials and investigations, satisfaction of visuals, plot, characters, music, and even free response sections for what you liked and disliked about the game. It’s a very detailed survey that’s pretty long but I think is worth filling out. At the end they ask you to fill out some demographic questions (such as age, gender (male, female, other), country, what kind of things you like to spend money on, and what kind of games you like, what platforms you have to play games on). But what’s possibly the most interesting question is this:
“If a new [Chronicles] game is released in the future, do you think you would buy it?”
This means that, depending on the answers to the survey, they could very well decide to work on a third game to Chronicles.
This has huge implications for the future of the series. I’ll probably make a separate post on plot-related stuff later, but for now... let’s talk about logistics.
In my initial AA7 speculation post I said I highly doubted that they would ever make another Chronicles game. I also said that they probably never would be localized, so, guess who’s a clown now. 
Right now the AA series is in a bit of a dry period, with no new games having been released in the last four years. As well, with Yamazaki (the director of the investigations games and AA5/6) having left Capcom, the next director of the mainline games is completely unknown. As described in this video, the main reason Chronicles ever came about was because Capcom went ahead with mainline AA5 before Takumi could come back from the Layton crossover. Now, since 2017, we don’t really know what Takumi is working on. It’s possible he’s gone back to mainline to work on AA7 (though of course, there is absolutely no evidence suggesting that he has, so definitely don’t take that as any sort of confirmation).
However, if we do get a Chronicles 3, it’s quite likely Takumi would return to work on that, as he directed the previous two games. In addition, if Chronicles ends up being such a success to completely eclipse mainline (from what I’ve heard, though I have no serious proof, Resolve is considered as highly rated as T&T by many Japanese fans) then the series could permanently go down the road of writing more Chronicles games, leaving mainline stagnant (which, let’s be real, it’s already stagnating). The success of that is uncertain considering how neatly our current Chronicles duology wraps up, but... we’ll have to see how things unfold in the future.
For now, I highly recommend filling out the survey to give your input to the series’ future directions. Maybe mention that you want localized investigations 2 somewhere in the free response section because uhh I forgot to do it in mine. do that for me.
TL;DR
Main takeaways from this post are:
- I personally expect an AA7 announcement either during TGS or a 20th anniversary event
- If Chronicles does extremely well, then 456 ports are likely to happen, and I personally speculate investigations ports (along with localized investigations 2) will as well.
- Fill out this Chronicles survey before September 30th to give your input on the games and possibly the future direction of the series. I recommend completing the games before you do, but if you think you won’t before September 30th, you can fill it out at any time.
- We Very Well May Get Another Chronicles Game. Who saw that coming. Not me.
Thanks if you read through all of this, let’s hope September/October doesn’t leave me looking like a fool again.
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wolvesandpetals · 3 years ago
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Loki x Sylvie Post-Finale Fanfiction (Angst, Rated Teen) Part 1 of 2
SPOILER ALERT.
It's probably just the alcohol, but the beats of the music are starting to sound a little bit like a marching drum that's announcing war. She can feel herself dancing along to it, but her whole body is on alert, ready to switch to fight and flight any second.
"So, cool place huh?" The bloke in the leather jacket asks.
She tries to remember his name. Jeff something. Or maybe Jed. No, not Jed, she's thinking of Star Wars again. That's what happens when you binge watch a multiverse of movies in a single day.
Oh, yeah, that's right. She broke the multiverse.
Another shot of tequila, and she takes not-Jed's hand in hers. It doesn't feel right, at least not the way-
No.
She realises he asked her a question, but she can't remember what, and she just laughs, because that always works.
Encouraged, he leans in close and whispers into her ears. "How about we get out of here?"
"And go where, exactly?" She asks, but she's not sure he understands, not with how slurred the words come out.
She laughs again, and this time, it's bitter. This time, she's laughing at how this is so him, this getting drunk in the face of imminent danger and making a mess of things.
(But I'm not you.)
---
She's frozen in her place the second the glowing yellow door appears. But it's not for her, at least not this time.
She hasn't been on the run for a while. Doesn't need to be. Because even though she is the one who unleashed the chaos, it's the chaos that needs to be contained immediately. She's low on the list of priorities.
The TVA will come for her. But not right now.
---
It's extremely easy pretending to be a psychic. All she has to do is take her client's hands and enchant him, find a memory, describe it back to him.
Sometimes she does it just for fun, just to see the look of amazement on their faces.
Other times, she does it for the money she needs to survive.
"And I see a blonde woman. Very beautiful."
"That's my wife."
The way he smiles, loving and proud, makes her heart drop.
"What do you see in her future? Is she happy? Does she get the job at the magazine?"
There is definitely at least one timeline where she does get the job, but The Enchantress cannot exactly tell if it's this one. She can't actually see the future, after all.
She sees the colors drain from his face as her silence swallows the room. "She's going to be okay, right? I just want her to be okay."
(I just want you to be okay.)
There's that bitter laugh again, because-
No. She can't do this right now.
"She loves you very much", she whispers, to the man in front of her, and to the man who is not there to hear those words.
---
Mobius finds her in the middle of a concert by a Nirvana where Kurt Cobain never died. She can easily slip away, disappear into the screaming, writhing crowd if she wants.
Or she can just take him some place quiet and hear him out.
"Help us", Mobius pleads. He sounds exhausted, and not just physically. "We're outnumbered and outwitted. Our world is in danger."
"This isn't my world", she reminds him.
"Yet, you're here", he retorts.
Her smile is pained. "Where else will I go?"
He is sympathetic, like he always has been. And he offers her a new glorious purpose. "Come with me. We need you. He needs you."
She feels the air find its way out of her lungs the same way she pushed him out of her life- painfully, forcefully. "H-how is he?"
"He's okay... all things considered."
Now there's a cocktail of relief and disappointment that will give her months of sleepless nights.
"Tell him I'm-" she starts, but she doesn't know how to finish that sentence. What can she tell him? That she's sorry for not trusting him when she should have? That she's sorry for making the universes collide?
That she's sorry for betraying him and breaking his heart?
(How will I know you won't betray me at the end?)
"Nevermind."
---
It's been really hard facing the consequences of her actions, watching the timelines bleed into each other and destroy people's lives- families torn, achievements gone, every little anomaly delving into death and destruction. Every headline on the newspaper is her fault, and she has to live with that.
But that seems so easy compared to this moment where she has to face him.
The plan was to send him away, kill He Who Remains, give people their free will back, save the world, then come back to him. Yeah, he'd be mad at her at first, sure, but he'd forgive her eventually, she was confident.
Then the timelines started to branch the minute she stuck the dagger in that terrifying man's chest, and she knew she had screwed up.
She had sunk to the ground in defeat as the realisation of the repercussions hit her, and she did what she has always done- run.
She didn't even realise she had sent him to the wrong universe until she teleported herself into another universe as well. The journey back was long and lonely, but she dreamt of him in colors while the world was bleeding red, and that was enough to keep her going.
She doesn't really know what she'll do when she sees him again. Neither does she know what reaction she expects from him. Nothing he can say to her can be worse than what she thinks of herself.
A part of her hopes he would be overwhelmingly happy, he would come running to her, just like he did at The Void, greet her with the smile that has won a hundred hearts- including hers, and tell her everything will be alright. Another part of her fears that he would be furious, and he would confront her with accusations of unleashing havoc on all worlds- especially his.
What she never expected is this eerie calm that makes her feel like she is standing in the storm center.
His walls are up.
And it causes her to redirect the anger she feels at herself towards him. There's venom in her voice. "So you do get to rule, after all."
"I don't feel much like a king." He shrugs. "I'm more of a multiversal janitor. Mopping up multiversal messes."
"My messes."
"Our messes." He corrects, his features softening around the edges. "We made a mistake." He has been saying that ever since he found himself in the alternate TVA, and that hasn't changed even after getting back to his own version of the bureau. Always "we", never "she". He simply cannot bring himself to blame her without taking accountability for his part in the mess.
"Don't patronize me." Her hands are shaking, just like her voice, a sharp contrast to his steady silhouette, and can he just hold her, please? "I don't need you to take the fall for me."
His eyes go cold, like they were forged in the heart of Jotunheim. "Of course not", he says, fully composed. "You don't need me for anything. It's not like we're in this together."
(Maybe we can figure it out-together.)
---
She now knows her walls don't- can't- keep the hurt out- it just keeps her locked inside this cage of distrust and insecurities. And the price she has to pay for it is too high.
They could have been lying on a beach somewhere, sipping mimosas right now. Instead, they're here, in the vast, silent library of the TVA, sitting on separate tables, reading files on variants.
The only thing worse than bearing the weight of his gaze is having him stare at his files without looking in her direction even once. She can't take it anymore.
"I'm sorry." She suddenly blurts out.
He looks up, confused. "I'm sorry?"
"I'm sorry for what I did." She repeats. It's difficult to start an apology, but once she finds the strength to begin, the rest of it flows automatically. "I'm sorry I messed up everything. I'm sorry I broke the timelines. I'm sorry the world is in danger." She takes in a deep breath. "And I'm sorry I betrayed you."
His smile is the saddest kind. "A Loki betraying a Loki. That's the least surprising thing in the world. What's shocking is how I didn't see it coming. You really had me going with that kiss. Very nice distraction. Very Loki."
Free will comes with the fine-print of living with the consequences of your choices. And she has to live with hers every day. The tears finally spill out of her eyes. She hasn't let herself cry for a long, long time. But now she's breaking down worse than the multiverse. "I didn't do it to distract you. I did it to say goodbye."
He gets up, and she panics that he's leaving. Instead, he sits down in front of her, reaches for her hand, but changes his mind mid-way and lets them fall to his side. "You didn't have to say goodbye."
"It's all I've ever known." She feels like that scared little girl, far from home, running from minute men, with nobody to turn to but herself. "I told you, I don't have anyone."
"You had me."
That's the saddest part of it all, isn't it? Everything else in her life is the TVA's fault. She's torn from Asgard? Hasn't seen her parents in years? Can't remember her brother Thor? Spent her whole childhood running and hiding? All TVA.
But this? This is all her own doing. This is the one time she had something real, something worth holding onto, someone worth fighting against the world for. Instead, she questioned his intentions, didn't hold on, fought him and ruined everything.
"I didn't want to rule, Sylvie", he finally tells her. "I wanted you."
She has dreamed of this moment when he tells her how he feels. They have come so close to it so many times, the words dangling off the edge of his tongue but never quite finding their way out. She has always known- every word, every action pointed to it. But it was so hard to imagine someone could love her.
It's so hard to imagine someone can love her again. The past tense in his wording terrifies her worse than any danger ever could. "Is it too late to fix things?"
His smile doesn't reach his eyes. "We are fixing things. That's why we are here. Saving the universe."
"You know what I mean."
"I don't know how to trust you again, Sylvie." He tells her point blank- no deception, no lies, no Loki-ism. "And you never trusted me to begin with."
That's not entirely true. She trusts him more than she has trusted anyone. "I really thought I was doing the right thing."
"I know."
(Not to be dramatic, but yeah, we're saving the universe.)
---
The Avengers are much nicer than Loki described them, considering they don't kill her for what she has done, instead tell her about their own journeys towards redemption. Wanda tells her about the man she has loved and lost, and the pain she has caused to an entire town. Barnes talks about his past as a brainwashed assassin. Clint tells her the story of Natasha and how she took charge and changed her life.
Thor is the kindest of them all. He talks about how far Loki himself has come. He tells her stories of his version of Asgard, the nine realms, the glorious battles, the beauty of earth.
She still dreams of death, but sometimes she doesn't.
Sometimes, she hopes.
---
(To be continued)
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beccanoodles · 4 years ago
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Spike and Faye Pairing Analysis
March 2021
Ah the hit or miss pairing of the century! If you don’t love it, you probably hate it lol. I’m a very analytical person so I love analyzing works of art and overall enjoy deep discussions about them too. I have SO much to say when it comes to Cowboy Bebop (and oh I plan to), but I have decided to start with my very own OTP. Here, I am not really going to discuss Spike and Faye’s feelings for each other, but rather why I think people are drawn to this pairing and why I think they're totally valid. Get ready for a long read!😁
⚠️SPOILER WARNING!!! [Major Cowboy Bebop and the movie Out of the Past spoilers]⚠️
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First off, let’s clear something up. I am confident most of us can agree that Spike was in love with Julia. Some people assume Spike and Faye fans are deranged and disregard Spike and Julia’s romantic relationship to try and make something of Spike and Faye that never was. While some people may have their various theories and opinions on this, generally, I don’t think anyone denies Spike’s love for Julia. As we will see, this pairing is not really driven by who loves who...let’s first look on the surface.
I don’t know your experiences with the series, but in mine, every time I show this to people it never fails for someone to say something along the lines of,
“Wait, they don’t end up together?”
“Why didn’t he kiss her!?”
“He should have stayed with her...”
and so fourth. 
Naturally, this pairing catches many eyes. 
Think about it, you are given two really cool, really hot and really deep characters that are really fun to see together! There are so many parallels between the two and they are arguably the strongest characters of the bunch. Granted, you can agree with this and still not ship them, but these aspects are part of what opens up the door for many fans of the pairing.
However, there is certainly more to this pairing than them simply looking good together right? As the years pass and I’ve now seen the show multiple times, my understanding of it has evolved in many areas, Spike and Faye included. 
Spike and Faye really couldn’t have ended up together. Sure, it’s a nice thought, but It would have been an entirely different show if they had. I don’t feel that the show should have happened any other way and I don’t think many other fans would either. 
So, what am I saying here?
What’s the point of this paring if I don’t think they should have ended up together? 
It is what's so frustrating about them, yet keeps you coming back and what honestly validates this pairing in my opinion. Spike and Faye are not driven by what is, but rather, what could be.  
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I personally feel the themes of classic film Noir are not discussed enough when it comes to Cowboy Bebop! This is one of the show's major influences, especially when it comes to the plot and characters.
One of the common tropes of a film noir is that of a protagonist who is drawn back into his past and ultimate doom, usually by the “seduction” of a femme fatale. In these movies, the women are either a femme fatale [devious, dangerous, mysterious, greedy, troubled, or unreliable] or a woman of virtue [reliable, dutiful, trustworthy, conventional and loving]. 
I am going to use the 1947 classic, Out of the Past to make my comparisons from here on out.
In Out of the Past, Jeff is a former detective who gets caught up in a love triangle between a gangster and his girlfriend Kathie, sound familiar? He attempts to run away with her, but is betrayed and runs off to start a new life in a new town. Here, he meets Ann and falls in love with her, but of course, his past catches up to him and he is drawn back into the world of criminals (largely by Kathie’s involvement). This ultimately results in his and Kathie’s deaths and Ann’s heartbreak. 
Even though Kathie is the femme fatale in this movie, I found myself comparing her more to Julia’s role in the show, than to Faye’s and I found that Faye actually fit best in Ann’s role (this is a bit unusual considering Faye is typically seen as the femme fatale of this show).
Does that mean I think Julia was as ill intentioned as Kathie or that Spike fell in love with Faye? Well, not exactly, let’s look at it a bit further.
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“The kind of beautiful, dangerous ordinary that you just can’t leave alone...Like an angel from the underworld or a devil from paradise.”
Most of what we get about Julia is from Spike’s point of view. From this, we learn she is at the center of Vicious and Spike’s conflict, but aside from that she is basically depicted as “The Virtuous Woman” of a noir. The colors around her are warm and she is shown caring for Spike. There is an innocence and modestly about her as well.
Yet, when we finally do meet Julia, we get a different image. We know she is tied up with dangerous men, but is she herself a dangerous woman?
She is certainly capable of betrayal. 
Suddenly she is a bad-ass-gun-toting woman in leather and black, surrounded by hues of grey and dark blue. Intentional or not, Julia is a major part of what lures Spike back into the past and ultimately to his death. In this case, Julia is the femme fatale of Spike’s story and thus, their relationship is doomed from the start.
Faye, on the other hand, is portrayed in somewhat of a contrast. When we first meet her, she is the clear cut femme fatale, appearing cunning, strong willed and seductive. However, we soon find that she has quite a bit of kindness and naivety hidden behind her facade. She uses the former tactics as a way of emotional (and probably physical) protection. Gren points this out in his conversation with her. 
Gren, 
“You’re just afraid they’d abandon you so you abandoned them. You distanced yourself from the whole thing.”
As the show progresses, we start to see less of her “femme fatale nature” and something more genuine. Think about it, between Hard Luck Woman and RFB Part 2 we don’t see much of Faye as her typical conniving or unreliable self, aside from changing the course of the Bebop maybe. Sure she takes off, but it isn’t at all for the same reasons she did in Jupiter Jazz or Speak Like a Child, for example. 
I would argue we actually see her more trustworthy and caring than ever. Since I don’t want to spend too much time talking about Faye’s character development (not here at least) I’ll give one example of this. 
When she returns to the Bebop after her encounter with Julia in RFB Part 1, she gives Spike the message, even though the outcome might hurt her (i.e. he leaves and/or dies). While she does first say “It’s gonna cost you,” she doesn’t really mean it because she tells him without hesitation only moments later.
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This isn’t to say Faye good, Julia bad. Both women have their layers and even though we know way more about Faye, I don’t get the impression that Julia is selfish and cunning like Kathie was. But I do get the feeling she was enclosed in a world of crime and betrayal the way Kathie was. We really only know the basics of Spike and Julia’s situation. Who knows the details like motive or how long it lasted etc. etc. We can only speculate...
There is a scene towards the end of Out Of The Past, where Kathie tells Jeff to go away with her. This time it is her asking him, just like Julia asks Spike. During this she mentions,
“I never told you I was anything but what I am, you just wanted to imagine I was. That’s why I left you.”
This got me thinking...did Spike imagine Julia as something she wasn’t? Or something he wanted her to be that she just couldn’t be? 
It could explain why we get such contrasted images of her.
There are themes of this “dreamlike” relationship between Jeff and Kathie, similar to Spike and Julia’s “It was all a dream.”
The two of them were going to “live and be free,” probably something neither of them knew how to do and most likely wouldn’t have been able to get away with.
When Jet asks Spike if he can just forget the past, this is his answer.
Spike,
“There was a woman. For the first time in my life I saw a woman that was truly alive. At least that’s what I thought. She was the part of me I had lost, that part that was missing, that I had been longing for.”
I always wondered about this, because Spike is clearly talking about Julia, but right after is when Faye shows up. To me, that spoke volumes...
Faye is a woman who is terribly human and terribly alive.
Going back to Faye and Ann, I find their similarities shine not so much in the “Virtuous Woman,” concept, but rather in Ann’s dedication to Jeff and her optimism for the future. She is also the last person to talk to Jeff before he leaves for the final time, as if he were being presented with one last alternative. Spike spends his last moments with Faye as well, in which she basically begs him not to go and keep him in the present that she has now discovered for herself. She may be stuck, but she is definitely someone that yearns for human connection, love, and life.
The problem is, Spike and Faye are both set in opposite directions. Her’s leads to a future and Spike knows this because he points it out early on (My Funny Valentine). He also knows, his most likely does not. He has already dug himself too deep into this hole, if you will, that there is really no turning back. 
But let’s say none of that was an issue? What could be?
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I sat and watched this movie (Out of the Past) with my mom. She didn’t know anything about it and didn’t know why I was watching it. I wanted her genuine reaction. The whole time she was getting mad at Jeff until the very end. I asked her why and she said that she wanted him to be able to live happily with Ann. I explained to her why he had to do what he did. She understood this, but still couldn’t help but be sad at how things turned out for him, when they could have been good.
Even though Kathie and Jeff are the “lovers,” of this movie, you don’t really want them to end up together. Forget that Kathie has a devious nature, regardless, you know where it has to end and you don’t want to see your hero die.
Like Kathie, Julia symbolizes Spike’s inevitable doom and Like Ann, Faye symbolizes his possible future. 
“I’ll be with you till the end”
                           “You’re the one still tied to the past Spike!”
                                                               “Why do you have to go? Where are you going? What are you gonna do, just throw your life away like it was nothing?!”
It’s two sides of a sad coin...
We want Spike to have a future and because we love the characters of the show, it would be really great if he could have it with them, but that is where the tragedy is. It's only an idea we can think about, a possibility presented to us as it was to Jeff and Spike before their deaths.
The bottom line is, when it comes to Spike and Faye you are really only given a taste. You are not given what you expect to see, which is why I say this ship is driven by what could be. As it is with most of the character relationships in the show, no major breakthroughs are made until the very end, when it's too late. Then it just feels like such wasted potential, but sometimes in life, that's how it is. And thus, we have been given a very classic noir here ladies and gentlemen!
So no, I don’t think people miss the mark when they ship Spike and Faye, nor do I find they invalidate the show by any means. I kind of like that Watanabe switched it up and didn’t do the expected, but left us those subtle hints. He didn’t outright give Spike another lover, but he gave us someone that represents what he could have. Kind of does that with the crew as a whole too!
UGH. I love-hate this show and I love this pairing! Thank you for reading my thoughts and I know this may not be the case or reasoning for everyone, but just based on what I have seen around the community and where this show draws inspiration, this is what I have concluded. I didn’t get into Spike and Faye’s feelings for each other because it gets a little more theoretical there, but I would like to do a post on my thoughts on that as well sometime. I also didn’t touch too much on Spike’s reasoning for choosing to face Vicious in the end, just because I know that will only lead into a whole other analysis lol. But you know I have my thoughts on that and certainly plan to share them 😎 Also, I know I basically spoiled it, but Out of the Past is such a great movie!! I think if you’re a fan of this show it's definitely worth a watch! There are so many more parallels to Cowboy Bebop that I didn’t even mention. Anyways, thanks again and talk to you soon!
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